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'
IN ILLUSTRATI O N O F T H E B E L I E F I N T H E E IOST E NC E O F
D E V I LS A ND T H E POWE R S PO SS E SS E D BY TH E M As I T
, ,
W AS GE N E RA LLY H E LD D U R I N G T H E P E R I O D O F
T H E R E FO R M AT I O N ,
A ND T H E T I M E S I MM E
B I AT E LY S U C C E E D I N G ; WI TH S P E C I A L
R E FE R E N C E T O SH A KS P E R E A ND
HIS WO R KS
T H O MAS A L FR ED S PA LD I N G L L B ( LO N D ) ,
.
B A RR I ST ER A T L A W H O NO R A R Y T RE A SURER O F T H E
- -
,
fib ub o n
C HATT O A N D WI N D U S , PI CCA D I LL Y
1 88 0
P R E S I D E NT OF T HE
NE W S H A KS P E RE S O C I E TY ,
TH I S VO LUM E IS D E D I CAT E D .
F O RE WO RDS .
preconceived scheme ,
Of two papers one on
,
The
Witches in Macbeth and the other on
'
The D emon
ology o f Shakspere ,
which were read be fore the
N ew Shakspere Society in the years 1 87 7 and 1 87 8 .
’
The writer s best thanks are due to his friends
M r F J Fu rnivall and Mr L auriston E Shaw fo r
. . . . .
,
g e s t in g emendations .
TE M PL E ,
Octo b er 7, 1 8 79 .
W e are to o has ty wh en we se t d o wn our an ces to rs in the
g ro ss fo r fo o l f th m
s o r e o n s tro u s in c o n sis t en c ie s ( as hy
t e see m
to u s ) in vo l d i th ir
ve n e c reed o f wit c h c raft . C . LA M B .
o s en e , e ve
no f ll im pr
u f h im th
e ss O a f ll a w ha f ma y
e re , e v e n s u s e ve o n
m en . H i w rk ar s o m a y wi d w th r g h wh i h w
s e so n n o s, ou c e see
a gl im p O f th e wo rl d th a T C A R L YL E
”
se t was i him n .
— . .
A NA L Y S I S .
1. D ifficu lty in
d r ta di g un e s n n o ur e ld r writ e e rs wit h ou a k n o w e ge o f
t ld
t h ir lan g ag a d id a
e E u e n e s . 2 . s pe c ially i t h n e case of ram atic d o e ts p .
3 E
. a m p l x H a m l t a m es . e
'
s
“
s su e a v irt u e .
4 . Ch
an g es in i eas an d law d
relati g t marriag
n M a si g r
o e . s n e
’
s ai M d Of Ho n o u r
”
as an exam e 5 pl . .
S po n salza dc
’
. Sh '
6 . St u den t s
'
d ty i
Opi i a d f li g f t h f lk
u s to g e t t o k n o w th e n o ns n ee n s O e o
am g t wh m h i a th
on s li d 7 I t will b oh a d w k b t a gai i s u o r ve . . e r or u n n
th d Fi t i p
e en . ti g it 8 S d ly i p
rs ,ti g ram bl i g
n re ve n n co n ce . . e co n , n rev e n n n
r ad i g A h p t Obj t t ill t at th d ad b li f i D m
'
e 9 t n . . u o rs re sen ec o us r e e e e e n e on
o l gy p ially a fa a it
o . es r Shak p
ec H thi k th at th i m ay
s r s co n c e n s s e re . e n s s
b e u r th at w
s de r ta d th m dia thr g h whi h h
e p ak
e un s n e e ou c e s e s . 11 .
D i isiov f bj t n o su ec .
II .
savag e s 1
3 A ll im
. o p
rtant affai a
rs O f ife tr
. l
n sac te u n d d r peri t d ce e su n en en
of S p m P w
u re 4 W ha t
e a r t h o P w r
e rs Thr p i ipl
. 1 . e es e o e s ee r nc es t e
g ard i g t h m n 5 (i ) I ap a i
ety f m a ki
. d t 1a p.t m t h
. i m Tnc h c o n n o cce o no e s . e
co diti n in a l o n d gr 7 F ra i f A i i
ess G rad all y mad i t a
e ee . 1 . nc s O ss s . u e n o
g d
o 8
.
( )
ii M1a i h i.m E il p
. irit a i e ita bl
n c a g d e 9 (siii ) . v s s s n v e s oo . 1 . .
T d y t tr at th g d o f h til r ligi a d il
en en c o e I th G
e o k s o s e e o ns s ev s . 20 . n e ree
t h o l gy
e o b aip .Plat i m N Plat i mo vec. Mak th l d r on s . 21 . eO - on s . es e e e
g d
o s i t d m
n o J d ai m e R g iz f
o ns ig .
g d at fi
22 t . E l h im u s . ec o n es o re n o s rs . o
b t th ey g t d grad d i tim
u e Beel z b b B l ial t
e 3
e E a ly Chri tia
n e . e u , e , e c . 2 . r s ns
po li y A p li y o f m pr m i
c .
5 T h o
ra l s S t
c h i a d St co o se . 2 . e o c e . os en o n n .
o f paga g ds a d C h ri t ia ai t
n 6 C h r h i N rth E
o n
p Th a s n s n s . 2 . u c n o u ro e . ou t ,
t
e c ar d il
.
, b t B al da g t id tifi d wit h C h ris t
e ev s
7 C rsi f u e s en e . 2 . o n ve on o
th ld a
e o at i T h R f rm r
c cu s ly g half way i pti i m Calf
o ns . e e o e s on o -
n s ce c s .
o f a Spa i h p ri r 3 C d it i
n s t hat t d d t i ify t h b li f so n e . 1 . on o ns en e o v v e e e
Art h H a k t a d h i m ad
ur S i g C k wi g Ja k daw i
c e n s n es se s . n eez n . oc -c r
o n . c n
th H e f C mm o u se R ll a d Drak b t h mi tak f r d il
o o o ns . u s se n e o s en o ev s .
33 C r
. d l f p
e pl T m a
u o u s n ess ok da ak d A par s eo e . o e o ne ,
n se n e .
!
so n
’
pr f f t a b ta tiati
oo o 34 B t
r n sn t h E lizab tha h ad tr g s mm
'
n on . . u e e ns s on co o n
rt h l
se n se , n e ve P pl d wr g if th y t th m d w a f ls I f e ess . eo e o on e se e o n s oo .
w h ad
e t l ar d t o b wi r t ha th y w h l d ha t b a ham d
no e ne e se n e , e s ou ve o e s e
III .
35 . Th e t hr ee d l G h ade 36 ( i )
s . as si catio n o f evi s
. rea t e r an d
. Cl fi .
l r d il G
e sse ev s . h oo l fi d ad n b ad an g e s 37 An o t er c assi catio n ; n o t l . .
o e . s e e s ev . . . o o ev s e e e .
4 0 O f
. t h l r Th h r e g g g l y es se a d t ail S t ar al
. e o n s, o e e es , n . co
’
s c n
mi d d n s eH g t h i b k h m t ; a d writ t
n es . ag ai t by Jam s I
e e s s oo -
u n en ns e .
4 1 Sp.e id l d i l
n se r s4 D ra m a
'
t i t at ir o f op p l-
ar O p i i
ev
43 . 2 . s s
’
s e o u n o n . .
P w r f d il 45 Cath li be li f i d il po w r t r at b di
o e s o ev s . . o c e n ev
’
s e o c e e o es .
4 6 R fo. rm r d e y t h i b t ad m it t h
e sa t h d i peo pl i t b li i g
en s, u e ece v es e n o e ev n
t h at h a d e c ith r by g tti g h l d f a d ad b dy a d
n o so : e t ri g e e n o o e o , n res o n
a imati
n 47 O r by m aon . f ill i 48 T h . mm p pl s t k e ns o us on . . e co on eo e uc
t th C ath l i d
o e tri D il app ar i lik
o c f an
oc di ary h ma ne . ev s e n e n e ss o or n u n
b ei g 49 n E . a l i i g . w h i h wa m
ve n t im e a w k w a rd T he v n o ne, c s so e s .
par Th
so n s d il q ti g S ript r 5 O th r h ma h ap
. e ev
5 uo n c u e . 0 . e u n s es . 1 .
th tag
e s Fli U ba G a di r Sir M Hal 54 D il a a g ls
e . es . r n r n e . . e . . ev s s n e .
