Professional Documents
Culture Documents
( 6 T H E DI T I O N )
.
W O R KS BY T H E A U T HOR .
Pe a r ls a nd P e a r li ng L ife
Th e G r e a t D i a m o n d s of t he Wo rld
G o ld ; i ts L ega l R eg u la t io ns a nd St a n d a rd s , 6 0 .
C o n d it i o n s o
f N a tio n s ,
by G . F KO L B ,
.
w it h O ri g i n a l N o t e s an d I n fo rm a t io n
by E DW I N W . S T R E E T E R,
P o c ke t Ma n u a l of P re c i o u s and Se m i P r e c io u s Sto n e s ,
-
T h e ir C o m p o s i t io n , C ry s t al l i z a t io n ,
H ar d n ess an d
c c
S p e ifi G ra v it y .
Th e P e a r l F i s h e r i e s of th e P e rsi a n G u lf .
TH E I R
R E VI S E D A ND
Lo fi bfl a
G E O RGE BE L L
PR E C O U S ST NE S
GEM
TH E I R H I S T O R Y , S O U R C ES A ND C H A RA CTE R I S TI C S .
E DW I N W . S TR E E TE R ,
G o ld M e d a l l is t fo t h e R o y a l Or d e r f Fre d e r ic
o
H o ld e r f
o a Go ld M e d a l fro m H . M . t h e K in g f
o t h e B e lg ia n s .
Ell lu g t rat zh
WI T H C O L O U R E D P LATE S .
S I XT H E D IT I ON ,
R E VI S E D A N D L A R G E L Y R E .
-
WR I T T E N , U P TO D A TE .
LONDON
GEORGE BELL SO N S, Y ORK STREET
C O V E NT G A RD E N .
1 898 .
[A LL RI G H TS R E S E R VE D !
I hold every m an a deb t o r to his p ro fe fli o n ,
fro m the
w hich as m en of c o u rfe doe fe e k e t o recei v e countenance an d
pr o fit ,
fo ou ght the y of duty to e n d e vo u r t h e m fe l v e s by w ay of
a m ends to b e a hel pe and ornam ent thereun to
,
. T his is per
for m ed in fo m e degree by the h o n e ft and li b eral ! p raétic e of a
p ro fe fli o n , w hen m e n !hall carry a re fp e c t not to d e fc e n d into an
y
LO R D B A C O N .
CO N T E N T S .
P R E FA C E
S E CT I ON I .
-
P R E CI O U S ST O NE S I N G E NE RA L .
C HA P T E R I .
—
DE F I N I T I ON O F TH E T E R M “
P R E C I OU S
S T ONE O R GE M
II .
—
WH E R E P R E CI OU S S T ONE S A RE
FOUN D
III .
-
P R E C I OU S S T ONE S A N D TH E I R U S ES
I N B Y G ONE T I ME S
IV .
-
T H E WO R K I N G O F P R E C I OU S S T ONE S
D iam o n d C uttin g
I . T he B rilliant
2 . The R ose
3 . Indi an Cut
4 . Point C u t
5 . B riolet t es
8 . C on v e x S tones or C ab ochon
V .
— T H E E N GRA V I N G A N D C AR VI N G O F
P R E C I OU S S T ONE S
E ng rav ed D i am onds
VI .
-
P R E C I OU S S T ONE S AS O BJ E CTS OF
COMME R C E
The fi rst k no w n a p p li c ati o n of
D ia m onds fo r O rnam e nt
PA G E S .
C HA P T E R V I L— T II E B U R N I N G A N D COLOU R I N G O F
P R E C I OU S S T ONE S
T he B urnin g of Pre c I o u s S tones
S E CT I ON I I —
D IA M O N DS .
CH A P T E R I .
-
T H E D I A MON D
T he O ri gin O f the D iam ond
II .
— A FR I C A N D I A MON DS
III .
-
A U STRA L I A N D I A MON DS
IV .
-
B O R NEO D I A MON DS
V .
—
B RA ZI L I A N D I A MON D S
VI .
—
B R I T I SH GU I A N A D I A MON D S
VI I
‘
.
—
IN D I A N D I A MON DS
VI I I .
—
RU SS I A N D I A MON DS
IX .
—
U N I T E D S TAT ES ’
D I A MON DS
X .
—
COL O U R E D D I A MON DS ,
Re d an d G reen
B lue
X L— B O RT
XI I .
—
C AR B ON AD O
T he D ia m ond Drill
XIII .
—
V A LUE O F ROU GH D I A MON DS
C a p e R o u gh D i am onds
S E CT I ON I I I .
-
C O LO U R E D S T O NE S .
CHA P T E R I .
— T H E RU B Y
B u r m a R u b ies
S ia m R u b ies
C ey lon R u b ies
RU B Y M I NE S O F B U R M A
IV .
—
TH E S A PP H I R E
S iam S app hires
B ur m a S ap p hires
C ey lo n S ap phires
M ontana S ap phire s
A ustralian S ap p hires
C anadi an C orundu m
V . S TAR S T ONE S
VI .
— SP I NEL A ND B A LA S
VI I .
—
TH E E ME RA L D
T h e E m eralds Of Muzo
E gy p tian E m eralds
R ussian E m eralds
A ustrian E m eralds
A ustralian E m eralds
VIIL -
T H E T R UE O R O R I EN TA L C AT S
»
’
E YE
(C hr y so b er l
y ) z I I
I X — ALE X A N DR I T E
.
X .
—
TH E O PA L
H un gari an O pals
A ustralian Op als
CH A P T E R XI .
—
T H E TU R Q UO I S E
The Persian T urquoise Mi n e s
Fossil or B one T urqu o ise, & C
S E CTI ON Iv ,
—
S E M I P R E C I O U S ST O NE S
-
.
C HA P T E R I .
— T H E A G AT E
II .
-
AM A ZON I T E
III .
—
AM B E R
IV .
—
AM E TH Y S T
V .
—
A N DA LU S I T E
VI .
—
A Q U A M AR I NE O R B E R YL
VI I .
-
AVA N T U R I NE
VI I I .
-
B LOO DST ONE
IX .
—
C AR NEL I A N
X .
—
C HR Y S O B E R YL
XI .
—
C HR Y S OP RAS E
XI I ’
.
—
C R O CI D OL I T E
XI I I .
’
—
E U C L AS E
XIV .
—
G AR NET C ARB UN C LE A N D C I N N A M ON
, ,
S T ONE
A l m andine
Pyro p e
E ssonite
U warow ite an d
D e m antoid
XV .
—
H }E M AT I T E
XVI .
—
H I DD EN I T E
X VI I .
—
IOL I T E
C HA P T E R XV I I I .
—
!AD E
X IX —
J AS PE R
XX .
—
L ABRAD O R I T E
XXI .
—
L A P I S L A ZUL I
-
XXI I .
-
M A LA C H I TE
XXI I I —
M O ONSTON E S ELENITE AND
, ,
SUN ST ON E
XXI V .
—
MO ROX I TE
X XV .
—
O BS I D I A N
XXVI .
—
O R I EN TA L O NY X
XXVI I .
—
P E R I D O T O R C HR Y S OL I T E
XXVI I I —
P H EN A K I T E
XXIX Q U ARTZ C AT S
’
.
—
E YE
X XX .
—
R H O D ON I T E
XX XI .
—
RO C K C R Y STA L
XXXI I .
-
SP H ENE
XXXI I I .
—
SPO D UMENE
XXXIV .
— T O PA z
XXX V .
—
TOU R M A L I NE
XXXVI .
—
ZI R C ON
O R J ARG OON
~
A CL A S S I F IC AT I ON OE P R EC I OU S
A N D SEM I P R E CI OU S S T ONE S
-
A PP E ND I C E S
APPEN D I X A —
ON TH E D I S CRI M INAT IO N
O F P R E CI OU S S T ONE S
B— GEN E RA L REM AR K S ON TH E
TE R M C ARAT R AT I
"
T H OL A
, ,
I ND E X
”
LI S T OF I LLU S T RA TI ONS .
P O RTRA I T O F TH E AU TH O R
C A PE D I A MO N D in Matri x fa ci ng page 80
B LUE D I A MON D
B U R M A RU B Y
S A PP H I R E in the M atri x
ROU GH M ON TA N A S A PP H I R E S A N D RU B I E S
C HR Y S O B E R YL C AT S E in the rou gh
’
YE ,
A LEX A N DR I T E ,
in the rou gh
T U R Q UO I S E in the Matri x
C R Y STA L S O F Q U ARTZ A ME TH Y ST A Q U A M AR I NE
, ,
A N D G AR NE T
C R Y STA L S O F B RA ZI L I A N TOP A Z
P R E FA C E
an exclusive few .
out of print .
”
was a l s o a C hapter on Pearls
“
S ome years ago I was .
in duced to sen d my two son s on a visit to the various Pearl
fi sheries O f the world T h e i n form atio n which I received
.
tion was forc ibly d irected to the entire subj ect of Pearls
-
,
d i min ution .
L o ndo n ,
D e c e m be r, I 89 8 .
W E I GH T B E FO R E CU TT I NG , 1 8 63
; CT S . T
A F E R CU TT I NG , 1 061 CT S .
TH E “
K OH -
I -
NU R ”
B E FOR E A ND E R TE R
’
C TT
U I N G.
S E C T IO N I .
PR E C I O U S S T O N E S I N G E NE R A L .
C H A PT E R I .
as P re c io u s S t o n e s are n in e i n n u m b er n amely
,
the ,
-
D iamon d C hr y soberyl
.
R u by . (T u C t E y ) r e a
'
s e .
S pin e ! . O p al .
B
2 D efin i t io n f
o the Te r in P rec io u s S t o n e or G e ne .
s ubstance ,
bein g the p rod uct of a moll usc or S hell fis h -
,
dou b t the B u r m a R u by .
, ,
afterward s the P re c io u s Op a l .
”
best design ated in En glish as T h e S cien c e O f J ewelry “
.
g u is h e d whe
,
n polished fro m those foun d in the U ra l ,
p ardon ably fan ciful that the sunburn t tropics were more
,
Wh e re P r e c io u s S t o n es a re Fo u n d .
