Professional Documents
Culture Documents
2022高雄電影節專刊
2022高雄電影節專刊
主辦單位 |
節目協力 |
活動協力 |
場地協力 |
購票單位 |
贊助單位 |
感謝名單 |
行銷協力 |
2 目次 Contents 目次 Contents 3
流麻溝十五號
Untold Herstory
台灣 Taiwan | 2022 | DCP | Colour | 112min
前立委姚文智離開政壇後化身電影監製,偕同台灣首
位受邀成為美國影藝學院會員的女性導演周美玲,改
編曹欽榮的著作《流麻溝十五號:綠島女生分隊及其
他》,余佩真、連俞涵、徐麗雯三位女演員最真誠無
畏的詮釋,重現那段稍有不慎即可能「被消失」的荒
謬歲月。
Zero CHOU started her filmmaking career in documentaries and later transitioned to feature films. Her
film Spider Lilies won the 2007 Teddy Award for Best Gay/Lesbian Feature Film at Berlinale. Her 2004
film Splendid Float won three Golden Horse Awards, including Outstanding Taiwanese Film of the Year.
尾號 1314
「你的婚姻不是你的婚姻」系列
Marriage No.1314
台灣 Taiwan | 2022 | DCP | Colour | 99min
城鄉對比與反璞歸真的劇情設定,襯托科技始終無法
取代人類的中心主旨,再擬人貼心的 AI 人工智慧,終
究只是暫供協助與慰藉的幻影,無論一生一世與否,
仍會留下深刻印記。
CHENG Wen-tang has extensive experience in all aspects of filmmaking. As an independent producer,
he has built his reputation on producing documentaries, short films, and feature films. His feature debut,
Somewhere Over the Dreamland, won the 2002 Golden Horse Award for Outstanding Taiwanese Film of
the Year.
山中森林
Lost in the Forest
台灣 Taiwan | 2022 | DCP | Colour | 132min
姜寧 Johnny CHIANG
身兼導演、編劇、作家、主持人等多重身分,擅長體察幽微人心、深諳真實人性。筆下故事,皆是透過觀察
與實地生活經驗,所產生富有魅力的情節;一個個豐富的人物,則是透過交流與對話,連結不同的生命所得
到的形象。曾監製及執導過不少 MV 與廣告,作品有電影《山中森林》、偶像劇《N 世代》,並曾主持《女
神情報局》、《深夜食堂台灣站。玩咖 9 透透》等節目。
Johnny CHIANG is a director, screenwriter, writer, and host. He has produced and directed many music
videos and commercials, and has operated nightclubs and media studios. His works include the film Lost
in the Forest and the book The King of Nightclubs. His idol drama, Generation N, was released in late
2018.
阿波羅男孩
「台語有影」單元
Space Boy
台灣 Taiwan | 2022 | DCP | Colour | 90min
韓國有《非常律師禹英禑》,台灣也有十分動人精采
的《阿波羅男孩》。在精巧的篇幅中 ,刻劃家有自
閉兒的親人們如何用心與之共同成長,箇中滋味酸甜
苦辣皆有,演出母親的范瑞君寫下心得:「身為一
個母親,妳並不完美,但妳已經很努力了!」。飾演
Debby 的陳妤,堅強與脆弱兼具,令人心疼。而精湛
詮釋泰翔的巫建和,再次展示表演火力,比《陽光普
照》演技更上一層樓。
Nelson YEH is an all-round director who is experienced in film, television, commercials, and more. His
films Night Market Hero and Twa-Tiu-Tiann both earned over 100 million NTD at the Taiwan box office.
He excels in finding the comedy in the lives of ordinary people and merging it with his observations of
society.
恭請光臨曾賈府喜事 梅莉
「你的婚姻不是你的婚姻」系列 「你的婚姻不是你的婚姻」系列
Save the Date Mary's Merry Marriage
台灣 Taiwan | 2022 | DCP | Colour | 95min 台灣 Taiwan | 2022 | DCP | Colour | 105min
Peter HO has been an actor, producer, screenwriter, and director. He has starred in 54 television dramas KAO Pin-chuan was born in Taipei in 1979. His 2019 film, The Gangs, the Oscars and the Walking Dead
and 29 films. In 2018, he once again took on multiple roles as actor, screenwriter, producer, and director won him Best Screenplay at the Taipei Film Awards. He won the Golden Bell Award for Best Director for
for the television series Age of Rebellion, for which he won the Golden Bell Award for Best Director. a Television Series for Yong-Jiu Grocery Store in 2020.
PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation
16 國際短片競賽簡介與獎項 International Short Film Competition Overview & Awards 國際短片競賽簡介與獎項 International Short Film Competition Overview & Awards 17
國際短片競賽簡介與獎項
The International Short Film Competition was introduced by Kaohsiung Film Festival in 2011, attracting thousands
of submissions from across the globe every year. Following an application, evaluation and discussion process
lasting several months, a collection of narrative, documentary, experimental, animation, and VR works are selected.
We especially value works that are unique, dare to challenge genre boundaries, and pursue innovation in topic,
International Short Film Competition concept, or style. Competition screenings are separated into four main sections: Taiwan Competition, International
Competition, Children’s Jury, and VR Competition. The Final-stage Jury will watch the films in person during the
Overview & Awards festival period and jointly select the winners of each award.
2011 年起,高雄電影節開始舉辦國際短片競賽,每年聚集數千件來自世界各地的作品,歷經數個月的徵件和評選討
論,精選劇情、紀錄、實驗、動畫以及 VR 作品。我們尤其看重觀點獨特、勇於挑戰類型界線,在議題概念及風格形
式上追求創新的作品。競賽放映共分成四個主要單元:台灣組、國際組、兒童評審團,以及 VR 組,並於影展期間由 國際組、台灣組競賽共同角逐
決審評審現場觀影,共同選出各別獎項。 Mutual Awards for International Competition & Taiwan Competition
評審團獎 評審團特別提及
Special Jury Award Special Mention 兒童評審團競賽 Children's Jury Competition
獎金美金 3,000 元與獎座一式 獎金美金 1,000 元與獎座一式
US$3,000 and a KFF trophy US$1,000 and a KFF trophy 兒童評審團大獎 兒童評審團特別獎
1 名| 1 winner 1 名| 1 winner Children’s Jury Grand Award Children’s Jury Special Award
獎金美金 3,000 元與獎座一式 獎金美金 1,200 元與獎座一式 本系列獎項將由獨立之入圍名單選出 Winners are selected from a separate list of nominees
US$3,000 and a KFF trophy US$1,200 and a KFF trophy
1 名| 1 winner 1 名| 1 winner
VR 競賽 VR Competition
國際組競賽 金火球大獎 VR 金火球大獎 VR 沉浸體驗獎
Golden Fireball Award VR Golden Fireball Award VR Immersive Award
International Competition
獎金美金 8,000 元與獎座一式 獎金美金 6,000 元與獎座一式 獎金美金 2,000 元與獎座一式
US$8,000 and a KFF trophy US$6,000 and a KFF trophy US$2,000 and a KFF trophy
1 名| 1 winner 1 名| 1 winner 1 名| 1 winner
獎金美金 3,000 元與獎座一式 獎金美金 1,000 元與獎座一式 獎金美金 2,000 元與獎座一式 獎金美金 1,000 元與獎座一式
US$3,000 and a KFF trophy US$1,000 and a KFF trophy US$2,000 and a KFF trophy US$1,000 and a KFF trophy
1 名| 1 winner 1 名| 1 winner 1 名| 1 winner 1 名| 1 winner
18 短競決審評審 Short Film Competition Final-stage Jury 短競決審評審 Short Film Competition Final-stage Jury 19
短競決審評審
Short Film Competition Final-stage Jury
菲利浦・巴克 Phillip BARKER 黃勁輝 WONG King-fai
國際知名的加拿大導演、美術設計和視覺藝術家。2006 年,他以《赤 曾以劇本《奪命金》榮獲第 49 屆金馬獎最佳原著劇本獎,並入選 2011
裸真相》(艾騰・伊格言執導)獲頒加拿大導演協會獎(Directors 年威尼斯影展「主競賽」單元。導演作品包括長片《劉以鬯:1918》、《也
Guild of Canada Award),以表彰他在美術設計方面的傑出成就。 斯:東西》;舞蹈短片《時光》、《遊園驚夢》;早年劇本有高票房電影《鍾
自編自導的短片《魅影情釣》(Shadow Nettes)獲選 2017 年溫哥 無艷》、柏林影展觀摩片《辣手回春》等。2018 年獲香港藝術發展局藝
華國際影展最佳加拿大短片獎。2019 年,一系列名為「怪奇機器」 術家年獎。
的回顧展「Strange Machines: The Films of Phillip Barker」由加 WONG King-fai is the director of the documentaries Liu Yichang:
拿大多個重要的電影機構合辦,展開各地巡迴。同年,法國的克萊 1918 and Leung Ping-kwan: Boundary. His screenplay for the
蒙費宏國際短片影展也舉辦回顧專題,並邀請多位藝術家創作展覽, 2011 film Life Without Principle won Best Original Screenplay at
向他的創作致敬。 the Golden Horse Awards and was screened in competition at the
Venice Film Festival.
Phillip BARKER is a filmmaker, installation artist and production
designer. His own films have been screened internationally and 黃勁輝
won numerous awards. In 2019, a retrospective of Phillip's films
WONG King-fai
was presented by Montreal's Festival Nouveau Cinema, TIFF
Lightbox, Toronto, and The Canadian Film Institute, Ottawa. At
the 2017 Vancouver International Film Festival, his film Shadow
Nettes won the award for Best Canadian Short Film. As a 邱立偉 CHIU Li-wei
production designer, he has worked on films by directors such as
Atom EGOYAN, Brian DE PALMA and Mira NAIR. 動畫導演,畢業於北京電影學院導演系博士班,曾任台南藝術大學動畫
美學藝術研究所副教授,於 2006 年擔任紐約法拉盛廳駐村藝術家。動畫
影集作品曾獲得四次金鐘獎,並曾以《窗邊的星星》入圍第 41 屆金馬獎
最佳創作短片獎,以《小貓巴克里》入圍第 54 屆金馬獎最佳動畫長片獎。
短競初審評審
Short Film Competition Preliminary Jury
李家驊 LEE Chia-hua 曹仕翰 TSAO Shih-han
導演,臺南藝術大學藝術創作理論博士,現為世新大學傳播管理學系助 畢業於臺北藝術大學電影創作學系研究所導演組。曾以《我的狗男友》
理教授。從事紀錄片創作多年,2003 年作品《25 歲,國小二年級》曾獲 入圍第 47 屆金鐘獎電視電影編劇獎,其創作劇本並多次入選電影優良
2005 年日本山形國際紀錄片影展「亞洲新力」單元特別賞、2004 年台 劇本獎。2016 年,獲選金馬電影學院學員,接受兩岸三地電影人指導,
北電影獎最佳紀錄片獎等肯定。2020 年以《我的兒子是死刑犯》入圍金 2017 年與 2020 年分別以《春之夢》及《貓與蒼蠅》入選法國克萊蒙費
馬獎及台北電影獎最佳紀錄片獎。 宏國際短片影展「國際競賽」單元,並於 2022 年入選柏林影展新銳營。
A graduate of the Doctoral Program in Art Creation and Theory TSAO Shih-han holds a master’s degree in Filmmaking from
at Tainan National College of Arts, LEE Chia-hua works as an Taipei National University of the Arts and was a member of the
independent documentary filmmaker and assistant professor at 2016 Taipei Golden Horse Film Academy and selected for 2022
Shih-Hsin University. His film Me and My Condemned Son was Berlinale Talents. His short films A Dream Of Spring (2017) and
nominated for Best Documentary at the 2020 Golden Horse Neko and Flies (2020) were both selected to the International
Awards and Best Documentary at 2020 Taipei Film Festival. He Competition of the Clermont-Ferrand International Short Film
also won a Special Mention at the 2005 Yamagata International Festival in France.
