Professional Documents
Culture Documents
1:30-2:30
2:30-2:45 (Break)
2:45-3:45
3:45-4:45
4:45-5:45
5:45-6:45
I. Objectives
Content Standard: The learner demonstrates understanding of how world literature and other
text types serve as ways of expressing and resolving personal conflicts, also how to use strategies in
linking textual information, repairing, enhancing communication public speaking, emphasis markers in
persuasive texts, different forms of modals, reflexive and intensive pronouns.
Performance Standard: The learner composes a short but powerful persuasive text using a
variety of persuasive techniques and devices.
MELC 3: Appraise the unity of plot, setting and characterization in a material viewed to achieve
the writer’s purpose.
Support Skill/s: Analyze concepts of unity of plot, setting and characterization in understanding
and achieving the purpose of the writer. Identify author’s purpose.
II. Content
Topic: Plot, Setting and Characterization
Materials: CILM Matrix, Pivot 4A SLM, video copy of Mulan 2020, pictures,
graphic organizer posters
IV. Procedures
A. INTRODUCTION
Learning Task 1: Study the given pictures from the film Maleficent then identify whether it depicts the
plot, the setting or the character/s of the story.
Processing Questions:
1. What are your impressions about the activity?
2. How did you complete the activity?
B. DEVELOPMENT
Activity 2: Match the setting in Column A with the characters in B and the conflict in C.
B C A B C
1. Hogwarts School of
a. Joy k. The whole island is frozen.
Witchcraft and Wizardry
Processing Questions:
1. What does each column represent?
2. How important is conflict in establishing the setting of the story?
3. Why there is a need to have a supporting character/s in any piece of literature?
Activity 3. Invite the class to watch a movie in advance or use any movie that they have watched or story
that have read. Then, answer the questions that follow. Use the graphic organizers like the one given.
Use text provided from SLM Pivot 4A page 16 of Quarter 1 for the definitions of the following
terms:
⮚ Setting
Aspects to consider as contributors to a setting:
● Place
● Time
● Weather Conditions
● Social Conditions
● Mood or atmosphere
1. Dynamic character: A dynamic character is one who changes over the course of the story. As
such, a dynamic character makes the best protagonist. In Mark Twain’s The Adventures of
Huckleberry Finn, both Huck and Jim are dynamic characters. Similarly, each character in the
love triangle of William Styron’s Sophie’s Choice—Stingo, Sophie, and Nathan—is a dynamic
character.
2. Round character: Closely related to a dynamic character, a round character is a major character
who shows fluidity and the capacity for change from the moment we meet them. By contrast,
some dynamic protagonists do not change until actions in the story force that change. Round
characters can be noble, like Konstantin Levin in Anna Karenina, or morally dubious, like
Humbert Humbert in Lolita.
3. Static character: A static character does not noticeably change over the course of a story.
Sometimes known as a flat character, these characters often play tertiary roles in a narrative
(think of various parental figures in Roald Dahl’s children's books). Many villains are also static:
They were evil yesterday, they’ll be evil today, and they’ll be evil tomorrow.
4. Stock character: A stock character is an archetypal character with a fixed set of personality
traits. Shakespeare’s various fools are stock characters, as are some of his comic creations like
Sir Andrew and Sir Toby in Twelfth Night.
5. Symbolic character: A symbolic character represents a concept or theme larger than themselves.
They may have dynamic qualities, but they also exist to subtly steer an audience’s mind toward
broader concepts. Most are supporting characters, but some stories have symbolic protagonists,
such as Dostoevsky’s The Idiot. When it comes to symbolic supporting characters, Boo Radley
in To Kill A Mockingbird is an example, representing a much larger legion of outcasts.
https://www.masterclass.com/articles/guide-to-all-the-types-of-characters-in-literature
Plot
Plot is the way an author creates and organizes a chain of events in a narrative. In short, plot is the
foundation of a story. Some describe it as the "what" of a text (whereas the characters are the "who"
and the theme is the "why"). This is the basic plot definition. But what does plot do?
The plot must follow a logical, enticing format that draws the reader in. Plot differs from "story" in that
it highlights a specific and purposeful cause-and-effect relationship between a sequence of major events
in the narrative.
All plots follow a logical organization with a beginning, middle, and end—but there’s a lot more to the
basic plot structure than just this. Generally speaking, every plot has these five elements in this order:
1. Exposition/introduction
2. Rising action
3. Climax/turning point
4. Falling action
5. Resolution/denouement
https://blog.prepscholar.com/what-is-plot-definition
Setting is the time and place (or when and where) of the story. It’s a literary element of literature used
in novels, short stories, plays, films, etc., and usually introduced during the exposition (beginning) of the
story, along with the characters. The setting may also include the environment of the story, which can
be made up of the physical location, climate, weather, or social and cultural surroundings.
There are various ways that time and place indicate setting. Time can cover many areas, such as the
character’s time of life, the time of day, time of year, time period such as the past, present, or future,
etc. Place also covers a lot of areas, such as a certain building, room in a building, country, city, beach, in
a mode of transport such as a car, bus, boat, indoors or out, etc. The setting of a story can change
throughout the plot. The environment includes geographical location such as beach or mountains, the
climate and weather, and the social or cultural aspects such as a school, theatre, meeting, club, etc.
https://literaryterms.net/setting/
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