1. Earliest form of human settlement.

urban agglomeration, which was maintained in the same location for

a. Lean-to over 2,000 years. It features a unique street-less settlement of houses
b. Rock caves clustered back to back with roof access to the buildings.
c. Lascaux cave a. Khirokitia
d. Huts. b. Jericho
2. A traditional limestone dwelling in southern Italy, in which square c. Goindol
chambers are roofed with conical vaulted roofs. It uses a prehistoric d. Catal Huyuk
building technique of mortar-less stone construction still use in this 14. Stepped pyramid-like structures of successively receding levels built in
region. ancient Mesopotamia, constructed with outside staircases and a temple
a. Clochan or shrine at the top for worshipping the gods.
b. Wigwam a. Hanging Gardens
c. Thollos of Atreus b. Temple of Hatshepsut
d. Trullo c. Pyramid of Zoser
3. An American Indian dwelling, usually of round or oval shape, formed of d. Ziggurat
poles overlaid with bark, rush mats, or animal skins. 15. The ziggurat’s _______ are oriented towards the cardinal points.
a. Clochan a. Sides
b. Wigwam b. Corners
c. Hogan c. Staircases
d. Trullo d. Altar
4. A Navaho Indian dwelling constructed usually of earth and logs and 16. A palace-city which was considered as the Assyrian capital during the
covered with mud and sod, An energy efficient structure, this house is time of Sargon II. It has a parallelogram layout, walled in on all sides,
kept cool in summer by the packed mud on the roof, and during winter, with the corners of these walls pointing to the cardinal points.
the fireplace kept the inside warm for a long period of and well into the a. Alhambra
night. b. Palace of Knossos
a. Clochan c. Dur Sharrukin
b. Wigwam d. Palace of Rameses II
c. Hogan 17. The palace proper in an Assyrian palace.
d. Trullo a. Apdana
5. A prehistoric monument consisting of an upright stone, usually standing b. Khan
alone but sometimes aligned with others in parallel rows. c. Stela
a. Megalith d. Seraglio
b. Obelisk 18. The private chamber in an Assyrian palace.
c. Menhir a. Seraglio
d. Dolmen b. Lamin
6. A megalith consisting of two or more large upright stones supporting a c. Khan
horizontal stone slab. d. Haram
a. Megalith 19. The service chamber in an Assyrian palace.
b. Obelisk a. Serdab
c. Menhir b. Haram
d. Trilithon c. Khan
7. Horizontal slab on top of dolmen. d. Stela
a. Pyramidion 20. Founded by Darius I in 518 BC, this capital city of the Persians is
b. Capstone considered by UNESCO as one of the world’s greatest archaeological
c. Finial sites. On this site rises a series of architecturally stunning palatial
d. Spire buildings, among them the massive Apdana palace and the Throne Hall
(“Hundred-Column Hall”)
8. A variation of the dolmen consisting of three standing stones, two on the a. Polis
sides and one at the back. b. Acropolis
a. Trabeated c. Persepolis
b. Trilithon d. Khorsabad
c. Kilclooney 21. An Egyptian non-royal tomb made of mud brick, rectangular in plan
d. Cove with a flat roof and sloping sides, from which a shaft lead to
9. A circular arrangement of megaliths enclosing a dolmen or burial underground burial and offering chambers.
mound. a. Temple
a. Trilithon b. Barrow
b. Tumulus c. Dromos
c. Stupa d. Mastaba
d. Cromlech 22. The tombstone in a mastaba; where the ka is located.
10. An artificial mound of earth or stone, especially over ancient grave. a. Mortuary temple
a. Trilithon b. Stela
b. Tumulus c. Serdab
c. Stupa d. Seraglio
d. Cromlech 23. A temple type of offerings and worship of deceased person, usually a
deified king,
11. One of the world’s oldest continually inhabited city located on a hilltop. a. Serdab
a. Acropolis b. Valley temple
b. Jericho c. Cult temple
c. Catal Huyuk d. Mortuary Temple
d. Persepolis 24. A temple type or the worship of deity.
a. Serdab
12. One of the earliest Neolithic village built according to a preconceived b. Valley Temple
plan. c. Cult Temple
a. Khirokitia d. Mortuary Temple
b. Jericho 25. An Egyptian monolithic four-sided standing stone, tapering to a
c. Goindol pyramidal cap, often inscribed with hieroglyphs and erected as a
d. Catal Huyuk monument. These are usually found in pairs fronting the entrances of
13. Considered as the largest and most well preserved Neolithic village, it temples.
provides important evidence of the transition from settled villages to a. Pyramid
 b. Pylon 39. Considered as the earliest example of a tru pyramid.
