XaH-Knol BEIAH

npaBwra
vrofrorHeHr4fl
My3brKr4
B sfroxy EapoKKo
(XVII'-XVIII' ss.)

oouue n.nfl Bcex HHcTpyMeHTOB

cozracHo EAXV, BPOCCAPY, KVIIEPEHV,

O7-TETEPPV, MOHTEK.IIEPV, KBAHry:/,
PAMO-I'A.lIAMEtrPy. PJ/CCO u m. d.

ALPHONSE LEDIJC . PARIS

Editions Musicales, lJ5, rue Saint-Honore
7 5040 Paris cedex 01
 Jean-Claude VEILFIAN

Les Regles
de
1'Interpretatton
Musicale
a l'Epoque Baroque
(XVII'-XVIII' s.)

g6n6rales d tous les instruments

s elon BACH, BROSSARD, COUZERII,,I,

HOTTETEKRE, M ONTE CLAIR, QUA\VTZ,

RAIIEAU-D'ALEMBERT ROUS SEAU. erc.

ALPHONSE LEDIJC . PARIS

Editions Musicales, 175, nre Saint-Honore
7 5040 Paris cedex 0l
 .[Irc 6 e s u utti uu m ant en a !

Acntop 3mo2o nepeeoda ontdaem Ha cyd nte6e, o vumamenu,

cBoto cKpolttH)/n pa6omy,
npodetaHHyn so ryerbtu mpydnuil zacmpcnunuui ce3oH.
He nennncu npocpeccttoHarbrtbtM nepeaodquKoM, a, cnedoectmeJ,tbHo,
He uMen H,
docntanloltttbtx suauutT ,3btKe, Hu nepeeodraecrcozo onbtn'ra,
asmop cnlo,KryJ,tcn c ozpoMHbthtu
ntpyduocmnl4u u eJily ue ydanocu us1etrcan'tb onpedeneHHbtx
HenoBKocnteii npu nocmpoeHttu pyccKux
Irycma ace 3mo He HaHecem yulep6a ntcturconty xydo)rcecm6eHHo.4,t)/
'|'pot'
znqenoii
sKycy vumamenn, udo
sadaqeii nepeeodquKa 1atnct moqHoe c.aedoaauue cnrbtcny
meKcmcr (ennomu do
nodcmpoururca), qmo uHozda Hattocu-ryo cuJ'tbrbrti ypou
xyr)ttrcecm*eHHbtl,r Kattecm.o.nt nepeeor)a.

Huxonail TAZACOR,
Mocxea, ruon1pu lgt6 zoda
 Karc cyulecmsyem ozpou4Han ducmauqun uetrcdy l-pa.n,t,ntamurcoti u
fercna1taqueil, maK u A4etcoy
uomuoil 3anucbto \4ysbtKu u xopoweu uauepoti ee ucnotHeHufl reucum \ecxouertHocmb.

Md sqnucdBoel4 14y3btK)) omnuvHo om mozo, KqK Mu ee ucno1Hfley4.

(Dpancyo KYUEPEH, I7I7 z.

.Ihotntt, Kopetrnu, Kynepeu u datrce Paao eosuezodoBanu 6u, ecnt 6ur ycnurutqnu c7ou npouseedeHtlfl
MQK, KOK UX UCNOTHflNM HWHC.

Ome4 )I{ozeQ AH|PAMEJIh, 1775 e.

 n PE!l4CItOBt4 E

Llro cxaganvt 6ut o Ha[ueM BpeMeHH fipnnu, Kopennr, KynepeH

h Pauo, ecnn eu.le a 17TS
roAy nph rcnonHeHVL hx npoh3ae4eHrafi uu 6utno or qero "Bo3Hero4oBarb" B cBohx Morhnax, elqe
cBexilx, KoropblM vcnonY4nocb Bcero HecKonbKo fler vnn AecFTKoB ner? ...
Ha cauoM Aefle, HavHHafl c 1750 roAa (ro4 cvreptwVL C. Saxa), epa Sapoxro nphxoAt4T B
ynaAoK. HaqHHaer flcHo Bblpt4coBbtBarbcs pacqBer KnaccilLlll3Ma. B 1775 roAy f auguy - copoK rpl4
roAa, Moqapry - AeBsrHaAL{arb, EetxoeeHy - nFTb: t'tuoit My3btKanuHurri Mt4p oKoHLtarenbHo
3aTMeBaeT npeA[UecTBytolqyto 3noxy. Ecnu HeKoTopbte TpaAvlqun npoAonxanr cyu.{ecrBoBarb, ro
Sopwtul npoh3BeA enwil, vx KoHt-lenL{ht4, a raK>xe HHcrpyMeHTbt KopeHHbtM o6pa3oM
3BOnloL{HOHhpOBanh.
OAnaKo Tenepb, HaqilHafi c nocneAHklx ner, h3btcKaHilR B o6nacrn AocroBepHoro
("aytenthvHoro") hcnonHeHhF, orHocfltqhecn K onpeAeneHHoi gnoxe, Moryr 6utru HaAexHbtM
3anoroM cKpynynesHofi ToqHocrh. 3ro no4nvtunsit Bo3BpaT K hcroqH4KaM, rHcrpyMeHTaM, K
npaBhnaM Toro BpeMeHH.
Vltax,3Aecb Heo6xogt4Mo roBopt4Tb o npaBhnax. [lpae4a, sTo cnoBo Moxer noKa3arbcs
HecKonbKo MeHTopcKmM, BblpaxarcqhM KaKhe-To oKaMeHeBUile HaCTaBn eHv1A. Ha CauoM
Aene,
KorAa roBopFT o My3blKe nepro4a SapoKKo, peL{b hAer o coBoKynHocl4 tpagut-qqit, nprHqrnoB,
onpeAeneHHblx genCreuti, ycnosnoctefi, o6pasyroqhx "xopoul4ti BKyc", roropurri B KoHeqHoM cqere
ocTaeTc9 eAhHcrBeHHblM KprrepheM hcnonHeHhfl My3brKanunorl peqh, nonnofi xilBoc14 t4 qyBcrBa.
Bce oro o6uegrHner noHFThe npa Bnna B caMoM rr6rona, caMoM o6qevr cMbrcne 3Toro cnoBa.
3rn npaBLAna nepeAaBanncb or yL{hrenfl K yqeHnKy, oH!4 xapaKTeph3oBanh oKpyxarcqyp
My3blKanbHyto t4 coqhanbHyto aruocSepy. 14uenHo raKoe cocronHhe BocnpvATvlA MblAonxnur nafirr,
ecnh xoTl4M BO3pOAl,lTb B HaCTOf,lL{eM My3blKy Hauhx npeAUecrBeHHhKoB C nphcyt4t4nr era crpoeM
qyBcrB H B ee noAnhHHoM BhAe, TaK, .fro6ut oro 6utno BocrpeuJeHhe,
a He rcBneqeHhe Tpyna hs seMn14!
MysurKaHTbt h reopervKn paccMarpilBaeMoro HaMil nephoAa qacro
Aenanh nonbrrKh
eaQrxcrpoBarb 3Til npaBnna B TpaKTarax, L{To6ur e 6onee AocrynHora
Sopue npenoAHecrr hx
yqeHhKau u nrc6NTengM My3blKl4, t(oropble, TaKhM o6pasovt, cMornh 6ut ms6exarb HeAocrarKoB
B crhne.
Hacronqan pa6oTa - Tonbro c6oprtt4K BbtAepxeK h3 ocHoBHbrx rpaKTaroB (nanevaraHHbrx B
ocHoBHoM Ha SpaHqy3cKoM nsutre), no4o6paHHbtx raKhM oOpaaonlt, ..lro6ur B Hee Bounr
caMbte
onpeAeneHHble r o6ocHoBaHHble Bo33peHhfl, cnoco6Hure Aarb ceroAHFuHeMy L{l,1Tareflrc (nacroflbKo
3To Bo3MoxHo) o6o6qeHHoe npeAsraBneHhe o roM, tlro raKoe "xopouJ nit exyc" B hcnonH
e1nnMy3btKt4
Toro BpeMeHh. l-loeronily Mbl orpaHhqnntlcb ronbKo caMblMN cyu{ecrBeHHbtMh n3 npa1vrn, o6r4uvr
Anq neBqoB h Anq Bcex rHcrpyMeHToB. llpaanna sTil cocraBnflrcT coBoKynHocrb npeAcraeneHt ;j,
n03Bonf,rct4hx pacur*poBarb t4 npalltnbHo AononHHTb ry cxeMy hnil KaHBy, Koropoyr o6urqHo 6ulna
My3blKanbHaH naprhTypa roro BpeMeHh l-lpr 3ToM He crot4T sa6utsarb, L{ro ny6nraxaq4fl
TaKoro
Qopuara He Moxer 6utru HcqepnbtBarcu-ll4M l4croL{H14KoM, T. K. B 3ToM cnyL{ae oHa so6pana 6sr a
ce6n rqecflTKt4 ToMoB.
flaxe To BpeMfi He cyu]ecTBoBano eAhHoro MHeHhfl no HeKoropbrM BonpocaM hcnonHeHfis.
B
.E oro6pan nau6onee pacnpocrpaHeHHule, o6tqLAe Ann pa3Hbrx aBTopoB cp(,4eHrfi, ocraBnqq
6es
BHhMaHhA |AHAL Bl4AyanbHble roqKh 3peHhs, KoTopbre fl qmTklpyrc no neo6xogt4Mocrh, KorAa
MHeHrfl
pacxoAf,rcfl.
B xoHe'{HoM cqere peuarcu{afl ponb B co3AaH vtv colcmeeuuott hHTepnp eraqt1L1npLlHaAnexhr
caMoMy hcnonHhrenrc. Edunoit l4HTepnperaqilh He cyu-{ecrByeT, hx Bcer4 a MHotrccmso. Ho sro
nhLUb nph ycnoBtAt1, ..{ro cao6oAa hcnonHeHhe 6y4er HaxoAr4Tbcn B paMKax roro, ,{ro
6urno nphHFTo
B ry 3noxy...

X. K. Benax

N.B. - Bce qfiTarbr, Bcrpeqatoqfiecn B oroM TpyAe, HaneqaraHbt KypcueoM.

Hexoropute aBTopbt qrrilpylorcfl HecKonbKo pa3, Ho He xaxgurr,r pa3 craBhrcff c'er fix npo,,'3BegeHrN
Aara BbrxoAa B
(cvorpr 6ra6nr,rorpaQr,t rrc).
 OFO3HATIEHT,I'I PA3MEPOB T,I HX XAPAKTEPI{CTI4KI4

Koeda HoquHotom om1ueomb poswep, mo cailoe 1onuruoe sampydueHue BosHttKeem ommozo, qmo
cyu4ecmsyem l4HoJt(ecm]o oiosuaveuuil dm onpedeneHufl ezo pa3nuqHwx eudoe.
Eumo 6w eecuua Kcmomtt, ecru 6u eo scex pa3l,rcpox yeedoutnnu o 1ucmpome deuuceHyt, KeK omo
denqrcm noqmu ecezda umanbtHqbl, npttHuMofl Bo BHttA4aHue mo, ,lmo oduu u mom crce eud pa3.Mepq 1uteaem
urtozdo oLteHb 6ucmpult4, e uHozda oqeuu aedneuuur,ra. (Orrerepp)

3ra rnaBa npercraB.t-IseT HeKoropble H3 ocHoBHbrx onpoA er'enuir, Kacalorrluxcs pa3lrrrrHbrx

o6osna.renufi u xapaKTepucruK pa3MepoB, yrrorpe6.uxeN{r,rx B 3[ox]r Eapoxno.
9acro Bcrper{arculHect B 3THX onpeAeJreHnlx repMuHbr grove u leger npu6nusLrreJrbHo
coorBgTcrByror B cMbrcJre reNrna raKur{. xax lent a allegro.

q ETbI PEXT OTbH bI E PA3ME PbI

4 3ror pa3Mep. orHocuTerlbHo peAKo vnorpe6nsel,tltil. or6unaroT Ha qerbrpe AoJrH. E4uHaqa orcqera
2 - NO"IIOBI.IHKA.

Smom pa3"Mep npuweHtemcr monbKo e clyzax u KoHmponyHKmar. (Mapnypr)

F. Barsanti (1724)
Allegro

Smctm pasvep Ha qemblpe uedneuuarc donu u o1osuaqeemcn oH c noMoulbn C (AOOu:rrp)

Pas'vep c uembtpbttn ttedteHHbtMtt donntru o1osuarlaemcr c no"Ltou{un C... Ou om1ueaemct Ha Ltembtpe

dotttt, o1atqHo oqeHu nedneHHo... Ezo npu-veHflrotn dtn BoKona u dnn utrcmp)/14eHmo6... B
uHCt?1p))11€HfftarbHrttt .ttvgr'txe ou nctdxodttm ditn Preludes u;tu Haqarutbtx qacmet-l B coHamax. dtn
AIle-
mqndc,s', Adagio, rft1,2 y m. d., Ho dtx Air,s,clc hqllet. (Orrerepp)
^qe:to

A. Corelli. Sonata op. 5 A. Corelli. Allemande

C,reAOsaTe'qbHO> Ha.r-IlIqHe OAHOIO TOJIbKO 3HaKa C HeIoCTaTOtIHO Afrr O6OSHaLTeHI{.f, Tet\,rna:

Torlbo xapaKTep rlbecbl, yKa3aHHbtfi n ee Haqa.r-re, oilpeAen.ser reMrr c AocroBepHocrbro.

N. B - o6osHarreHHe 2 nparflHr{ecKn He yuorpe6rrrirocb B 3ry 3rroxy.

 3mom aud pas"t4epa xapoKmepeH dttn
w, o)tcu*r "uomt46or He)rcHbN, tttofuoBuutx, uuozdq dnn arcmugor puBbrx untt
W e tt H brN. (Epoccap)

B cmapuHy smom pas^4ep om6ueqn, Hcr dea,

zde rcaucdan dotn cocmoflJlq u3 LUeCmu, HO nOCKOnbKy
smom cnoco1 7Kosqncfl cnlttltKoA4 SampyduumerbHt)r14,
e20 cmaru om1ueamb Ha qemutpe. (IJJor<enr)

Arf cf H"urp:
Smom pa3,4ep o1osua'taemcn
4uclpa.uu I2 u 4 u omfiueaemc.fl Ha Ltemupe dont, Ho cmeneHHo,
mqKu,
no mpu qemsepmu e rcatrcdoti unu coomBemcm^yrcutee
S:itr::::r::;:rtr'ucnonHumb omo^iy Kotutqecm.o

\ Smom pqs,4ep, KaK u npedutdyl4uti, omfiueaemcfl

He ttembrpe dottu, uo e dea pasa ftutcmpee. Ha xatrcdwti
'ydap ucnorHnrcnt mpu BocbA4bte uJttt ult coomBemcmsynulee Koituttecmso dnumenuuocmeil. (KaNoH)

3ma mpoilrcatoqeHb nodxr'tdum ditn otrcu,reHHbtx , BeceJtbrx

MomuBoe. oduaKo urnqr,tbrHr4bt nonbsyrcmc.fl
3mu'\t po3"\lepoM dctcmamoqHo tIQCmo npu ucno-aHeHuu
npouseedeuuii tte)lcHbtx u tlyecmseHLtbtx, tto
3mux cn)/qatx cmo'tm cttoBa Adagio affettuoso B
unu KeKoe-Hu6ydt, dpyzoe yKasaHue xapaKmepa,
calr no ceOe 3mom pas_Mep o1osuauaem Becenocmb. m. K.
(Epoccap)

AQcpurxp:
3mom pa3taep om,ueaemc, Ha uembrpe, Ho oqeHb
J,tezKo;

3mo ntpoirca2 ceotlctnae HHo dnn npouseedeuuil oveHb

)lcuBbtx u oueHb 6utcmpr,tx, ttmo umqttbflHqbr
n m npe so cxo d u oti cmeneHbn om croBq presto _ prestissimo.
o 6os u aqct
(Bpoccap)

Orrerepp.
oduu tt3 3ttaA4etfltl7lbtx a,tnopos Haurczo speweLtu GBet
B o6uxor) marcort pas-trep. omo nbeca
z-ua KvnepeHa' otra coctnoutn LB qembtpex ,c)cbAtbtx dut rcraeecuHa
c mo,tx'it, qmo coomsemcmsyem deeuod4amu
aecmuadtlafttbt_u, u om1ueaetncn uo Ltembtpe
doLtu;

l3lo o:ga.Iaet q eTbrp e TpHonH BOcbMLTMH.

?3To o3Haqaet r{ eTbt pe TpHonH mecTHaAuaTaMH.

l0
 trBYtrOXbHbrE PASMEPbT

fieydotrr'u brMu pos-Mepauu nBnnrcmcn :

I fee uedneuuwe donu, o1osuaqeuuwe @.
2 fee nezKue dotttt, o1osuaueHHbre Z.
3 fee 1wcmpue donu, o6osuoqeuuue fl.
4 fee oqeHb 1utcmpurc donu, o1osuaverro,e 2r.

5 lee qpurbrvctuuo 1wcmpute donu, o1osuavennort fi.

6. g, Komopue om6ueanmcn cmeneHHo ua dea.
7. g, Komopue om1usarcmcn )rcuBo ua dea. ([eHuc)

;5 B qemupexdonuuottt pa3l4epe cnedyem o1pamumb 6Hu.14crHue, qmo xozda c nepeLtepKHymo, nonepettHqt

lq, Ltepma o6osuaqaetn, qmo Hombr npuo1pemanm uHyto 3Haquv4ocmb u doncrcuu 6umu ucnorHeHut e dea
pa3a 1ucmpee, qer4 rcozda C He nepetrepKHymo. Smorn prctnep HasbtBotom ullu breve unu alla cappello,
utru deydonuuuui pasuep. (KnaHq)

Cnedyem omwemumb, umo 1espaslutlHo, om1ueaemcfl nu 3mom pffi.Mep (rcomopurti aemop Hosbrnaem
pa3vepott Ho Ltemblpe itezKue donu) ua dee dotu unu Hem... .3mo ue dontrcHo coeeputeHHo Huqezo
I4eHtmb uu e dauJtettuu, Hu B u4oHepe ucnonHeHufl Bocbu4brx. Pasnuquue cnoco6ut cqema He MeHLnm ezo
c))mu. (KaxoH)

Orrerepp:
Ezo o1brluoe daucrceHue 6weaem Ha qembtpe donu 6utcmpoe uru Ha dee - -ntedteuuoe. HmanunHqbt cmaBflm
3mom pasi4ep morbKo 6 qacmflx, o1osuo,teHHbtx tentpo cli gavottu u tempo di cappella uru tempo alla
breve. ]J noctedHer4 cnyLtae ezo om1uearcm Ha dea (tucmpo. I--u .Inttu ynompednnn ezo B c6oux onepax
tte po3nltLtan c o1ut'tuoil deoilxoit. Moucuo cdenamb 3aKntoqeHue, qmo 3mom prcu4ep uaxodumcn nocpeduue
.uexdy qemupexdonuuutu, oiosuarteHHbtl,t 6 u deydorbHbrl4, odosuaueHHbu4 npocmo Z.

[4s nepaofr rerpa4n r-sa LlJrtora Op. 5 r-ua Kopennu

Tempo di Capella Tempo di Gavotta

[4s onepst "Arbllecra" hs oneput fipnnN "ApMHga"

4 nerKHe Aonh
z MeAneHHbte AonH

3tnom prcNep o1osuaqqetncn fi. OOor*HoBeuHo ezo o1osHoqarcm npocmo z ( .). 3mom
prcxrep om1uearcm Ha dca. (Kaxon)

Kozda nocne o1osuaqeHufl smozo pffiMepo cmoflm croBe alla breve Lutu alla cappella, smo
sHoqum, qmo donu dontrcuu udmu oqeHb 6utcmpct3. (Mapnypr)

'Mapnypr nepeHocuT 3lo [paBHno raKxe na pazvep @

il
 feuuceuue s posMepe Ha 2 1ueaem deyc eudoe: uedneuuoe tutu oveHb 6ucmpoe. (Illoxenr)

Omerepp:
Smom pasMep (...) o1atLtHo Jtcltrou u xonrcuil. Ezo ynompe1nnrcm B Haqone onepHbtx ysepmnp, e
1onemuax Entrdes, B l4oplaax, 6yppe, zosomex, puzodoHox, KomurboHctx u m. d. ( . ). O, Heu36ecmeH
e My3bIKe umalbnucxoti. Ecnu ezo Ltcnonrcyrcm e uedneuHbtx nbecox, mo donucuo 6umu cdenauo
yeedouneuue. B 3aKnnqeHue MoJtcHo cKosamb, vmo smom pa3u,tep mom uce C , uo pasdeneuuatil nononaxl
u ede BocbA4de saileHeHbt Ha qemBepmu:

flnnnr. Onepa "OaoroH" +

lnnnr. Onepa "QasroH"

flrcnnr. Onepa "OagroH" lpnnu. Onepa "OaoroH"

Mapu +
Bourrtie

lnnnn. Onepa "PonaHg" Kaunpa. "Bnrc6neguan Eepona"

Gavotte +

/]euuceuue B omo.u aude pasrtepo dontrcuo 6wmr, He ctututKo.tt nedneHHbrt,t, He cruutKo.u 6ucmpu.\4, oHo
El
t4l mpe1yem prcMepeHHocmu. ([Ioxenl)

Orrerepp:
3mctm pas.\4ep om6ueaemcfl Ha dee trezxue donu. Ou nodxodum dnn JtezKttx u sadoput w aputi. Ezo vat4e
ucnonb3yrcm B KoHmamox unu coHomax, qeM B A4omemox unu onepax. IIpu BHuNameltbHoul
pacc.\lompeHuu 3mo He qtno uHoe, KoK pffiMep Ha qemwpe nezKue donu, pasdeneuuutu nonote,r4:

[r4s nepeofr KAHTATb -HA Knepau6o ly'e coHarst [-Ha Maulnrrr

-1-

ArlrlH:rxp Ha3brBaer 3ror pa3Mep pffi^4epoM ua dee cmpe.,vumerbrtbre donu H XOOaBnA{.'"f" 3tn)nl ttpctJ.vep
\
om6ueaemcn oueHb )tculo ua dea. Taxu.u o6poso.u, He Ka){:duil crtem npuxo oumct Lte mqe ptn b Lt..nt

pasHoe eti ,tt,tc,lct Hot?l.'

Orrerepp:
Hercomopue asmopu ct1osuaqapm maKul,t o1pasou pasorep
f :

Ag "PonaHpa" r-Ha flrcnnr Flecun MarpocoB Hg "AnuqnoHbt" r-Ha Mape

 Smom pa3.\4ep om6ueaemc.fl oqeHb rezKo ua dea. Ou nodxodum dnn ma"ntTypuHa u nbec maKozo
E Jrce
lu. xqpaKmepo. (Orrerep)

"TaM6ypttH"

6t Orrerepp:
t4l Smom pffir4ep e 1onuutuHcmBe cnyqoes omcqumbrBaemcn ua dea. Hercomopue omcvumg7arum ezo
cmeneHHo Ho u'tecmuo. Oduarco, nbecbl uedneuuue pedrco cotruHfltomcn B 3moM pa3.Mepe, uqule
scmpeqorcmc.fl nbecbl )tcttBue u ttezKue ( ) Ezo ttcnonsyrcm B penprcax onepHbrx y7epmrcp, B Loures,
e Gigues, e Forlanes tt HeKomopwx Airs de bctllet coomBemcmsyrcup?o xqpqKmepq. B umanbnucxotl
ri)/3brKe oH scmpeLtqemcfl pedrco:

PenpNaa h3 yBeprrcpur x "Aprvrhge" r-Ha rlnnnn Loure r-Ha flpnnu

i--t--p

Xnra Hg "PoflaHga" r-Ha flnnnr Forlane r-ua Kaunp? ("Bnro6neHxas Eapona")

Menogrn BerpoB ua "Tpr,ryv$a nlc6era" r-Ha .finnnr

3moil mpoilxotis nctnusynmcn dnn nbec Heu(Hbtx ultu no1oBHbrx, uo uuozda ee ucnonffiyrcm s nbecox
1ucmpwx u )tcuBbtx, xotnn 3mo coseprueHHo Henpaeunt uo. (Epoccap)

O6osuct'teHtre utecmb Ha Ltemupe npednucblnaem docmamovuct 6ucmpoe u 6ecettge deuuceLtue, oco6euuo

xozdq 3mom pffiYep cLtrtnlatom Ha dea. Oduaxo, utecmb He Boc€irru daem daulrcettue e dea po3a donee
1wcmpoe, datrce oqeHb 6ucmpoe. (Cen-Ilarvr6ep)

KaK saAHo H3 npeAblAylrlero orpeAerleruEs Cen-Ilau6epa, pa3Mep

6t $, xar npaBH.qo, yKa3brBaer HA
8l ,4BHlI(eHHe 6olee 6ltcrpoe, qeN{ pa3M ep 2. Kax cBuAererrbcrByer ASc[H.uxp. ero r{o)KHo or6Heart
rrrecrb JrerKHX lonefr.

fopa:r1o qarue 3Tor pa3l{ep cquTaror Ha ABa.

Omerepp:
Ou c,ttlmaemcfl ua dea (...). Ezo o1wLtHo ucno.nb3yrcm B KoHmamax utu clHamaN. Ou xlDluto
coomtemcmsyem .xctlzall u m. d. ".

3mo mpctilrca6 xapoKtnepua dtn npouseedeuui Bece,,-u>rx, JtcuBbtx tt edoxuoneHHbtx. Coomeemcm*ettuo

3mo^4)) ezo om1uBarcm docmamouuo 6wcmpo. (Epoccap)

"Karc. HanpHMcp. AQtfullp.

53ro :HaqHr
ABe rpnonr{ qerBepuMr,r B TaKTe.
5^
"JTo 3HaqHT
/{uc TpHonH BocbMbrMH B TaKTe.
t3
 TPEXtrOXbHbTE PA3MEPbT

Smom pa3utep, o6osuaqaeuwil mpoixoti, cocmoum us nepsoti cunuuoi donu, sa ueil udem cna1an
smopat
dotrn, u sasepwaemcfl BCe ene sowemHou mpemueil dorcti (
) Tpexdonuuurc pas"L4epbt oqeHb pasuoo6pa3Hbt,
me'14 He 'MeHee I Hux Ltot4e Bcezo npeue1pezclnm cnequanbHbt-t4u o1osuaqeHunMu
xapaKmepa u deuuceuun. Y
pasHbN aBmopog, KaK CmApbIX, maK u cospeMeHHbtx, qcmpeqoemcfl molbKo qemupe cnoco6a
ux o6osuaqeHufl;

$,npornls,2ufi (Aer,uc)

Teu He MeHee' flenuc 4o6auxer, qro cyqecrByror pa3Mepu, u fl,

fl peAKo rrcronb3yeMbre no @paH1JWH.

S! 3mon pffi^tep oLteHb ynotnpedltmeJ,teu; ezo He3br6arcm deotiilan mpofixa (unu uuave - mpoilxa)
lq)l
lll nomo.uy, Ltmo ezo deutrceHue dontrcuo ^onoutan
6umu e deq pffia .uedteuuee, ve,4 s npocmoii mpoilrce (pasuep
([Uorcerr) f,)

Orrerepp:
Smom pa3.Mep om6ueaemcu, KAK rypABUIO, Ha mpu "uedneuuue doitu (
). EzT ucno_rtusynm dtn
npous e e d e uuu ffi BonH oBct H H btx u He)rcHbx (Sommeils, Plainte,v,
Cantate.s, Graves), a meK)tce 6 coHenlex
u e Courantes a danser u m. d.

v-tv ' )Y
a

auozda Hotnbr B 3tnov4 pct3^,tepe 3anltcbtBa.uucu c,nedyoulu.,v o6paso.nt..

Llloxe-rrs rax o6rqcH-ler 3Tor oco6eHnufr cnoco6 sanucH B pa3r,repe

/'. I4uozda B 3mota pa3Mep€
noroBuHKu 3onucdqonmcn e eude 6ocbl4btx dnn mc.tzc.t, qmo1ut
He ynompe1tnmu \emsepmu, rcozda pevb
udem o dpo1neHuu noroettuttoti donu B cBtsu c no3muttecKuw meKcmoN. I'I.nteuuo 3mlt-,\i
cnoco,oa,r
BocnorbsoBarcf z-u Kttepaat1o e ceoeil KoHmame "d'Alphee et Arethuse", moK vmo r4o)tcuo
olrcudamb,
qmo 3mont cud Bocb-r4btx Atoutem scmpemunlbctt e dpyzttx
npouseedeHyflx.

ltrtila yKa3aH pas^,ep

fl, mo 3mo c'oomGemcmsyem xapaKmepy ,s,orroBoHro^ty Lt He){Ho"\ty,
ffiC
lt I dettttceuue npu strtott dctittrcuo 6umu yilepeHHbrut, He oqeHb 6utctnpu.n4, Ho u He oLteHu -wedneuttbt.t4.
Iiozdo cmoum npocmo 3, mo dauuceHue dottrcuo 6urmu Hel4Hozo Becenee. Bo epauquu
uA4
rt6ttxtroeeHHo nonbsytomcn dtn Chacctnne,t uxu Menuel,y, e maK)lce r)itn dpyzux
,urrno,, ,r.ou
o )tct.tB_il e H H dx me H
4e a. (Bpoccap)

Orrerepp.
3mom pasA4ep o1osua'raemcn g unlt, uuozda,
2 Ou cqumaemcn Ho mpu. Irluozda ou 1urcqem
-uedneuubwt, ttHozda - oqeuu 6wcmpw.u. Ezo ynompe1nnrcm dnn Passqcailles, Chaconnes.
Airs de
ballet, Courantes a l'Italienne, Menuets u m. d...

t4
 flnnnn. Passacaille rs "Apr'angsr fieryu. Saraband t43 "V1ccev1"

. .l
a,

,QerxeHne Me4neHHoe

lrcnnr. Chaconne h3 "OagroHa" f nnnr. Menoprn AeMoHoB 143 "Te3efl"

lpnnr. Menuet h3 "PoflaHga" Courante r-xa Kooennu

Beceno

B nbecax ,o g pas"Ltep no-npeucHeMy om1usaemcfl Ha mpu donu. leuxeHue 3mozo pas^4epa oqeHb
El
ld) 6o,smpou, m. e. e dea paso fiurcmpee mozo, rcomctpr,ui ofuosua,aeu suarcou oduarcct, B omo^4 me^4ne
f,.
mpyduo detamu mpu mopontturbtx deuuceuun pyrcou, normovy cmaro o1uquuru dencta om1ueamb 3mom
pasMep Ha "pot".(CeH-IIau6ep)

Orrerepp:
Smom pffi"L4ep Hq3dnaemcn.Muton mpoftxo u no dnumenbHocmu oH cocmeBnfem qemsepmb c moqrcoil...
Kozda 6epemcn ezo Hacmont4ui mevln, rcomoputti dontrceu 6ttmu 6wcmparu, ou ttdem ua oduu ydap
Oduaxrt, HeKomopble ormopbl ynompe1nnrcm ezo B nbecax olteHb uedneuuutx. B mqKux cn))ttanx eeo
om1ueanm Ha mpu do:ru, maK ute KoK npocm))n mpouxy (pasuep u dotrce xarc 6gnuwyn mpoupy
2l
(pos-uep On xopoKmepeu dtn re?Kux NomuBoG, mqKlm rcax Cqnaries, Pa,;sepiec),s u m. d...
il

lpnnr. Canaries Innnu. Passepied ua "XpaMa Mlrpa"

Vivace r-Ha Kopennn op. 5 Adagio r-Ha Kopennn op. 3

Ha TpH AOnh

pos,Map (...) otn6utaemcfl tnpr. ([eHuc)

l$l3nont "trer).ryer,tct Ha
Vtl

3ma mpouxaT nodxodunt dnn supauceHufl He)rcHocmu u B3BolHoBoHHocmu u dorttrcua om6u6am(,cn

yilepeHHo, Ho ue uedneuuo. (Epoccap)

MoHrexnep

co eropofr gonn

'Tplr rpuo,rIH qerBeprrMu B TaKTe.

l5
 po3nep, nodo1uo npedudyt4e-vly, om6ueaemcfl He mptt dotru, Ho B dea pasa 1utcmpee. Ha rcm{()bru
Pl3non
lE) ydop npuxodnmcn mpu BocbA4bre uru utt coomlemcmsynt4ue dtumetbHocmu. (KaxoH)

3ma ntpotirca} cny)lcum dnn ewpauceHut )tarcocmu u Becetocmu. Oua donrcua om1ueamucn 1urcmpo u
Becenl. (Fpoccap)

Omerepp:
Smom pasl4ep cLtumoemcg Ha mpu. Ezo uuozda ynompe6nnnm 6 KqHmamex, Ho vat4e B coHomqx,
oco1euuo B )tcuzqx. Bo QpaHquu o1wqqil ynompe1nflmb ezo nonBuncfl uedaeuo:
[lepear
Fepeas KaHTara r-ua Eepxse Eeoxse Xrra

MoHrernep

Ldger (nerxo)

Heo6xoAHruo vnoN{rHyTb TpH pa3N{epa H3 pa3prAa ocobux, Koropbre onHcbrBa}or orrerepp ra

Epoccap.

l,:3ma mpoilrcae nodxodurn dnn npouseedeuuil oHe Hb 1ucmpwx u ctnpe^iume.rbHbx. (Epoccap)

16i
Orrerepp

rnpoilrcatl cnyu{:um dnn deutrceHun G npou3Bedeuunx npedetuuo 1urcmpbm, Komopbte umatrbttHtlbt

W3,no
llQlo1osHoqarcm npesocxoduou cmeneHbrc Prestissimo. (Epoccap)
Orrerepp
Beceno. tLlecrHagqarbte paBHbte

Ha rpH 14flu nyqLUe Ha pa3

3ma ntpoilrcatI ceoilcmeeHtra dtn cottuueuuil MaKCuMaJtuuct 6ttcmpux u npedenauo cmpel4umetbHbrx.

