ARTS 8 Module 1

This worktext is based on the design of the K to 12

MAPEH curriculum (2020) which has the spiral
progression of processes, concepts, and skill. In addition,
this worktext is strongly anchored on the combined
sound conceptual frameworks of the 21st Education
Literacies, Differentiated Instruction, and Standards-
Based or Active Learning. It is divided into the four
content areas of these subjects: Music, Arts, Physical
Education, and Health.
 ARTS 8 Module 1
The second section discusses Arts, its various
forms and elements. The approach is students
-centered. The hands-on differentiated activities
are geared toward developing students’ creativity
and self-expression. Students are given
opportunities to create various art forms using
locally available materials.
 LESSON 1: 
Arts in Southeast
Asia
 Most Essential Learning Competencies
1. analyzes elements and principles of art in the production of arts
and crafts inspired by the cultures of Southeast Asia
2. identifies characteristics of arts and crafts in specific countries in
Southeast Asia: Indonesia (batik, Wayang puppetry); Malaysia
(modern batik, wau, and objects made from pewter); Thailand (silk
fabrics and Loi Kratong Lantern Festival); Cambodia (AngkorWat
and ancient temples); Singapore (Merlion), etc.
3. reflects on and derive the mood, idea, or message from selected
artifacts and art objects
 Most Essential Learning Competencies
4. appreciates the artifacts and art objects in terms of their
utilization and their distinct use of art elements and
principles
5. incorporates the design, form, and spirit of Southeast
Asian artifacts and objects in one’s creation
6. traces the external (foreign) and internal (indigenous)
influences that are reflected in the design of an artwork
and in the making of a craft or artifact
 Most Essential Learning Competencies
7. creates crafts that can be locally assembled with local materials,
guided by local traditional techniques (e.g.,batik, silk weaving, etc.)
8. derives elements from traditions/history of a community for one’s
artwork
9. shows the relationship of the development of crafts in specific
countries in Southeast Asia, according to functionality, traditional
specialized expertise and availability of resources (e.g., pottery,
weaving, jewelry, and basketry)
10. shows the commonalities and differences of the culture of the
Southeast Asian countries in relation to Philippine culture
 PRE-TEST:
Knowledge Rating Scale 
Names of Southeast Know it well Have seen or heard Have no clue
Asian Arts  about it