A C hri t
s 55 A d as d fr i .d R f rm r d i
. d t h p ib i
sl i ty fg h e ts en . e o e s en e e o ss o os ,
5 6 T h e co m m p eo p l e b e li d in th gh o sts B i
o ns h o p P ilki g t o s t ro u bl es ev e e n n
'
7
. . .
A NA 1 . mm .
J
57 . T h e two t h eo rie s . I llu s trate d in “
J li u us C e sar . M a b th 5 8 A d
!
c e . . n
b
su j ec t o f m e n ta dise as e T h e e xo rc is t s 63 o ln o t t a o n o sses s io n . . . J h C p .
W h at th l ar d ph y i i
e e ne s c on kn e w . 64 . W h at was m an ifes t to th e vu lgar
v ie w . W ill S m m Th o H arsn et s
e rs .Dec ara e D evil is an Ass . 65 .
’
l
t io n an d Kin g L ear
, 66 Th e Ba in g to n co n s irac 67 W esto n alias . . b p y . .
,
d
E mo n s d
H is e xo rc ism s M ain y T h e as is o f H arsn et s s tateme n ts
. . . b '
.
d l ev i s in Lear
”
7 0 Edgar an d M ain y ein s o o se m o ra ls . . . M y l ’
.
d l
7 1 T h e evi s tem t wit kn iv es an d at ers
.
“
p
M ain y s seve n evi s h h l .
J '
d l
P d C
ri e ; o ve t o u s n es s L u xu r ; E n v W rat ; y Sl h
u tt o n ; ot T he y y h Gl .
h l b
N ig tin g ae u sin ess 73 re a t m e n t o f t h e p O s s ess e d : fi c o n .n e m e n t; . T
flag e llatio n 74 D r P hin c N ic k.n am es 75 O h
t. e r mh d Th
e t o s . a t o f . . . .
l P l
E ias an d aw e h ly h
Th e o c a ir ; sack an d o il b rim sto n e
. F7 6 ir in g . .
o ut 7 7
. Bo d ly d
i is e as es .t h e w o rk o f t h e d le v i h p
B is o pH o o e r o n .
7 8 B t d il l d t kill p pl l th y r d Go d ’
h ygi e e . . u ev s co u n eo e u n ess e e n o u n ce .
7 it h raft 8 P pl c w a day
c a t ym path iz with t h Wit h
. 0 . eo e no - - s c n
’
s e e c
p t r
e rse c u o b au s th y d t b li i th d il Sata i a m
s, ec e e on
'
e e ve n e ev . n s ere
th ry
eo w 8 B t th y b li
no d i h im
. a d th r f r kill d
1 . u e e eve n o n ce , n e e o e e
w
o n s e e ec u e c es , u e e e
fu ss abo t t h ff ri g uf th R f rm rs e su83 e n s o e e o e . .
S m o tak th m t
e b No r e 8 G r i e Hi pi i o 85 Mr e ns . e v nu s . s o n o n . . .
F G Fl ay H i pi i
. . e 86 id . Sim F rma s o t 87 n on . . v en ce . on o n s no
'
e . .
a d po w r
n f th i ter ar e s t th of wit h 90 I t i g i g t o
e s s s e no o se o c es . . s o n
b e h w t h at th y ar
s o 9
n A third pi f rit i i m 9e O bj t i e . 1 . ec e o c c s . 2 . ec o ns .
93 / C t m p ra r y don e rip t i f w i t h o S t ; H ar t W it h
e sc o ns o c es : co sn e . c es
’
P w r f wit h
o e s o l ki g i t th d f tim
c es :B i R y h w h oo n n o e see s o e . e ss e o : o S e
l k d i t t h m 9 6 M a i g ffi r t
oo e n o e f M a b th .
97 W i t .h e n n o s scen e o c e . . c es
'
p w t a i h O i tm t fo r th p rp
o er o v n s S t i ta f th ir n en s e u o se co
’
s ns n ce o e
W hy Shak p r
. .
e ffi a y 9 8c cW ird i t r.
9 9 O th r
. id e S s e s . . e ev en c e . 1 00 . s e e
c h wit h
o se C mm a d c r l m es t . P lia t S t h trialo n o ve e e en s . 1 01 . e cu r o co c s
o f 59 9 1 E a li r a
0— 1 fB
. i D l p— a p r tar d half daft
1 02 . r e c se o ess e un o oo , s ve ,
-
r at r
c e Th m R id a d h w h t m pt d h r H a y S t h
u e . o e , n o e e e e . er c nn co c
pr d u P r B i g t b r t f all that
e n ce . oo 3 R a f r pess e l iarity e s u n or . 10 . e so n o ec u
rai a t rm at th i tigati
se s o f th d il H w th trial w r e d td
ns on o e ev . o e s e e co n uc e .
1 04 J h . Fia Rai i g a m i t T ad m
o n n . Ship i ki g 5 Si s n s . o -
o en .
-
s n n . 10 . ev e
s aili g E n it m t . th f th B rd r T h
xc e D wm enl gi Stat te
so u o e o e . e ono o e . u
10 7 M . a l 8 D i
o o nc i i f o p i i a
ve s m o g t R
. f r m r10g a d i g . v s on o n o n n s e o e rs e r n
d il Gi rda Br
ev s . B lli g r o pi i ab t Sadd
no a d E pi r
uno . u n e
’
s o n on ou u ce e s n c u es .
su bj ec t . An y sin ce r b li f
e e t itl d t r p t
e en O r pe t b l i f m ay so m
e o es ec . u e e s e
IV .
11 3 C.a f d f
i f r
u se o F l k til di t r b d b y
e en c e r l ig i u .s d b t d
o t , un s u e e o ou , on
'
b li i d il b t fairies
e ev e n ev 4 R f r m
s, a t io u h k p o p l u p .a d m a d
11 . e o n s o o e e , n e
th m th i k f h ll a d d il
e n o 5 T h h
e a g cna m i t hev t w s b. fo r 11 . e c n e e n e o ns e e
wa a ly im p
s e r d with fairy l r I m iddl lif am i
resse ta t wit h o e . n e e. c e n co n c
t w
o th
n g h t a d oud il a d at th d n f it r t r
ev d t s S t ratf rdn a d e en o e u ne o o n
fairyd m o7 Th i i . fl t d i hi w ks
11 . s 8 B t th r is p gr s
s re ec e n s or . 11 . u e e ro e
i
s on o f th gh t t b b ou d i th tag o e o9 Shak p r i dir tly
se rve n es e s es. 11 . s e e n ec
t ll
e h i th
s us gh t if w will tak t h tr bl t l ar t h m
s ou s, e Three e e ou e o e n e . 1 20 .
stag f th
es o gh t t hat m g t hr gh
ou r l ig i u s m att r en H r d itary o o u on e o e s . e e
b li f S pti i m R a d b li f
e e . ce c s Shak p r w t thr gh all
. e so n e e e . 1 21 . s e e en ou
D am re Fairi hi fly a adaptati
. esf crr t traditio
e n 3 Th on o cu en n . 12 . e
pu rity 6 Ma
. h 12 r 7 . M R ki
n s
'
i w f
o no u Sh a k p re. 12 . r. us
'
n s v e o s e
’
m ag
es s 8 F e. d d hi fly 12 play f ptical p ri d M ag
. o un e c e on s o sce e o . ess e
f t h i d p ri d t i ly d if d beli f Th T mp t ”
o r f r t
e o 9 R aoen re e en . 12 . e s ne e . e e es .
o f th u g h to H w plea an t t th i k this 1
. o s o n
E L I ZA B E T H A N D E M O NO L O GY .
2
. This is a special source o f danger in the study
o f the works o f dramatic poets whose ve ry art ,
to live they must deal with subj ects o f more than mere
,
”
u s ed the word assume in this case in its primary
“
1
having been precontracted by oath to Bertoldo the ,
quit the world and take the veil But before doing so .