(Epoccap)

Peuturensxo Peuurenuxo

83ro osuaqaer rpH rpr.ronn

BocbMbrMH B TaKTe.
93ro o:narraer oAHy rpuonb
[recrHaAllaraMl.r B TaKTe.
103ro o3Haqirer
ABe rphonn urecrHaAr{araMr.r B TaKTe.
ll3ro o3Haqaer rpn TpHonu IIIecrHaAIIaraMH B TaKTe.
t6
 Monteclair. Principes de musique . (1736)

t' t't ffl *\'{lr &:,r*t'*r lol"r.,ryrpy1r;, (fc liiilrrn,

,$,.., {- A*&chr fual.fug+-

*4 r'ia1# b.tw,

-ff
t*t Lf

."ddr+"ald*ao

I
,l
c *..^*., &,q*. **re****._**_--j

l7
 OPA3HPOBKA
ApruxyntlraoHgble na\r3br - Or4eneHHbre Horbr - IIuru - HepanHbre Horbr
(flepenyHKrr.rpoBaHHbre Horbr - Py6aro)

APTHRYIflqHOHHbIE IIAJ.3bI (LES SILENCES D'ARTICULATTON)

CouacHo sceo6u{eMy npaBvny, B My3brKe grroxu Eapoxxo Horbr HcnoJrHrJrHcb Kopoqe, qeM 3To
o6ogua.rarocb B ycnoBHofi sornofi sanHcu. 3ra "BeHTHr fl:qlrfl.", rloAAepx( :aBaeMas Mex(Ay Horal{H,
Ha3brBaeTcr apruKyrc r{HoHuofr nayrofr .

Hctmw ue dontrcHbt Kasembcr cKreeHHbthu.t uetrcdy co1oil. (KeaHrI)

AHrpauenr o6t{cH{sr 3Tor o6rI.rafi uogpo6Ho: Homu s Jt4ysbtKe doeonuuo moqHo o1osuaqanm
o1ryyrc dnumenuuocmb xatrcdozo sryKo. Oduarco ucmuHHafl ux npodonuatmerbHocmb, KaK u dnumenuuocmb
nays, cocmo?nfltoltlux ux ttocmb, Komopwe cnyucam dtn mozo, qmo6u omdutnmu oduy om dpyzoti, uuxaxu1ttt
ct6osuaqeHuttltlt B Homax He yKasdBqrcmcn ( ) B mo uce Bpeu4n, dauce odnu y me crce dtumenbHocmu B
pa3-nuqHwx cn))Ltorx ucnolHnomcfl no-pasHo\4y(..). B ucnorHeHuu, KaKo6 6w uu 6wn xapaKmep, Hombt
u"L4enm oduy Llacmb, cocmoltttlyto Lts ssyttctHut, dpyzyto - rc naysu (...).
Vocmu, Komopyro fl Hasunorc onopa (tenue) utu 3ByK, ecezda saHuqaem Heqallo Hombt, a ttocmb,
Komopyrc fl Ha3bIBan nay3a, ee saKQHvuBoem. BudeptrcaHHan unu seyqat4ofl Ltacmu dgntrcua 6wmu 6onee
uru ileHee t)-tuuuoil, 6 3aBucul4ocmu ctm ceoiicmBo Homd. IlpctdonrcumeJtbHocmb nqysu onpedenflem
npodotxttmertbHocmb ss))Ltot4eii vacmu (. .) 3mu nay3bt s KoHqe xacrcdoil Homu ycmaHa7nyBotom, maK
cKa3amb, LtreHoposdenuuocmb ucnoltHeHufl u moKuce ueo1xoduntd KoK u cawe 3syqat4on vqcmb. Ees smozo
HeBos-\to)K'uo 6ydem omdcnumu oduy Homy om dpyzctti, u tuyst rKolbHoe npouseedeHue, KaKoe 6ur npexpacHoe
oHo Hu 6t,r-'ro, 6es apmttKyJtn4LtottHbtx noy3 6ydem uLti€tnb ue 1onaue u3st4ecmne, qevi HaneBvuK us llyatny,
ucnorHeuuutil HCI uelenoil u nout,lctu BoltbtHKe, Komopqfl He usdaem Huqezo, Kpo-il4e u.tyl4Hbtx tl
H eql eH opa s d e.n u u urx ss)lKos.
Cnedyem pasnuvomb Homd eudeptrcaHHbre (tenue.s) u ene 3ampoHymure (tactees). Burdepur:aHHbrc
- 3mo me, Komopue ssyqam B meqeuue 6onaaeil qacmu ceoe[t dtumenauocmu u 6 Komopbtx nayso (silence)
cootnBemcmBeHHo oqeHb uenpodonJrcumenbuan. 3ampoHymwe Homu uao1opom moKoBbt, qmo 3syltat4ofl
qacmb B ttltx oqeHb KopomKof u oiosuaqoemcfl mottbKo npuKocHoBeHuel4
K 36yKy, a ttomo, coomBemctn7eHHo,
saKaHqu9aen'tct sttQttume.nuuoti naysori ( .) Hu cyulecmsyem datce nepexodos s mpenfx, Komopwe 6ut ue
6urnu pasdeneuu oqeHb KopomKtu4u uHmepBeJtawu nexdy nodunmue^4 Lt nocmaHoexotl nanbqe7 ua nadbt.
Bce emtt uHmepsanut, 6onee uru A4eHee npodo-,tJtume-4bHbre, n tto3btgeLo opmuKynntluoHHbr-L4u nay3a6u, des
Komopbtx tte cyulecmq)em uu oduoil Homu".
floAeoA-s HTor cKa3aHHoMV AnrpaMeneN,r. Ka)r(Aar Hora Aonx(Ha 6lrru yKopoqeHna uaysofr.
H3lueHrelroii corracHo nport)KeHHocru HoTbI H xapaKTepy npoa3Be Aonufl. 3ro nceo6rqufi saxoH
crapHHHoir rry:rrKH. KaK Qpurtlvtcrcofi, TaK H HHocrpaHHoir. npaKTHKoBaButuitcs B HcnoJrHIHHI^; Ho c
6onrrunl{ Tp)/AoM norAarotrluitcs, r}uxcaqun B HorHofr :anucH (nnpoveM) KaK u 6orgugHcrBo Apyrl{x
npaBHn Hcno.'rneHHa).
B lst'x npHBereHHbIX HHN(e rlbecax cAe.[aHa nonblTl(a \/qecrb aprHK\lj.IgIIHoHHbIe IIa\,3bI nocre
ra;xtrol'i Horbl. fIpH sroN{ HaAo zs6erarn I4rpbl c"rrHUKoN,{ orpbrBHcrofi pr cyxofr. Hao6opor. Heo6xoAHN{o.
qro6lt Kax(Aat Hora ol(p\/rntnacb v nogo6Hon.Ilt"rlacb c Hosoil culoil. ororo HyxHo cMrrqarb Haqa-rro.
["ur
o6:rer.rarb arar(\/ H ocraHoBrql. yKjroHflfi,cb or pe3Kocrl H rrg6erax ocrporbr. B Capa6aHAe N{br npHBoAHr\,r
npHN{ep Toro. t{To npeAcTaBJlflror H3 ce6x aprl{K}r.rtl{HoHHble nav3br (6pocaerc.s B rxa3a rpyAHocrb H
neYAo6crno no4o6nofr sanncH). B c.rleAyroqefr sa nefi AnneMaHAe Hc[o,rrHgTerrb Aon)KeH ca14ocro{TeJrbHo
ycraHoBHTb 3TH [ay3br. Bce sro TarcKe orHocl{Tcfl rr K 6oree 6trcrprru nbecaM, KaK
\ryoqHrer AHrpauent.
a na\/3bl B HIIX AOrI)I(Hbr yKopaqlrBaTbc.q coorBercrBeHHo rlpoAonxHTe.rrbHocrH Hor.
B rpYnne 3a"IIHroBaHHbIX Hor nocJIeAH{r Hora Hc He6eragr rrpaBura o6 aprg1\/nsrlgoHHbrx nay3ax.
Kar( \/TBepir(Aaer Aor Beloc.

l8
A. Van HEERDE. Sarabande

llvtra Ha rpu Horbl

 orIExEHHbrE HoTbr (LEs NqTES DETACHEES)
Buecro o6lrquoro ynorp e6nenus. aprnKyJr.rruuoHHbrx nay3 KoM[o3r,rropbr Morrrr{ uo)KeJrarb
pa3AeJreHHocrb (detache), rpqe o6uqHoro BbrpaxeHHyro B HeKoropbrx rrbecax. B srux cryLra.flx
ynorpe6neHHe detache yror{H{,rrocr 61'xneHHbrN{ o6ognaqeHueNr H.rru MarreHbK}rMH rrepror{Kauu (nnorga
ToqKaMHl2, pacnoJro)KeHHbrMu HaA noralru).

Omdennmb Homd (uzpamu detache) osHaqaem, Ltmo Homt) dennm ua dee pasHue d.numenuuocmu, us
Komopbtx s+yLtum morbKo nepsan. B pesynumome nqysa saHuuoem Mecmo emopo{t Homu. Kozda o6osHaqeuue
detache sbtpo){aemcn ue e aude nays, KoK B douuo.u npul4epe, ezo ))Kasunanm c notvou,lbto

moqeK uJtu ManeHbKttx nuuutits uad uctmoil, xctmopon dontrcHa npusyqamb morbKo Hanonorutty, KoK 3n'to
6wno cKa3eHo Bbntte. (Mapu1'pr)

B creA1toil{ellr npHMepe c"uoBo omdennmu (d|tache) noApa3yMeBaer roqrry HnH rupe HaA KaxAofi Horoii.

A. DANICAN-PHILIDOR (17 12). Gracieusement

Les notes 6gales et d6tachez (r,rrparu paBHbte Horbt H orgenRrs)
4

l2FIa ttn4u cNtetrlHB{rrb rotrKH

HaA IIoraNru.r, o6o:HaqaKlr{HIuH "patgerenilLIe Horbr" c raKHrvtil xe roqKaN,{H. o6orua.raK)rru,rNru
"paBHbre rrorH". Clr. naparpa(r "lJepaBHLIe Itorbr".
l3KnNer.". ttro Mapnypn ue
)/crnHaB.rrHtsaer pa3rHrrHt N{exA\r ro.rrcoli H THpe (nraneulrcoit nuv*teii. veprourcoil). O;1narco.
HHot-Aa ttcprottxtr o6o:ua.tue't 6oree no/{qepKH}'T}/ro pa3Aercrurocrr,. qeNr roqKa. Knanq nH[Ier: "Kc,zda uad xomo.^tu ecmb
ntosKu, ux xadc,t ucnoflHnnlb o\eHb KopomKuJv dauaceuueM cJvtbtqla, Komopoe, odnaro, He ecmb nodnttuuoe ddtachd".lI Aalee
4o6anl.xer'. "Ecnu eule ecmb ntza uad nnqKal4u, ueo6xoduto saxsamuntb Bce ilombt, cKoJrbKo ux ecmb, ua oduu ydap c.+tttvxa,
o6osHaqan xaxdyn uomy 6onatuult HaJrcontueM ". Eopgo yuut: "Homw, uad Komopbwu cmoum vepmovKu, ueo6xodruuo uzpamb
otltpbtsucmo u ypnomb 3syK xaxdoii Hombt, ne o6paulat rHuMaHur Ha ee docmouucmco ". Horbt c ror{KaMH no4 lurofr Bop4o
Ha3blBaeT "HtlHH3aHHIIMH HoTalvllt" (notes perlees) H roBopHT o ueo6xo4utvlocTH "ysenuuusomb 3syvHocmb Ha xaacdou Honte,
codeptcauleicn nod sHaKo.M, Borce ue omdennn ux".

20
 Ec,'nt B nbece npucymcmsyem cJtoro stoccgto, mo Bce Hombt e ueu ucnolHftomcn KopomKu^4u u
pasdenuuutuu ydapoMtt ct4btvrca (ddtachd). Cyulecmey-em o1unau cmaeumb qepmoqKu uad uomauu, rcozda
ux HyacHo ucnorHnmu staccuto. fontrcua npossyLtamb mottbKo nonoBuHa om yKosaHHoti dnumenbHocmLt.
Tarcuu o6paso,tt, qemBepmu cmaHorflmcfl Bocb"vbLvlt, locbMue - uecmuadqamat4u u m. d... (KnaHrr)

J. S. BACH. Aria. Cantate BWV 127 (1725)

J. F. FASCH (1688-1758). Grave

rrrl tl
 Jruru (LES LrArsorvs)

B grou crHJre HcrIoJIHeHHq, oqeHb apraKy.r-rupoBaHHotr{, xan 6rr Bo3.q},IxHoM, ,.BeHru.[upyeuou,,,

ynorpe6rleHEe JIH| ropasAo 6oree orpaHuqeHHo, qeru 3To Ha6nrcAaercr
s KraccgqecKyro 3rroxy H
oco6enno n PorraHTH3Me.
B pa:lutlHblx cnr{ailx KoMrIo3HTopbI yKa3bIBa IrH nHrH HrIH noJlHocrbro, I'JIH qacr'r{Ho,
HJrH x{e
He yKa3brBaJIH HX COBCeN{.
.Bnrecax,f,4OKoN{|Io3Hropco6cTBeHHopy{Hoo6osHaLIu'rIBceIIHfH.
Koropbre oH xeJraer, Her neo6xoglrMocru Hx lo6anrrrrb.
J. S. BACH. Andante (1721)
 flotruoe unu qacmuquoe omc))mcmeue nuz. .{ono;rlno qacro KoMrro3uTopbr He o6ognaqaror rr1t1,
ocraBr-fl,tl ucrroJIHlITeJItM pellrarb, Hy)KAaercfl rrr B 3TOr{ nOrulrfi TeKcT H.trH Her. B orofi
cBr3H XOpOUO
HanoMHHTb [peAocrepe)KeHue Knasrda: "He cnedyem, qmodd Homd Koso.ttltcb cK]teeHHbtMu
BMecme".
Tax, B cJIeAyrcIrIeM npHMepe Bce Jrr{rr{ Kax(\rrc.rr H3JrHrrrHHMH.

A. VIVALDI (1678-1741). Andante

1 . Cantabile

Hao6opoT, B aJrJrerpo, crreAyroqeM Aarree. 6rrcrpora H aprnK)/rrrr{Hr

Qput MOryT [o3Bo"rrHTb
HCrroJrb3oBaHHe -
IrHr, KOTOpbre Mbr rrpeAJrafaeM 3Aecb B BHAe nyHKTHpa. OprarHHilJrbHbre III4|Id OOO3HAqEHbI
TIOIIHbIMH IIKI}lI'j.Xl'lT4.

A. VIVALD| (1678-1741)
J , Allegro non molto

B uuxtenpHBeAeHHor{ rlpuMepe r-H Te;rel,rau raruKe o6ogHa.{aeT oqeHb MaJroe KOIHLICCTBO IIHf.
flpano nlr6opa N{exgY [o]rHocrb*o pa3AeJTbHbrilr HcnoJrHeHHer\,( krIr, HcrTorHeHr'eN,r c go6anreHner\,r
HCKOTOPO|O KOIIHqECTBA JIH| OCTABJIEHO HA BOJITO I{CNOJIHHTEJIg B COOTBCTCTBHH C apruKyn xgueit.
Bbrpa3arerrbHocrbro u 6lrcrporofr $pus.

z3
 G. F. TELEMANN (vers 1716). Allegro

Le trait (detache.l et la coulade. Ertnaror c-il\n{au, KorAa orcyrcrBue rrur o6ogHa.{asr )KeJraHHe co
cTopoHbl KoMrIo3HTopa ucflorrHeH]r{ noJrHocrbro pa3AenbHoro, TaK Ha3brBaeN{oro trait (uepeno4vrcfl
KaK pyna.Ua. 6ucrpufi nupr.vo:Hnrfr rlacca)K, ocrpoe HcrIorIHeHue) u Hao6opor. npuclrcrBue nnr rpe6r,er
HcnorIHeHHt crIHTHoro. coulade (cxarunaHue): Ocmpoe ucnolHeHtte - trait - mpe1yem ydapoB cvbtLtKe,
ydapoe flsblKa ua dyroebx uHcmpyl4eHmox ua xaxdyn Homy, o cKombtnqHue - couladeta - u.cnottuflemct
n)lmeN npou?pbtBoHufl Bcex Hom Ho oduu ydap cubtqKa, ua oduu ydap rsbtKe unu oduu ctoz. (Monrex.uep)

flocneAoBarerlbHocrr 6ucrpbrx Hor Mox(er B cooTBercTBHH c xapaKTepol{ nbecbr rpe6onarr

pa3AeJrbHofo HcrIo.r-IHeHHr: Ecnu mpu mpudqamuemopbrx unu 6onee cmoflm nocne moqKu Lutu nay3bt, ux
uzporcm c npede-nuuoit cKopocmbfrl,, Ltmo qacmo BcmpeLtaemct s ysepmrcpax, Entree,s u F-urie.s. T'e.u ue
ileHee ueo1xodul,to uzpamu rcatrcdyn u3 omux 1ucmpwx uom pasderrybttbtwu ydapaltu cutrtrcol6 u uu ctdtty us
uux He c-ryedvem u?pqmb cBtsHo (coule). (Knanq)

I
MONTECLAIR

coulade

.iluzu e nonuo-,M o6r,eMe, cozJtacuct ))xasauuoil apmurc),itnuult. Korga coAepxaHr4e MorHBoB

HAOHTHLIHO. KON'{IIO3HTOpbI aIaCTO }IKa3bIBaIOT HaI\{ IIIIIH TO-IIbKO B CaMOM HalraJre. C;regyer npuNleHr.rrb
vKa3aHH\/ro aprur(yflqquro no scefi Spa:e.

laCn. napalpaQ "Coulade".

l5Clr. naparpa{r "flepenyllKTHpoBaHHbre Horbr".
i6To. qro Iisatlrl nH[Ier 3Aecr, o crpyHHbrx
HHcrp\/r{enrzrx, oAHHaKoBo ornocnTcr H K /x)a(oBbrN{ HHcrpy]v{eHTaN{. H, B qacrHocru.
rc fllefrre, rAe pa3AeJIbuocrb AocrHfacrcr orreHr, 6rrcrpulr 4noiinulr r3brKot\r.

24
 HOTTETERRE. Trait
(simile)

Vepedoeauue naccaJrceu cnuzoeauutilr u pasdeJteuubtx. Eunaer, qro KoMno3HTop, HanpuMep

Orrerepp. yKa3blBaer JIHrrr B oAHHX rracca)Kax H He vKa3brBaer HX B ApyrHX.

Homut cnedyem ucnonHfmb moK, KaK oHu sonltcaHbr, u6o e omo-Lt sqKnrcqeHo oco6ot
sbtposumenbHocmb. He cnedyem uzpamb cttumHo mo, qmo dontrcuo 6wmu ucnorHeHo pasdenaruo. (Knauq)

HOTTETERRE. Prelude
Mod6r6 (yuepeuHo)

N.B. I'lHor4a HeKoropat cao6o4a Bce xe coxpaHterct Y HcnorHHTeJrt A,,rr H3NleHeHHr yKa3aurrofi rcovrro3'TopoN,r
aprI4K\/ntUHH, KaK 3ro yrBepx4aer Eop43 B cBoHX "Tllectlt coHarax A.rIt AByx fioilepeqHbrx (tlefrr, Asyx pardessus de violcs
Itnu lrcOrtx AByx oAHHaKoBblx HHcrpYMeHToB". "Tax Kax fl noqmu ecezda cJluzorbrsarc neprbte dee aocauarc xa7cdozo maKnte
uu rcaucdoii donu, ucnoJlHumerb BOneH omdennma ux Bce tlnu crtribtBamb no deoe, ocr,)6eHHo tlpu ucnonHeHuu ua pardessus uttu
cKpunKe, d-na mozo qnro6at o6nezwtma dsuuteuue cMbIqKa. 3ma cso6oda donucxa ucnoJ,tb3oBantbct c ucmnqunterbHbuv, ,HtLwraHIreM
u ocmopoJcHocfttbn, pvxosodcntsyflcb mpydnocmnuu ,tpu ucnoJuteHuu ua onpedeneHHo.M uHcmpy.MeHme".

I'Irarc. ro6asJleHue crfrailuttx ,uur (He yI(a3aHHbIX KoMno3HTopoN{) - 3To pe3yJrbrar 3aBHcHMocrH
or MV3bIKaJlbHoro KoHTeKcra. O4naxo, r.r-IaBHbIM npaBH-qotvt HcrIorIHHTeJu lo.r-rxHo 6lrrl HcnoJrb3oBaHr.re
flur oqeHb oco3HaHHoe I{ pa36opqHBoe. llp" 3ToM My3bIKaHT Aon)KeH BcerAa coxpaHf,Tb B Mbrc-rrflx -
III4THpyeN{ eljle pa3! - rpeAylpex(AeHne KnaHrIa: "He cnedyem, Ltmo1u Homu Kq3olttcb cKreeHHbtx4u
B,MeCme ".

HE2ABH'IE HOTbr (LES TVOTES TNEGALES)

Hepanuolv{epHocrb Hor - 3To MaHepa Hcno.r-IHeH:afl. npr41arouafl 3THM Hora\{ Her(oToporo poiqa
pacKaLIHBaHHe, IrpeAHa3HarIeHHoe Ant roro. t{ro6bl npudamb u.\4 1onbue u3fl7ecm7o (Cen-IIaraf,ep). umo
cny)K'Ltm 1oturueu L'(Jfl3aHHocmu Hanena u de.noem ezo 6onee nrorHbtl4 (Illoxe.ur).
3raHepaBHoMepHocrb cBofrcrBeHHa He To"rIbKo ruy3brKe Eapoxxo. Ona Bcrpeqaercr B My3brKe
6o:ree ApeBHcfili. xax 3anaAHofi. TaK Ll BocrollHofr. a B Hacro-flrrlee BpeN1fl H B pa3"rrgrrHbrx ru),3brKaJrbHbrx
rlopuax (HapogHat Mv3bII(a. A)I(a3 [r r. ,q.). 3noxa Eaporxo, Teru He N,reHee. Hcno"rrb3oBaJra 3Ty r{aHepv
rryrb JrH He cHcTeN{aTHqeCKH. flpOqr.ilup},eM oIIpeAeneHHe KBaHr{a:
Heo1xoduvo, qmo6u B nbecax c ywepeHHbtLv deuuceuuel4 uJtu dauce s odou(ao Hombt Hau1ojtee
1wcmpwe tlzponucb c HeKomopoi HeporHoMepHocmbK), HecMompfl Ho mo, qmo oHu oduHoKoBozo docmouucmea.
Taxu.n o6pasct,nt, uectdxoduir4o, Ln?todw e Kmtcdoil Qtuzype uweracb onopa Ha ydapry)rc (cuttuuyto) uomy,

"Y)Ke s 1550-e rogu JIyn DypNya ynoN{HHaer o6 sron B cBoeM TpaKTare "flp.rlrofi rryrb B My3brKe"
25
 uileemcn s sudy Lta nepq)rc, mpemblo, nflm)/rc u cedbvyro, u .MeHbutuil Hatcuv Ha npoxodfrytle, m. e. Ha
smop)/rc, qemsepmyrc, ruecmyn u locbltyn, dawe ectu ux HyttcHo eadeplrcuBamb meK jce dctnzo, KaK ectu
6u ouu 6wnu c moqxoil. Oduarco, omo npaBuno He uMeem ocHoBeHut 6 mex cnyqqtx, xozda Hombt
nepeueJrcanmcn c dtumenbHocmr^,tu erye 6orce 6urcmpuurtu unu e dea prca 6onee KopomKuwu B mov uce
pa3u4epe. B emo.u cnyvae omtt nocteduue ucnonHflIomcfl B MaHepe, Komopyrc ilbr mottbKo qmo onucent/s.
Ecnu, HanpuMep, cdepamu ued,ryeuuo utecmHodtlamwe dnumenuuocmu oduuarcoeoil npomn)lceHHocmu,
ctedyrct4ue nodpnd. au nonyqume ucnorHeuue datrerco He maKoe npuflmHoe, KaK ecnu 6w denanacu ue1onuruan
onopq Ha nepsyto Lt Ha mpembn us xalcdblx qemwpex Hom Lt ecnu 6ut smuu HomoM coo6t4anacb HeMHozo
6otturuan cura sryKo, qev smopotT u qemeepmoit Home.

(-)(2 (2(-) (-) (-) (-) (-)

^-. ' '-

i-.i (-) (l (-) (-) (-)

Oduarcct, ucKlnqeHueM u3 omozo nposuna npexde Bcezo rrnrtomcn 1ucmptte nacca'Jcu B ol€Ltb
1ucmpo-nt deutrceuutt, zde uedocmamoK spev4eHu He noslorflem uzpamb ux HepoBHoilepHo, tt zde Bos.t4oucHa
onopa u npu^4eHeHue Hortcttrvto monbKo Ha nepsott us qemupcx uom (. / (Cr. Aanee nropofr npHMep HoAo).

3ro onpeAeJ'IeHHe TIoABoAHT HTor ocHoBHbrM [paBHnaM HepaBHoMepHocru, Koropyrc H3rrararru

M)/3brr(aHrbr Ha rporrxenuu XVII u XVIII seron:
- HepanHoMepHocrb cocronT B yAJIHHeHHH H o[ope Ha oAHoit uz napHbrx Hor: AnHHHar -
KoporKat. 3ra HepaBHoMepHocru c 6onr[raM TpyAoM noAAasrc.s o6osHatreHuro. OqeHt cxeMarnr{Ho H
o6o6utenHo 3To Iuo)I(Ho nepeBecrv Ha Hornrrfi TeKcr npu6.unauTerrbHo raK:

3
3

- Calttte KoporKue AJIHTeJrbHocrH oAnofr tracrn rrpou3Be tre:nzfl (utu AJrHTerbHocrH oAHoro
naccaxa) ucno,rHtrorct HepaBHbtltHls (ucx"urolleHue cocraBJr.rrror Horbr. paccMaTpHBaet\{bre KaK
vKparxeHHr. Cu. crp. 32)

I'l: gnyx npHBeAeHHbIX HHx(e npuMepoB nepBbrfr rs,'rxsTcr orpbrBKoM H3 nepnofr sacru KoHrrepra
X. K. Holo. HepanHunau 6y4yr BocbMble B nepBoN{ rrpul{epe H rxecrHaArlarbre Bo BTopoM
J C. NAUDOT (ox. 1741)
Allegro +

Allegro

il.

lSCl"loeare,TbHo. HyxHo
nepenyHKTHpouarb r.{ Irory c to.{xori. gobau-rx rc uefr roqKy.
26
 -HepanuoMepHocrb npuMeHteTcfl n lro6rtx ABvrlKeHLr{x, rro3BoJrrrorqux HcnoJrH.rrrb HepaBHbre
Horbl nonapHo. I4cxnroqeHHe Aenaerc.l rorlbKo ArIt oLIeHr 6ucrporo reMna, Koropbrfi ne no3BoJr.rrer
rIpHN{eH-flTb 3Tor npHeM. B erux cJly{atx ro.rlbKo nepBat Hora B rpyrrrre yArrr{H.rrgrcfl H Ha Hee
nenaerafl
ynop. Tax, B npeAbIAyuIeM orpblBKe H3 KoHl{epra X. K. Holo , ecrrr 6ucrpora B3-f,roro reN{na He
no3BoJlser HcnorIH{Tb HepaBHbIe ruecrHaAllarble rro ABe, oHH Moryr 6rrrr [peAcraBrreHbr c"rreA]'[otugM
o6pa:olr:
Allegro (>)

N.B. Tolrrco rtuurb o4ua 6olrura.r 6ucrpora IIcnor'Il.reHHrI Moxer noMelrrarr, Hfparb HepaBr{oMepHo uecrHaArrr}rr,rc
no AIle. TaK KaK He cneAyer 3a6rlsatr npeAyrlpexAeHHe Moulerclepa "B KoKoM 6u smr.) ue 6utno pa36epe, qembry)e Hofttbr,
3anonHnnulue odxy donn, acezda 6ydym HepasHue".

Pasnuqude cmeneuu uepaeuouepuocmu

Kozda ctedyem ucnonHflmb Hombt HepoBHoI4epHo, mo

6 deto scmynoem BKyc, rcomoputft onpedennem,
dontrcuat tu oHu 6wmu cd?paHw HepaeHo e donuuteit untt B MeHbrueft cmeneuu. Ecmu nbecbt, 6 Komopbtx ux
c.nedyem Ltzpamb KeK oqeHb HepqTHwe, e dpyzux )rce oHL: cmpewtmcn K MeHbrueu HepasHotlepHocmu.
(CeH-IIavr6ep)

AurpaueJrb ral( onpeAenfler pa3nur{Hbre creneHH HepaBHocrg Hor.

Ecmu cyt4ecmseHHoe coodpaxeHtte, Kacarct4eecn Bocb-Ltbtx, Komopbre qacmo ucnolHnK)mctt HepasHO
qepe3 dae. HOmHafl 3onucb He yKqsbIBQ€trt Holt, KaKtte dontrcuu 6utmu
leruLtuHu smoi pa3Hutlbr.. Ha noJtg1uHy,
Ho mpemb u-ittt Ho qem?epmb. Oduaxo, 3mo BalcHo ycmoHoBtlmb, maK KaK ecny tnottyo c,nedoeomu
ct60straqeutu<t docmoLtHCmla Bocb.t4btx, KI:IK 3rno ),Ka3oHo He HomHoi 6y-t,taze, ouu 6ydym Bce pq7ybt_\ry
B
crtrteil d"tumetuttocmu sc1'uouleu ttctcmtt u neysbt, qmo npoucxodum pedrco npu ucnonueuuu (...).
Hepctttuue loc'bitttile eudennrctncfl qep% dee, zde nepsafl 6onee d.ryuuuan, a smopctn 6onee KopomKqg.
Ho xaxoea 3ma pasuu7a?
B ctduux cnyqatx oHa cocmaBrnem nonosuHy, B pe3y,rybmome qezo nepsde nocb,'bte Hy)tcHo ucno"ttHflmb
mQK' KaK ec-111 6til smo 6utu Bocb^tde c moqxoil, a Bmopue - luecmuadqomwe. B dpyzux - mpemb, KeK ecJ,tlt
6u nepaafl cocmarttntta dse mpemu om uemsepmlt, q stnopan - ocmonayncn mpemu. Harc1uetl, ecmb cjtyqau,
t<ctzdct 3ma po3ttutla 1ucaem -MeHee 3ovemHou u coctnal.ryflem coomHou,t.eHue mpu K dey.n,t,
mo ecmb nep7al
rL\4eem mpu nfmux om qem?epmu., a gmopan dee lrjil?,lbtx.

