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in English has gradually become yet another marker for establishing such
identity in various genres of English, which until recently was considered
essentially a ‘colonial’ linguistic remnant to be discarded with disdain. We see
the evolving role of English as integral to national identity now in such places
as Malaysia, Hong Kong, the Philippines, Pakistan, and Sri Lanka. There is
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AN: 321728 ; Braj B. Kachru.; Asian Englishes
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2 Asian Englishes: Beyond the canon
For the younger generation family members, English is the/a home language
and the ‘first language’ in school; they are, stereotypically, very ‘Westernized’,
being fed on a daily dosage of Western pop music, American sitcoms, etc.
Generational difference in the cultural grounding in the use of Singapore
English can thus be expected. (2001: 105)
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Introduction: Anglophone Asia 3
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4 Asian Englishes: Beyond the canon
The two chapters in Part III (Mantras) contextualize the canon of creativity
in Asian Englishes specifically with reference to Raja Rao’s classic Kanthapura
(1938), to illustrate an Asian and African dilemma between madhyama, the
medium, and mantra, the message. In other words, the debate is regarding
the relationship between the channel of a message and the ideological constructs
that this channel may convey. This dilemma is perceptively expressed by Raja
Rao when he says that the medium represents ‘an alien language’ and yet, it
is ‘not really an alien language’. Chapter 7, ‘Medium and mantra’, focuses on
Raja Rao and his pioneering articulation of the Indianness in Indian English
in 1938. Chapter 8, ‘Talking back and writing back,’ presents further
authentication of Raja Rao’s credo for creativity by several Asian and African
creative writers in their interviews with Feroza Jussawalla and Reed Way
Dasenbrock (1992). This chapter is a review of their book which focuses on
three intriguing questions about creativity in world Englishes: What does it
mean to write in a language that is not one’s own? What does it mean to have
more than one language to write in? And, how does this bilinguality affect
one’s approach to English? The views of fourteen creative writers comprise
the volume, including four from Anglophone Asia: Raja Rao, Anita Desai,
Zulfikar Ghose, and Bapsi Sidhwa.
In current debates on language shift, decay and extinction the jury is still
out on the putative cause of linguicide, language murder, or language genocide.
In literature a finger is often pointed toward the English language. Part IV
(Predator) revisits the questions of ‘Killer or accessory to murder?’ specifically
with reference to English in Asia. In Part V (Pedagogy), Chapter 10, ‘Contexts
of pedagogy and identity’, argues that there is a functional and pragmatic need
to relate the broader conceptualization of world Englishes to the pedagogy
in the teaching of English in Asian classrooms. This, then, entails a shift in
methodology, in the syllabus design and in the contextualization of the texts.
The concluding section, Part VI (Afterword), Chapter 11, ‘Present tense:
Making sense of Anglophone Asia’, recapitulates the major theoretical strands
— linguistic, ideological, ideational — that contribute vitality and pragmatic
authentication to Asian Englishes. This concluding chapter provides a context
and a backdrop for the watchers of Anglophone Asia. The major points
discussed are:
• The heart of the matter
• Constructing constructs
• Flogging a dead horse
• On getting the Three Circles model backwards
• Identity markers and location
• Pidgins and creoles in the constellation
• Life-Cycle hypothesis and ‘reincarnation’
• Lingua Franca, again!
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Introduction: Anglophone Asia 5
This chapter sums up the major issues, the tensions related to presence of
English in Anglophone Asia, and the underlying reasons for these tensions.
It also seeks to make sense of the present vibrant constructs and debates
surrounding the evolving identities of English in Anglophone Asia.
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