Professional Documents
Culture Documents
Founded by
Karl Holl † and Hans Lietzmann †
Edited by
Christian Albrecht, Christoph Markschies
and Christopher Ocker
Volume 154
Filip Doroszewski
Orgies of Words
ISBN 978-3-11-079085-6
e-ISBN (PDF) 978-3-11-079090-0
e-ISBN (EPUB) 978-3-11-079097-9
ISSN 1861-5996
www.degruyter.com
In memory of Henryk Wójtowicz
(1928‒2012)
Acknowledgements
This book would not have assumed its present shape had it not been for the help
of Paweł Janiszewski, whom I would like to thank for his unflagging support at
various stages of my work on the text. I would also like to thank Jan Kozłowski,
who unfailingly provided me with encouragement to continue my research; our
innumerable discussions have especially contributed to bringing the object of
this study into sharp focus. I also wish to extend my gratitude to the anonymous
reviewers appointed by the Foundation for Polish Science for their insightful crit-
icism. I would also like to thank my wife, Julia Doroszewska, for her daily sup-
port, without which no creative work is possible.
Finally, I would like to thank the Hardt Foundation in Vandoeuvres, Swit-
zerland (www.fondationhardt.ch), for the bursary and most pleasurable hospi-
tality that helped me work on this book.
https://doi.org/10.1515/9783110790900-202
Contents
Acknowledgements VII
Foreword XIII
Abbreviations XIX
Part 1: Introduction
Part 4: Conclusions
Bibliography 165
https://doi.org/10.1515/9783110790900-204
XIV Foreword
1 This paragraph is based on Hernández de la Fuente, 2018. David Hernández de la Fuente him-
self authored a short story on the discovery of the Dionysiaca by Count de Marcellus: La confe-
sión del Conde de Marcellus in Cano Cuenca, Hernández de la Fuente, and Martínez García 2006,
103‒139.
Foreword XV
that boldly and consciously drew from earlier traditions and endowed them
with new dimensions. It was a world where two great traditions, classical and
Judaeo-Christian, were becoming inextricably intertwined, creating an entirely
new quality. The elements that, on an equal footing, constituted the culture of
Late Antiquity included Homeric epics and the Bible, mythological figures and
Christian saints, Dionysus and Jesus. Despite the gradual Christianization of
the Roman Empire, the classical heritage was certainly not disparaged; on the
contrary, it was subject to reinterpretation and thrived as an integral part of ev-
eryday life. Without considering this context, one cannot fully understand Non-
nus’ poetry.
Vandoeuvres, October 2015
Foreword to the English translation
The original version of this book was published by the Foundation for Polish
Science in the year 2016, when Nonnian studies were already an emerging field
in classics. Since that time the field has gained even more prominence and at-
tention, and is now a fully grown discipline with its own conferences, volumes
and an ever-increasing number of journal articles and monographs. Out of Non-
nus’ two epics, however, the Dionysiaca still keeps pride of place in scholarly
literature, while the Paraphrase of St. John’s Gospel often plays second fiddle to
the longer poem. This may present some obstacles to a fuller appreciation and
understanding of both Nonnus’ legacy and the culture of his time. The epic tale
of Jesus is no less important for gaining insight into the imaginative world of
the poet and his era than that of Dionysus. To focus only on the latter would
yield a picture that is if not false, then certainly incomplete (ἡμιτελής, as Non-
nus would probably say). The terminology of the mysteries serves as a perfect
example. Nonnus uses it frequently in both poems, but he does so differently in
each. In the Dionysiaca he uses it mostly in the context of worship, and thus
the terminology is to be understood in its literal sense. In the Paraphrase, on
the other hand, it is often used in the best tradition of the mystery metaphor,
which was fundamental to ancient religious-philosophical thought, and whose
uninterrupted continuity we can trace from Plato to Pseudo-Dionysius the Are-
opagite and beyond.
Given the aforementioned disparity in research on Nonnus’ poems, as well
as the cognitive implications that result from it, I am pleased that through this
translation my book will now be available to an international audience. I hope
that it will contribute at least a little to increasing interest in the Paraphrase, and
thus also to a deeper understanding of Nonnus and the world of Late Antiquity.
To the acknowledgements in the Polish version of the book I would like to add
my thanks to its translator, Damian Jasiński, for his great diligence and infinite
patience. I would also like to express my gratitude to the Foundation for Polish
Science and the Faculty of Humanities of Cardinal Stefan Wyszynski University
in Warsaw, which jointly funded the translation of the book into English.