,
B y a fal se gl o s s o r wre st ed c o m m en t al te r ,
T h e t ru e i n t en t an d l e tt e r o f t h e law
”
.
o f
inability to interfere ; and he must be some
what taken aback to find this clai m O f C am io la ad
m it t e d as indisp u table The riddle becomes some .
1
c e rned . It could not even though not consummated , ,
, .
l
to be by all means encouraged In addition to thi s
.
,
p rce , ,
lis h e d her right she takes the only step that can wi th
,
S win bu rn e p 227 , . .
KNO W A MAN S ’
C OM P A N Y .
s el f as f
,
ar as possible O f all ideas that are the result
,
!
And if h e cannot hon estly answer Y es let h im “
,
F LI P P A NC Y A ND P EDA NTR Y .
9
o n th e other .
’
Shaksp ere s vast and complex mind b y one a —
10
.But it may be said that Sh akspere o f all m e n , ,
”
w ords N ot o f an age but fo r all time
,
Y e t he i s
, .
13
. Hence it is that in primitive societies the , ,
priest doctor
-
The remedy that would put an end
.
15 .
( )
i
The first o f these is the apparent incapaci t y
.
accusation .
ll
B u in ger, p 348 Parker So ciety
. . .
16 EL I ZA BE THA N DEM ONOL OG Y .
”
Marner where in Mrs Winthrop s simple theo
, , .
’
”
“
Them .
covered that the stigm ata were not the only points o f
rese m blance between the departed saint and the D ivin e
Master he professed to follow that his birth had bee n
'
18 ( )
.ii . The second principle is that o f the Mani
ch a e is ts : the division o f spirits into hostile camps ,
19 ( )
iii
. The. las t and most important o f thes e
that the new comers soon fell into the ranks o f purely
-
mag ic ran s .
p redecessors The e f
f.ect o f this revolution was to
recognize one Supreme Being the First Cause and , ,
2 ”
is a great G od and a great King above all gods
,
.
”
bear witness ; Beelzebub the p rince o f the devil s ,
“
Philistines .
1
w ith devils and the Septuagint renders the word
E lo /zziiz in the ninety -fift h Psalm by this Sarp é wa
'
”
lays The Conversion f Saul a council o f devils
“
p , o ,
ia
o f Belial .
1
I Co r . x . 20 .
2
D ig by Mysteries , Ne w S haksp ere So c ie ty , 1 8 8 0, p .
44
.
22 ELI ZA BE THA N D EM ONOLO G Y .
m is in g opposition .
25
. It was in this spirit that the Catholics dealt
with the oracles o f heathendo m M r L ecky is hardly . .
2
i n a precisely similar manner by the latter O racles .
1
Ri se an d I n flu en ce o f Ratio n alism i p , . .
31 .
2
Mau ry p 244 cl s q
, .
,
e .
ORA CLES A RE D I A B OL I C
. 23
saint to undo the bane ful e ffects his presence had pro
du c e d ; and G regory benevolently wrote a letter t o
the devil which was in fact a license to continue the
,
S co t ,
b ko o v ii. ch . i
. Middleto n s Letter fro m Ro me
’
.
3
Milma n, H isto ry o f Lat in C h ri stia ity iii 267 ; ix 65
n , . . .
24 ELI ZA BE THA N DEM ONOLO G I '
.
a kiss .
may have led them to look upon their ancient obj ects
o f ve n eration as less detestable in nature an d dan
,
g e ro u s in act than
, the devils imported as an integral
portion o f their adopted faith ; and so originated this
class o f spirits less evil than the other Sir Walter.
”
bethan E nglish in the word trull .
M au ry p 18 9 1
, . .
26 E L I Z A B E THA N D E M ONOL O G Y .
faith
0
.
, ,
1—
plenty o f them such as the Rood o f Boxley
,
were
treated as such by them The unexposed remainde r
.
”
o f the Cross ,
points out that the maj ority o f super
natural events that have taken place in this world
have been most undoubtedly the work o f the devil ;
, ,
help and cure that the devils give when they leave o ff
” 1
their wrong and i n j ury .
”
are devils N or were the Catholics a whit behin d
.
1
an d magicians and the common people so im
p lic it ly believed in t h etruth o f the statement that we ,
2—
devil precisely as they did a suggestion that failed
to paci fy those to wh o m it was addressed .
H u tchi n so n y p 218
’
s E ssa , . . H arsn et, D ec laratio n , p .
30 .
.
31
2
E vil O ne and D rake also gave the S p aniards good
reaso n fo r believing that he was a devil and no man 8
, .
1
S co tt, p 339 . .
po wer and knowledge truly say that all our aims are as
, ,
36 .
( )
i
It is di fficult to discover any classificati o n
.
,
”
iz e d in E lizabethan times by D ekk e r s
’
H ierarchi e .
The subj ect was one which from its nature could n o t, ,
1
other to guard fro m temptation ; so that a struggle
similar to that recorded between Michael and Satan
fo r the body o f Moses was raging fo r the s oul o f every
existing human being This was not a mere theory
.
,
”
Faustus and in The Virgin M artyr by Mas
,
“
,
37 Another
. clas s ification which seems to retain ,
D
D evils o f th e fire who wander in the regio n
,
S co t p 506 , . .
ELI ZA BE THA N DEM ONOLOG Y .
D evils o f the
air who hover round the ea rth
, .
allied .
l
Submundane devils .
L u c ifu g i .
Cf . 1 H en . VI . V . iii . 10 ; 2 H en . VI . I . ll .
7 7 ; C C I io lan u s,
Iv . v .
97 .
TH E SE VERA L D E VI L S ’
NA M ES .
37
Of
the twenty devils mentioned by Shakspere ,
1
frequently and appears once upon the scene ,
The .
4 ”
Wives B arb az o n also occurs in the same passage
.
”5
in the latter play and again in Henry V a fact ,
“
.
—
”
second class N ine o f these occur in King L ear
“
.
,
1
I t is perh ap wo rthy o f rem a k th at in
s r ev er y c ase e xce pt th e
all u s io n in th p ro babl y sp ri H ry V I
e u o us en .
, I s peak no t to t hat
l
rai in g H e cate , (1 H en . VI . 1 11 . ii . th e n am e is
“
H ecat, a
d i yllabl
ss e .
2
v . iii 6 . .
3 1
1. iv 370
. . II . II .
31 1 .
II . i .
57
. Sco t, p 393 . .
ELI ZA BE THA N D EM ONOLO G Y .
39 ( ) . It would
IIappear
. that each o f the g r e ater
devils on the rare occasion upon which he made his
,
” 1
h is fist But it w as the le s ser devils not t h e
.
,
p 361
. .
H ORNS , H 0OF S, A ND GOGGLE E YE S .
39
”
so c arn allie minded says Scot that a spirit is no , ,
“
” 1
as a bas o n Scot however was one o fa very small
.
, ,
p .
50 7 . See al so Hu tchinso n , E ssay on W i tchc raft p , . 13 ; an d
H ars n e t, p .
71 .
B ay l e , ix . 1 52.
J ames I .
, D e mo n o lo gie . Edin bu rgh , 1 59 7 .
40 ELI ZA BE THA N D E JI ONOL O G Y .
his sword
An d th e th i rd t i m e, o u t o f an h i dden sh ade ,
T h e re fo rt h isse we d fro m u n der t h altar s s m o ake
’ ’
A n d h e r lo n g taile an d fe th ers st ro n g ly s h o o ke ,
B o rn e o f t h e bro o di n g o f E c h i dn a b ase ,
0 1 o th e r like i n fe rn al! F u ri e s ki n de ,
F o r o f a m ai de s h e h ad th e o u tward fac e
T o h i de th e h o rro u r wh i c h did lu rke b e h in de
T h e b e tter to begu ile wh o m sh e so fo n d did fin de .
Th ere to th e bo dy o f a do g sh e had ,
T o re n de an d te are wh at s o s h e c an o pp re ss e
A drago n s t ail e wh o se st i n g wi th o u t redre s se
’
,
F u ll de adl y wo u n ds wh ereso it is em p i g ht ,
A n d e agl e s wi n gs fo r s c o pe an d s pe e din e s se
’
T h at n o th i n g m ay e s c ape h e r reac h i n g m i gh t ,
to say
NO T SO BLA CK A S H E S P A I NT E D ’
.
