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Subject Area:MMAPEH
ACARIO 10 B. ASISTIO SR. HIGH S
(Music) CHOOL
DATE: (MAIN
November 28,)2023
Pampano
Grade & Section: 10- St. Kaunlaran Village, Caloocan City telefax No. 288-5093
HONDURAS,PARAGUAY Quarter:Email
2 Address: mbasistomain@gmail.com
Content Standard: Performance Standard: III.
The learners demonstrate understanding of the The learners perform vocal and dance forms of Afro-
characteristic features of Afro-Latin American Latin American music and selections of Popular music.
music and Popular music.
I. Objectives: At the end of the learning activities, the learners should be able to:
a. discuss the historical and cultural background of Afro-Latin American music
b. appreciate the European and African influences in the development of Afro-Latin American
music
c. present the historical development of Afro-Latin American music through a timeline
II. Subject Matter: Reference:
Topic: Historical and Cultural Background Learners’ Materials, page 38.
of Afro-Latin American Music https://prezi.com/ny2gunnousxy/what-is-the-history-
of-afro-latin-american-music/
MELC and Code: The History and Impact of Latin American Music by
Describe the historical and cultural background Sounds and Colors, Published November 20 2019.
of Afro-Latin American and Popular music. https://soundsandcolours.com/subjects/travel/the-
MU10AP-Ila-g-2 history-and-impact-of-latin-american-music-49112/
1. Arrange the chairs in a circular fashion and play the music. Students
should walk as long as the music is playing and sit in the closest cha
as soon as the music stops.
2. The student who is left standing when the music stops has to identify
the country that is being symbolized by the given flag.
C 1. B 5.
A. Motivation/Drill/Review
D 2. E. 6.
A 3. H 7.
G 4. F 8.
Present and discuss the following key concepts of the lesson
1. Origin of Afro-Latin American Music
C. Lesson a. Indigenous Music b. European Influences c. African Influence
Proper/Presentation of the 2. Highlights in the development of Afro-Latin American Music in the
Lesson following periods:
a. 16th Century b. 1580-1700 c. 1776 d. 18th – 19th Centurie
3. Evolution and cultural impact of Afro-Latin American music in the wor
at present
Facilitate the discussion by asking the following questions:
D. Discussion (Indicate 1. How was Latin American music influenced by the European and African
questions that will elicit cultures?
answers from the 2. Which period do you think has the most significant event in the
students. Use HOTS as development of Afro-Latin American music? Why?
basis for formulating 3. Do you know some Latin-American songs and singers? Name some of
questions) them. Do you like their songs? Sing a part of Latin American songs that a
popular nowadays.
I have learned that Afro-Latin American music was influenced by ______
Some of the European influences in Afro-Latin American music are
E. Generalization
manifested through _________ while African influences are manifested
through _____________.
Classify whether the given influence in Afro-Latin American music is from
Europe or Africa. Write them in the appropriate column of the table below
the languages used in the music- Europe introducing of guitars-Europe
traditional beats and unique sounds-Africa expression of music- Europe
introducing new rhythms to the IPs-Africa use of drums in music-Africa
F. Application
Section Total No. of Total No. Perfect Passing Below Passing Remarks
Learners of Items Score Score Score
10 – Honduras
10 - Paraguay
V. Assignment
A. Topic: Characteristics of Afro-Latin American and Popular Music
Samba Ballads
B. Word for Study: Salsa Disco
Son Rock and Roll
Describe briefly the characteristics of Afro-Latin American music and
C. Guide Questions:
Popular music.
III. Procedure
Review on the Previous Lesson
D. Arrange the jumbled phrase and classify whether the given influence in
Afro-Latin American music is from Europe or Africa.
Rhythmic Density - the rate of stroke beats presents in the total number of
B. Vocabulary beats or meter of the rhythm
Development/Unlocking of Deep-Chested - refers to that lower, thicker, and warmer tones coming
Difficulties deeply from the chest
Resonant Drum - the bottom or opposite side of the drum from the batter
head
Singable Melody - uses mainly stepwise motion (i.e., moving from one note
an adjacent one)
Characteristics Characteristics
of Afro-Latin of Popular
Similarities
American music
music 5. 7.
G. Evaluation 1. 6. 8.
2. 9.
3. 10.
4.
IV. Reflection
Section Total No. of Total No. Perfect Passing Below Passing Remarks
Learners of Items Score Score Score
10 - Honduras
10 - Paraguay
V. Assignment
A. Topic: Musical Instruments of Africa and Latin America
Idiophones Membranophones Lamellaphone Aerophones
B. Word for Study: Chordophones
C. Guide Questions: List down some examples of musical instruments of Africa and Latin
America. Write them in the appropriate column of the table below.