Film Festival for The Spirit of 8.
LIN Yu-chen is a professional script writer who was nominated for WENG Huang-te is a film critic, curator, and founder of the No
Best Adapted Screenplay at the 2021 Golden Horse Awards for Film No Me blog and fan page. He is currently the executive
Treat or Trick. His favorite movie genres are comedy, horror, action director of Taiwan Film Critics Society. His articles are published
and B movies. on Funscreen, Initium Media, PTS News, The News Lens, and Up
Media. He has worked as the curator of Fuzhong15 and Taoyuan
Arts Cinema, and is now curating the I-Fun Learning Film Festival.
美麗島人權獎評審
Formosa Human Rights Award Jury
鄒隆娜 Rina B. TSOU 邱伊翎 CHIU E-ling
菲裔台灣電影工作者,畢業於國立臺灣藝術大學電影學系。兩個國度的 畢業於清華大學社會學研究所,曾任東海大學女研社社長、東亞科技與社會國際
生長經驗與跨文化背景豐富了她的創作畫布,如魔幻捕捉在台菲律賓漁 期刊助理、法律扶助基金會社會發展委員會委員。現為西藏台灣人權連線執委、
工的《阿尼》、溫柔記錄陸籍配偶在台築巢的吉光片羽的《青梅的手》, 台灣廢除死刑推動聯盟執委、人權公約施行監督聯盟執委、台灣人權促進會執委。
以及尖銳共鳴女性移工脆弱處境的《十年台灣》之《942》等作品,在國 2014-2019 年擔任台灣人權促進會秘書長,2011-2013 年曾任亞太難民權利網絡
內外各大影展如法國坎城影展、韓國釜山國際影展、台灣金馬獎等獲得 東亞副主席。2020 年 1 月接任國際特赦組織台灣分會秘書長。
展演與肯定。
CHIU E-ling has been the Chair of Feminism Study Club in Tunghai University,
Filipina-Taiwanese filmmaker Rina B. TSOU studied filmmaking at a member of Social and Development committee in Legal Aid Foundation
the Motion Picture Department of National Taiwan University of (2016-2018), and Deputy Chair of East Asia working group in Asia Pacific
Arts. Being of two lands, she has applied her sensibilities of two Refugee Rights Network (2011-2013). Currently, she is still a board member
cultures to the issues raised in her films, which have circulated of Human Rights Network for Tibet and Taiwan, Taiwan Alliance to End Death
international film festivals such as Cannes Critics’ Week, Busan Penalty, Covenants Watch, Taiwan Association for Human Rights (Secretary
International Film Festival, and the Golden Horse Awards in General 2014-2019). From the beginning of 2020, she took the position of
Taiwan. Based in Taipei, she is currently working on both fiction and the National Executive Director of Amnesty International Taiwan.
documentary films, exploring possibilities of different narratives.
VR 競賽決審評審 VR 競賽初審評審
VR Competition Final-stage Jury VR Competition Preliminary Jury
布雷克・坎默迪納 Blake KAMMERDIENER 毛立慈 MAO Lee-tzu
西南偏南影展 XR 與電影單元策展人 臺北流行音樂中心視覺設計/行銷部經理
Sr. Manager, Film Festival Programming of XR & Film - SXSW Creative Artist & Marketing Manager - Taipei Music Center
Taiwan Competition
楊淑雯,熱愛旅遊、電影、音樂及探
究各種新奇事物,更深深著迷於孩子
天馬行空的想法。曾任職公共電視,
為 2012-2018 台灣國際兒童影展策展
統籌,現為自由策展人、兒童影像教
育講師、影展映後主持人。
YA N G S h u - w e n l o v e s t r a v e l ,
movies, music, exploring new
things, and is deeply intrigued
劉旭恭 LIU Hsu-kung
夏康真
by children’s imagination and
HSIA Kang-chen ideas. She was the curator of 劉 旭 恭,1973 年 出 生 於 台 北 石 牌,
Taiwan International Children’s 1995 年參加「陳璐茜手製繪本教室」
夏康真,美國雪城大學廣播電視電影
Film Festival from 2012 to 2018
系碩士,現為自由編劇,作品橫跨戲 後開始創作繪本,目前從事繪本創作
while working for Taiwan’s Public
劇、紀錄片與兒童節目。戲劇與紀錄 與教學。作品曾獲信誼幼兒文學獎「好
Television Service. She is now a
片作品曾入圍金鐘獎連續劇編劇獎、 freelance curator, a lecturer of 書大家讀」年度最佳少年兒童讀物、
台灣國際紀錄片影展、台北電影獎, children’s visual literacy, and a host 開卷好書獎、金鼎獎、豐子愷兒童圖
並獲金馬奇幻影展特別放映;參與之 for post-screening sessions. 畫書獎、上海好童書獎、瑞典彼得潘
兒童節目曾獲金鐘獎最佳兒童少年節 獎,以及入選義大利波隆納插畫展。
目、北京亞太青少年電視節 13 至 17 Born in Taipei in 1973, LIU Hsu-
歲組紀實類首獎、台灣國際兒童電視 kung holds a civil engineering
影展台灣獎,以及最佳電視節目獎。 d e g re e f ro m N a t i o n a l Ta i w a n
University. Besides working as
HSIA Kang-chen obtained her
an engineer, he has taught both
master’s degree in Television,
children and adult illustration in
Radio, and Film from Syracuse
several Asian countries. He now
University. She is now a freelance
devotes himself exclusively to
s c r e e n w r i t e r, a n d h e r w o r k s
writing and illustrating his books.
include fiction, documentaries,
and children’s TV programs. The He has authored and illustrated
children's programs she has over 20 books. His illustrated
worked on have been awarded works were featured in Italy at the
Best Children’s Program at the Bologna International Children’s
G o l d e n B e l l Aw a rd s , a n d t h e 楊淑雯 YANG Shu-wen Book Illustrators Exhibition in
Taiwan Award and Best TV Program 2015 and 2018, respectively. He
Award at the Taiwan International currently lives and works in Taipei
Children’s Film Festival. with his wife and two children.
金方便捏 門之後
2022 台灣國際女性影展 2022 桃園電影節
2022 挪威腓特烈斯塔動畫影展 2022 金穗獎 最佳學生劇情片獎提名
Oh So Convenient Blissgate
台灣、愛沙尼亞 Taiwan, Estonia | 2022 | DCP | Colour | 5min 台灣 Taiwan | 2021 | DCP | Colour | 25min
大便男對擦屁股自有一套,刷牙男只懂轉開水龍頭不懂關;
澤瑋,一個沉默不多話的男孩,在家與父親不親近,在學校
爸爸知曉收拾碗盤,辦公女子酷愛整潔。生活細節一堆毛,
又飽受同學霸凌,在紙上畫上各種怪奇生物,是他度過苦悶
怪癖怪樣不可少。瑣事堆積成垃圾山,不如來匆匆去沖沖,
日子的方式。然而有天他一覺醒來,卻發現生活周遭的一
通通交給馬桶消滅殆盡!以偶動畫為主體,結合複合媒材與
切,都詭異地變得不一樣了⋯⋯
多元筆觸,微觀而具體地提煉日常經驗,處處巧思,一個古
怪又古錐的小世界如焉誕生。 Taku feels like he is incompatible with this world. But one day,
he wakes up to discover that all his dissatisfactions no longer
A man who has a unique way of using toilet paper after exist.
pooping. A couple who always orders delivery because they
don’t like to put on clothes. A family that has a way to avoid
washing dishes. A woman who likes her table to be sparkly
clean. People use bags for every little thing, a convenience
of life we enjoy every day. Too much waste? No problem, just
flush it all down the toilet!
PRINT SOURCE 陳丞楦 Katie CHEN PRINT SOURCE 楊芸喬 Joe YANG
吸血鬼與魔法師 當鯨魚游上沙灘
2022 台中國際動畫影展
2022 台北電影獎 最佳動畫片獎提名
2022 香港電影節
PRINT SOURCE 鄭安群 CHENG An-chun PRINT SOURCE 鄭怡萍 CHENG Yi-ping
30 台灣組 02:愛戀未打烊 Taiwan Competition 02: Heart's Beating Fast 台灣組 02:愛戀未打烊 Taiwan Competition 02: Heart's Beating Fast 31
軟弱的梨 燒
2022 金穗獎 最佳演員、攝影獎
2021 台北電影獎 最佳短片、新演員獎提名
2021 桃園電影節
高中女生安安為男友準備了禮物,班上的失竊案卻令人懷疑 《天橋上的魔術師》「小不點」李奕樵主演。毛頭小子阿傑
禮物的來路,受到同學議論的她怒不可遏,面對男友的疏 與明凱撥開枯黃的玉米田,跋山涉水攀上平房屋頂,輪流以
離、媽媽的指責及導師即將臨盆的新生兒,失去原有一切的 小望遠鏡偷窺正在沐浴的妙齡女子。明凱對遠天嘶吼「成就
安安,逐漸明白被愛的不同可能。酸澀色調攪動青春期對愛 達成」,彷彿證明自己在轉大人的清單上又少了一項挑戰。
情、親情、友情的渴望,少女在錯誤中蛻變成長。 兩人偷抽阿傑私藏的香菸,在越級打怪之餘,沒料到代價卻
也隨之而來。
Her and I is a story about an adolescent girl’s mistake in the
pursuit of love. She eventually realizes her decision will cost Two boys are searching for their place in a world not made
her everything she thought she had. Through witnessing the for them. They roam the neighboring corn field looking for
birth of a newborn child, she sees what it is that she lacks. somewhere to settle, deciding to occupy an empty rooftop in
order to fill it with their curiosities, dreams and memories. It is
an elegiac contemplation on friendship and solitude.