7
foun d i n such ran ges as are com posed of rocks con s id ered
to be a m on g the m ost ancien t i n the world in rock s —
P R E C I O U S S T O N ES A ND T H E I R U S ES IN B Y G O N E T I M ES .
the sprin g gree n jasper A mber C hr y sol ite C oral and O pal
-
, , ,
.
, ,
J asper an d E merald
, Th e A damas . A mber an d , ,
,
.
t u v,
,
. .
appropriate S ton es
IN J A NU A RY TH E A L EX A N DR I T E .
FE B R U A R Y TH E A M ET H YS T .
’
To this ston e s reputed power O f pre
ventin g in toxication it add s that O f,
MA R C H TH E S A PP H I R E .
APRIL T H E D IA M O N D .
TH E E M ERA LD .
TH E C H RY S O P RA S E .
IN J U L Y RU BY
TH E .
Power .
A U GUST TH E PE R I D O T .
S EP T E M B E R T H E C H RYS O L I T E .
O CTO B ER TH E O PA L .
NO V E M B E R C H R Y S O B ER YL C A T S E Y E
’
THE .
O f the sou l .
1 .
7 p
as er . hard
—
T his
a n d sol id ston e represen tin g the
C hurch was the e mblem of P e t e r
,
.
of t h e heaven ly faith O f A n d re w .
6 . Ca r n e l i a m T h e red C a rn e l ia n o f m artyr B a r t h o l o m e w
—
, .
M a t t h ia s .
8 . B e ry l .
—
T h e i n d e fin ite B eryl , -
Of th e doubtin g Th o m a s .
9 . Top a z . Th e
-
T opaz , Of the d elicate 7 a m es t h e
y ou n
g e r .
16 P re c io u s S t o n e s an d t h e ir u ses i n by g o n e t i m e s .
trustfu l Th a d d e u s
I I . A m e t hy s t .
—
Th e A methyst of M a t t h e w t h e A p o s t l e
,
.
12 . Hy a c in th —
The pin k H y a c m t h of the sweet tem pere d -
S im e o n O f C an a .
The A lp h a be t h as
been formed of the in itials O f
Precious an d S em i Precious S tones an d is stil l i n use to
-
Tr a n sp a r e n t Opa qu e .
A methyst ,
A gate ,
or
A lexandrite . A vanturi n e .
A lm an din e or ,
A mber
B eryl . B lood ston e .
C hrysober y l , C acholon g ,
C airngorm , C hr y sopr a se , or
C in n amon S ton e or C at s E ye
’
.
,
C y mophan e .
D ia mon d . D iaspore .
Felspar . Fireston e .
G arn et . G ra n it e .
H yacin th or , H eliotrope .
H idd en ite .
I doc ra se , J asper, or
I O l it e J et .
Jargoon .
Lyn x sapphire -
. Lapis lazuli -
.
M oroxite .
M arcasite
P r e cio u s S t o n e s and u s es i n by g o n e t i m e s . I7
Na t ro l it e . Ne p h rit e
O pal . O nyx .
Pyrope or ,
Porphyry or ,
Peridot P l asma .
R uby . R os e quartz
-
.
S apphire ,
S ard or
,
S pin e ! or , S ardony x .
S phen e .
T opaz or ,
T u rquoise .
T ourm al i n e .
Water sapphire -
. Wood opal -
.
TH E WO RK I N G OF PR E C I O U S STONE S .
brings out all the bril lia n cy an d colour of the ston e while ,
lapid aries were gen eral ly con tent to rub d own the angles ,
’
was that appren tices to the l apid ary s an d engraver s art ’
for themselves .
havin g upper t able l ike s urfaces with four pol ished borders
-
,
the sa me reliqu ary w ith three flat cut four corn ered facets
,
-
,
-
,
H er m an n an able artist
,
Th e D uke of B urgun dy gave a .
G arn ets .
Bruges .
o
T w ard s the en d of the sam e cent ury V in c e n z io ,
Li sbon .
”
ston es c ut i n I n dia a re l u mpy an d it is easier to c ut a
“
,
lu mpy ston es .
Th e Wo rbi ng of P re cio u s S t o n e s .
D I A M ON D C U T TI N G .
’
an d these all work i n to each other s han ds .
c utter box havin g two iron pegs for l evers an d affixin g two ,
, , , ,
”
“
table of the D i amon d T his don e it is h an ded back
.
the form of d ust it en ters the pores of the i ron the result ,
val ue .
polisher .
Th e Wo rh ing of P re c io u s S t o n e s . 27
fi n gers an d thu mbs that they ad j ust the poi nts e dges an d ,
them con stan tly moist with D iam on d d ust an d ol ive oil .
TH E FOR MS OF P R E CI O U S S TON E S .
an d fi re.
”
in stan ce i f y o u hear of a B rill ian t or R ose y o u know
,
“
over the top but with the u nder surface qu ite flat
,
.
1 —
. TH E B R I LLI A N T .
2 .
— TH E R OS E .
qu ite out of fash ion i s fan cifully sup posed t o rese mbl e an
,
'
3 .
-
I N DI A N CU T .
‘
4 .
—
P OI N 7 CU T .
k n own to K e n t m an n in 1 5 6 2 .
5 .
—
B RI OLE TTE S .
B r io l e t t e s are
pear shaped or oval ston es having -
,
'
6 ,
—
P ORTRA I I S TONE S .
7 .
—
S TE P CU T OR GRA DU A TE D FORM
-
.
i n ten sifi ed .
C at s eye
’
-
I n an cien t ti mes the S ap p hire was always so
.
A merican market .
TH E E N G R A V I N G A N D C A R V I N G O F PR E C I O U S ST O NE S .
HE
en gravin g of Precious an d S em i Prec iou s -
”
twelve t ribes l ike the en gravin gs of a S ign et ( E xod u s
“
.
x x xix .
,
A ccord in g to my re a d in g the ston es were
as foll ow
1s t R ow . z ud Row .
3 r d R ow .
D
34 Th e E ng r a v i n
g and Ca r v i ng o f P re c i o u s S t o n e s .
un der the do min ion of the T urk the G reek artists l eft thei r ,
r r
H e ad o f E m p e o L e o p o l d I I .
r
E n g a v e d C ro s s
r W
.
P f l
t
S ign e R in g u s e d by C h a l e s I w hr e n .
i n c e o a e s .
s I
t i M
r tt i a, Q u er e n o f C h a l
r e
i
S g R i d b H
.
u s e e n e a a
n e n g y
r
A R i n g, fo m e rl y t h e p ro p e t y o f M
r a r i e A n t o m e t t e .
f m e s II
S ign e t R in g u s e d by M a y o f Mo d e
r n a ,
u e e n o J a .
r i C h t l e s I
r
I m p e s s i o n fro m t h e D i a m o n d S g n e 0 a .
r r
H e a d o f E m p e o Nap o l e o n I .
38 The E ng ra v ing and Ca rv ing of P re cio u s S t o n es .
1 6 th 1 6 2 8
, 9 the su m of
—
£ 2 6
, 7 ( w h ich would b e e q u iv a
’
O ther exam p les of Walwyn s han diwork are i n e x ist
en ce on e being in the p rivate collection of G ems an d
,
’
with t h e P ri nce of W ales s pl u me o f feathers ( fi g .
on p .
3 6 .
Th e E ng ra v ing an d Ca rv i ng f
o P re c io u s S t o n e s .
39
PR E C I O U S S T O NE S AS O BJ E C T S O F C O M ME R C E .
’
C ats Eyes an d R ub ies l ive chiefly i n Kal utara an d , ,
C olo mbo .
workin g .
stan d far beh in d the D iamon d ; i nsom uch that this ston e ,
gen eral m axi m gems are val ua b le for their rarity freedom ,
t h e C ape the m arket price stead ily fell ; but with the
, ,
t h an e ver .
FOR ORNA ME NT .
year 1 5 2 0 that the R ose cut was i ntrod uced whi le the
-
,
THE B U R NI N G A ND C O L O U R I NG O F PR E C I O U S S T O N E S .
heat the m until the y are qu ite cl ear O ccasion ally where .
n u mber of months .
as orn am ents
T his n otion of hon ey puri fyi n g the A gate seem s to
be th e foun dation of the foll owin g beautiful idea : A ll
k i nds of P rec i ous S ton es cast i nto hon ey beco m e m ore , ,
”
t h e I n t ro d u c t io n to
“
Th e D e v o u t L ife , by S . Fra n c is d e
S a le s . Ch ap . 13 . 170 8 .
E
50 Th e B u r n ing a nd Co l o u r ing f
o P rec io u s S t o n e s .
'
'
c olour,
thus becomes the tin ctori al agen t .
O f l ate exqu isite blu e dyes have been fou nd for the
,
C hal cedony by which the varied shades o f the more val uabl e
,
CHA PT E R 1
.
T H E D I A MO N D .
”
cases the crystals are curiously twin n ed or m acled .
-
l
si m ilarly crystal ised D iamon d of a yel low colo u r ; and -
54 Th e D ia m o n d .
, ,
”
s m al l pieces that they can scarcely be seen .
steel m ortar .
Op t ica l P p
ro e r t ie s .
—
R efr a c t io n .
as wel l as its intri nsic val ue its use was extrem ely ,
restricted .
he had establ ished a defi n ite relation between the refrac t ive
power of a body an d its den sity Th e power of refraction .
R efle c t io n an d D isp er s io n .
”
w hat is techn icall y termed the play of colors o bs e rv “
,
”
able O n a wel l c u t D iamon d T h e optical term d ispersion
-
.
“
ie
. .red yellow an d blue defin itely separated on e fro m th e
, , , ,
con sid erabl e an d they stood at equ al d istan ces fro m each
,
2 4 ,
”
of passing through it is totally reflected from som e o f ,
L u s t re an d Co l o u r .
