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    Phelps Quinn Ariate
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    This document discusses different aspects of indigenous Filipino artworks, including materials used, crafting methods, designs, religious beliefs, and historical connections. It analyzes whether elements are internal or influenced by foreign cultures. The key points learned are that indigenous artworks often use locally available materials and internal crafting processes to develop unique designs, though some may integrate external religious or historical aspects. Overall, the document examines the balance between indigenous and foreign influences in traditional Philippine art forms.

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    This document discusses different aspects of indigenous Filipino artworks, including materials used, crafting methods, designs, religious beliefs, and historical connections. It analyzes whether elements are internal or influenced by foreign cultures. The key points learned are that indigenous artworks often use locally available materials and internal crafting processes to develop unique designs, though some may integrate external religious or historical aspects. Overall, the document examines the balance between indigenous and foreign influences in traditional Philippine art forms.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views4 pages

    Arts 3

    Uploaded by

    Phelps Quinn Ariate
    This document discusses different aspects of indigenous Filipino artworks, including materials used, crafting methods, designs, religious beliefs, and historical connections. It analyzes whether elements are internal or influenced by foreign cultures. The key points learned are that indigenous artworks often use locally available materials and internal crafting processes to develop unique designs, though some may integrate external religious or historical aspects. Overall, the document examines the balance between indigenous and foreign influences in traditional Philippine art forms.

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    © All Rights Reserved
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    of 4

    Phelps Quinn M. Ariate 7 Armstrong Dec.

    9,2021

    What I know

    Foreign Indigenous
    Calle Crisologo Vakul
    Inabel Pastillas Wrappers
    Burnay Parol
    Labba Higantes
    Kalinga Tattoo Kipping
    Tumaini Church

    What`s in

    A.

    1. Nationalistic, bright/ positive


    2. Nationalistic, religious
    3. Religious, bright/ positive

    B.

    1. Nationalistic because the picture


    shows festivals which has always been
    a part of our culture.
    Bright because festivals give up good
    vibes when celebrating
    2. Nationalistic because those sculptures
    native /ethnic Filipino represent
    settlers- Kalingas
    Religious because those sculpture also
    symbolize faith of the Kalingas.
    3. Religious because parols exist -
    because of Christianity
    Positive because parols symbolize
    Christmas which we all look forward
    to.
    What`s new

    1. Foreign, local
    2. Local, foreign
    3. Local, foreign

    What`s more

    1. Materials used: wood which could be indigenous since they use only what is available in the
    locality (internal).
    they use only what is available in the locality (internal)
    Crafting Method: Sculpting-common in the Philippines (internal)
    Design: Various, in this picture they could be religious
    statues which is external. Shapes and geometric patterns
    which is observable in the locality (internal)
    Religioun/Belief : Christianity (Foreign)
    Historical Connection: Sculpting is part of Filipino
    customs (internal) but the designs could be external.
    2. Materials used: wood/ bamboo available in the locality (internal)
    Crafting Method: Carving/wood working (internal)
    Design: Native Designs (internal)
    Religion/Belief: Since it is sometimes used during
    fiestas it could be Christianity which is foreign
    Historical Connection: Native to Filipinos (internal)
    3. Materials used: native materials (internal)
    Crafting Method: Tattooing -Common in the Philippines (internal)
    Design: Ethnic Patterns (internal)
    Religious/Belief: Ethnic/ Native Spirits Belief (internal)
    Historical Connection: Not influenced by foreign (internal)
    4. Materials used: capiz/ shell & others ( internal)
    Crafting Method: Assembly/Crafting (Internal)
    Design: Based on Parol in Spain (foreign)
    Religioun/Belief: Christianity (Foreign)
    Historical Connection: Spanish Colonial Period (Foreign)
    What I have learned

    1. Materials Used
    Crafting Method/ Process
    Design
    2. Religion/Belief
    Historical Connection
    3. Internal influence
    4. External Influence
    5. Materials they use in their artworks are found in their locality and they develop their own
    process and design.

    What I can do

    1. The name and the leaves


    2. It make a big improvement to them.
    3. ``MY OWN``
    Assessment

    Materials used: capiz/ shell & others ( internal)


    Crafting Method: Assembly/Crafting (Internal)
    Design: Based on Parol in Spain (foreign)
    Religioun/Belief: Christianity (Foreign)
    Historical Connection: Spanish Colonial Period (Foreign)

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