陀陀 套子套
2022 台北電影節 2022 青春影展 影視類評審團特別提及
服兵役的阿海,趁著部隊放假兩天回到家中鹿場工作。潮濕 跨年之夜,立豪扛著喝醉的雅宣回家休息,途中他們互相透
的空氣、草腥與血腥的氣味,攪和著阿海童年的回憶,以及 露不為人知的事情。抵達立豪家後,雅宣卻脫口而出一個令
對他而言最重要的一隻鹿──陀陀。 立豪驚詫不已的祕密,那一刻起,這個夜晚變得不太一樣
⋯⋯
During his weekend leave, Hai goes home to help out on the
family deer farm. Upon his return, he discovers that he has to On New Year's Eve, Hao carries the drunk Xuan to his home
say goodbye to his favorite deer. to rest. On their way, they reveal unknown secrets to each
other. After arriving at Hao's home, Xuan blurts out a secret
that surprises Hao. From that moment on, their long night
becomes slightly different…
吃葡萄不吐葡萄皮 樹洞
2022 台灣國際女性影展 2022 桃園城市紀錄片影展
2022 台北電影節
Eating Grapes without Spitting Out the Skin Tree Hole for Secret
台灣 Taiwan | 2021 | DCP | Colour | 21min 台灣 Taiwan | 2022 | DCP | Colour, B&W | 25min
年過 30 歲的瑋瑋一心想當配音員,用好聲音征服全世界, 本片跟拍一位從事影視美術設計的女孩,多才多藝、笑容爽
偏偏時不我與,處處碰壁。人生陷入困頓之際,她意外發現 朗的她,其實已和憂鬱症長年共處,多次將自己從黑暗谷底
過世的父親原來是位債權人!為了夢想、尊嚴與相依為命的 撈起。透過她大方分享心路歷程及支持系統,影片間以黑畫
老母,瑋瑋搖身變為鐵血討債人,誓言為她灰暗的人生注入 面匯集多位病友自白,從不同觀點剖繪「我生病了」,將私
金錢的光芒。全片運用大量的手持運鏡,鏡位設計與活潑的 密記憶轉化成能量。觀眾也猶如化為樹洞,不只承接最赤裸
剪輯,增添充滿動態感的喜劇能量。 無畏的傾訴,也彷彿接住了不被理解的自己。
Wei-wei longs to be a voice actress. When she accidentally This film follows a girl who has been living with depression
finds out that many people owe money to her late father, she for many years, and explores the concept of “I’m sick”
makes them pay back with her voice. through different points of view. Everyone has experienced
low moments in their lives or been through dark times in the
past that are rarely talked about. It is hoped that this film can
transform these emotions into positive energy in our lives.
島影 1/5400・單格舞曲
2022 台北電影獎 最佳動畫片獎提名 2022 台灣國際女性影展
2022 金穗獎 最佳動畫片獎 2022 non-syntax 實驗影像展
2022 富川國際動畫影展 2022 韓國 EXiS 實驗影展
迷霧散去,苗仔從樹梢間醒來,月光將影子拉長,隨著引領 在一間落後於時代的老屋裡,開啟一個緩慢的手工實驗。作
攀梯而下,他開始了在島上的探險。奇妙生物接二連三出 者將折返國境之間,而散落於相異時空顯影的 8mm 黑白膠
現,萬物皆有序,天地為一體,苗仔在週而復始中,找尋著 卷,逐日逐格黏貼於 16mm 透明膠卷。時間秩序重整,以
與影子共存的方式。定格動畫訴說詩意寓言,在毛絨包覆的 再製的格數計算前行。日子過去,間隙/格的光影留下。
奇幻國度,共赴一段溫柔卻殘酷的生命之旅。
This is an 8mm and 16mm experimental film made during
A seed who can’t get under the sun and a shadow the year of COVID-19 around the time I moved back to
Taiwan from Japan. I shot 8mm footage during the state of
who needs light to exist are each other’s meaning of
emergency in Japan and just after moving back to Taiwan.
life. The seed makes up her mind to find a way to be I then spent several months cutting and pasting each 8mm
with the shadow, kicking off a journey to explore this frame onto 16mm film. Sometimes the daily fragments were
strange world. too sentimental, but the film gave me shelter.
下一站 詠晴
2022 金穗獎 最佳紀錄片獎提名 2022 台北電影獎 最佳短片獎
2022 桃園電影節 2022 金穗獎 最佳劇情片獎
2021 金馬獎 最佳劇情短片獎
高二的一場車禍,讓熱愛棒球的溫金勝就此癱瘓,頸椎粉碎
Next Stop 性骨折造成他只剩頭部能與人溝通。臥床 25 年,意識清醒 Good Day
台灣 Taiwan | 2021 | DCP | Colour, B&W | 25min 卻無法動彈的他,生命看不到盡頭,連死亡都是一種奢求, 台灣 Taiwan | 2021 | DCP | Colour | 19min
父親在渺茫希望與經濟負擔中擺盪,安樂死成為溫金勝的唯
一指望,人生的下一站該開往何處?黑白抽色影像呼應病痛 與妻子正在協商離婚,被趕出門的家誠,這天趁母老虎不在
現況,多方訪談直面困境真相,生命最後的尊嚴,是否在於 家,潛回家中拿取高爾夫球。 此時,強颱「詠晴」來襲,一
自我選擇善終? 個與老婆同名的颱風⋯⋯
WEN Jin-sheng loved being active from a young age. A Taiwanese businessman Chia-chen is kicked out by his wife,
motorbike accident during his junior year of high school left whom he is going to divorce. One day, he sneaks back home
him with a comminuted fracture to the cervical spine, paralysis to take his golf set. Approaching at the same time is “Yong
of four limbs, and only his head left to communicate with Ching”, a typhoon that shares the same name as his wife.
others.
PRINT SOURCE 華星八方傳播股份有限公司 Infinity Stars Media Inc. PRINT SOURCE 林儀芬 Fenda LYN
關係暴力 單人遊戲
2021 金穗影展
2021 韓國光化門國際短篇電影節
2021 香港 ifva 獨立短片及影像媒體比賽
一個女人與一隻黑貓在城市裡生活,有時愜意輕鬆,有時傷
Asphyxia Me and Me 心孤單。藉由主角細心感受生活中的小事小物,生命中的溫
暖與靈光閃耀在短暫的片刻。
台灣 Taiwan | 2021 | DCP | Colour | 22min 台灣 Taiwan | 2022 | DCP | B&W | 10min
一起侵入竊盜的案件,使原本夫妻關係破裂的她,下意識向 本片靈感來自法國老電影,導演運用黑白素描與粉彩,捕捉
丈夫求救,然而,丈夫卻在制伏歹徒的過程中失手殺了歹 城市光影與獨處心境,像一首詩、一支輕快的短歌,送給孤
徒。一夜過去,丈夫成了輿論口中的護妻英雄,同時卻也可 身在城市裡的每「一個人 」。
能背負過失殺人的刑責,丈夫的暴力行為究竟是保護或是傷
One woman and one black cat share a city life together. This
害?她心裡不斷地辯證兩人的過去與未來,於是那些傷口又 life is pleasant and relaxed sometimes, while sad and lonely
開始隱隱作痛⋯⋯ at other times. The protagonist feels every minute detail in
life, and senses the warmth and glitter of life in the briefest of
During a burglary, a woman asks for help from her estranged moments.
husband, who ends up accidentally killing the thief. Overnight,
the husband becomes a hero in the eyes of the public, This film takes inspiration from classic French cinema. The
even though he could also be responsible for involuntarily director captures the lights and shades of a city and the
manslaughter. Was his violence to protect or to harm? As feeling of solitude with black and white sketches and colorful
she ponders their past and future, painful old wounds are pastels. The film aspires to be a poem, a brisk song, and a gift
reopened… to every “one” living alone in cities.
PRINT SOURCE 青春期影視娛樂有限公司 Teamwork Entertainment Co. PRINT SOURCE 陳秋苓 CHEN Chiu-ling
36 台灣組 05:帶我去遠方 Taiwan Competition 05: Somewhere Farther 台灣組 05:帶我去遠方 Taiwan Competition 05: Somewhere Farther 37
看海 講話沒有在聽
2022 桃園電影節 「台灣獎」競賽最佳影片、演員獎 2022 富川國際奇幻影展
2022 金穗獎 評審團特別獎 2022 香港 ifva 獨立短片及影像媒體比賽 亞洲新力量組特別表揚獎
2022 布魯塞爾短片影展 2022 台北電影獎 最佳短片、編劇獎提名
An elderly mother who spends her life taking care of her Jhong wakes up at home and finds himself dead. He watches
intellectually-disabled son finally reaches her breaking point his wife and children deal with his death as they speak their
and decides to take her son on one last ride, towards the sea thoughts over breakfast. Shortly after, absurd things begin to
and towards the end of their lives. happen.
PRINT SOURCE 林柏瑜 LIN Po-yu PRINT SOURCE 打勾勾娛樂有限公司 Deal Entertainment Inc.
一位於白色恐怖中遇害的版畫家,被捲入一個不知名的方形 當一對父子在車上,兩個男人的對話輕鬆展開。兒子彷彿對
空間,在其中幻想著他應該擁有的人生⋯⋯ 父親有上百萬個好奇,對自己也有無限個疑問。父親偶爾像
朋友般自在幽默,有時又顯現身為人父的沉穩。在無謂閒散
1950 年代的台灣,政治犯的遺體會被下葬在六張犁亂葬崗,
間摻佐人生命題,關於工作、戀愛、成長,有過去也有未來。
並以紅漆在墓碑上寫上不詳字樣。本片透過受難者黃榮燦的
當代又簡約的動畫風格,搭配真實父子對話,一趟屬於年少
身分切入,想像當年被殺害的台籍精英們,存活下來的生命
又有前輩領路的旅程,讓父子情誼真摯鋪開。
樣貌。
Son and father are driving on the highway. The son keeps
A printmaker, who was killed in the 228 Incident, falls into asking questions until he finally notices the changes in his
an unknown square space, in which he imagines the life he father's body. The dialogue in the animation is taken from a
should have had… recording of a real conversation between the filmmaker and
his father.