Classification Example Musical Example Musical
Instrument of Africa Instrument of Latin
America
Idiophone
Membranophone
Lamellaphone
Chordophone
Schools Division Office – Caloocan City
MACARIO B. ASISTIO SR. HIGH SCHOOL (MAIN)
Pampano St. Kaunlaran Village, Caloocan City telefax No. 288-5093 Email Address: mbasistomain@gmail.com
Aerophone
III. Procedure
Review on the Previous Lesson
E. Supply the Venn diagram with correct information to compare and contra
Afro-Latin American Music and Popular Music in terms of their
characteristics.
A. Motivation/Drill/Review Characteristics
Characteristics
of Popular
of Afro-Latin
Similarities music
American
music
Present and discuss the following key concepts of the lesson
6. Classification and characteristics of musical instruments of Africa
e. Idiophones
f. Membranophones
g. Lamellaphone
C. Lesson h. Aerophones
Proper/Presentation of the i. Chordophones
Lesson j. musical instruments used in Maracatu dance of Africa
7. Characteristics or descriptions of musical instruments of Latin Americ
a. Indigenous Latin-American musical instruments
b. Tlapitzalli, Teponaztli, Conch, Rasp, Huehueti and Whistles
c. Incan instruments
d. Andean instruments
e. Maraichi band or ensemble
Facilitate the discussion by asking the following questions:
10. How are musical instruments of Affrica and Latin America classified?
11. Are there some musical instruments of Africa and Latin America used for
D. Discussion (Indicate particular occasion, event or purpose? Cite an example?
questions that will elicit 12. What can you notice on the materials used in making or creating the
answers from the musical instruments of Africa and Latin America?
13. In what way do the musical instruments of Africa and Latin America
students. Use HOTS as
similar?
basis for formulating
14. Watch the video on how the selected musical instruments of Africa and
questions) Latin America are being played. Describe how they are being played and
the quality of sounds they produce.
15. Which of the musical instruments of Africa or Latin America do you want
learn to play? Why?
What attributes or qualities did the Africans and Latin Americans
manifested in producing their various musical instruments?
E. Generalization
Did you also manifest these qualities sometime in making or improvising
particular tool or instrument? Share this in class.
Schools Division Office – Caloocan City
MACARIO B. ASISTIO SR. HIGH SCHOOL (MAIN)
Pampano St. Kaunlaran Village, Caloocan City telefax No. 288-5093 Email Address: mbasistomain@gmail.com
Africa
Latin
America
Short Quiz: Identify the musical instruments of Africa or Latin America that i
being described in the given statement. Choose the letter of the
correct answer inside the box:
A. Djembe G. Huehueti
B. Charango H. Quena
C. Musical bow I. Zither
D. Panpipes J. Kora
E. Horns K. Conch
F. Agogo L. Zeze
1. A notched-end flute of Latin America played only during dry season that
made from hallow tree trunks, animal skins, fruit shells, canes
claws, and animal or human bones. H
2. Are found almost everywhere in Africa and commonly made from elepha
tusks and animal horns. E
G. Evaluation
3. Affrica’s most sophisticated harp that is made up of gourd or calabash. J
4. A ten-stringed Andean guitar from Bolivia that produces bright sounds an
is often used in serenades in Southern Peru. B
5. A Mexican upright tubular drum used by Aztecs and other ancient
civilizations that is made of wood with its stretched skin beaten by the
hand or a wooden mallet. G
6. An African fiddle played with a bow, a small wooden stick, or plucked wi
the fingers that has one or two strings, made of steel or bicycle brake wi
L
7. The oldest, ancestor of all string instruments and one of the most widely
used string instruments of Africa. C
8. One of the best-known African drums which has a body carved from a
hollowed trunk and is covered in goat skin. A
9. It may be called “the oldest samba instrument based on West African
Yoruba single or double bells and has the highest pitch of any of the
bateria instruments. F
10. A wind instrument of Latin America that is made from a seashell usually
a large sea snail. K
IV. Reflection
Schools Division Office – Caloocan City
MACARIO B. ASISTIO SR. HIGH SCHOOL (MAIN)
Pampano St. Kaunlaran Village, Caloocan City telefax No. 288-5093 Email Address: mbasistomain@gmail.com
Section Total No. of Total No. Perfect Passing Below Passing Remarks
Learners of Items Score Score Score
10 - Honduras
10 - Paraguay
V. Assignment
A. Topic: Musical Instrument of Africa and Latin America
B. Word for Study: N/A
Divide class into groups with three members in each group.
Instruct each group to choose one musical instrument of Africa or Latin
C. Guide Questions: America that they want to create or improvise using scrap materials found
in their home or surroundings.
Inform them that they can apply designs like carvings, paints, etc. in their
created or improvised musical instruments.