41
I ll te ll yo u wh at n o w o f th e de v il
’
He s n o s u c h h o rri d c re at u re, c l o v e n fo o te d,
’
-
”
I n Ben Jonson s The D evil is an Ass when Fitz
’ “
,
I lo o k do wn t o h is fe et, b ut t h at s
’
a fabl e .
” 2
W ere two fu ll m o o n s h e h ad a th o u s an d n o se s
H o rn s wh e lk e d an d wav ed like t h e e n ri dg ed se a
I t was s o m e fi e n d ”3
.
43. I n a
ddition to this normal type com m on to ,
Act i . so . 2. Ac t v . se . II . 1
. 28 5 .
3
L ear, IV . v i. 69 .
42 ELI ZA BE TH A N D E M ONOL O G Y .
m o ldwarp an d th e an t,
th e
O fth e dream er M e rli n , an d his pro ph ec i es ;
A n d o f a drago n an d a fin less fish ,
A c lipwin ged griflin , an d am o u lte n rav e n ,
A c o u c h i n g li o n , an d a ramp i n g c at, ”1
.
’ ”
H olinshed nor in Macbeth where he m akes the
, ,
44 ( )
. iii But the
. third p roposed section whi ch ,
1 H en I V 111 i 1 48 . p 521 c 2
. . . . .
, . .
TH E DE VI L A CREA TOR .
43
” 1
s u rdit ie as Scot j udiciously remarks This ho wever
,
.
, ,
,
The result was .
1
was held amon gst others by the e rudite King J am es
, , ,
47 The second
. theory there fore became the , ,
m ental .
I B ul lin ge r p , .
361 . Parker S o c iety .
46 EL I ZA BE TH A N DEM ONOLO G Y .
’
p h e le s do creating the reby
,
the mo s t embarrassin g
complications in questions o f ide n tity ; and if thi s
belief is borne in mind the charge o f being a devil , ,
8
was no doubt as to Coriolanus as has been said ,
4
nor Shylock Even the outward sainted Angelo is
.
5
yet a devil and Prince Hal con fesses that there “
Co ri o lan u s , 1 x
. . 16
. M erchan t o f V en ice , 111 . i
. 22
.
1
See th e sto ry abo u t B isho p Sylvan us — . Leck y
, Rati o n alism in
E u ro pe i 79
, . .
D E VI L S A NTI
’
CS A S M E IV .
47
”
pri s oned angels — according to one account and ,
’
th at a monk s imprisoned beings o f quite another sort
, .
”
F aire Alice the nonne having been discovered in
, ,
’
t h e chest where the abbot s wealth was supposed to
b e concealed proposes to pu rchase pardon fo r the
,
h e answers
I n t h e pre s se o f a n u n we a re all u n do n e ,
be despised .
,
”
The devil can cite Scripture fo r his purpose .
H arsn et , p . 10 1 . S co t p , .
48 1 .
3
Sco t , p . 89 . Ot h ell o , I. i .
9 1 . II . II . 1 1
3
.
DE VI L S ’
I M A GI NA TI ONS 49
8
h ave sought further fo r unlikely shapes to assume .
A ll wo u n d wi t h adde rs , wh o wi t h l
c o v en t o n gu e s,
Do h i ss m e i n t o m adn ess .
1
Kin g J o h n , 111 . i 209
. . H arsn et, p . 1 39 .
1'
Fo r in stan c e , an eye w it ho ut ah ead .
—
I idb .
The Te m p t 11 ii 10
es , . . .
5
I b id . 1. I I . 1 9 8.
A M id u mm er Nigh t s Dream
s
’
, 11 . i 39 ; 111
. . i . 111 .
50 E L I Z A B E TH A N D E M ONOL O G Y .
”
an d all the devils are here ! assumes the forms o f a
1 2 11
water n ymph a harpy and also the goddess Ceres ;
-
, ,
”
v iceroys o f the island are Ariel s meaner fellows ’
.
,
”
“
the fat an d bean fe d horse by -
A n d o n h er wi t h e re d de wlap po u r t h e ale .
T h e w i se s t au n t t elli n g th e s adde st t al e
, ,
T h en slip I fro m h e r an d do wn t o pp l es sh e
”
, .
I .
3 I I. 01 —
3 8
1 .i ii 5 3 W
1
i
1 11 1 66
. . .
1
. . .
1 h i h l
A S co tc w tc , wh en eav in g h er b ed to go t o a sab ath , u s e d b
t o pu t a th ree -fo o t s to o in th e v acan t l
ac e w ic , aft er c arm s du l pl h h h y
bl
m u m ed, ass u m e t h e a p earan ced o f a w o m p
an u n ti h er re tu rn — P it l
cairn iii
, . 61 7 .
“
HO RSE HO UND HOG BEA R , , , ,
F I RE .
”
5 1
A n d again
So m et im e a h o rs e I ll b m e t i m e a h o u n d,
’
e, so
11 ”
fr o m a D evil in the Likeness o f a H eadless Bear .
53 In Heywood
. and Brome s Witch o f E d
”
m onton the devil appears in the likeness o f a black
,
”
T h e word Beelz e bub was supposed to mean the
“ “
, ,
, ,
'
1 Cf B . .
Jo n so n s
’
A lch e mist .
52 ELI ZA BE THA N D E M ONOL O G Y .
1
w hich they a fte rwards vomited There is an allu s io n .
” 11
dro n ic u s .
‘
far according to Cranmer as to appear in the lik e
, ,
1
A C o llec tio n o f Rare an d C u ri o u s Tracts re latin g to V itch c raft
V
1 8 38 .
1
1 11 . II. 5 1 , ci rco .
1
Bu ll i g
n e r, F o u rt h
De cade, 9th Serm o n ark er S o c et . P i y
.
1
C ran m e r , C o n fu tatio n , 42 p
Park er So cie t
. . y .
S UGGES TI NG WI TH H EA VENL Y SHO WS .
53
11
t o the devil J ames I says that the devil when
. .
,
O th e l o , 11 iii 357
l C f Lo v e s Labo u r s Lo st, I V iii 25 7 ;
’ ’
1
. . . . . .
So cie ty H o o pe r, 326
. .
1
De mo n o lo gie , p . 60 .
54 ELI ZA BE THA N DEM ONOL OG I ’
.
o r po ss es s eth e m Th e o th er th in g that
s . he preas es
1 ”
to o btain is the t in s e ll o f their so ule .
56 B
. u t t h be lief in t h e ap pearance o f gho s ts
e
talked with him and took with him the curate the
, ,
1 ”
h ave don e it Here is a little glimpse at the prac
.
1
C f Ham et,
. i l
v 60 80 ; a
- n d po st,
1 .
58 . .
1
Park er C o rrespo n en ce, 222 ark er S o c d . P iety .
S OM E A NGEL, OR S OM E DE VI L e ”
55
, ,
“
M acbeth and H amlet
,
”“
In the firs t mentione d .
-
says
Art t h o u so m e go d so me an ge l o r so m e de v il !
,
”
,
1
1 J u liu s C e sar
, v . v. 17 .
1
I b id. I V. iii . 279 .
1
Macbeth , 111 . iv . 1 00 .
56 ELI Z A B E TH A I V D E J! ONOL O G Y .
, ,
1 i 46
1
. . .
TH E GHOST OF KI NG HA M LE T .
57
I f it assu me m y bl e fat h e r s p
noers o n
’
,
I ll sp e ak to it th o u gh h e ll i t se lf s h o u l d gap e
’
, ,
An d b id m e h o ld m y peac e 1
he exclaims
”
M y father s s p i ri t in arm s All is n o t well e tc
’
, .
B e t h i n e i n t en t s wi c ke d o r c h ari t abl e ,
T h o u c o m s t in su c h aq u e st i o n abl e sh ap e
’
,
T hat I wi ll s p eak t o th ee ”1
.