PRINT SOURCE 黃信瑋 HUANG Hsin-wei PRINT SOURCE 洪楷勛 HONG Kai-xun
國際組 01:純愛悄悄話 International Competition 01: What about Love 39
International Competition
霧中北極
North Pole
2022 香港電影節 火鳥大獎最佳短片提名
2021 坎城影展 金棕櫚獎最佳短片提名
瑪格是一名正在摸索自我的青少女,在寒冷的暸望台上,與
俊俏男孩幽會卻躑躅遲疑;在學校的更衣室裡,想融入其他
女生又感格格不入。她決定採取行動,對男孩獻身破處,雖
亟欲找到自己的定位,內心卻有如冬日迷霧更加朦朧。
本片為首部入選坎城影展的北馬其頓影片,透過以膠卷拍攝
的迷人質感,呈現一則細膩幽微的成長詩篇。
在印尼的望加錫(Makassar)有個定律:是男人,就要瘋
足球。剛上大學的阿巴為了不遭新朋友排擠,只好假裝成
足球迷一起觀賽吆喝。某天晚上,眾人在狂歡後紛紛倒地入
睡,半夢半醒間,阿巴似乎感覺有雙手抱住了他,他是否該
做出回應?本片游移在說與不說、真誠與隱瞞之間。導演藉
由陽剛的足球文化,突顯印尼社會裡 LGBTQ+ 族群的無奈、
壓抑與掙扎。
了真人演出的劇情片之外,實驗片和動畫創作的能量,也教人十分驚豔。透過聲畫的精心調度,敘事的編寫,這些
作品不僅能與普世的情感溝通,也能帶觀眾一窺不同地域和文化的生活細節。幽默、柔情的迷人追索有之,亦有悚
然跌宕、驚恐和惶惶無語的出奇時刻。 柯奇・里沙 Khozy RIZAL
The International Competition features a total of 18 narrative films, 14 animations, five experimental films, and 印尼獨立電影導演,現居望加錫,首部劇情短片《男情足球迷》旋即獲得國際各大影展關注與肯定。
three documentaries. Seventeen of the selections are from Asia. The International Competition has always Khozy RIZAL is an independent filmmaker based in Makassar, Indonesia. He began his filmmaking career in 2021
been highly competitive. Apart from the live-action narrative films, the experimental films and animations are by making his first short film, Makassar is a City for Football Fans, which was selected to Sundance, Palm Springs,
also full of amazing creative energy. Through the careful crafting of sound, images and narratives, these works Tampere, BFI Flare, and other film festivals.
not only convey universal emotions, but also give the audience a glimpse into life and culture in different
regions. Expect charming moments full of humor and tenderness, as well as unexpected instances of horror,
anxiety and speechlessness.
PRINT SOURCE Khozy RIZAL
40 國際組 01:純愛悄悄話 International Competition 01: What about Love 國際組 02:你是否明白我存在? International Competition 02: Coming into Existence 41
巴基斯坦 Pakistan | 2021 | DCP | Colour | 20min 比利時 Belgium | 2021 | DCP | Colour | 16min
伊莉迪亞被委派到一家當代藝廊,負責某場表演藝術展覽的
傳統家庭長大的女學生颯拉,與男網友墜入曖昧情網。某 清潔工作。展覽當天,藝術家有的裝扮成傢俱任人使用,有
日,她向對方分享艷舞影片,竟慘遭脅迫。拒絕成為父權傀 的在乳牛面前爆吃牛肉堡,而參觀的觀眾則拍手叫好。伊莉
儡,颯拉陷入天人交戰的自我掙扎。 迪亞能否在困惑之餘,安然度過這詭異的一天?導演以喜劇
手法諷刺藝術圈,然而老百姓所見的荒誕,或許就是藝術圈
巴基斯坦裔英國新銳導演對準當代女性敘事,帶領觀眾走進
的日常。
角色心情起伏,不僅以影像進一步直視網路交友陷阱,也拋
出愛情與慾望追尋的青春大哉問。 A contemporary art gallery organizes an exhibition presenting
several art performances.
Zara, a schoolgirl in Karachi, Pakistan, shares a sensual dance
video with her virtual boyfriend, who then blackmails her. The cleaning lady Ilidia has trouble understanding the aim
Caught between his manipulative behavior and the desire of such performances and gets irritated by the visitors'
to experience love on her own terms, Zara searches for the behaviors.
strength to reject the confines of a patriarchal society.
The evening could end badly…
希臘 Greece | 2022 | DCP | Colour | 14min 印度、法國、孟加拉、尼泊爾 India, France, Bangladesh, Nepal | 2021 | DCP | Colour | 16min
網紅靡音 梅婆
2022 巴黎國際動畫影展 「地平線」競賽單元原創獎
2022 西寧 FIRST 青年電影展
2022 奧柏豪森國際短片影展 2022 澳門當代電影及錄像展 評審大獎
蘇丹、卡達 Sudan, Qatar | 2021 | DCP | Colour | 7min 澳門 Macao | 2021 | DCP | Colour | 8min
蘇西娃娃是一位名符其實的虛擬網紅,透過各大社群網站,她展
現走在尖端的時尚品味,也附和政治風向大力疾呼,但對著手機 在一趟短途旅程之中,一名年輕人和他的外婆面對可怕的回
的自言自語,成了網路聲浪的空虛迴音,連 Siri 都對她厭倦不已。 憶。在外婆一貫的喋喋不休之中,折磨於過去與現在交疊的
時間感受,似乎將永無止盡地延續下去。
導演的話:「在這部數位諷刺劇中,我提出一個基本問題:社交
距離對於人類造成何種影響?所有關心時事的轉貼與分享,最終 導演的話:「我嘗試透過這個動畫作品,去探索自己與外婆
都只是裝模作樣。」 相處所產生的恐懼和想法,思考我們之間的關係。我喜歡透
This is a satirical review of our times. Suzi doll is an ego- 過這個途徑來梳理煩惱,自問有時不想面對的答案。」
warrior. My online avatar, marching to the algorithms of
During a short trip, a young man and his grandmother
social media. She is lit by temporary outrage. A trending
are confronted with horrible memories. Amidst grandma’s
indignation. A passion that is fashion. A politics of the
usual nonstop nagging, it feels as if suffering will persist
popular. Her activism is abstract. Her help is hypothetical. We
simultaneously in the past and the present.
know many girls like Suzi, and many times we are her: vacuous
virtual voices, echoing injustices.
PRINT SOURCE Raina Film Festival Distribution PRINT SOURCE 黃榮俊 WONG Weng-chon
超能輪胎男孩
2022 克萊蒙費宏國際短片影展
2022 舊金山國際影展 金門獎最佳動畫短片
2022 棕櫚泉國際短片影展 最佳影片獎
Sierra
愛沙尼亞 Estonia | 2022 | DCP | Colour | 16min
父親是民間賽車(Folkrace)狂熱份子,某日他背著老婆帶
兒子參加比賽,無奈家用車性能不敵對手的賽車,男孩只好
化身為超能輪胎以奪取最後的勝利⋯⋯
導演用超現實手法講述一段民間賽車與父親之間真實的回
憶,以電玩鏡頭視角,讓觀眾身歷其境於比賽之中,穿插其
父親於 1980 年拍攝的逐格動畫,畫面色塊隨著音樂律動出
幽默可愛父子版的《在車上》。
A father and his son are losing the folk race. In order to win,
the boy turns himself into a car tire. Loosely inspired by the
director’s childhood, Sierra pulls us into the surreal car racing
world.
淚舞塞納河 The Seine's Tears 2022 西南偏南影展 評審團特別提及 殺口 2022 邁阿密影展 最佳國際短片獎
Murder Tongue
2022 克萊蒙費宏國際短片影展 ADOBE 特效獎 2022 佛利堡國際影展
法國 France | 2021 | DCP | Colour | 9min 2021 華沙國際影展 最佳動畫短片獎 2022 峇厘島國際影展 最佳劇情短片
1961 年 10 月 17 日,阿爾及利亞獨立戰爭期間,阿爾及利 巴基斯坦 Pakistan | 2022 | DCP | Colour | 18 min 1992 年 5 月,巴基斯坦喀拉蚩城內動盪不斷,父親得知兒子受
亞工人走上巴黎街頭,抗議實施宵禁,遭到血腥鎮壓,示威 傷,便與兒子友人動身前往醫院。途中他們目睹騷亂與烽火,還
者被扔下塞納河,史稱「巴黎慘案」。此事件曾遭政府長期 被警察盤查刁難。他在醫院被告知一個壞消息後,才坦承了兒子
與家族的祕密。導演試圖透過一個家族的經歷,道出 1992 年至
否認。創作團隊耗時兩年,從成員家庭經驗出發,打造木偶
1994 年間數千名口說烏爾都語的移民慘遭殺害的歷史事件。本
風格的 CG 動畫,仿擬手持攝影,再現示威現場與水中孤影,
片獻給現今因種族、膚色、宗教、語言與那些擁有權力之人不同,
綺麗震撼,期待喚醒大眾的歷史記憶。
而遭受歧視的人。
October 17, 1961. Algerian workers take to the streets of It is May of 1992. The state sanctioned “Operation” has put the
Paris to protest the mandatory curfew imposed by the Police city of Karachi in constant unrest. Abdul Aziz Ansari wakes up
Prefecture. at night and is informed by his daughter in law, Naseema, that
his son hasn’t returned home. A knock on their door later at
night summons them to the hospital. What they witness along
the way is known today as the most brutal chapter of the city’s
history, a sentiment of hatred towards their race, deep rooted
亞尼斯・貝萊德 阿德里揚・皮諾
1 5 beneath the system.
Yanis BELAID Hadrien PINOT
逝言翻譯中 拂過死蔭的幽谷
2022 克萊蒙費宏國際短片影展 「國際競賽」單元最佳紀錄片獎
2021 歐洲電影獎 最佳歐洲短片獎提名
2021 盧卡諾影展 「明日之豹」競賽單元最佳導演獎 2022 薩格勒布國際動畫影展
Airborne Displaced
2022 克萊蒙費宏國際短片影展 2021 多倫多國際影展 IMDbPro Short Cuts 獎最佳影片
2022 布魯塞爾國際動畫影展 2021 坎城影展 金棕櫚獎最佳短片提名
波蘭 Poland | 2021 | DCP | Colour | 8min 科索沃 Kosovo | 2021 | DCP | Colour | 15min
戰鬥機在空中纏鬥,飛行員瞄準好敵機,準備發射飛彈,未
科索沃最強桌球俱樂部,擁有三名國手,卻連一個像樣的場
料竟被蒼蠅遮住視線。命懸一線之際,他的靈魂墜入超現實
地也沒有!為了培育青年出國比賽,隊上兩位熟男,不辭辛
宇宙。身體、飛行器、蟲魚花鳥開始交纏變形。動畫以強烈
勞地推著俱樂部的唯一財產:兩張球桌,四處商借集訓場
的平面設計,黑、綠、黃為主色的極簡色調,打造出後人類
地。不論是私家車庫、婚宴會館、貨倉、教堂,只要擺得下
魔幻生態。
球桌,就能專注訓練。本片採紀實電影形式,以真實人物重
Airborne is a surreal animation that connects the world of 建事實,關注戰後科索沃面臨的體育困境。
flying machines with the kingdom of flora and fauna. Engrossed
in the fight, a pilot loses his target, leading to tragedy. The In post-war Kosovo, driven by the ambition of keeping their
plane crashes into the crown of a tree. The tragedy that seems beloved sport alive, two local players wander from one
to be the end opens a new stage in history. In place of the obscure location to another carrying with them the only
accident, a new life is awakened and now it has to solve the possession of the club: their tables.
mystery of its origin. Airborne is a story about passion, its
roots, and tells us what we have to lose to be born again.