1. Batik

2. Manunggul Jar

3. Ganesh Sculpture

4. Buddha Sculpture

5. Temples
ARTS IN SOUTHEAST ASIA
 Southeast Asian Arts
The term Southeast Asia refers to the huge peninsula
of Indochina and the extensive archipelago of what is
sometimes called the East Indies. The region can be
subdivided into mainland Southeast Asia and insular
Southeast Asia. The political units contained in this region
are Myanmar (Burma), Thailand, Laos, Cambodia,
Vietnam, Malaysia, Singapore, Indonesia, and the
Philippines.
 Southeast Asian Arts
The Philippines originally was not included, because Philippine
history has not followed the general historical pattern of
Southeast Asia, but, because of its geographic position and the
close affinities of its cultures with the cultures of Southeast Asia,
it is now usually regarded as the eastern fringe of Southeast Asia.
A common geographic and climatic pattern prevails over all of
Southeast Asia and has resulted in a particular pattern of
settlement and cultural development. Mountain people generally
have a different culture than that of the valley dwellers.
The Cultural Setting Of Southeast Asian Arts
Southeast Asia has been the crossroads of many peoples
who have been contending against each other for centuries.
The first to come were the Astonesians (Malayo-Polynesians),
sometimes described as Proto-Malays and Deutero-Malays. At
one time they occupied the eastern half of mainland
Southeast Asia, but later they were pushed toward the south
and the islands by the Austroasiatics. At present, peoples of
Austronesian origin occupy Malaysia, Indonesia, and the
Philippines. There were three main Austroasiatic groups, the
Mon, the Khemer, and the Viet-Muong.
The Cultural Setting Of Southeast Asian Arts
The Mon were at one time dominant, but they lost
their ethnic identity in the 18th century and became
absorbed by the Burmese and the Tai; only a few
thousand Mon are now found living near the Myanmar-
Thailand border. The Khmer from the 9th century to
the 15th built a great empire, but much of its territory
was lost to its neighbours so that only the small
kingdom of Cambodia remains today.
The Cultural Setting Of Southeast Asian Arts
The Viet-Muong now occupy Vietnam. A Tibeto-Burmese
tribe, the Pyu, founded an empire of city-kingdoms in the
Irrawaddy Valley in the early centuries of the Common Era,
but the Pyu disappeared, and the Burmese, taking the
leadership, founded their kingdom of Pagan and have
occupied Burma(now Myanmar) up to the present day. In the
13th century the Tai-Shan lost their kingdom of Nanchao in
Yunnan, China, and entered the Mae Nam Chao Phraya
Valley to found kingdoms that gradually evolved into the
kingdoms of Siam (Thailand) and Laos.
ARTS OF THE PHILIPPINES
 The art of the Philippines refers to the works of art
that have developed and accumulated in the Philippines
from the beginning of civilization in the country up to
the present era. It reflects to its society and non-
Filipinos the wide range of cultural influences on the
country’s culture and how these influences honed the
country’s arts. The art of the Philippines can be divided
into two distinct branches, namely, traditional arts, and
non-traditional arts. Each branch is further divided into
various categories with subcategories.
 Branches of Art in the Philippines
• (A) Traditional arts – bearers of traditional arts can
be nominated as Gawad Manlilikha ng Bayan
(GAMABA), equal to National Artist.
1. Folk architecture – including, but not limited to,
stilt houses, land houses, and aerial houses
2. Maritime transport – boat houses, boat-making,
and maritime traditions
3. Weaving – including, but not limited to, basket
weaving, back-strap loom weaving, headgear
weaving, fishnet weaving, and other forms of
weaving
 Branches of Art in the Philippines
4. Carving – including, but not limited to,
woodcarving and folk non-clay sculpture
5. Folk performing arts – including, but not
limited to, dances, plays, and dramas
6. Folk (oral) literature – including, but not
limited to, epics, songs, and myths
7. Folk graphic and plastic arts – including,
but not limited to, calligraphy, tattooing,
folk writing, folk drawing, and folk painting.
 Branches of Art in the Philippines
6. Ornament, textile, or fiber art – hat-making,
mask-making, accessory-making, ornamental
metal crafts
7. Pottery – including, but not limited to, ceramic
making, clay pot-making, and folk clay sculpture
8. Other artistic expressions of traditional culture –
including, but not limited to, non-ornamental
metal crafts, martial arts, supernatural healing
arts, medicinal arts, and constellation traditions.
 Branches of Art in the Philippines
• (B) Non-traditional arts – bearers of non-traditional arts
can be nominated as National Artist, equal to Gawad
Manlilika ng Bayan.
1. Dance – including, but not limited to, dance
choreography, dance direction, and dance performance
2. Music – including, but not limited to, musical
composition, musical direction, and musical
performance
3. Theater – including, but not limited to, theatrical
direction, theatrical performance, theatrical production
design, theatrical light and sound design, and theatrical
playwriting
 Branches of Art in the Philippines
4. Visual arts – including, but not limited to painting, non-folk
sculpture, printmaking, photography, installation art, mixed media
works, illustration, graphic arts, performance art, and imaging
5. Literature – including, but not limited to, poetry, fiction, essay, and
literary/art criticism
6. Film and broadcast arts – including, but not limited to, film and
broadcast direction, film and broadcast writing, film and broadcast
production design, film and broadcast cinematography, film and
broadcast editing, film and broadcast animation, film and
broadcast performance, and film and broadcast new media
7. Architecture and allied arts – including, but not limited to, non-folk
architecture, interior design, landscape architecture, and urban
design
8. Design – including, but not limited to, industrial design, and
fashion design
 Timeline of Philippine Art 1800-2000
• 18th Century
Earliest among the collection are religious in themes and composed of 18th
century icons and images created by local artisans under the tutelage of the
friars. The devotional pieces of the collection are of outstanding significance.
Coronation of the virgin
• 19th Century
During the late Spanish colonial period, the school of Academism or “salon”
painting emerged and produced the likes of Juan N. Luna and Felix
Resurreccion Hidalgo, who are now considered as 19th century masters.
Spolarium
Governor Dasmarinas
 Timeline of Philippine Art 1800-2000
• 1900s
In the succeeding American period, Fernando C. Amorsolo, who was later
declared as the First National Artist, rose into fame and established his own style
or “school” which was largely characterized by countryside scenery with golden
sunlight. 
La Descencion de Jesus
• 2000 to present
Philippine art has come a long way, from the primitive ingenuity of the
Filipinos to the present avante-garde artists exploring all possible techniques
and schools ranging from the traditionalists, representationalism,
abstractionists, abstract expressionists, semi-abstractionists, figurative
expressionists, non-objectivists and other forms of -isms.
 ART FORMS
Attire, Fabrics, Tapestries, Crafts and Accessories 
 1.       INDONESIA
 ART FORMS DESIGN MATERIALS COLOR

