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Daniel Hudson Burnham, FAIA (September 4, 1846 – June 1, 1912) was an American architect
and urban designer. He was the Director of Works for the World's Columbian Exposition in
Chicago.
Burnham took a leading role in the creation of master plans for the development of a number of
cities, including Chicago, Manila and downtown Washington, D.C. He also designed several
famous buildings, including the Flatiron Building of triangular shape in New York City, Union
Station in Washington D.C., the Continental Trust Company Building tower skyscraper in
Baltimore (now One South Calvert Building), and a number of notable skyscrapers in Chicago.
Contents
1 Biography
o 1.1 World's Columbian Exposition
o 1.2 City planning and "The Plan of Chicago"
o 1.3 Influence
o 1.4 Memorials
2 Notable commissions
o 2.1 Philippines
o 2.2 Chicago
o 2.3 Detroit
o 2.4 Pittsburgh
o 2.5 Washington, D.C.
o 2.6 Cincinnati
o 2.7 Others
3 In popular culture
4 References
5 External links
Biography
Burnham was born in Henderson, New York and raised in Chicago, Illinois. His parents brought
him up under the teachings of the Swedenborgian Church of New Jerusalem,[1] which ingrained
in him the strong belief that man should strive to be of service to others.[2] After failing
admissions tests for both Harvard and Yale, and an unsuccessful stint at politics, Burnham
apprenticed as a draftsman under William LeBaron Jenney. At age 26, Burnham moved on to the
Chicago offices of Carter, Drake, and Wight, where he met future business partner John
Wellborn Root (1850–1891).
Burnham and Root were the architects of one of the first American skyscrapers: the Masonic
Temple Building[3] in Chicago. Measuring 21 stories and 302 feet, the temple held claims as the
tallest building of its time, but was torn down in 1939. Under the design influence of Root, the
firm had produced modern buildings as part of the Chicago School. Following Root’s premature
death from pneumonia in 1891, the firm became known as D.H. Burnham & Company.
Burnham and Root had accepted responsibility to oversee design and construction of the World's
Columbian Exposition in Chicago’s then-desolate Jackson Park on the south lakefront. The
largest world's fair to that date (1893), it celebrated the 400-year anniversary of Christopher
Columbus' famous voyage. After Root's sudden and unexpected death, a team of distinguished
American architects and landscape architects, including Burnham, Frederick Law Olmsted,
Charles McKim and Louis Sullivan, radically changed Root's modern and colorful style to a
Classical Revival style. Under Burnham's direction, the construction of the Fair overcame huge
financial and logistical hurdles, including a worldwide financial panic and an extremely tight
timeframe, to open on time.
Considered the first example of a comprehensive planning document in the nation, the fairground
was complete with grand boulevards, classical building facades, and lush gardens. Often called
the "White City", it popularized neoclassical architecture in a monumental and rational Beaux-
Arts plan. The remaining population of architects in the U.S. were soon asked by clients to
incorporate similar elements into their designs.
Initiated in 1906 and published in 1909, Burnham and his co-author Edward H. Bennett prepared
"The Plan of Chicago", which laid out plans for the future of the city. It was the first
comprehensive plan for the controlled growth of an American city, and an outgrowth of the City
Beautiful movement. The plan included ambitious proposals for the lakefront and river and
declared that every citizen should be within walking distance of a park. Sponsored by the
Commercial Club of Chicago,[4] Burnham donated his services in hopes of furthering his own
cause.
Plans and conceptual designs of the south lakefront[5] from the Exposition came in handy, as he
envisioned Chicago being a "Paris on the Prairie". French-inspired public works constructions,
fountains, and boulevards radiating from a central, domed municipal palace became Chicago's
new backdrop. Though only parts of the plan were actually implemented, it set the standard for
urban design, anticipating future need to control unexpected urban growth, and continued to
influence the development of Chicago long after Burnham's death.
City planning projects did not stop at Chicago though. Burnham contributed to plans for cities
such as Cleveland (the Group Plan), San Francisco, and Manila and Baguio in the Philippines,
details of which appear in "The Chicago Plan" publication of 1909. His plans for the redesign of
San Francisco were delivered to City Hall on April 17, 1906, the day before the 1906 earthquake.
In the haste to rebuild the city, the plans were ultimately ignored. The Plan for Manila never
fully materialized, except for a shore road, which became Dewey boulevard, now known as
Roxas boulevard and various neo-classical government buildings around Luneta Park, which
very much resembles a mini version of Washington D.C.