PRINT SOURCE KFF Sales & promotion PRINT SOURCE Radiator IP Sales
加拉諾馬
2022 安錫國際動畫影展 水晶獎最佳短片提名
2022 薩格勒布國際動畫影展
Garrano
葡萄牙、立陶宛 Portugal, Lithuania | 2022 | DCP | Colour | 14min
瀕臨絕種的一匹加拉諾馬在父子的驅使下,頂著豔陽馱運重
物。男孩陪父親在林中撿拾廢棄物,無意間卻撞見森林縱火
犯。夜裡,男孩在欲望的驅使下,決定悄悄牽著馬去森林,
完成受人囑託之事。兩位葡萄牙動畫新星再度攜手合作這部
美術風格獨特的 2D 手繪動畫,他們結合油畫與電腦繪圖,
透過加拉諾馬、森林與火,述說文化與生態正急速消逝的一
則警世寓言。
瓦斯科・薩 Vasco SÁ
1979 年生於波多,18 歲以前住在葡萄牙北部山區,爾後取得葡萄牙天主教大學美術學院聲音暨影像研究所碩士學位,亦為
BAP 動畫工作室共同創辦人之一。《加拉諾馬》為他與大衛・杜特爾合作的第四部短片,兩人目前正在籌備首部動畫長片。
Vasco SÁ was born in Portugal and earned his master’s degree in Sound and Image UCP School of Arts. There, he met David
DOUTEL, with whom he created several projects awarded nationally and internationally, such as The Shoemaker (2011), Soot
(2014), and Augur (2018). He is a co-founder of BAP-Animation Studio.
伊朗 Iran | 2022 | DCP | Colour | 15min 一名獨立扶養一家四口的單親媽媽,在雞隻屠宰場工作,生 斯洛伐克、波蘭 Slovakia, Poland | 2021 | DCP | Colour, B&W | 16min
計入不敷出,還得躲避債務。她總是莫名地練習左手,似乎
曾被譽為世界第四大海的鹹海,支撐著烏茲別克當地居民的
暗自盤算計劃,直到付諸行動的那一刻,命運卻對她開了一
漁業生計,並帶動了觀光經濟。然而,因農業所需大量灌溉
個天大的玩笑。
水利,讓鹹海被開發至萎縮乾涸,鼎盛的產業也隨著海的消
導演的話:「女性支撐家計的貧窮問題,是現代社會最迫切 逝而沒落,人去樓空、船骸擱淺,眼前僅剩貧脊荒漠圍繞。
的問題之一。我以電影喚起女性對於權利的意識,並為她們 影片藉由轉描動畫(Rotoscope),栩栩描繪小鎮居民的昔
發聲增加大眾的關注。」 日回憶,那渴望再次航行的美夢,只能載浮載沉,顯現於居
民的腦海中。
Maryam is a 38-year-old woman who heads a family of four.
She decides to cut off her right hand while working in a poultry Once upon a time, there was a sea...the Aral Sea, the sea
slaughterhouse because, in this way, she can get more money that vanished. And along with the sea, seaside life and work
from insurance than losing her left hand to pay her debts. To also disappeared. Only the dead desert terrain remains, and
this end, Maryam starts to practice with her left hand to do wrecks of huge fishing boats lying in the sand...and people
daily chores. who have been living on the shores of the dry port for years,
dreaming of high water and longing to sail once again.
娜絲琳・默罕瑪德普爾 Nasrin MOHAMMADPOUR This is a film about the consequences of human decisions and
actions, and how they can affect the daily lives of inhabitants
1989 年生於伊朗馬什哈德,擁有電影與社會學雙學位及女性研究碩士,身兼編劇與導演,除了以電影呈現女性、 in one Uzbek town.
家庭與孩童的困境,也不遺餘力地從事幫助弱勢家庭主婦及童工的社會工作。
Nasrin MOHAMMADPOUR was born in 1989 in Mashhad, Iran. She holds a double degree in film and sociology, and
晾衣繩上的戰火
Her filmography includes Game (2004), Fongopolis (2014), 39 Weeks, 6 Days (2017), and Music Box (2019).
Clotheslined
2022 蒙特盧波菲奧倫蒂洛國際獨立影展 評審團獎最佳實驗短片
新加坡 Singapore | 2022 | DCP | Colour | 19min 捷克、斯洛伐克 Czech Republic, Slovakia | 2021 | DCP | Colour | 13min
怠忽職守的禮儀師一時大意,竟在火化時燒錯遺體。然而, 一封封信件,一張張郵票,雖承載來自監獄父親對女兒的思
訃聞已寄出,告別式箭在弦上。面對三位遠來奔喪的往生者 念,但這份愛對女兒戴安娜而言卻充滿困惑。多年前,原本
子女,進退兩難的禮儀師只好硬著頭皮說服他們辦一場張冠 和樂的家庭,因傳統的束縛、性別的刻板印象,讓父親選擇
李戴的告別式。未料,在追思樂曲的吹奏下,子女們對亡父 拋下家庭,亦成為戴安娜心中的未解之謎。通過照片剪影,
的生疏與偽善逐漸顯露出來。曾演出新加坡版《笑傲江湖》 導演女兒對父親寫下這封關於愛的影像書信,藉由心聲的闡
的女星曾詩梅,在本片飾演二女兒,哀愁又犀利。台灣金曲 述,試圖重新連結,並修補未竟圓滿的父女關係。
歌王謝銘祐的一曲旋律,也為故事加添十足後勁。
A short film about ties and gaps between a child and a parent.
A funeral director finds himself hapless when the wrong A daughter rediscovers love letters her dad used to write her
body has been sent for cremation. When there seems to be from prison. That love seems to be gone now. She decides
no other way, he devises a plan for a sham funeral with the to write back in hopes of finding their connection again. She
deceased’s three estranged children. puts in writing what could not be said: blaming him for their
family´s break-up but also trying to understand.
Safe VHS
2021 坎城影展 Canal+ 獎最佳短片提名 2022 俄羅斯 Konic 獨立短片影展
2021 納許維爾影展 評審團獎最佳劇情短片提名
美國 USA | 2021 | DCP | Colour | 16min 俄羅斯 Russia | 2022 | DCP | Colour | 12min
印尼 Indonesia | 2021 | DCP | Colour | 17min 瑞士 Switzerland | 2022 | DCP | Colour, B&W | 9min
偏僻的漁村,男孩蘇拉意外撿拾到充氣娃娃。為了填補寂 樂器行老闆拉開窗簾,調整錯音的琴弦,冒雨而來的神祕客
寞,外人眼裡的性玩具,因孩童的純真竟漸漸昇華為代理母 人帶來一張魔法唱片,播放的音樂讓往事一一浮現。童年的
親。 列車不斷前進,老闆沉溺於過往記憶,不知不覺已年華逝
去,只留下迴盪的悠揚旋律。黑白動畫譜寫斑斕念想,原創
導演頓帕・湯普波藍透過兒童視角與純真言語,輕鬆幽默的
樂曲連結民族創傷,遙望深埋在靈魂中回不去的故鄉。
口吻揭示全球化下的貧富差距。寫實基調下的懵懂男孩,令
人想起阿巴斯《何處是我朋友的家》。 An antique music instrument dealer receives a magical
vinyl record from a traveller: “It reads your mind and plays
Sura lives alone in the fishing village, waiting for his father your lost memories”. Obsessed by this endless record, the
to return home. One day, he finds a broken sex doll, and antique dealer listens to it again and again and the forgotten
he asks Argo to help him fix the doll. He finds a companion memories of his childhood reemerge.
and a surrogate parent in the doll. But this companionship is
threatened by Argo, who wants to take it away from Sura.
比利時、法國 Belgium、France | 2022 | DCP | Colour | 15min 葡萄牙 Portugal | 2021 | DCP | Colour | 21min
柯琳重回兒時房間,舊時的生活軌跡被父親原封不動地保留 獨居老翁要賣掉農場內僅存的一頭公羊了,原訂的交易取
下來,她看著童年玩具們,歡樂回憶一一浮現。而柯琳也總 消,他被迫拄著拐杖踏上一趟賣羊之旅;離開鄉村,迎接他
想起母親睡前的輕輕撫抱,是讓她不再懼怕黑暗,安穩進入 的卻是已然跟不上的時代。
夢鄉的鑰匙,但隨著青春期的變化與摸索,重聽卡帶播放的 年輕世代導演回望童年記憶,以 16mm 膠卷拍攝攝葡萄牙
音樂,卻讓她內心的陰影再度湧上心頭。這一次的歸來,是 鄉間的荒蕪與孤獨,曾經的榮景不再,用沉思步調記述著一
塵封,是告別,更是揮別過去,邁向新生活。 切消逝前的最後光景。
At her father's request, Coline returns to her childhood Emilio, a lonely man in his 80s, lives alone on his abandoned
bedroom to sort out her things. The different objects she finds farm in the Portuguese countryside. Everyone close to him
there plunge her into the memories of her childhood. Among is gone. One ram is all that is left. Due to physical incapacity
them stand out those that have marked her to this day. and age, he decides to get rid of it. After the company that
is supposed to buy the ram cancels the appointment, Emilio
tries to sell it on his own.
PRINT SOURCE Zorobabel PRINT SOURCE Portugal Film – Portuguese Film Agency
54 國際組 07:身體想要飛 International Competition 07: Identity and Intimacy 國際組 07:身體想要飛 International Competition 07: Identity and Intimacy 55
中國 China | 2022 | DCP | Colour | 20min 法國 France | 2021 | DCP | Colour | 12min
從學校畢業後,導演從北京返回溫州家鄉。同志身分讓母親 疫情時代全球封城,人人自危之虞,身體的渴求也待自娛。
的數落不斷,隨拍影像拼湊成生活片段,雖然真實的自我不 女性高潮彷彿世界難解之謎,千變萬化又各有異趣。本片集
能滿足社會期待,但一切爭端終將在包容與愛裡沉沒。超 結多位女性的私密經驗,深入淺出地分享自己的愛慾之旅,
8mm 捕捉生命吉光片羽,透過兩代對話和個人絮語,辯證 向下探索身體的祕境,向上掌握情感的流動。手繪動畫讓一
自我追尋和傳統價值,暈染而出最坦承親密的私電影。 幅性感的陰性書寫,富含溫柔的氣息。
When a young Chinese filmmaker returns to his hometown in In this endless pandemic era, where our sexuality has
search of himself, a long overdue conversation with his mother sometimes had to evolve and be tested, women from different
dives the two of them into a quest for acceptance and love. backgrounds offer their intimate testimonies, addressing their
desires and pleasures in solitude.