c. Obelisk a. Pyramid of Khufu
d. Propylaea b. Pyramid of Mykerinos
26. A monumental gateway of an Egptian temple consisting of two tapering c. Pyramid of Sneferu
towers which enclosed the entrance between them. d. Pyramid of Dahshur
a. Avenue of Sphinx 40. A covered ceremonial route or corridor leading from a valley temple to a
b. Temenos mortuary temple at the foot of a pyramid.
c. Pylon a. Hypostyle Hall
d. Propylaea b. Hypaethral court
27. A large hall in an Egyptian temple having many column in rows c. Ramp
supporting a flat roof, and sometimes a clerestory. d. Pyramid causeway
a. Kiosk 41. An unfortified Minoan Palace which contained residences, ceremonial
b. Hypostyle Hall rooms, workshops, and sanctuaries.
c. Apdana a. Perspepolis
d. Hypaethral court b. Dar-Sharrukin
28. A court wholly or partly open to the sky. c. Palace of Knossos
a. Mammisi d. Palace of Sargon
b. Kiosk 42. Their architecture is characterized by construction systems based on
c. Hypostyle Hall mathematical ratios completed with sophisticated optical corrections for
d. Hypaethral court perspective.
29. A small Egyptian side temple, kiosk or tent shrine to celebrate the place a. Roman
where the god of the main temple was born. b. Greek
a. Valley Temple c. Renaissance
b. Mortuary temple d. Classical Revival
c. Pylon temple 43. Large stones without mortat on clay bedding; utilized during the Aegean
d. Mammisi Period in Greece.
30. A room or building in which the image of the Pharaoh or deity was a. Battered walls
revered. b. Tapered walls
a. Mortuary temple c. Cyclopean walls
b. Serdab d. Opus Walling
c. Barque Temple 44. A typical, single-storey Greek dwelling with a central room and
d. Valley temple porticoed entrance.
31. A tomb hewn out of native rock, presenting only an architectural front a. Domus
with dark interior chambers. b. Megaron
a. Mastaba c. Prostas
b. Rock-cut tomb d. Pastas
c. Tumulus 45. An entrance corridor or ceremonoial passageway leading to a domed
d. Pyramid Greek tomb.
32. The facade, carved directly into the sandstone cliff, takes the form of a a. Tholos
pylon and is dominated by four colossal seated figures of Ramses II. b. Pronaos
a. Temple of Queen Hatshepsut c. Dromos
b. Temple of Luxor d. Atreus
c. Temple of Amun Karnak 46. Entrance gate to the citadel palace of King Agamemnon; a massive
d. Temple of Abu Simbel entrance characterized by cyclopean walls and a corbelled arch.
33. Used in ancient Egypt as tomb to contain the burial chamber and the a. Ishtar Gate
mummy of the pharaoh. A massive masonry structure having a b. The Lion’s Gate
rectangular base and four sloping sides meeting at an apex. c. Pylon
a. Pyramid d. Propylaea
b. Mastaba 47. The slight vertical convex curvature in the length of a column shaft to
c. Mortuary temple give it the appearance of straightness under load.
d. Sarcophagus a. Trabeation
34. The first architect recorded in history. b. Entasis
a. Imhotep c. Trompe l’oeil
b. Sneferu d. Bending
c. Ictinus 48. The final phase of Greek architecture characterized by the diversion
d. Hippodamus from religious building types and construction of civic structures.
35. An Egyptian pyramid-type whose sides are stepped with tiers. a. Minoan
a. Ziggurat b. Aegean
b. Bent Pyramid c. Hellenic
c. False Pyramid d. Hellenistic
d. Stepped Pyramid 49. Generally in reference to the birth of their gods, Greek temples were
36. A pyramid-type in which each triangular planar surface changes made to face ___.
direction as it approaches the top. a. North
a. Bent Pyramid b. South
b. True Pyramid c. East
c. Sloped Pyramid d. West.
d. Stepped Pyramid 50. A Greek city stronghold or fortress constructed on higher ground than
37. Prime example of bent pyramid surrounding urban fabric. In Athens, it is where the Parthenon and other
a. Pyramid of Zoser notable temples are found.
