Professional Documents
Culture Documents
Department of Education
Regional Office IX, Zamboanga Peninsula
MUSIC
Quarter 2, Wk. 2 - Module 2
East Asian Music
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At the end of this module, you are expected to:
Describe how the musical elements reflect East Asian
Culture.(MU8SE-IIa-g-1)
Compare the musical instruments of East Asian
countries.
Improvise and perform a simple musical accompaniment
to selected East Asian Music.(MU8SE-IIc-h-6)
What I Know
Directions: Below are the pictures of costumes, folk symbols, and
artworks. Identify the origin of these objects whether from Japan,
China or Korea.
1.__________________________ 2. ___________________________
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3. ____________________________
4. ____________________________ 5. _______________________________
WHAT’S IN
Activity 1- Recognize Me
Directions: Arrange the jumbled letters to identify the
following symbols.
1. terem:________________________
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2. thmrhy:______________________________________
3. harnymo:__________________________
4. lodyme:_______________________________________________
5. turetex:_______________________________________________
WHAT’S NEW
Japan______________________________________________________
________________________________________________________________
______________________________________________.
China____________________________________________________
___________________________________________________________________________
____________________________________.
Korea_____________________________________________________________________
___________________________________________________________________
_____________________________.
WHAT IS IT
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The Japanese music is usually slow, sad, and uses the low
notes. The musical instruments used are keyboard, piano, guitar
or any traditional Japanese instruments. They seldom use high
notes when playing their music.
Japan
China
Korea
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WHAT’S MORE
Biwa- is a Japanese
short-necked fretted
lute similar to a
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Pengling- is a small bell Changgo- is an hourglass-
originating from China. shaped drum from Korea.
Hornbostel-Sachs Definition
Classification
1. Membranophone 1. any musical instrument which
produces sound by way of a
vibrating stretched membrane such
as a drum.
2.Chordophone 2. a musical instrument that
makes sound by way of a vibrating
string or strings stretched between
two points such as a guitar.
3.Aerophone 3. a musical instrument that
produces sound by causing a body
of air to vibrate, without the use of
strings or membranes such as a
trumpet.
4.Idiophone 4. any class of musical instruments
(such as a bell or gong) whose
sound is generated by striking,
rubbing, plucking, or blowing.
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Musical
Instruments
1. 1.
1.
2. 2.
2.
3. 3.
3.
4. 4.
4.
5. 5.
5.
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I have learned
that______________________________
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WHAT CAN I DO
Directions: In this activity, you will sing any of the songs of East
Asian countries such as Sakura of Japan, Mo Li Hua of China, or
Arirang of Korea. Then, you can use any musical instrument as
your accompaniment like the sound of any musical instruments
of Japan, China, and Korea which are available in your place,
town, or barangay. This activity will develop your musical
awareness and appreciation of East Asian Music. Follow the
rubric below.
Note: Due to the pandemic that we are now experiencing, you will
create a music video performance as mentioned above using any
device such as cell phone. Then, send it to my fb or personal
messenger account.
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Voice Very Powerful Partially Could No sound at
powerful and powerful hardly be all
and strong and heard
strong strong
ASSESSMENT
Directions: Read carefully the following statements below. Encircle the letter
only of the correct answer.
1. It is an important aspect of Japanese music.
a. used for rituals
b. used music in religious activities
c. used music to control people
d. concerned with combining vocal or instrumental sounds for beauty of
form or emotional expression
2. It is an important aspect of Chinese music.
a. concerned with court music, folk music, poetic songs
b. used music in shamanistic and Buddhist traditions
c. used music to help conduct and govern themselves
d. concerned with economy
3. It is an important aspect of Korean music.
a. used for aesthetics
b. used music in shamanistic and Buddhist traditions
c. used music to help augment business
d. concerned with territorial disputes
4. It is a characteristic of Japanese music.
a. octave
b. usually slow, sad, and uses the low notes
c. heptatonic
d. augmented
5. It is a characteristic of Chinese music.
a. chromatic
b. diminished
c. octatonic
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d. pentatonic
6. It is a characteristic of Korean music.
a. bright rhythms and melodies
b. harmonic
c. reggae
d. rock
7.It is a big drum from Japan.
a. Changgo
b.Pengling
c.Shinobue
d.Odaiko
8. It is a high-pitched sound flute originating from Japan.
a. Changgo
b. Pengling
c. Shinobue
d. Odaiko
9.It is a small bell originating from China.
a. Changgo
b. Pengling
c. Shinobue
d. Odaiko
10. It is an hourglass-shaped drum from Korea.
a. Changgo
b. Pengling
c. Shinobue
d. Odaiko
Additional Activity
Directions: Put the sound in writing the music of East Asia that
you have recorded for the music video performance as if you are creating a
musical notation. This could serve as a memory aid for you. You can do the
notation in notes, words, or symbols. Below is an example of what the
notation might look like with combination of instruments and voice.
Musical Notation
Guitar
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Write your answer in the box below.