The Keyaba and Batik shirt serve
as the upper garments of national
costumes. These are paired with the
kemben and sarong (a cloth
wrapped around the hips) which
shows the heavy influence of Islam.
Golden headdress
Java-dancer
Kebayas are designed with intricate Skin, thin cotton, semi-transparent Primary, secondary, and tertiary
outlines of flowers, geometric nylon or polyester colors and pastels are commonly
shapes or animals depending on used. They are harmonized  with
regional traditions which determine earth colors and their
the motif. As for men, the upper monochromes.
shirts and lower cloth (sarong) are
designed with batik.
Headdress, armlets, anklets,
bracelets, and necklaces are
designed with Hindu motif.
 1.1.        INDONESIA
  INDONESIA
 ART FORMS  DESIGN MATERIALS COLOR

The iconic image of Curvilinear intersects Limestone, wood, bricks, Monochromes of yellow,
Ganesh, the Hindu elephant- rectilinear lines and planes ceramics, porcelain, pewter, orange, magenta, ochre, and
god survived the long on building structures. silver, and gold. black.
Hindu traditions in Java,
Indonesia.

Roofs of palaces The slant-edge design of Wood, metal, and bamboo, Monochromes of brown,
roofs of Palaces express the and resin. ochre, and magenta.
heavy influence of Islamic
motif with a tint of Hindu
outlines.
 2.       MALAYSIA
ART FORMS DESIGNS MATERIALS COLOR
ATTIRE, ACCESSORIES,
AND ARTIFACTS-ICONIC
GODS, CULTURAL
SYMBOLS

Mixed race, which consists of -          Cut simply in rectilinear to Silk thin-cotton, semi- Primary, secondary, and tertiary
Malaysian population, makes fin. transparent nylon or polyester colors and pastels of them;
variety of attires. Though, baju -          Decorated with brocade or They are harmonized with
kurung and baju melayu were floral pattern of embroidery. earth colors and their
chosen as national costumes. -          Painted or printed with monochromes.
batik.
 2.   2.
     MALAYSIA
    MALAYSIA
ART FORMS DESIGNS MATERIALS COLOR
ATTIRE, ACCESSORIES,
AND ARTIFACTS-ICONIC
GODS, CULTURAL
SYMBOLS

Minority of Hindus including Series of floral and looped The heavy deposits of tin in the Monochromes of yellow,
Malay adherents remain to design after the Islamic or country enable Malaysian orange, magenta, ochre, and
revere Hindu and Chinese Chinese motif. artists and craftsmen to excel in black.
deities. pewter craftsmanship.

The King’s Palace, Istana Arch, dome, and floral Islamic Limestone, ceramics, wood, White and silver white;
Negara, is the official design in combination of bricks, porcelain, pewter, monochromes of brown, ochre,
residence of the head of the western classical motif. silver, and gold. and lemon yellow.
country. The palace looks  
majestic with its surrounding Woods, metal, cement, marble,
parks, clear ponds, and tiles.
evergreen lawns.
 3.       THAILAND
ART FORMS DESIGNS MATERIALS COLOR
ATTIRE, ACCESSORIES, AND
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS

Sculpture In Thai sculpture, Buddha retains its facial classic features. Stone and bronze. White and silver
The shape of its face is still oval and on its head is a flame- white;
like shape that protrudes. monochromes of
  brown, ochre.
This classic figure has been the standard since the Sukhothai
period until modern times, whether it is in a sitting position or
in a standing position.

