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Art Nouveau Theories
Art Nouveau Theories
TO
ART NOUVEAU
PRESENTED BY SERENA RAKHA
TABLE OF CONTENTS
01 Historical background
03 Example
HISTORICAL BACKGROUND
1880s 1900s
Started
Ended
1890s 1914
The roots of Art Nouveau can be traced back to the Arts and Crafts Movement in England.
Arts and Crafts is often seen as a response to growing industrialization in Europe and the
rise of factory mass production at the perceived expense of traditional craftsmanship.
How was the art nouveau named
Art Nouveau first appeared in the art journal L’Art
Moderne to describe the work of Les Vingt, a
society of 20 artists. These painters responded to
leading theories by French architect Eugène-
Emmanuel Viollet-le-Duc and British critic John
Ruskin, who advocated for the unity of all arts. In
December 1895, the German-born art dealer
Siegfried Bing opened a gallery in Paris named
“Maison l’Art Nouveau.” Branching out from the
Japanese ceramics and ukiyo-e prints for which
he had become known.
Inspirations that lead to the art nouveau
01 02
William Moriss Japanese art
English writer, designer, architect
and socialist .(1834-1896)
01
William
Moriss
The key practitioner
William Morris was its defining figure. He rejected the
tawdry production values and dehumanizing aspects of
Victorian capitalism, looking instead to the communal
C values of the medieval era. Morris’s ideals of artisanal
craftsmanship, and his use of stylized floral and organic
forms, resonated with many Art Nouveau artists.
“Have nothing in your house
that you do not know to be
useful, or believe to be
beautiful.”
—WILLIAM MORIS
C
02
Japanese
art
It started with “Ukiyo-e”, meaning
“pictures of the floating world”, a
very popular form of art in Japan,)
the result of Japanese culture
pushing back against European
expansion. Artists began to
C
flourish in decorative arts.
They worked on flat perspective
and strong colors of Japanese
wood block prints. And the
whiplash curves and how they
were defined
Art Nouveu embraced all kind of arts
• Architecture
• Furniture
• Glassware
• Graphic design
• Jewelry
• Paintings
• Pottery
• Metalwork
• textile
Some art nouveau architects
• Asymmetrical shapes
• Extensive use of arches
• Curved glass
• Plant-like embellishments
• Mosaic
• Stained glass
• Japanese motifs
• Grand scale
• Whiplash curves
Antoni Gaudi (1852-1926)
Fragment skulls
balconies with Large oval
openings windows shaped
like masks and
bons
Columns
representing the
human bones
Main entrance
CLOSER LOOK ON THE FAÇADE’S DETAILS
ROOF DESCRIPTION
a wave shape that
recalls the arched
back of a dragon
A tower with the
typical cross of four
arms
COURTYARD
ATTIC
THE LOBBY
PATIO
NOBLE PLANT
Materials
❖ https://www.collectorsweekly.com/articles/guest-column-the-social-
agenda-of-art-nouveau/
❖ https://www.theartstory.org/movement/art-nouveau/history-and-
concepts/
❖ https://www.europeana.eu/en/exhibitions/art-nouveau-a-universal-
style/architecture-and-interiors
❖ https://sharayahklassen.files.wordpress.com/2014/10/what-impacted-
the-art-nouveau-movement-and-how-did-it-influence-design3.pdf
References
❖ https://www.barcelonacheckin.com/en/r/barcelona_tourism_guide
/articles/casa-batllo-gaudi-inside-facade-roof
❖ https://casa-batllo.barcelona-tickets.com/casa-batllo-architecture
❖ https://en.wikiarquitectura.com/building/batllo-house/#la-casa-
batllc3b3-cocheras-y-carboneras
❖ https://www.bbc.com/culture/article/20180525-what-art-nouveau-
can-teach-us-about-national-identity
❖ https://aboutartnouveau.wordpress.com/2012/09/05/art-
nouveau-in-history/
❖ https://www.ranker.com/review/hector-
guimard/1142861?ref=node_name&pos=12&l=115466
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