I do n o t set m y li fe at a p i n s fee
’
An d fo r m y so u l wh at c an it do t o th at
, , ,
B ei ngath i n g i m m o rt al as i t se lf!
”
O r t o t h e dreadfu l s u m m i t o f t h e 0113 ,
An d draw yo u i n t o m adn es s !
”
play test occurs to him that his doubts are once more
-
O u t o f m y weak n e s s an d m y m e l an c h o l y ,
( A s h e is v e ry p o t e n t w i t h su c h s p i rits ) ,
A bu se s me t o dam n m e ”
.
1
”
A favourite instance o f this is taken fro m Ham l e t ,
”
no traveller returns not long aft er he has b e e n
engaged in a prolonged conversation with s uch a
returned traveller .
1
also the last quoted here are those in which h e ,
1
58 p 59 . . .
P O S SESSI ON — OB SE SSI OI V . 61
d e ce p tio n
.
as possession or obsession
, It was anoth er o f the
.
1
argu m ents so peculiar to the time .
”
m ind diseased ! cries Macbeth to the doctor in one ,
1
7 z u d C an o n .
64 EL I ZA BE TH A N D E M ONOL O G Y .
63
. U pon this subj ect a book called T ryal o f “
” ”
Witchcraft by John Cotta
,
D octor in Ph ys ike,
“
,
1
demon iacal possession Reason doth detect says
.
,
C h 10 1
. .
SI GNS OF P OS S ES S I O N . 65
64
The second class o f cases i n which the
.
,
'
also clair v oyant telling what was being said and done ,
et c. Lo d : T H arper 164 1
n on . T h e Tryall o f M aister
,
D arrell 1 599 ,
.
66 ELI ZA BE THA N D E AI O NOL O G Y .
”
languages .
65
. But more interesting and more importan t fo r ,
standing o f them .
66
. The year 1 58 6 was probably o n e o f the most
c ritical years that E n gland h as pas sed through since
1
pl aints and ge n eral ineffectuality was hardly a ,
F ro u de xii p 405 1
, . . .
68 ELI ZA BE TH A I V D E M OA OL O G Y
'
.
’
Marwood Antony B ab in gt o n s private servant w h o
, ,
Richard Main y the most edi fying subj ect o f the m all
, ,
1
Fal l fAn th o n y Tyrell by Perso n
Th e o , u . See Th e Tro u ble s o f o u r
C ath l ic Fo refathers b y J o hn M o rris p 103
o , , . .
SEM I NA R Y P RI ES TS . 69
1
H e was e xa i
m n ed b y th e Go ern me t a to h i o ectio
v n s s c nn n wi t
h th e
i
Par s co n s pi rato rs — See S tate P aper o l clx xx 1 6 1 7
s, v . .
, .
7 0 ELI ZA BE TH A N D E M ONOL O G Y .
’
69 Among th e many devils
. names mentio n ed b y
”
H ars n e t in his “
D eclaratio n ,
and in the exami n a
ti o ns o f wi tn esses annexed to it the following hav e ,
”
undoubtedly been repeated in King L ear — Flib e r
digib e t spelt in the play Flib b e rt ig ib b e t ; Ho b e r
,
1
I n addi tio n to t h ese, Killico h as p ro bably been c o rru pted i n t o
P illic o c k — a m u ch mo re pro babl e ex plan at io n o f th e wo rd than e i t h e r
o f t h o s e su ggest ed b y D y ce in his glo ssa ry ; a n d I ha v e li t t le d o u b t
u po n a s h l p i g to p ro v e th
e nco rre ct e ss o f t h i
e
pp o s i t io n
n On th s su . e
o t h r h a d t h re is n o th i g i th e text s to j u stif
e n , e n y th e in serti o n o f th e
n
n o te o f e c l am atio n
x .
M A I NY A ND H I S D E VI LS .
71
1
t at io n below will prove ; and there appears to be s o
l ittle necessity fo r these remarks o f E dgar s that it ’
7 O ne curious
1 little
. repetition in the play o f a
somewhat unimportant incident recorded by H arsn e t
i s to be found in the fourth scene o f the third act ,
1
H e wo u ld d d th is exam in ate s si ster t h a e
n eeds ha e p
v e rsu a e
’
o v
o e t
n h e ce wit h him in t h e a
n p p are l o f a y o th an d to h a v e b hi u
g ee , n s
b o y an d waited u p o n him
, H e u rged th i e am in ate div rs t i m es
. s x e
t h i e am i ate pe rceived h e ha
s x n d ma y allu re me n t sh o win g great to ken
n s, s
H ar e t p 1 90
sn , Co mpare Kin g Lear A c t iii 50 iv 11 82 10 1 n o te
. .
, . . . .
-
e p ec ial ly l 84
s . .
72 ELI ZA BE THA N DEM ONOLOG Y .
madmen .
’
“
E dg ar Take heed o the foul fiend : obey thy
.
“
L ear What hast thou been
.
o f my mistress
’
ca p ,s erved the lust heart and d id ,
1 l .
5 1 , et seq .
1
H arsn et, p . 21 8.
1
Cf
.
5 70, an d n o te .
F I VE F I ENDS I N P OOR T! M.
73
t h e ac t f
darkness with her ; swore as ma n y oaths
o
1
f
’
1
p lackets thy pen ,
from lenders books and de y the ,
” 1
foul fiend .
1
C f 5 70, an d n o te
. .
1
Plack e t pro babl y h e re mean s po ckets ; n o t, as u su al, the slip in a
etti c o a p by M h l
'
p t T o m
. w as o ss esse d a u , t h e p rin c e o f s t e a in g .
1
l 8 2, cl
. seq. 1
A ct IV . i . 61 .
74 ELI ZA BE TH A N D E A! O NOL O G Y .
5
talke as though he wo uld have fought ; G luttony by ,
1
A se rvin g - m an, pr d ou of h e art an d m in d , th at cu rle d m y h air,
e tc —
. l 8 7 ; cf a
. l so 1 8 4 C u r in g th e air as a sign o f Main y s po s
. . . l h ’
s e ss io n is m e n tio n e d
again , H ars n e t, p 5 7 . .
1
at Th swo re a s man oa t s as I s a y
k e wo r s , an d ro k e th em h p d b
in th e s wee t face o f h ea e
v n .
”—
l 90 . .
1
Kee p th y pen o u t o f en l d bo k e rs
’
o s. — 1
. 100.
1 W in e l o v ed I ee d ply dice
; dearly ; a d i w n n o men o u t-p r aamo u red
th e T u k
r — I 9 30 .
s u
Do g in m a dn ess li o
, n in p rey .
— l 96
. .
CON VE RSA TI ONAL DE VI LS .
75
1 1
v om i tin g ; and Sloth by gasping an d snorting as , ,
1 ”
though h e had be en as le e pe .
c is m s
5
E dgar s ays
. The foul fiend haunts poor ,
”
T o m in the voice o f a nightingale This see m s to .
W illiams
There was also another strange thing happened
“
, ,
1
Wo lf in gre edin e ss .
— I idb .
1
H o g in l th
s o .
”
l .
95 .
1
T h e wo rds , H o g in sl o th , fo x in stealth , wo f in gre ed in ess, do g l
in m adn e ss, l io n in p re y , are c early an im p e rfe c t re m in isc e n c e o f t h is
l
”
1
Act 111
. so . v i. 1 31. .
1
Sara W illiam s .
1
H arsn e t, p . 225.
LI ZA B E TH A N D E M O NOL 0G
in p o ssession u n fortunate p e rs o n s l ik e
,
11 knowledge
,
The ordinary method o f
.
’
e was by fla g e llat io n so that Romeo s
m ad b u t b o u n d m o re th an am adm an is
, ,
u p in p ri s o n k e pt wi th o u t m y f
, ood ,
”1
pp e d an d t o rm en te d,
1
1. ii 55
. .
DO C TOR P I NCH, C O W UR E R .
77
P in ch Gi ve m e y o u r h an d, an d le t m e fee l y o u r p u l se
. .
1
A n t E T he re is m y h an d, an d le t it fee l yo u r e ar
. . .