[Io du eprc rylman H epa BH oc rn b ;

La Marche du Roy (Koponeecrrail ruapu)

^. +

a4T.A

Anrpave.frb rrpeAnaraeT r{rparb nepsue 60cbi4bt€ KqK Bocbl4ue c moqKotl, a smopbre - KaK
tuecmuadtlotrtrile. Vmo xacoemcn tttDuo"tei. mo Ltx H!)tcrr ct uzpamb paBH bt14u. 3ro slrrmnnT TaK:

VT.A

N. B. I,lcno,rnure-rrb caMocrotre-rrbHo ycTaHaBnr.rBaeT apTHKynrqHoHHbre rray3br.

27
 .ilezrcan HepoBHocmb;

flo onpeAeneHHlo Anrpalaeilfl utecmuadqamure sdecu He posHbt, KqK mpuonb He pasHa dyonu;

La Fontaine de Jouvance (klcrouHrr vonogocrr)

IIe pee e pHvm a r H epa6H o cmb (.1[ o.u6 apd c rcuil pum.u)'

I4HorAa HepaBHocrb Iuoxsr 6rtrl o6paruoil. flo clonar,t llylre nepsan denaemcn 6otee KopomKatt
(n 4na pa:a), qe^4 smopa,fl.

3ra QopMa HepaBHocrH. MeHee ynorpe6ureJrbHa.q, rreNr nepBar, HanoMr4Haer chulet, (cvrorpH
crp 39) H npuN{eHqercrr npe}KAe Bcero n 6rrcrpoN{ ABH/keHHH.
C-tleAonaTeJlbHo. craHoB,Tcrr rrcHo. Lrro HepaBHoN{epHocTb i\{o)Ker npHoopeTaTb
pa3"rrHqHbre
rfopHrur H Lrro oHa H3N{eHrsrcr cornacHo xapar(Tepy H TeMn\, nbecbr. Hyxno
ocreperaTbc-s roro. .no6u
3Ta HepaBHOCTb HCnO,rTHtlIaCb CI'ICTON4aTHIIOCKH H IUOHOTOHHO. rrTO CAelIaeT r.rHTepnperarlHro
raxoil xe
n.nocxoir. KaK c Horat\.{H. cbIrpaHHbrruH HeyKocHHTerrbHo paBHo. 3Aecl ontrb xoporuHil
BK\/c H
IUy3brKanbHocTb npe6lrnaroT eAHHCTBeHHbTT{H KpHTepH'MH.
Mrr rpynn'pyeN{ B cJIeA}IIoqefi ra6nHIIe AirHTeJrbHocrH. Koropbre cJreAyeT HcnoJrHflTb
HepaBHoMepHo (n1'HxruponaHuo) B pa3tuepax. B Koropblx oHH Bcrpeqarorcfl
corJTacHo onpeAe"qeH,ro
KaxoHa tt orrereppa, KoTopble o6t,eEaHrror ruHeHHr cBoux coBperueHHHKoB:

leOco6uii nu4
$oprurara, AocrosHrrfi [epeBoA Koropofo "rla4el{He". Clrorpure AaJ'Iee.
28
 TAEJIUUA AII,ITEJIbHOCTEH, KOTOPbIE nOABEPXEHbI TIPABI4JIy
HEPABHOMEPHOCTH B OCHOBHbIX PA3MEPAX
corJracHo KazcoHy H Orrereppy

CXAOJIbHbIC

C - "Bocbv4ue panHbte, o aecmHadqamute - uepeBuute"

Kaxon

.l (\
| (' - "Hepaeuuttu 6ydym BocbMbte".
+
Kaxon

12 "Bocu.tttte paBHde, a lttecmuadyatnwe - HepaeHbre"

B
Kaxon

{nyxqo.nb Hbre pa3Mepbr :

"Bctc'u.trtte sdecr,, npoxctdnm KqK Hepo^Hbre"

Q, 2 nnn 7
Kaxon

?^t - "llprtcmble Bocblrue 6ydym posHbr,\tlt, KoK nparu.ilo, o tuecmHad4amue - c moqxoti"

Orrerepp

2 "3decu - drte pasHwe eocbvue tt.tnl l€hlrtrpe HeposHrilx ruecmuadtyamux".

B
Orrerepp

6 "Hepaeuu,wu 1ydytn 60cb)tde "

4
Kaxon

6 "Bocu.+,tt te B He.\,t 6ydym paBHue, o ruecmHadryamwe uepctruue"

B
KaxoH

29
Tpexqonb Hbre pa3Mepbr :

rr
J - "Bocu.ttate sdecu npoxodnm KaK HepoBHbte, Ho ecnu ux B 3moM pasl4epe Hem, mo HepasHbul4tt
z^
cmaHlqflmctt qemqe7mu".
KaxorI

2
3 1 "3decr,, Hepo*Hbt^4u 6ydym Bocb*4bte".
4
KaxoH

al
JO - "O(turtuurc 6ocb.Mde 6ydym pqBHbtMu, a utecmuadtqamwe c nyHKmupotv".
\J
Orrerepp

o
\., " 3dcct, HeparHbt^tu 6ydym Bocb.,trbte " .
4
Kaxrou

o
\.,
"Uocb-t4bre sdecu 6ydym pasHbl ru, a tuectnuadtlamwe HepasHLIA4u".
8-
Kax<oH

(flpuueuaHr.re):
Ectu B Hanere uwercmcf Homu ueuuuefr dnume-ryuuocmlt, veut me, Komopbre npednucauut dnn
HeposHo?o ucnoitHeHuf no pctdy pa3"Mepa, B Komopo-u corluHeH smom Hane*, mo 3mu Homd doncrcuut 6umt'
ttepssubt,rtlt, a me, Komopue no npupode pas.uepa dontruu 6rtmu HeposHbtl4u, cmaHo+flmcfl paBHbtltu.
Tqx, ac.,tu (J HqneBe, pa3xtep Komopozo Ho mpu Gmopue, ynompe6neHd uteclnuad4ambre, mo Bocb-rrbte
crnaHo6ttmcn poGrtbt"vlt. Toquo moK Ke co 6ce-\,tu pas.Mepeln4, 6 Komopbrx 60cbutue npednttcaHu d.tx
ucnorH eHu' KqK H epaBHbte.
Ifo me-u uce coo6po)rceHufl14 Bo BCex pasl4epax, zde ruecmuadqomwe dottrcuut 6utmu HepqrHbrrtu,
oHu cmaHoBnmcfl paeilbr,+(Lt, ecru B HoneBe uwetomctt mpudtlambsmopwe. 3mo npasuno pacnpocmpaHflemcn
daxe ua mpudqambsmopue, ecint B HaneBe ecmb utecmudectmqemrepmbre. (KaxoH)

UcnnroqeH H q H3 npaBHJra HepaBHoMepHocrn.

flpanuno HepaBHol{epHocru .rrBJr.rrercq nceo6rquM, 3a HcKrroqeHHeN{ cJreAy}oulux crr}rLraeB:

- rrpornBonoJro?KHoe aBTopcKoe yKa3aHHe ("nocruble paBHbre" H T. A );
- I(Or-Aa HOTbI HAyT n0 TpH, LITO, CIIeAOBaTe.IIbHO, He nO3BOJr{eT HCTIOJIHTTb I,IX HepaBHON,IepHO
trepe3 lse'../In6bre Hombt, rcoxoti 6u dnumerbHocmu oHLt HLt 6wtu u Komopbrc nu6o no npupode uysurcu, nu6o
no cr))Ltaiuctcmtr ud1,m no mpu, 6ydym ecezda poeHbt^lu. (Kax<oH)

30
 E. F. DALL'ABACO (1675-1742) Gigue

- KorAa reMn cJIHlxKoM 6nrcrprrfi, uro6nt B HeM HepaBHoMepHocrb rrapaMg 6trna r{c[oJrHHMaH
ouIyTHMa;
- noBTopqloulHecq Horbl'. Hect6xodunct denamu mo uce ucKJuoLteHue, rcctzda HecKonbKo Hom
nosmopnrcm oduH u mom uce moH. (Knauq):

J. C. SCHICKHARDT (1670?-1740\ Ailemande

- HorL'Ir HaA KoropbIMH croqr ToqKH HJIH THpe: Cnedyem denamb ucKnrcqeuue dnn uom, uod
Komopbr^4u u"Menmca qepmoqKu unu moqKu. (Knanq)
"Kozda scmpeqantncfl Bocbwue uru ruecmuod4omue c moqKalru csepxy unu cHu3v, ux cnedyem
ucnonHflmb posHo u pasdetuuo. ([evuc\

HOTTETERRE le R. Trait
Rondement gt croches dgales (peurrenuxo 14 BocbMbte paaHsre)

piqu6 (ocrpo)

- 3aJrHroBaHHbre Horbr: Kozdg ecmb ruzo uctd uoma-a4u, vucto Komopbtx npesbrutqem dge, vembtpe,
ruecmb LtnLt Blce.,lza. (Ksauq)

HOTTETERRE le R. Trait

N. B. C".rt,qaerc.rr. TeM He N{eHee, qTo qHcJIo HoT NOA -IIHIOH. IPCBbIIIIATUIEE

ABa. He l\{euaeT
Hexoropoil HepaBHoN{epHOCTH. KaK 3ro rpe6yer Orrerepp B C-rreA\'louleN{ [pHMepe:

HOTTETERRE le R. Musette
+ /------\
a:_
Doucement, et les croches pointdes(uegneHro, MRrxo fi BocbMbre nyHrrrpoeaxxo)
_+

3l
 - II ocJreA oB areJr bH o cTb p acqfl eH eH Hbrx HHTepB a.rl oB :

HOTTETERRE le R. Fuque
Gay, et croches dgales (eeceno 14 BocbMbte paaHure)

LULLY. Couplet de la Passacaille d'Armide

Bocauarc poGHbIe B 3mov cnyqae nomo.My, qmo oHu cKaqyn, Ha uHmepcL,,tbt u, c6epx mozo, nepeJveilcatomcfl c utecmuadqambwu
(Orrerepp)

/lpyzoti npu.Mep us umattbttHcKoli Jt4))3brKU c po6Hbt.\tu BocbMbm4u;

CORELLI. Courante
Allegro

6ac a copa6oHdox, Kozdo oH Lt3ro)rceH Bocb-iltbrivu.'

A.D . PHILIDOR (1712). Sarabande

Les notes dgales (xorsr paaxure)

Orrerepp

- r(opoTr(He AJrHTeJrbHocTH, CXO?KHe C OpHaMeHTarIHeH:

HOTTETERRE le R. Trait - - - -paBHbte-

Gravement (creneHuo)

flpHrrrevaHHe: LITarb-flHIrbI npaIoHKoBa-IIH MeHee 3HaLrHTeJrbHoe )'norpe6JreHue HepaBHor\{epHocrg.

CornacHo X. A Pvcco: B umotrunHcKotT A4ysuKe BCe Bocb,tvue ecezda 6ydym posHbu4u, dotrce ecnt oHu Lte
ct60suaqeHd m7qKTAtu.

NEPEIIYHKT-HPOBAHH'IE HOT,I (I,ES NOI-ES SURPOINTEES)

Tax HagblBalor BHA HepaBHoMepHocru olreHb noAqepKHyrofr, xoroprrfr rpuMeHqercr B

[yHICfHpHoN{ pHTMe, KorAa 3a Horofr c ror{Kofi cIeAyeT KopoTKat AJrHTeJrbHocTb. B ucnonHeHHg Hora c
ToqKofi 61'Aer y/'nttflTbcfl, a Koporxa.rr ArrnreirbHocrb errle 6oJrbrrre yKopalruBarbc.fl.

32
 Homa, Komopafl cnedyem so moqKou, ecezdo 6ydem oqeHb KopomKon. (Knanq)

Kopomrcue Hombl, Komopue cnedynm 3q Homewtt c moqxoti, ucnonHflrcmcn zopo3do xopove, qeM
o6osuaqeuo. CnedoeameJt()Ho, 6ydem u3JrltutHLt.v do1aenflmb mourcu (rc HoraM c ro.{xofi) utu xBocmbt
(yxopauuBarourue KoporKpre Hornr). (K O. 3. Eax)
3ro l,roxHo rrepeBecru TaK:

Itrll
elqe ,rlyqrue Hc[o.qb3oBarb 3Aecb aprnKyJr.rrrruoHHbre nay3br, Koroprre AQ@larrflp He sa6brBaer
(Vmo6u ucnct.rlHumb moqKy e notuou .Mepe, HyucHo npuocmaHorumb qemleptnb c moqKou u
ynoN,t-sHyr^n
1ucmpo npocKoLtumb Goch.vyto, Komopafl sa uei cnedyem):

Pa:ruqHrre c.[yqaH nepenyHKrHponaHHurx Hor

Ksaul( oLIeHb cI(pvIIViIe3eH B 3Tor\,{ Bonpoce: Ilyurcmupur,rti pumil s ynpnrcHeHuu .M I mpeTyem

npu ucnor,ltteHuu GOL'b,|Io[t L' lnoqKoti noqmu Bcezo 6p€,v€HLt 3syqaHun qemsepmu:

VnpaxHenrae Ns1

Tarcctil )rce pu.m"M s ynpo)tcHeHutt l\b 2 - BpeLv€HLt 3syqaHufl eocu.+,rotite;

VnpaxHeuhe Ns2

Heerts"ttctlt(:tto moqHo onpedenumu dnumerbHocmb .ue.ryt<ott Homu, Kotnopan c.nedyem sa m6qxsti.

/ltn mozo, qmtt6u ttvemb 6otee qetnKoe npedcmar.qeHt4e o6 etnct.tt, H)DtcHo pocc.Motnpemt c-nedynuque daa
ynpa)rcHeHutt, o u.\teHHo "\b I bis u.Mp 2 bis. Bepxuuti zo-ryoc npu-Mepos Hy:y(:Ho ucnotrHumb maK, ,rmo6ur Hotna
c moqrcou coclna?itfl-aa d;tttnterbHocmh ttom Hu)tcHezo ?,oitoco Bnromu do ucnteqeuut dnumetauoctrlu moqKu.

VnpaxHeHrae Ns1 bis YnpaxHeHrae Ns2 bis

ITvttrcntupHl:tte Hohlt',t2] (t1Q1t77t dtumucn ue 6onee mozo BpeweHu, Komopoe mpeTyemcn dnn ucnoilteHug H1M:H1N
ru e c m u de c tt tnLt e m 6e pm bN H 0 t?'t.

l94o6anurr, Tor{Ky K Hore c ro.{xofr.

tonnA c.[oBaNlH "rIyHKTHpHtlt Hora"
KsaHIl noApa3yMeBaer Hory nocJIe ror{KH, T. e. urecrHaAuarge H TpHALlar.bBTopbre B
nepxtreii ilaprnH. KoropLIe 6y,Ayr HcttoJrrreHr,r KaK urecrbAecrrrrerBeprbre.
')a
JJ
 Homu c moqxoil, 3o KomopbtMu uedyrum HecKoJtbKo KopomKux Hom

B eronl crtyqae KopoTKHe ArIHTenbHocrH Aorrx(Hbr Hcno.uHqrbcfl 6ucrpee, r{eM 3To o6ogHaqerio:
Vea 1onuue eudepucuqqemcr Homo c moqxoil (y.tp, 3 u 4), met 6o.tee ebrpa3umen auou, u3dcKqHHoit u
npuflmHoil oua cmoHoBumcn dnn cryxo:

VnpaxueHhe Ns3 YnpaxneHhe Ns4

(KnaHq)
[anee r\,{br npHBoAHM orpbrBoK H3 rrpelrc4uu Orrereppa. 3anucan oH TaK:

IrlcnonH.qrb ero crreAyer raK:

[Iepee epnymwil nwrKnwpuotil pumu

Ecru pHTIu nepeBepH)'T, To Ha KparKyro Airl.rreJrbHocrb 4eilcm1,er ro )r(e ca1{oe npaBHno H ee,
cJreAoBare.rr bHo, Heo6xoAar\{o yKopaqnBarb.

Ilaysa rra ilecme moqKu

KorAa rotlKa xoporxofi na1,:ofr. Heo6xoAHN.{o npHr{eHHTb ro 111e [paBr]Jro Kozdcr sa

3aN'IeHeHa
r).nttuuctti uomoti Lt j,tctjt€Ht>rcctil
na)tsctil cnedynm Hombt c mpeNn xBoctna.\nt, mo ecmb mpud|ambcmopbre, 3mtt
noc'tedtrue donuOru 6umu scezda cuzpaHu oqeHb JK:ueo Lt B qocmsx odatrcuo, u B qqctnflx annezpo.
Ifpexde
Lteil u.x ttCho'itHlttnb, ttyJtcHo dolrcdomucn do nociteduezo Atotvettftta
ucmeLteHufl Bpe6eHu, dtn uttx
npeduasuaLteHHozo, He Hap))unfl npu 3mo^4 pffi.Mepo. (Knanq)

3ro noATBepll(Aaer H K. O.3. Eax'. Kozda scmpevaemcfl ArereHbKan naysa, ueo1xodu"nto ee

npodnumb, qmo npuaodurn K u{omun cnedynu4eu sa ueil zpynnd.

34
 To xe caMoe orHocuTct K Koporxofi nay3e, 3a Koropofi cne4yror Horbr c nyHKTHpHbrM pr.rrMoM.
Knanq Aaer onpeAeJleruue'. Ecnu e Alla hreve2t utru B noJtuoui pffi.\4epe Ha Ltemdpe donu scmpeltaemcn esdox
ua ydapuyrc moqKy (r e. Ha Haqaro lo,ru), 3a Komopou cnedynm nyHKmupHue Homu (cv. ynp 8), naysy
Hy)tctlo ttcnorHumb maK, KaK ecru 6u nocne uee 6wta et4e moLtKa unu nay3a B noro7uHy ee dnumenuuocmu.
[Ipu emou cnedyrcular so ueil uoma nonyqaem donctnuumenuuutti xBocm (yr<opaunnaercx).

VnpaxHeHrae NsB

Anaxp.yza

KorAa KoporKa.l AJII{TeJrbHocrb (aHarpy:a) Havnuaer ABH)KeHHe. oHa MOXeT ObrTb yKopoqeHa.
Eduuu,auafl Bocbn4an ecezda yKopaLtunaemcfl. (CeH-IIav6ep)

Allemande

H a,q oil c e H u e u no ut ed o e o meJrl b H ocmb po3 n bN p u mu o 6

KsaHIr nltlrler: 3mo nposuno (nparnro [epenyHKTHpoBaHux) donur:Ho coxpaHflmbcn u mozda,

rcozda e odHctti napmuu udym mpuonu, a e dpyzoir naprnuu u^4 npomltlocmonm nyHKmupHbre Hombt:

C-.nedoeametbHo, HyttcH o HequHqmb u?pamb .vcrKyto dnumenauocmb, Komopqf ctedyem ga uomolt

moqxoil, mottbKo nocre nocnedueti uomu e mpuotnt, a He B oduo spevn c ueil:

2lKrrtdu uttt(t.'tbitHtlbt ct'noBnm I o6r,tsuoqeHue

norHozo pa3.\!epa, Kontopbl.r,r nsr,rnerncn 6onatuoe C, nonepeuHyn ttepnly,.)nto
o6c,'':trtoqlertt, KoK u3secntHo, ttttto 3nto pas\tep Alla breve. @pau4vtttt ucno,rrbsynnt 3mont pa3Mep dna pa:nuuHbtx xopeKntepo(J -
Bourrc'e, Dttrde, Rigaudon, Ciat,rttle, Rondeaux u nt. d. Odnaxo, ouu cmarflnt G-Mecmo nepeqepKHyntou C 6onutuyr.t 2. Harcr_tue4,
3tito.Lt po3.\4epe, maK lce, KaK u s ntpexqemsepmHolt, Komopbt.rt tlo.ttb3ynmcn dnn Loure, Sarabande, Couranle u Chaconne,'
6ocb.\tble, cnedynupte 3a qemsepntbK) c ntoqxoit, He ucno,4H.fK)t'ncfl coznacHo ux moqHo.My 3HaqeHuK), HO, Hanpomu7, uzpenmcl
oqeHb KopomKo u ocmpo (...). Touuo maK uce ucnorHflK)m 6ce Hombr nocJte moqKu, ecnu morbKo 6pe"M, 3nto n(B7onzem. Ecnu ntpu
unu 6onee ntpudqantaqemsepmbtx udym nocre moqKu u.nu nsy3bt, nto oHu xuxc.tzda He ucnonHflK)mct co?tacHo nodnuuuouy ux
dr,tcmouucmay, r)aace B oqeHb uedneuuau nbecax. Cnedyem dotcdomacn do npedena ucmeseHun 6peMenu, npeduasua,teuuozo dnn
ttux, tt u.pantb ux c npede.nt,uoi cKopocmbn, KaK emo 6urcaent qecmo s Ouvertures, Entrdes u Furies. (KsaHrI)

35
 Ees emozo nodo1uwil pum.t4 lioacHo nepenymamb c pas^tepoM
tuecmb Bocbubtx unu deeuad4amu
BOCbA4bIX.'

Ecnu nonumambcfl uzpamb nyHKmupuutti pt/mv4, rcomopurti

uarcnadaruaemcn Ha mpuonu coznecHo
o6aruurt*ty 3HaqeHun eeo dnume.ttbHocmei, mo ucnoltHeHLte
Br.tecmo mozo, ,rmo6bt 6utmt, tnecmnuyuu, 6ydem
pa3L4qmbt_14 tt BflttbtM.

flpurrrevaH'e: npaB'Jro, AaHHoe Knauqeu, [pHroAHo ToJrbKo

AJrfl Tex cnyqaeB, Kor Aa rpr.orr.
Ao6arn'srcTc-s K H3HaqarbHo rIyHKTHpHoMy pHTMy. Ecnu, Hao6opor,
pHTM no c)'rqccrBy cBoeM), cocraB.rreH
H3 TpHorlefr, to nlrll.Hpnufi pr,rM, T. e. KopoTKa.' Hora,
6yln HcrroJrH-rrrbcr BMecre c nocneAHeli Horofi
TpHOnH.
| ,--l
-?-
1.1
ota - raxofr cuoco6 HoraI{HH B To BpeMfl He ynorpe6nrnc.g.
|

Taxprru o6paaolr, Tperb, Lracrb

Epangen6yprcxoro KoHIIepTa H' C. Faxa AoJI)KHa 6rrrr Hcno"rrHeHa
cornacHo pHTMy, o6o:narreHHoMy
na4 naprHei.r:

f- 3----1
1.1
a ta a1.1ta -3--, .J
o|?]
I |

ta o1.1ta |

HcrcnnveHun u3 nposuro nepenyHKmuposoHufl Hom

Pa:1'1199Tctr, [paB'.r]o o [epenvHKTHpoBaHHH Hor Aorr)KHo ilpHMeH flTbcfl

co3HaTe-uluo' HyxiHo orrlHqaTb IuerIoAHqecKHe xoAbl Ha npaKTHKe
H cryqau, trpH Koropbrx MeJrKpre ArrHTeJrbHocrH He
frpeTeHA)/rOT Ha nepenyHKTHpOBaHHe.
Tct' qmo r4ettKtte dnumetuuocmu doncrcuut ucnorHflmucn
6urcmpo, He turflemcf eceo6u4u.* npe,tlroA4,
maK KctK 1uearcm ttcKittoqeHun' Menoduu, s KomopbtN otrl
notB,trcmcn, dottlr:uut 6utmu BHujtameJtbro
pocc^4ompeuu. (K. O. g. Eax)

Taxurt o6pa:olr' rreJIKHe AnHTerIbHocrH B npr.rBeAeHHbrx HHJ{.

np,Mepax. no ncei.r BHtrHr\{ocrr{.
He rpe61'FoT repenyHr(THpoBaHH, :

J. S. BACH (1721). Concerto Brandebourgeois

Andante

36
 J. F. FASCH (1688-1758). Sonate
Allegro

HOTTETERRE le R. Trait

PYEATO (RUBATO)

r]oa
cJIoBoIu rubato noApa3yr{eBaercr poA ru6xocrH HcnoJr HeHHfl.
HeKa, 3"qacT'rrHocrb.
rpl]BHocnuafl B HenpeKloHnltfr N'IeTp. Py6aro He tBJl{erc-s Hso6peTeHnerr
3noxH pouanrus^,{a. yxe r
l60l roAY Axr''"uuo Kaq'IHHI'I vnol'{HHaer o HeM (e }vuctve Mtrsiche). u rubato craHoB,'Tcflxapar<repHofr
ueproii HcnoJrHeHHr ruy3br*H B xvII H XVIII BeKax.

Memp No)K:em 'MHozoKpamHo u3AteHflmbct Bo spel.tn neHut oduoti

.\ty3btKo.ttuttctti nbecu, np, 3mo_44
)'cKopflemct Lt-it,, sodepttcuBoemct cuttbHan unu tt<t6on dpyzan dotn, ,t er)yi |yxea"ry u c-rto,alt,
po3-'tLtttHbt-M ttacmpoeHu.fl^4 ucnoitHfle.uou eet4u. (Mepceuu,
e mqKuce
Harmonie (Jniver,yelle, 1636)

Ifotr:a't1'tt, ttc sc'mpemuu'tb B oduo.u HaneBeLt Ltembrpex

mctKmoB, Komoprrte 6utty 6ut oduuarcoeoil
npomn)rceHHocmu ( ')
Ecnu Ltmar'tbrttcKat ,4y3btKa qepnaem cBoto oHep?un tts nopafuotllanulezo
nodrtuHeHu,
HenpeKrotttlo'44y Mempy,
QpauqyscKatt - yKpoulaem u nodvuuflem c6oeu eone u npuxomy 3mom j4etnp, ntoJ{em
ycKopnmb u moponLtmb ezo,
))Nepflmb u sadepttcunomb. (pycco)

He c''tedy€fil cLJl3brcomb ceSn cJ'tuutKo-\,t moLtHbt-4: co6trnr)euue^4 po3.trepa (.

G )K:epmcv 6Kycy, citedumr,
) Hyx,uo 6ce npuHecmu
3a Ltltcmomoil naccarte[t u xopoutu c,ltfzqamb BCe aKtleHmbt,
o6osu(tLteHttbte c
ftoLvotrlutu ptnce (:ropdeuma). (O. Kl,nspes;

a.j
)t
 ynpaurnun.g (rn,s ecnpnaBxrsr
Iro'amu HeBo3 4oucxo o6yuumb c no.Moulbto 3anLtcu cnoco6y xopowe?o ucnorueHu.n
yrcpaurcuuu. fauce ucusozo
zoroca ucKyueHHozo yqumer.s edoa nu docmamouuo dnn 3moeo. (lr4ourerclep)

flpexge Bcero Heo6xoAHMo ycrroB krrbcs, r{To Antr 6onlruero ygo6crna HyxHo xoporuo pa3[Hr{arb
yKpaueHHtr H opHaMeHTarIHK), reu 6onee, rrro y crapbrx MacTepoB, KaK H B Harxe BpeM.rr, 3TI{ ABa flOlF.sTl/rfl
qacro cMerxnBatorcg,22 .

,{o6aruu, rITo opHaMeHTau[c - 3To Ba,pva\su,..nu'runra',, npeAHa3HaqeHHuur 4r.r roro, vro6u

pasaoo6pasrlrl, flp]rytpauaBarb r(ocr;rx My3lrxaJrbHoro rer(cra (un erue
BepHeMc, x orouy), a
yKpaureHrrc' (notes de gofit - Horsl no nrycy)- 60,ree yvepenuu n Kparxrr.
3ro uernue norrr, rperr.r, des
flattementes r-r r. g.,,qo6anleHHble KoMrlo3lrropov uau (vro 6urair vaqe)
z crroJrrrnreJreM Anrr roro,
vro6u yxpacuB n pa:xoo6palr-rrr, uyenxanrur,rfi rexcr, dtn mozo, umo6u y1enugumb ezo
Kpacohly.
(Cen-JIau6ep)

Kor4a x rcar npumeHnrs eru yrpaureHnr?

B smoi eoJrcHeiaei uacmu uetoduu acmpe\onmct uembtpe ocHoeHbtx Henpa1uJtbHbtx

deicmsu,
(3Aecb nlgr peur o6 yxpaurenutx), a utteuuo: | - nporycr yypctuteuun; 2 _ n""oo^""^"^"ue yKp(.ruer*r;
3 - znoynompe6neHue yKpaweHun u; 4 - uenoexoe ucnoor"rrn y*porrnrun.
npu nponycxe uenodun u zapnoaun
cmaHostmct zonbutu. IIpu uecoomeemcmeuu uzpa cmaHosumct zpy1oi
u eapeapcxoti. IIpu atrolmompe6treuuu
- sanymaHHofi u Henenott. Hat<oue4, npu HenoeKoM ucnorHeHuu - Henoaopomru7oli u
nuuteHHoi ceo1odat.
I4uenuo nosmouy HyJrcHo ul4emb maK -A,Hozo ycepdun,,rmo6ot ucnoJrn)mb
3mu uinl4Hbte y*po*"nu"
mqK
t,oe"
Jt4y3blke' Hozo ocMompumerbHocmu, vmo6at suamt' nodnuuuoe uecmo
dn yxpawexun u oueua 6o.ttt
npoeopcmBo dnn ux xopow.ezo ucnorHeHu, (...). (My$$ar)

Kax nrnrcuo Hq)lqumbct po3ilu\amb Homu, Komopbre dottlttxat 6utmt, yrpalleHbt,

r,t n4ecma 6 Hanege,
zde dauxoe ykpaueHue nodxodum nyqae, qe.^4 Heotxod*o uryro.i naecy, zde 6ce lKpsrueHu,
dpyu.te?
o6osxaueuut (cu. npur'aepu l xonrqe erofi ,ouut j. Iro"nn 3moeo HyJtcHo cnwamb oco6, xomopute
uuenm
penlmaqulo xopotuux ucnorHumereit, Coetacuo lrtleHHo 3muM opueuHanal4
uyttcuo Qopuupoeamb ceoii
6Kyc' ynpatcH,,cb I mo JEe apeh4.8 cot4ocmotme.rbHo. I'Iuage ueeosuotruo
o6r,ncruma npaeutro paccmaHocKu
yKpaweHuu, nodxodauyux s xaJrdou omdetanott cnyuae. (Mapnypr)

Hurozda
Herb3t KaK uedyem nounma, KaK Hy)tcHo trcnorHumb ece 3mu ykpaweHur,
nomov4j ttmo
HeSo3MoJtHo ux xopouto oot'gcuumu c no.^toulbn 3anucu ro-3a
mozo, \mo.l,nHepa rlcnotrHeHut t'MeHremc,
e saeucuL4ocmu om npouseedenun..fl noey sdeca cxasama motrbKo: yKpqueuun
uuxozda ue dotnrcuat
ucKarcamb Hu Hanec, Hu pas.Mep nporceedeuun. Huxozda ue ctedyem
moponumbct ucnoJrHumb yKpqweHur,
xax 6ut 6r'rcmpo oxu ue dottrcxat 6atmb cuzpaHd: HyJtctrc at 6pamu epettn,
iodzomoeuma natto11o4
u"no'nuro
e20 c^rcro tt cao60dno( - Xopoaui skyc - eom edutanaeunuu|
) o\etra eatcuo *oporro yon"*o urpo^o
cydbs.
yKpaurct n, max xax 6es 3mo?o Qult 6ydym ypodoaanu nhe()" Bjllecmo
mlzo ,tmo6r,t detnmu ee Kpucuaee.
.llyuute 6ydem eoo6u4e ux ue detama, \e detrumb u, nroro. (Cen-Jlalr6ep)

Bor' a an$arurHoM noptAKe, flepeqeHh ocHoBHbrx vrpaueHr.ri c Kpar(r.rMr.r

onpeae,reHr.rrMr.r.
Cnyvavrcx, rlro oaHo r{ m xe yKparxeHfie Ha3blBaercr aByM, aBmpaMx
no-pa3HoMy. Mlr npul,renrelr n
3rlrx cJr)'qarx rep[{HHoJrorl.rrc nar.r6olee pacnpocrpaHeHHyro.

flpHnevaHne. YKP AIUCH Hfl . TTPHBOAHI\.{bIC CTAP bI NT H \{ACTEP AI\ IH. flB ITflIOT Cfl B OO"IIbIIIHHCTBC CJI\^-IACB
BCETO JIHIUb CXEN{AN{H HCNOJIHCHT4'1. CNEAOBATEJIbHO. IIOAO6ACT HCNO,IIH,Tb
HX C ra6Kocrbro H cor;acHo
KOHTeKCTy B KOTOpOM oHu IIoMelIIeHbl.