”
m arket are colou rless ; on e fourth of pure water with a -
“
,
”
m an t brut C uriously en ou gh D e B oot asserted 2 8 0
.
,
flaws an d colou r .
”
“
fe athers an d fi ssures which m aterially modify t h e
,
s ton es.
P h osph o re s ce n ce , é '
c.
s ubstan ces absol utely identical with it che mically are very ,
Ch e m ic a l Co mp o s i t io n .
the sam e result as that which the E mperor Fran cis had
obtained twen ty years previously i n Vien n a A s a flam e .
“
was s ai d to be seen surrou n din g the D iamond i n Ma c q u e r s ’
that they had n ever s u ffered the slightest inj ury from
his treatm en t of them T hereupon the two chemists
.
,
’
on look in g in to the crucible after the three hours trial ,
was con d ucted m ight accoun t for the d i fference of res ult .
One o f th e
most beau tiful an d at the same ti me most , ,
F
66 Th e D ia m o n d .
Fo u rc ro y corroborated G uyton d e Mo rv e a u He .
D iamon d ,
heated i n an at mosphere of carbon ic acid by ,
'
con su med but it was rem arkable that they grad ually
,
resemb l in g blacklead .
stud ied the phen omen on an d has foun d that the resu ltin g
,
”
ha v e s eparated i tself a s a black powder .
. ;
- ,
7 2 Th e D ia m o n d .
”
un der the curious n ame of k ish M M oissan has shewn . .
that the phys 1eal con dition which the carbon assu m es is
d epen den t to a l arge exten t on the pressure to which it is
subj ected at the ti me of con sol id ation an d that u nd er ,
these observation s .
f ff s c a rbo n
J e ro e i an d L a t c h i n o ff ; an d i n on e of the m e t e o rit e ,
ston e ,
D I A M ON D .
P ure C arbon .
to 35 2
3 .
10 .
‘
Sy s t e m f
o Cry s t a l l iz i
a t on I sometri c or cubic al .
Co m m o n Fo r m s of Cry s t a ls O c t ah e d ro n R h o m bic ,
D od ecahedro n ,
H e x a k is O ctahed ron é c ,
’
.
C H A PTER II .
A FR I C A N D I A M O N D S .
h ist o ry
.
support fro m the fact that the presen t yield of the m ines
of I n d ia is extremely s m all .
suffi cien tly bright to attract the keen eye of the mother ,
D iamon d of modern d a y s
d u s t ry of S outh A frica .
”
A frica . O ther d iscoveries ra p id ly followin g on e another
, ,
some p laces i n the form of fossil wood while els ewhere the
-
,
”
or black lead i n some of these beds has been regarded
“
-
, ,
W hilst i n other places si milar ign eous rocks are spread out
in sheets in tercal ated between the sed imentary strata
,
.
. . .
,
Dr Fried l
.
re fe r the D i am
o n d s to
i n M ain p la c es t
of t he k aro m fo rm at io n
of ri o u s
va
w h ilst i n o t
i n sh e e ts ,
st rat a .
V aryi ng
c o n ta i n
i n t he ir bu b le lik e c anine
b r w
l h
"
gr a v e s of t e
!
Afr ica n D ia m o n d s .
, ,
,
,
”
or the N ew R ush while the surroun din g
,
Pl o o y who sol d it i n 1 8 7 0
, .
'
sen ior the min e came to be kn own as the Wesselton
,
.
”
an d was k n own from its color as yel low earth
, T his ,
“
.
”
passed down ward s i nto the bl ue gr oun d the c o lou r of “
,
'
gen erally a soft m in eral soa py to the touch an d of green, ,
en statite m ica vaal ite zircon cyan ite horn blen de b arytes
, , , , , , ,
magn etite chrom ite t itan iferous iron ore p erofskite etc
, ,
-
, , .
’
B u t the on ly m in eral s that attract the m in er s attention
are the D iamon ds T he s e are sparkl in g pretty fr eely through
.
”
T hus both i n D e B eers an d i n Kimberley the bl ue of
’
s l own ess .
”
p assed throu gh the machin e S o rel iable is this separator
.
B u ltfon tein an d Wessel ton are practicall y u n der the con trol
of the po w erful combin ation kn own as D e B eers “
”
C onsol id ated M in es Li mited
,
T his C ompany of whic h
.
,
a p l at fo rm o f c o ns id e ra bl e altitud e .
fo r l ar ge d i am o nd s a n d after t h e se h a v e bee n
,
p l a tes ea c h of w h i c h is c o ve re d w ith a Sa y e r o f fa t
, .
fat to which th e y ad h e re wh il st t h e re fu s e is
, ,
,
i
I t i s estimat e d th a t e ve ry lo ad ( a l o a d weighs ab
p ou nd s ) o f bl u e gro u n d fro m t h e K i m be rle y m
yiel d s on an ave rage from o n e a n d a t we e n t N ee a n r
.
fi t h t» c nu t h inj o f 3 car at
f
. a .
I n :thin gs a t we 5 e re M a dm e n 3 1m I e it s l
“ " ’
’
»
J .
CR YSTAL OF Y E LLO W C A PE D IA MO N D .
‘
90 Af r ic a n D ia m o n d s .
:
D iam on d o f 2 0 9 % carats was d iscovered an d i t is said that ,
”
T h is ston e known as T h e Excelsior
,
“
weighed i n t he ,
”
m a in d e r b ein g bort T h e average val ue of rough D ia
“
.
~
”
m on ds at a sale on the Field s is as follows R iver 6 5s “
,
.
” ”
“
J ar 4 5s ; D u T oit s Pan 2 8 s ; Ki mberley an d D e
,
.
“ ’
, .
“
”
B eers to z z s 6 d ; B ultfontein 1 8s 6d an d “
,
z ls .
, . .
,
Wessel ton 2 5s , .
, ,
-
, ,
”
s e s i m p ro p e rly u n d er the n am e of carbon “
p a s ,
.
D ia m o n d h ea r i ng G ro u n d — T o en d o f J u n e 1 8 9 7
-
,
.
9 2 0
9 6 0
Th e
total co s t of mi nin g an d d epositin g was 5s 1 7 d .
'
.
h
p y ) exposed to vie w an d it coul d b e seen where the
re ,
o f th e m in e .
7 3
s 6
. d per°
load
. for the year 1 8 9 6 .
94 Af r ica n D ia m o n ds
DU PA N B U LT FO N T E I N — D e B eers C o m
’
T o rr s A ND .
THE R OBI NS ON —
T his
is situated in the O ran ge R iver
Free S tate .Very l ittle is kn own o f the cap abilities
of this m in e beyon d that D iamon ds ha v e been fou n d
,
”
S treeter s
’
have c ut so me o f v ery fi n e qual ity for
the parties con n ected with it .
T H E FR A N K S MI T H
’
M I NE an d T H E O TT O S P R OS PE C T
M I N E — T hese M in es are s it u at e d in G riqualan d West ,
T HE E X C E LS IO RJ
Ta n L . A RG E S T K n o w n D I M O ND A .
N A T U R A L S 12 3 1 11 n s RO U G H S T T E A .
W e re n fr , 97 0 C a RA r s .
C H A PT E R III .
A U STRA LI A N D I A MO N D S .
”
the D iamond kin d foun d i n R eedy C reek n ear B athurst
, , .
, , , ,
three m iles wide hem med in by hills on all sides save o n the
,
”
T ourmalin e known local ly as
,
“
J e t s t o n e S ome of the .
”
p any a ton of stu ff yields on an a ve rage twen ty D ia
,
“
A n s t ra ii a n D ia m o n d s .
99
”
a load the richn ess of the deposit i s very rem arka b le
“
,
.
”
fam ous clai m kn o wn as T h e S tar of the S outh is situated “
,
”
D iamon d Fields , Li m ited with M r C B arrington B rown
,
. .
,
from M udgee .
BOR NE O D I A MO N D S .
”
attend an t on the P rin ce as they term the m ore preciou s ,
st o n e
. D r Ver b e c k thin k s that the origi n a l m atrix of the
.
'
val ue .
”
they are cal led the S oul of the D iamon d an d are “
,
worn as am ul ets .
colou r .
'
rare .
c ut 1 8 5 carats .
A D iamon d
of 7 7 carats was foun d n ear G u n on g Lawak ,
”
7 0 carats k nown as ,
S e gim a is the property of th e“
,
S ultan of M atan .
B RA ZI L I A N D I A M O N D S .
or n o val ue .
B r a z il ia n D i a m o n d s . I0 7
been established .
m an tin a i n B ahi a .
I t a co l u m it e ,
a rock which was n am ed by Eschwege fro m ,
the river flows ; b ut the materials of the san dston e are them
selves d erived fro m the metam orphic rocks G ol d is w idely .
S Paulo
. .
”
the d iggin g the scen e of act ion i s t h e washi n g huts
,
“
.
B r a z il ia n D ia m o n ds .
en tered i n a book .
2 0 3
weighin g 1 87 carats was d iscovered at th e sou rce of the
P a t ro c in h o R iver i n the provi n ce of M in as G er aes
,
-
.
”
d iscovered in B razil is that called the S tar o f the S outh ,
, ,
of D i am antin a i n February 1 8 5 8
,
H e observe s :
,
. Th e “
”
t h e price they reached only the year before .
t h e D iamon d m arket .
I ND I A N D I A MO N DS .
rocks of that cou n try T h e m ateri als acc u mul ated by the
.
s ubj ect which the late Prof V B all treated with grea t
. .
,
Pegmatite but it has been shewn that his concl us ion s were
,
” ”
T his bl ue form s a n eck in a gran itoid rock contai n ing
“ “
,
a con siderable l os s .
an d , it is said n ear S i ml a ,
.
3 .S au r ashtra ( S urat )
4
. P aun
.
da ( probably in cl uded the C hutia N ag pu r
localities ) .
1 22 I n d ia n D ia m o n d s .
”
I st B ra nm a n s clear an d o f pure water white as the “
, , ,
‘
flower o f the lotus or as c ry stal 2 n d K s na i riy a s clear
, , , ,
3 rd ,V ay s ia s c re a m colou,
red or green l ike
-
the fresh pl antain
lea f 4 t h S u d ra s gre y ish white or l ike pol ished steel
.