以色列 Israel | 2021 | DCP | Colour | 19min 少年與少女每年暑假依隨祖父母造訪別墅。青春期的他們嬉 伊朗 Iran | 2022 | DCP | Colour | 13min
戲、聊天、躲貓貓,情慾逐漸萌發。直至無法抗拒傾聽內心 未得到家人的允准,女孩只好在掩護下偷溜出門,與朋友到
渴望,他們嘗試跨越社會所不允許的界線。 遊樂園玩耍。她深信獨角獸的存在,而且認為只要碰到牠就
能得到幸福。回到家後,她不只挨了一頓罵,還得面對一件
導演雅耶爾・妮芙隆首部作品即挑戰大膽議題,直探愛慾本
大人的世界裡,她永遠無法理解的事,但是她決定作出一個
能與道德良知的矛盾。全片聚焦處理曖昧情境與微妙慾望,
重大的決定。透過獨角獸象徵幸福與自由,本片溫柔而堅定
在青春記憶裡,迴盪出細膩的情感波紋。
地述說伊朗女孩普遍面臨的社會壓力。
Ever since they were children, Keren and Noam have
been meeting at their grandparent's home during summer A little girl goes to the amusement park to play with her
vacations. This particular summer, at an age that falls between friends without her family's permission. Everything changes
childhood and young adulthood, while their grandparents are when she returns home, prompting her to make a big
taking their afternoon nap, Keren and Noam play games in the decision.
attic (“Boydem” in Yiddish) that brings them into unchartered
waters and introduces them to a new level of intimacy.
PRINT SOURCE Yael NIVRON PRINT SOURCE First Screen Film Distribution Co.
56 國際組 08:世界怪奇如斯 International Competition 08: Strange Worlds 國際組 08:世界怪奇如斯 International Competition 08: Strange Worlds 57
外面下雨蛙 看板人生
2022 荷蘭萊登短片影展 國際獎
2022 柏林影展 金熊獎最佳短片提名
2021 菲律賓 QCinema 國際影展 性別敏銳獎 2022 阿姆斯特丹國際紀錄片影展
菲律賓 Philippines | 2021 | DCP | Colour | 14min 印度 India | 2021 | DCP | Colour | 20min
末日將至,數以萬計的雨蛙從天而落,如簌簌的雨聲。女孩不 「沒有看板,你等於不存在。」洗衣工如是說。每到選舉、
得不獨自一人重返童年舊屋,卻飽受記憶中的夢魘侵蝕,也遭 慶典或政治人物的生日,印度街頭總懸掛各式看板,露出宗
遇前所未見的身分危機。菲律賓導演瑪莉亞・埃斯特拉・佩索 教圖像、政治口號、出資者的大頭照,甚至疫情期間還得騰
大膽運用家庭影像、實物拼貼、視覺特效等多重媒材,引領觀 出空位擺防疫規定。然而,看板不只是上位者的宣傳工具,
眾遁入詭奇多變的狂熱幻境,一同見證駭人的身體異變,奇異 也是種姓制度下的平民被看見、等待鹹魚翻身的機會。片
生猛,交出極富作者風格的短片首作。 中,導演交錯觀察拍攝與訪談,幽默而諷刺地呈現印度的看
板文化。
The world is about to end. Maya is forced to go home to the
province of Zambales. There, she confronts the childhood In suburban Mumbai, science, religion and politics comically
house that terrorized her as frogs rain outside. c o l l i d e a m i d s t a r a g i n g p a n d e m i c , w h e n a g ro u p o f
laundrymen set out to design a poster celebrating a hugely
popular annual festival worshipping the deity Ganesha.
西班牙 Spain | 2022 | DCP | Colour | 25min 西班牙、法國 Spain, France | 2022 | DCP | Colour | 15min
東京川上魅影光船來往不息、漂浮夜間電車疾駛、高樓天梯 丈夫去世後,三個退休女人相約搭上巴士,準備展開一段歐
駛向遠方,賽博龐克舞台,男女吟詠著禪學格言。西班牙導 洲奇旅。她們滿心懷抱著對旅行的旖旎憧憬,就像在許願池
演路易斯・帕堤諾,反覆疊影水泥叢林黑夜輪廓,譜寫一首 裡不假思索地投下硬幣。然而,這段旅程卻與想像中的大相
「眠之城市」與「死神」合唱的光之安眠曲。融入七O年代 徑庭。西班牙導演安立奎・布利奧鍾愛撿拾虛渺的希望與自
非法無政府組織「三菱重工爆破事件」死囚訣別書,用「告 然而生的喜感,以一齣讓人啼笑皆非的悲喜劇,叩問在大眾
別」挖掘最後人性微光,捕捉消費城市崩壞前的最後光景。 旅遊熱中,逐漸佚失的真實文化體驗,發人深省。
Distant lights draw the city. Shining ships arrive with sleeping Three retired women travel by bus to discover Europe. They
people and the night turns liquid. recently lost their husbands and it's now time to start living.
The stars’ sower wakes them up and they travel through the They've heard people talk about the wonders of tourism all
city, talking about this and that, while saying goodbye to their lives and are dying to experience them firsthand.
everything.
法國、日本 France, Japan | 2021 | DCP | Colour | 6min 比利時 Belgium | 2021 | DCP | Colour | 23min
緩緩撕下膠台上的透明膠帶,黏住的手指被膠帶彎扯延伸, 信步林中的敘事者回憶起過世的雙親,但是腦中浮現的卻是
膠帶另一端黏住蛇信,粉嫩舌尖由此曳往膠台刀鋒;傷害在 他們的遺容,彷彿有道面具遮住他們生前的慈祥和藹。隨著
即,令人戰慄卻不禁期待!本片雜揉日常微光及肉身實驗, 疫情的籠罩,現實生活的人們也紛紛戴上如面具般的口罩。
在輕靈幻化的音畫流動中堆砌懸念、深入潛意識的深淵,為 於是,敘事者陷入思考,在人類的歷史中,面具如何成為可
感官開拓嶄新高潮。當生物、人造物、幾何形狀和線條交會 見與不可見世界的橋樑。本片引用大量文獻影像與肖像攝
時,冥想與遐思再無界限,凡事都有可能。 影,梳理面具從部落到博物館,從戰爭到醫院,曾經存在的
各種珍貴面向。
Living things, artificial things, geometric shapes, and lines.
When these different things come together, a new direction is A filmmaker mourns the fading faces of his loved ones and
born. evokes the ritual of masks as a way of connecting to the
afterlife.
Fairplay Scale
2022 坎城影展影評人週
瑞士、法國 Switzerland, France | 2022 | DCP | Colour | 18min 法國、英國、捷克、比利時 France, UK, Czech Republic, Belgium | 2022 | DCP | Colour | 15min
尋求認同的少年加入同儕,開直播大玩危險挑戰;員工參加 有人因生活失去想法,威爾則因毒癮失去空間感。他的寫作
耐力競賽,不顧一切只為獲得大獎;年長主管與同事玩起團 人生彷彿疾駛在盤根錯節的高速公路,並隨著嗎啡不停偏
康,出乎意料撐過一輪又一輪。三位主角、三場遊戲,隨著 駛。在家庭與生活都將失去控制前,他極力試圖挽回些什
賽況越演越烈,事情逐漸失速、失序又失控,犀利直指當代 麼。作品改編自英國作家威爾・賽爾夫(Will SELF)的同
人在競爭之下的瘋狂。 名短篇小說,以轉描動畫(Rotoscope)的手法、炫目流暢
的轉場,以及撲朔迷離的動畫變形,營造獨樹一幟的陰鬱風
A teenager in search of recognition, a worker ready to do
anything to hit the jackpot, a senior executive at the end of 格。
his career who wants to prove to himself that he is still alive.
Driving along the motorway, Will loses his sense of scale. As
Three characters who are losing speed on the competition
his crippling drug addiction deepens, he struggles to unpack
highway...
the sequence of events that led to his predicament, before he
is lost forever.
Persona
韓國 South Korea | 2022 | DCP | Colour | 7min
女孩剛洗好人皮裝,掛在浴室晾乾,卻馬上收到朋友邀約簡
訊,她只好再套上仍滴著水的人皮裝出門社交。回家後,她
疲憊地褪下裝扮,卻發現鏡子裡不再是她熟悉的面孔。本片
以冷調的風格,臨摹真實生活與少女漫畫,並透過主、客觀
鏡頭的切換,穿梭於角色的外在與內在之間,讓觀者貼近角
色自我逐漸銷蝕的過程。
The Children’s Jury is formed by children aged nine through 12. Through a series of votes, discussions, and
debates, they will decide the winner of the Children’s Jury Award. In this program, the children’s perspective,
unrestrained creativity and infinite vitality will make the adults realize that “cute” is definitely not the only word
for kids. In this fifth year of the Children’s Jury, the imagination of cinema will help these children unlock their
superpower!
62 兒童評審團 01 :說好了,我們打勾勾 Children's Jury Competition 01: Pinky Promise? 兒童評審團 01 :說好了,我們打勾勾 Children's Jury Competition 01: Pinky Promise? 63
智利 Chile | 2022 | DCP | Colour | 19min 加拿大 Canada | 2022 | DCP | Colour | 17min
在智利的阿塔卡馬沙漠中,因長年乾旱與政府的無所作為, 正值前青春期的瑪格,為了融入女生的小團體,只好在學校
讓小鎮生活日漸凋零。上街抗議無功而返的居民紛紛搬離, 假裝不認識智能遲滯的親妹妹。一天,正當瑪格在課堂上介
足球隊男孩安泰目睹隊友一個個離開,隨著足球上的紀念簽 紹喜愛的怪奇比莉,走廊上卻傳來妹妹咿呀的發語聲。面對
名越來越多,依依不捨的失落與孤獨,也成為童年記憶碎片 同學對妹妹的訕笑與嘲弄,她會如何面對?本片靈感取自導
的一部份。 演自身的的家庭經驗。擅長以紀錄片為弱勢族群發聲的她,
首度跨足劇情短片,以溫暖卻勇敢的鏡頭,讓眾人認識與正
In the middle of Atacama desert, 12-year-old Antay sees his
town disappearing due to the drought. Alongside his friends 視慢飛天使。
and their football team, they will try to hang on to the last Margot, a pre-teen who struggles to find acceptance at
sunrays, their childhood fragments, and the ties with those school, is challenged by the arrival of her intellectually
who still resist. disabled sister in the after-school program. Margot initially
struggles to keep her worlds separate, but an event soon
leads her to re-evaluate her position.