Warsaw, May 2022
https://doi.org/10.1515/9783110790900-205
Abbreviations
Abbreviations of the books of the Old and New Testaments according to the SBL Handbook of
Style. Wherever possible, abbreviations referring to ancient sources are provided in accor-
dance with the conventions adopted in Lampe and LSJ. For the writings of Philo of Alexandria,
I followed that of C. D. Yonge (The Works of Philo. Complete and Unabridged. New Updated
Version, Peabody, Mass.: Hendrickson, 1993).
https://doi.org/10.1515/9783110790900-206
Part 1: Introduction
1.1 Ancient mysteries
The origins of ancient mystery cults – secret religious ceremonies involving rites of
initiation – can be traced back at least to the times of archaic Greece. The oldest
and best known of those cults were by far the Mysteria, taking place in Eleusis in
Attica in honour of Demeter and her daughter Persephone, whose name was grad-
ually adopted as denoting a wide range of various secret rites performed in the
Graeco-Roman world.1 Among the oldest ancient mystery cults we know of are the
Samothracian mysteries of the Cabiri, the mysteries of Dionysus and the mysteries
of Cybele, also known as Mater Magna. They were all celebrated as early as the
beginning of the fifth century BC.2 Certainly, mystery cults, whose great variety
largely exceeded the cults mentioned here,3 were practised not only in the archaic
era and in the earliest periods of classical antiquity, but also during the whole of
the development of the Graeco-Roman culture. The oldest mystery cults persisted
into the later periods of classical antiquity, co-existing with new cults that gained
popularity over time; the most important of these were the mysteries of Isis, at-
tested to as early as in the early Hellenistic period, and the extremely popular mys-
teries of Mithras that first appeared in the early decades of the Roman Empire.4 It
was not until Late Antiquity that the celebration of all pagan mysteries came to an
end as a result of the progressing Christianisation of the Roman Empire.
Particularly important to this study are two of the mystery cults mentioned
above. The first is the Eleusinian Mysteries. In Plato’s dialogues, the terminology
related to them features metaphorically as a means to present philosophy as the
initiation into living a life of perfection, one that has to be lived in detachment
from mundane things and aimed at attaining communion with the divine. In the
wake of the Platonic writings, this terminology was later used by the Greeks, Ro-
mans, Hellenized Jews and early Christians as a universal means of expression
for discussing metaphysical matters.5 The other important cult is the mysteries of
Dionysus. Their characteristic terminology, too, came to be widely used as a met-
aphor for describing intellectual and spiritual raptures experienced when in con-
tact with the absolute.6 Nonnus constantly evokes the Dionysiac rites in both of
1 Burkert 1987, 2, 9. The name of the Eleusinian cult first appears to describe other mystery
cults in Herodotus 2.51. Therein, the historian describes secret rites in honour of the Cabiri per-
formed in Samothrace not only as ὄργια, but also uses the term μυστήρια; see Herodotus 2.171.
2 Burkert 1987, 2, 4–6.
3 Graf 2003, 241.
4 Burkert 1987, 6–7.
5 See below, 1.2. Mystery terminology.
6 See previous footnote.
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4 1.1 Ancient mysteries
his poems: these references take a direct form in his Dionysiaca, replete as they
are with scenes of the Bacchic cult, and are also found in his Paraphrase of St.
John’s Gospel, where they are allusively used. The reasons for this are to be dis-
cussed in the later parts of this book and it is therefore imperative that we take a
closer look at the Eleusinian and Dionysian mysteries.
The Eleusinian Mysteries, like many other Greek rituals performed in honour
of Demeter, were related to the myth of the abduction of Persephone-Kore by
Hades, the ruler of the underworld.7 Demeter, saddened by the loss of her daugh-
ter, made all vegetation stop until her return and took refuge in Eleusis, where
she established mystery rituals in her own honour.8 According to the words of
the goddess as formulated in the Homeric Hymn to Demeter, these rituals prom-
ised the initiates a more prosperous life on earth and a happier fate after death.9
These rituals were celebrated annually beginning with the early decades of the
sixth century BC,10 but Eleusis was accorded the status of a place of worship at a
much earlier date, already in the Mycenaean period, although we do not know
the exact nature of the rituals performed there at that time.11 The order of the El-
eusinian celebrations is known to us only in very general terms. There were two
stages of initiation: the first was known as myesis, and those who wished to ad-
vance in their initiation were allowed into the second stage, epopteia, usually
a year after they had been admitted to myesis.12
The preparation of candidates for the myesis was organised during the
Lesser Mysteries and took place in spring in the Athenian district of Agrai on
the Ilissos River, while the proper initiation took place in autumn during the
Greater Mysteries.13 One of the important parts of the Lesser Mysteries was that
the initiands performed certain rites when handling some sacred objects that they
took out of a special lidded basket (kiste) and then placed back inside.14 As part of
another initiation rite (one that is also alluded to in the Hymn to Demeter), the
person to become initiated – shrouded in a veil, keeping silent and looking at the
ground – sat on a stool covered with a sheep’s fleece and was subjected to a ritual
of purification.15 As the Lesser Mysteries were probably no longer organized in the
Roman period,16 the rituals associated with them were presumably included in
one way or another into the main celebrations in autumn.