, ,
-
,
.
deep .
o o n t a an d G uti or G u t id ru
g , g .
D ia mon ds .
”
the G o r d o Norr M r G ordon O rr b e i n g the sen ior
“
- -
, .
”
Koh i n ur
- -
.
,
’
Th e
chan ge from a grey to a red soil con sisting o f ,
”
upper layer con sis t s of the bl ack C otton soil brought “
in 1 8 89 .
T h e D iamon d
d istrict of th e S u m bu l p u r or S a m balp a r
gr o up i n the C en tral Pro v i nces e x ten ds to the i m mediat e
, ,
K
1 30 I n d ia n D ia m o n d s .
”
ston e bre c cia as that which V o y s e y sup p osed to be
D ia mon d rock i n the Pe n n ar an d the Kistn a groups
-
.
T h e washers of S u m bu l p u r n ow rarely if e v er fi nd , ,
’
U NI T ED S TA T E S D I A M O ND S .
com p rehen sive revie w of the gen eral subj ect has bee n
p ublished by M r G F Ku n z of N ew York i n his work on
. . .
, ,
se n.
,
o f R ich mon d who at on ce pronoun ced it to be a
,
23
2 carats
, and after cutti n g weighed u pward s of I I
%%
carats T his ston e has been called after some of its own ers
.
, ,
”
the D ewey D ia mon d an d the M orrissey D iamon d
“ “
.
”
havin g been l iberal l y salted with rough D iamon ds an d
“
C O LO U RE D D IA MO ND S .
th eir rarity an d v al u e 1 R e d ; 2 G r e en ;
—
, ,
3, B l ue 4 , P i n
,
k 5
,
M auve T.here are u n doubtedly
fi n e speci men s n ot i n cl uded i n this classification their ,
RE D DIA MONDS .
”
k now n as the H alphen R e d D iamon d .
s m
u m erm
k n o wn 75
thi s co le ar . m ay
R OU GH B UE
L D I A M ND
O .
3 . THE B R U N S W IC K B UE
L D IA M O N D (Ro s e C u t ) .
D I A M O N D (B ril l ian t C u t) .
4 . THE PI R I E ”
B UE L DI MA O N D ( B rill ia nt Cu t ) .
3, 4 , Cu t fro m Fr e n c h Bl u B
e ril lian t .
1 3 8 Co l o u re d D ia m o n ds .
”
M on arqu e it was apparen tly cut I t figured i n a gran d
,
.
been cut .
”
perty of the late M r H op e u n der the n ame of the H ope
.
,
”
removed by sim ple c leavage an d p reserved ? T h e l atter ,
o r the p i ec e assu m e d to be
, ,
”
with the si d e of the H ope D iam on d , a s shewn i n the
“
D i amon d of ”
d rop shape, the base of which w oul d
“
, ,
”
B lue D rop D iamon d once form ed th e proj ectin g sid e
which appears to have characterized the origin al shape of
”
the H ope B rillian t was i n evitabl e a n J I bought th e ,
B OR T .
E R T A IN D i a mon d s
are fou nd o f i n ferior
qu al ity an d so i mperfectly crystal lized that
, ,
C A R B O NA D O .
”
Ca r bo n“
was d iscovered i n B razi l i n 1 8 4 5
, ,
the D i amon d .
even to £ 1 0 p e r carat .
owin g to its d e ficien t h ard n ess the steel itsel f would be worn
,
D I A MO NDS
'
VA L U E OF R OU G H .
of itself .
of their j ud gment .
B rill iant , inten sify any tin t of yel low exi stin g i n the st o n e .
D iamon ds an d i s especi a
,
l ly n oticeabl e i n I n d ian ston es .
C O LO U R E D PR EC IOUS STON ES .
CHA P T ER I .
TH E RU B Y .
was regarded as the very type of al l that was m ost prec ious
i n the n atural world an d its value is am ly attested by t h e
p
n u merou s al l usion s to it i n the O ld T estament someti me s ,
'
m in e ralogist s poi nt of v iew i s that it is really a v a r ie ty ,
B u rm a R u by is d u e t o t h e presen c e of o x id e o f c h ro m i u m ,
"
the R u b y of Pegu he sa y s : A ll other coloured ston es
, ,
”
the S apphire is a B l u e R ub y With re feren ce to this
.
”
p a ssage the l ate Prof B al l i n his ed ition of the T ravels
,
.
, ,
S i x sid ed
-
pl ates or tab ul ar crystals T h e c rystal lin e .
c a lled the d ic/i ro is cop e ren ders the d isti nction a matter o f
c e rtain ty T his in stru men t enables u s to s ee whether th e
.
fore higher than that of gl ass ; hen ce the great bri l lian cy o f
the C orun d u m ge m st o n es when properly cut an d pol ished
-
, .
e xhibit a b right
of t h e p rin ci p al
t o be n
.
s ph e re sc e s w it h
brill i an t red glo w .
A ll v ar i eti e s of C o s c rat c h e d by t h
“
Di am on d but by no
,
h a rde n;
t h e A da na
lam on d, b i
blo o d e nli s s , a
t
m al ways o bt ai
m ea n
s
. Th e B e ams o f S i am a
t he se fi fiw t e e p a le .
B U R MA RU BY .
We igh t , 3 1 84 C a r at s }
.
Tbe R u by .
cond ition s of tem perat ure an d press ure the latter bein g —
l i m eston e a s a matr i x .
p any w as formed th e au
, thor obtain ed fro m B urm a a
T h a ra w a d is .
”
ston es m ay be said to riv a l the best B u rm a R ubies I n this .
from whose report some of the fol lowing d etails are taken
T h e R uby m ines i n that p rovince con sist o f a l arge
nu mber of workin gs i n two prin cipal groups about 3 0 ,
i n the d istrict .
s e qu en t chapter .
CE YLON R U BI E S .
S app h ires .
T/z e R u by .
TH E RU B Y MI N E S O F B U R MA .
18 86
. Up to that ti m e we were profou n dly ign o ran t o f the
c on d itions un der which the ge m ston es occurre d i n this -
o f this work ,
u n der circu mstan ces which wi ll b e fully
e xplain ed s ubsequently applied to the I n d ian G overn men t
,
, ,
an article was publ ished on the subj ect which had pecul iar ,
havin g as its trade cen tre the n ative town of M ogok with
-
”
which although n ot i ncluded i n the S ton e tract som e
,
“
-
,
"
u at e d i n the more easterl y portion of the S ton e tract -
,
d ouble this .
,
-
or
“
4 hol e twin s accord i ng t
,
o thei r size an d th e con
s equ ent n u mber of cross struts requ ired to S up p ort th e
-
though there are gen erally fewer stones, they are better as
to size and qu al ity .
T ago u n gn an d a ig .
”
R uby S ton e tract is v e ry largely m in ed by th e origin al
-
”
1 0 0 0 m en at work i n the n ew S ton e tract d iggin g o n
“ -
,
the king to gran t the m the sole right of m in ing for R ubies ,
sam e letter that I should com mun icate directly with the
,
accept ; but our represen tative who had fu ll d iscret ion ary ,
, , .
,
10 ,
18 88 .
T hose
who were acquai nted with the workin g of the
machin ery behin d the scen es were n ot altogether without
'
”
mouthp iece of certai n u n n a med Eu ropean ca p ital ists .
”
of a job havin g be en pe rpet rated was u tt erly groun d less .
”
Ruby M in es Lim ited — a C o mpany to whi c h t h e lease
, ,
h ad by permission be e n assigned
, was brought out by
, ,
—
February 1 8 8 9 , .
progress of th e C ompan y .
Lo a s d c d u
G ro ss o st p e r E x p e n it re R e n t p ai t o d R o y al t i es c
B al an e o n
w ash e d l o ad ( e x c l u s iv e cu
( e x l siv e G o v e rn m e n t c d u
re e i v e fro m R by Tra in g d
cc u
. .
o f re n t ) . o f re n t ) . Nat iv e s. A o nt .
5 . d .
,5
29 2} 5
8 10
3 9%
3 1
I a t
In c lu d e s £
J 23 , 8 2 4 d e p r e c i a t io n o f Ma c h in e ry , 85 0 .
worth fro m to
I n the jard in d c s Pl an tes i n Paris is a S ap p hire , ,
Perret for J5 6 8 0 0
, ,
.
M er v eilleu x .
ther e are some beauti fu lly engraved speci men s of this gem
stil l i n existen ce I n the C abi net of S trozzi i n R om e is a
.
, ,
I 82 T/ze S app /z z r e .
‘‘
e ngraven on it by C u e i u s A very rem arkable an d famous
,
.
g g
r e a t i n
g of colou rs at on e spot an d silky lookin g flakes
,
-
”
b e observable then a m ilky flaw wil l probably be de
,
S I A M S A PPHI RE S .
S om e
of the fin est S apphires are obtain ed at the
presen t d ay from certain m in es i n S iam T he y occu r .
B U RMA S A PPHI RE S .
, ,
co m m o n an d are usu ally of
h i e s i n asso c iatio n w it h
p r
on on e o cc asion v isited a
he had to
th an the
u gy i of K y at Pyin ,
K in g Thre w» , m
by M w w i, t he W o on of
'
fin“
ru pe e s, an d aft
p asser
i n g i nto
p o s se ss m n , was so ld to Mou ng B a a d e al er t
, ,
'
, ,
in to the han d s of T h e e ba w .
CASHME RE S A PPHIRE S .
' '
”
while m an y were rend ered i mperfect by silkiness Th e .
”
ston es are foun d l ived a B h ot Lamba or m on k wh o “
, ,
should b e k nown .
Th e S app h i r e .
there had been recen tly fou n d a mon ster blue S apphir e ,
scales 1 7 rupees .
MONTA NA S A PPHI RE S .
the gold min in g pion eers ; but after casual en qu iry it was
-
ful at or n ear the bed rock of the old river terrace s or bars
- -
,
mica A t other points the dykes are m ore l ike grey l ava
. .
gravels .