b. Pyramid of Cheops a. Citadel
c. Pyramid of Sneferu b. Polis
d. Pyramid of Dahsur c. Acropolis
38. Connected to a mortuary temple via a causeway; it is where the d. Persepolis
mummification of the pharaoh’s body take place. 51. The sacred area or enclosure surrounding a classical Greek temple.
a. Birth temple a. Stoa
b. Valley temple b. Agora
c. Mortuary Temple c. Citadel
d. Kiosk d. Temenos
52. A Greek monumental gateway to a sacred enclosure, fortification, town a. Widen
or square. b. Become smaller
a. Pylon c. Deepen
b. Propylaea d. Become bigger
c. Temenos 65. A carved statuesque column of a draped female carrying a basket or with
d. Pronaos a basket on her head.
53. One of the architects of Parhenon a. Kore
a. Senmut b. Caryatid
b. Phidias c. Canephora
c. Ictinus d. Telamon
d. Theodorus 66. A colonnade running along the long side of a Greek peristyle temple.
54. An enclosed room or open space at the rear of a Greek temple, often a. Anta
used as a treasury. b. Pteroma
a. Cella c. Pteron
b. Pronaos d. Portico
c. Opisthodomos 67. The systematic spacing of columns in classical Greek architecture
d. Naos expressed as multiples of column diameters.
55. The three major parts of a Greek temple are the a. Peristyle
a. Pronaos, Naos, Cella b. Intercolumniation
b. Naos, Epinaos, Pronaos c. Colonnades
c. Cella, Posticum, Epinaos d. Columnar arrangement
d. Pronaos, Naos, Opisthodomos 68. The spacing of rowed columns in classical architecture at a distance of
56. A temple with two columns at the front in between two antas. two and a quarter column diameters.
a. Distyle Prostyle a. Pycnostyle
b. Distyle In –antis b. Eustyle
c. Double –anta Distyle c. Systyle
d. Distyle Amphi-antis d. Diastyle
57. A temple with its inner columns attached to the naos wall, the outer 69. Pycnostyle is the spacing of rowed columns at a distance ______ column
freestanding, and has nine columns at the front. diameter.
a. Dodecastyle Peripteral a. 1.00
b. Dodecastyle Pseudo-dipteral b. 1.25
c. Enneastyle peripteral c. 1.50
d. Enneastyle Pseudo-dipteral d. 2.25
58. A temple with seven columns at the front and rear porticoes
a. Hexastyle Prostyle
b. Hexastyle Amphi-antis
c. Hepastyle Amphiprostyle
d. Heptastyle Porticoes
59. Refer to figure 1. Identify the part.
a. Acroterion
b. Tympanum
c. Finial
d. Antefix
60. Refer to figure 1. Identify the part.
a. Tympanum
b. Frieze
c. Architrave
d. Pediment
70. Refer to figure 2. Identify the part.
61. Refer to Figure 1. Identify the part.
a. Regula
a. Tympanum
b. Mutule
b. Frieze
c. Gutta
c. Architrave
d. Taenia
d. Pediment
71. Refer to figure 2. Identify the part.
62. Refer to figure 1. Identify the part.
a. Regula
a. Stereobate
b. Mutule
b. Stylobate
c. Gutta
c. Crepidoma
d. Taenia
d. Podium
72. Refer to figure 2. Identify the part.
a. Frieze
b. Entablature
c. Linter
d. Archtrave
73. The Greek entablature is composed of:
a. Frieze, architrave, cornice
b. Architrave, cornice
c. Frieze, architrave, pediment
d. Architerave, pediment
74. This makes the upper and lower mouldings of a classical Attic base used
in the Ionic and Corinthian Orders.
a. Scotia
63. The columns at the corners of the Parthenon angle _____ and are b. Torus
______ than the others. c. Dentil
a. Inwards - thicker d. Egg and Dart
b. Outwards – thinner 75. Order of a series of plain or carved rectangular panels lining a Doric
c. Outwars – thicker frieze, separated by trigylyphs.
d. Inwards – thinner a. Mutule
64. The column flutes of the Parthenon ______ toward the top. b. Metopes
 c. Regula 89. Roman building type used as a meeting place, courthouse, marketplace,
d. Glyph and lecture hall.
