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Objectives:
-Students will be able to identify major key signatures up until 5 sharps.
-Students will be able to identify major key signatures up until 4 flats.
-Students will be able to correctly identify the above key signatures in treble clef.
-Students will be able to write in the noted key signatures using tricks such as BEADGCF.
State Standards:
1) CM.P IL. 5.1- “I can Identify sharps, flats, naturals, and simple key signatures.”
2) GM. P IH. 5.1- “I can read and use key signatures.”
3) GM. CR IH 1.1- “I can identify key signatures in melodic phrases.”
Context:
I am teaching this lesson because identifying key signatures is a fundamental skill all musicians
should be capable of. This skill strengthens sight singing, composition, and just a general
understanding of the music being performed. Before this lesson, I would start my unit with basic
music theory skills evident in previous lesson plans made. I would work on solfege skills and
ensuring my students understand the lines and spaces of each clef. Without the introduction to
reading the staff students cannot comprehend why the key signatures are notated the way they
are. Therefore, my students need to previous knowledge of reading the grand staff, and to have a
general understanding that music is in different keys. After this lesson would be a continuation of
learning key signatures because there is more than what was assigned for this lesson. Key
signatures in itself would most likely be 3-4 lessons worth of content in order to cover remaining
key signatures, reading them in bass clef, and identifying relative minor keys. Since the next
lesson topic is a continuation with some added content, this lesson and the comprehension of
reading the first set of key signatures is their preparation. I will also do a knowledge check to
make sure we ca move on, because the content only gets more detailed from here.
Data: Students will be grouped based on a knowledge check given about reding the grand staff
which has been already covered in class. Based on the scores of this knowledge check I will
group students into 3 sections (without disclosing what the groups represent) and start the lowest
scoring group with teacher directed instruction to answer any questions. Data will be collected
on these groupings based on a google form that will be assigned so I can get student feedback
and use these answers for future grouping strategies. I will also ask for a screenshot of the
independent study activity scores (not graded) in order to see personal growth and student
understanding.
Materials:
Link
Part of Materia
lesson ls
needed
Introdu - https://youtu.be/VU8mM1g_g38
ction Smartb
oard
and
comput
er in
order
to
watch
the
recap
video
“How
to read
notes
on the
staff”
on
YouTu
be.
-
Student
s have
the
option
to use
manusc
ript
paper
or a
notebo
ok and
pencil
in
order
to take
notes.
Procedures:
Introduction (15 minutes):
Students will enter the room and find their seats right away. There is nothing on
their desks, but the SmartBoard will have the video up and paused so that students can
start thinking about what was talked about when reading notes on the staff. I will start the
lesson by asking students what they can recall about reading the grand staff and if they
have any previous knowledge on what a key signature is. I will take the replies I receive
and have an open class discussion on what is being brought up such as pitch names, lines
and spaces, and possible key signatures that can be recalled (most likely c major). We
will then review what we have already learned about reading the staff and notes placed
on the staff with the help of 5 Minute Mozart’s video “How to read notes on the staff”,
(https://youtu.be/VU8mM1g_g38). I will open up for any last-minute questions before
moving on with key signature reading.
Closure (10minutes):
For the closure activity, I will have the students all come back to their seats and
keep their devices out. I will ask the class how everyone felt about the material and if any
questions arose throughout the rotation that I can answer before assigning the exit ticket. After
having a class discussion and clearing up any miscommunications, I will ask the class to access
the google form I created as their exit ticket
(https://docs.google.com/forms/d/e/1FAIpQLSelmDCUgAOjxDDPR27ldho1BWDWL1U2Psnor
JWdGllmjLCuTg/viewform?usp=sf_link). It’s compiled of music theory questions for data
analysis and grouping purposes, and then finishes off with some short answer feedback on what
was helpful about this rotation and what was not. I like to get feedback from my students so that
I can continue to tailor lessons to their needs and improve as we go.
Rationale:
5 Minute Mozart Video:
This piece of free multimedia supports my student’s learning by recapping what
they already know and building upon that. This video may answer any leftover questions from
the last lesson that will then better prepare my class to fulfill student objectives that were created
for this lesson. 5-minute Mozart is a trusted music theory source that gives concise information
in a short amount of time which is perfect for classroom instruction. This source is a great choice
for differential instruction because for visual and auditory learners, videos can be easily absorbed
and looked back on for future use. Closed captions can also be utilized for anyone who is
auditorily impaired.
MusicTheory.net Game
For the independent study section, I chose a very trustworthy site called
Musictheory.net. This site is used currently at Coastal Carolina University for its accurate
information and easy practice games. I assigned the Key signature identification game, which
this maybe my favorite multimedia material used in this lesson. It’s totally customizable for the
content that was discussed in class, the site gives direct student feedback, and is easily accessible
content. This free site can be accessed at home, on your iPhone, and in school where even just a
couple questions a day can strengthen your key signature naming skills. This site can be
screenshotted and sent to teachers for immediate and personalized feedback so that we as
educators can better tailor our lessons to the students’ needs. Great for visual and kinesthetic
learners and is great for students to see the physical key signatures as they would appear in their
music.