’
in g s C ou nt y T h e m ineral had previously been d etected
.
,
”
t h e ex istence of a great C orun d u m belt stretchin g for a ,
C ounty .
'
5 A P p H 1 R E:
Co mp o s it io n A l u min a .
4 ,
or thereabouts .
H a rd n e ss 9 .
Sy s t e m oC
f yr s t a l l iz a t io n H e x agon al .
six s ided py
D ouble -
ra m id s , o r
'
is rea ch e d th e y
th e G e o lo gi cal S u rve y
x m m ee of C o ru n d u m
a m en t a rt s of H e st .
Th e C o ru n d u m is
m as s e s s o meti mes of larg e
,
g y
re s i
h
y e ll ow
and e ve n y rare .
u nd h av e be e n
sa t! w e wai :
f
M arin a .
4 .
!a t h e re a bou ts .
M is s in
g- s id ed py t
W ide ax:pri sm s
,
usually as ro ll e d c ry s t al s .
CH A PTER V .
S TA R S T O N E S .
H e p h m s t io n
. T h e term A steria h a s been u sed by d i fferen t
authors i n various senses at various ti mes ; but there can
be n o d oubt that Pl iny u nderstood by it the sam e gem t hat
we d o n ow A purplish S t ar S apphire was kn own to P liny
.
”
as the Ce ra u n ia or Lightn ing ston e an d it was probabl y
,
“
-
,
an d in l ike m an n er we m ay have S t a r E m e ra ld s a n d S t a r
Ga rn e t s .
T h e O rien tals
have ever en tertained a pec uliar ven era
tion for S tar S ton es but on l y of l ate years have they been
,
little val ue .
196 Sp i n e l B a l as
’
ana .
8 I carat
-
perfection ston e
“
T h e other S p i n el was also .
”
an octagon shaped ston e of perfect colour very s pread
-
, , ,
re cut weigh in
-
, g after cuttin g 7 5
2 carats I t i s stran ge that -
.
viz 1 8 6 1
.
,
.
”
pro b a b ly d ue to chrom ic acid T h e n am e B al as or
.
“
, , ,
S P IN E L .
Co mp o s z t i o n — A l um in a
M agn esi a
Sp e c ific g ra o i ly
Varies from 3 59 i n an au rora red speci'
-
m e n to 3 7 1 i n on e of in d go bl ue colour -
.
( P ro f C hurch )
. .
H a rd n e s s b etween 7 an d 8
I sometric or C ubic .
CHA PTER V I I .
TH E E ME RA LD .
the same m in e ral the d istin ction s between the three varie
,
”
s ize that the base was as broad as the pal m of th e han d
, .
" ”
Pizarro an d his followers l ike bad lapid aries writes
,
A n d in s no t
have p a i d d i v in e ho
si ze o f a n ostric h egg ,
of Em eralds T h e prie.
these c ostly g e m s ,
S p an ia rd s fe ll in
‘
posses s t h e adam
E m e ra ld m in e s of
fi r s t t hese ston es
( m t h e s hip in w h ic h
8
5 7 , w e re t w o c h e st s
is im dred we ight o f E m e ra ld s .
te a ms c ry st a ll iz ed i n si x s ided pr i sms
-
,
Th e E m e r a l d .
20 I
of chro m i u m .
l u s t re vitreou s .
‘
T h e valu e of an E m erald depen d s greatly upon its
colou r an d freedo m fro m flaws ; a ver y fi n e d ark velvety
,
THE E ME RA LDS OF MU ZO .
The
most famous E merald m in es of the world are
”
those of M uzo s ituated i n 5 3 9 50 N latit u d e an d
,
° ’
.
,
Th e E n ze ra l d .
'
74
°
of 50 .
at certain d istan ces fro m each other to cut out a wide step ,
”
coun try of fair E merald s .
stil l i n p rogress .
S m aragd us .
been magazin es .
asso ciated with A lexan drite C hry so b eryl Phen acite etc , , , .
yielded by R ussia .
A U S TRIA N E ME RA LDS .
expl oration .
E ME RA L DS OF THE U NI TE D S TA TE S .
P
Th e E m e ra l d .
E M E R A LD .
C om p os i t io n — S il ica
A lu m in a
G l ucin a & c
,
.
27
H a rd n e ss
'
7 5
H e x agon al .
F o rm H e x agon al
an d d i he x agon al -
p rism s ,
v ariously modi fi ed .
CHR YS O BE RYL ’
CAT S E YE ,
in t h e R o u gh ( Pa r t Po l is he d) .
O R I E NT A L
’
on c ar s E YE .
It i s ti ll e r
brow n , a nd fro m
lm o s t
a m m T h e rm is m o st
fu ll s u n ligh t o r by
~
, gas l ig ht , whe n the l in es be c o m
d e fi n e d and v ivi d .
2 12 Th e Tru e or Or ie n t a l Ca t
’
s E ye .
the most pop ular tin ts are hon e y colou r clear apple green ,
-
,
D e s c rip t io n of t r u e D e s c r ip t io n f o Co m m o n
Ch ry s o be ry l Ca t s E y e Qu a r tz Ca t s E y e
’ ’
. .
an d black . an d brown o n l v .
R ay — I rid escen t . R ay D u ll
—
.
4 8 S il icon ,
alu m in a
80 , 5 1 O xygen ,
A p p ro x i 2 0 glucin a with a s mal l
C hem C o m . ,
iron .
81 C .
C H A PTER IX .
‘
A LE X A N D R I T E .
H IS
ston e was na med after the C z ar of R ussia ,
birthd ay in 1 8 3 0 ,
I t owes its celebrity to its
.
a can dle brin gs out a soft col u mbin e red or raspberry tint
, ,
E y es
.
I n order to d ispl ay the lin e of l ight it is of course , , ,
are the m i li t a ry l rs
co o u ,
aft e r in R u ss ia Th e R us sian
.
s u c c e s s ful cuttin g a n d p o l
v ariety fo u n d i n C eylon 18 m
A le x and rite is es p e c ia l l
’
br igh t green or de e p O l i v e
,
si t e h as?»
em er a ld by
e is a
u rs e
co
th as i t sfe c t C at s
’
t e en a e o f c olou r
g
an caboc ho n i ns t e a d of fa c ettin g i t .
A L E XA ND R I I E
’ ‘
in th e Ro u gh .
CH A PTER X .
TH E O PA L .
IC O L S
i n his cu rious ol d book en titled A “
’
a whol e sea of the E merald s green glory an d every on e
of the m shin in g with a n i n cred ibl e m ixtu re an d v ery m uch
pl easure .
’
B oeti us described it as the fairest an d m ost “
”
pleasin g of al l other jewels by reason of its various colours
, .
“
C ardan u s says I bought on e for 1 5 crown s which gave
, ,
”
m e as m uch pleasure as a D iam on d of 50 0 a u re o s .
pl easin g of all 0
C ardan us says ,
me as m
T here is
abo u t the S i ze of a
S en a to r N on ius a n ,
he d ug
e x rle w i th hi
at l ic a an d
si ,
th e be autifu l
d i st ingui s h ed as
Th e Op a l . 17
S e m i Op a l
-
. C ertain O pal s
fro m Zi mapan i n M exico , ,
”
j ewelle r si mply as O pal .
R ayleigh .
’
a cat s e y e an d I have therefore called this Ca t s E y e Op a l
,
’
-
.
q uen tly b
, y exposu re to the air its hard ness is i n creased ,
ston e i s so fam ed .
H U NGA RI A N OPA LS .
posin g some of its silicates an d settin g free the sil ica which ,
O pal
is foun d i n several local ities i n the S tate of
Queret aro , especially at Espera n za abou t 1 0 leagues n orth ,
of Z i mapan .
L OPA .
Co mp o s i t io n S ilica with 1 0 to
,
12 p er cen t water . .
2 to 2 2 .
5 5 to°
6 .
Fo r m A morphous .
CHA PT ER X I .
TH E T U RQ U OIS E .
N D E R the n am e o f Ca ll a is or Ca ll a in a ,
’
true T urquoise I ts exquisite colour which loses n othing
.
,
”
are said to b elon g to the O l d R ock an d are very “
,
the blo w pipe but i s read ily affected b y acids C hem ically
-
, .
real ise these advan tages i t was a n ecessary con d ition that
the ston e should have been received as a gi ft Even to this .
”
pales when the wel l bein g of the giver is i n d an ger
-
.
of the min eral fro m Los C erillos has been m ade the s ubj ec t
of c areful investigat ion by Pro f F W C l arke the chem ist . . .
,
col o ur , often
bu t are
of careful investigation
to t h e G eol
f
-
Th e 0 1
e x t e n t p its h avin g
,
of 2 0 0 feet A bou .
of t he
l oca li t ie s in Nev ai h }
z
v alu e are c om p a
h a v e com e to w wf
’
col o u r , bu t are 0
ap p e ar w hen
the ston e
rse s however in cl i n e
q u o , ,
to the G eol
Th e 0 1
e x t e n t pits h a v i n g
,
of 2 0 0 feet A bou .
Bu t of la t e
firm of N ew Yo rk
h as o bt ain e d m i n e
localit i e s i
226 Tbe Tu rq u o is e .
‘
T h e in habitan ts of the M ad en vill age are en tirel y -
'
!
men w h o yearly pay 6 0 to man s to the G o v ern men t an d ,
( )
a T h.e m in es proper T h e m ost easterly an d a c .
,
‘
cord in g to al l accou n ts the old est m in e is th e A bd u rre z z dg z
which was form erly called the A bu I s h agi and is w ith ,
from this m in e but its T urquoises are estee med more than
,
”
val ley are the S u rfer/z S lu ip e m rir an d A g /z d/z m i nes which
, ,
’
,
‘”
D e rre k i S afz d -
the White Val ley with the ol d m in es
-
,
‘ ‘ ‘
Mule k z the upper an d l ower Zzzé z an d the M frz d A bzu éd z
' A
, , .
