Olivia Rodrigo's music video for "Get Him Back" tells the elliptical narrative of Rodrigo playing different characters as she feels angry about a breakup and wants her ex back. The video was shot entirely on an iPhone to showcase its camera capabilities as part of a marketing campaign. Rodrigo wears the same outfit throughout as she performs to stereotypes of the revenge pop genre, destroying property in various locations. Men are represented vaguely to make the story more relatable, while Rodrigo both conforms to and queers expectations of female gender norms.
Olivia Rodrigo's music video for "Get Him Back" tells the elliptical narrative of Rodrigo playing different characters as she feels angry about a breakup and wants her ex back. The video was shot entirely on an iPhone to showcase its camera capabilities as part of a marketing campaign. Rodrigo wears the same outfit throughout as she performs to stereotypes of the revenge pop genre, destroying property in various locations. Men are represented vaguely to make the story more relatable, while Rodrigo both conforms to and queers expectations of female gender norms.
Olivia Rodrigo's music video for "Get Him Back" tells the elliptical narrative of Rodrigo playing different characters as she feels angry about a breakup and wants her ex back. The video was shot entirely on an iPhone to showcase its camera capabilities as part of a marketing campaign. Rodrigo wears the same outfit throughout as she performs to stereotypes of the revenge pop genre, destroying property in various locations. Men are represented vaguely to make the story more relatable, while Rodrigo both conforms to and queers expectations of female gender norms.
General Conventions Analysis GC1: Lyrics and Visual Narrative • The video is a mixture of performance and narrative • The singer plays the role of the different characters • The message of the song is of the singer feeling angry about a breakup and wanting them back as well as getting revenge • The narrative is elliptical (Vernallis) but as the video progresses the singer gets more angry and destroys more • The locations are an apartment and the street • Mirrors are used and adhere to Goodwin’s notions of looking GC2: Genre Characteristics • The genre of the song is pop, and the set and artist look is very curated • The singer is glamorous and conventionally attractive, and is wearing clothes that represent the target age group of tweens and teenagers • The song has an elliptical (Vernallis) narrative in the video and lyrics, so it can be easily related to • There are also stereotypes of the revenge pop genre, such as keying the car and smashing the windows • There are many references to the colour purple and GC3: cars, which are strong branding elements of the singer, as well as an intertextual reference Intertextuality (Kristeva) to her song “Driver’s License” and • The number plates are also the name of the new Postmodernism album, and there is a fake product made representing the singer’s brand GC4: Representations • The singer wears the same costume throughout and plays many versions of herself • Men are represented as well, but their faces are blurred out making it more vague and relatable for the audience • As the singer and target audience are in the target 13- 25 demographic, her costume is representative of what they would wear • The singer initially appears performing (Butler) to female gender norms, but these are queered, e.g. cooking but throwing a knife • The inclusion of knife throwing could give the video a higher age rating and remove a main demographic, but as it is a mainstream song with big 3 label backing this is unlikely • The singer is wearing a short skirt and crop top and could be interpreted as appealing to the male gaze (Mulvey), or showing agency (Paglia) • The video was all shot using iPhone and is a marketing campaign from Apple, so there is a lot of variation in GC5: shots and effects to show the phone’s capabilities • The editing matches the fast-paced tempo Cinematography • It is shot through continuous movement, and there is a lot and Editing of panning and zooming • The lighting is high-key, showing the higher budget and professional effect Notable Marketing • Apple iPhone 15 Pro Max was used to shoot the video and is a marketing campaign to reflect it’s capabilities Possible Influences • Using an iPhone • Elliptical storyline hinted from the song • Intertextual references • Two location usage • Detailed and controlled mise-en-scene