Thai attire varies from every region Simple linear cuts to fit their tunics typify their costumes. Silk, cotton, and Pure warm colors
where influences of varied religions rayon. of red, yellow, and
count. orange are the
favorites to
complement green,
violet, and blue.
 3.  3.    THAILAND
    THAILAND
ART FORMS DESIGNS MATERIALS COLOR
ATTIRE, ACCESSORIES, AND
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS
The influence of Hinduism is shown Floral and animal designs are Brass, bronze, clay, wood, Pure warm colors of
in the carved wooden Hindu goddess used to follow the theme porcelain, silver, and gold. red, yellow, and orange
and a golden figurine of Ganesh, the established by the tenets of are the favorites to
elephant god. Buddhism, Hinduism, and Islam. complement green,
violet, and blue.

The Sukhotai Complex, the memorial Large golden temples and stupas Assortment of limestones, Moss green, brownish-
of old kingdom is one of Thailand’s with projecting roof with tall clays, sands, and soils as ochre.
cultural symbols. towers dominate Thailand’s base materials for the earth
landscape. tone color of the walls of
these structures.
 4.       CAMBODIA
ART FORMS DESIGNS MATERIALS COLOR
ATTIRE, ACCESSORIES, AND
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS

Tunics are popular but represented well by Simple linear cuts to fit their Silk, cotton, and rayon Silver gray, gold,
sampot, the royal ballet costume of woven fabric costumes, which projects grace and magenta and ochre
with threads of silver and gold. rhythm. dominates

The heavy influence of Hinduism to design a Floral, curvilinear, linear, and Brass, bronze, clay, wood, silver and Neutral earth
brass sculpture of Phoenix, the Hindu mythical geometrical shapes gold colors of brown
creature of life-death; and clay sculpture of the and its
gods and goddess of the epic of Ramayana are monochrome
prevalent.
 4.4.         CAMBODIA
CAMBODIA
ART FORMS DESIGNS MATERIALS COLOR
ATTIRE, ACCESSORIES, AND ARTIFACTS-
ICONIC GODS, CULTURAL SYMBOLS
Angkor Wat is one of the architectural marvels of Asia. It Tall building of memorials and Assortment of limestones, The neutral and earth
is famous for its temples decorated with superb relief temples designed after the motif clays, sands and soils as colors of gray, brown,
carvings. Its walls are huge, and its wide processional of Hinduism. base materials washed and yellow ochre
ways are lined with splendid sculptures. The Angkor Wat   brownish-ochre walls of paints the objects and
is a vast royal shrine which was built by the Khmer kings Outline of carvings of men, these structures structures.
in the 12th century. animals, and plants covers most
walls and even on towers.

The saving of Angkor Wat, the ancient Hindu temple that Tall building of memorials and Assortment of limestones, The neutral and earth
nearly came to its ruin, reveals the splendor of Khmer temples designed after the motif clays, sands and soils as colors of gray, brown,
architecture and the advanced civilization of their past. of Hinduism. base materials washed and yellow ochre paint
  brownish-ochre walls of the objects and
Outline of carvings of men, these structures. structures.
animals, and plants covers most
walls and even on towers.
 5.       MYANMAR
ART FORMS DESIGNS MATERIALS COLORS
ATTIRE, ACCESSORIES, AND
ARTIFACTS-ICONIC GODS, CULTURAL
SYMBOLS

Woodcarving (Panpu) Figures of animals, supernatural beings, scrolls, and Hard woods Neutral and earth
flowers in intricate designs figures of human beings, colors
animals, and floral designs

The art of turning designs on the lathe Table legs, legs of bed, posts for pavilions and railing, Wood, bamboo, Neutral and earth
(Panput) boxes, bowls, kitchen utensils thick black varnish colors