76. Surface decoration of longitudinal concave grooves for classical a. Forum
columns. b. Basilica
a. Arris c. Curia
b. Fluting d. Thermae
c. Dentils 90. Long U-shaped or enclosed arena for chariot and horse racing of the
d. Trigylphs Romans.
77. The height of an Ionic Order column shaft is ______ times the column a. Circus
base diameter. b. Hippodrome
a. 7 c. Gymnasion
b. 8 d. Palaestra
c. 9 91. Shop in a Roman house.
d. 10 a. Oecus
78. Inspired from a boblet of acanthus leaves, he is believed to developed b. Triclinium
the Corinthian capital. c. Cubicula
a. Phidias d. Taberna
b. Callimachus 92. A simplified version of the Doric Order with smooth-shafted columns, a
c. Ictunus simple capital, base, and entablature.
d. Callicrates a. Composite
79. The first attempt to use the Corinthian order can be seen in the : b. Ionic
a. Temple of Athena Nike c. Tuscan
b. Erechtheion d. Doric
c. Temple of Apollo Epicurius 93. He wrote De architectura (On Architecture), known today as the “Ten
d. Temple of Olympian Zeus Books on Architecture”.
80. Square tapered column capped with the carved head. a. Da Vignola
a. Pedestal b. Alberti
b. Kore c. Palladio
c. Herm d. Vitruvius
d. Androsphinx 94. A bridge or other structure designed to convey fresh water.
81. Both the Ionic and Corinthian Orders used a decoration of this moulding a. Cloaca Maxima
in its architrave. b. Pons
a. Dentils c. Fontana
b. Egg and dart d. Aqueduct
c. Three fascia 95. Dry sweating room in a Roman bath.
d. Scotia. a. Laconicum
82. An aisle between the lower and upper tiers of seats in an ancient Greek b. Sudatorium
theatre. c. Balneum
a. Parascenium d. Apodyterium
b. Orchestra 96. System of flues on the floor or walls of Roman baths that provided
c. Cavea central heating.
d. Diazoma a. Exedrae
83. An openor roofed track or arena for chariot and horse racing in ancient b. Taberna
Greece. c. Hypocaust
a. Amphitheatre d. Xystus
b. Stadium 97. Roman open space, rectangular in shape, enclosed by different
c. Circus institutional and public buildings, serving as the city\s marketplace and
d. Hippodrome center of public business.
84. A Structure facing the audience in an ancient Greek theatre, forming the a. Agora
background before which performances were given. b. Forum Romanum
a. Episcenium c. Imperial Forum
b. Skene d. Roman Court
c. Parascenium 98. A classical arena for gladiatorial contests.
d. Orchestra a. Theatre
85. Architectural style which placed an emphasis on monumental public b. Palaestra
buildings; the invention and development of concrete led to a system of c. Amphitheatre
vaulting, which demonstrated their sophisticated engineering skills. d. Hippodrome
a. Modern Architecture 99. A Roman masonry and concrete walling system using baked triangular
b. Byzantine bricks, with its rectangular side exposed, and ehich is kept together in
c. Roman place by concrete mortar.
d. Romanesque a. Opus resticulatum
86. Senate house; a public town hall for the citizens of ancient Greece. b. Opus testaceum
a. Curia c. Opus incertum
b. Agora d. Opus spicatum
c. Bouleuterion 100. An ancient Roman walling technique characterized by irregulary shaped
d. Prytaneion and randomly placed uncut stones inserted in a core of concrete.
87. Council chanmber in classical Greek architecture. Characterized by rows a. Opus reticulatum
of stepped benches surrounding a central platform. b. Opus testaceum
a. Curia c. Opus incertum
b. Agora d. Opus spicatum
c. Bouleuterion 101. The wedge-shape, often embellished voussoir at the crown of an arch,
d. Prytaneion serving to lock the other voussoirs in place.
88. Classical Order with a capital having both volutes and acanthus leaves, a a. Springer
base and an entablature with dentils. b. Boss
a. Tuscan c. Keystone
b. Ionic d. Corbel
c. Corinthian 102. A compound vault formed by the perpendicular intersection of two
d. Composite vaults, forming arched diagonal arrises called groins.
 a. Wagon a. Stained glass
b. Conical b. Sgraffito
c. Barrel c. Mosaics
d. Cross d. Sculptural details
103. Early Christian basilica faced_____. 116. Another notable example of Byzantine architecture, this church is
a. North composed of a central structure surrounded by eight side churches. Its
b. South most prominent features are the details on its facade and the bulbous
c. East domical roofs. Nothing similar can be found in the entire millennium of
d. West the Byzantine period.