9“
Th e v al ue of the t o m a n w a s , in 1 88 4 , 63 . 8d .
T/z e Tu rqu o is e .
‘
I n the lower Zd/e z n ow a v erti cal shaft of 6 0 feet in
,
rock between the d i fferen t sha fts were cut away an d the ,
a si m ilar man n er .
‘
T h e mouth of the M irz u A k m e a z m in e which was
’
,
‘
Zcik z m i n e it is very d an gerou s on acco u n t of the rubbish
it contain s ; the rubbish is badly propped up by ston es
an d s m all sticks an d several labourers have been
,
an d the R o is/z m in es .
”
without a road : to go d own i n to it i s very d i fficult .
present n ot worked .
colour and great s ize but the colou r soon fades and the
,
r in
g s a re a t p re s e n t o n ly o bt a i n e d f r o m Z
/z e Work
here is c arried on by p rom iscuous d iggin gs without an y ,
‘
I . rin g ston es
A ug u s fiz u r i
( ) i nc l udin g all stones
-
of ,
z agi m in e .
3 . A ra o i T urquoises ,
a n ame appl ied to bad ston es of ,
‘
'
, 231
hope of p rofit .
t here are two ot her subs t an ces often sol d for th is ston e .
O n e of these is Od o n t o l it e or Fo ss il Tu rq u o is e
,
the former —
'
Viz/ z u u it e ,
with which it i s i mpregn ated I t is easily .
'
i n colour .
S E M I PR E C I O U S S T O N E S
-
.
co m m e rc ia l v a lu e t /z a n t /z o s e d e s c r ibe d in
g o
gp
zn ag e s , ou t / l
n e v e r t ze e s s m a ny of t /z e m v e ry oe a u t ifu l .
T i s d ee m ed ad visab le ange t h is 1
order w it
,
new sex
in e fe sfm, wh ic h fit fa h o p e d may 5
-
w ho are i nte re s t e d in t h e s t u d
CHA PT ER I .
TH E A GA TE .
deposition o f sil ica fro m a sol ution with which the cavit y
, ,
givin g rise to those con cen tric m arkin gs which are seen on
the section s o f most A gates T his d eposition of sil ica .
If the s tripes of varied hues are arran ged roun d the centre ,
for h e m ust be wel l a c quain ted with the n atural grain of.
p attern s are fou n d T hese are cut an d pol ished u n der the
. .
”
n am e of S cotch Pebbl es an d are e mployed as orn amen ta l
“
,
A GA TE .
Clt e m ic a l Co m p o s i t io n S ilica .
7 .
Sp e c ific G ra v i ty 26 .
Fo r m A morphous an d n od ular
, .
C H A PT E R 11 .
A MA ZO N I T E .
in S cotlan d .
‘
r egarded as a v ariety o f orthoclase but placed by the l ate
,
A M A ZO N I T E .
C om p o s i t io n — S ilica
A l u m in a
Potash
S od a 81 C
, .
6 0 .
Sp e c ific G ra v ity 2
°
5 .
Cry s t a ll in e Sy s t e m T riclin ic .
A MB E R .
it origi n ally exu ded from the tree was a l iqu id o f thin ,
con sisten cy .
, , , ,
’
cases or gen tlemen s cigar cases .
‘
mou rn in g an d weep in g at his u n happy en d attra c ted the ,
A m be r.
43
A M BE R .
H a rd n es s 2 5 .
A ME T H YS T .
beauty .
'
.
, ,
,
o f very l ittl e val ue .
A NDA L U S IT E .
H IS
m in eral which was n amed from its o c cur
,
'
’
w a s recently in the author s possess ion A lthough a.
A N D A LU S I T E .
Ch e m ica l Co mp os it i o n
S ilica
A l u min a
Sp e c ific G r a v i ty 3
-
1
7 to 7 5
'
A Q U A MA R I N E , OR B E R YL .
J ul ius I I .
A QU A M A R INE .
Co mp o s i t io n — S il ica
A lu mina
G l ucin a
'
l OO O
S pe c ific G ra v i ty 27
7 5
'
Sy s t e m o C
f yr s t a l l iz a t io n H e xagon al .
Fo r m s of Cry s t a l s S ix -
s ided prisms .
CHA PT ER V I I I .
B LO O D S T O N E .
B LOOD S TO N E .
Co m p os it io n — S ilica ,
with a s mal l p ercen tage of
peroxid e o f iron .
Sp e c zfic G r a v i ty
H a rd n e s s
C H A PT ER IX .
'
C A R N E LI A N .
A R NE L IA N
i s n oth in g m ore than a pale red -
(y e llo w) .
C arn elia n
is chiefl y fou n d i n n odular m asses an d i n ,
an d friable .
’
a m an s head is en graved with most artis tically arran ged ,
CARNE LIA N .
Co mp o s it io n — f S il ic a ,
with oxid e of i ron .
H a rd n e ss 7
A morphous .
2 54 Ch ry s o be ry l .
a nd A p atite .
CH R Y S OB E R YL .
C om p o s i t io n — A l u m in a
G l uci n a
Ferro u s o x ide
S p e c ific G ra v i ty 3 5 to
H a rd n e s s 8 5
°
Cry s t a ll in e Sy s t e m T ri m e tric
or ortho rhombic -
.
CH R Y S O PR A S E .
HE C hrysoprase
is mention ed in the book of
E z ekiel ( c xx vii v . an d it is also referred.
, .
an d O pal .
C H R Y S OP R A S E .
Co mp o s it io n — S ilica
O x ide of N ickel , &c .
I00 0
Sp e c ific G ra v ity
H a rd n es s
Fo r m
b ut i s also found i n other parts of S outh A frica I t has .
C R OC I D O LIT E .
Ch e m ica l Co mp o s i t io n
S ili c a
O xide of
S od a
M agnesia
Water
H a rd n e s s Nearly 7 .
E UC LA S E .
H IS
min eral has occasion ally been c ut an d
pol ished as a gem ston e bu t rather as a m at
-
,
E U CLA SE .
Ch e m ic a l Co mp o s i t io n :
S ilica
A lu min a
G lucin a
Water
10 0 0 0
S p ec ific G ra v ity 3
H a rd n e s s 7 5
'
Cry s t a ll in e Fo r m T ri metric .
THE G A R NE T , CA R B U NC LE , A N D C I NNA MO N S TO NE .
even their hardn ess are s ubj ect to great variation s corres
, ,
q u en tly m onochroic .
R ome an d S t Petersburg
,
. T h e s mall degree of hardn es s
.
A LM A N D INE (C a rb u n c l e ),
Ch e m ic a l Co mp o s i t io n
S ilica
A l u m in a
I ron protoxid e
Magn esia
Li m e
M an ganese protoxide
I OO O
S pe c ific G r a v i ty to 35
H a rd n e ss abou t 7
Cry s t a ll in e Sy s t e m C u b ic .
trapezohedron .
P YROPE .
'
m ay b e A l man d in e .
P YR OP E .
Sp e c ific G ra v i ty 37 to
H a rd n e ss 7 5
'
Cry s t a l l in e Sy s t e m C ubic .
E SS ONI TE .
A A G arn et
resem b l in g Esson ite i n composition bu t ,
“
, ,
”
S ton e I t is foun d chiefly in S iberia
. .
E S S ON I T E .
Ch e m ica l Co mp o s i t io n °
S ili ca
A lu m in a
Li m e
I ron protoxide ,
&c .
34 to
H a rd n e s s 7
C u b ic .
Of
the m any other varieties of G arn et more or l ess ,
HZ
E MA T I T E .
H ER E
are certai n ores of i ron which are used
to a l i mited exten t i n j eweller y an d i n t h e
Fin e A rts notably H e m a t it e a m in er a l which
—
,
”
“
blood ston e is d erived
-
,
.
”
often c alled kid n ey ore“
-
.
H AS:M A T ITE .
C om
p o s i t io n — Perox ide of I ron con tain in g ,
I ron
Sp e c ific G r a v i ty to 45
H a rd n e s s 55 to
R ho mbohed ral .
H IDDE NI TE .
”
is so meti mes term ed L ithia E merald“
I t occurs i n .
”
H idden ite .
H IDD E N ITE .
Co m p o s i t i o n — A s ilicate of A l u mi n i u m an d Lithi um .
3
H a rd n e s s 7
Cry s t a ll i n e Sy s t c m M onoclin ic
CHA PT ER XVI I .
IO LIT E .
sapphire .
IOLITE
Ch e m ic a l Co mp o s i t io n .
S il ica
A lu m in a
M a gn esi a
Ferrou s ox id e
10 0 .
Sy s t e m f
o C ry s t a ll i z a t io n T ri metric
Sp e c ific G r a v i ty
H a rd n e iss 7
Pr is m atic crystals or as pebbles
,
.
i n S iberi a N ew C aledon ia T urkestan B urm a A laska and
, , , , ,
Ch e m ic a l Co mp o s i t io n (G reen J ad e or N ep h rite of N ew ,
Zealan d )
S ilica
M agn esia
Li me
O xid e of iron al u min a
, , &c .
10 0 0 0
Sp e c ific G ra v i ty 29 1 to
6 5
Fo r m A morphous : occurrin g as a rock .
CHA PTER X I X .
J A S P E R .
G reek n ame ,
accord in g to I s o d o re s i n ifie t h
g ,
“
E gy p t ia nj p is found
as erin roun ded m a sses i n the d esert ,
and i n that cou n try the ston e is highly val ued I n Florence .
J A S PE R .
Ch e m ic a l Co mp os i t io n
S il ic a
O xide of iron
Sp e c ific G r a v i ty
H a rd n e s s
Fo r m
L a br a d o r i t e .
, ,
L A B R A DOR I TE .
S ilica
A l umi n a
Li me .
12
'
3
S od a etc 5 5
'
.
,
10 0 0
27
H a rd n e ss 6
Cry s t a ll in e S y s t e m T riclin i c .
L A P I S LA ZU L I
-
.