Painting (Panchi) Palm leaf and parchment painting (ancient times); Palm leaf, Red and green paints
murals, Inwa paintings depicting the social life of parchment, are the colors used in
people. traditional materials the murals
6.       VIETNAM
ART FORM DESIGN MATERIALS COLOR
ATTIRE, ACCESSORIES, AND ARTIFACTS-
ICONIC GODS, CULTURAL SYMBOLS

Attire: ao-dai and non la -          Simple linear cuts to fit Silk, cotton, and -          Pure white, black, and neutral
The Vietnamese national costume, ao-dai, is a tight- their tunics typify their rayon colors of gray, brown and ochre
fitting tunic worn over pantaloons, and their conical costumes are favorites.
hat, non la. -          Conical in shape -          Neutral earth colors of brown
and its monochrome
 

Artifacts; iconic gods -          Curvilinear, linear, and Brass, porcelain, -          Combination of warm, cool,
They venerate and worship the deities of nature, geometrical shapes wood, and clay and neutral colors
their folk religion from Taoism.
6.        VIETNAM
VIETNAM
ART FORM DESIGN MATERIALS COLOR
ATTIRE, ACCESSORIES, AND
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS

Architecture   Assortment of limestones, The neutral and earth colors

Large temples, stupas and tombs clays, sands and soils as of gray, brown, and yellow
based-materials washed ochre paints the objects and
brownish-ochre walls of structures.
these of these structures

Cultural Symbol   Lush of green moss, Brownish-ochre walls of

The old Royal Mausoleum of Minh assortment of limestone, these structures
Mang stands memorial symbolizing a clays, sands, and soils as
great kingdom in the past. based-materials
 7.       LAO PDR
ART FORMS DESIGN MATERIALS COLOR
 ATTIRE, ACCESSORIES,
AND ARTIFACTS-ICONIC
GODS, CULTURAL
SYMBOLS

Handcrafted silk dyeing and Hand-dyed Bands of thick and thin Subtle variations in
weaving scarves silk; natural or plant colors
dyes  
Earth colors of ochre,
gray, sienna, and brown
 7.        LAO
LAOPDR
PDR
ART FORMS  DESIGN MATERIALS COLOR
ATTIRE, ACCESSORIES, AND
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS

Silver or gold sculpture Buddha statuettes, Brass and plated Sienna, umber,
trays, vases, kettles with thin gold and yellow, and
silver orange
 8.       BRUNEI
ART FORMS  DESIGN MATERIA COLOR
ATTIRE, ACCESSORIES, AND LS
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS

Silver work Islamic pattern, curvilinear Brass, steel, Gray, silver,

line pattern, oval, and circular and silver and ochre

Weaving (Tenunan) Islamic patterns, leaves, local Local and Ochre,

flowers golden maroon, gray,
threads, green, burnt
woven sienna
materials
 8.        BRUNEI
BRUNEI
ART FORMS  DESIGN MATERIA COLOR
ATTIRE, ACCESSORIES, AND LS
ARTIFACTS-ICONIC GODS,
CULTURAL SYMBOLS

Kris making Razor-shaped blade Metal, iron Ochre, maroon,

gray, burnt sienna,
brown

Brass-making Ornaments and Brass Ochre, maroon,

musical gray, burnt, sienna,
instruments, gongs, brown
and gamelans
 8.        BRUNEI
BRUNEI
ART FORMS  DESIGN MATERIALS COLOR
ATTIRE, ACCESSORIES, AND ARTIFACTS-
ICONIC GODS, CULTURAL SYMBOLS

Songkok-making (man’s headgear) Cap, turban or a typical A piece of cloth, Black, maroon,
headdress velvet, satin, and gray, burnt sienna,
pieces of cardboard brown
to make the satin
sturdier

Sultan Omar-Ali Saifudin Mosque in Brunei The former mosque’s basic Painted and Gold, silver, gray,
Darussalam octagonal design encloses a plastered with and pale purple to
central space topped by constructing convey majestic,
dome daubed by plated materials grandstanding and
gold. Posited in the center, royal atmosphere
the golden dome tower is
surrounded by a striking
arrangement of gothic
arches and triangular
spaces.
 9.       SINGAPORE
Visual Arts
Local artists display their artworks in the Singaporean Art Museum and
many art galleries which have grown through remarkable growth. The
Singapore Art Festival attracts a wealth of international and local talent
and is staged for three weeks between May to June.
 9.
9.          SINGAPORE
SINGAPORE
Artistic elements:
Usual themes are urban scenes, landscapes, portraits, village scenes, and still life. Prominent
artists include Liu Kang, Herman Chong, Georgette Chen, Tan Swie Hian, and Francis Ng.