104. An architectural style where the Roman basilica form was adopted as the a. Hagia Sophia
ground plan for most churches, characterized by a rectangular plan and a b. Basilica di San Vitale
nave with two side aisles. c. St. Basil’s Cathedral
a. Early Christian d. St. Mark’s Basilica
b. Romanesque 117. Architecture characterized by heavy articulated masonry construction
c. Byzantine with narrow openings, round arches, barrel vaults, and sparse ornament;
d. Gothic churches gradually changed to cross-shaped plans.
105. An early Christian church, characterized by a long, rectangular plan, and a. Early Christian
a high colonnaded nave lit by a clerestory. b. Romanesque
a. House-church c. Byzantine
b. Basilica d. Gothic
c. Cathedral 118. A distinct medieval church for having apses at both east and west ends.
d. Temple a. Worms
106. A portico or vestibule before the nave of a basilica; area for the b. Salisbury
penitents. c. Durham
a. Ambulatory d. Worcester
b. Atrium 119. One of the primary destinations of religious pilgrimages during the
c. Cantharus Medieval times, this church houses the relics of St. Peter and
d. Narthex exemplifies the marriage of Romanesque and Baroque influences.
107. An ornamental canopy of or representing fabric over a Christian altar. a. Amiens Cathedral
a. Ambo b. Notre Dame de Paris
b. Cancellu c. Santiago de Compostela
c. Baldacchino d. Chartres Cathedral
d. Dosseret 120. Architecture characterized by a progressive lightening and heightening
108. It was common practice for Early Christian churches to be built over the of structures; use of the flying buttress, pointed arch, and ribbed vault;
burial place of a richly decorated fenestrations.
a. Bishop a. Modern Architecture
b. Priest b. Renaissance
c. King c. Byzantine
d. Saint d. Gothic
109. A semicircular or polygonal projection of a building, usually vaulted and 121. A stone support designed to take the lateral trust of a roof, vault, or wall.
used especially at the sanctuary or east end of a church. a. Pinnacle
a. Altar b. Flying buttress
b. Baldachino c. Buttress pier
c. Apse d. Abutment
d. Bema 122. A horizontal rib marking the crown of a vaulting compartment.
110. A transverse open space separating the nave and the apse of an Early a. Lierne
Christian church, developing into the transept of later cruciform b. Diagonal rib
churches. c. Ridge rib
a. Garth d. Tierceron
b. Apse 123. An ornamental, knob-like projection at the intersection of ogives in a
c. Bema Gothic ribbed vault.
d. Narthex a. Keystone
111. Architecture characterized by circular or polygonal plans for churches; b. Boss
domes carried on pendentives, and the extensive use of rich frescoes, c. Antefix
and colored glass mosaics. d. Moulding
a. Early Christian 124. A tertiary rib in a Gothic ribbed vault often used decoratively rather than
b. Romanesque for structural purposes.
c. Byzantine a. Tierceron
d. Gothic b. Diagonal rib
112. A thickened abacus or supplementary capital set above a column capital c. Boss
to receive the thrust of an arch. d. Lierne
a. Dosseret block 125. A phase in English Gothic characterized by use of a lacework of vertical
b. Springer glazing bars, fine intricate stonework, and elaborate fan vaults.
c. Capital a. Early English
d. Herma b. Rayonnant
113. Byzantine Church with a Greek cross plan; also known as the “Church c. Perpendicular
of Gold” for its numerous gold plated ornamental features. d. Decorated
a. Basilica di San Vitale 126. A phase in French Gothic characterized by pointed arches and geometric
b. San Clemente traceried windows.
c. Saint Mark’s Basilica a. Perpendicular
d. Hagia Sophia b. A lancette
114. A curved segmental surface or construction for joining the round base of c. Curvilinear
a masonry dome or opening to a square structure beneath. d. Rayonnant
a. Squinch 127. Architecture which developed during the rebirth of classical art and
b. Voussoir learning in Europe; initially characterized by the use of the classical
c. Pendentive orders, round arches, and symmetrical proportions.
