TAYABAS WESTERN ACADEMY

Founded 1928 | Recognized by the Government | Candelaria, Quezon 4323

INSTRUCTIONS FOR THE SUBMISSION OF YOUR ANSWERS

A N S W E R S H E E T: A. FOR ONLINE MODALITY:
 Follow and use the provided answer sheet template for the week.
 Send it to our FB group IN A SINGLE FILE ONLY USING THIS FORMAT AS YOUR FILE
NAME:
A. NAME P
HENRY CASTILLO
r e
- (SECTION_SurnameFirstName_21stCLwk2)
Example: SMITH_MarananMarinell_21stwk2
Grade, Strand & Section:
12 STEM-GALILEI B. FOR E-LEARNING MODALITY:
 Follow and use the provided answer sheet template for the week.
Teacher’s Initials:  Save it in a SINGLE FILE using the same file name as mentioned above.
MJLB  Save it to your USB flash drive.
 Go to the TWA SHS Building to submit your answers in exchange for the next module.

C. FOR MODULAR MODALITY:

Test (Multiple Choice)  Write your answers in the provided answer sheet template for the week.
 You can also use an extra sheet of paper, if needed.
1. A 4. B  Go to the TWA SHS Building to submit your answer sheets in exchange for the next module.
2. C 5. B
7. C 9. D
3. C 6. C
8. A 10. D

B. Pinoy Games (Table)

Put a check () if you
How many can What are the things needed to play
PINOY GAMES are familiar with this How is it played?
participate in the game? the game?
game
 There is a taya and he will be the cow in the game and other players will jump over, it AS MANY AS YOU NOTING
will start by the person who is the taya who will kneel the catch of this game is that WANT
Luksong-baka
the taya will slowly rise as the game goes and the person who is unable to jump over
or the person who touches the taya with any part of its body became the taya.
 This game is common even nowadays it is played by the children where they will 3-10 ANYTHING THAT CONNECTED
Bahay-bahayan make a house of there own and we may compare it a real house hold usually they act TO A FAMILY
like a real family living in the same roof.
 It is played outdoors like in the street, in this game you will draw like a straight lines 2-10 CHALK AND PAMATO
with columsn where everybody will jump in and you will have your pambato it is a
Piko piece of rock that you will throw, after you throw it you need to jump either one or
two feets depends on the colunm and after you reach the end you will come back and
pick up your pambato.
Bangkang Papel  A seasonal games for children it is played outside where you will make a boat made AS MANY AS YOU PAPER AND WATER
of paper, it is common for children to know this tecnique and after making a boat the WANT
catch is you will play it while raining usually children will bet because they will play

21st Century Literature | Unit 1 – Lesson 1 – ANSWER SHEET (WEEK 2) Page 1|5

RA 8293: Intellectual Property Code of the Philippines

 TAYABAS WESTERN ACADEMY
Founded 1928 | Recognized by the Government | Candelaria, Quezon 4323

it like racing in the water.

 A common street game, a group of children will gather and having only a piece of can AS MANY AS YOU USED CAN AND SLIPPER
a and a piece of slipper the taya will safely guard the can and protect it from the other WANT
Tumbang Preso children who will then throw their pambato which is the slipper to tumble the can.
The goal of this game is to tumble the can if none of the players manage to do that the
taya will have the opportunity to catch other player who will get there pambato.
 This game need what we called sipa, the objective of this game is to kick the sipa and AS MANY AS YOU LEAD (TINGGA)
maintain it in the mid air while doing this other will count how many we can say WANT
Sipa
points and if the sipa touches the ground your turn is up you and you can use your
feet and who ever got the most points win.
 The taya will close his eyes in his chosen base and count usually 1-10 will he is AS MANY AS YOU NOTHING
counting other player will hide and the taya which is the seeker will find them and WANT
Taguan one by one he will catch him and go back to his base to be save but if other player can
make to the base of the seeker they will be saved but if the cannot they will become
the taya.
 Trumpo is a classic Filipino toy, each player will have a set of trumpo and strings 3-5 TOP
Trumpo they will wrap the strings under the trumpo they will set it to spin in a little circle that
will serve as the battlefield and the last one spinning will be declared the winners.
 It is start with the taya where he will stay in the leveled ground which is the lupa and AS MANY AS YOU NOTHING
he will try to catch other players by tagging them but first he will sing the langit-lupa WANT
Langit-lupa song after he sang it other players need to run and find a high ground to step on and
this will serve as the langit and if someone cannot manage to do this he or she will be
tag and become the taya.
 A classic Filipino street game, there are two groups of people the first group will be 10 CHALK
the guard who is the taya and the second group has the objective. The objective is that
they need to pass the guard of the line without being touch by the guards who guard
Turubigan/patintero
the lines if one member has been touch everybody in the group will become the taya
but if they manage to pass all the guard without being caught they will gain points
and at the end of the game who ever have the most points win.

C. Poem Analysis (Guide Questions)

1. For me, the speaker in the poem is the one who was heart broken and I think it is a man and there is a posibility that the speaker is also the speaker.

2. I think the childhood game is alluded to in the title of the poem was TOP (trumpo).

21st Century Literature | Unit 1 – Lesson 1 – ANSWER SHEET (WEEK 2) Page 2|5

RA 8293: Intellectual Property Code of the Philippines

 TAYABAS WESTERN ACADEMY
Founded 1928 | Recognized by the Government | Candelaria, Quezon 4323

3. The major poetric device used in the poem was IMAGERY, I think no because for me it is hard to understand easily. And the type of imagery that used in the
poem is visual imagery because it refers to visualise the subject, objects and events in the poem.