Dragon Boat Racing Festival

This festival features beautifully decorated traditional boats. The showering of the dragon head
carved in the front of the boats is one of the rites done before each race.
Artistic elements:
 Carving of dragon head in various sizes and shapes. Colors are bright and depict a festive mood.
SEVEN (7) ELEMENTS OF ARTS
 SEVEN(7)
SEVEN (7)ELEMENTS
ELEMENTS OF
OFARTS
ARTS
1. Line is a mark with greater length than width. Lines can be
horizontal, vertical, or diagonal; straight or curved; thick or thin. 
2. Shape is a closed line. Shapes can be geometric, like squares and
circles; or organic, like free-form or natural shapes. Shapes are flat
and can express length and width. 
3. Forms are three-dimensional shapes expressing length, width, and
depth. Balls, cylinders, boxes, and pyramids are forms. 
4. Space is the area between and around objects. The space around
objects is often called negative space; negative space has shape.
Space can also refer to the feeling of depth. Real space is three-
dimensional; in visual art, when we create the feeling or illusion of
depth, we call it space. 
 SEVEN(7)
SEVEN (7)ELEMENTS
ELEMENTS OF
OFARTS
ARTS
5. Color and Value Color is light reflected off of objects. Color has three main characteristics: hue
(the name of the color, such as red, green, blue, etc.), value (how light or dark it is), and
intensity (how bright or dull it is). • White is pure light; black is the absence of light. • Primary
colors are the only true colors (red, blue, and yellow). All other colors are mixes of primary
colors. • Secondary colors are two primary colors mixed together (green, orange, violet). •
Intermediate colors, sometimes called tertiary colors, are made by mixing a primary and
secondary color together. Some examples of intermediate colors are yellow green, blue green,
and blue violet. • Complementary colors are located directly across from each other on the
color wheel (an arrangement of colors along a circular diagram to show how they are related
to one another). Complementary pairs contrast because they share no common colors. For
example, red and green are complements, because green is made of blue and yellow. When
complementary colors are mixed together, they neutralize each other to make brown.
6. Texture is the surface quality that can be seen and felt. Textures can be rough or smooth, soft
or hard. Textures do not always feel the way they look; for example, a drawing of a porcupine
may look prickly, but if you touch the drawing, the paper is still smooth. 
PRINCIPLES OF ARTS
 PRINCIPLES OF ARTS
Balance
The distribution of interest or visual weight in a work. A balanced piece of work will
have art elements arranged such that different areas draw the viewer's eye around or
through the whole piece. Symmetrical, approximate, asymmetrical, radial.
Emphasis/dominance
Is a principle of design which occurs any time an element of a piece is given
dominance by the artist. The artist makes part of the work stand out.
Movement/rhythm
Physical (can show physical activity such as skating or running), compositional
(elements of art and design that lead your eye through the work of art. Repetition, change
in size, spacing are ways that colour, line, texture, shape can be organized to create
movement.
 PRINCIPLES
PRINCIPLES OF ARTS
OF ARTS
Pattern/repetition
A visual pattern is the repetition of one or more elements in a work of art.
The unit that is repeated is called a motif.
Pattern/repetition
A visual pattern is the repetition of one or more elements in a work of art.
The unit that is repeated is called a motif.
Unity/harmony
Unity creates a sense of harmony achieved by focusing Ina single visual
component or by the repetition of the elements of art and design. Things that
are similar and repeated in a work of art create unity.
 ACTIVITIES:
Activity 1: Crayon Batik Making. Create your own Crayon batik art work.
Click the link below and watch how to create your own Crayon batik art
work. Video yourself while making your own Crayon batik art work. 
https://www.youtube.com/watch?v=y8JUA7EcNTE