d. Keystone a. Modern Architecture
115. Interiors of Byzantine churches are extensively decorated with b. Renaissance
 c. Byzantine a. Jugendstil
d. Gothic b. Sezession
128. Renaissance architect who wrote “The Four Books of Architecture” c. Modernismo
a. Da Vignola d. Style Moderne
b. Vitruvius 142. Architectural style characterized by the use of black and white with the
c. Alberti primary colors, rectangular forms, and asymmetry.
d. Palladio a. Style Moderne
129. He designed the dome of the Florence cathedral. He also formulated the b. The Style
pictorial device of linear perspective. c. Cubism
a. Bernini d. Expressionism
b. Michelangelo 143. “Architectural form should reflect a building’s social purpose”
c. Brunelleschi a. Eero Saarinen
d. Alberti b. Louis Kahn
130. A late Renaissance architect, he authored “The Five Orders of c. Alvar Aalto
Architecture”. Notable works include the Gesu Church. d. Mies van de Rohe
a. Da Vignola 144. “Less is bore”
b. Vitruvius a. Louis Sullivan
c. Alberti b. Louis Kahn
d. Palladio c. Robert Venturi
131. He wrote the book “De Re Aedificatoria”. d. Mies van de Rohe
a. Da Vignola 145. Used to describe massive modern architecture built of reinforced
b. Vitruvious concrete, with the concrete’s rough, abrasive surfaces ;eft exposed.
c. Alberti a. International Style
d. Palladio b. Postmodern
132. He designed what is considered as the first High Renaissance building in c. Brutalism
Rome, the Tempietto of San Pietro. d. Deconstructive
a. Bramante 146. His architecture often has a childlike, cartoonish quality shown to
b. Brunelleschi exaggerated effect.
c. Alberti a. James Stirling
d. Palladio b. Michael Graves
133. His primary contributions to the construction of St. Peter’s Basilica are c. Richard Mier
the designs of the colonnades inclosing the piazza and the baldachino. d. Antoni Gaudi
a. Raphael 147. Architect of the Millennium Dome in London.
b. Bernini a. Richard Rogers
c. Maderna b. Renzo Piano
d. Da Vignola c. Norman Foster
134. It was the most lavish out of all the styles of Renaissance; it attempted to d. Daniel Libeskind
make art more life-like and sensual; it was also considered as a reaction 148. Architect of the tallest skyscraper in the western hemisphere
against Mannerism. a. Richard Rogers
a. Churriguresque b. Renzo Piano
b. Rococo c. Norman Foster
c. Baroque d. Daniel Libeskind
d. Baroco 149. Architectural style which is characterized by the synthesis of
135. An approach to urban planning characterized by monumentally placed technology, craft, and design aesthetics, and emphasis on functional
buildings, grand promenades, spacious plazas, and classical sculpture. design.
a. Broadacre City a. Arts and Crafts Movement
b. Forum Romanum b. International Style
c. Garden Cities c. Bauhaus
d. City Beautiful Movement d. De Stijl
136. Considered as the world’s first skyscraper. 150. Architectural style based on the return to craftsmanship and the
a. Heacock Building integration of art design, and architecture; characterized by fluid,
b. Home Insurance Building undulation motifs, often derived from natural forms.
c. Sullivan Center a. Art Deco
d. Picache Building b. Art Nouveau
137. His greatest contribution to the skyscraper was the organizing of its c. Bauhaus
identical, stacked floors to express a strong visual identity. d. De Stijl
a. Mies van de Rohe 151. A Buddhist memorial mound to enshrine a relic Buddha.
b. Philip Johnson a. Stupa
c. Louis Sullivan b. Vedika
d. Richard Rogers c. Chattri
138. Promotes harmony between human habitation and the natural world; d. Gompa
material, motifs, and basic ordering principles based on nature. 152. Buddhist sharine carved out of solid rock on a hillside; form of an aisled
a. Green Architecture basilica with stupa at one end.
b. Art Nouveau a. Vihara
c. Romanticism b. Gompa
d. Organic Architecture c. Chaitya
139. Architecture based on geometric motifs, streamlined and curvilinear d. Wat
forms, and sharply defined outlines. 153. Railing enclosing a stupa
a. Art Deco a. Vedika
b. Style Ogivale b. Dagoba
c. Art Nouveau c. Gompa
d. Stile Liberty d. Chaitya
140. Architect, Chrysler Building in New York 154. Elaborately carved ceremonial gateway in Indian Buddhist and Hindu
a. William Le baron Jenney architecture with two or three lintels between two posts.
b. Louis Sullivan a. Torii
c. William van Alen b. Dagoba
d. Victor Horta c. Pailou
141. Art Nouveau in Austria. d. Torana
155. The sanctuary of a Hindu temple in which a deity is enshrined. a. Roji
a. Mandira b. Zashiki
b. Vimana c. Shoin
c. Vihara d. Chashitsu
d. Rath 169. “Stalactite” decoration of icicle-like elements hanging from the ceiling.
