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MID TERM EXAM

PP 163 - Nobela sa Pilipinas

Sagutin ang dalawa (2) lamang sa mga sumusunod na tanong. Isumite ang hard copy sa Oktubre 16.

1. Ano ang mga katangian ng mga protonobelang Barlaan at Josaphat, Urbana at Feliza, at Tandang
Basio Macunat. Suriin ang mga ito bilang panitikang kolonyal. Pansinin ang papel ng pilosopiyang
Katolisismo bilang instumento ng pananakop.

Mojares, Resil B. “BARLAAN, URBANA AT BASIO: THREE PHILIPPINE


PROTO-NOVELS.” Philippine Quarterly of Culture and Society, vol. 4, no. 1, 1976, pp.
46–54. JSTOR, www.jstor.org/stable/29791236.

APA Citation

Mojares, R. B. (1983). Origins and rise of the Filipino novel: a generic study
of the novel until 1940. Quezon City, Philippines: University of the
Philippines Press .

MLA Citation

Mojares, Resil B. Origins And Rise of the Filipino Novel: a Generic


Study of the Novel Until 1940. Quezon City, Philippines: University of
the Philippines Press , 1983.

Mojares, R. (1976). BARLAAN, URBANA AT BASIO: THREE PHILIPPINE


PROTO-NOVELS. Philippine Quarterly of Culture and Society, 4(1), 46-54. Retrieved
from http://www.jstor.org/stable/29791236
https://www.jstor.org/stable/29791236?read-now=1&seq=8#page_scan_tab_contents

2. Nobelang Tagalog, 1905-1975: tradisyon at


modernismo
3.
4. Soledad S. Reyes
5. Ateneo de Manila University Press, 1982 - Literature and society
7. Reyes, S. S. (1982). Nobelang Tagalog, 1905-1975: Tradisyon at modernismo. Quezon City, Metro
Manila: Ateneo de Manila University Press.

9. Ayon kay Mojares, masining at sosyopolitikal ang Nangalunod sa Katihan ni Faustino Aguilar.
Sabihin ang dahilan kung bakit ganito ang pagsusuri ng kritiko. ORIGINS AND RISE

Ang panitikan sa panahong ito ay masasabing instrumento para sa moral at social form. May
kaibahan ito sa religious didactic sa panahong Kastila kung saan nakasentro ang pangangaral
tungkol sa simbahang Katoliko.
May pagpapatuloy ang mga konsepto ng kamalayang sosyal sa nobela ni Rizal sa katauhan
nina Faustino Aguilar (Pinaglahuan) at Iñigo Ed. Regalado (Madaling Araw). Ang nobela ng
mga ito’y tumatalakay sa kahirapan, prostitusyon at sa pangkaraniwang tema ng tunggalian
ng mayaman at mahirap (social class). Nagpatuloy sa mga nobelang ito ang problema sa
ekonomiya at kolonyalismo. Pero masasabing sa panahon ding ito ang nobela ay nagkaroon
ng inobasyon ang genre ng nobelang bernakular. Umusbong ang penomena ng hybrid
character .

https://kyotoreview.org/issue-8-9/ethnicity-and-kinship-in-filipino-centennial-novels/

Although the American civil government implemented public schooling soon


enough, the gap between Spain’s departure and America’s impact created a
hiatus that allowed the native “culturati” – mostly clerical officers involved in
publishing – to move into the production of serialized narratives. A bourgeoning
“intellectual” class – though different from Rizal, Pedro Paterno, and Trinidad
Pardo de Tavera – found members among those who were too young to join the
Katipunan but old enough to become civil servants of the new colonial structure.
They were journalists and typesetters who combined the romanticism of the old
literary forms of awit and corrido with the new form of the novel introduced by
Rizal, though without his sophistication. Lope K. Santos, Faustino Aguilar, and
Lazaro Francisco were some of the authors who popularized the vernacular novel
among the masses at a time when Filipino writers in English were still learning the
rules of grammar of the alien language. Santos’ 1905 novel Banaag at Sikat,
which would become the consummate novel of proletarian struggle, showed that
“all novels are social novels,” especially when cultural workers are from the
tradition wrought by pervasive social inequity and injustice (323).
https://books.google.com.ph/books?id=uF6WDAQHu08C&pg=PA286&dq=resil+mojares&hl=en&sa=X
&ved=0ahUKEwirxYL8gpzlAhVbQN4KHQOnDzM4ChDoAQhKMAY#v=onepage&q=faustino&f=false
(see Faustino)

Patajo-Legasto, P. (2008). Philippine studies: Have we gone beyond St. Louis?. Diliman, Quezon City: University
of the Philippines Press.

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