22opuau.HTauHt qacro
Ha3blBaercJ{ ellle "npoH3BonbHbllu yt(panellHeM". il co6orBeHHo yKpauleHHrI
Hil3btBarc)T "ocIIoBHbte
YKpaueHHr".
38
 ACCENT (aspiration, son coup6, plainte)

Accenl ("aKcaH" - axqeur), Komopbrti uasuteoemcfl eule aspiration (ngox) unu son coupe (upepnaHnlrfr
:nyx), 3oKaHqu*aemcfl c noMot4bto Hombr, npednonazaeuoil uad mofi, 3ByK rcomopoil uweemct. 3mo
Bbrpa)rcqemct B omKtoHeHuu npepbrBarcu4ezocfl zonoco ;

(Aanua)

Accent o1osuqqaemcfl utctneHbKo[t vepmovrcctu, nepneuduxynnpHo pacnonotrceuuoti uad uomou. Ou

ecezda denaemcn eocxodfulLtl.t deutceuue.u, soGepwan eudepucaHuutti seyx, B coomremcmruu c
B u pa3um eJ,l bH o c m b n. ([eHuc)

( )IIpu ucnottHeHuu accent'a ueo1xoduuo damu noqyscmsoBomb rtaneHbKyto socbMyro maK, KaK
ecnu 6u oua 6wna deucmeumetbHo uomofr, Ho Homoil oqeuu cm6ou. B npomurHou4 cryqoe 3mo He 6ydem
lKpaut€HUeM, ucnorHeHHbt.\4 c xopoutul4 sKycou [Iodpct1uee: Hy)tcHO npomrHymb ssyK nepeou Homd,
onupatcb c cuno[t Ha ee moH u saKoHvumb ezo ere c.rtuutHbtl4 ssyKo"\4 guaepacnonoJteHuoli uomul. ([Iloxe"ur)

Accent - omo esdctx LUu ?.opecmHoe norbrtueHue zonoco, Komopoe qqule ynompe6lrflemcn e trcano1uwx
HeneBax, qeil G Hanenax Hetlcttbrx. Ou uurcozda ue ucnon*yemct B nbecox Bece,ubtx, o maK)lce B mex nbecax,
Komopbte Bbrpaucctrcm ZH?G ;

note
forte

(MoHrex,,rep)

E,dea itu -\lo)tcHo moqHo onpedetltmb BCe cjt)ltau, zde c"nedyem nocmoBumb eccent. O6wuuo ezo
ucnonHftotn B oKoHLtaHuu qemeepmu c moqKoi, rcozdo sa ueil cttedyem 6ocb-uon, s pffi"Mepax, zde Bocb-Mile
Hepecttde. (Orrerepp)

cH0rE
Chufrte ("ulror" - naAeHHe) - smo -uodynntqufl zotoca, Komopbui nocne onopbr Ha sq)K 6 mettetrue
HeKomopo?o spettcttu -rle?Ko nadaem, rcarc 6ut yzacon. ua 6ct-tee HrcKyn Homy, He ocmaHo7117aflCu uct tteu.
C hfit e n puda e m 6 otuutyto n putt mH o cmb H one BeA4 BsB oltH o Be |t tt br.\,t
;

chirte chirte

(MoHrercnep)

Chfite (nageHue) rta cano.u dene corepueHHo npomt4Bonolout'uo coultl (neperexanrae). Chfite - smo
nepeueuleHue zoJtoca c oduou Homu Ha Homy, pacnono){eHHyto HuJrce u .MeHee eporuKyto, LteA4 nepean. Bce
3mo 31Bttcum om cno?. Ecnu lrce cydumb morbKo no Homor4, mo, uado cKa3emb, Hego36o)tcHo ombrcKamb
uu "tta.netlutezo po3lltvun netrcdy 3mu-Ltu deyun yKpaurcHuflAtlt. (Illoxenn)

39
 COULADE

Coulqde ("rcynaA" - npoxoAtlqne Horut) - 3mo dee unu HecKotbKo MenKux Hom, Komopwe udym
cpa3y odua sa dpyzou u pacnorolceHHue uecrcdy deyun omdaneuubL+tu s7yKauu. 3mu Hombt cnytrcam dnn
mozo, qmo6d nocmeneHHo nepeilmu om oduozo 3syKo x dpyeouy c 6ont weil rcpacomou. (llynse)

Coulade o6osua'taemcfl c noMot4brc HecKottbKux dononuumerbHbtx Hom, Komopbte cnedynm

nocmeneHHo B eocxodnuleM unu uucxodnt4eu deuuceHuu u Komopue doncrcuu 6wmu ucnolHeHbr yltt npotideuur
moK, qmo6u Hu nocnedoeamenuHocmb, Hu cBnsHocmb, Hu Kpacoma HeneBa ue 6wnu 6u uapyueHbt:

Flatti
+t

(Monrerc.uep)

Coul6.("x)'ne" - neperexaHne)

Coule ("Kyre" - nepereKanne) - smo yKpauteHue, Komopoe cMrzqeem Hane6 u denaem ezo cnaula1btg.
Ouo ynompe6nnemcn 6 pasHblx cttyqaflx, B qecmHocmu, Kozda uanee deutrcemcn Hucxodnt4uau mepqurMu.
Karc npaButto, dln "Kylte" Hem 3HoKoB B Homex, u morbKo sKyc uaxodum Mecmo dnn ezo npu^,teHeHun.
Oduaxo, ecmb yqumenf, Komopbte o1osuaqarcm ezo rtctmrcoti, 3eltueonauuctti c ocHouHotl uomotJ,
^,telteuurcoil
HO KOmOpVrc UA)O "nepemeLtb", Q uuoeda npocmo cmo7nm nuz));

Coul6
Could -.
h L oule

(MoHrexnep)
Could ttcnottHnemcn npu noilot4u oduou
tl.ryu HecKolbKux Hom, KaK 6ur uaxodnt4uxcn .ueacdy
ocHoBHbt.L4u Homouu Honeao s uHmepsere Hucxodnt4eil mepquu unu K6apmbt;

(!anHg)
3anemume, qmo Hy)tcuo denamrr "nepemeKoHue" no,tntu Bo BCex uucxc.tdnttlux deyrceHt4flx Ha
mep\un;

(Omerepp)

Kozda cnoBa ebtpaucqtom aHe6 u xozda deucrceuue Hanena cmpel4umerbHoe. Hq Hucxodnqux mepqurx
"nepemeKoHue " ue derqemcf. (Monrcxnep)

40
 FLATTEMEl\T

Flattement23 ("rln.flTMaH" - JIacKaHHe. \'rox{.1eHue) - 3To yKparrreHue, Heqro cpeAHee MexA},

tremblement (trille - rpem) r.r reM, Lrro crrbrrrrrTcl npH vibrato (nu6paro). flpex<4e repMr4Hbr flattement u
vibrato He BcerAa orqerJrl{Bo pa3Jrvrqankrcb, oco6esHo Ha crpyHHbrx HHcrpyMeHTax.
Ha nuole, HanpuMep, verre casse2a (6uroe crerno) unu plainte2s (crort, 3aBbrBaHae) ucnotHnemcn
o6wquo c noMot4bto pacKaqueoHufl pyKu (M Maps. flepna.fl KHr.rra AJrr BHoJ6r). 3ro Mo)KHo
^4usuHqetvt,
HCIIOJIHHTb H C rIOI\{OtUbtO CMbIrIKa, Ha)KI{Mafl Ha BOJIOC.
Ha gyxoBblx HHcrpyN{eHTax flattement - 3To poA rrarrbrleBofi nu6parlnw, Koropar ucrroJrHr grctr
6trcrplrnrlr yAapaMH na.rlbua (wnu na,uqen) rro Kpalo oAHoro r{JrH HecKorrbKHX orBepcrrrit, a unorga
Aax{e [o"[HocTbro 3aKpbrBafl oAHo HrrH ABa oTBepcTHr.

-
6onee nedneHHoe 6ueuue, qe"v trembl.ement, Komopoe denaemcn c nowoulbro
Flattement
Bcno.\4ozamenbHozo 3ByKo, pacnoro)tceHHozo Hu)rce ocHoqHozo moHe, u Komoputil ue cocmaqnflem c Hu.\l
uHmepsancl B nor-moua. 3mo yKpouteHue ltcnonHflemcf qal4e Bcezo ua dnuuuofi uome, rcoeda seyrc pasdy7oemct

Ltru 0cla6eeaem.
Hexomctpwe ydapnrcm no Kpan uJ'tu cmeHKe omsepcmuu, sbtmnarcot nplt smoM nerbqbt, Komopde
de"ryannt 1ueuue. fpyzue ydapnnm no qenoMy omsepcmltrc u datrce cposy no dey.tr, s 3e6ucyx4ocmu om cy1br
supasumelbHocmu, Komopou do1ueatomcn. [Ianeq, rcomoputti denqem 6ueuue, dontrceu B KoHtle ocmombct
nodunmur,v. (Mao - Mahaut)

Orrerepp Ao6an,'I.flsr'. Omuembme, qmo HyttcHo de.ryamu flattements noqmu Ho Bcex dnuuuua Homax,
u qtno ezo rrado ucnonHflmb moK uce xopouto, KaK u trembl.ements u battement,t, ttttozda rt4edneHHee, uuozda
1ucmpe e, B cootnBemcmrLtu c detDrceHttev u xopaKmepo.\t nbecbr. (flepnar rerpaAb 1utx fl. trav.)

N{oHrex.uep'. Flattd - Jmo eud rcorc6aHufl, Komopoe zotoc detaem c nortou.lbn HecKo-rybKLtx NoneHbKux
He)rcHbx ttsdoxoe Ho Home 3HaLtumenuuoti npomfl)rceHHocmu ttnu Ho paspeaeHuu, 6es noeurweHuf unu
noHuxettuu moHQ. 3mo yKpoaeHue daem mom uce p%ynbmom, trmo u eu6patlun Homflry)moi cmpyurrt,
Komop))to pacKaqusanm naitb4e.M. Hem HuKaKo?o xqpaKmepHozo 3HeKCr, Komopbrv 6u ezo do cezo 6per4€HU
ct6ctsttqqa.tu. MolrcHo ezo oml4eLtamb BoltHltcmoi nuuue[t.'

pltlce acceti( ch0te trerrrbl. trembl trembl . narfai(

flatt6
,a,ta/
could :Feint
++ subit ti cadence
/f,^/f,a,t/

Ec'lu ynompe(nrmu flattd ua BCex qt-abuux do",tnx, m0 3m0 cmaHem HeBbIHOCU_ntbIA,t, nomoMy vmo
cde-naem HeneB dpox'au1Lt.lv u cniltrKo.u oduoo6pa3Hbt-\t ;

accenl trentbl.
plnce ntau\/als plnce ntauvals apptii parfait cadence
t

(Monrercrep)

"3Tor repN,udH npHBoAHT noAqac K rryrarrHr{e. T. K llatte nnu llattement MofJro TaKXe o6o:saqatb B 3To BpeMr ul.txgnfr
N4opAerrT H.[H TpeJrb.
2aCu. "Vibrato".
25Ploint. o3r{aqaro raK)Ke
accent.

4l
 MESSA DI VOCE: cu. SON ENFLE

PINCE (martellement, Schneller, mordant, battement)

Pince ("n3Hce" - IrIHnoK) - ero noAo6ue tremblements maxozo KopomKozo, qmo oHo He uweem Hu
HaqattbHou onopbt, Hu nq)/su neped paspeweHuel4 (O. Kynepen). 3ro yKparrreHge rracro o6ogHaqarcr
TepMrrHaMu martellement ("64ttrd") unu Ha HeMel{rufi lag Schneller ("6trcrpufi"). 3ro n raxofi-ro
crereHr4
Harrr coBpeMeHnufi mordant (rrlopaenr).
O6rFIuo no4 pince noApa3yMeBaerc.a Bcero oAHo lueuue (pinc6 simple - "npocrofi lqunox"),
HHorAa ABa H rpu (pinc6 doubl6, triple - "ulunox gnofiHofi, rpofinofi"). On uoxer 6urr r{crroJrHeH c
HuxtHefr Horofi - 3To o6uqHttfi piuce, HIrr4 c nepxHefi Horofi; B 3ToM crrf{ae ero qacro Ha3brBaror pinc6
renvers6 ("nepenepHytrfi rqunorc"), martellement, Schneller:

pince

r*
",lJil!i'i'"1ii'.1'.n,,.,,
Pincd c HuJrcHeit nomofi (pincd ovec Ia note infdrieure):

Vmo6u xoporuo ccpoparupoBomb 3mo yKparueHlte, HyucHo cHortero nepeHecmu zottoc Hq yposeHb
cunauoil dottu (ocHonHofi Hortt), a nomour HyttcHo cnycmumbct Ho npedwdyt4uti ypoeeHb, nocle Ltezo eonoc
Bosgpot/4aemct Ho cujtbH))to Homy, vmo1ut ua ueil noKoumbcfl;

pince Repos (orar,rx)

(Monrexnep)
Hncd c sepxHeii uomoil (pincd ovec ls note supdrieure):

Kozda )'nompedttremcr pince e npomuBononoucuoa,r deuiceHuLt, ezo Ho3btBonm pincd renversd

(nepeeepHymoe "noHce"). I1o-ueue4Ku smom tn€prauH o1osuq,taemcfl cnonov4 Schneller:

(Mapnypr)

Le martellement - 3mo mpelb, oqeHb KopomKat, Komopyrc denanm nocte mozo, xarc eudel)uutBaemclt
3s))K Hlmbr (lUoxenl):

nrartellement martellelnent

corJracHo \rKa3aHHro IIT6K9nq. gro 6\,leT BbrrJurxerb raK:

42
 Kox u zde ucnonHnemcn pincd ?

Battemant's u pince emo eudur port de voix, Ho Komopure om1unonmcfl BH%onHo. I,Iuave zosopr;
HyxHo ydapumu nonbtle,M no omsepcmttto, qmo uect1xctduuo cosepaumb oqeHu 6utcmpo. I,lcnotHflnm
BbtueynoALtlH))mue yKpauteHufl Ho Homox, Komopue HqquHotom uetodurc unu necHn (ua nono7l4HKex,
qemeepmtm ulu BocbJt'tbtx, eclu molbKo po3r4ep unu deuuceHue He CnutuKo.M moponnueoe).
Huxozda ue
denarcmcn dea emux yKpaweHun nodpnd. Ecnu ouu detarcmcn s mepquu, B Kncrpme u1u B ceKcme, rcozda
morbKo oHo "L4uHopHafl, ux Hy)tcHo o6osuo'aumb KoK port de voix, nodunmucfl cHavoJto Ho uusrcuil ypo7eHb,
sadeaan nonbqe.t4 omsepcmue e oduu unu dea ydapa, uo c 1onuruou crcopocmbK).
Bce eocu-trde, Komopbtur npedwecmsyem qemseptnb c moqKoil, donacuu 6wmu ucnonHeHut xarc pince.
B *ted-'reuHux pa3liepax Ha qembtpe, Ha dea u Bo BCex mpexdonuHbtx pos.L4epox ueo|xoduuo detamu
pince. fI xouy cKo3ctmb, Llmo oHo ertct6t4e denaemcn Bo BCex oKoHLtaHltnx xaucdc,tti nuecut, Hq nepB1il us deyx
nocneduux Hom. Hyx:uct detamu mottbKo oduo pince e rcaucdo-il,t maKme, eclu B HeM Hem Huqezo, KpoMe
qemsepmeu. O1pamume BHtLMaHue, qmo G Becerblx HqneBox ux A4o)tcHo denamb
6onutue, nomoy4y qmo oHu
npudanm -uenoduu 1onuwe 1necrca. (@pefioH-floHceH)

PORT DE VOIX (no-nra"rrrHcKn: Appoggiaturo, Keanq)

Port de voix ("nop A0 nya" - rrepexo rurb ro.rlocoM or oAHoro 3ByKa K ApyroMy, cKoJrb3r no
npoN{e)K\rroLIHbIM snyxavr) ct1osuaqaemcf uuozdq MQIIeHbKOil npucmaeneuuoii uomoii (
). Ezo ctflosuartarcm
maK){:e suarcct"tt \f . Pctrt de voix ?mo nepesepry)moe could. .fl norozarc, qmo 3HaK .,t- 6ydem nyqae
nodxodumu dnn o1ctsuaqeuun port de voix, veu suarc \.

])ort de voix o6osuaqaemcn He Bo BCex l4ecmax, zde ezo Hy)tcHo ucno.rHumb. To,,turco sKyc y onbtm
darcm moqttoe npedcmaBtteHue o6 emo.tr. Port de voix eceeda conposoJK:i)aemcn pince;

prnce

port tlc t oir

n{)rt (le \olr

(MoHrex:rep)

Aasul'.
I'orl de voix - 3mo oduu us uau1ojrce q)ulectnleHHbrx eudoe vKpaurcHuti e neulatt. Ouo yKpau.taem ezo
maKlL|t npuB.tteKaftIeLTbHbt.M rt1pasrLtt, qmo cny){um d-tn supa)t{'eHutt BCe?o, qmo cnctco|Ho Ltyscmsgsamb
dyrua. IIoe nto-ttv e?.o ntaK mpvdrrrt npasu.nbHo u moqHo onpedeintmb c no.4toulbto sculucu, o meK.y(g nepedamt,
NC|Hepy xopome?o r,tcnoJtHeHutt. Maro Kmo Lts neBryoG npeycnen 6 hloLv, ,ttnct6(,,t npttdamt, e-r1t* cmo.rbKo
nlpo?ome-ilbHocnru u cmorbKo Lty+ctn+eHltocmu, cKoitbKo ueo1xodu.vo. Totuxct c ot4vryeHuey dvxoeuoe'
npoHuKHOBeHun B cllbtctt npousHoctt-\tbtx cno9 Mo)rcuo docntuzHymb coGeprueHcmBa 6 3moti yKpauteHuu.
Ou6
lueaent mper eudoe:
I) Port de voix nodzomoeneuubrti u eurdeptrcaHHbttt, ucrlorHr€mct B eocxodnu4eu dsutrceHyl,t u 6epem
c9oe npoucxo:)tdeutrc om Homlil, pocnoitotrceuuoil Hu)rce mott, Ha Komop))n dortrceH onepembcf 1BVK,
u
HeBau(Ho - nloH 3l?1o Lt.rtu /lo"lt/n511. Ilocne mozo, KoK ycmaHoBtutcfl ocuoeuoil 3GyK, ezo HylcHo npomflHymb
I4fl7Ko a nepeoit us mpex qqcme[i, pasdymu26 nocmeneHHo s6yK Ha emopoi qocmu u sacma7umb yy4epemb
ezo
moK JK'e, KaK oH u poduncn, s mpembei qacmu:

26Cu. "Son clltle"

43
 3mo u 6ydem Hqcmonu4uu port de voix(...).

2) feouuoit port de voix 6epem cnoe Hoqalo Hq mep4un Hu)lce moil Hombt, Ho Komopoi zonoc
donace u ocmaHlsumbct.'

3) Port de voix ucnonHtemcn ttHozda rcax Ho Hucxodnt4uti, moK u He Bocxoont4uu uHmepsqn Ll

6epem cBoe HoLtqro om Homu, npedruecmeyrougil moti, Ha Komopou 6ydem onopq, soHuMat sByK nepeoil
donu smofi onopbt dnn coeduHeHun co ctedyror4eil doneii ouofi. Smom port de voix cnuwKl.v cmqpouodeu u
A4or'to curtcuutti, qmo6u ezo nycKqmb B ynompe(tneHue. Oduarco ou donycmuM u ltl)K'em ynompe1nnmbcfl B
H e KO mO D btX CltVLtO fx.'

(Aanraa)

KnaHrr:
Bes port de voix neHue 6yden cyxuw u cluutKo^4 saypnduurt ( ) /luccouauctr donlcubr
nodcmpeK7mb u scts1yucdamb cry)x. I'lueuuo 3mo14y port-de-voix tvotrcem oLteHb cyttbHo cnoco1ctnBo1amb
()
l'ttrt de voix - 3mo sadeptrcrca npedutdyuleti uombt (...).Ezr,t uauaro omHugeem qacmb ocuoeuot1
dctnu. Kozda npedutecmryrcupt Homo uq oduu untt daa yposHn Bbrute, uett cltedyrcu.lafl, neped
Komopot-t
rrqxodumcn pctrt de voix, ezo H)DtcHo ucnolHumb csep\).

Oduaxo, ecnt HomQ, Komopan npedutecmByetn, uaxodutncfl Hu)rce nocttedyrcttleil, ezo ycnonHflnm
cHusy;

Ecmu dea euda port de voix. Oduu dontrceu HoqltHambcfl Ho ydap (n aonro).
lpyzou - Ha cHnmue
donu(nepeA ocHoBuoli Horort). ITepewu eud lroucHo uo3*emb ydapruota, emopoti - npoxodnu4u,v.

44
 Ilpoxodnulue ports de voix scmpeqarcmcfl 6 nbecox, zde uecrcotbKo uom oduuarcoeoil dnumenuuocmu
cnycKarcmct cKaqKaMu Ho mepqun:

Ports de voix, o Komopax sdecu udem peqb, uyucdanmc.fl B nacKarculeu swpasumerbHocmu.

Varye Bcezo port de voix neped uomoil 3anucbtBoemcr deonKo: I - o6osuoqaemcn.L4oreHbKoti xomoil;
2 - edcrtumu*oemcn Bu4ecme c pffiMepou4:

Ydopuottt port de voix scmpeqoemcfl neped cunuuoit dnuuuoir uomoil, so Komopctti udem KopomKcrn
Homo Ha cHflmue. Port de voix eudepttcuBoemcfl nonosuHy cnedyrcryeu sa Hltlt ocHoeuoil uomw27:

Ectu port de voix denaemcn dnn yrcpauteHltn Homw c moqrcoil, mo oHa oenumcfl Ha mpu vacmu, It3
Komopbrx dee nottyqonm port de voix, a co-rte Homa nolyqaem motrbKo oduy qecmb, uHaqe zlsopn cmotbKl,
cKoIbKo O3HQqaem moqKa:

66
Kozda s pas-t4epax Z u H *cmpeqonmcn dee so-uuzo*oHLtbte Hombt,
a nepsan u3 Hux c moqKou, KaK
smo 6ueaern B )rcuzex. mo Hy)tcHo Bwoeplcomb port de vom cmoltbKo, cKoIbKo )numcn Home c moqxctti:

Ecttt u-\4ercmcn mpenu (trernblement,s) Ha Homer, Komopbre no omttouteHuto K ocHoBHoAly 3SyK))

cocme?.lttnm duccoHorlc (...), cnedyem 6ce ports de voix denamu oqeHb KopomKu.nau neped mpennuu dtn
mo?o, qmo6u He . rcHtmu duccctucrHcbt HCt KoucouqHCbt;

Ec:ru neped uomoil cmoum port de voix, a nocte Hee natyo, nto prtrt de voix r)etarum, ecnu moitbKo
uem a6cct.ttomuott tteo6xodu.\locmu B3nmb dwxauue, rta ",vectne Homd, a Homy - Hq A4ecme nov3br:

2TKopperr nnurer: "B Adagio umcmbflHtld

denanm port de vctix marcu.u dnuuuatu, KoK u Hznta, Komopafl cnedyem 3a HLw:, daace
uHozoa eule onuHrtee, a 3anrev uzparcm nopdeum".

45
 ("')HedocmamoqHo y"L4emb uzpomb port de voix cozJtqcHo ceoucmey
u pcynuvurc, xozdq ouu
o6osuaqeuu' HyacHo et4e yriemb ux poccmanumb nodxodnryuu
o6pasou, rcozda oHu He sonrcqHbt. Bom
npqBuJto, KomopbtM I4oJtcHo norb3ogambcfl dnn mozo, qmo1ut
3mo-\4y HayLtumbc';
Kozdq nocre oduoil ttttu HecKottbKt/x KopomKux Hom Ho cunbHyto
Lutu cna6yru donn maKmo
npuxodumcn dnuuuqfl Homa, Komopq.n coxpaHflem KoHCoHaHmHyn
zop.L.toHun, neped smoti dnuuuoti uomoil
H)DtcHo noilecmumu port de voix qmo1ur noddepcrcamb
, npunmHocmb B Hanene. IrpedruecmsyK)t4an H,ma
noKoucem, HyJtcHO nu ucnoJtHumb port de voix ceepxy unu
cHu3y.
Maneuarcue npuJ\4epu danee o6tncunrcm 6otruwrrrrni us port
de voix (...). Karc eudHo us smttx
npul4epog' otttt qat4e Bcezo not'4ett4arcmcfl neped uoma*tu,
Komoputu nu6o npedwecmsyrum donee 1urcmpr,te
Hombt' nu6o sa Komopbtwtl oHtt cnedynm. Tarctrce ports de
voix ueofixoduttur dnn 6onawuucm6q mpeneu
(tremblemcnt,r).
,4anee Knanq npeAnaraer paclrln0ponr<u yKparxeH uit u npeArraraer r{x HcnoJrb3oBaTb
nocne pon
de voix B cJIeAyToIIIHX np'r{epax UuQpbI, yKa3aHHbre Ha HoTax,
yKa3brBaror MecTo, rAe HaAo Aenarb
yKparrreHre H coorBercrByroT HoMepy pacruu(fpoBKu:

1 lbis 2 2 bis
h,.-
fffir-l
E++
demi-
tremblemenl. Pincds.

Moderato I

N'B' - cltorpu raKxe npHNJeqaHHe KnaHqa o cnoco6e Hcno-rrHeHH.rr port cle vclix Ha nonepequofi ..son enfld,.
"Ecnu ecnru audepx:auuutii 3syK...,'. Qnelire B pa3Aene

SON ENFLE (messa di voce)

Son enfl6 ("con aHdt.ue" - pa3A)Tbrfi sn1,r<) et son fi16 (rxnyrqnfrcx

snyx)
flpuerr'r son enfl6 npoTnBorlocTaBr.rrercr son fit6. o qeu
MoHrex"irep roBop,r:
son ^fild ttcnorHflemcfl Ha dnumenuuocmu do,zoti, npodotrucan
ssyK moK, ,tmo6ur oH He xone1atcn
HuKaKu^4 o6pasou' forutc dontrceu 6wmu poGHbI-t4
u znadrctt.t4, KoK sepKe,o, 6 meqeHue eceli dnumenuuocmu
HOmU.

46
 B nporuBono.[o)KHocTb son file, son enfl6, HAylquit uz BoKaJra [pHeM, cocrorrr B ToM, rrro
HarruHaerc.tl 3ByK TI,IXo, noroM "pa:.4ynaercfl" B cepeArlne cnoefi AJIHTeJIbHocTH (raHaue roBop{,
yBeJrurruBaerc.fl cnrra anyxa), 3areM yMeHbrrraercr, rrocreneHno ocna6eBa-rr B 3aKJrroquTeJrbHoit qacrr'.
Ecnu ecmb eudeptrcaHHofl qetqt Homa unu nonoBuHKa, cHoqara ee Hy)tcHo rezKo 3anemb (...). Ilocne
omoeo uaquuailme edyeamu aosdyx, Ho noHewHozy, yseruLtusan cuny ssyKa rc cepeduHe Homu. Omcrcda
nosopotluBarcm ua ocna1teHtre ssyKa K KoHqy Homd (...).,\nn moeo, vmo1ar B mo spewn, KaK sByK
ycr4nusaemcfl unu ocna6eeqem, oH He cmeHoruncn Bbnue unu HuJtce (uedocmamoK, rcomoputu tt4o)tcem
npoucxodumb us cauofi npupodw Qneumw), ueo1xoduwo B*ecmu B ynompe1neHue nparuno, Komopoe 6wtcl
dauo2e. Etazodopt 3moMy cnoco6y, Hecu4ompn Ho mo, xarc dymu, cutrbHo unu cna6o, moH Bcezda 6ydem
xopouto cmpoumb c oKKoL4naHupynryu"Mu uHcmpyMeHmovu. (KnaHq)

TaxHlt o6pasou KnaHq o6pauaer oco6oe BHHMaHHe Ha TorrHocrb r{ orperyJrupoBaHHocrb 3ByKa

rpu Hcno.rlHeHul{ son enfle. Ha 6nor<r}nefrre (flffte ir bec), r4e ar',r6yrurcp (SuxcnpoBaHHar Bo3A}/rrrHat
rqe.ur) He no3BoJr.rrer KoppeKTupoBarb roqHocrb HHToHa\HH TaK )Ke, KaK Ha norrepeLrnofi S.uefire,
HcloJrb3oBarb son enfle Hyx{Ho c ocMorpr4TeJrbHocrbro:
IlopasttttcttuB uad pos.uutntflMu arctrcdyflfite traversiere u flfite d bec.\4oJtcHo nezKo o6uapy,trttmu,
qmo Hec"Mompt rra c'xodcmBo, Komopoe ecmb -uetrcdy omuvu uHcmpyl4eHmaMu, rca){duni us Httx mpe6yem
ceo[icmeeuuotT mo]tbKo u.,\4 ttoHepu o1xotrcdeuun. (KnaHq)

Son enfle 6rrno xapaKTepHofi veprofi cru:r.s 3noxu. 3ror nplreM 6ul oqenb pacrpocrpaHeH B To
BpeMq (oco6eHno n feprrranuu) H ynorpe6ts.ncs, Ha Bcex HHcrpyMeHTax, 3a HcKJrroqeHHeM KJraBr.rrrrHbrx3')
(r:ranaxopA Lr cMbltlKoBrrfi xrarecr4H - HcKJrroueuur). Bor HeKoropbre MHeHH.rr Kot.rno3uTopoB XVIII
BeKa. cBfl3aHHbre c son enfle:

Karc Aerrarr, ttpa34ynaHHet' :

fltn mctzo, qmo6u xopouto "pasdymr'" 3ByK, u)l)tHo qmo6u cHeqaro ou ucxodl,ur trs zpydu u HaquHqncn
ua oduy' 6ocblr4yto zonoco. Ezo mnuym, ycunuqotom, nocmotHHo ysenuqunafl u pacaupflfl zoloc, noKct oH He
docmuzuem caoeu cauoil 1onuutoir norHomw (...). He cyulecmryem HuKeKozo xapoKmepHozo 3HaKe, Komopbn1
6ut ttso6pa){ait "pasdyeaHue" u y.L4eHbweHue ssyKa. (Mourexnep)
MoHrernep H:o6pax{aer 3Tor rrpaeM TaK:

pleine voix
son etillc son dlmillue son enfli (no;rHrtii lonoc) et diminue

/t \ /z \ /- \,,- \,2 \

!)mctm sHaK; <> o3Haqaem, qmo HyltcHo HaLlamb c He)K:HOCmbru, yCUnUmb HA}K:UA4 CT4bIHKA B
cepeduue, cozqocrtct dlume.rbtloctnu Hombr u 3aKoLtLtumu c mou ,HC€ l\4fl?AOcmbrc. KAK U B Haqare. Bce gmo
de:oentc'n nocmeneHHo, neDexodn om oduozo x dot,:o.r^,.

J. - A. DESPLANES. Sonata e violon (1712)

<><>

29KsuHu
HNIeer 3Aecb B Bnlly rexHHKy alt6yurrcpa, corJracHo xoropofr Ha noilepeuHofr Q-refrTe MoxHo HcnpaBnrrb ror{Hoolb
HHTOHaIIIIH B 3aBHcHlvIocTH oT HKlaHcHpoercu. B ApyroM NIecTe Knauq 4o6an"rr.rer: "Huxozda ne cner)yen ympupoBantb Hrl
piano, uu forte, a ntaK)rce npunyucdamb uHcmpyMeHm K 6onaute.uy, veil nossoJtflem e?o npupoda, maK KaK 3nto oqeilb HenptrflmHo
dnn cnyxa".
3oEr.nu
KnaGecuH u ne "posc)yBaeftt c(rou 3ByKu (...), nto y He(,o ecnu, dpyzue npeuMyulecntle ( ) @ KynepeH)

47
f4e ttpasAynarut' 3ByK:

Inuuuute Hombt doncrcuut noddepcrcuBambcfl B r4qHepe, Komopyn onpedennem ysenuqeHue u

yMeHbweHue culbt sgyKq.
(...)rcorcdan Homa, 6ydu mo qemlepmb, Bocbu4oflunu utecmuad\aman, dontrcua uN4emb c6oe ptano
u c7oe forte, ecJty morbKo spel4n 3mo noslonfem. Oduarco, ecru HecKonbKo uom cnedyrcm odua sa dpyzou u
speMn He nosBolnem pa3sumb cuny 3eyKo rcatrcdoil Hombt, tvto)tcHo so speMn ucnorHeHun ysenuquBomb uttu
icna1nnmu edyeauue eosdyxa. Tarcuu odpaso.u, HeKomopde Homd cmoHym 6onee zpoMKur4u, a dpyzue
6onee muxugy. 3mu us.MeHeHun culbt ssyKa dontrcuut denambcn zpyduto, trHaqe zosopfl t&l4eHeHueu dwxauun.
(...)nswrc dotcrceu MnzKo HaquHamu ports de voix, "pasdyeamb" Ltx, ecru 6peMt nos9onnem 3mo, u
nepexodumb He 6onee muxoM ssyvaHuu x cnedym4eil uome. (KnaHq)

N. B. - Cuorpv Ha crp. 43-44 npuuep H rlurary fianuga, Kacarcqyrcct son anfl6, xoropltfr
conpoBo)Kraer port de voix, a raKxe o messo di voce Ha nepBoil nore c clepr'aarofi n pa3Aerle Kadeuqun
crp. 60.