All those who had met the prerequisite conditions were admitted to take
part in the Greater Mysteries regardless of their gender, social status or origin.17
On the nineteenth day of the month Boedromion, after four days of celebration
(these included sacrificing a piglet, taking a purifying ritual bath at sea and
fasting like Demeter as she mourned her lost daughter), candidates for initia-
tion would set off in a procession starting from the Athenian agora and tread
the Sacred Way to the sanctuary in Eleusis, twenty-four kilometres away.18 In
the procession, among outbursts of festive joy, a statue of Dionysus-Iacchus
was carried, a deity that the Athenians associated with the mysteries of Eleu-
sis.19 The pilgrims reached the site of the sanctuary in the evening, carrying lit
torches in their hands.20 Having performed ritual ablutions and taken part in
ritual dances, they waited for the evening of the following day to be admitted
into the sanctuary.21 There, in the Telesterion, a large hall supported on several
rows of columns that could accommodate about three thousand people, the rit-
ual of initiation was duly performed.22 The rite was presided over by hereditary
role. A feeling of panic fear (deimata)31 was in some way evoked in the ini-
tiands, who at some point in the ritual were suddenly thrust out into the pitch
darkness and overwhelmed by the dazzling glow of fire beaming from the
open door of the Anactoron.32 The hierophant, having emerged from the in-
side, stood on the threshold and, without saying a word showed a harvested
corn of grain to the speechless congregation.33 The initiates experienced an
epopteia, a beatific vision, which may have included a presentation by the
priest of the phantasms (phasmata) of reunited Demeter and Kore.34 We may also
suppose that the hierophant announced the birth of Bromios, son of one of these
two Eleusinian goddesses, to whom he then referred by the name of Brimo.35
The second degree of initiation, which, like the climactic beatific vision,
was referred to as an epopteia, took place parallel to the celebration of the first
(i.e. of the myesis). The main difference was that those who went through it
looked only at the ritual being performed in the Telesterion and were supposed
to contemplate, in a more profound manner, the initiation to which they had
already once been subjected.36
Unlike the Eleusinian Mysteries, which were associated with Attica and cel-
ebrated at a specific time and in a way sanctified by its local tradition, the mys-
teries of Dionysus were celebrated in very diverse forms in many locations
throughout the Graeco-Roman world.37 They were propagated, at least in the
first centuries of their existence, by itinerant priests, who catered for both indi-
vidual believers and tight-knit cult groups known as thiasoi.38 The relationship
between these groups and Orphic beliefs is still widely discussed.39 The priests
mentioned above based their teaching on the holy books they carried,40 which
31 Christoph Riedweg (1987, 65–67) provides evidence for this from ancient literature; see
also: Burkert 1987, 91–93; Bremmer 2014, 13–14.
32 Burkert 1983, 276‒277; Burkert 1987, 92–93 and 97‒98.
33 Burkert 1983, 290, Kerényi 1967, 94; Burkert 1987, 80‒81.
34 Kerényi 1967, 98–100; Riedweg 1987, 55.
35 It is not clear which of these two goddesses was the mother of Bromios; nor do we know
anything more about him. Both Dionysus-Iacchus and Plutos are mentioned in this context,
see Burkert 1983, 288‒289; Bremmer 2014, 14–15.
36 Burkert 1983, 275; Clinton 2003, 65–67. Jan Bremmer (2014, 11) believes that the epopteia
was celebrated the night after the myesis.
37 Burkert 1987, 5; Graf and Johnston 2007, 141–142.
38 Burkert 1987, 32–35 and 44. There is no evidence of the itinerant priests in the sources after
the second century BC; see Bremmer 2014, 100.
39 Burkert 1987, 5; Burkert 1977a; Graf and Johnston 2007, 141–143. For an outline of the cur-
rent state of research, see Bremmer 2014, 70–79.
40 Burkert 1987, 70; Bremmer 2014, 68.
8 1.1 Ancient mysteries
probably referred to Dionysiac mythology and, above all, to the myth of Diony-
sus Chthonios, which presumably was at the core of these Bacchic mysteries.