PRINT SOURCE Varicoloured - Holistic Film Agency PRINT SOURCE 1220 Film Production
64 兒童評審團 01 :說好了,我們打勾勾 Children's Jury Competition 01: Pinky Promise? 兒童評審團 02 :天空島,我們來了 Children's Jury Competition 02: The Sky Is the Limit 65
交戰 露絲與石頭大夥伴
2022 金穗獎 最佳動畫片獎提名 2022 柏林影展 兒童評審團短片獎特別提及
2021 地拉那國際影展 2022 布魯塞爾國際動畫影展 Canvas 獎、SABAM 獎最佳比利時短片
2021 金點新秀獎 數位影像設計類年度最佳設計獎
Operation Frankenstein
2022 科索沃國際紀錄片暨短片影展
2022 科索沃阿尼巴國際動畫影展
雨果是家中排行最大的哥哥,有天他負責倒垃圾,意外發現
廢棄人體模型的零件,他的弟弟維特提議要來製造科學怪
人,於是協同妹妹莎拉,三人背著母親開始進行這場祕密行
動,他們想盡各種方法拼湊科學怪人的形體,但最後該如何
讓它活起來呢?《布紐爾:超現實人生》製作班底從日常挖
掘想像,活靈活現蹦出奇趣旅程。
給狐狸女王的情書 發明家爺爺路西安
2022 安錫國際動畫影展 青少年觀眾票選獎、最佳短片原創音樂獎
2022 奧伯豪森國際短片影展 兒童評審團獎
2022 柏林影展 「Generation Kplus」單元水晶熊獎最佳短片提名 2022 吉福尼影展
住在森林裡的狐狸女王總是感到悲傷寂寞,每晚狐狸下屬們 主角路西安是個老發明家,為了讓人類生活更加美好,他將
在城裡的垃圾堆穿梭,尋找那些寫下卻未被寄出的動人情書 自己的人生都投注於發明機器。一日,他被邀請到學校與孩
送給女王,希望優美字句能討她歡心。然而,在女王的內心 子分享他的發明:廣場的柳橙汁噴泉讓人們可以停駐於此
深處,還是渴望有一封專屬於她的情書,狐狸下屬們又該如 休息聊天、清潔狗大便的機器大嘴鳥保持市容整潔等等。然
何是好?導演運用富含情感的手繪風格,畫出一首溫馨感人 而,年老又孤單一人的路西安卻思考著如何讓發明的精神延
的愛之頌歌。 續下去⋯⋯
The queen of the foxes is the saddest of them all. In order The venerable Monsieur Lucien comes to present his
to make her happy, her worried gang swarms out at night to extraordinary inventions to a class of children. When
lay at her feet the secretly written, but ultimately unsent love imagination is a bridge between generations...
letters retrieved from the city’s rubbish.
Spuffies
2022 瓜納華托國際影展
2022 克萊蒙費宏國際短片影展
毛茸茸的史噗飛們最喜歡吃漿果了!一下就把漿果全部吃光
的他們,只好穿越陰森可怕的樹林,找尋可以填飽肚子的漿
果。沿路遇見了長相恐怖的大蜘蛛與脾氣古怪的老先生(和
他的狗),讓他們學會了不以貌取人、合作與永續的重要性。
本片色彩飽和鮮明,角色設計活潑可愛,摒除過度簡化的二
元判斷,探討環境永續與跨代共容的議題。
VR COMPETITION
再見,打字機先生 Typeman
倫敦封城日記 2022 盧森堡影展
2021 倫敦影展 LFF Expanded 單元
Adult Children
英國 UK | 2021 | VR360 | Colour | 17min |英語 English |中文字幕 Chinese Subtitles
高雄電影節國際短片競賽 VR 組,為台灣唯一也是亞洲最具規模的 VR 競賽之一,本屆總計徵得 113 件有效作品。借 Sacha WARES is an acclaimed British theatre and XR director. Works include CHANG Jung's Wild Swans
(Young Vic, London) and Museum of Austerity (IDFA DocLab Immersive Non Fiction Award).
重本屆初審委員於製作、發行及策展上的專業,考量作品之技術與敘事突破性、對創作媒材之掌握度,並延續雄影
重視的多元性,評選出 22 部入圍作品。從語音辨識互動、線上沉浸式劇場,乃至多重視角敘事作品,都是令人驚喜 ScanLAB Projects
的亮點。 數位新創團體,擅長使用 3D 掃描,將現實片刻及場域轉化為永久的沉浸式體驗。
A pioneering creative practice that specialises in exploring the use of 3D scanning. They digitise the
Kaohsiung Film Festival hosts the sole VR competition in Taiwan and is one of the biggest festival platforms in world, transforming temporary moments and spaces into compelling permanent experiences and design
Asia to award cinematic VR experiences. From the 113 eligible submissions, 22 brilliant titles were selected for online environments and immersive installations.
their breakthroughs in narrative, use of technology, and proficiency in immersive media. The selected works
are diverse in format and showcase amazing creative energy.
PRINT SOURCE ScanLAB Projects Ltd.
70 Program 2 Program 3 71
法國、義大利、美國 France, Italy, USA | 2021 | VR360 | Colour | 60min |英語 English |中文字幕 Chinese Subtitles 南非 South Africa | 2021 | VR180 | Colour | 16min |英語 English |無字幕 No Subtitle
無繩獨攀運動家艾力克斯・霍諾德,繼成功挑戰美國 Alex Honnold: The Soloist VR features Alex 1794 年葡萄牙奴隸船沉沒,221 名奴隸溺斃,活下來 Container makes visible the “invisiblized” bodies
優勝美地酋長岩後,他將目標瞄準了歐洲的阿爾卑斯 HONNOLD, the star of the Oscar-winning film Free 的人被運到南非開普敦;今日世界,鐵皮貨倉底下, enabling our consumer society. Confronting slavery
Solo, as he travels to and solo climbs some of the through an ever-transforming shipping container,
山群峰,包括義大利北部的多羅米提山脈,以及法國 貨櫃繼續裝運「人」:為貴族服務的過勞女僕、為運
world’s most remote and beautiful mountain peaks, the past becomes the present, the invisible become
境內的德魯峰。艾力克斯再度將自己推向生命最極限 captured using the latest in high-resolution 3D 動品牌服務的童工、從事色情按摩的女性性工作者、 visible. We witness the shards of society: the ghosts
的挑戰,唯有做出最完美的每一步,才能成功登頂。 360-degree cameras. 被消費主義拘禁的大眾。時至今日,「人」與貨品仍 of the past and living spectres of the modern world.
舊沒有太大差別。
《極限攀登:阿爾卑斯》出動八台超高解析度攝影機,
跟隨艾力克斯登上海拔四千公尺的高空進行拍攝,近 透過紀錄片視角,《貨櫃悲歌》以紀念 221 名犧牲的
距離捕捉他登頂的完整歷程,讓觀眾看得心跳加速、 奴隸為名,用 VR180 窺探貨櫃內被搬運的芸芸眾生。
手汗直流。旅途中不僅將阿爾卑斯山早晨、夜晚的壯 社會暗面不斷變形,不變的是我們仍繼續被殖民著。
闊美景盡收眼底,更讓人體會無繩獨攀獨一無二的魅
力。
Simon WOOD is an Emmy-nominated filmmaker based in Cape Town. His films have screened at the
world's largest film festivals and won awards in Africa, Asia, Europe and America.
美國、韓國 USA, Korea | 2021 | VR360 | Colour | 12min |無對白 No Dialogue 義大利 Italy | 2021 | VR360 | Colour | 15min |義大利語 Italian |英文字幕 English Subtitles
南韓東豆川市,逍遙山腳的美軍駐地,有俗稱「猴房」 Tearless is part of a trilogy on camp town comfort 在 羅 馬 近 郊, 有 一 座 最 常 出 現 在 義 大 利 影 史 的 瀑 Hundreds of cinematic sequences define a three-
(Monkey House)的「美軍性病診療所」。這裡直 women that the South Korean government offered 布: 吉 拉 托 山 瀑 布。 自 五 O 年 代 起, 超 過 180 部 dimensional collage of the Monte Gelato waterfalls
to US soldiers stationed there. The film moves (Rome) as they have been filmed in more than
到 2004 年才關閉,無數染上性病的韓國慰安婦曾被監 義大利電影、電視、廣告曾在這裡取景;從軟調色
through the haunting spaces of Monkey House, a 180 productions including films, TV series and
禁於此。浴室、走廊、飯堂、診間,抽菸的女人如鬼魅, deadly medical prison established in South Korea in 情片、古裝片、戰爭片,到驚悚片、義大利式西部 commercials.
走在光下。寢室夜晚,女人在樓頂邊緣徘徊,而走廊 the 1970s to isolate comfort women with STDs. 片、喜劇,所有類型電影共浴這座瀑布,亞瑟王神
猛然下起傾盆大雨,如那不曾被聽見的哭聲⋯⋯ 劍佇立、夏娃摘取禁忌果實⋯⋯
Gina KIM is a South Korean filmmaker who produces works in both Hollywood and her home country. Davide RAPP (Verbania, Italy, 1980). His montage films and video essays have been screened at
Her films have been theatrically released in Europe, Asia and the US. international museums and film festivals. He is the founder and creative director of the Milan-based
creative agency “-orama”.
瓦礫堆下的 27 小時
2022 西南偏南影展
2021 世界沉浸論壇 最佳 XR 紀錄片
The Man Who Couldn't Leave
台灣 Taiwan | 2022 | VR360 | Colour | 35min |台語、中文 Taiwanese, Chinese |英文字幕 English Subtitles
Surviving 9/11 - 27 Hours Under the Rubble
綠島曾關押政治犯的蠟像展示場,政治受難者坤伯正 Experience the time, the place, and the hope, to
法國、美國 France, USA | 2021 | VR360 | Colour | 21min |英語、法語 English, French |中文字幕 Chinese Subtitles
述說著當年的情景。隨著坤伯導覽的腳步,觀眾彷彿 keep the stories alive.
穿越時光隧道,一同經歷了 1950 年代坤伯與難友阿 Inside the former Green Island prison, political
2001 年 9 月 11 日早晨,一聲巨響震撼紐約天空, 20 years after September 11, discover the 青的故事,他們像是被凍結在時間裡,守護著約定而 detainee A-Kuen recounts imprisonment and
當時在北塔工作的珍妮兒・古茲曼麥克米倫,目光 extraordinary story of Genelle GUZMAN- 無法離開,也等待著那位能讓故事不斷被傳頌下去的 persecution in the 1950s in Taiwan. Among inmates,
MCMILLAN, the last survivor rescued from the frozen in time, he recalls his own experience and
所及之處全在瞬間內灰飛煙滅。最終她成了最後一 人。
rubble at Ground Zero. those of his friend, A-Ching, who never made it out.