156. Large porch-like hall and used for religious dancing and music in a a. Ka’ba
Hindu Mandira. b. Arabesque
a. Gopuram c. Muqarnas
b. Amalaka d. Iwan
c. Sikhara 170. Pulpit from which the imam delivers his sermons.
d. Mandapa a. Minarets
157. In a mandira, a tower usually tapered convexity and capped by an b. Qibla
amalaka. c. Ivan
a. Chattri d. Mimbar
b. Gopuram 171. Fountain for washing before prayers in a mosque.
c. Sikhara a. Cantharus
d. Wat b. Fawwara
158. Blended traditions from India and Islam. c. Iwan
a. Saracenic d. Liwanat
b. Mughal 172. A Friday mosque having a sahn (central courtyard of a mosque) for large
c. Dravidian congregations.
d. Pallava a. Idgah
159. A platform for a mosque situated at the end of a walled garden divided b. Jami Masjid
by canals. c. Musjid
a. Mandala d. Madrasa
b. Rupadhatu 173. A wall in a mosque in which the mihrab (niche or decorative panel) is
c. Chahar bagh set, oriented to Mecca.
d. Arupadhatu a. Minaret
160. In Buddhism, it is the geometric symbol of the universe showing a b. Muezzin
combination of a circle (heaven) and square (earth). c. Ka’ba
a. Kamadhatu d. Qiblah
b. Rupadhatu 174. Main central section of an Isneg Binuron.
c. Mandala a. Hawong
d. Mandira b. Xassaran
161. Buddhist temple in China characterized by a square or polygonal plan, c. Tamuyon
with roofs projecting from each strorey; erected as a memorial or to hold d. Sipi
relics. 175. Traditional Kalinga house.
a. Pagoda a. Fale
b. Stupa b. Ato
c. Pailou c. Binayon
d. Torii d. Binangiyan
162. Found inside the Forbidden City, the residence of the son of heaven and 176. A Badjao boat-house which has outriggers, is roofed, and walled in on
the conceptual center of the empire. all sides by wooden boards.
a. Emperor’s Palace a. Dapang
b. Fogong Pagoda b. Lepa
c. Palace of Heavenly Purity c. Vinta
d. Hall of Supreme Harmony d. Djenging
163. A design principle in Chinese architectural characterized by arranging 177. An elaborately ornamented altar screen.
architectural elements so that they are in harmony with nature. a. Sacristia
a. Yin Yang b. Tribunas
b. Jian c. Sagrario
c. Feng Shui d. Reredo
d. Dougong 178. Where the priest and his assistants put on their robes before the mass.
164. Style of Shinto shrine characterized by rectangular plan raised on posts, a. Sacristia
surrounded by a railed veranda with a free-standing post at each gable b. Tribunas
end. c. Sagrario
a. Naiku d. Reredo
b. Tokonama 179. First church to be built in Luzon; Only structure in Intramuros to survive
c. Shimmei Zukuri WWII.
d. Zashikin a. The Church of the Immaculate Conception of San Agustin, Manila
165. Golden Hall in a Japanese Buddhist temple; sanctuary where the main b. Sto. Tomas de Villanueva Church, Iloilo
image of worship is kept. c. Church of Nñuestra Señora de la Asuncion, Ilocus Sur
a. Kodo d. Church of Sta. Catalina de Alexandria, Cebu
b. Kondo 180. It is the finest surviving example of ‘Fortress Baroque’.
c. Chumon a. The Church of the Immaculate Conception of San Agustin, Manila
d. Sorin b. Sto. Tomas de Villanueva Church, Iloilo
166. A type of residential Japanese architecture which features the c. Church of Nñuestra Señora de la Asuncion, Ilocus Sur
proportioning system of using tatami mats. d. San Agustine Church, Ilocos Norte
a. Shoji 181. Most outstanding example in the Philippines of ‘Earthquake Baroque’.