In Washington, D.C., Burnham did much to shape the 1901 McMillan Plan, which led to the
completion of the overall design of the National Mall. The Senate Park Commission, or
McMillan Commission, established by Michigan Senator James McMillan, brought together
Burnham and three of his colleagues from the World's Columbian Exposition—architect Charles
Follen McKim, landscape architect Frederick Law Olmsted, Jr., and sculptor Augustus Saint-
Gaudens. Going well beyond Pierre L'Enfant's original vision for the city, the plan provided for
the extension of the Mall beyond the Washington Monument to a new Lincoln Memorial and a
"pantheon" that eventually materialized as the Jefferson Memorial. This plan involved significant
reclamation of land from swamp and the Potomac River, and the relocation of an existing
railroad station on the site, which was replaced by Burnham's own design for Union Station.[6]
As a result of his service on the McMillan Commission, in 1910 Burnham was appointed a
member and the first chairman of the United States Commission of Fine Arts, helping to assure
the implementation of the McMillann Plan's vision. Burnham served on the commission until his
death in 1912.[7]
Influence
Much of his work was based on the classical style of Greece and Rome. In his 1924
autobiography, Louis Sullivan, one of the leading architects from the Chicago School but one
who had enjoyed difficult relations with Burnham over an extended period, criticised Burnham
for what Sullivan viewed as his lack of original expression and dependence on Classicism.[8]
Sullivan went on to claim that "the damage wrought by the World's Fair will last for half a
century from its date, if not longer"[9]—a sentiment edged with bitterness, as corporate America
of the early 20th century had demonstrated a strong preference for Burnham's architectural style
over Sullivan's.
A man of influence, Burnham was considered the preeminent architect in America at the start of
the 20th century. He held many positions during his lifetime, including the presidency of the
American Institute of Architects.[12] Other notable architects began their careers under his aegis,
such as Joseph W. McCarthy. In 1912, when he died in Heidelberg, Germany, D.H. Burnham
and Co. was the world's largest architectural firm. Even legendary architect Frank Lloyd Wright,
although strongly critical of Burnham's Beaux Arts European influences still admired him as a
man, eulogized: "(Burnham) made masterful use of the methods and men of his time... (as) an
enthusiastic promoter of great construction enterprises... his powerful personality was supreme."
His firm continues its work today under the name Graham, Anderson, Probst & White, which it
adopted in 1917.
Memorials
Tributes to Burnham include Burnham Park and Daniel Burnham Court in Chicago, Burnham
Park in Baguio City in the Philippines, Daniel Burnham Court in San Francisco (formerly
Hemlock Street between Van Ness Avenue and Franklin Street), the annual Daniel Burnham
Award for a Comprehensive Plan (run by the American Planning Association),[13] and the
Burnham Memorial Competition held in 2009 to create a memorial to Burnham and his Plan of
Chicago.[14] Collections of Burnham's personal and professional papers, photographs, and other
archival materials are held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.
Notable commissions
Philippines
Manila
Baguio
Provincial Capitol Building in Bacolod, Negros Occidental
Chicago
Detroit
Dime Building
Ford Building
Majestic Building
Pittsburgh
Union Trust Building 1898 (337 Fourth Avenue - Not the 1917 structure of the same
name on Grant Street)
Pennsylvania Union Station 1900-1902
Frick Building 1902
McCreery Department Store (now offices - 300 Sixth Avenue Building) 1904
Highland Building 1910 (121 South Highland Avenue)
Henry W. Oliver Building 1910
Washington, D.C.
Union Station
Postal Square Building
Columbus Fountain
Fayette Building
Uniontown, Pennsylvania
Cincinnati
Others
In popular culture
Make No Little Plans - Daniel Burnham and the American City[20] is the first feature
length documentary film about noted architect and urban planner Daniel Hudson
Burnham, produced by the Archimedia Workshop. National distribution in 2009
coincided with the centennial celebration of Daniel Burnham and Edward Bennett's 1909
Plan of Chicago.
The Devil in the White City, a non-fiction book by Erik Larson, intertwines the true tale
of two men: H.H. Holmes, a serial killer famed for his 'murderous hotel' in Chicago, and
Daniel Burnham.
In the role-playing game Unknown Armies, James K. McGowan, the True King of
Chicago, quotes Daniel Burnham and regards him as a paragon of the Windy City's
mysterious and magical past.
In the episode "Legendaddy" of TV sitcom How I Met Your Mother, the character Ted,
who is professor of architecture, describes Burnham as an "architectural chameleon."
Burnham is memorialized with the mixed use project in San Francisco, One Daniel
Burnham Court.
References
Notes
Bibliography
External links
Wikimedia Commons has media related to Daniel Burnham.
WorldCat
VIAF: 73928913
LCCN: n81090343
ISNI: 0000 0000 8153 7707
Authority GND: 121067696
control SUDOC: 08684508X
BNF: cb123579632 (data)
ULAN: 500019474
RKD: 247496
Categories:
American architects
Fellows of the American Institute of Architects
American urban planners
Artists from Chicago, Illinois
People from Henderson, New York
American expatriates in the Philippines
American Swedenborgians
Burials at Graceland Cemetery (Chicago)
1846 births
1912 deaths
Western Association of Architects
World's Columbian Exposition
Presidents of the American Institute of Architects