P in ch I c h arge th e e , Satan , h o u se d wi th i n th i s m an ,
.
A n t E Peace, do t i n g wi z ard, pe ac e I am n o t m ad
. . .
1
The cessat o n o f th e i pu lse was ympto ms o f po ssessi
o n e o f th e s o n.
1
1
I v. iv 48 62
. . I Lid 95
. .
EL I ZA BE THA N D E M ONOL OG Y .
, ,
” 1
spirit ! Whether this obj urgation terminates fro m
loss o f breath on the part o f the conj urer o r th e ,
75 O ccasionally
. other and sometimes more ela bo ,
1 ”
o f E lias and Pawle But the Catholic exorcists .
1
face was blackened by the smoke All this while .
1
H arsn et, p . 1 13 .
1
1
Th e Tryall o f M ai ste r Darrell , 1 599, p . 2
. Ha
rsn e t, p 53. .
E! OR CI SM S I NF A L LI BLE . .
79
7 6
Another remarkable method o f exorcism was
.
1
a process termed firing out the fie n d The holy .
1
defeated and disgraced This influence could be .
s how :
1 ”
o u t o f his hold .
1
Th is e press io n x o c c u rs in So n n e t licx v. , an d ev iden tly with th e
m e a in g h e e e p l ai
n r x n ed ; on ly th e n ge l
b ad a is su ppo sed to fire o ut
t h e go d o e o n .
1
H arsn e t, pp 7 7 , 96, 9 7 . .
1
I bid p . . 65 .
ELI ZA BE THA N D E JI ONOL O G Y .
77 The more
. violent or uncommon o f the bo d ily
diseases were as the quotation fro m Cotta s b o o k
,
’
1
shows attributed to the same diabolic source I n
, .
1
See 63 64 , 1 H o pe r p 308
. Parker So c iety
1
o , . . .
DE VI L S B OA S T DON T KI L L
’
. 81
1 ”
u ncounteracted I n The Witch o f E dmonton. the ,
1
Act 11 . se . i .
1
Th e V rg i in M artyr , Act 111 s e iii . . .
1
Dr. Fau stu s , Ac t 1. sc . iii . . O thello , Act v sc I I 204
. . . .
G
82 ELI ZA BE TH A N D E M ONOL O G Y .
79
. This leads by a natural sequ e nce to the c o n
80
. In the strange history o f that most in e x plic
able mental disease the witchcra ft epidemic as it, ,
1
o f the Book o f Common Prayer ; but this was
p r o m ptly reversed by the J udicial Committee o f the
P ri v y Council under the auspices o f two L ow Church
,
1
Se eJ enk in s C o o ke Law Repo rts , , Admi ralt y an d E cclesiastical
C ase s , ol i
v p 463 et eq
. v. .
, s .
1
I b id p 499 Sir R Ph illim o re
. .
, . .
1
Law Repo rts 1 Pro bate D iv isio n p
, , . 1 02
.
84 ELI ZA BE THA N D E M ONOL O G Y.
. 85
en who in ,
”
covered country without the sweet assurance which
,
1
'
. lb
See Mr L e cky s e a o rate an d n terest
’
i in g desc ript io n o f th e
i b li
dem se o f th e e ef in th e fi rst c a ter o f his hp H i sto ry o f th e Ris e o f
i li
Rat o n a sm in E u ro pe .
M A CBE TH WI T CHES , NORNS !
’
F le ay s position is shortly this H e thinks th at
, ,
.
’
Shakspere s play commenced with the entrance o f
M acbeth and Banquo in the third scene o f the fi rs t
act and that the weird sisters who subsequently t ak e
,
1
S h ak spere C o m m en tari es ,
lated by F E
t ran s . . B u n n e tt , p .
59 1 .
1
O f th e w t c i h sc en es Mr . Fleay reje cts A ct 1 . sc . i , an d
. se . iii
.
do w n to l .
37 an d Ac t
,
11 1 . sc . v .
E VI DENCE F OR NORNS . 89
c ,
1 610 ,
the 20th April Saturday there was to be , ,
, , ,
1
bu t thou shalt beget no kings etc This if For ,
’
.
,
q uoted Subsequently
. Forman narrates that D un
ca n created Macbeth Prince o f Cumberland ; and
that when Macbeth had murdered the king the
“
,
”
b ec ame both much amazed and affronted Su c h .
, .
land .
’
A fte rwards the common opinion was that
these women were either the weird Sisters t hat is ( as ,
1 ”
thing came t o passe as th e y had sp o ken This is .
H o l i h ed S co tl a d p 1 70 c 2 1 55
1
ns , n , .
, .
, . .
GOD D ES SES OF D E S TI NI E 2 ”
9 1
” 1
“
b eware M acdu ff by c e rt e in e wiz z ards in whose ,
” 1
t o the castell o f D unsinane .
H o lin s h e d s
’
t o be witches are already upon the scene .
” ’
o f D e s t in ie was distinctly suggested to Shakspere s
m ind as well as that o f the witches as the medium s
, ,
”
in
“
M acbeth the totally distinct narrative o f the
1
m u rder o f King D u ffe it is hardly to be supposed ,
1
M acb eth I V , . i 71. . H o lin sh ed ,
p 1 74 c 2 l
.
, .
, . 10 .
1
Ib d 1 i . . 13 .
1
I b id p 1 49 . . . A so rt o f witc h es dw elli g i n n a t o wn e o f Mu rre y
lan d calle d F o res ( c. 2, l .
30 ) we re pro min en t in th is ac co u n t .
92 E LI Z A B E TH A N DEM ONOLOG Y .
’
not like the inhabitants 0 th ea rth and ye t are on t
“
’ ’
1 ”
o f this stamp .
l
j ust stated It is suggested that the sisters o f
.
“
Macbeth are but three in number but that Sh ak ,
’
asking When shall we t hree meet again
,
‘ ! Th e
s econd decides the time : Whe n t h e battle s los t o r ‘ ’
D
won The th ird the fut u re prophesies : That will b e
.
,
,
‘
,
’
future prophesies : There to meet with Macbeth .
T h an e o f C awdo r
3 d
r . Sku lda . All h ail ,
M ac b eth h
t o u s hal t be kin g h ere
”
aft e r .
letter to
In a The A cademy , 8 th Febru ary , 1 8 79 , sig n ed Charlo tte
C armi chael .
3
I h av e tak en th e liberty o f prin ting
qu o tatio n as it stan ds in this
th e text T h e writer in l e Aca
. demy h as effec te d a rearran ge men t o f
th e dialo gu e b y i mp o rt in g what m igh t b e Macb eth s replies t o th e three
’
M ODERN HYP ERCRI TI CI SM 95
s b s e qu en t n u m b er o f Tb e A ademy
u a l o g letter u po n th e sam e c ,
n
s i t e rs th ro u gh o t a d c o sequ e tly a
s u dd u ces li ttl e e ide ce in fa o u r
, n , n n , v n v
o f t h e No m t h e o ry re lyi g m a -
i l y fo r p ro o f f th e ir p o si tio n po n ascen e
n n o u
( A c t 1 s c
. i ) w h ic h M .r F l e.ay says that th e ery statemen t o f th is
. v
t h e t ext .
.
s
p ere intentionally substituted witc hes fo r the god
d e sses o f D e s t in ie mentioned in his authority is prac
t i cally unassailable First then it is asserted that
.
, ,
A n d yet are o n t !
’
Li v e yo u , o r are yo u au gh t
Th at m an m ay qu est i o n ! Yo u s eem to un derstan d m e,
H
9s ELI ZA BE THA N DEM ONOLOG Y .
”
h ath a shrewd tong ue to call a drab a drab It .
Disco v erie, bo o k i . ch . 3, p .
7
. Harsn et, D ec larati o n , p . 1 36
.
WI TCHES ’
A P P EA RA NCE .
99
2
w itches and Sir Hugh Evans gives decisive testi
m ony to the fact when he says o f the dis guised
F alstaff By yea and no I think the om an is a
’
, , ,
” 3
p e ard I s p y a great peard under her m u flie r .
E f
’
H o n est M an s Fo rtu n e
’
, 11 . i . F u rn ess, Var o ru m, i p .