Activity 2: Draw and name your own Southeast Asian map.. Click the link
below and watch how to create your own South East Asian map. Video
yourself while making yourSouth East Asian map..
https://www.youtube.com/watch?v=89oRZob2sxM
 ASSESSMENT
Essay: Answer the following questions.
1.      What are the artistic similarities of Southeast Asian
countries?
2.      What are the  Southeast Asian countries excelling in arts and
crafts?
3.      Why is weaving popular among Southeast Asian countries?
4.      What are the elements of arts?
5.      What are the principles of arts?
REFERENCES
 References:https
://www.google.com/search?q=southeast+asian+map&tbm=isch&ved=2ahUKEwi2zcXK
qNvqAhUImJ4KHSQVBYQQ2-cCegQIABAA&oq=southeast+asian+map&gs_lcp=CgNpb
WcQDDICCAAyCAgAEAgQBxAeMggIABAIEAcQHjIICAAQCBAHEB4yCAgAEAgQBxAeMgY
IABAIEB4yBggAEAgQHjIGCAAQCBAeMgYIABAIEB4yBggAEAgQHjoGCAAQBxAeUP5uWK
R7YLyJAWgAcAB4AIAB3QGIAb4IkgEDMi01mAEAoAEBqgELZ3dzLXdpei1pbWfAAQE&sc
lient=img&ei=AkkVX7bEOoiw-gSkqpSgCA&bih=969&biw=1920&rlz=1C1CHBF_enPH85
5PH855#imgrc=ZUKbTTC_5i4pnM
Credits and Sources:De gruyter
 References:https://www.youtube.com/watch?v=y8JUA7EcNTE
Credits and Sources: The right brain
 References:https://www.youtube.com/watch?v=89oRZob2sxM
Credits and Sources: World map
 References:https://www.britannica.com/art/Southeast-Asian-arts
Credits and Sources:Jose Maceda
 References:http://museyo.blogspot.com/p/timeline-of-philippine-art.html
Credits and Sources:National museum
 
 References:https
://www.google.com/search?q=timeline+of+philippine+art&rlz=1C1CHBF_enPH
855PH855&hl=en&sxsrf=ALeKk03-qx1a8qcliOb3f9JyLgw2cr6l8g:159531352124
5&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjZtfT93d3qAhUPGDQIHYr3DL
AQ_AUoAXoECA4QAw&biw=1920&bih=969#imgrc=crOZ8IY6_fuRgM
Credits and Sources: Slide share
References:https://www.thoughtco.com/what-are-the-elements-of-art-182704
Credits and Sources:Thoughtco.
References:https://mymodernmet.com/elements-of-art-visual-culture/
Credits and Sources:Jessica Stewart
References:https://quizlet.com/170227625/8-principles-of-art-flash-cards/
 References:https://www.hisour.com/art-of-the-philippines-37061/
Credits and Sources:Art by country Arts in the Philippines Asian art
Philippines articles
References:https
://www.thoughtco.com/what-are-the-elements-of-art-182704
Credits and Sources:Thoughtco.
References:https://mymodernmet.com/elements-of-art-visual-culture/
Credits and Sources:Jessica Stewart
Home Page: References:https
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Credits and Sources: Quizlet
References:https
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Credits and Sources:Pinterest
References:https
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Credits and Sources:Nolisoli.ph
References:https
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Credits and Sources:Pinterest
References:https
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References:https
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References:https
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Credits and Sources:Ramthai.com
References:https
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Credits and Sources:History.com
References:https
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References:References:https
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Credits and Sources: Go Myanmar Tours
References:https
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Credits and Sources:Multiverse Adverstising
References:https://www.flickr.com/photos/hunie/2085632974/
References:https
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Credits and Sources:Pinterest
References:https
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Credits and Sources:Asia-europe foundation
References:https
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Credits and Sources:https://songketterengganumurah.weebly.com/
References:https
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Credits and Sources:Brunei Resources
References:https
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Credits and Sources:Anywayinaway
References:https
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Credits and Sources:Tripadsor
References:https
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Credits and Sources:Coconuts
References:https
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Credits and Sources:Airpaz Blog