TOUR DE GOSIER (Gruppetto, doubl6, circolo mezzo) double cadence)

Tour de gosier ("ryp .(e ro3be" - apyarrrerro, s 6yxna.qbHoM nepeBoAe "uonopor ropraHr")
o6osuaqoemct cy147oJtoy4: N; nflmb Hom, Komopbre cnyucam dnn oQopu4reHun omoZo yKpoweHun,
ycnolHflnmcn Ha oduott dwxauuu (...). Vmo6w xopouto ezo ucnolHumb, zonoc dontrceu onepembct Ho
cunbHyLo Homy, zde cmoum 3HaK *) , Komopon s npul4epe o6osuaqeHa 6yrceou M (...). Ilocne npe6arcauun
Ha onopHoti uome HytrcHo, vmo6u zpynnemmo nezKo cosepauno ceoli o1opom om nepsoil do nnmo[i uomu,
ucno.nHnn nctdo6ue mpenu, oqeHb BHBanHori, tta emopoti NaleHbKoti uome, o1osuaueuuoti 6yrceou o :

(MoHrexnep)

N. B, - fpynnerro Mo)Ker 6l'trr raxNe oKorlr{aHHeM rpenH. Crur. crp. 51.

He uytrcHo sattoBo opmuKyluposamb nepq)n Homy zpynnctntno xozda 3HqK r'ttlzt.t npcdutecmqyem
zpynnemmo (double):

(Mapnypr)

48
 TRILLE (Tremblement, cadence, battement)

VrcparuenHe, KaTopoe MbI Ha3bIBaeM trille ("rpuir" - rpenr), lpoucxoArrrlee or r.rraJrb.sHcKoro

trillo, HMeJIo no OpauI{HH B XVII u XVIII BeKax pa3ruqHbre Ha3BaHr4s,, Hs Koropbrx ocHoBHbrlrra 6unu
tremblement, cadence, battement.
Mnr paccMarprlBaeM 3Aecb o6rrunyro AJIHHHyTo rpenb. Bce rcoporKue rpeJrg (martellement, mor-
dant, battement) orHocxrcr K uaparpa$y Pinc6.

O6osHa.reHHe rpeJru.

3uaxon, o6osHaqarcilIux rpeJlb, or{eHb MHoro, H oHH oqeHb r{acro pa3naqHbre y pa3Hbrx
^.++ , t, tr, *. flocne Anufi 3HaqoK (+) nepoxrHee Bcero
KoMno3HTopoB. Caurre pacrpocrpaHeHHbre 3To
npoHcxoAI'IT or 3HaKa "t" qarlle Bcero, o6osHa.Iaer rpenb. OAHaxo, oH TaKxce N{ox(er o6ogHar{arb
^,
,qp)-roe yKpalrreHae no x(eJIaHHlo rrcrIoJIHHTeJIs (mordant, gruppetto, flattement H T. A.).

flp an u.na H cn oJrHeH Hq rper H.

Tpenr noAqnHrsrcr cleAyrorrluM o6rquu rpaBHJraM:

-
Tpenu dontr:ua 3aHttilomu duanasoH moHa unu norymoHa, B sa7ucyl1ocmu om nada u Hombt. c
rcomopotT oua 6epem cloe Hquano. (Knanq)
- Haqa,ro BcefAa HcnoJrH.rlerc.r B Aonro H Lralqe Bcero c BepxHefr norlr (sa ucxlloqeHueN,r rex
c,IrYqaeB. KorAarpenn rrpeAuecrByer nusxnfr port de voix). 3ro HaqaJro rBJureTcr onopofi (appui -
"annlofie").
- Ecna onopa no3BorlssT, qacrora 6ueuus rpeJrn AonxHa 6urr Hapacraroqefi.
- OKoH'{aHHro rpeJIH rlpeAllrecrByer point d'arrAt ("nyeu A'ap3" - To.rKa ocraHonxn) lrnu
BbrAepxaHHa_fl ocHoBHar HoTa.
-
OKoH.{aHHe Bcerga 6rrcrpoe.
Tpenn Molr(eT BbrurrAerb raK:

appur

tennlllalsoll

Ha.{aro (onopa) - Le D6but (appui)

C xaxoil uzntu HsrtuHqmu mpelu?

Onopa (oppui) don,:x:ua o17:asoeurBqt?tbcfl u3 tiombt, rtaxodntr4eilcn uad ocuctsuctft (@ KynepeH)

3ro ecco6rqec npaB,J'ro. Ho HHorAa pacnonox(cH'e onopbr 3aBr4cHT or Horbr. npeArrrecrnl'rorqefr Tpe"rru:
Ka.vcdon mperb (tremhletnent) HequHeemcn c porr de voir, rcomoputti 6epemcn unlt cBepxy, u_;ru cHu3)).
(Knanq)

IIp omnxc eHH zcnlb on 0p bt.

Onopa mpuru dor)r:ua 6umu dnwtuee unu Kopove B 3a6ucul4ocnut om npodonK:umerbHocmu ttomd,
Ho Komopot't ucno.qHflemcfl mpenb (tremblement). (IIi'"ure )

Hytrcuo damu noLtyscmsoBQmb mperb, onupa,flcb Ha Homy, Henocpedcmeeuuo npedaecmsyrcL4yn

moil, Ha Komopotl yrcasaHo mpenb. 3mo denaemcn B meLteHrle noronuuu dnumelbHocmu Hombr. [fomo.nt
Hy)tcHo m.pLtnxupo9amb (fredonner) e meueuue dpyzc,ru notoauHbr 3mori uomur;

49
 (IIIoxenr)

To, vro noKa3brBaer ITTsKgJr5, ptu}yMeerc.tr, cxeMaTHrrHO. ognaro, 3To noAqepKHBaer Ba)KHocrb
onopbr, Koropa_s Aon)KHa 6lrrr BcerAa BNOIIHE OIUVTHMA.

Euesrle rpeJrH (Les battements)

B ra6nprqax yxparuenufi Toro BpeMeHrr 6nemue rperru rrau{e Bcero uao6paxeHo KaK paBHoMepHoe.
B srou cKpbrBaercr Bcero Jr'rub yupoutenrre 3an'c':
Xomn mpenu u o1osuaqeHbl pqsHbltvttt e ma1tuqe yKparueuuli us.uoeti nepeoil mempadu,
oH, dontrcuut,
'uecrcdy meut, HTvltHqmucn -uedneHHee, qev4 oHu seKqHquBaromcn. Oduarco smom nepexod donaceu 6utmt
Hesol4emHu^t. (O Kynepen)

Vmo6u do1ttmtrcn xopoaezo ttcnorHeHun mperu, qmo nBnflemct donuwuu docmouucmBol4

npu uzpe
Ha Bcex uHcmpy'MeHmax, ueo6xodua4o HaLtqmu deutrceuue nqtbqowu oveHu
nedleuHo, nocmeneHHo ydapnmu
ece 1atcmpee, "pasdyaan" s6yK, u saKoHvumb mpettb c MqKctuttalbHo Bo3A4oJtcHou
fiutcmpomoti. (BaH gep
Xaren)
KnaHrI:
Hem ueo1xoduwocmu detamu GCe mpenu c oduuarcoeou cKopocmt rc. HyxHo coomHocumbcfl
He
morbKo c L4ecmo"tt, zde ux xomflm ucnonHnmb, Ho tt c cel4oi rco*ruomctti, B rcomopoi
HyJtcHo uzpamb. Ecnrt
KOl4Homo 1onuutast u z)/lKofl, mpenb 6onee uedneuuan npouseodum nyltutuu
seeeKm, LteM mpenb 6t tcmpan.
Ecnu Mecmo -Llolto ltnu Ko^\Homa o6eeweua Koeporiu, a cnywomenu uaxodnmcf coBcent
;nusrco, 6t tcmpan
mpenb nodoltdem tt))qrue, qeu uedneHHofl. Kpo",e omozo, Hy)tcHo pasluvemb,
KaKozo xopoKmepe ycnolHnemcfl
nbeca' B zpycmuux nbecox mpenu tlcnonHnrcmcn -ntedteHHee, o 6 nbecax Becetbtx
ux Hy)lcHo uzpamb 6t tcmpee.

loertnbHo mp))duo mctuuo o1osuoqumb ucmuHHyto cKopocmb xopouteti mpenu. Oduarco, uue
Ko)rcemcfl, qmo deutrceuue dnuuuoti mpenu, nodzomasnusonuleti rcouery
nbecbt, 6ydem He cnlttuKo.nr 6utcmpw"n,t,
He cJ'tltu'txctat ued-ryeHHbt"rt, €crtt B npol4eucymKe l4eucdy dey.ttn ydapanu
nynbco (uemeepmt, : g0) naneq
cdenaem nptt6nttsumerbHo qembrpe deulrceuufl u coomBemcmleHHo Bocevlb
Hom..

B eecenwx u 1wcmpbtx nbecax KopomKue mpenu ,4ozym ucnoJtHtmbct HSMHO?O 0dcmpee, u

"\Lo)tcHo
B tneveHue oduozo ydapa nynbco nodunmu nareq et4e ctduu unu dea pasa
csepx mozl (coorrercrBeHHo
HCIOIIHHTb ABE H.IIH qETI,IPC HOTbI AONOIIHATCTTIUO). (KSAHq)

"Toqrca ocTaHoBKrl" (point dt arr6t)

EHeHue npepbrBaercr. u:o6pax afl, 3aBHaaHHe. KaK pa3 flepeA oKoHrraHHeM,

Ha ocHoBuofi nore.
3ro ro, r{To Ha3brBagrc{ point d'arr6t. T. e. TorrKa
ocraHoBKH.
HOTTETERRE LE R. Pr6tude
point
' d'arr0t

Bpeux point d'arr€t BXoAIaT B AJIHTeJIbHocrb Horbr, Ha Koropofi genarcT rpeJrb:

Eueuue mpenu
ftattement) u uoma, Ha Komopoil ocmauqBnuuarcmcfl - Bce smo dontrcuo exodumb B dnumenuuocmb ocuoeuotl
Homd (norlt, necyqefi rpent). (o. KynepeH) (cu. nepnrrfi rpuMep B raparpa$e "Tperb,,
Ha crp. 49).
50
 OnoHqasHe rperrH (La terminaison)

Tpenu uuozda 3aKoHqu*oemcfl c chfite, a uuctzda c tour de gosier;

Battement chfite four.de

gosler
a^a)ozo;

(Mourer<nep)

3ror tour de gosier KsaHIr Ha3blBasr coup d'aprds ("xy 4'anpe" - 3aKJrloqarcrrgfi )Aap): Orcourtauue
rcatrcdoit mpenu cocmoum tts deyx MatteHbKux Hom, Komopbre cnedytom sa uomofi c mperbn u uzpcyomcn c
moil trce cKopocmun (rcarc Hombt 1ueuun mpenu). I,luozda emu dee u4oreHbKlte Homu Bbrnucbr7onm (Ex. I u
Ex. 2), uct dattce mozda, rcozda cmoum motbKo npocmar Homo (Ex. 3), nod emu.u HyucHo nodpasy.t.teBamb
u port de voix (e uavane), tt cottp d'aprds. Ees emozo mpenb ue 6ydem Hu cosepweuuoti, Hu saKoHqeuuott,
1tr
docmam oq ilo 6necmnt4etj :

Ex. I Ex.2 b Ex. 3

OxoH.IaHHe rpeJ'ru BcefAa 6ucrpoe, KaKoe 6rr Hu 6rr-uo ABHxeHHe B nbece. B Koropofi oHa
Bcrpeqaercx Q*tmo, cnedyrct4zr sa morlxou ocmoHoBxu, dotl{no 6utmu ecezda oqeHb KopomKot, KSaHII).
3ra 6lrcrpora r{o)Kgr H3MeHrrbct B 3aBHcHMocrH or xapaxTepa nbecbl. Hu.to nolrrHzTb, rITo oKoHqaHHe
Tperru BcerAa 6)z.t 6rrcrpee, veu ero o6ogHarreHo. 3anzcn flBnflgrcfl Bcero Jrurrrb cxelrofr. Cnelvroruufr
npuN{ep P},..o 3To noATBep)KAaer.

J.-J. ROUSSEAU

Cadcnce plcinc

']'ont, xnto 6vdem u.Memb tTlpyoHocmu

ttpu ucnorHeHuu HeKomopux mpeneit, u.lu evy rcmpemzmcz mperu cJyssKo.rl
ntpl,duwe, Ilou{ent ux np onycntumb, ntaK KaK znoBHbw, )r{eroHtte.v Do.tttcuo 6wma nto, ,tmo6u pyKu ue 6urut cmecHeHbt H, tioKtl\l
c.t6pu so.,tt, o cavoe znasHoe - scezda moqHo co(tnndamu cttvto r)cutx:euue".(H. Jle6er: liepaal rerpaAb Ant opmlta", 1676 r.)

VIBRATO

Br'r6paro craJlo ccroAHt yKpaIIreHHeNd q\ITb * He c,creN{aT'Lrec Kr4M 14 npHH\,.q'TerrbHbrrr.

oco6enHo Ha crpYHHbrx HHcrpyMeHTax. Ha caMor\.{ AeJrc. 3To pacKaquBaHue 3ByKa B npe)KHHe BpeN{eHa
6lr-tro cllJIbHblN'l orI(JtoHeHHeN{ H yrlorpe6:r-s,Tocr Kar( \,KpatueHae. a 3To 3HaqHT co3Harenrno. Tap r'Hyr
nHrueT:
3mo vKpauteHue (trernolo u.uH tremblement no-rlpeHr{y:lcxu) uuxozda ue ynctmpeLtnemcx npt4
cpedue"u sByKe (t. e. npu soll file - r-anytguitcx:nyx). 3mo yKpaaeHt,te dqem xopotrtuti srpcpexin ua rpytta-at,u9y
Home '\'ty3btKo-xuuoti Qtpasu, xctzda oma Homq donean (...). Tarcur:e oHo daem xopoutufi pe3ynbmam
Ho dnyuut,tx
Homax nrc1oect Hqne*a e nn6o.nt pasnepe (...).
I4srecrHo, tITo "rIrorHI'IcrbI H BHoJIHcTbI no OpanqHH B XVII BeKe Ha3brBarrg 3ror oSrlrep verre
cass6 ("6uroe cTeKrlo")3l. CogAagTc-s B[er{arreHne. qro 3To yr(pa[reHr.re 6uro oqeHb ynorpe6ure.rrbHo
B
flo.ulrue. roroN{y'rro ArpHKoJIa eilIe B 1545 roA)'peKoN{eHAyeT
Q.uefirucraM ynorpe6nxrr ero B
noApa)KaHHe no"rrbcKHl\{ Br.{o.[HcTaM.
51
 Ba6paro, Ka)Ksrc.s, 6eper cBoe npoucxoxAeHne or balancement (norcavunanun) nanbrla Ha crpyHe
BHoJIbI' JIrorHH I/.ILH KilaBHIITH KTIaBI'IKopga. MepceHH yrotlH.rer'.
B mo epeMf , noKo cy4brqoK mpem no
cmpyHo.M, nane4 dontrceu 6ucmpo pocKaqusambcfl ua zpuQe (H U. I636).

Mapnypr Ao6annsgr: Ifoxs'tuBsHue (bolancement), no-umanbeHCKu 3mo Ha3btBaemcn tremolo,

tgrtemcfl Hu qe14 uHbtM, KOK nOBmOpeHUeN HO%U UA OdUOU ypOSHe C moil nuutb pasuuqeil, vmo 3mo
noemopeuue denaemcfl 6es uoeou apmuxynnquu (...).3mo HenosMoucHo uso1paiumb Homa6u. Omo
nodparcaHlle mpeMono Ha opzoHe(...) Ha dnuuHbtx, eaiepcrcqHHbtx Homex eu1pamo dontrcuo
npedaecmBogomb messo di voce (son enfle - "pasdyeauue seyrca").

r{ro xacasrc-s tremolo,

!e lkocc nnlrrsr: Ecmu eud zu1xozo Kone6ouyx, umqttbnHqbt Ho3brBonm
ezo tremolo, Ouo otteHb yKpaaaem uenoduLo ecnt ezo ynompeLnnrom Kcmamu. Tremolo denaemcn
monbKo
aKmuBHu"u daucrceHtleu4 rezKux, eudyean cloza: Hou, Hou, Hou, Hou u m. d... nonepevuc.ttl
Q4crcyccm7o
Qneilmar, 1761).

ABA IIPIIMEPA TIbEC, YKPATIIBHHbIX I4X ABTOPAMII

C. DIEUPART (1710) Ouverture

[reuap n cnoefi "Ta6luqe yKpalr eHnir" Aaer pacurnr]poBKy o6osHa.re nnft:

tremblement double cadence

tremblement lltce rt de voix chffte rt de voix et pince

x. E. ae EYAMOPTbE (luecru crour An.rr norepevHofr r]refirlr, l73l)

3mu nbe cbr opHarteH mupo,aH bt .n4ouJt,, yKpo uteHuul4u ;

31
Cr"rorpnre raKxe flattement.

52
 Courante

N. B. - Mox<Ho lo6anurl x 3THNI nbecaN.{ vKparxeHlr_rr. KoTopble He 6rrro npuHlrro o6osHaqarb B Horax.
l4l,rerorcq B BH,r\/ TaKHe. Kar( son file. son enfle. flattenient. vibrato pr T. I. ...

53
 OPHAMEHTAUTI.fl (LES ORNEMENTS)

Hauol'tHHM32, trro noA TepMLIHoM ornement (opuarueHTarrux) urr noApa3yMeBaeM Bap1a,,g,.',

"BbIUrHBKY", trPOAHa3HaqeHHyIo AJr.fl Toro, uro6rt paanoo6pa3uTb
H yKpacaTb N{y3brxantnrrfr TeKcr, B
or'rIHrIHe or repMHHa agr6ment (yrcparuenne), KoTopbIM IubI Ha3B arrr MaJreHbKHe
Horbr, ynorpe6r.rreMbre
rro BKycy (notes de gofit, appoggiatures, trilles H r. A.).
OpnaueHTaI{Ht - 3To BapHaIIHLI (ao6asrleHHbre KoMrro3prropoM H1H HcnoJrHgreneu) K
MenoAHrrecxofi TKaHH. PyCCO TaK OrpeAerrer 3Tpr sapuatluu:

IIod emuv HQsBoHue-u nodpasyweeatomcn Bce eudur npuyKpawunqHur u dy1nupoBaHufl HaneBa, KctK
c noMoulbrc naccQJrcetr, mQK u c noMot4an dpyzux yKpaaeuttil, Komopbre dercopupynm u pqcq7equBopm
3mom Hqne6. Hycrcuo, qmo6d ecezda cKBo3b "GutruuBrcy" pacnosuananocb ocHoBe HqneBe,
Komopyrc Hq3brcepm
npocmbL\4 Hane9ortl (chant simple).8 mo xce speMfl ueo1xodu.uo, qmo1bt xqpaKmep rcax:doi
uopuotluu 6utit
oco6oi Henosmopuvocmbrc, Ltmo noddepxusaro 6u euu-ttoLtue u npedimspat4ano ,iy*y
oftLtuteqeH
Cnono t'napuaqmu" o6'negnlflvr raKne noHrrH.q, xax doubles - ay6nlr, diminutions -
Av^H.yrrr,4,
passages - nacca)KH, Koroprtrvr Jlylbe Aaer crleAyloqee onpeAerreHge . Ifaccauc - omo
HeKomopoe
KottuqecmBo -L4qreHbKux sByKoB, nepeM4ewoHHbtx c npocmbt.Mu yKpoweHuflL4u. Taxou
nocce)p Ha3u7oemcfl
"dy6nu". /lu-uttuylluf - 3mo HecKottbKo Hom, exodnulux e r4emp
oduoti Hombr. Omo mouce nBnnemcn eudo.nt
yKpaweHuf HaneBQ.

flpuuep nacca)Kei.t utru Ay6nefi (MoHrer<.uep):

Chant srmple (npocror,r xanea)

Passages ou doubles (naccaxr nnu gy6nu)

flpurrep AHI\{HH}/r{rafi (MoHrexnep):

l2Cu. f-rraB1, "YKpalueHHr"

54
 YKPAIIIEHNE HA APAHIIY\CKUIZ MAHEP

OpaHqyscKue My3bIKaHTbI BXVII u XVIII BeKax 6omrue yKparuaJrg, qeM opHaMeHrupona.nn33,

B OTrrHLrHe OT CBOHX COCeAefr neurren u oco6eHHo uralrxHqen3a.
Becnododuwil .IInntru (...) rtmdqGctit npednoLtmeHue uenr.tduu (...), 6esoruu6o,tuo movuoti
Bupa3umettbHocmu, ecmecm9eHHocmu u 1nazopoduofi npocmome, e He Henenbrw dy1nntt u npuvydnueoti
tvtysuKe (...)' ITaccau{u - 3mo set4b npouseonbHefl, u rcaucdwil uocrcem ux ucnonHtmu donee uttu MeHee
cnedyn csoe^4y sK))cy u csoevy HacmpoeHuro. (MoHrexrep)

Ec''IH clrpaHqyscKue My3bIKaHTbI yKpauraJlu. HX "xopourufi nxyc" noAcKa3brBaJr HM

Aenarb oro co
cAepx{aHHocrbIo H ypaBHoBeIIreHHocrbto (no:xe IubI yBHAHM rtpHMepbr HTaJrbsHcxofi
"3 Kcrp aB araHTHo crN") :

Bquc:ubt-tl MoMeHmoM tBrflemcn ueodxodu.ntocmb us1ezamb nymctHuqt t u3 Hom, Komopt)te

do1aennrcmcfl K Bblpo3ume,\bHbtNt My3wKarbHbtl4 ompbrsKav: u Komopbre cn)):xcam molbKo dnn mozo, qmct1t
t
ux ypodoqamb. (Xt M. Ilercrep, 4-t rwpagb coHar AIrr cKpHnKH, l73g)
B npunoAHMoM Aanee MeHyere as srofi TerpaAn Jlercnep rocJreAoBareJrbHo Aasr npoAonlr( eH;ne
H3 ABlx a1'6,'Ieil (na rou Ne 6acy): uepnrrfi - H3 Tpuorefr, nropoft - H3 ruecrHaArlarbrx.
,{rr 6onguefr
rcHocrH Mbr pacnoJrafaeM HX 3AeCb BeprHKaJrbHo noA retrofi MeHy3Ta:

J. M. LECLAIR (1738) Menuet

Allegro non troppo

Bor 3aHr{crBoBaHHltfr 1' M. E-qase npHN{ep opHaN{eHrauHH (:uecl raK)Ke },KpaueHHar r}pa:a
pacilo.rlaraercr rroA rrpocroil):

"OpnaltenrHpoBarb: o6r.tzar4amb ))Kpo1ueHunMu. (Ilapyc)

3aAdagio
.wo,{Ho yKporuamb cozn(tcHo (tpan0y3cKoMy uJtu co?J,tecHo sKycy umanbflHcKct.uy. Qpan4yscrcuit cmtlrtb mpe6yem
ncn oil u cd ep trca xuoil awp aatm 'xycy
Ocnut 6 cezo HaneB a, cot'tp o6o)tcdae.uc.t zo ccezda ocHoBHbLtvtu yKpaweHuuvtu, maKlLvru
erbH
KaK ports
de voix, tremblement.s, mordants, doubles, battemenls,
flattenrent.s rt nt. d. (.. .), sdeca colepweHuo He Hy)tcHu uu dnunnarc pynadut,
utt 6r,tnuutoe Ko,tuttecnrso npou3sonbHbtx yxpauteuuil. (KnaHq)
55
 M. BLAVET (1732) Adagio

YKPAIIIEHIIE HA HEMEUKI{I'I MAHEP

llpoqurupyeM errle HeKoropbre H3 MHororrHcJIeHHbIX Hacrannenufi Knanqa:

Ilortmu BCe, Kmo 3oHul4oemcn v4ysbtKoti, oco1eHHo so npedenauu QpaHLluu, ue ydOa-aem7opttrcmcn
npocmbwt ucnorHeHltey4 ocHorHbtx yKpauteHui. Muozue uJvetom JrceraHue ucnonHfmb eu.le csepx mozo no
csoel,ty sKycy u nbrmaK)mcn uzpamb nbecd c pasluqHbrMu npoussonbHbL)vtlt sapuqqunJuu (...).
Hyucuo ecezda ocmepezambcfl s sapuaqutN, qmo1ut z"taeude Homd, Hq Komopbtx ouu denanmcr,
qmo1ut
ue duttu Our samel4HeHbt. Ecnu ucnonHnnmcn sapuaquu Hq qemsepmflx, mo ual4e Bcezo Hy)tcHo,
nepson sapuaryuoHHon Homo 6w",ta ma rce, Ltmo u s npocmoM meKcme. 3mo nposuJto coxpaHflemcn dnn uom
nn6ozo docmouucm7a. Molrcuo maKuce eut1pamu dpyzyn Homy us 1acoeoti zapuoHttll, tttttttu 6u moubKo
scKope cHoBq npossyltana ?raeHon uoma (...).
Bapuatluu cnedyem ucnotHflmb monbKo noc.re mozo, KaK yuce npusyqa.n npocmou uanee ( ) He
cmgum moK)rce sopbuposamb lletoduu, rcomopde yace xopowo Hanucottbt u B Komopux yxe docmamoquct
yKpauteHui, ecnu morrbKo Hem ysepeHHocmu, Ltmo smo cdenaem ux erye nyque (...).
Hedocmatnoquo damb ycnbrtuamu dnuuHyro nocnedoeamerbHocmb us 1ucmpurx Hom ( )
Cyulecm7))etn col,toe 6onawoe sa1nyxdeHue Ho 3mom cqem. I4neuuo no3mor4y n 6tt coBemoBa-rt He
yz.,ty6nnmbcn cruytKolr B omu sopuatluu u 1onurue npunazamb cmapaHun dnn mozo,
qmo6w uzpamb npocmoil
Honer s A4aHepe 1nazopoduoil, flcttoil, nodtUuuoit u omqemlUeoil.

ITBAHU: pa3JIHtIHbIe BITAbI BapbHpoBaHH-tI oAHofi u roil xe rfpasrr:

--'-'\\

/--+-\

56
 B ltaHepe yKpalxarl fepnraHn.rr rroABepraJracb BJrH.trHHro xax rlpanu),3cKoi\{y, TaK H HTarbflHcKoMy,
LIro Aaro cl4etuaHHutti cmuna (Knauq). unu o6teduueuuut{t ercyc (@. KvnepeH). Bor
4na rpuMepa
opHaMeHTaqHI{ y Teneualna, nepnufi H3 Koropblx Bo OpanqyscKoM crurre (Ha ocHoBe ocHoBHbrx
yKparueHnfi), a nropofi cKopee B crr.rle r4TaJrbrHcxofi opnaMeHTar{uu:

G. P. TELEMANN (1728) Sicilienne. Exemple I

G. P. TELEMANN (1732) Adagio. Exemple

5l
 B cneAylou{eM rrpr{Mepe noKa3aHo, KaK I,L C. Eax yKpacHn rerray A. Mapvenno. Oco6eHxo
3aMerHo, n raxofi MaHepe Eax nrrpa)Kaer cBoH yKparxeHHr Bo BpeM-rr pa3ruqHbrx rroBTopenufr oAHoro
MOTI'IBA:
MARCELLO - BACH. Adagio
Alessandro Marcello (1 684-1 750)
(hautbois)
--- -?t

J. S. Bach (1708-1717)
(clavecin)
 I/KPAIIIEHI,IE HA I,ITAJIbflHCKVTN MAHEP

KnaHrr:
B uysurce, coLtuHeuuoit I umqnbflHcKov BKyce, npedocmoerflemcn 1onuutan ceo6oda ucenoHurc u
Bos.r4o)tcHocmfl.il4 mozo, Kmo uzpaem (...). HeeosaoJ{Ho ompuqomb, Ltmo ucnorHnumenb ucenoem npouslecmu
uau1onuutuil eQQeKm, uzpan B umonb.nHcKov cmune.
3uauue npasun quQtpcteaHHozo 6aca u ucKyccmno KoMnosulluu flBnflemcfl caMu.Nt ocHonHbtn dnn
umanbflHcrcoii MysbtKu. Ouct uylrcuo dnn mozo, qmo6u ucnorHumenb Moz no cBouM Boswo)tcHocmn.il,t u
cytrc:deuun ceo1odHo pasHoo1pasumb HeKomopbre noccoucu, HonucaHHde B oqeHb npocmou u cyxoti MaHepe,
c qenbn ydueumu cnywomene[r uoebuau eudyurca.uu(...).
B umanunucrcoil MoHepe uzpambu pa3yKporuunqmb Adagio QpauqyscKuMuyKpqaeHurMu
^4qleHbKuMu
uedocmamoqHo. 3decu cmopanmcn uatimu dnuuuue, npomn)rceHHwe yKpaweHun (opuaueuma7uu),
mt4omenauo omdereHHwe u usbtcKoHHbte, Komopwe dontrcuut ecezda cozrqcoruBambct c zopl4oHueil. 3a
uoden' sdecu A4o)tcHo B3fmb ctedyrcuyuit npuuep, zde 6ce 3mu "npoLsBonbHbte" yxpatueHun swpauceHd c
n0Mou1bt0 H)m.'

Adagio (Quantz)

I4ra,tIlrIuIIbI qacro yKpalxa"rn I,{eJroAHro c etrle 6oree cno6o4noir (f aHrasueia H BHprvo3Hocrbro,

qro He BcerAa 6tr.uo ro BK)'cy $putuy.arv^'. Ouu (naccaNu H opHaMenraqura) MeHbrue ynompe1nfltomcfl B
GoKattbHou -ttysurce, qe-14 6 uHcmpy"MeHmonbHou. B Hacmoru4ee speMfr ucnorHumelu Hq uHcmpyv4eHmax
ttzpctnm tN, qmo6d uNumuponamb utnatbflHcrcuti cmturb, xomoputit ypodyem 1nazopodcm6o npocmozo HoneBa
sapuo4un.\41t, qacmo Henenuu4u. (Monrexnep)

59
 Bor xarc TapruHz yxpauasr MerIoAHro Agaxuo, B KoTopofi rxanr yxe ncpBoHarraJrbHo HacbrrqeHa
yKparlreHHfll/']/,. 3ro ncero JIHIub oAHa H3 Bo3MoxHocrefi cpeAu n.srHaArIaTH BapH arywfi,, Koropbre oH
npeAJlaraeT, ocTaBIrflfl krctroJIHHTeIIrc XiIOfIOTbI nO H3MbrrrureHHrc Ap)'rHX nO CnOefi npuxoTH:

G. TARTINI (1788) Adagio

KAIEHUWfl @",unpoeu3upossttHsn na point d'orgue - opzsHHnM nyHKme, rpep.uame)

Peqr HAer o6 smou npou3sonbHo* yKpqa.eHuu, Komopoe ucnotHnemcfl ocHoBHbtM zottoco,t no

)rceroHun u Qaumasltlt mozo, Kmo uzpaem, B KoHqe nbecw Ha Home, npednocnedueti s 6acy, LtHeve zosopn Lta
KGuHme tado, s Komopov4 nbeco covuHeHe. (KnaHq)

60
 B uaweu nomuHcKoit uysurce pedrco ucnorHnemcn rcadeHqun ua points d'orgue. Ee uuxozda ue denanu
eo cppau4yscrcctu My3btKe, nct rcpailueu uepe do cezo speMeHu (1759), .fl ue 3Hqro, Mo)rcem m u3MeHumbct
BKyc, Ho umarbtH4r,t npesocxodnm ecex I omou4 eude yKpomeHz.a. (Illoxenn)

Knanq (onxrr ou!...) rocBrlrlaer llenyrc r.rlaBy cnoco6y HcrrorrHeHa-f, KaAenrlr4v. Bor nexoropbre
caMbre 3HaqnTelbHbre oTpbrBKH:
Vuce npoano noreeKo, xarc xadeHquu cmanu.uoduwtvu e l,Imattuu, u,rl cmaJtu nodpatrcamb 6 lepuauuu
u e dpyzux cmpaHax, zde cmopamerbHo 3aHuMarcmcn uzpou u neHueM B umolbnHcKoM cmune... @pauqysut
do cezodHfltuHezo dun et4e eosdepctct/BoJtucb om 3mozo(...). Ilpu1nusumettbHo uexdy 1710 u I7l6 zodauu
xadeuyrtu, KaKue Md uu4eeM B Hocmont4ee speiln (m.e. ua 6acy, rcomoputu ocmaHqrJtueaemcn), cmartl
uctduw.uu (... ).