30
.
D ekk er s
’
H o n est Wh o re , se. x . l . 126 .
thus
Ban qu o Wh at are th e se
So with e re d an d so wil d in t h e i r att i re l
,
T h at m an m ay q u e sti o n 3
.
, ,
.
, , o
5
C awdo r !
d Wz tclz All h ail M ac b eth ! h
t o u sha t l b ki n g hereaft er ” 3
'
e
3r .
,
.
m h at th e sigh t th e fi rs t o f th e m sp ak a d said
uc , A ll h aile Mak e n ,
p .
438
ro z E L I Z A B E TH A N DEM ONOL OG Y .
I ”
w lziclz came to pas s a f ter tly p
z s eaking Surely th e re .
, , ,
Pitcairn I n 20 7
, . . . . l
C f as o I i b d pp
. . 2 1 2, 2 1 3, an d 231, he re
w
th e c ri m e is d esc ri bed as ld ”
fo rekn o w e ge .
WI TCHES CA N VA NI SH . 1 03
1
sa bbaths O ne o f the charges in the indictment
.
p .
5 1 .
i d p
Su n drie rec e i ts an d o n tme n ts m a e an d u sed fo r th e transpo r
t atio n h h
o f witc e s , a i l
n d o t er m ra cu o u s effects .
o f th e
wild kind o f recipes which Sh akspere rendere d
more g rim in his caldron scene The e flic ac y o f .
” 1
as se m b lie vanished awaie .
m o u se S o l an m S o m n iferu m o l eu m
”
, u , .
Sco t bo o k iii ch v i p 46 , . . . . .
WA Y WA RD WO M EN ,
”
SI S TERS . 19 5
”
s h ire
, one o f the characters says about a certain act
o f supposed witchcra f t I remember that some three “
,
5 1 07 p
p 1 14
, . Ac t v se iii.
3
Act I se v 1 2 . . . . . . . .
1 06 ELI ZA BE TH A N D E M ONOLO G Y .
3 ”
which he relies as the equivocation o f the fiend “
,
1 00 Assuming therefore
. that the witch natu re , ,
-
1
Mr. Fleay av o ids th e d iffic u lty created by thi passage whi ch s ,
lin es were in terpo l ated b y Middleto n — a m etho d o f c ri tic ism that hardly
n e e d s co mm en t Act 111 . . se . iv 1
. . 1 34.
3
A ct V se v 1 43
. . . . .
3
I bid . sc. v iii l
. . 19 .
UNT YI NG TH E WI ND S . 107
1
T hey can loose and bind the winds cause vessels ,
11
b o dies They describe th em selves as posters o f
.
”3
t h e sea and lan d ; the heath they meet upon is
4
b lasted ; and they vanish as breath into t h e “
5”
w ind . M acbeth conj ures them to answer his
u estions thus
q
h o u gh yo u u n t i e th e wi n ds an d let them fight
T ,
Ag ai n s t th e c h u rc h e s t h o u gh th e y e s t y wav e s
C o n fo u n d an d swallo w n av i gat i o n u p
T h o u gh bl ade d c o rn b e l o dged an d t ree s bl o wn do wn ,
T h o u gh pal ac e s an d p yram i ds do s l o pe
T h e i r h eads t o th e i r fo u n dat i o n s th o u gh th e t reasu re
O f n atu re s ge rm en s tu m bl e all t o ge th e r
’
,
E v e n t i ll destru c t i o n s i c ke n
”6
.
1
1 . iii . 1 1, 1 2.
1
Ac t 1 . se iii l 28
. . . .
1
b
I id 1 32 . . . I bid . 1 77 . .
1
I bid 11 8 1
. .
, 82
.
Act IV . sc . i
II 52- 60 . . .
1 08 E LI Z A B E TH A N D E M ONOL OG Y .
was burnt who con fessed that she had c aused all t h e
tempests that had take n place in that year Sc o t
'
.
,
As she was gan gan d betwixt her own house and the
yard o f Mo n kc as t e ll dryv an d her ky t o the pasture , ,
1
and m akan d heavy sair dule with hersel f gre t an d ,
1
B o k iii ch 1 3 p 60
o . .
, . .
1
W eep in g I ha e o n ly half tran slated th is passage fo r I feared
. v ,
s po il th e sad si mplic i ty o f it .
BESSI E D UN O
L P — HER CRI M ES .
c hild that wer lya u d sick in the la n d ill and she new ,
1
risen out o f gissane the a foresaid Thom met her by ,
2
t h e way h e als it ,
her an d said G ude day Bessie , , , ,
’
, , ,
4
thou hast crabit [G od and ask it some thing you ,
the seik cow or you come hame ; and thy twa sheep
,
shall die too ; but thy husband shall mend and shall ,
5 ”
s omething fleit .
6 ”
w ould not trow in him Sh e said she would .
“
”
trow in ony b o dye did her gude Then Thom pro .
1
C h ild b ed - . Salu ted .
1
Dw in dled away .
D ispleased .
1
Frighten ed . Tru st .
1 10 ELI ZA BE TH A N D E M O NOL O G Y .
”
g a i t t is ,
u n le s s s h e kend w h er e for Thom o f
f e r e d .
”
s h e dwelt with her awin husband and b airn is an d
“
,
fo r any barne that was tane away with ane ev ill blas t
1
o f wind or e lf grippit she gait and s p e irit
, , at Thom
what mygh t help them ; and Thom would pull ane
herb and gif her out o f his awin hand and bade h e r ,
1 ”
b e ist wald mend .
Or b u t su b serve s an o t h er s gai n , ’
o f
D enmark home to Scotland D uring the voyag e
, .
’
a marvellous chance the king s ship was driven by a,
11
t o rt in g con fessions it is not surprising that the king s
’
,
fo r qu o tat i o n .
7 A II E S S VO YA GE T O S CO TLA ND
’
J . 1 13
”
ha v ing parts o f the witch scen e s in M acbeth ring -
2
perish H e was also able by witchcra ft to open
.
3
locks H e visited churchyards at night and dis
.
,
2
I bid 2 1 2
. . H e c o n fessed th at S atan co mm an ded h im to c ase cats h
u rpo slie to be cassin in to th e sea t o raise win dis fo r destru c tio u n e o f
p
sc h ippis . M acb e t h , 1 . iii
. 1 5- 25 .
1
F ylit fo r o pe
f an e l o ke b e his so rc erie in D avid Se yt o u n is
n in g o
o f o p e n i n g l o c k s was m o re c o m pl ic a s will a
t ed th an th e S co tch , a pp ear
fro m t h e fo o w n g ll i
qu o tat io n fro m S co t b o k ii ch xiv p 246 , o x . . . .
h
A c arme to o pen lo cks Tak e a peece o f wax c ro ssed in b ap .
t is m e a d do o b u t p ri n t ce rt ein e flo re s th er i
,
n an d tie th em i th u e n, n e
t his d o o re i t h y n ame th a
n t I am fo rc e d t b r ak e a s t h o u b rake st h e l l o e ,
n o mi e p a ri s etc Am e M c be th I V i 46
’
g a t es I n
. t n a n. , . . .
D i tc h -delivered by a dra
Macbeth W i 30 , . . .
ELI ZA BE TH A A 7 D E J! OI VOL O G Y .
o r cives ,
1
as is afore said an d so left the said cat righ t ,
S weltered en o m sleepin g go t v .
Macbe th w i 6 , . . .
1
I bid 235
. . I bid 236 1
Macbe th 1 iii 8
. .
1
, . . .
S T O RM S B Y WI T CHCRA F T 115
/
.
1
i i
P tcarn , Re r n t o f N ewes fro m pi Sco tlan d , 1
. 11. 2 1 8 . See aso l
i l
T r a o f E wsame Mc C algan e, 1 254 . ii . .
1
Pi
tca rn , 1 ii 2 1 7 i . . .
1
On e py o f this
co prin t
re bears th e name o fW . Wright , an o t he r
t h at o f T ho mas N el s o n. The fu ll ti tl i e s
l i bl li
D e c ar n g th e damn a e fe o f D o c to r ian , an o ta F ble S o rcerer wh o ,
b
was u rn ed at E den b o ro u gh in J
an u arie ast, 1 59 1 w l hich Do cto r was
EL I ZA BE THA N D E M ONOL O G Y .