The myth has it that the god in question was born of the relationship between
Zeus and Persephone. While still a child, he was seated on the throne of Zeus
and surrounded by a dancing chorus of armed Curetes. Lured with toys and a
mirror into a trap, he was torn to pieces by the Titans, and was finally reborn
from Semele, who ate his heart, which had been saved by Zeus.41 Objects that
served in the myth to lead the little Dionysus astray appeared as ritual props in
the Dionysiac mysteries.42
Mentions of the Bacchic mysteries can be found in Herodotus, in the pas-
sages about the unfortunate initiation of Scyles, king of the Scythians.43 The
tablets of Olbia, made of bone and datable to the mid-fifth century BC, and the
golden tablet of Hipponion dated to the turn of the fourth century BC indicate
that people participating in these mysteries nurtured hopes of a happier after-
life.44 There is much more evidence of this, both in literature and in epigraphic
material.45 The mysteries of Dionysus, often referred to as orgia,46 were secret
in character47 and ecstatic, like most other rites in the god’s honour, their es-
sential elements being cathartic music and dance.48 The tympanum and casta-
nets (krotala) were the typical percussion instruments used during the rituals,
as was the case with the orgiastic celebrations in honour of the Great Mother of
Gods.49 Although men were also allowed to be initiated, it seems that the Bac-
chic mysteries enjoyed particular popularity among women: the emblematic
figures associated with the mysteries of Dionysus were the Maenads, women in
ritual ecstasy, each of them wielding a thyrsus, a symbol of Dionysus.50 To a
large extent, we owe our knowledge of the rituals associated with the Bacchic
mysteries to iconographic representations.51 We find there scenes depicting
41 Burkert 1987, 73 and 100; Graf and Johnston 2007, 152–153; Job 2021, 165‒171.
42 Graf and Johnston 2007, 152–154; Bremmer 2014, 108.
43 4.79.
44 Graf and Johnston 2007, 4–5.
45 Burkert 1987, 21–23.
46 Motte and Pirenne-Delforge 1992, 128.
47 Bremmer 2014, 103.
48 Graf and Johnston 2007, 4–5, 144–148 and 156; Bremmer 2014, 105–107.
49 Burkert 1987, 22‒23 and 25; Graf and Johnston 2007, 146 and 149. The sound of tympanum
(τύμπανον), a variety of rimmed hand drum, was an integral part of ancient orgiastic cults, in
particular those of Dionysus and Mater Magna, see e.g. West 1992, 124–125; Landels 1999,
81–82.
50 Graf 1993, 255–256.
51 Graf and Johnston 2007, 141.
1.1 Ancient mysteries 9
instructions being given to the initiands, their heads wrapped in veils, their
bodies purified with torch fire, ecstatic dances, making sacrifices and libations,
mixing wine in craters, and, above all, the moment when an erect phallos
placed in a winnowing basket (liknon) was being shown to the initiands.52
Aside from iconographic material, literary sources also attest to the practice of
placing a snake in a wooden-lidded basket, the so-called cista mystica.53 The
most widely discussed iconographic source that is believed to represent rites of
initiation into the mysteries of Dionysus are the frescoes found in the Villa of
the Mysteries in Pompeii (datable to c.70–50 BC).54
Based on the above brief descriptions one can already easily notice signifi-
cant similarities between the initiation rites performed in the Eleusinian and Di-
onysiac mysteries; in fact, the ancients also regarded them as being in some
way related.55 Both these cults, as well as mysteries in general, were seen as a
means of making direct contact with the divine, an encounter that was believed
to occasion a transformation in the lives of the initiated, giving them hope for a
better afterlife and a new outlook on the things of this world.56 On account of
their secret character, mystery cults led to the emergence of closely knit groups
functioning inside ancient societies that gathered people who shared the com-
mon experience of having voluntarily taken part in a ritual whose essence was
never to be disclosed to the uninitiated.57 While it is difficult to accurately re-
construct the character of that profound experience, we may tentatively conjec-
ture, drawing on the myths of Persephone and Dionysus Chthonios, that it
consisted of evoking an overwhelming feeling of awe related to evanescence
and rebirth, or to leaving the world and returning to it in a new form.58 This
speculation, of course, inevitably encroaches into the sphere of personal feel-
ings of the individuals taking part in the ritual. Aristotle is credited with saying
that participation in the mysteries was in essence not so much about acquiring
the secret knowledge (μαθεῖν) that was imparted in the initial stage but, above
all, about experiencing certain emotional states (παθεῖν), which by their very
Investments
History
The name of Peru is always a reminder of the Incas, and all but the
utterly ignorant have heard the amazing tale of the conquest of Peru by
Pizarro. A few dates may here be recalled. As early as 1527, Francisco
Pizarro, incited by rumors of prodigious wealth of gold in a country south
of Panamá, made a voyage of exploration in which he landed at Tumbes
and proceeded as far as Trujillo. Satisfied with his discoveries he returned
to Spain, to procure a royal warrant for an invasion. In 1531, with Diego
de Almagro, Hernando de Luque, a priest, and subordinates, he set out
on his career of conquest. With 180 men, 67 of whom were cavalry, in
1532 he crossed the desert and the first mountain range, then descending
to Cajamarca. How he treacherously seized and later slew the Inca
Prince, Atahuallpa, in spite of the enormous gold ransom which had been
furnished, afterwards captured Cuzco, the Inca capital, and in 1535
founded Lima on the banks of the Rimac is a Twice Told Tale.