Ouu 1weanm B nbecex namemuLtecKux u uedneuHbtx, Ho moKme u e 1utcmpbm nbecax, Komopwe B

mo Jrce speMn cepbesHwe. IJen rcadeuquu - Heoaatdauuo ydueumu eu4e pas ctwameJtfl B KoHqe nbecd,
qmo6u ocmarumb B ezo dwt ueo6wrcuoaeHHoe BneqamJteuue. Ilosmowy docmamoquo denamb B nbece Bcezo
oduy xadeuyuro (...) KadeHquu dontrcuu covuHnmbcn momLtoc t{e. lnn smoeo mpefyemcr MeHbrue yveHocmu
u 1onuute :)tcl.tBocmu eoodpaJ{eHufl. Hau1onuwei rcpacombr ouu docmuzqtom, rcozda eos6yxdorcm B
cxyu,tamere HOBoe u mpozamerbHoe eocxut4eHue rcaxou-mo Henpedeudeuuou set4uto, Henpartttfl uyscmsq K
4e-itu, rcomctpctti tBitflemcfl ux HouBbrcuLan cmeneHb pa3sumun.
Kadeu1uu d.an zonoce u dnn dyxoeozo uHcmpy^teHma dotrtrcuu 6wmu maKuMtl, qmo6d oHu Moznu
6wma sqKoHqeHw se ctduu ewdox. Irlcnonuumelb Ha cmpyHHolt uHcmpyMeHme Mo)tcem ux denamb moKuwu
dnuuut t-dtu, KoK evy Hposumcfl, tutub 6u motuxo oHLt 6utnu dozamu ua eudy-urcy, Teu He MeHee, oHu 1onawe
sbtuepanm om KpamKocmu, qeM om cKyLtHoti donzomu (...).
Kadeuqun dotrtrcuq qepnamb ceoe codepucaHue u3 cmpqcmHozo qy6cmBq, Komopoe qapum oco6wvr
o6paso",v Ho npomnateHuu eceu nuecu. Hyucuo qmo6w oua cctdepxa.na KopomKue nosmopeHufl tLryu tl,trumo4uu
cQ.r,tbtN rryLttltur u npufmHux nacCaJrceti, 6Cmpeq1rculuxcfl B nbece. trluozda 6deaem moK, Ltmo n0
pacceflHuocmu ue ydoemcn cpary x'e uso1pecmu umo-uu1ydu ucteeubKoe. B marco.tr cityqqe nyqrue Bcezo
ear1pamu oduu us cqilwx npuflmHux naccaucefr u cosdafttb tt3 Hezo rcadeu4un (...).
Veu 1otuae cqlx nopoucoemcn Horbtu eutdyl4KoAi, meil omo 6onurue docmaennem ydoeonbcmBun.
Ilosmo.nty H)DrcHo ecezda coeduunmb BMecme Quzypt r posnuvHozo euda:

(...) He.tr'sn, qmo6u Beceitoe u zpycmHoe coeduHf.tocb Helenbttt o1pascltt u cileutucalncu r,tduo c
dp),rrr,rt. lJe ce.rron rcadeutlun cpop.uupyemcn trs 1otuurltx cKaqKoe ua omdoneHHbre ttomu u |ttcmpux noccotceu
c mptloxu.vu u gn_4emeHHbr"\4lt mpexn.\4lt;

61
fpycmuan rcodeuqun noqmu eceeda cocmoum nutab us uHmepBaro*, Komopue pqcnonoxeuut pndou dpyz c
dpyzo.n't, snepeMearcy c duccoHeHcaMu:

,fl dontrceu cdenamb et4e HecKo"abKo 3a^devctuuil no noeody Qepnam (les Fermates), rcozdo Ho Hux
ocmqHarnunanmcn npousrorruno (ad libitum). Ouu uuozda ecmpeqarcmcn 6 BoKonbHbrx covuHeHuflx 6 Hovqne
apuu. Oduaxo, s uHcmpyrieHmalbHoti uysawe oHu zopasdo peJrce ynompe1mtomcfl, xomn ux A4o)tcHo uailmu,
Honpu^rep, B KoHtlepmHux qacmnx adagio. @epuamo cocmoum qat4e 6cezo us deyx Hom, Komopbte
cocmoBlrrcm cKaqoK Ha Ksapmy BHu3. Ha nepeou us uom cmarumcn dyza c moqxoil, o3Haqarorl4at ocmaHo*Ky,
Komopof citylcum noeodo.u dnn ucnonHumetn cosdamu yKpoueHue(.. ) 3mo yKpqueHue donucHo cocmoflmb
molbKo u3 ocHorHbrx Hom, uaxodnu4Ltxcn B ocHoBHo-nt arcrcopde. Ilepexodumb Ha dpyeoil arcrcopd
Henoslo.aumenbHo. Cnedyrct4uii npuuep Mo)rcem cnyxumu .uodenurc:

Va - -do

Motrcuo ocmaHoBumbct Ha nepsoti uome, uad rcomopoti cmoum dy* c moqrcoir u cdenamu "pasdyBaHue"
(messa di voce) max do",tzo, ttacKottuxo durxaHue 3mo nos*onflem, yl4eHbtaan u ysenuqusat cuity moua.Te.nt
He A4eHee HvucHo ocmaBumu docmamoqHoe Kottuqecmeo eosdyxa, qmo6d u4o)tcHo 6utno 3aKoHqumb
yKpameHue, Komopoe 3ome-v c'nedyem Hq mou't tre eudoxe.
( ) Ho nocKOJtbKy HeBo3lto)tcHo sanucamu rcadeutfltu moK, KaK oHu donttcuut 6wmu cbtzpoHbt, nn1ute npu.Mepbt
seKoHqeHHbtx rcadeu4uu 6ydym uedocmamoqHbr dnn cosdaHufl norHozo o Hux npedcmarneHun. CnedoeamerbHo,
molrbKo c.qyulan c 6onuruuM BHuMaHueu rcadeHquu, Komopue ucnonHfrom l4Hozue ucKycHwe u4acmepa, A4o)tHO
Hayqumbcfl cal,tovv denamb 3mo xopotao. (Knanq)

62
 PA3II4IIHbIE KATE|OPNH ADAGIO U ALLEGRO
KnaccnSHKarrnc - Terrru - Xapanrep

Ecmu nnmb utazHbtx eudousueueuult e deutrceuuLt, Komopde 6 nopfldxe om uedneuuozo x 1arcmpouy

ewpa)rcarcmcfl cno9a^4u Largo, Adagio, Andante, Allegro, Presto. 3mu cJtoBe nepedanmcn no-QtpaHtlyscKu
(c zopasdo MeHbuteu onpedeneHHocmbn u c zopasdo MeHee omverlLtturbt.L4 3HqveHyeM, veM B umanunucxoti
uysurce) c.rredyrcu4u.Ltu Bbrpa){eHufl.il4u: Lent, Moddre, Gracieux, Gai, Wte.
Kax:dan us omux nnmu cmeneueu nodpasdennemcfl u usMeHflemcn mqKucee dpyzue, cpedu Komopbtx
cnedyem ommqQmb me, Komopue o1osuaqarcm monbKo cmeneuu 1wcmpombr unu nedneHHocmu - Larghetto,
Andantino, Allegretto, Prestissimo, u me, Komopwe csepx mozo yKasusarcm Ha xopoKmep u qyscmso apuu
- Agitato, Wvcrce, Gu,stoso, Con hrio u m. d.... (Pvcco)

BA}KHOCTb TEMIIA

Hem cou4HeHttn B moM, qmo ueo1uvqtiuo BoKHo noiluamu deutrceuue, mpeTytot4eecfl dtn rcaxdotT
nbecbl. 7\tn mozo, qmodu He ucnopmumb nbecy nnoxo uatideuuw.nt deutrceHueg, ueo|xoduuo co1nnr)amu
docmoeepHble nparuuto, u,Merculuecn no 3moMy noeody, Komopue -r4ozym npusecmbt K HqunyLtrue-r4y
peTnbmam! u npuLtecmu 1oluute Ltecmu ux q6mopa",u. (KnaHq)
[l.a roro. 'Iro6rl safiru Hvx(Hoe ABH)KeHHe, Knanq npeAnaraer cqnTarb 3Ta,rroHol.r 6neHne nyJrbca
(npz6nn:HTeJrbHo 80 yaapoB B MrIHlry), cnvxaupe rPopuuposoHuro npedcmarneHufl o rcatrcdou deuuceuuu.
OH yrouHteT: ueodxodu.tuo omMemltmb, qmo npnrcde ecezo cnedyem BHuv4omettbHo pqccilompemb clo7o,
Komopoe HonucaHo B Hclttare nbecu u Komopoe yKa3wsqem Ha me14n. Tarc{e cnedyem ofpamumb BHyMoHue
tla co.\tbte ilerQt€ dnumett'uocmu, Komopble cocmaB-rfrcm cawue 1wcmpue neccolt<lt. B 3aBHcHI4ocrH or
Tofo. ecTb JrrI IuecTHaAIIaTbIe HIIH BocbN{ble B pa3N{epax 214- 314, C H r. A... H TpHAIIaTbBTopbre HJrr4
IxecrHaAl{arble B pa3Mcpax 3/8, 618, l2l8 u r. A.... ABH)KeH:ae 6VAsr tu6o 6rrcrpoe. ln6o yMepeHHoe.

N'8. - r{ro rcacaercl 6rrcrptlx TeMnoB, Kaauq 3aMeqaer: mo, qmo Hasure.nocu npeacde "uzpamb oqeyb 6atcmpo", ua crLvr,t.u
dene uatr-tnHt-nocb n()qntu c dca pasa uednexnee, qeil menepa. Tau zde 6umo r,t6r,tsuaqeur,) Allegro assai, Presto, de Furir,tsr,t
u nt. d.
ttzpoJtocb HeHaMHozo 1atcmpee, ueu cezodufl nuutemct u uzpaemct Allegretto. Tax, 6onauoe q7cJto 6arcmpatx Hom, Komopbte
Gcntpevarcntct B uHcmpyMeHnta|TbHbtx nbeclx He.Me\Kux Kovno3untopo7 Kaucymct Ha aud zopasdo 6onee mpyduw.utt u
pttcKos]Httbuttt, 'te-v 3mo npotsnflemct npu ucnorHeHuu. EolrrnnHctBo coBpeMeHHbIX
Qpanqy:cxux KoMgo3HTopoB Ao cHX rlop
rtpriuHN.rakrr Bo BrrHMarrHe 3Ty yMepeHHyro cKopocrb n 6rrcrpux nbecax (HanolrHl,rv, vro Koauu, nHcan 3To B 1752
roay).

KJIACCI4 OLIKAIII4I TEMnOB IIO MApn:/pf:/

Tptt cmeneuu ttedneuuozo meilnq:
Oqeuu MenJr HHO Me MeHee ru

Adagio assai Adagio Andante Poco adagio

f
Adagio di molto Largo Andantino Poco largo
f
Larso )
Lento Larghetto f Poco lento
, :- i
Lento
assaiou di molto etc... etc. .. etc.. .
I

Tpu cmeneuu 6ucmp0z0 meMne:

OqeHs 6src Bur MeHee 6urcroo
Presto ou Prestissimo Allegro Allegretto
Allegro assai Veloce Poco allegro
Allegro di molto Vivace Poco vivace
Velocissimo Poco presto Poco veloce
Vivacissimo etc... Allegro ma non troppo
etc.. . (non tanto, non presto)
etc...

63
 KNACCH(DNKAIIWN TEMTIOB C I/KA3AHI{EM METPOHOMOB
TIO KBAHIII/

ll ll rl I
4J =lo cA=+o td=40 CJ =40 td= 8o cJ = 80 cJ= l20(A) $r) = 160 C J= 160
Adagio asai(B) Adagio cantabile Allegretto Allegro Allegro assai (B)
Adagio pesante Adagio spiritoso Allegro ma non Poco allegro Allegro di molto
Lento Arioso tanto Vivace Presto
Largo 3s53; (B) Larghetto Allegro ma non H T.,U.
Mesto Soave troppo
Grave Dolce Allegro ma non
Poco andante presto
Affettuoso It T. .Il.
Pomposo
Maestoso
Alla siciliana
r| T. Jl.

I
418(214)J=160
xozda znto
farcmpoudyuque do.nu
I
618 a, = 160
xozda omo
6wcmpoudyque do.nu

I
nB h= 16o l2l8 a. = 150
(Alla siciliana) xozda c smott poJ,Jtelte
Hem uecmHadqatnwr

xozda ecno

r|
I
=40 =160
') I xozda ectno

I
ll4J=40
\ +:'#{i;; cantahite)
I
3t4<
I
I
utecmuad4amue
u socb.uue m?uo.Tu

(Adrgio assai, "o),no"ro ,

lento et Mesto) l
estu 6ac uir(Eaerncn \ J =80 lr\/. 314 d.
I
- 107 (hesto)
= 80
qemsepnln uu
ecrtu 6ac u3:\azaemcn xozda deuuceHue oveHb xozda dewrceHue oqeqb
nro.trl'Ko 4em6epm*UU 6orcmpoeu6mdKme6cezo 6ttcmpoe u I ntaKme scezo
u eoru nanee 6olee wecmb forcmpwx nom utecmb 6ucmpwx uom
apuoznui, ue.x tpycmnati (noclnrunrr) (aocururulr)

3/a I=so 3/8 J. =

I
80
I
3/8 dt = lQ7 (p'esto)
xoeda dauttceHue o\eHb xozda louuceque oveflb
(Arioso)
6ucmpoeuBmaKmeBcezo 6otcmpoe u o rnaKme 6ceeo
tuecmb darcmpwx nom utecmb fiucmpwx uom
(utecnra4rlaruuu) (urecrua4qarulrH)

3THX pa3MepaX
BCe MeTpoHoMbt KacaroTcq
o6orHa.lexnq Allegro)

(A) Orlrerbre coBrIaAeHHe 3Tofo reMna c retu, rITo yKa3blnaer AurpaMe;Ib 4n.x Allegro na 2 3a ABaAI{arb raKToB, Koropbre
AonxlrLl 6utrs uctlotlHeHbl za 20 ceKyHA. It3 qefo cneAyer: B pa3Mepe 214 uerveprb paBHa 120, s pa3Mepe p nolou,lHKa paBHa
120 n r. ,u.
(B) flo Epoccapv Hapcr{He "assili" o odttux ucmouHttKox o3Haqeent "oyeua", e dpyzttx - vmo dsupexue u pa3Mep ue donucuat
uJvemb Huqezo csepx, uo npe6wcamb s pa3y tHo'v pasHorecuu .uedneuxocmu tt 6ucmpontd, cozJtacHo pa3nuqHbw, ttyscnt1cwt, Komopbre
cnedyent sbU)a3umb.

KsaHII Hcnonb3yer ttassaitt B cMblcJle "o.{eHL".

64
 XAPAKTEPbI PA3JIIIqHbIX TEMIIOB TIO C. NE EPOCCAPI/

Largo ' ucno'lHnma cnedyem .uednenHo, KaK 6at pacunp.F moKnt, nodueprcuaan cuJ,tbHyto donxt, qacmo Heoduuaxoeo.
I arghetto -nm6ueamb nlaKnt, nenlb u uzpamb cnedyem cnreneHHo, Hecneraa, BeruqecntleHHo u, coomBemcmseHHo, noqmn ecezda
JtieOIeHHO.
Adagio -
ruveemct e eudy ydo6uwit, nodxodnt4uii me"un, uctlo,\Hnmb nenpuuytcdeHHo u e ydosonucm7ye, He moponzcb u,
coomsemcmBeH+o, noqmu ecezda uednenuo, He,uHoeo 3amtzusat pagMep.
Affetuoso *uu Affetto - c nn6oBbK), HeacHo u, coomremcmleHHo, noqmu acezda ned.nenuo.
Andante - ont zrazoJta "andare" - udmu,6pecmu pasHbLtvtu tuazcLvttr,'3mo qat4e Bcezo ontHocumcn x Basso continuo u osHctyaem,
qt?to Hy;xcHo ucnonHtmb Bce Hombt pasHbwru u xopotuo pasdennma 3syKu.
Allegretto - dosonavo oJtcuB,leHHo, Ho zpa4uosHo, Mtlro, uzpuBo, y"MeHbruume,rrbHoe om AIIegro.
Allegro - scezda o3Haqaem u{uBo u c etoodyutesneHueil; oqeHb qocnto 6arcmpo u nezno,' uo ttuozda s y 4epeHHoJt4 dauaceuuu, notrntu
BECETO U OUCUBTEHHO.
Wvace - untoJlbtHcKoe nprua?enterbHoe, qacmo ynompe6nne,uoe KaK npuqacmue, Komopoe o6osxa\aem, qmo HyJtcHo nemb u
uzpamb co cmpacmbn, p3so, c aoodyuteaneHueti. Vacmo noemct u uzpaemct s cwerori daucrceuuu, )tcu6o, odryueeneHur,).
3mc,, noqnru KaK AIleg.o.
Presto ' tlMeetncr eudy 1wcmpo Lt o3lraqaem ueo6xoduuocmb moponumb pa3Mep u s tteu denamb oveHb KopomKue donu.O6aquo
et
Preslo - 3mo o6osHa,teuue )Icu6ocmu, zopflttHocmu, HeucmoBcmla, cmpewumenbHocmu u m. d.
Ariostt - noc)pas1)Melaentcn dcutceuue necHu, apuu.
Dol.ce - snto osHaqaem, qmo Hv'JCIto c.M.n:qantb zonoc u denama Hane6 c[wtbL+t Her{HbLM u ccwtbwt npusneKameJlbHbLut, Ho cKo,4btio
3mo BO3MO)|CHO.
Lfaestoso - o3Haqaem ucnoJtHeHue renuqecmleHHoe, nblulHoe u BbrcoKonapHoe, u, comnemcmleHHo, 6onee cmeneHHoe, 6o)t{Hoe.
pa'JMepeHHOe, Xontn c ucuBocntbrc u omqefttlugocmbto.
Soave - npunmHo, Jr4uno, He)rcHo, npur,reKamerbHo tt nt. d.
Legerement - uzpuao, Beceno.

XAPAKTEPbI PA3IHLIHbIX TEMIOB IIO }K.-)K. PYCCO

Largo - r)rsut<:euue (tonee .ryted-nexxc,te, ue"u Adagict, u crutoe nc.tcneduee us scex no uer)neuuocmu. Ono osua,teem, qmo Hv)tcHo
eatdepttcuaamb 3syK u pacmtzueama donu u maKm.
Larghetto - dau:xceuue MeHee uedneuttoe, ueu Largct, 6onee uednenuoe, qeu Andanle u oqeuu 6nuzrcoe x Andantino.
Grave - Hapeque, o1osuaqaK)ulee .uedneuuocma e deuuceHuu u, c6epx mozo, HeKomopyn 3HaqumerbHocmb 6 ucno,,HeHur.
Adagio - Hape\ue, o6ozua,tanulee nednennocmb u 3HaqttmerbHocmb.
Affetuoso - o3Haqaent dsuuceuue cpeduee .uexdy Andante u Adagio, s xapaKmepe Hanena c vyscmsog nn6eu u He)lcHocmr.
Andantino - HeMHozo ileHbure iltusocntu s cpasHeHuu c Andante (ueo6xodtlMo onLutemumb, qmo y.MeHbruumeJtbHoe Larghettcr
o3uotteenl corceil o6pontuoe s cpasHeHuu c Largo).
Antlunte - npuqacmue om untarbnHcKozo zJtazo.rla "andare" - udrnu. Xapaxmepuzyem deuxeHue 6es nocneutH()cmu, Komopoe
c()ontHocuntcn npu(tnu3umerbHo c meil, 'tmo o6osuaqaK)nr no-Qtpau4y:tcKu cJtololr Gracteuntent.
Allegretto - o3tt(tqaem 6onee !,MepeHHyn lcurocmb, veM B Allegro u HetiHozo A4eHuue pn6()cmy 6 p(13rtepe.
AAegro - npunazomerbHoe, ucnorb3y&uoe KaK Hapeque "aece,,ro", a maKace o6osuaqaem uarBoe dsuaceuue.
l'ivace - drtutceuue 6ucnrpoe, nposopHoe, eoodyruesJleHHc)e; uct'toJryHeHue cweJroe u norHoe cmpocmu. IIo-Qpauryytcxtt - Vtf,
I'iyement
Presto - o3tluqeem 6ttcntpo.
Prestlssinto - oTHoq\ent drtuuceuue eug 6o.nee moponnusoe, qe.v Presto. Ezo .t'to;ttcuo eule c,t1ogHouumb KaK Pre.sto assai. O,teuu
6arcntpo.
Arioso ' o3HQ\aem aatdepucauHOe neHue, pa3sepHynrc,e u aQtQeKntupolalHoe, nodc,t6uoe 6otuu.toit aputt.
Dolce -
Heu{Ho. ITpomuttottolto)t{:Ho He ntontbKo cnosy Fc.trt (cunauo), uct n'taKtte crc)6y Rude (pe::xo, )r{:ecntKo, zpy6c,t)
Legerement - 3mo c.noBo (BHaqaem dtrux:euue et4e 6onee 6wunpoe, \eM Gai (aeceno), cpeduee dsulteHue .,tteutdy Becero Lt

6 u c n t p r,t. Il p u 6nu su n t e.n b H () c o o nt6 e nt c m sy e m u m an b n H c KO,My [/iv a c e.

QUELQUES trXEMPLES DE MOUVEMENTS

. ....,:':... : : : .::: : ::.
5.*. r|c,ro t.l rn.l' rt: iii,rlg;.'..'. ;' '.
t,
:

,9
$,zht'i:,liv".

::.:;rY/:;.:.
*-.r3.t/Itl
,"i#rt'riii',vr:1ft l: t!/::l.i::

t.t (.r! t\:)lY'):fi.4J' li

O MAHEPE, B KOTOPOIZ C-nnAyET HfPATb ADAGIO (orpunor): kI. tI. KBAHII

PA3II,IT{HbIE BHnbI ADAGIO - XAPAKTEP H TEMn

fnaeuuil xspaKmep e Adagio cocmoum B HeJrcHocmu u s zpycmu.

Adagio npedocmoBrflem 1onuwe noeodoe, uet4 Allegro, dnn eos1ytrcdeuun cmpocmeu u ux
yMupomBopeHut.
Xopoutufr cnocod ucnotrHeHun Adagio cocmoum 6 mo^4, vmodat cotupyrut4qn napmut cKopee
nosBonflJta aKKol4naHupynquil nqpmutu't Btequ ce6n eneped, ve.M onepe)rcona 6w ux.
Hmax, qmo6u xopouto uzpomb Adagio HyucHo Ha cKotbKo 3mo noswo)tcHo npusecmu cron dwy u
cocmonHue cnoKotiuoe u noqmu zpycmHoe (. ). Adagio tvotrcHo cpozHumb c nacrcoeoil (...). I,Izpan,
'vonu6oil
Hy)lcHo dlmamu o znoBHbtMLryscmsov, Komopoe KoMnosumop nodpasy"ttenan B ceoefr nbece, qmo6u He uzpamb
cttutuKow 1atcmpo Adagio docmamovHo zpycmHoe u, uao6opom, cruutKo.u .uedneuuo Adagio neceuuoe.
Hytrcuo xopouto otnnuvamb om Adagio nqmemuuecKozo dpyzue eudur ,vednenubx nbec; Cantabile, Arioso,
Affetuoso, Andante, Andantino, Largo, Larghetto u m. d. Vmo Kacoemcfl deutrceuun, Komopozo mpedyem
xatrcdan nbeca, Hy)tcHo cydumu o6 emou no eceil cosoKynHocmu ee zolocoB, no nady u pasMepy, no donnu
(paeuue oHu tutu uepaeuwe).
Oqeuu zpycmHoe Adagio o6osuaqaemcfl o1wquo cnoBailu Adagio di molto unu Lento assai36.

o HOTAX. 3A KOTOPbIMI4 CnEAyI,OT nAy3bl

Kctzda Gcmpeqarcmct noysbt, ue cttedyem neped emu-u o1pureamb ssyK. .llyurue 6ydem ecnt
npodeprcamb ssyK nocnedueu uomur HeMHozo donuute, qe^4 3mozct mpe1yem ezo cymu(...) nocmeneHHo
ocno6eean Ho HeI4.

yAAPbr t3brKA
B Adagio BCe Homu dontrcuw 6umu lqcKoBbru4u u HeucHbt^4u, u ue ctedyem ynompe6"nnmu ucecmKue
u zpy1ue ydapu nsbmo. tr4crcnn,teHue cocmaBnnrcm Hombr, Komopue Koilno3umop npeduoMepeHHo xomen
cdenamu ocmpblJt4u dtn eos1ytrcdeuun crwqmenr, Komopuril uoz ))mor4umbcfl.

PA3AyBAHI4E" 3ByKA (ENFLER LE SON)

Benurconenuwi p%ynbmqm daem npueM "pasdyeaHue " 3ByKa, rcoeda e Adagio mom, Kmo ucnottHnem
KoH4epmupyrcuryto napmurc mo ycunusaem, mo yl4eHbwaem cuny 3ByKa, rcarc 6u BHocum cBem y meHb 6
CBOE UCNOTHCHUE.

NYHKTHPHbIE HOTbI
Kozda e Adagio nyHKmupHde Homu crnsoHbt, Homo nocre movKu ue dontrcHa BumaitruBambct.
Hytrcuo ee crnsomu (le couler) c npedudyu4eil ua piano, y^teHbuafl npu omo.ni s6yK.

Ec-nu e Adagio moLtKa cmoum nocre emopoti Hombr, H)DtcHo ucnolHumb nepsyn maK uce KopomKo,
KeK u a All.egro, Ho He c maxoi cuno{t.

36qro Kacaercr HcnonHeHHr

H yKpaueunr Adagio no $panqy:crcoM H r{TaJrbrHcKoM BKyce, cMorpnTe fnaBy "OpHaueHratlvrfl."
66
 BbIPA3I4TEnbHocrb BocxoAtilIl4x XpOMATI,IqECKI4X
noryroHoB
Koeda e "ttedneuuou dautceHuu scmpeLtatomc.fl GnremeHHbte
B .ttettodurc nonymoHo, Komopbre
noBbtuteHut duesa'I4u unu 3HQKzI4 oml4eHu, mo oHu
dontrcuut 6utmu citbnlrHbr fuonurue, ve"nt dpyzue Homu.
docmuzaemc.r ua dyxoewx uHcmpyJweHmcx ycuneHue, nodavu 3mo
eosdvxa.

(=) (-)

GRAVE
sostenuto (eaiepxauuo), hpomuoononox:Hoe sr.lccato (xopomxo),
-
eatdeptranuatx, cepbesHbtx u 3slgHbw' zde uuozo nyHkmupHbtx Hom,
cocmoum u3 Haneaoa
komopbte HyJtcHo c6r:,brcamr, (couler)
no dee 3deca o6anuo cnoeo Grave (eaxuo) oro-orrr"or^
6cto nbeq). Irosmotty sdeca uyttcx' uzpama
deultce uuz,r,tu cur,H xa Dluuuau,tu u aecoMbtJttu.
Grave' e KomopoM Han-ea cocmoltm u3 nyHKmupHbtx nc.tm, donucuo
6t rma ucno"nuen' 6 MaHepe
u Jrcueoi (..). Hyatcxo ycuruaamb Hombr c moqKoi do npedena
eosabturcHHolT
u c6r3brcamb ux .urzko ,
kpamKo co cnedynr4wnu Homa^4u c no ot4bn couri (cxamarcamucn),
eciu urr"p,ion He cJnnuko*
,onbwoi vmo xacaemu omdaneuxaw crcauxoe, mo sdecb HyJtcHo uiereKamb ^onu*o
xarcdyn uomy omdenwo.
Ecnu nobo6nate uomat noduuuatomct uJtu cn))cKaromct nocmeneHHo
u ts,rtromct KoHcoHaHca.Mtt, Ho r'ozym
ue xpaeumucn yqfT us-sa ceoei dtuuor, ux uottcuo yKpacumb ports
de voix.

ADAGIO SPIRITOSO
Adagio spiritoso uat4e ecezo 6arcaem coquHeHo B pasl,rcpe Hu
mp,t c nyHKmupHbutut Homo-tt4u, c Hqneaot4
qacm, ,cmpbut4
finn ezo satpactceuun mpe,yemcn 60 ,we trcueocmu, ,aeu d'Lfl Grave. Iroemotty,omat
rrytcuo omdetnmu, a yrcpaweuui cnedyem ynompe6nnma et4e tvext
,6onuwe ute. Oduaxo nocruo ucnorb3osamb
ports de voix c oKoH'raHue* nonymperru (demi-.tremitements)36. Ecttu
*, nirr.rrrorn ,
meKcm neceHHbrc 3aubrc;tbt (..), uytrxo euatqLu6bl$(tfttb
' ")/rtunu cozracoabreonb c Jmulvl ""rp"roi*u-
3mu.l4 cgoe ucnollHeHue u noovepeduo coeduunmt
cepbe3Hoe lt JtocKoaoe.

CANTABILE 14 ARIOSO
Ecnu e Cantabire unu Arioso (zde patuep mpu eocauarx)ecmpeqaemct
-rrHo,, u.tecmHqdqambrx,
Komopbre uredyrcm dpyz sa dpyzo.u e eocxodnqetr.t
utru xucxodnuyLe.u diu*eru, ,**yrnnro'j....t, ny*ro
cmapambct ucnoJtHumb smu Hom e MaHepe npocmo
u MrzKoi, nonfiyrcb mo piano,- mo
Ecnu cxaqxu cocmogm u3 cocb^brx, qmo detraem rrahe, forte.
cyxutlt u He mrmaem ezo, mo lroJtcHo
3anoJtttumb cKaqoK Ho mepqulo c not4ol4bn porls
de voix u,tu mpuon'itu. Oduarco, ecnu 6oc u.tteem
mo JK:e .l,merbHocmu u moi ce z,p',toHuu I meqeHrrc acezo mdkma, uomat
mo znasHat napmt4g nonytlaem
cett6oDy e ucnorHeHuu Konuuecmaa yKpaweuuti. Teu He.^teHee, yKparueHut
ue dontruut uuxozda
omKroHtmbct om MaHepbt^onr'wezo
ucnorHeHur, npednucanuoi dm emoi nbecbr a qejtol4.