’
a nine days wonder and then die a natural death ; ,
ttention
to the subj ect dealt with In 1 603 he ascended th e .
i h p
Reg ster to th e D eu ill, t at su n drie t m es reach ed at i
N o rt h B arricke
i b i h ih
k rk e t o an u m er o f n o to rio u s w tc es w t th e tru e e a m in at io n s o f x
1
These even ts are referred t o in an e istin g letter b y th e n oto rio u s x
1 59 1- 4, p 38 .
7 A M E S S D E M ONOL 0GI E
’ “
.
1
to be employed or used in any manner o f witchcraft ,
L i er f bl a ph m i g J M ac be th I V i 26 ”
1 v o ew s e tc e n , .
—
, . . .
I w il l d rai h im dry a h ay
1
n s
H an g u p hi pen t ho se lid o n s -
u
H sh all l i e a m a f rb id
e v n o
W eary se ight i e t im e s i e
’
nn s, n n n n ,
S h all h e dw i d l e peak a d p i e n , , n n .
”
Mac be th 1 iii 1 8 23 , . .
-
.
1 18 EL I ZA BE TH A N D E M ONOL O G Y .
“
so st ro n glie and u n iv e rs allie received in the ti m es
o f E liz a beth and J ames .
”
I n B rayton s poem The Mooncal f one o f t h e
’
,
“
,
1
i s a mooncal f and his origin is distinctly traced to a
,
1
H ecker E pidem ic s o f th e Middle Ages p 1 36
, , . .
1
H u tchin so p 52 Th e ‘ Vitch o f E d mo n to ; Act v Sc o t
n, . . n .
,
D i c o v erie bo o k iv
s , .
1
E d 1 748 p 1 7 1
.
, . Tempest 11 ii 1 1 1 1 15
.
1
, . .
, .
CA LI BA N TH E M OONCA LF .
1
Cf Ot . h ello , 1
. i .
9 1 . Tit us An d ro n i cu s
, IV . 11.
1 22 ELI ZA BE TH A N D E M OIVO L OG Y .
o f fre e dom o f
thought G iordan o Bru no wh o e x e r
, ,
”
t h e r e are dev i ls says Bullinger reduced apparent l y
, ,
unl ess they repent shall one day feel to their e x cee d
, ,
1
h u man body by devils ; and this appears to have
b e en the opinion o f the maj ority at the beginni n g
o f the Re formation fo r the first Prayer book o f
,
-
men can at any time credit and take com fort from
a lie pure and simple ; and if an extinct creed appears
to lack that foundation o f truth which makes creeds
tolerable it is sa fer to assume that it had a meaning
,
1 Ty d al p 8 2 P arke r S o ciety
1
n e, . . .
1 24 E L I Z A B E THA N D E M O NOL O G Y .
1
full o f horror three hundred years ago has gradually
-
re ality o f th e t rro r e
gr a
e t m l t it d e o f e
u il sp iri t sus e d Th m Thy b l evse d a d h ea e ly n ou e s n v n
N am e Am e . Park er S o c iety p 84
n.
”
, . .
111 . L ittle attempt has hitherto been m ade in t h e
,
,
.
,
”
n ames Ph airie and c o ordinates with the incubu s ,
2 -
.
, ,
’
Indeed Shakspere s line in The Comedy o f E rrors
, ,
A fi e n d a fai ry p i t il ess an d ro u gh , , ,
1
F airy Myth o lo gy o f S hakspere H azli tt p 8 3 , , . .
1
P itcairn iii p 1 62 , . . .
1
I b id i p 1 62 an d m an y o ther plac es
. . .
,
.
1
F airy h as bee altered to fu ry b u t c o mpare P eele Battle o f
n
“
,
”
,
1
G ood fellow ; and this j ovial materialism only reflect s
the state o f mind o f th e folk who were not unwillin g
to believe that this lively little spirit might be see n
o f nights busying himsel f in their houses by th e
dying embers o f the deserted fire .
1 H
az li tt Fai ry My tho lo gy p 1 82
, , . .
NA TI ONA L D E VI L D OM . 1 29
1
long disappeared from the land ; but it is only from
the towns that he h as fled towns in which the spiri t
—
1
S co t , I n tro d i
u ct o n .
1 30 ELI ZA BE TH A N D E M ONOL O G Y .
heard .
Fo xe iv p 694 1
, . . .
S H A KSP E RE S M ENTA z TRAI NI NG
’
. . 1 31
y e ars .
’
any chronological order o f Shaks pe re s plays t hat
dogmatically asserts a particular sequence or to in ,
” ”
L ove s L abour s L ost
’
The Comedy o f E rrors
’
, ,
” ’
D ream are amongst Shakspere s earliest works
”
that the t ragedies o f J ulius C e sar H aml et “
,
“
,
” ” ”
“
O thello Macbeth and Lear are the produc
,
“
,
“
1
amo n gst the latest plays which he wrote Here we .
”
The D ream and The Tempest These are t h e .
1
F o r an labo rate a d m asterly i v estigati o n O f th e qu estio n o f th e
e n n
c h ro n o l gi ca
o l o rder o f th e plays wh ich m t b e assu m ed here see Mr
, us , .
t ainted Falsta ff .
“
T h e Te m pest as in its essence merely a return
to
“
The D ream — the end as the beginnin g ; to
believe that his thoughts worked in a weary unending ,
”
N ight s D ream than the thoughts o f Be ro wn e upon
’
s a ry
.
ELI ZA BE THA N D E M ONOL O G Y
'
1 34 .
”
L o st as his text is about as j udicious as the botan ist
,
, ,
’
that indicates the author s mental condition at t h e
time when it was produced ; and if several plays ,
where through the cloud lies the sunshine and the lan d
o f peace — the final period o f intellectual belief O u t .
1 22
. It is impossible here to do more than ind icate
THOUGHT OF TH E “
D REA M ”
1 39
”
m e r N ight s D ream and to a certain extent also in
’
f
c haracte rs in the play the country olk
,
— a class whose
m anner and appearance had most vividly reflected
’
themselves upon the camera o f Shakspere s mind
are by far the most li felike and distinct ; the fairies ,
t e re s t in g as a dumb show— -
the real shadows o f the
play T his is exactly the ratio o f impressionability
.
affect his com fort but they cannot control his fate
, .
’ ”
N ight s D ream that is at the beginning o f his caree r
, ,
j oyously .
”
Well and Measure fo r Measure are but the first ,
fruits.
”
sida , Antony and Cleopatra and Timon
“
So ,
“
.
, , ,
1 44 ELI ZA BE THA N DEM ONOLOG Y .
”
But L ear is not by any means the climax The
“
.
”
point in Timon a fragment only o f which is Shak
,
’
attention a summing u p o f Shakspere s teachi n g as
-
, ,
‘
the gods are j ust and o f our pleasant vices m ake
,
1 ’
t h e m how we will .
1
Mr Ru sk in has a al yzed Th e Tempest in
. n Mu n era P l eris , u v ,
1 24 et,
ro m a o t h er po in t o f vi e w
b ut f n .
SHA KSP ERE S F I NA L THO UGHT . 1 47
ance The spirit world is there too but they like the
.
, ,
1
w ork fo r good L astly there are the heroes and
.
,
”
fi n gers to sound what stop she please The evil .
th e pla th e m o re than h a
y lfu n willin g agen t
- - -
of P ro pero s .
150 EL I ZA BE TH A N D E M ONO L O G Y .
e vil ,
and his duty to do his best in aid o f th is
,
f
triumph has no more ear f the dreams the som e
o —
”
night come th when no man can work
,
.
Th e rarer ac t i o n is
In i han in v en gean ce th ey bei n g pen i ten t
v rtu e t ,
Th e s o le dri ft o f m y p u rp o se do th e xt e n d
No t a fro wn fu rth er ” 1
.
1
v. i . 27
.
P R I NT E D A T T H E CA ! T ON P R E SS, B EC C L BS.