H IS
ston e i s remarkable for its beautifu l blu e
colou r w hen ce the A rabian s cal l it A z u l
, ,
”
bl ue ston e spotted with gold dust while ,
” ”
fretted with golden fire T h e gol d m en tion ed by these
.
“
, ,
pyrites .
l i meston e .
an d A mber .
MA LA C H I T E .
MA L A C H I TE ,
Ch e m ic a l Co mp os i t io n — C opper oxide
C arbon d io x ide
Water
to 37
to 4 0 3 5
Cry s t a ll i n e S y s t e m Mon ocl in ic
Usually modi fi e d oblique rhombic prism s
.
Fo r m ,
M OO N S T O N E , S E LE NI T E , A ND S U N ST O N E .
”
Th e S elen ite says A d reas B a c c iu s i s a ki n d of
“ “
, ,
.
,
”
chan ges . T h e G reeks called it A p h ro s e l e n e which s ign ifies ,
‘
the R o man s cal led it L u n a ris D ioscorides says it 15 .
“
”
trees fru itful an d of curin g epile p sy ; he add s that i
,
“
of fashion .
T h e Ch e m ic a l Co mp o s it io n the two Fe ls p a rs m ay be
taken as follows
M o o n s t o n e Ort h o cl a se ) . S u ns to n e ( g
Ol i ocl a s e
) .
S il ica
A l u min a 18 4
Potash 16 9
'
I OO O
Cry s t a ll in e Sy s t e m Cry s t a ll in e Sy s t e m
M ono c l in ic . T ri c l in ic .
O B S I D IA N .
E O LO G IS T S ap ply
this n a me to a v olcan i c
glass or fused l ava an d at fi rs t sight it m ay
,
, , ,
”
l ike R uperts d rops
’
. O bsid ian bombs
“
are occasion ally
fou n d i n Western A u stral i a an d elsewhere
“
.
,
O B S I D IA N .
Ch e m ic a l Co mp os it io n
S il ic ate o f alu m in a potash i ron an d li me
, .
Sp e c ific G ra v i ty
H a rd n e ss 65
Fo r m A morphous .
C H A P TE R X XV I .
O R I E N TA L ON YX .
‘
the I n d us b ut as t h e y w e re of heaven ly origin they san k ,
”
M ercury s sta ff T h e fi gure D r O eri identifies as Pa x
’
. .
,
a hal f broad
-
I n the M u seo N azion al e at Na p les there
.
, ,
P E R I DO T OR C H R Y S O L I TE .
be a uty .
”
C hrysol ite con siderab le con fusion has ar i se n between the
,
n e s ia
. T h e C hrysol ite o f m in eralogy i s i n fact practicall y ,
P E R I D OT OR CH R Y S OLIT E .
Ch e m ica l Co mp os i t io n
S ilica
M agn esi a
Ferrous o x ide
N ickel o x id e & c , .
I00 0 0
Sp e c ific G ra v i ty 3 35
H a rdn e s s 6 5°
Cry s t a l l in e Sy s t e m T ri metric .
PH E NA K I T E .
P I TE N A K I T E .
Ch e m ica l Co mp o s i t io n
S ilica
G l ucin a
Cry s t a l l in e Sy s t e m R ho mbohedr a l .
Sp e c ific G ra v ity 3
H a rd ne s s to 8
7 5
Fo r m Pris matic crystal s .
CH A P T E R XX X .
R H O D O N ITE .
R H O D ON I T E .
Ch e m ica l Co mp o s it io n
M an ganese o x id e
S il ica
Cry s t a ll in e Sy s t e m T ri c li n ic
Sp e cific G ra v i ty 3 6
H a rd n ess
Fo rm R arely c rystal l ized us ual ly m assive .
CHA PTER XX X I .
RO C K CR Y S TA L .
”
stil l re main et h am on g u s said the l earn ed ,
Vu lg a r E r ro rs i n 1 64 6 that C rystal is
, ,
“
”
Profession s an d A ges T h e word c ry s t a l is i n fact a
.
, ,
”
o rigin to the G reek word h r u s t a l l o s which mean s i c e “
, .
S m o hy Q -
an d the black as M ar io n
u a rtz , T h e clear .
”
u n der the n am e of Fle ch e s d A m o u r or C upid s arrows
’ ’ ’
“
, ,
”
or Ven us s H air S ton e
“ ’
I t is also kn o wn as S ag e n it e
-
.
,
or S ag e n it ic q u a rt z .
”
father weigh s as m uch as é7 6 lbs ; while an other chris
,
.
,
”
t e n ed T h e Kin g weighs 2 5 5 lbs
“
, .
CHA P T E R XXX I I .
S PH E N E .
N orth A merica .
S P H E NE .
'
Co mp os i t io n — Titan ic O x id e
S il ica
Li m e
I ron O x ide
S p e c ific G r a v i ty
H a rd n e s s 5 to 55
C ry s t a l l i n e Sy s t e m M on o cl in ic .
S PO D U ME NE .
S P ODU M E NE .
Co m bo s i t io n : S ilica
A lu m in a
Lithia
I ron o x id e an d sod a
'
I OO O
S p e c ific G ra v i ty 3
7
Cry s t a l l in e Sy s t e m M on ocl i n i c .
”
it. A m on g the virtu es then attributed to it we read
”
that the T opaz c al m s an acreon tic tem p eram ents
“
.
fro m the S an s c ri t p i t a (
s a tra n s p ositio n fro m
m ineralogists de s cribe d th i s as a
m foun d i n an isla n d f! the
g e O
it i s of a d il uted green c ol o u r
”
it . A m on g the v irtu es the n
that th e T o p a z ca l m s
“
Un de r the g e n e ral
are re m arkabl e fo r
w or d s t h e y be c o me
CR Y S T A LS OF B R A ZI L I A N T O PA Z
.
29 8 Top a z .
’
foun d i n the B ritish I sl es I t occurs at S t M ichael s . .
work m an ship .
, ,
TOPA Z .
Ch e m ica l Co mpo s i t io n
A l u min iu m
S ili c on
O xygen
Fluorin e
S p e c ific G r a v ity
H a r d n es s 8
Cry s t a l l i n e Sy s t e m R hom b ic .
TO U R MA LI N E .
Cu rio u s Sp e c u l a t io n s of S l e ep le s s N ig h t s
”
I t is men tion ed
.
to bl ack .
3 0 0 To u r m a l in e .
T h e T o urm al in e
pass es un d er a v ariety of m in eralogical
'
o f an in stru m en t .
T OU R MALI NE .
to
'
7 5
Cry s t a l l in e Sy s t e m R hombohedral .
ZI R CO N O R J A R G O O N
"
Norway an d S ibe l ia
'
.
C oloris : 3 A n t im o n ii C oloris
, O f these the worst i s
.
”
S ilesia an d B ohem ia .
origin .
A ustral ia .
ZI R C O N OR J A R G OON .
Ch e m ic a l Co mp o s i t io n — S ilica
Z ircon ia
Sp ec ific G ra v i ty 4 to
H a rd n e s s 7 5
'
Cry s t a l li n e Sy s t e m T etragonal .
O X I DE S— (
co n t in u e d
)
J A S PE R (S il ica , co m p a ct ) .
O PA L ( S ilica , hy d ra t e d ) .
3 . A LU M I N A T E S
S PI N E L .
B alas R uby .
C H R Y S O B E R YL .
O riental C at s eye
’
-
.
A le x an drite .
4 . S I L I CA T E S
B E R YL .
E merald .
A quamari n e .
E U C LA S E .
P H E NA K I T E .
ZI RCON .
J argoon .
H yacin th or J a ci nth .
T O PA Z .
O L I VI N E .
C hrysolite or Peridot .
DIC H R OIT E or I O L I T E .
GA R NE T .
E sson ite .
A l man din e .
Cl a s s ifica t io n .
30 7
S I L I CA T E S
C arbun cl e .
Pyrope .
G r oss u laria .
D em an t oid .
T OU R MA LI N E .
S PO D U M E N E .
H idden ite .
A NDA L U S ITE .
S P H E NE .
FE L S PA R .
Moon stone .
S u n ston e .
Labradorite .
A mazon ite .
O B S I DIA N .
R H ODO N I T E .
J A DE .
N e p h rit e .
J ad e ne .
L A PI S L A ZU LI
-
.
PH OS PH A TES
TU R QU OIS E .
O don tolite .
M O ROX I T E .
C A R B O N A TE S
M A LA C H I T E .
Cl a s s ifica t io n .
ORGA NI C
A MB E R .
regarded as o rg a n ic products an d ,
p —
O rgan ic m atter
W ater
the highest n u mber an d the softest at the bottom of
,
the scale
I O D iamon d
, 5 A patite .
, .
9 S apphire
, 4 Fl uors p ar .
,
.
8 T opaz , 3 C alcite
.
, .
7, Quartz 2 G ypsu. m , .
6 Fels p ar
, 1 T alc .
,
.
fu l ston e .
PO C K E T C A S E OF S TO NE TE S TS ,
(A c t u a l S iz e )
.
A pp e n d i e . I 1
T h e D iamon d
( No 1 0 ) scratches e v.ery other stone .
S P E C I FI C G R A VI T Y .
gravity up to about 3 [t is h o w e v e r v e ry p o is o n o u s a n d
.
, , ,
wo ul d s in h .
'
atu re con si derably less than that of boilin g water the salt ,
r
efl e c t e d i n obedien
, ce to the fol lowi n g l aws
( )a .T h e an gl e of reflection is equ al to the angle of
in ciden ce .
s urface .
obl iqu ity With which the in ciden t ray falls upon the ston e .
’
greater an gle than 24 1 3 is tota lly reflected We thus see
°
.
b
( ) T h
. e in es of the an gl es of in c iden ce an d refraction
S
glass
D i amond C hrysoberyl
Z ircon S pi n el to
R uby C rown G lass 15
of certai n ge m stones -
.
D isp e rs io n .
p e rs iv e power ,
the less fi re i n the ge m ; the higher the
d ispersive power, the more brillian t an d iri d escen t is the
fi re which it reflects fro m its s u rfaces Th e d ispersive .