ANDANTE H LARGHETTO
B Andante utu Larghetfu, coguHeHHoA.t Ha mp, gemeepmu,
zi)e ue'toduq cocmoum u3 tlemsepmeti
npbzanulux Komophl'rt 6ac oxxtt'unouupyem aocb-.tbl.ru 11 qacmo
urccmb Hon ocmarcmcn ua odnou ,ome tt
oduoi zop,ttouttu, .uoJt{:tjo cbepamb c 1onburci eacttnocmr,to tt
6t
Ho ecittt^,ac deuzaemcn rvii-""a, nocm)neHHo, mo HyrcHo
He nonyqknu.cb 3anpeuleHHue
r:;:ilr';:;#::ff;::,i:rllli,iliiX,,
xodu xeuxm u oxmae netcdy zotocaMu.

t{ro racaerc{ HHrepnpeTarIHH Adagio Ha cr(pHnr(e ("yAapbr r3brKa"

3a}4eHrrorc-s ua "yAapu
Cl\'lblqKa"). Knauq VTOLIH_5rST.
Arict'vct' Caitabile, srtave, Dctlce,
I'oc, andante t4cnorHrtomctt co cnoKoticm,ueM, c,ezKul,rtydapa,n.t
c^tbtqKQ' /lattce Kozda e Arioso ucnottbsyrcmcu pas-ttrttHbre eudut dr,rcmpt tx Hom, oH,
maKuce mpe^ynm

3TCvorpnre
raparpaq) "Port de VOiX,':,'KOIAA NOCNC ONrrOfi HIIH HCCKOJI'KHX KOPOTKHX HOT..."
3sCuorpure
naparpa(i "Port de voix"(n pu uep MoHrerclepa).
67
deurrceuuu cuwvrcct rezKux u cnorcoiluutx.
Maestoso, Pomposo, Affetuo.ro, Adagio spiritoso dontrcHbt uzpambcn cepb%Ho c ydapauu cJvtbtqKa
H eJt4H O2O B e CoMblJVtU U O CmpbuVtU.
ITueca uedneuuon u zpycmHafl, Komopat o6osuaveHa cnonoMu Adagio assai, Pesante, Lento, Largo
assai, Mesto mpe6yem cauoti 6onuwoti cdeptrcauHocmu moHa u ydapoe cMbrqKa coMbtx dtuuuurx, ccty4btx
cnoxotTuutx u cal4btx eecou4btx.

68
 O MAHEPE" B KOTOPOH CJIEIYET I{fPATb ALLEGRO (orprrnxu): lI. H. KBAHU

ALLEGRO V ETO PA3JII4I{HbIE HA3BAHH'

Ilpercde Bcezo H)DtcHo soMemumb, qmo cpedu pcrcnuqHbrx uMeH, Komopbte danmcn .My3uKonbHbLI4
nbecau, cno*o Allegro uu4eem cauwti ruuporcuil cvbtcJt. Ouo npomusonoro)tcuo cnoey Adagio u nod meptttuHo.M
Allegro nctdpasyntenorcmcfl tt4Hoarc eudw nbec c 1ucmpuuu deutrceHueM. Hanpuuep: Allegro, Allegro assai,
Allegro non presto, Allegro ma non tanto, Allegro moderato, Vivece, Allegretto, Presto, Prestissimo u m. d.
3decu l4bt ynompe1nnen cno6o Al.legro 6 smov aupoKou4 cwbrcre u o6osuaLtoer4, moKuv4 o6pasou, ece eudut
nbec t{tt9btx u 6uc'mpbx, He ct6pat4an sHuA4qHufl ua oco1oe sHqqeHu.e smozo cttone, xozda oHo xapaKmepusyem
eduucmeeuuurtT eud 1ucmpozo deutrceHut.
IlctcxonuKy MHozue KoMno3umopbt cmarnm Bbnueu3ttoJrceHHwe ctrona 1onuae no npusbtqrce, qe*r dnn
mozo, qmo6d sepHo oxopaKmepusosomu nctdnuuuoe deutrceHue nbec, (...) uacmo scmpevqnmcg cumya4uu
(...), rcozdo H)DtcHo dozadbrcambcfl o HowepeHutx Ko.Mnosumopo cKopee no codeptrcaHun coMoti naecur, qeA4
no cJto6y, Komopoe cmoutn so znaBe dnn o6osHqqeHufl deutrceuun.

XAPAKTEP 14 TEMN
Cymu ocHoBHozo xapoKmepo Allegro soKrnqoemcfl B Becerocmu u t{u6ocmu.
He cnedyem HoquHamu Allegro 6ucmpee, veur 6o3Mo)tcHo cwzpamb nqccaJtat, Komopbrc B HeM
scmpeqarumcfl ( .) IloemoMy cnedyem 63nmb meMn, coomBemcmsyrot4uil cauwu mpyduwu naccaucar4
nbecbt.
Kaxoi 6u 1ucmpombl ue mpe1oBaro Allegro, uurcozda ue cnedyem Bwxodumu us deuuceHu.fl
ynopndoueHHozo u 1nazopasyMHozo, maK KoK Bce, vmo moponturo, docmaennem cnyxy 1oturue ozopqeHufl,
ve-tt ydoeitemsopeHun. HyrcHo ul4emb ecezdq, KoK qetb, qy*cm*o, Komopoe cttedyem swprcumb, e He morbKo
npednazamb npocmo 1ucmpyrc uzpy (...).
Ecnu ){e xomflm mpoHymb u ycnadumb cJtyx ucnorHeHuen Allegro, Hy)tHo rcatrcdyn nbecy uzpamb
c Hapocmarcu{u.u nbutolt, Ho HuKozda ue ctedyem ))cKopflmu deu){eHue, nomo-il4y Ltmo us-so omozo nbeco
n0mepnem 6cro c6oto npenecmb.

KAK I43 EEXATb TOP ONJII,IBOCTI4

Oqertb moponflm deucrceuue, rcozda cmtuKoM 1ttcmpct nctduut4arum notbtlat, oco1eHHO npu cKqqKax.
Vmo6u us1ear:amu smoir outu1rcu, HyJtcHo HeMHozo onupambcn He nepsyn Homy e lwcmpou Quzype, vmo6w,
tnaKuut o6pasou, ocHortton Homo ecezda 6utno 6ut ewcnytueHct HeA4Hozo donurue, qew Homu npocmo
npoxodnt4ue.
B mpttonnx H)/acHo 6umu oqeHb BHur4amenbHbtl4, ucnoilHtn ux norHbtult rt paeHbr,ttu, He crttytKoM
t?lopontt fiepBbl€ dae uomu (.). Motrcuo dnn docmu)teHut 3tnozo pe3ynbmama onupambcfl Hq nepsyto
Hom)] s mpuoltu, nomoAty Ltmo imo ocHotHafl Homa e axrcopde.

yAAPbr r3brKA
HedocmamoK, cocmottrlui e usnuwuei moponnurocmu, oqeHb vacmo npoucxodum us-sa
HeBH\-rtcttfieitbttozo otnHouteHun K dautrceuurc t3btKe. Bce 1ucmpue
nacca){u 6 Al.legro donacuut 6wmu
CbtzpoHbt no.ttHo, tnoqHo, v.lteno, c )tcuBocmblo, apmuK),.ttupoqaHHo
u BHfmtto. Smon,ty oqeHb cnoc1cmeyem
nodeultruoc't7tb u3btKe. H),:vr;uo mo.ryKemb fl3btKo"\t mo JrcecmKo, mo MnzKo, c.ryedyn mpe6ve-tto.l4v Rauecm7v
HOtl1.

KAK nbt[rATb
Hyacuo ectso1uoennmu dwxoHue e nodxodnt4ue MoMeHmd u mt4amenbHo .4r*v ynpasnntna, vmo1bt He

pasdennnlb qacmlt -uenctdutt, flBnnrct4uecn eduuulr4 4enbt^l, edr,txan mozda, xozda 3moeo detamu He creoyem.

HI4XHI4E HOTbI B BOIIbIIII4X I4HTEPBAIIAX

LIe.u 6ct-;tutuui rt6ue"t4 uvercm cKaLtKtt G nacco)tcax,
mev( 1onuute cu,\br cttedyem coo6u4amb Hu)tcHLtl4
HomaA4, nomo,+ty qmo, c rtduoti cmopoHu, 3mu Hombr cmaHoBflmcfl ocHorHbt.il4lt Homowu ctKKopde, a, c dpyzou
cmopoHbl, Htt)tcHue s?yKu ua rlneume He moKue zpoM4Kue u nporcttmenbHde, KeK ssyKu Bbtcorue.

69
 UIABHbIE IIACCAXH
Kozda nocJte 1wcmputx Hom udym KaKue-mo Hombt uedneuuue u neryvue, Hy)tcHo momLroc uce
c6aeumu nwn u ucnonHumu uedneuHue Homu c mpe|yeMbr.M vy6cm6oM, qmo6u cnwamenb He ucnbrmbrcan
uuxarcoil cKyKu.

KAK BbIAEnVITb TEMy Vr EE OTTEHHTb

Kozda Allegro meMo Buspat4aemcn HecKolbKo pes, Hy)tcHo ecezda B ttcnonHeHuu xopouo omdenumu
e
ee om -il4eHee B1)lcHbtx Qpot. Eydu oHa BeruvecmgeHHan uru HetcHafl, Becena2 unu omBatrcHag, ee ecezda
r4oacHo cdettamu sTr4emHoil c nouorybn ucuBocmu unu cdeprcauHocmu deutrceuun flsuKa (...), marc rce
KaK u c no^4ouluto piano u forte. Boo6t4e, usileHeHue HnaHcoe piano u
forte npu nosmopeHuu npudaem uzpe
1onuae usnu4ecmso.

KAK BbIPA3I4Tb PA3JIHIIHbIE TIYBCTBA

vyecmea ileHnnmcn e Allegro mqK uce qecmo, KaK u e Adagio.
Becenue ur4umupyrcm u uso6pacrcarcm c nor4otrlbto KopomKux Hom (...). HyrcHo et4e omgemumb,
qmo B octloBHo.t4 Eecelbe sdpozrcaem udLtqocmu ydapo7 n3btKo.
I)enuqecmeeuuocmu nepedaemcn dnuuubl^4u Homawu u HomoMLt c moqKawu. ITyurcmup donrceu
uzpambctt sttoqumettbHo u uuemb )rculoe Bupo){eHue. Toqxa ewdeptrculaemct norHocmbK), o cneoynl4at
KopomKan Homo ucnottHtemcn nposopuo3e. I'Iuozda A4ottcHo ucnonb3onamb mpenu (tremblements) Hq Homax
c moqxo[t.'
Omeaza ttso1pacrcaemcf Homowtt, zde emopan u mpembn c movKqv4u u zde nepsbte Hombt
coo H H O ycKopnnmcn.
m6 e mc mBe
Hecrcuocmu sblpa)lcaemcfl meKyLtul4u HomoMtt, Komopbte noduuA4anmcfl u1u onycKarcmcn
nocmyneHHo, tt datrce cuHKonupoBqHHbt.L4tt Homaviu, nepsyto us Komopbtx MoucHo uepctmb e dea pa3a
ctta6ee
u npudaaamu 6o.nutue culbt emopoti.
Ecnu e Allegrct 1onurue gecerwx udeil, qev4 BeruttecmleHHbrx utnt He)lcHbrx, ezo tlenuKog Moycyo
uzpqmb 9ecero u Jtcuso. Oduarco, ecnu BenuvecmBeHHoe cocmaBnnem xapqKmep ocuoeuoti udeu nbecbt,
Hy)tcHo
qmo6d nbeca 6wtra ucnorHeHa c 1onuweil cepuesHocmbn. Ecnu HeucHoe
- douuuupynl4ee qyecmso nbecbt,
uado npttdamu eti 6o.trt we cnorcoricmBun.

oPHAMEHTAqT4,q
Ilpocman "tte,ryodun s Allegro, moK uce KaK u e Adagio, dottrcua 6utmu yKpoaeHa npu nogot4u ports
de voix u dpyzux octto7Hbtx yKpoueuuti d,'tn mozo, qmo1br cdetamu ee 6onee npunmHotl, KeK mozo mpe,vem
3A"\OUC?HHOe B Hee qyscm6o.
BenuqecmBeHHoe He donycxaem mozo, .tmo6u do1aenfnocb -\,tHozo yrcpaweuutl, o mo, Ltmo
ucnonsyemct, donlrcuo 6uma cbtzpaHo B Bo3Bbruteuuotj MaHepe.

9ro xacasrct HcrIoJIHeHHfl Allegro Ha cKpHrxe (rge "1,Aaprr .fl3brKa" 3aMeHsrorc-rr Ha "yAaprr
clrltvxa"). Knauq vrorlH.rler:
Allegro, Allegro assai, Allegro di mol.to, Presto, Vivace uytrc:darcmcn, oco,euuo B aKKownoHe^4eHme,
zde uyut:Ho tuaHepa 6otuute uzpueatl, Ltevr cepbesHon, e ydape cvlbrLtKe pe3noM, oqeHb ltezKo-14, KopgmKo-y
tt
xoporuo pasdeneuuon (detache). Oduarco cnedyem co1nrodamu onpedeneHHyto cdeptrcauHocmb 6 s6yKe.

Allegretto Lt-qu Allegro, c,\4flztleHHoe cronal,ru non preslct, non lanto, non troppo, moderato u m. d.
( ) do-n:xr;uct ucnor'IHtmbctt HeilHozo cepbe3Hee, c ydapa,vu cvtbtrrxa 6onee Becoy4bty1y,
Ho BCe uce
coxpaHflnulu)ttt cBoto Jtclt9ocmb. Ocofeuuo ruecmHadtlamue e Allegretto, KoK u 6ocb"Mde e Allegro
uytrcdanmct B oqeHb KopomKux ydapax cMbtqKo (...). Oduorco, 6urcmpbrc nacco)tcu dontrcuur 6urma cb'peHbt
rezKur4u ydapa,ttu cttbrqKa.

39uroxerr yKa3brBaer
oAHHaKoBbril relrn r.r Anr faBora, n rilA p'roAoHa.

70
 XAperrnpu u rrunu pa:-nnqnux xnnxrnnfr (mn-ilonrau n rtHrlur

Paglu'lHble ABH)KeHnfl, (lreno4r.rn rr raHrlbr). xoroprre 6lrron arrr B XVII u XVIII BeKax, 6yly,
xranucpul{HpoBaHHbl 3Aecr n anfiaBHTHoM noptAKe . An, KaxAoro H3 HHX uu nu6pawr ocHoBHbrs
orrpeAene}rl1'fl., KoTopble npI,IBoAtr aBTopbI rofi 3noxn. rIHTHpyr HX, KorAa oHH AonoJrHrror
Apyr Apyra,
a HHorAa AalKe nporuBopeqar. B nocreAHeM cryqae Hy)KHo o6paruru BHHMaHHS Ha AaTy Hail;[.ea]r|u,fl
ng-f,rofr I{HTarbI, TaK KaK xapaKTepbl ABHxexpIfi qacro H3MeH flJrncb AoBoJrbHo 3Harrr,rrerrbHo B To HJrH
HHOe BpeMr.
KaNllrfi pa3, KorAa cKopocTb reMrla )Tor{HeHa, 6yAw AaHo 3Haa{eHHe coBpeMeHHoro MerpoHoMa.
(flarenr Ha u:o6pereHl{e luerpoHoMa Aarvpyorc.rr roJrbxo 1816 rogou. ,.{o eroro reoperr.rKg yrrorpe6tsnu
pa3'qutlHble croco6u o6o3Har{eHut reMna, HarlprrMep c rloMonlbro xpoHoMerpa (uaxruuxa), 6wenws
rryrlbca, o[peAeneHHoro KoJrr4qecrBa raKToB 3a onpeAeJreHHoe KoJruqecrBo ceKyHA H T. A...)

AIR zru ARIA

Aria (apun uru necHn) - smo uenodun c deuaceHuevy6epeHHbt-14 u poBHbLtut, c donnntu, oco1euuo
nepBblMtt a xaacdoil moKme, xopoao ct1osuarteHHbtwu. Te.unnoqmu ecezda doeonuuo 6ttcmpunl y BecetttlT,
ecru mottbKo Hem mepMuua Aria larga unu affettuosa u m. d..., qmo mpeTyem x cede uHozo omHouteHul.
(6poccap)

BOISMORTIER (1731 ) Air

L'AFFILARD (1694) Air tendre (Hexuan rrrenogran) ) = ao

J. M. LECLAIR (1738) Aria

Affettuoso k'r
),:

ALLEMANDE
fIpeNEe npocrofr raHeu. Allemande crana B KoHqe XVII BeKa nepnofi HJrH BTopofi vacrrro
crourrt. Ee reun o6uqHo yMepeHHr,tfi, rolrKo B KoHrIe XVIII BeKa efr Ha.{auarcr
HHcrpyN'{eHTaJIbHofr
npHAaBarb ABH)Kenpre 6ntcrPo€, Aalre or{eHb 6trcrpoe ([ou Eegoc: Allemandes B reMne 32 raKTa za Z0
ceK)/HA. r. e. rrerBeprb = 184...)

7t
 Bud uanena unu MyswKqnuuoil nbecbt Ha vemwpe donu, Komopue omduearcmcn cmeneuuo (...).
Allemande B coHamax noecrcdy ycmapena (...). Tom, Kmo en eu4e norsyemcn, denaem ee deutrceHue 6orce
6wcmpwu.
Allemande - ntenodun maHqq, oqeHb pacnpocmpoHeHHozo e llleeuqapuu u fepuauuu. 3ma uenodun,
mqK uce KoK tr maHeq, oqeHb eeceran, u oHa omdueaemcr Ha dea. (Pycco)

HOTTETERRE LE R. (1708) Allemande

Gravement (creneHHo. eaxxo)

HOTTETERRE LE R. (1708) Allemande

Gracieusement (rpaqrosro)

ENGRAMELLE (1775)Allemande )= 184 (d'apres Dom BEDOS)

ARIETTE

Cttoeo Ariette osHoqqem apurc Becetyr), B umalbflHcKoJt4 sKyce. (Bunrner)

Ariette - y.MeHbaumerbHoe om Aria - (BHaqoen'r "MoneHbKaf apufl" uru "neceHKa". Arietta Lt-t4eem
rt1dquo dee penpusbt tlnu oHa Bo3o1uoennemcn da capo, rcarc poudo. (Epoccap)

CLERAMBAULT (1713) Ariette ) = 87 (Choquel)

Doucement et piqud (ruxo u ocrpo)

72
 A, CAMPRA (1710) Arietta "Ce n'est plus la mode"
+

BOURREE ): 120 (AibOunap) ) = 160 (KnaHq)

Bud -,venodutt, coomnemcmsynu4uu moHryy c moKltv4 uce HqsBaHLte-Lt, rcomoputti cttumarcm npuuedruu.rtt
us Oeepuu ( ) Bourrde udem Beceno ua dea tl HaquHoemcfl c ttemsepmu u3ia moKmo. (Pycco)

Bcturree - 3mo noqmtt mo :)/ce cor4oe, vmo u Rigaudon (Puzodou). (Par,ro-g'Anau6ep)

Bourree u Rigaudon ucnoitrtttrcmcfl eeceJto, ydopaaru cMbHKa KopomKu.n4u Lt nezKu6y. (Knanq)

J. S. BACH (or.1720) Bourr6e

L'AFFILARD (1694) Bourr6e d= 120

BRANLE ): ,12 (Assu.urp)

Branle - eud mattqa Becbu4a Becenozo, Kon?optilil mau4yemcn "s KpptcoK", nld .uenoduto e clopne
KOpOnKOZO pOUd), m. e. c nocmottHHbt.\t peQpeuo,M noc.ite oKoHtlaHun rca){,:dozl Kyn,qemo. (P1,'cco)

CANARIES
I

J. = ,06 (Aoo v.nxp) d.: 160 (KnaHq)

)Ku4t u Kauapu (Conaries), rcax 6u uu 6ult o6osuaqeH po3"\4ep, acezda cnedyem uzpomb rcpauue
lucmpo. (Mr't|lclar)

Kauapu - Heqml spode ucuzu, c deutr:euue-M eule 6o.nee 6ucmpw.tr, qeut B o1wquotj tmze (...).
Smom maHer4 B Hocmoflt4ee 6peu4n Bbtruen rc ynompe1rcuun. (Pycco)

Fta
t)
 Pasuep tttecmb 6ocbl4btx 1onuwe nodxodum rc Canaries u Passepied, qeA4 pasl4ep mpu 6ocb^twx, no
npuquHe 6ttcmpomu deuuceHun, Komopozo mpe6yrcm dee emux netoduu. (MonreKJrep)

MoNTECLAIR (1 736) Canaries

L'AFFILARD (1694) Canaries en rondeau 106

DENIS (1747) Canaries

CHACONNtr J : t56 (AOOHn.rp) .l : t60 (Knanq)

Chaconne - Jmo dnuHHan M))sdKanbHafl nbeca Ho mpu donu co cdeptrcaHHbrv,t deutrceuuel4 u xopoao
o1osuaqeHHbtl4lt donnnu. Oua cocmoum tB MHozux Kyrmemol, Komopde, HctcKotbKo 3mo BosgogcHo,
6apbup))nmcn (...). Chaconne HaquHoemcn o6anuo He Ha culbHyto, o Ho smop))n do1rc. (Parlo-4'Anau6ep)

B Chaconne no ucettaHttto nepexodnm c v4aucopo Ho Jt4uHop (...), o, cmeneHHozo K 7ecettolry unu

om HexHozo K )tfttcol4y, Ho npu smo\{ uurcozda He ycKopnn u He sal4ednnn me.L4na. (Pycco)

Chacctnne uzpaemctt mQK uce BerttttecmleHHo (xax ra Sarabande. Entree, Lour e HrrH Courante).
(Knanq)

Pos-vep e L{arcoue o1osuavaemct mpotircoi, Komopyrc om1ueanm HCr "mpu" lreeKo u.ru ucr "pa3"
n e dne u u o. (OpeiroH-llouceH)

He cnedyem salurncltnb, vmo Chaconne u Villonell.e donxuut 6urmu 6ecetbl^4u. (!enuc)

M. CORRETTE (1738) Chaconne

74
 L'AFFILARD (1694) Chaconne J = 156

CONTREDANSE ) :r2 (uloxe*)

Me-nodttn tnoH\o c meil )tce HosBet"tuevt (...), rcomoputii o6w,tuo maHqyemcf Ha 6arax nocle r4eHyomoB,
rcarc 1ttnee seceitblit maueq (...). Menoduu rcoumpadoHCoB Ltar4e 6cezo udym ua "d7a".
OHL1 dot:trcutt 6ttmu
oqeHb pumVultltbtAttt, 6.necmnt4u.niu tt ?ece-rlbt 4u, Ho B mo irc:e 6pe,L4n ouu
donrcuu codep){amb e ce6e MHozc)
npocmomu. Tarc rcarc K Hurt4 ttacmo o1paularcmcn, 6ydem HendHocuv4o, ecttu oHt4 6ydym nepezpyuceHbt.
(Pycco)

E. P. CHEDEVILLE (1696) Contredanse

CHOQUEL (1762) Contredanse A = ftz

COTILLON

KorH.'ItoH - 3ro BH;1 KoHrpaAaHca, xoroprrfr B AanbHefiuerr npeBpaTg-rrcrr B euadrille (xaapu.ut)

CHEDEVILLE. Cotillon

75
 COURANTE B pasrraepe 312 ) = 90 (AfiSunrp) B pa3Mepe 314 ) = 80 (KnaHq).
Sarabande - 3mo, s cyt4Hocmu, nedneuuutft Menuet, a Courante - smo oqeHb uedneuuon Sarabande.
(Par'ao-g'Alau6ep)

Entrde, Loure u Courante ucnonHnnmcn GeruqecmleHHo, c-LtbrttoK xopoao doncrceu omdennmu

rcatrcdyn qemsepmb, HesqBttcttMo om mozo, cmoum nu uad ueti moqxe uJttt Hem. (Knanq)

Te, rcmo moHqyem Courante, denarcm dea uazo B KeJtcdou marcme, Ho smopoti ruaz soHygaem
molbKo mpembru donn, (Eaxxya-fe4oH)

MONTECLAIR (1736) Courante (ao Spaxqy3cKoM crrne)

L'AFFILARD (1694) Courante ) = 92

+

B nporuBo[oJlo)KHocrb Qpauqyscrofi Courante. rlTarrbflHcKa.rr - 6ucrpa-s u o6ogHaqaerc-f, Ha

TpH r{eTBepTu:

M. BITTI (1712) Corrente

ENTREE
I

Entrcc nepeBoAl{Tc.[ KaK "BbIXoE". "Bcr1'rt",]eHue". 9ro xacagrct reruna. To no Knanuv d = 80.

O1uqHo 3lno npetnduu uttu ctttut\oHuu, cnylcau,l,ue eeedeHuel unu npuzomoBreHueM K nbeceM.
Komopue udvm se Hultu. (Epoccap)

Entree - "uenodun rc cu.urltoHlttl, c Komopofi uaquuaemc, 6anem. Tqrcrce Entree Hasbrcarcmcr qe1brc
QKmbt a Opera-Ballel,s, xozda rcatrcdwfi aKm cocmoBltflem omdenr,ur,tii cntrcerr. (Pycco)

Entrde, Lour u Courante ucnoJlHnrcmcn genuLtecmleHHo, cltbtrtoK xopoao donrrceu omdennmu

rcacrcdyrc Ltemsepmb, He3oBltctt.Mo om mozo, cmoum nu uad ueii moqrca ynlt uem. (KnaHrI)

76
 MONTECLAIR (1736) Entr6e de ballet 6 deux temps graves
(BcrynneHhe K 6anery Ha ABa, creneuHo)

FORLANE

Forlane (Qtopnou) - ))^4epeHHoe deuuceHue, Heqmo cpeduee "uercdy Loure u Gigue. (Paruo-g'Anau6ep)

Pas-vep emoi -uenoduu om1ueaemcfl nezKo, u cav4 maHe7 mouce oqeHb eecenuti. Ou uasut7aemcf
Forlane nomo^ry, qmo mqK HQsbIBalu trcumeneit @puynu (o6tacmu Qpuynu - Beuequn - fiucytrun). (pycco)

J. S. BACH (1720\ Forlane

DENIS (1747) Forlane

FURIE "@1,pH!". "xpocrtr". flo KnaHql,B pa3Mepax C u3l4 J = 160.

llurie ucnoiltflemcfl c 1ctnuuut-tt nwJ,to.\,t. (KeaHII)

COn .fttrio - c ttpo('tttbto, c HeucmoBcmlovr - deutrceur4e pessoe, Typuoe u 3anetbttusoe. (Epoccap)

DENIS. Air de Furies

77
 GAILLARDE

Metodun "zanunpdbt", maH7q, ewutedaeeo rc ynompe1teuun luce daeuo, udem ua dee unu Ho mpu
donu B Becerov deucrceuuu. I'Inozdo 3mom maHey HqsuBonm Romsnesque, nomo,My qmo oH, KoK zoBopflm,
npuwen us Pu.ua. (Pycco)

MONTECLATR (1 736) Gaiilarde

GAVOTTE B pasrraep" fi ) = 120 (AQSump), n 3roM xe pa3r{epe d - 1323s (11loxe.ur).

laeom ua deo cocmoum us deyx penpu3, rcatrcdan us 4, 8, I2 marcmoe. IeuuceHue B zo7ome mo

uedtteuuoe, mo 6uc'mpoe, HO He cruutKoM *redneuuoe u He cluaKoA4 1utcmpoe. (Parrlo-g'Anarrl6ep)

3mo 'venodutt 6onee cmeneHHbte u cepbuHde ueu Rigaudons unu Bourrdes, c ttyscmsa.nru 1otree
mpozomenbHbllttt ( .). Pasuep o1osuovoemcfl deouxou u doncrceu om1ueqmbct oqeHb .ntedneuuct (Opefion-
lloHcen)

I-aertm noqmrt pasHuHaqeH puzodouy. Oduaxo otl u^4eem deutreuue 6o"nee y^4epeHHcteal. (KzaHrI)

B zaaome cpposr'r u ocmaHorKu yKasoHw vepes rcacrcdue dea maKma. (Pycco)

HOTTETERRE LE R. (1722) Gavotte

Gravement
+ V

J.-8. LCEILLET (17 10-171 7) Gavotte

Presto

40M"rpo,roM
pnroAoHa l,Keauqa: rpn pu.".p. noJroBurrKa panrra 160.
$
78
 L'AFFILARD (1 694-1 71 7) Gavotte )= 120

t,

Tempo di gavotta . - 3mo lsHaqaem, vmo c.nedyem npudepx:usombcfl morbrco deutrceHufl zoBoma, 6es
nodquue H H ozo cn c doaauufl Ko.ryuqe cm6y maKmoB u o1wvuo-uy Ltucny penprc B zo6ome. (Epoccap)

A. VTVALD| (1737)
Allegro tempo di gavotta
t
t, .t

GIGUE B 6/8
rl 100. a n 3/8 d.: 116 (A$$ra"up)
J.: B 6/8 d.: 160. (KnaHq)

.rl{uzct mpe1yem pa3taepo u deutrceuutt Ha 3/8, 6,,'8, 9,i8 utru I2i81t. I,lcnonunemcn oqeHb trezKo. (Aanua)

Pasuep o1osuaqaemcn qemsepKoii u urecmeprcoii (6/1) u om1ueaemcfl cmeneHHo ua dea. ({DpefioH-

flonceu)

Gigrcs u Canarie:;, KoK 6u e uux ue 6u-,t o1osuaqeH pasl4ep, dottttcttut uzpambct qp%Buqauuo (twcmp.
(M1.cf r[ar)

Gigue tt Canarie LL,\rcrcm oduuarcoeoe deuJreHue. Irlzparcmcr c nol4ot4bto ydapoe cMbtLtKo KopomKux
Lt rezKux. (Knanq)

L'AFFILARD (1694-1717) Gigue d.= 100

arCyulecreyror raKx(e )kHrH Ha 414, 412,214,314 n 312.

79
 L'AFFILARD (1 694-1 71 7) Gigue

J.-B. LCEILLET (1710-1217) Gigue

DENIS (1747)Gigue

LOURE42 J - ,o (KnaHqa3)
Loure - 3mo "uenodun co ctneneHHbtv,t deucrceuuev4, posl4ep o1osuaLtoemcn Hq utecmb Ltem4epmeu u
om1ueaemce Ha daa. O1wttHo oH HaquHoemcfl co cna1oil donu, o Homy e cepeduue
rcatrcdoti donu vcr4e Bcezo
ny HK mupy n m. (Parrro-4'Anau6ep)

Entree, Lottre u Couranle ucnotunrcmcfl BeruvecmBeHHo, c-MbtlroK omdennem (detache)

Lremsepmb, cmoLtm _ttt uad ueil moqrce
rcaxdyn
unu uem. (KnaHrI)

B :rype 1ottee 3a-\temHo nodueprcttsaetncn nepnon donn xatr:dozct mctKmct, qe,M Bmlpal. (6poccap)

M. CORRETTE (1238) Loure

-"Loure - 3nto HassaHue dpeauezo

uHcmpy^eHn a, noxo)tcezo Ho soJtbtHw (mu.gertd. Ha KOmopoM uepanu uenodurc
maHqa. (pycco)
4t^
"JAecb noApa3yMeBaercr patuep 214.

80
 DENIS (1747) Loure

Lourer '. omo iloHepa neHufl, Komopon cocmoum 6 mo]4, qmo6u npttdaeamu nepeoil us deyx oduuqrcoebm no
dtumetuuocmLt uom 6ct,tuae speueHu u cund, qelt emctpctii, Ho npu 3mo"\,t He nyHKmupyf ee u He yKopoqusat.
(Epoccap)

MARCHE
I

B pa:rurep. CI J : l2[aa,B pa3r{ep e oru )= 150 (A$$u:rxp). B pasruep"

Q A: 80 (KnaHq).

/lnn uaprua mpe6yemct pasMep ua dea unu Ha mpu, emo 6espasrutrHo. (Aanza)

Maput uzpaemcn cepbe3Hl (Knanu)

Meitodutt Mapu€u dontrcuut uuemb pa3ruLtHue xapoKmepd, B 3aBucultocmu om o1cmonmeitbcmB, 6

Kornopbtx ux nput4eHrnm. (Pycco)

L'AFFILARD (1717) Marche d = 120

+

L'AFFILARD (1694-1717) Marche en rondeau d= 150

M BLAVET (1737) Marche des Bergens...

?

Tendrement (HexHo

aaB
nr,larlru 1705 r. Af rpu.;lip yKa3r,rBaer no.rtoBHtIK)/ paBHYto 96 y'4apau. Koropoe orr \/BeJ'IHrru.rr Ao 120 n IT3AaHHH 1117 r.
8l
MENUET flo Kranuy J= 160. llo AHrpauenro ) _,u tlo A$$umpy )= ,0, ).= 76.

BarNHocrr N,reHy3Ta v 6onrruoe Ko[Hr{ecrBo HMe}ou{Hxc.fl nplrMepoB rpe6yer AIrfl ero

xapaKTepHcrHKH oco6oro Mecra, xor.f,, B roroprrfr pas, rrpuBoAtrct roJIbKo caMble ocHoBHbIe
onpeAeneHus,.

