Professional Documents
Culture Documents
Relating Worlds
of Racism
Dehumanisation, Belonging, and the
Normativity of European Whiteness
Editors
Philomena Essed Karen Farquharson
Antioch University University of Melbourne
Yellow Springs, OH, USA Parkville, VIC, Australia
This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Preface
In this way, Whiteness shapes experiences, even when there are few
White people present. Danielle Boaz then moves us into a more direct
consideration of Whiteness through exploring the conversion by white
people to minority religions and the interrogation thereof by the United
States legal system. By examining four of the most significant cases
related to religious freedom in the United States in the last forty years,
Boaz reveals how the court regulates Whiteness in an attempt to rescue
“innocent [white] victims” from religious practices often regarded as
Preface
ix
Williams and Brittney Griner, two women athletes that challenge align-
ments with dehumanising understandings of Black femininity and Black
masculinity. Considering the seeming perpetual objectification and troll-
ing of female Black bodies in sport, Douglas asserts that the placement
of Williams and Griner’s “power and corporeality as outside of the frame
of gender normativity must be located in the context of the histories of
enslavement and imperialism.”
The previous chapters presume an engagement with racial categorisa-
tion but a common thread relating countries throughout Europe is the
rejection of the notion of ‘race’ in favour of ethnicity or culture as a
group characteristic. Quintessentially European Whiteness is the phe-
nomenon of entertaining an overvalued (nonracist) national self-image,
based on the myth of tolerance and the denial of racism. Ideologies of
national exceptionalism feed into the belief that racism is a South
African or US problem. Invariably, it takes critical scholars and activ-
ists – often young people – to challenge, identify and analyse race hier-
archies and ideologies hidden behind the discourse of ‘cultural
tolerance’. At the same time, as Anna Rastas, Chap. 14, shows in her
contribution, ‘The Emergence of Race as a Social Category in Northern
Europe,’ academia has been far from innocent. She unpacks historically
anchored Nordic collaborations in the making of racist theories. Her
contribution relates Nordic countries to the transnational European
project where “many Nordic academics and politicians had important
and active roles in establishing ideas of race and racial hierarchies in
Europe”. She analyses how the exclusion and dehumanisation of
Muslims, people of African descent and others categorised as other than
White facilitates identification with the nation and with national
belonging as indistinguishable from Whiteness. The avoidance of the
notion of race does and did not prevent racial dehumanisation but
becomes a greater affront rooted in the disregard for, or slow recogni-
tion of, Black individuals within spaces of Northern Europe. Rastas’
chapter strongly highlights antiracism, spearheaded by those identify-
ing as Black or as Nonwhite. Interventions, though often based
in locally experienced racism, supersede national borders in building
relations of resistance, across the Nordic hemisphere and beyond, in
particular through social media.
xiv Preface
Philomena Essed
Karen Farquharson
Kathryn Pillay
Elisa Joy White
Contents
xvii
xviii Contents
6
Mestizaje: The All-Inclusive Fiction 141
Linnete Manrique
Index 437
Contributors
xxi
xxii Contributors
Fig. 16.1 Parcial view of mural “Libre por Rebelde y por Rebelde
Grande” (Free Through Rebellion and Through Rebellion
Great), by Artist Alberto Carcelen 421
Fig. 16.2 Partial view of mural “Libre por Rebelde y por Rebelde
Grande” (Free Through Rebellion and Through Rebellion
Great), by Artist Alberto Carcelen 423
Fig. 16.3 Partial view of mural “Libre por Rebelde y por Rebelde
Grande” (Free Through Rebellion and Through Rebellion
Great), by Artist Alberto Carcelen 424
xxiii
Part I
Racism and the Normativity of
European Whiteness
1
Looking for Race: Pigmented
Pasts and Colonial Mentality
in “Non Racial” Africa
Moses E. Ochonu
M. E. Ochonu (*)
Department of History, Vanderbilt University, Nashville, TN, USA
e-mail: moses.ochonu@vanderbilt.edu
even if you set aside the obvious pitfall of generalising an entire continent
into one neat racial taxonomy.