4. The first and last stana is absolutely opposite to each other.

5. It is about loving someone even if they cannot love you back.

D. Figurative & Literal Meaning (Table)

Word from the Poem Literal Meaning Figurative Meaning

To give support in one thing or give help To give a hand to people in need
Sinidok (sinapo)
To hurt ones self resulting in bruises or wound Make other people bleed
Lulugadon (susugatan)
It is the hard growth in the skin making it rough The surface of the skin is hard as rock
Makubal (makalyo)
It is a hum or making slow and steady movement To make noise or buzz like a bee
Hagubhob (ugong)
It is how light one thing is It is like feeling the light
Magian (magaan)

E. "Building the National" (Summary & Guide Question)

Summary: Is Dalisay’s essay convincing? Why or why not? How does Dalisay use
evidence?
According to Resil he wasn’t making a brief for Jalandoni’s selection as a National Artist; with typical scholarly
modesty, he said that he simply didn’t know her work well enough to make that judgment. Rather, he was using Yes it is convincing because a Filipino writer representing intentionally, it is
Jalandoni’s case to draw attention to the gross disadvantage at which Filipino writers working in languages other than not the Filipino who will adjust. It is the one who will read it, because it is a
English and Filipino lie, particularly when it comes to recognition on a national or international level. masterpiece. Dalisay ued the history of writing as an evidence.
This has been the problem in the three or four times in which she was nominated.
“This is abetted by a procedural constraint. Because of confidentiality rules, members of the Council of Experts know
who the candidates are only on the day of deliberation itself. Hence, they have no time to prepare for the deliberations by
way of reading, research, or consultations with those knowledgeable about particular candidates. Although brief research

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RA 8293: Intellectual Property Code of the Philippines

 TAYABAS WESTERN ACADEMY
Founded 1928 | Recognized by the Government | Candelaria, Quezon 4323

reports are prepared by the Secretariat for reference by Council members, these reports are made available only on the
day of the deliberation and are not of much help.”
Resil was really much less concerned about awards than by the inequality (and, therefore, the injustice) of popular
perceptions.
“The politics of national recognition” he went on to say, “is such that it matters where you are read, in what language,
and by whom.
Someone who publishes in Hiligaynon (or Cebuano, Waray, or Iluko) in a periodical with a circulation of 50,000 is a
‘regional writer.’
A writer in Manila who publishes a 500-copy of English poems is a ‘national writer.’” (Interestingly enough, we’re
holding our sessions at the Casino Español de Cebu, a social and architectural tribute to a language we’ve almost entirely
lost, literarily.)
Taboan’s discussions following Resil’s speech revived some of those familiar issues.
To the Antique-born poet and playwright John Iremil Teodoro, the common practice of denoting any writing outside
Manila as “regional” literature merely reinforced “Manila-centrism,” according, by implication, a superior quality to
products coming out of the capital. However, to Carlo Arejola from Bicol, the regional badge was a not a hindrance but a
challenge.
According to Arejola, You don’t need to look to Manila for approval or affirmation, You can create a readership among
yourselves. We created our own awards, our own workshop.

F. Alternative Version (Fill in the Blanks)

Filipino Translation: Alternative Version:
SAPO Title: HAWAKAN
Sinapo kita Huwag mo akong bitawan Ngayon nga,
Kahit alam kong Ngayon nga,
Kahit alam kong sa akin ika’y pinipigilan Di ko namamalayan
Susugatan lamang Di ko namamalayan,
Ng uuga-uga mong pag-ikot Na sa pagdaan ng panahon,
Ng puso mong ka’y sarap pakinggan Na sa pagdaan ng panahon,
Ang makalyo kong kamay. Ang matalim mong pako Ang tibok niyan, sa tenga ko’y Pag-ibig ko’y sa iba nagparamdam ang
Ay patuloy na gumigiwang-giwang nagparamdam. mithiin
Di ko alintana Sa aking palad – Ay patuloy na nananalig sa panginoon
Dahil kung ako’y magmamahal muli, Tahimik, walang nagangalit na tunog, Di ko alintana Upang higit na makilala
Ikaw pa din naman Magaan, parang papel lang. Dahil kung ako’y makikinig sayong muli, Upang muling magkaroon
Ang aking sasapuhin. Paniguradong sakit ang aking mamimithi Ng panibagong pag-asa.
Dahil ang puso ko’y nawasak na makita
kitang nakangiti.

G. Evaluating a Translation (Letter of Evaluation)

21st Century Literature | Unit 1 – Lesson 1 – ANSWER SHEET (WEEK 2) Page 4|5

RA 8293: Intellectual Property Code of the Philippines

 TAYABAS WESTERN ACADEMY
Founded 1928 | Recognized by the Government | Candelaria, Quezon 4323

Dear Kristian Cordero,

I would like to inform you that your work is NOT APPROVED to published because I think you should edit it again and you
can submit it if you want to, then i will check it again for you. Sorry and thank you for your understanding.

Yours truly,

HENRY CASTILLO
Editor of Bikol Literary Magazine

H. REFLECTION
I have realized that we need to be familiarized to the own language of our country and be equal to any region, religion, languange or cities in our country
because they are Filipinos. And they deserved to be respect.

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RA 8293: Intellectual Property Code of the Philippines