b. Shimmei zukuri a. Saint Augustine Church, Ilocos Norte
c. Shoin b. Sto. Tomas de Villanueva Church, Iloilo
d. Zashiki c. Church of Nñuestra Señora de la Asuncion, Ilocus Sur
167. Main room in a Japanese house for receiving guests. d. The Church of the Immaculate Conception of San Agustin, Manila
a. Shoji 182. As a seat of colonial governance, it housed several administrative offices
b. Shimmei zukuri and archives.
c. Shoin a. Municipio
d. Zashiki b. Aduana
168. Venue for a Japanese tea ceremony, with an adjacent garden to it. c. Ayuntamiento
 d. Real Audiencia c. SOM
183. Interior overhanging veranda; most immediate room from the stairs. d. KPF
a. Galeria volada 197. Awarded as the first National Artist for Architecture in 1973, he worked
b. Callado largely in the Art Deco style, combining stylized flora and angular
c. Caida forms.
d. Enresuelo a. Juan Arellano
184. Water cistern in a bahay na bato. b. Juan Nakpil
a. Balon c. Pablo Antonio
b. Batalan d. Antonio Toledo
c. Aljibe 198. Another National Artist for Architecture, this architect was known for
d. Azotea his use of concrete and interplay of floating volumes as an abstract
185. Familiar local architecture icons from Hispanized colonial structures representation of Filipino culture.
overlaid with a neoclassical massing. a. Cesar Concio
a. Aquitectura Mestiza b. Froilan Hong
b. Colonial Revival Mission c. Leandro Locsin
c. Neoclassic d. Juan Arellano.
d. Tropical Hybrid 199. His first work ever constructed, this is known to be the first circular
186. A type of dwelling which combines tropical features of vernacular church in the Philippines and the first to use a thin-shell concrete dome.
buildings with hygienic structural principles and modern materials. a. Church of the Risen Lord
a. Bahay na bato b. Church of St. Andrew
b. Bahay kubo c. Church of the Holy Sacrifice
c. Tsalet d. Quaipo Church
d. Rakuh 200. One of his most notable international commissions; Also known as the
187. Masonry that is perforated, pierced, or lattice-like; functioned mainly as Light of Faith Palace, this was the official residence of the Sultan of
diffusers of light and doubled as exteriod decorative meshes. Brunei, and the seat of the Brunei government.
a. Pierced screen a. Istana Nurul Iman
b. Folded plate b. Sultan Omar Ali Saifuddien Mosque
c. Brise soleil c. Royal Regalia Building
d. Sun breakers d. Plaza Sutera Biru
188. Roof structure that is formed by joining flat, thin slabs along their edges e.
a. Pierced screen
b. Folded plate
c. Brise soleil
d. Sun breakers
189. Architect of the first skyscraper in the Philippines
a. Juan Nakpil
b. Andres Lune de San Pedro
c. Angel Nakpil
d. Luis Ma. Araneta
190. A nostalgic attempt to recreate a style from the past. “Fold architecture”
and the bahay kubo became architectural archetypes.
a. Regional Tropicalism
b. Neo-vernacular
c. Colonial Revival Mission
d. Neoclassicism
191. Architect who designed the first building to rise along Ortigas Avenue.
a. Jose Ma. Zaragoza
b. Cesar Concio
c. Angel Nakpil
d. Cresenciano de Castro
192. He designed the salakot-inspired Philippine Pavilion for the 1964 New
York’s Fair.
a. Leandro Locsin
b. Otillio Arellano
c. Juan Arellano
d. Francisco Mañosa
193. Arena-type, 10, 000-seat theatre constructed within 77 days; intended
venue for the 1974 Ms. Universe Pageant.
a. Tanghalang Francisco Balagtas
b. Tanghalang Pambansa
c. Manila Film Center
d. CCP Main Building
194. Architect of the Manila Film Center; he studied the proportions used in
the Parthenon in the design of its facade.
a. Leandro Locsin
b. Francisco Mañosa
c. Froilan Hong
d. Gernonimo Manahan
195. International partner for the design of the Essensa Towers in Taguig,
Metro Manila.
a. Michael Graves
b. IM Pei
c. SOM
d. KPF
196. International partner for the design of the World Trade Exchange in
Binondo, Manila.
a. Michael Graves
b. IM Pei