With the exception of South Africa, where citizens of multiple racial
heritages interact daily and where an explicitly racial apartheid order elic-
ited an equally avowedly racial response from non-whites, Africa is often
understood as a continent of black people, who make sense of differences
between themselves largely through other identity markers such as eth-
nicity, religion, culture, and language. The persistence of racialised slav-
ery and of other manifestations of Arab anti-blackness in Sudan,
Mauritania, and in North African countries has not mitigated the mono-
lithic narrative of Africa as an ethnic rather than a racial continent.3 Nor
has this tendency to write race out of African identity discourses been
tempered by a recent batch of illuminating studies pointing to the colo-
nial and postcolonial aftermaths of African multiracial lives, to forms of
racial reckoning, and to persistent racial signs and their intertwinement
in histories of enslavement and oppression.4
Does this discursive erasure of race in favour of ethnic and cultural
identification preclude the presence of racialised idioms and practices in
the quotidian and sociological profile of contemporary Africa or does it
mask a hidden corpus of racial signs and symbols? The argument of this
chapter supports the latter proposition. The dominant Africanist litera-
tures on the processes and imaginaries of solidarity, community, privi-
lege, and self-making tend to deny the presence of discernible racial or
neo-racial tropes capable of structuring lived African experiences. To
posit the language of race is often to render oneself susceptible to charges
of importing Western colonial frames of difference into discussions of
postcolonial Africa.
The invocation of racial discursive registers even for purposes of ana-
lytical analogies tends to invite claims that such invocations racialise
geographies of identification and social relations that are nonracial. Such
was the case recently when, writing on the 2015 xenophobic attacks on
African “foreigners” in South Africa, Achille Mbembe argued that black
South African expressions of xenophobia index a variant of racial
pathology derived from a narrative of national chauvinism that is itself
located in a notion of exceptional South African blackness.5 South African
black exceptionalism, Mbembe argued, is derived from, and animated by
6 M. E. Ochonu
express race or to even recognise racism because they come from n on-racial
societies. It is taken for granted that Africans “discover” race when they
migrate to racialised societies such as the United States, where they are
racially educated through statutory demographic classification, social
interaction, and quotidian experience into a recognition and understand-
ing of race and racism.
The concept of a non-racial postcolonial Africa seems sensible on the
surface, for how can race be meaningful in the absence of large-scale,
consistent relations between people of difference races? How can race
function or make sense in the absence of sustained quotidian race rela-
tions—in the absence of statutory racial difference? Although this ques-
tion is now considered irrelevant and passé in conversations about race
and racism in other contexts,9 in Africa it is posed in a rhetorical sense,
with the answer presumably embedded in the question.
It is true that in racially homogeneous societies, and absent the racial
hegemony of colonialism, race becomes a blur, and citizens in such a
society can only develop a theoretical understanding of race based on the
literatures and visual texts of racial societies, as opposed to an under-
standing of race founded on lived experience. Africa is however neither
racially homogenous nor discursively autonomous of the racial strictures
of its colonial experience. It may be true that contemporary Africans,
especially those born after political independence, have few personal con-
nections to their countries’ histories of colonial racial oppression. One
result of this disconnect is a shabby appreciation for the racist horrors of
colonisation on the part of postcolonial Africans. However, experiential
race consciousness or its absence says little about the prevalence of
stealthy, hidden, and thus unrecognised racial tropes and signs, the focus
of this essay.
Moreover, the idea that race, racism, and racialised modes of social
relations reside in a colonial past truncated by nationalist triumph is
coterminous with the notion that racial and neo-racial forms of under-
standing the self and the Other were creations of colonialism. Both prob-
lematic postulations hold paradigmatic epistemological sway over
attempts to understand contemporary Africa, but what if we moved away
from the colonial framing of race and from the idea that race can only
manifest through dramatic encounters and tensions between different
8 M. E. Ochonu
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.F.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.