Quarrels developed soon after the conquest. Subsequently to his return
from Chile the nobler Almagro was executed by order of his associate,
Pizarro, who himself was assassinated in 1541 by former adherents of
Almagro. For centuries Lima was the seat of Spanish government in
South America and the residence of the Viceroy. Great wealth of gold and
silver had been extorted from the Incas in addition to the ransom paid for
Atahuallpa, and further riches were later obtained from mines by forced
labor of the Indians. Severe exactions and cruelties excited one or two
insurrections, but in spite of vicissitudes of various kinds the city of Lima
was the continental centre of wealth and culture for generations.
When in 1810 the spirit of independence began to manifest itself in the
colonies, it had less opportunity for development in Peru. Not until San
Martín came with an army from Chile in 1820 did revolutionary activity
become general. Received with great enthusiasm, he was proclaimed
Protector of Peru. Her independence was declared July 28, 1821, which is
the day they celebrate. General Bolívar, coming from the north with an
army, was met by San Martín. A disagreement evidently occurred, which
caused San Martín to retire to Argentina; subsequently he withdrew to
Europe. A hero of the highest patriotism, courage, skill, unselfish
devotion, and sterling character, the name of San Martín should be
honored among us as is that of Washington in South America. The year
following Bolívar’s arrival in Lima in 1823, a battle between royalists and
patriots occurred on the plateau of Junín, altitude 13,000 feet, when the
patriots gained a complete victory. In December of the same year, 1824,
General Sucre gained the hard-fought battle of Apurimac, which ended
Spanish dominion in South America.
More or less troublous times with brief intervals of harmony followed the
securing of independence, until the War of the Pacific broke out in 1879.
In accordance with a secret treaty, Peru went to the assistance of Bolivia
after the Chilians had seized Antofagasta on account of a quarrel over a
nitrate tax. Following some successes, the Peruvian fleet was destroyed;
the coast was exposed to the enemy. In 1881 Lima was captured, and
held until the signing of the treaty of Ancón in 1883. In accordance with
this treaty the Province of Tarapacá was ceded to Chile. Tacna and Arica
were yielded for ten years, at the end of which time the residents were to
vote whether they desired to remain with Chile or return to their former
allegiance. The fact that no vote has yet been taken, while Chile retains
possession, has for years caused much ill feeling and friction between the
two countries, which several times have been on the verge of war.
Within the last ten years there have been several internal disturbances
in Peru and one revolution; these, however, are short lived and do not
affect the people generally or interfere with business for more than a day
or two; nor do the revolutions derange concessions or the investments of
foreign capital.
Government
Population
Education
The Sierra
The Montaña
Climate
The Capital
Lima, the capital of Peru, on the banks of the Rimac eight miles
from the port, Callao, is a city of picturesque charm. Its population,
with its suburbs 200,000, is no indication of its commercial
importance or of its elegance as a social centre. One of the three
cities of the world where the best Spanish is spoken, some impartial
critics say that in this respect it is unrivalled in the New World. Social
amenities, everywhere important, are here peculiarly requisite for
agreeable and successful business relations. Parisian elegance is
seen on the narrow streets, and in one story dwellings as well as in
larger mansions. The great cathedral is called the finest in South
America.
The city takes pride in its numerous churches, its plazas, the
excellent shops on the narrow streets, its University, founded in
1551, its museum, its new theatres, perhaps even in its bull-ring, the
second largest in the world. As in the other West Coast cities, the
hotels are inadequate (a new one is contracted for), but the old
Maury long had the reputation of being the best on the Coast, and
the excellence of its meals once rejoiced the heart even of a New
York club man and his East Indian valet. Of course the city has
modern conveniences, sky-scrapers happily excepted.
Individual Departments