Taue4 oqeHb eecetuni, rcomopatu o6uq1o cltltmoemcfl npuruedwuu K Hail us llyomy. Cnedoeano 6ut
e nodpatrcoHue umo-rybnHtlau4 nonso*embcn dnn yrcasaHufl me.Mna sHaqeHuft4u mpu BocbJttbtx ltru aecmb
BocbMbrx, mqK rcarc deuuceHue B Her4 ecezda oLteHb Becenoe u oveHb 1ucmpoe. Oduarco, ynompe1neHue npocmoil
mpoircu dtn ezo o1osua,teHufl ul4eem nepesec. (6poccap)

Vqcmo 6weaem, qmo dauce oqeHb xopowue Ny3dKaHmw maHtlyrum GHe pumu4a, oco6euuo B r4eHyome,
us-so ycsoeHHoil npuewvmt om6ueamb Kailcdwil maxm. 3ma npusbtttKo omrreKaem ux om mozo, qmo Hy)tcHo
ecezda BHtt^4emettbHo ynompe1nnmu dea uysarKarbHbtx mqKme, qmodur cdetamu waz (le pas) ueuyema. LIs
smux deyx maKmor om1ueaemcn morbKo nepsbrti, xomopurfi uasueoemcfl "Bepuoil" (lo bonne)doreil, u smo
npueodum K mou4y, qmo po3l4ep maHqyeuozo r4eHyoma cmaHosumcn datrce cpaeHuA4 no ceoeuy 3HaveHurc c
pas.L4epo^t utecmb uemeepmeil. (Eaxxya-fegoH)

B pa3ilepe NeHy3ma Ho utecmb qemsepmeli cunuuan donn Hasueoemct "Bepuaf" dottfl, a cna1an
ttctsbrBaemct "Jto)Kltefl" dcutn.3mo eduucmaeHHafl npuquHa, no Komopoil nonusynmcfl pasl4epol4 utecmb
qemsepmeu, Buecnto deyx meKmor s pffiI4epe mpu qemsepmu, meK KqK B mpex qemeepmHol4 maKme sepHot
donn He omrt4vaemcr om ro)tcHoii. Ifosmov4y moHqyloryue omduearcm l4eHysm Ho luecmb qemsepmeil, datrce
ecnu oH t.t o1osuaqeH Ha mpu qemsepmu. (Jlynle)

Pasuep Ha mpu npocmue donu ctLtttrKou4 moponnue dnn nodtuuuozo deutrceHufl A4eH)Dma, moK qmo
pyKa He uileem ueo6xoduuozo rpetteHu dnn o6osHaqeHufl xatrcdoil donu, cozttacHo mpeyzonbHuKy,
cocmor:qxtoryeNy 3mom utd pas,trcpa Tarcu.t,t o6paso-tt, om1uean Menuet s pasl4epe utecmb vemeepmeil
l4o)tHo us1aeumbcfl om BCex 3mux ueydo6cme u uailmtt ucmuHuoe deutrceHue A4eHy3mo c nor4oulbn
(L[Ioxem)
^4otmHLtKa.

[Io npuuuue 6ont utoti cxopocmu u mpyduocmu, Komopyto cocma*rnem ucnonHeHue pyrcou mpex
tnaKux moponnueux deutrceuuil, uzpant4ue ttu4ercm o6urrcuoeeHue omdueamb 3mom pasuep (...) xax oduy
doltto (tno ecmb tte "pas"). LI.ueuHo maK om1ueonmcn eule.\,teHy3mw dtrn maHya (Merutets a danser),
nomo.\t)) Ltmo ux u?panm oLteHb Beceno. fl cxosan - l4eHy3mu dtn moHqa, tnoK KaK ecmb -MeHy?md dln
Kra*ecuHa, Komopbre o1dLttlo uzponmcfl He max 6trcmpo. (CeH-IIau6ep)

Menuet - 3tno .uenodun Hq mpu donu c yMepeHuuut deu)rceHue^4. (Partlo-g'Alarr.r6ep)

Cozryacuo Epoccapl), AreHy3tn - 3mo maHeq oqeHb eeceitbtu u ezo deuwerrue oqeHb 6ucmpoe. Odnarcct,
Honpomur, xapoKmep NeH!'3ma - 3mo tsnulHafl u lnazopoduan npocmoma. /laux:eHue e HeN cKopee
Ltmo HauileHee eecett'tti LB BCex eudoe mattrleB,
))NepeHHoc, \c,,\t 6ucmpoe. Motrcuo cKa3omb, )tnompe6"ryflevblx
He Hatlulx 6atax - 3mo NeH!3trt. /Ip),ro, deno s meampe.
Pas,r,tep NeHy3mo u^4eem mpu rezKue donu (...). KonuqecmBo maKmor B HaneBe dnn xatrcdoil penpusur
dotttcuo 6untu qembrpe u-tu 6umb KpamHbL\l qembrpen. CmonbKo ux Hy)tcHo dnn mozo, qmodu 3asepruumb
tuaz JVeHy3ma. 3a6omou JvysbrKoHma dontrcuo 6umu tceroHLte noKasamb 3mo po3dercuue c nouloulbn xoporuo
o1osuaqeHHbtr tluyp, qmo6w nol4oqb Wy moHtlytoulezo u noddeprcomb ezo e punnte. (Pycco)

Menuet uzpaemcfl B maKoi nartepe, Komopat npespal4aem yqeHLtKa qymb lu He s maHryopa.

Vemeepmu o1osuaqorcmcn ydapauu cMbHKa Her4Hozo mn)rcetbur4u, xotnf u KopomKuMlt. (Knanq)

82
 KaK sHAHo, rrorrru Bce aBTopbr roro BpeMeHH noAqepKlrBalor (u vacro c co)KaJrenuena) pa3Hlrrly
Me)rqy 3arrucbro N{eHy3Ta Ha rpH AoJrH H ero Hcro"qHeHHeM Ha ABe AoJrH. floerouy cJreAyer xopouo
pa3rlHlrarb r\,reAJreHHlril xapaKTep r.rara B TaHr{yeMoN{ N{eH\BTe H 6o4plrfi xapaKrep My3brKH. Teun 6yAer
oqeHb 6rrcrpufi, ecJrr{ oH or6usaercfl Ha rpr{ AonH. \'r{epeHHrrfr - ecJru or6unasrefl, Ha ABe AoJrH (aua
TaKTa rro TpH aonu). HeocuopuMo Lr ro, qro reMrr MeHy3Ta 3aMeAJrunc.fl c roro MorueHTa, KaK ero rrepecrarrv\
TaHlreBarl. lloeroMy rrpu rlcnorrHeHnkr HaAo orAaBarr ce6e orqer o6 guoxe H ilppr:nflTb Bo BHHMaHpre,
qro reM[ orrlyrr,rN{o yr.rrx(eJruncf Bce-TaKr,r roJrbKo Bo nropofi noJroBHHe XVIil BeKa.

ENGREMELLE (177 s) Menuet ).= rc

J. LGILLET (1729?) Menuet

M. L'AFFILARD (1694-1717) Menuet J.= tG

cHOQUEL (175e) Menuet

G. P. TELEMANN. Menuet

N.B. - Ovenu,lHo. .rro 3rifpyxeHIIat 3aIIHcb 3Tofo nocneAHelo N{eHy3'Ia Tereuaua (ro,rurco AnrI HrpLI. a BoBce He Art rnuqa)
rpe6yer reNrna MeHee 6r,rcrporo, qeM- HanpnMep, MeHy')r Atprfunlpa.

83
 MUSETTE B 3t4 ) @r );:80, n 3/8 ) tun );t - 80 (KnaHu)

"Mlo3er" - BorIbIHKa.
Pod uaneea (...) c pasuepol4 ua dee unu mpu dotu. Xaparcmep uaueuwfi tl HeucHuil, deutrceHue
creeKo uednumenbHoe. Bac eudep)rcaH ua oduoil Home (uuaue zosopn Hq opeaHHov4 nyHKme), marc, KaK 3mo
denaem sottbtHKo, tt HctsbtBaemcflno gmoil npuLtuHe "ba,sse de musette" (eonutuortuuni 6ac, 6ypdou).
(Pycco)

Mrcsem ucnonHflemcn oqeHb nocKoBo (...). HercomopbtJvt maHqopaM npuxodum

Qaumasun mpe1oeamu
maKozo 1ucmpozo meMnT, 6 Komopov Ho xatrcduu maKm npuxodutrcn 6u monbKo oduu ydap nynbca (80 n
pa3Mepe Ha rpu)ar. (KnaHq)

M, BLAVET (1737) Musette en Rondeau

Fpaqro:uo, He 3arfl rhBaF
+

CHEDEVILLE. Musette "La Favorite"

Non chalamment (6ecne.rxo)

CHEDEVILLE. Musette "La Sincere"

[-paqno:Ho, He 3arnrfi BaR

BOISMORTIER (17 31) Musette

G racieuse ment (rpa qros.no)

OUVERTURE

Ynepilopa 6eper cBoe IIpoHcxo)KAeHHe or onepbr: 3To opKecrpoBaJr npeJrro14s, xoropoil nopf{eHo
orKpblBaTb onepy. B mapoKoM cl\{blcJle, yBeprropa cnyxuT BBeAeHHeM K HHcrpyMeHTaJrbHofi crogre
(unorla "yreprropa" pacnpocrpaH{ercr Ha Bcro crcury, KaK HarrpuMep r{erbrpe yBeprropbr
Aa)Ke rept\'{HH
Eaxa- \rBeprrcpu Te:rer'tata v r. e.). lftonnn ycraHaBnnBaer $patrqyrcKyro 6opr), yBeprropbr: MeAneHHo
- 6rrcrpo - N'leArIeHHo. Koropa-tl HMe.qa 3HaquTemnuil ycnex.MeAJreHHaq qacrb
$panqyacr<ofi yBeprropbr
rpe6yer neperyHKTr.rpoB aHHr
r---T-tr-
: =
ffi
_-:4_ . B erou Hy)KAagrcr ee BeJrnqecrnennrrfi rz

peIIIHTeJrlHltit xapaKTep. Yneprropa Ha $paHqyscxufi N{aHep 6una npgHsra no scefr Enpoue.

a5Cntorpnre
o6 ucno.r-rHeHHH Alla siciliana no KsaHr-ly. q.ro, ilo efo crroBaM, orHocuTc, r.t K Musette.

84
 Yeepmrcpa ( ) do;rtrcua uMemb BcmynneHue ee"tltqecmBeHHoe u cmeneHuoe (...). Oua o1nsaua cBou*
npoucxo)t{:deuue"u Qpauqysau. IlpercpqcHbte o1paxlu 6urnu cosdauw .Itotny, Ho HeKomopbte HegeqKue
KoMnosumopbt, oco1euuct feudenu u Tene-uaH Bo .\tHo?o.rl npeffiowttu eeo. (Knanq)

I'IucmpynteHmanbHot nbeca, Komop),to ct?toporcmct uso1pasumu 6tecmnt4eu, sHywumeJtattoft,

1nazoseyuuou (,..). Veepmrcpo ( ) cocmoum u3 mflry)tte?o ompdBKq, Ho3w7eeMozo ,,Grave", Komopoe
uzpctrcm o1uquo dea pasa, lt tts nrtdnpuzusarct4eil qecmu, HasuBoeMoti "Gaie" (...). 3arcnrcqeuue ysepmropbt
nepexodum erye pas s "Grave" (...).
Hnta-tunu\bl pacnpocmpaHnnm menepb c6ot4 ysepmrcpbt uHozo euda. Ouu uavuHercmcfl c ompbtsKa
6tecmnu4ezo, nopbtBucmozo u )KTtBozo uo dee unu Ltetnwpe dotu. flomou ouu datom Andante e cdepucauuott
MoHepe (a demi-ieu), e Komopoil oHu cmqpanmcn ebtcmqrumb Hq noKes sce npettecmu ucKycHozo neHufl
(bel canto), a sazeptuqK)mcfl Bce oHu 6necmmt4ut't Allegro, o1wvHo He mpu donu. (pycco)

Bor npuMep Tunz.rHofr Spanqyacnofi yBeprropbr:

C. DIEUPART (Vers 1710) Ouverture

(Grave)

r ------=l t,
-t

85
 I

PASSACAILLE J= 106 (A$Qurrp) Heunoro 6rtcrpee,

"e*
J= 160 (Knauq)

Passacal.le omnu.taemcn om Chaconne (cv. oupeAeJIeHHe rex x(e aBTopoB Ha crp. 74) monuKo meM,
qmo oHo 6orce uedteuuan, 6onee HexHofl u HaquHaemcn oHo o6ur,luo c ctutbHoii donu, B mqKm, (Pauo-
4'Anaru6ep)

Passctcal.le nodo1ua Chaconne, Ho oHa uzpaemcn He^4Hoeo 6ucmpee. (Knanq)

6o.[rulrHcrBo aBTopoB Toro BpeMeHr{ corlacHbl Bo MHeHHII, rlpunucblsat flaccaxaluu (n

HHcrpyMeHTaJrbHbrx crouTax) reun 6onee crerreHHbrfi, ueu r rlaxoHe. flporunorroJlo)KHoe MHeHHe Knasrra
cKopee orHocuTcr K TaHr{eBaJrbHofi flaccaxaJil4vt (Passacalle dans6e).

L'AFFILARD (1 694-1 71 7) Passacalle

VILLENEUVE (1 733) Passacalle

Lent et tendre (uegneHHo tt Hexxo)

PASSEPIED B 3/8 J.= 88 (A0rlnmp) B 3/S ).:96 (lllorenr) B 314 ) = 160 (KnaHu)
Pa.ssepied - emo s c))lt4Hocmu oqeHb 1ucmpuii Menuet, rcomoputti HauuHaemcfl He Ha cunbHyto donrc
(e maxm), KctK o1uquutfr Menuet, a Ha mpembn dotrn e o6eux penprcax. (Pauo-g'Anarrr6ep)

Pas.vep mpoiluotl u om1ucaemcfl Ho pa3. fetttrceuue 6onee 6wcmpoe, qe-il4 deutrceuue e Meuysme, q
xapaKmep noLtmlt moxou xe. (Pycco)

Pass'epied uzpaemcfl HeilHozo nezqe u 6utcmpee, qev Menttel. Vacmo 6ueaem, qmo dea maKma
HCtnuceLtttt Korc odtu/6 tt rtqd rtomoii nocpeduue cmottm dee vepmoqKu:

43*o so spe.\rn snrozo ntaKnta ywtmet, maH4e6 6ydym denamu aaz, Komopati oxu Ha3brcav)m "npomueodonn". (IJJotcenr)

86
 HeKomopble ocmo4nflnm pa3deneHHbwttt 3mu dso mzKma u nuwym Hq ilecme qemsepmu c vepmoqKqMu d6e
9ocbMue c opKou (lurofr) Hasepxy, ueucdy Komopbr.vtr nor4eu4eHa mqKmoBan vepma. I,Icnonunnmcn smu
o6e uomu ua oduu ydap c"\4blqKq, KopomKuu u omde.trruutit, a 3mu o6a marcmo - KaK ecru 6u smo 6utna
mpoiixa qemsepmeu (314). (Krauq)

MONTECLAIR (1 736) Passepied

vite croches 69ales

J.=
|-- --l F
CHOQUEL (1759) Passepied 96

(vers 1720) Passepied

PASTORELLE (PASTOURELLE)
rrACTyPEJrb (rrACTOPAJrb)

Wma",rttltHCKttti Haner s nacmopa-ubHoA4 cmune. @pauqyscKue arcnoduu, Hq3bt7aeMbte Pastorales,

o1uHuo uo dee donu u s xapaKmepe Musette. IrlmanunucKue Pastorelles codepucam 1oturue oKqeHmoB,
1rttuurc ?potlttu, cmorbKo )rce HeJtHocmu u MeHbLue notunocmu. I.lx pas^4ep ecezda 6/8. (Pycco)

87
 MONTECLAIR (1736) Pastourelle de Jepht6

Ir. lr

VIVALDI (1737) Pastorale ad libitum

:
I

PAVANE d 92 (ASrlu,rrp)

ITaeaua nbeca cmeneHHon u cepbesHat, Komopyto om1uearcm o1wquo Ho dee dontr. (Epoccap)

MONTECLAI R (1 736) Pavane

Mod616 (yuepeHHo)

POLONAISE

f]o"uoHeg - rrpHABopnsrfi raHerl, qar{e Ha TpH AOJTH, qeru Ha ABe, BBeAeHHbrfr n ynorpe6,renlrc n
1574 ro*r)' c r\roN{eHra KopoHarJHH feHpuxa III Anxt'frcxoro s Kpaxore, B Aa.rrbnefiurelr norue4uruil n
N{oA\r B feplranHu n XVIII sexe. rAe oH npzoopcJr cKopocrb ABLIXeHH-g 6OJree vr\.{epeHH\/ro> r{acTo
corr poB oxrAaer,r)rrc A1'6:rerr,r .

TELEMANN (1 71 6) Polonaise

88
 (Double)

:--.. .7- ;>.. .--- tl>-. ---\

PRELUDE

Mox:uo sudenumu dea pasnltquux suda npennduil: nepewil - 3mo "npenodun coquHeHHar" (Pr,llude
compose), Komopafl o1btqHo nBnflemcfl neploi nbecou mozo, qmo Ha3br*aemcn Suite unu Sonate u no cpop.ye
flBnflemcfl omdenbHoil nbecoil. Tarcozo ){e poda 1weanm npenrcdutt, nowel4oeMue s onepox u KaHmamax u
Komopble npedruecmsynm u npedeel4orcm uuozda mo, qmo doJtJtcuo 6urmu cnemo. ,\pyzou eud - smo
"npeilodun no HacmpoeHut{)" (Prelude de caprice), rcomopctr, co1cmBeHHo, u ecmb ucmuHHofl npenrcdun
(...). 3ma npenrcdun dontrcua 6armu ucnorHeHo momuac )rce 6es ecnrcoil nodzomolKu. (Orrerepp)

Bor xax @pefioH-floHcen onpeAe.r-I.ser Prelude de "caprice": 3mo He qmo uHoe, KaK npuzomolneHue
dtn esnmttfl motta e ndy, s Komopoi4 xomflm Haqamb uzpambaT. 3mo o1wvuo detaemcn coamcLto clgte
aoo1patrceHutt ucnonHutnereti, s mom canwit MoMeHm, xozda xomflm uzpamb, 3apaHee Huttezo He 3anucbt6ofl.
He cyulecmsyem oco1wx nposun uu dnn deutrceuun, uu dnn npomnuceHHocmtr npenrcduil. Wx
LtcnonHtltom pl3-ttuLtuo, cnedyn eoo1pa:xceHurc u Qtaumasuu, mo HeucHo, mo pe3Ko, dnuuuo unt4 KopomKo, c
np e p bt B o to t tlLt-+t c fl p a 3-\4 ep oLt.

Motrc:uo dauce nepexodumb B "arc1ue eudu nadoe, nuutb (tw monuKo B Httx exodumu u1r4 Bbtxodumu
Lt3 Httx xarc 6u .ueut:dy npoltttu4, m. e., qmo1ut yxo om smozo He cmpadano. Mercdy me14 Heodxodtu,to,
qmo6u rcct){datt npetrcdun HoltuHonacb Ho oduoi rc mpex ocHozHbrx cmyneueil nada, 6 Komopo.M xomrm
Ltzpamb, u" qmo1at soKaHqttnotttt Ha oduoti tt3 3mux cmyneueit, 1espasnuqHo ua xarcoii, gduaxo ecezda nyqrue
ocmaHoqlu?|bcfl HA mOHUKe.
B "LIcx1'ggtua npeJlrotrHponanux" Orrerepp xore.rr noKa3arb, KaKHM o6pa:ov N,ro;11Ho
cblN'{flpoBH3rlpoBarl Prelude de "caprice". I4cxoAfr r43 3Toro, B rlpenrcAVH, rrpuBeAeHnofr nuxe. noAo6aer
Ao6Hearbcl oqeHl cno6oAHoro Hcno-'IHeHLrfl. o6ecneqHnax sau6oJrbrxee H3 Bo3N{o)KHoro BneqarreHue
Hr\rrlpoBH3auH H:

HOTTETERRE LE R. (1719) Prelude "de caprice"

41
I1 qmrr6r,t .xoputto tlocnlaBuntb pyKl^ Ha uHcmpyweHnte, npexde ueM Haqamb MysbrKoJtbHyto tlbecy. (pycco)

89
 Cne4yrouar npe[rcArar coorBsrcrBvsr roMy, .{ro Orrffepp Ha3brBasr Prdlude composd:
P16lude "compos6"

G. B. BONONCINI (vers 1700) Preludio

RIGAUDON ) = ,zo(Agsump) ) =*2 (Illoxenr) )= 160 (Kranq)

Bud mau4a, s Komopov uetodun om6ueaemcf Ha dea, c deu)rceuuer4 )t(utBbtu. O6urtuo denumcfl Ho
dee penpu3bl c Qpasupoercoii no qemwpe maKmo u HaquHoemcfl c nocnedueil uomu emopoti donu. (Pycco)

Eyppt u PuzodoH ucnolHflrcmct Becero, c ydapauu ctt4btLtKcr KopomKuu4u u reeKuhn;. (Knanq)

L'AFFILARD (1694-1717) Rigaudon / = 120

QUANTZ (1752) Rigaudon 160

RONDEAU rl no.{ru : 160 (u 0 emn3l4 Knanq)

Poulo - 3ro r}ropua. Koropafl 6u:ra oqeHb norvrrpHa e XVII H XVIII nexax. 3ra
N{v3brr(a.r-rbHas

Qopr'ra rlpnrleHrlilacb Bo Bcex BHAax rBH)KeHHfi (Gal,otte en Rondeau. Gigue en Rondeau. Air en Rondeau
H r. A. ( ..).

Haqurrarcm Rondeau c ucnonHeHufl ocHorHoti meuut, Komopyto normopnnm deotrcdw. Ifomou

uzparcm oduu pa3 nepsutti xynnem, 3emev oduu pa3 nosmopnemcfl ocHorHafl mev4e, nocle qezo uzparum
emopori Kynrem, u 3oseputaemcfl Rondeau 6HoBb ocuoeuoil meuoti. (Mapnypr)

Ilondeau uzpoemcn c HeKomopbt^t cnoKoticmatreu. (KnaHq)

Henenmv 6ydem usueHeHue deutrceHufl B o6eux qacmflx Poudo u ucnonHeHlte 6ucmpee Maucopa,
Lter4 MuHopa. Ilycmu, e dodpuft qac, ou{Ttrnntom l4aucop uauepofi ucnonHeHur, Ho He ycKopeHuew deuuceuun.
(Jlexnep. 4-x rerpaAb coHar Arrr cKoHrrKH. 1738)

90
 MONTECLAIR (1736) Marche en Rondeau

(Rondeau)
a

Gay (aeceno)

(FrN) * (-n rynner)

(Rondeau)
(2-i rynner)

SALTARELLO

3mo Gud deurceHufl, Komopoe ncezda udem nnpunpbtlcKy, qmo docmuzoemct o6wvuo mpuonbn u
nyHKmupo.rl HQ nepsoti Home Kottcdo]o moKmcr. (Epoccap)

DENIS (1747) Saltarelle en Rondeau

SARABANDE B3l2)=n.u il4)= t34, n 3t4 ): 88 (Ar|gH:rrp) B 3t4 )- 80 (KnaHq)

Enrcrpun raHeu s XVI BcKe. Capa6aHga. rpeBparu-rracb n XVII - XUII BeKax B oAHo H3
ABHXeHHiI (1'r,repeHHoe HrH N,reA.neHHoe) HHcrpyr{cHTa-rrbHofi cronrlr.

Sarahande - 3mo mom trce Menuet, Ho c deu:x'euuer4 cmeneHubt.t,t, tvedneHHbrAt, cepbe3Hbtv4 u m. d...
(Epoccap)

B Capa1aude pffi.Mep om1rteaemct Ha mpu ,vedneHHbre donu. (Opefion-floucen)

Sorabande utteenl mo )r:e dsulceHue, qnlo Lt E,ntrte, Loure tt Cottronte, Ho oHo ttzpaemctt c
Bbrpa)K'ctluetl 6o.tee nputrmHu,,u. (KnaHq)

91
 L'AFFILARD. Sarabande tendre (xexnan) )

L'AFFILARD. Sarabande en Rondeau ) = BB

Pasuep tuecmb qemsepmeil ucnonH,flemcfl cmeneHHo, KoK Honpuilep e Capa6aude unu lfaccarcanuu.
Eeo om1uBanm,ttedneuuo Hct mpu panHwe donu ( ) B Varcoue ezo omduBarom mqK)rce, uo 6onee 1eeKo.
(ASfiurxp)

L'AFFILARD. Sarabande a six temps graves (Ha uecru

"renenno)
J= rc4

SICILItrNNE

Cuqutruaua - eud maHryesanuuoti uetoduu ( ) c deutrceuueil zoposdo 6onee tvediteuuut, u eule

6otree nctdueprcuymbt-\4, ve^4 B )I{uze. (pycco)

AIlo Sicilianu s pas,4epe deeuadtlamb Bocb,4btx, c nepeMeuaHHbt-44u nyLtKmuprbt,4y Homq-L,u dotrtcua

uzpombctt oqeHb npocmo, noqmu 6es mpeneil u eoece He oqeHu uedneuuo. He cmoum ucnolbsoBemb
e ueu
HuKaKux lvKparueHuil' sa ucKnnveHue"\4 HeKomopbtx npoxodnryux tttecmuad4amurx u
HecKottbKux Ports de
voix, nomoN)/' qmo 3mo nodpaxaHtte moHqy cuqLututicxux nacmyxos. 3mo npoBuno r/,Meem .Mecmo
B
Mnsemax u cppaHqyscKux llacmopannx. (KnaHu)

J. LCEILLET (1729) Sicilienne

G. F. HAENDEL (1722 ?) Sicitiana

92
TAMBOURIN
Henuctzo 1wcmpee (veu 3a raKT 80, Knanq)

7'a.u6ypuu - pod maH4e, oqeHb .uctduozo cezodun eo QpauqyscKo^4 meqmpe. Menodun eeo oveHb
BeceJtoflu ctm1ueoemcfl ua dee donu ucu6o. Ou do.ntrceu 6wmu npuzqrot4uM u oqeHb pumMultHbtv B
nodpaucoHue (tneumau nposaHcanbqes. Eac donuceH nocmonHuo ydapnmu oduy u my J{e Homy s
nodpatrcoHue ma.\46ypuuy (...), na Komopo^4 o1uvuo aKKoMneHupyrum ce6e me, Kmo uzpqem Ho Qneume.
(Pycco)

Tambotrrin cocmoum u3 deyx penprc (...). O, omdueaemcfl Ho dee donu oveHb 1wcmpo u rcotrcdan
penprca HequHeemcn o1wquo co *mopoii donu. (Parnro-g'Anau6ep)

Ta,vSltpuH ucnotHnemcfl rcarc Byppe unu Puzctdou, Ho HeI4Hozo 1arcmpee. (Knanq)

J.-P. RAMEAU (1735) Tambourin

VILLANELLE

Bu-tauetite - 3mo ({axoua, uo 6onee Becenot, c deuttceuue.v 6onee JK:uBbtu,t, qeJ\,t e o6uquo[i Vaxoue.
(P auo-s'A.uav6ep)

Pod cenucKozo moH4o, e Komopov.uettodun do.rytrcua 6umu Becetoi, c oLteHb npocmbuvt pasuepo.u. B
ocHore omo?o Haneaa re){:utn o1wqHo docmamoqHo npocmoil xynnem, Hct rcomoputti nomou4 uzparcm dy6nu
u sapuaquzr (Pvcco)

CAMPRA (17 10) Villanelle

93
 BIBLIOGRAPHTE DES OUVRAGES CITES

BACH Carl Philipp Ernrnanuel. Versuch iiber die wahre Art da,s Klavier zu spielen
(E.ssai sur la v'ritable maniere de toucher du clovier), 1757

BACeUOy-GUEDON Alexis. Methode pour exercer l'oreille a la mesure dans l'art de la danse, 1778 (Fbtis)

BEDOS de CELLES Dom Frangois: L'Art dufacteur d'orgues, 1766-1778

BROSSARD Sebastien de: Dictionnaire de musique, 1703

CAIOX: Eltntents de ntusique, 1772

CHOeUEL Henri-Louis: musique rendue sensible par la mdcanique, ou nouveau rystdme pour appendre
la
facilement la musique soi-mdme, 1759

COUPERIN Frangois'. L'Art de toucher le clovecin, I7l7

DAVID Frangois: Methode nouvelle ou principes gdntraux pour apprendre facilement la musique et l'art de
chanter, 1737

DENIS Claude: l,louveau systeme de musique pratique, 1747

ENGRAMELLE le Pere Josepb.'. La tonotechnie ou l'art de noter le.s cylindres et tout ce qui est susceptible de
notage dans les instruments de concerts mtcaniques, 1775

FREILLON-PONCEIN Jcan-Pierre: Laveritable moniLre d'opprendre o jouer en perfection du hautbois, de la

flute et du flageolet, 1700

HOTTETERRE Jacques, dit Le Romain: L'Art de preluder sur la flitte traversi1re, sur la flute a bec, sur le
haulhois et outres in.r^truntents de dessus, I7l9

L'AFFILARD Michel: Principes tres faciles pour bien apprendre la musique, 1694-17I7

LOULIE Etienne: El'lments ou principes de musique, 1696

MAHAUT Antoine: lrlouvelle methode pour opprendre en peu de temps d jouer de laflute traversi1re, 1759

MARPURG Friedrich Wilhelm'. Principes de clavecin, 1756

MONTECLAIR Micliel Pinolet de'. Principe,; de musique, 1736

MUFFAT Georg: Suaviori.s harmoniae instrumentalis hyporchematicaeflorilegium, 1695-1698

QUANTZ Jo[an1 Joachin: E,ssni d'une methode pour apprendre a jouer de la flute traversi|re, ovec plu,sieur,s
rcntarqLte,s pour sen'ir au bon gout dans la ntusique, 1752

RAMEAU-D'ALEMBEM: Elentent.: de nrusique theorique et pratique suivant les principes de l\f. RAI,IE:AU..., 1752

ROUSSEAU Jean-Jacques: Dictionnaire de musique, 1767

SAINT-LAMBERT Michel de'. Les principes de clavecin avec remarques ntces.saires pour I'intelligence..., 1702

TARTINI GiLrseppe: Traite des agrtrnents de la musique, 177l

VAN DER HAGEN Amrand: Mdthode nouvelle et raisonnee pour le nautboi,s, 1792

VILLENEU\E Josse de. I,louvelle Mdthode (...) pour appendre la musique et les agrements du chant, 1733
 COAEPXAHIIE

nPEAHCJTOBT4E .7
OE O3HATIE HI4 E TEMIIOB PI TIX XAPAKTE PHCTI{KI4 .9
rlerup exAonbHbre pa3Mepbr.
.9
Lny4onrHbre pa3Mepbr ll
Tpex4olbHbre pa3Mepbr .14
OPA3UPOBKA . l8
AprnrcyJrrrIHoHHbre nay3br l8
Or,qen€HHbre Horbr .20
IIuru .22
Hepanulre HoTbr .25
Ta6nuqa .qJruTenbHocrefi, Koropble noABep)KeHbr npaBzrny HepaBHoMepHocru
B ocHoBHbrx pa3Mepax corJracso KaNoHy H Orrereppy Zg
llepenyHKTnpoBaHHbre Horbr 32
PySaro 3l
I/KPAruEHITfl 38
{na npnMepa rrbec, yKpaueHHbrx HX aBTopaMH 52
OPHAMEHTAIIITfl s4
VrcparueHHe Ha Qpuntlyrcrcufr MaHep 55
YrcpaureHue Ha HeMerIKHfr rr,taHep 56
YxparueHue Ha HTaJrbrHcxlrfr MaHep 59
Ka4eHqu.a 60
PA3JIIIIIHbIE KATE|OPHU ADAGIO U ALLEGRO 63
KnaccaQ HKaunfl reMnoB no Mapnypry 63
Knaccn$r4KarrLrfl TeMnoB c yKa3aHHeM MerpoHoN,roB rro KnaHqy 64
Xapaxrepbr pa3nurrHbrx reMnoB no Epoccapy H no pycco 65
O MAHEPE, B KOTOPOfr CJIEAI/ET I TPATb ADAGIO (KEAHq) 66
o MAIIEPE, B KoroPoll CIEAI/ET rIfpATb ALLEGRo (KnaHu) 69
XAPAKTEPbI H TEMTIbI PA3JII4IIHbIX NBUX(E HWil
(MErOAr,rrr r{ TAHrIbr) tl