Musical Notation
Guitar
Water
container
metal
Bamboo
or voice
ANSWER KEY:
What I Know
1. Japan 2. China 3. Korea 4. Korea 5. China
What’s In
1.meter 2. rhythm 3. harmony 4. melody 5. texture
What’s New (Answers will vary.)
What is it
Japan- usually slow, sad, and uses the low notes
China- pentatonic
Korea- bright rhythms and melodies
What’s MoreTask 1:
1. Odaiko-Japan-membranophone
2. Shinobue-Japan-aerophone
3. Biwa-Japan-chordophone
4. Pengling-China-idiophone
5. Changgo-Korea-membranophone
Task 2- Let’s Appreciate! Answer: A note indicates sound, represents pitch
and duration of a sound
What I Have Learned (Answers will vary.)
What Can I Do- video performance
Assessment
1. d
2. c
3. b
4. b
5. d
6. a
7. d
8. c
9. b
10. a
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Region IX: Zamboanga Peninsula Hymn – Our Eden Land
Here the trees and flowers bloom Gallant men And Ladies fair Cebuanos, Ilocanos, Subanons, Boholanos, Ilongos,
Here the breezes gently Blow, Linger with love and care All of them are proud and true
Here the birds sing Merrily, Golden beams of sunrise and sunset Region IX our Eden Land
The liberty forever Stays, Are visions you’ll never forget
Oh! That’s Region IX Region IX
Our..
Here the Badjaos roam the seas Hardworking people Abound, Eden...
Here the Samals live in peace Every valleys and Dale Land...
Here the Tausogs thrive so free Zamboangueños, Tagalogs, Bicolanos,
With the Yakans in unity
My Final Farewell
Farewell, dear Fatherland, clime of the sun caress'd Let the sun draw the vapors up to the sky,
Pearl of the Orient seas, our Eden lost!, And heavenward in purity bear my tardy protest
Gladly now I go to give thee this faded life's best, Let some kind soul o 'er my untimely fate sigh,
And were it brighter, fresher, or more blest And in the still evening a prayer be lifted on high
Still would I give it thee, nor count the cost. From thee, 0 my country, that in God I may rest.
On the field of battle, 'mid the frenzy of fight, Pray for all those that hapless have died,
Others have given their lives, without doubt or heed; For all who have suffered the unmeasur'd pain;
The place matters not-cypress or laurel or lily white, For our mothers that bitterly their woes have cried,
Scaffold or open plain, combat or martyrdom's plight, For widows and orphans, for captives by torture tried
T is ever the same, to serve our home and country's need. And then for thyself that redemption thou mayst gain
I die just when I see the dawn break, And whe n the dark ni gh t wraps the grave yard around
Through the gloom of night, to herald the day; With only the de ad in the ir vi gil to se e
And if color is lacking my blood thou shalt take, Bre ak not my re pose or th e myste ry profound
Pour'd out at need for thy dear sake And pe rchance thou mays t he ar a sad hym n re sound
To dye with its crimson the waking ray. 'T is I, O my country, rais ing a song un to the e .
My dreams, when life first opened to me, And e ve n my grave is re me mbe red no more
My dreams, when the hopes of youth beat high, Unmark'd by ne ve r a cros s nor a s tone
Were to see thy lov'd face, O gem of the Orient sea Le t the plow swe e p through i t, the spade turn it o'e r
From gloom and grief, from care and sorrow free; That my ashe s may carpe t e arthly floor,
No blush on thy brow, no tear in thine eye. Be fore into nothing ne ss at last the y are blown.
Dream of my life, my living and burning desire, The n wil l oblivion b ring to me no care
All hail ! cries the soul that is now to take flight; As ove r thy vale s and plai ns I swe e p;
All hail ! And sweet it is for thee to expire ; Throbbing and cle anse d in thy space and air
To die for thy sake, that thou mayst aspire; With color a nd lig ht, wi th song and lame nt I fa re ,
And sleep in thy bosom eternity's long night. Eve r re pe ating the fai th that I kee p.
If over my grave some day thou seest grow, My Fathe rland ador'd, tha t sadne ss to my sorrow le nds
In the grassy sod, a humble flower, Be love d Filipinas, he ar n ow my last good -by!
Draw it to thy lips and kiss my soul so, I give the e all: pare nts an d kindre d and frie nds
While I may feel on my brow in the cold tomb below For I go whe re no slave before the oppre ssor be nds,
The touch of thy tenderness, thy breath's warm power. Whe re faith can ne ve r kill , and God re igns e 'e r on h igh!
Let the moon beam over me soft and serene, Fare we ll to you all, from my soul torn awa y,
Let the dawn shed over me its radiant flashes, Frie nds of my childhood i n the home disposse sse d!
Let the wind with sad lament over me keen ; Give thanks tha t I re st fro m the we arisome day!
And if on my cross a bird should be seen, Fare we ll to thee , too, swee t frie nd that ligh te ne d my way;
Let it trill there its hymn of peace to my ashes. Be love d cre ature s all, fare we ll! In de ath the re is re st!