D o u ble R ef ra c t io n .
ston e T hose min eral s with crystall ize i n the C ubic system
.
NA M E OF S TO NE . T WI N C O LO U RS .
Bu rma R uby ( )
red A u rora red C armin e re d
S ia m R uby ( )
red B rown ish red C ri mson
U se f
o th e S pe c t roscop e .
G E N E R A L R E MA R K S
U PO N TH E T ERM OR WO RD
C A R A T, R A TI, A ND T H O LA .
”
the fru it is called by the n ati v es Kuara “
( S u n
, ) an d both blossom an d fruit are o f a golde n colour .
B a ro qu e P e a r /s , Co m !
a nd S e m i - P re cio u s S t o n es .
O n e R ati 0 8 9 0 6 2 C arat ; an d
O n e Tbo l a is about 5 7 carats .
IN D E X
P AG E
A chates, R i v er, A gates nam ed fro m
A chroi t e ( T our m aline )
A dam antine lu stre . .
s par ( C orundu m )
A dam as
A dularia ( M oonstone )
A fghanistan R u b ies
A frican C at s E y e (C rocid o lite )
’
-
D iam onds
”
“
R u b ies ( G arnets )
A gates
arti fi cial colourin g of
A le xandrite .
A n d alusite
A nj ou Duke o f D iam o nds o f
, ,
A nthrax
A patite
A p h ro s e l e n e
A po stle S to ne s
A p p endi x
A quam arine
A rab ian T ur q uoise
A rist o tle, Precious S tones k n o wn
I n d ex .
3 3
2
P AGE
A rizona M eteorite s Diam onds in ,
A ste rias
A steris m
A st rap ia
A t l ay , Mr at B urm a R u by
.
,
F, . m ines
A ustral ian D iam onds
E m eralds
O p als
R u b ies (G arnets )
S apphire s
T urquoise
A u strian E m eralds
A vanturine
A zul ( La p is Lazuli ) -
B adak sh an S p inels 1 96
B ahias (D ia m onds ) 1 10
B alais R u by I 97
B al a s 1
95
“ -
1 97
B all , Prof on Indian Diam o nds
. V .
,
1 1 8— 1 2 3— 1 27
o n R u b ies 1
5 1
B altic A m b er 24 1
B lac k Prince R u by 1
56
Bloo d stone ( H ae m atite ) 2 66
( H eliotro e
p ) 2
5 0
‘
D ia m on d
B o ggy C a m p I nverell Dia m ond fi e lds
,
B orneo
B ort
B o y le on the Diam o n d
,
B re wster S ir D , o n A m ethy st .
,
on D iam onds
B rillian t s
B riolettes
B ristol D iam onds
“
on C ry stal
B runs w ick B lue D iam ond
.
B rutin g Di am onds
B ruzzi V in c e n z io on c o l o u re d D iam o n d s
, ,
B ur gun d y, D u k e o f, Diam on d s of
B ur m a R u b ies
R u b y m ines of
S app hires
C harles I engraved D iam ond o f
.
,
.
o n D ichrois m
on the S pectroscope
o n Zircons
C hrysob ery l
C hr ysolite
O riental
C h ryso p ras e
arti fi cial colour of
C innam on S tone (E ss o nite )
C ircular A gate
C itrine (Yello w Q uart z )
C lassi fi catio n of S tones
C leavage of D iam onds
C loud s in S tones
C oloured D iam onds
C olouring S tones arti fi ciall y
C o m b ustion of D iam ond
C orundu m
C anadian
U nited S tates
C ritical an gle of D iam ond
C rocidolite
C rook es S ir W on D iam onds
, .
,
o n Phosphorescence
on X ray s -
. .
C ud gegon g D iam o n d fi el d s
C upid s arro ws
’
C uttin g o f D iam o n d s
C y m ophane ( C hrysob ery l )
P AG E .
Darcet, M .
, on D ia m onds 6 2 — 63
Davy , ‘S ir H com po s ition of Diam onds
.
, ou -
64
D e B eers D iam ond m ine 82 87 88 — — -
9 1
De m antoid 2 64
D e sp re t z M on D iam onds
, .
, 67
Dewar Pro f on D iam onds
, .
, 68
D e wey D iam ond 1
35
D iam ond 5 2
co m p osition of 62
cuttin g of 24
drill 1 44
en gravin g of 37
o ri gin of 69
use of 44
D ia m onds A frican , 75
A ustralian 96
B orneo 1o 2
B razilian 1o 6
B ritish G uiana 1 1 7
Indian 1 1 8
R ussian 1 33
U nite d S tates 1
34
D iam antin a 10
9 1 1 5
Dichro iscope 3 18
D ichroite 2 68
D i m etri M o n S ia m R u by m ines
,
.
,
1
5 8
in Diam onds 57
D ou b le refraction m
316
Drill D ia m on d
,
1 44
D utch R ose
Dy ein g Precious S tones
E gy p tian E m erald s
J asper
E m eralds
A ustrian
A ustr alian
E gy ptian
M uzo
U nited S tates
E n glish D iam ond cuttin g
E n graved Diam on d s
E n gra v in g o n S tones
False T o p az (Q uartz)
Favre M on ori gin of D iam onds
, .
,
Feathers in S tones
Fire O p al
-
Fl ech es d A m o u r
’
Fluorescent A m b er
Fo rt ific a t io n A gate ,
Friede l M on D ia m ond s
, .
,
,
H un gari an Opal
H yacinth
(Zircon )
J acinth (G arnet)
(Z ircon )
J ac o po da T rezzo D iam ond engraver ,
J ade
J adeite
J agers fontein
J argoon (Zircon )
J a rl e t,D ia m ond cutter -
J asper
J e w ish H i gh priest breast plate of
-
,
-
Kash m ir S apphires 1 85
K idney O re (H ae m atite) 2 66
K in g ,
Dr , . on Indian D iam onds
'
K o fiy fo n t e in
Koh i n u r
- -
on D iam onds
of the U nited S tates
on pho sphore s cence of D iam onds
Le b lanc o n D ia m onds ,
Lo nd o n D i am ond cuttin g
Louis Pro f H , o n S iam R u b ies . .
,
Mazarin ,
Mo o nstone (Felspar )
Morion ( B lack Quartz)
Moro x ite (A patite)
Morren M o n D iam ond s
, .
,
Morrisse y D iam on d
Moss A gates
M ud gee Diam on d work in gs
M uzo E m eralds
Naife s 45
N a p oleon I engraved portrait
.
,
o f, on D ia m ond 3 6 —
3 8
N e p h rite (J ade ) 2 69
Ne w Mex i c o T urquoise o f ,
2 24
Parisite
Parrot, on ori gin of D iam onds
Part e al D i am on d s of
,
Phenak ite
Phos p horescence of D iam ond
R u b ie s
Pirs so n Pro f on m atri x of Montana S apphi res
, .
,
on C rystal
Point cut D ia m onds
-
Polarization o f li gh t
Porcelain J asper
Portrai t S tones
Portu gal D iam ond cuttin g in
,
-
Pe p e ( G arnet)
Q uartz
C at s
’
E ye
s m ok y
Q ueensland Opals
S apphires
R e d D iam onds
R e flection of li ght
fro m D ia m ond s
R e fraction of light
by D iam onds
R e fraction dou b le ,
R e gent D iam on d
R hodes Porter D iam ond
, ,
R hodonite
R i bban d A gate
J asper
R iver di ggin gs fo r D iam onds
-
R oscoe S ir H , o n D iam on d s .
,
R ose D ia m on d s
R ousseau on B lac k Di am on d s
,
S age n i t e ( R utile
in Q uartz)
S alzb urg E m eralds
S an d in S to n es
S aphir d E au
’
S apphire
A ustralian
B ur m a
C ash m ere
C e ylon
Montana
S iam
S ard
S ardon yx
S chaffhausen O n yx
S chindler, G e n .
,
on Persi an T urquoise m ines
S chorl ( T our m aline )
S cotch Pebb les ( g
A ates
)
S e gim a D ia m ond
S elenite
Se m i Preci o u s Ston es
-
S ia m R u b l es
S ap phire
S i beri an C hrysolite (G arnet )
'
”
O livine ( G arnet )
”
R u by ( T our m aline )
S icilian A m b er
S im e t it e (A mb er )
S im l ar on o rigin o f D iam onds
’
S inaitic T u rquoise
S m aragd u s
m edicus
S m ok y Q uartz
S m yth M r H Warin gt o n o n S iam R u b ies
'
, . .
,
on S iam S ap phires
u H
S n ak e ro c k at D e B e e rs
S outh A fri ca n D iam onds
Ru b ies (G arnets)
“ ”
T h e o p h ras t u s on Preciou s S t o n es
T hol a, alue of
v
T o p az
False (S cotch )
T o t al re fle ctio n of li gh t
T ou rm ali n e
T ri p h ane (S podu m ene )
T ur q uoise
B one or Fossil
I m itatio n
M ines o f Pers 1a
U nited S tates
’
D iam o n ds
E m eralds
O p al s
S ap p h ire s
T u r q u o ise
V ic t o r1a D i am o nd
”
V ictori a n D i am o n d s
S ap p h ires
T urqu o ise
We sselt o n D i am o nd M ine
I n d ex .
3 39
X -
rays ,
D ia m ond trans p arent to
Hoe '
rr S o n , O l d S ty l e Pri n t e rs , 10 , rw t n S T R E E T , s o n o , L O ND O N, W .
E xtract fro m “
S O U TH A FR I CA , N ove m b er 2 3 rd , 1 8 9 5 .
p recious stones ,
c o m e to the rescue ,
there w ould , in all
p ro b ab ilit y have
, b een no S outh A fric an diam ond i n dustr y d urin g
the pres e n t ce n tury . It was Mr . S treeter w h o satis fi e d the world
that there were diam onds to b e found in S outh A frica . He sent
out a representati ve to p urchase ,
wh o not onl y p urcha s ed b ut ,
at rest .