**I am so incredibly proud of everyones hard work tonight

everyone has grown so much and your passion and ability shone
through tonight. Keep up the great work**
GROUP
-I HOPE I GET IT
-Once Zach says Laurie, keep headshot up until she comes to you
THEN go upstage to get water/stretch and rejoin Paul
-Nobody should be looking at Paul while hes singing, just getting their
life together upstage and rejoining the line.
-FIRST LINE SCENE
-ALL: Look out not at Parker, even if hes sitting right in front of you.
The three levels of looking in the play are floor, horizon (eye level), and
heaven light (fantasy/above you).
-AND
When SOLOISTS are singing, the group should be focused on BOBBY.
Then when everyone joins in, they should be looking up in heaven light and
back to Bobby once he begins again.
-AT THE BALLET
-Once Maggie moves center, everyone should move back into the
darkness (for mic changes). THEN move back to the line after Maggies
belting (once the music dies down)
-MONTAGE PART 1
-While in line, begin to slowly feel yourself during the opening Hello
twelve. It should be like youre young and discovering your body.
-MONTAGE PART 2
-Move to dance places when Don say Pink Cadillac
-MONTAGE PART 4
-From Part 4 on, the dancers have stopped being nervous/isolated from
one another and we can assume theyre all friends at this point. Play with
interacting with one another/being supportive of each others dancing in part
4. At this point, youre all united as one big happy family.
ZACH
-I HOPE I GET IT
-PUT THE GROUP 1 JAZZ GIRLS IN THEIR POSITION (PANTOMIME)
-SECOND TIME YOU CALL OUT HEAD BAND BOY: MORE PISSED
-Cross SL on Girls Elimination

-ONE
You are allowed to move SR, Center, or SL when you are teaching the
dance
-Wait until theres no singing to say dialogue in certain moments, youll
know them.
HEADBAND BOY
-I HOPE I GET IT
KEEP HEAD DOWN IN FIRST TIME YOU DANCE IT
VAL
-I HOPE I GET IT
WHEN ZACH SAYS DANCE DOWNSTAGE, DANCE OUT (TO OUTSHOW
SHEILA)
-AND
seriously/seriously to yourself not the group
-DANCE 10
Monologue: Look at Sheila on either I had eyes or I saw what they
were hiring and give her a snicker or look
-Fuck you Radio City- Even more trashy with that line
BEBE
-AT THE BALLET
-So beautifulput up your gesture on that lyrics
-AT THE BALLET
Move back to place in line on the last at. The. Ballet.
KRISTINE
-SING
Right ed Sullivan- let that be a BIG outburst then say, Im sorry, Im
nervous
-Let shower be a riff. AL will clear his throat to stop you.
AL
-SING
Clear your throat to interrupt Kristine while she riffs the word shower
SHEILA
-I HOPE I GET IT
-CROSS DOWNSTAGE OF GROUP WHEN YOU WALK?
-AT THE BALLET
Move back to place in line on the last at. The. Ballet.
MAGGIE
-AT THE BALLET

Move back to place in line on the last at. The. Ballet.

GREG
-MONTAGE PART 4
Pelvic Thrust on books line
-Dont go into pantomime for too long after you finish.
PAUL
-I HOPE I GET IT
-As soon as music starts, put picture down
-MONOLOGUE
-They would whistle- Hes annoyed by it.
-Butch-Let it land
-I had friends- a happy thought
-They got there too early- Faster speed, almost a panic
After your monologue, stay SR, Zach will come to you
You managed to make everyone in the room not only shed tears, but
listen to you and thats one of the hardest/most accomplished things an
actor can do. You should be so proud.
CASSIE
-FIRST LINE SCENE
-Make your lines more casual to Zach.
**Lets talk about MUSIC AND MIRROR dance**
-MUSIC AND MIRROR
After dance finished, step out of the pose and walk DS waiting for
Zach.
JUDY
-FIRST LINE SCENE
-Dont move till Zach says Back in line
DIANA
-FIRST LINE SCENE
-Go on what- more bewilderment. Shes thrown off guard. Dont look
at the floor, even if youre nervous.
-NOTHING
-Play with making your body tight and stick-in-your-ass when playing
Karp
-Move back on Yes a voice came down
DON
-MONTAGE

-Move sooner SR before Diana ends her spiel

-Anywayis a new thought
SHEILA
-FIRST LINE SCENE
-Step out on women line
MIKE
-I CAN DO THAT
-Stay in final pose and then say twinkletoes line.
-Make the twinkletoes line (and his reaction to Zachs) more agitated.
Theres some button pushed in him.