位被救出的倖存者,那時,她已經在瓦礫堆中被埋
《無法離開的人》融合多位白色恐怖政治受難者的經
了 27 小時。20 年過去,珍妮兒首度回到雙子星大 Featuring never-seen-before 360-degree images of
the World Trade Center, this experience is a unique 歷,以一封無法送達的遺書,穿越歷史與時間,並藉
樓遺址,在紀念碑的見證下,她娓娓道出那改變世
virtual reality dive into the story of a 9/11 survivor. 由 VR 沉浸式體驗,期待喚起不同世代對這段歷史與
界、也改變她人生的 27 小時。
人物的共感。
本 片 以 360 度 鏡 頭、 影 像 檔 案, 還 原 了 2001 年 的
紐約地景,帶領觀眾回到遭飛機撞擊前的雙子星大
樓,以前所未有的方式去認識這場災難中真實存在
的面孔。
我的學業表現很差,是不是因為我很笨?我的身材很 A 360-degree immersive VR series that takes a look 這一切全圍繞著廣場發生。人們相聚而居,隨著技術 Encircling a central square, a new town emerges
胖,會被嘲笑一輩子嗎?同學在 IG 上總有數不完的美 at the life of a teenager and the unique challenges 發展、資源開發,聚落變成了都市,人們享受著科技 in all its diversity. People nurture sympathy and
they face in today’s technology and social media- care for their equals, but also animosity towards
照,我是不是一無是處?這些是我們都曾經歷過的煩 進步帶來的便利生活。然而,夢幻生活卻開始變調。
heavy world. Approaching storytelling through those who are different. From the Main Square is an
惱。然而,在這資訊爆炸的時代,現在的青少年都面 multiple episodes, each one digs deeper into the 當人們開始區分你我,為了不同價值而反目,為了權 interactive VR experience that invites the viewer to
對著什麼樣的青春期焦慮呢?愈發進步的科技、與現 characters and their struggles. 力而鬥爭,衝突將永無止境。 witness the rise and fall of a divided society; how it
代生活密不可分的社交軟體,又會帶給少男少女們什 blossoms only to become a danger to itself.
《廣場物語》將社會興衰濃縮進短短 20 分鐘,觀眾
麼樣的衝擊?
得以用雙眼觸發與尋找衝突爆發的關鍵時刻,每個小
少年情懷總是詩,《那些年,我們一起轉大人》以鮮 細節都可能將社會推向更激烈的衝突。震撼人心的結
豔明亮的色彩、充滿活力的線條,打造出充滿創意的 局殘酷地叩問社會永續的價值何在,也呼應著政治走
狂想世界,帶領我們一同走進青少年剪不斷理還亂的 向兩極化的真實社會。
煩惱,或許也能窺見你年少輕狂的足跡。
克洛伊・康比 Chloe COMBI Pedro HARRES is a Berlin-based Brazilian animation director, scriptwriter, and multimedia artist. Both his
first animated short and his first VR experience premiered at the Venice Film Festival.
英國知名作家,曾訪問超過千名 Z 世代青少年,熟悉年輕世代的心理成長歷程,並獲邀於可口可樂、
Netflix、Google 等多家知名企業擔任顧問。
PRINT SOURCE Flight School Studio PRINT SOURCE Filmuniversität Babelsberg KONRAD WOLF
78 Program 8 Program 9 79
插畫家熊貓荷比與女友小鹿萊斯分手後,成天躲在工 A panda called Herbie is holed up in his illustrator 來日無多的外星人歐尼克斯,召喚你踏上神祕星球, You have been called by an alien creature named
作室。他的繪圖日記、答錄機、廢紙簍,像儲思盆喚 studio after a bad breakup with a talented deer 傳承他千年的智慧。在那之前請先接受挑戰,通過考 Onyx to a mythical planet on which they are living
called Rice. Using Herbie's art we delve back out their final days. You, and two others, are asked
起種種回憶,回到相識相戀、回到爭吵起點、回到被 驗,並展開迷幻之旅。在大氣中漂浮、在群星間跳躍,
through the memories of their relationship from to help their transition from this reality to the next.
生活磨光的愛情、回到紀念日吹蠟燭許願的瞬間。 the heartbreaking end to the beautiful beginning; 當你能從絢爛的幻影中看見真實的自己,表示你也即
a dreamlike voyage through his mind, his heart and 將和歐尼克斯告別⋯⋯
奧斯卡最佳短片導演班傑明・克利里,與任天堂御用
his illustrations.
遊戲設計師麥可・歐康納聯手,並找來《金牌特務》 《 謎 幻 泡 泡 糖 》 是 VR 體 驗 設 計 團 隊 Ferryman
泰隆・艾格頓、《波西米亞狂想曲》露西・波頓獻聲, Collective 的第四部作品,以華麗視覺、合作解謎遊
搭 配 美 國 獨 立 搖 滾 樂 團 Phosphorescent 催 淚 情 歌 戲與演員真實的互動,跨越虛擬的界線,帶你探尋心
〈Song for Zula〉,帶你重溫再也攬不回的心酸愛戀。 中的愛與遺憾。
Benjamin CLEARY is an Oscar-winning writer and director. In 2015, he wrote, directed and edited his first Christopher Lane DAVIS is a musician, writer, performer and 3D-designer. He created his first VR video
short film Stutterer, which won an Academy Award for Best Live Action Short. game, Club Gumball, for VRChat. VR productions include Welcome to Respite and Gumball Dreams.
一齣傀儡戲正上演,一位迷路的小女孩想要回家,我 You watch closely at an exquisite marionette play. A 1934 年朝鮮漢城,正值日本殖民時期淘金熱高峰。跟 Like an “ethno-detective”, you follow the footsteps
參與了她回家的路程並竭盡可能地幫助她解決問題, girl is lost, and you are helping her to find her way 著遇上創作瓶頸的作家仇甫,進城展開一場「意識流」 of Kubo, a Korean writer in his urban flanerie in
home. On the 7th day, you realize the story of the Seoul in 1934, when Korea was under Japanese
直到最後一晚她終於到了家門口,才發現我也是這齣 漢城漫遊。北朝鮮 23 萬農民正經歷著三年大饑荒;
little girl is also very much your own… occupation.
戲的一部分。 漢城茶館中暴發戶們無所事事,街車上拜金女奔赴下
一個懷抱,時下話題是 1936 年即將到來的柏林夏季
奧運。
改編自現代主義小說家朴泰遠名作《小說家仇甫氏的
一日》,當代藝術家權河允以獨特的大範圍走動 VR
形 式、Quill 繪 圖、Gravity Sketch 建 模 技 術, 讓 觀
眾通過作家憂鬱的眼睛,直擊殖民政權下的精神貧脊
與罪惡。
希臘克里特島上的克諾索斯迷宮,是史詩《奧德賽》 Lavrynthos places you at the heart of the labyrinth 世界在經歷一場浩劫後,所有機器人都失控了,他們 You, a small droid, wake up and meet a little girl
中被監禁的牛頭人身王子米諾陶吞噬雅典進貢男女的 of Crete to tell you the story of the unlikely 一心只想消滅他們的造物者――人類。而你是一個小 named Luna trying to survive an AI apocalypse.
relationship between the Minotaur and his next The machines seem to be after only one goal: to
地方,而米諾陶的下一頓晚餐是女孩柯拉。柯拉置身 型機器人,在這場浩劫中甦醒,遇見身上藏有祕密的
meal: a girl named Cora. exterminate its creators. Can you, a droid with no
迷宮中央,她答應米諾陶尋找出口,卻和他一起迷失 小女孩露娜,並且發現她可能就是人類與機器人和平 combat capabilities, protect Luna? Can humanity be
於這個「移動迷宮」的矩陣之間⋯⋯ 共處的關鍵。一場末世的救援行動,就在充滿賽博龐 saved?
克風格的衰敗城市裡展開。
巴西新銳導演搭擋再度攜手,繼廣受雄影觀眾歡迎的
《重力兄弟好不好》後又一力作。《牛男的迷宮》打 本作結合情境敘事及電玩體驗,讓觀眾一步步陪伴露
造顛覆現實的非歐幾里得幾何迷宮,挑戰虛擬實境的 娜認識世界。除了透過把手與露娜進行互動,也必須
極限,顛覆你對空間的想像,邀請你一起走出心的迷 保護露娜免於傷害。此外,更能透過語音輸入指令,
宮。 你的發言都將影響露娜的觀點,打造出更加沉浸的互
動體驗。
Fabito RYCHTER has been working as a TV scriptwriter for 17 years, having contributed to some of
薩魯維特・萬尼森 Charuvit WANNISSORN
Brazil´s most famous shows, reaching more than 10 million viewers each week. In 2016, he started
Delirium XR. VR 創作者,過去曾擔任技術美術師、遊戲工程師。擅長結合敘事、藝術形式與科技媒材,打造出獨一無二
的視覺體驗。
阿米爾・阿居莫尼 Amir ADMONI
Charuvit WANNISSORN is a developer who likes to combine his passions in storytelling, art and
執導六部動畫短片於多項國際影展放映,獲超過 120 個獎項肯定,也曾和 MTV、迪士尼、Netflix 等品牌合作。 technology. He used to work as a technical artist and gameplay programmer.
Amir ADMONI has worked for MTV, Disney, Nickelodeon, Comedy Central, Netflix among others and
has had his personal work featured worldwide. He has directed six animated short films that were
screened around the world, achieving more than 120 awards.
冥界淨化者:序章 午夜.巴士・鴿子們
2022 西南偏南影展
2022 美國 SeriesFest 影展
2022 薩格勒布國際動畫影展
活著很累,但沒有人跟你說,死後會比活著還累。 Lustration is a four-part multi-strand animated series 凌晨兩點,尋常無奇的巴士站,疲憊的旅人們在候車 Even in a lonely, revolting and boring place such as
following a group of characters whose stories are 室等待發車。老奶奶喃喃自語,抱怨連連,她討厭車 a coach station, a little bit of harmony can always be
歡迎來到死後的世界,既非天堂,也非地獄。在這裡 mysteriously intertwined both in the real world and found…
站的嬰兒哭鬧,討厭鴿子;鴿子停駐在不停消毒椅子
你可以享受生活、開心玩樂,不會老,不會生病,但 the afterlife. As their stories unfold and intersect, we
的男人旁、一位帶貓的壯漢腳邊、一個生死不明的睡
就是得想辦法打發時間。如果你是少數的聰明人,那 uncover a conspiracy so vast it has affected every
facet of our existence…and the next. 袋附近、一對不講話的印度夫妻眼前。夜晚使人煩躁,
麼小心,別和「信眾」作對,他們監控一切——除了
但也許,你只是需要跟著鴿子向上看。
一些漏網之魚⋯⋯
新銳動畫導演安東尼・尼克拉斯,改編自己榮獲英國
《冥界淨化者:序章》改編自導演所著的同名圖像小
電影學院獎最佳動畫短片的畢業製作《Do Not Feed
說,由四部短片所組成,描述一則黑色電影般的懸疑
the Pigeons》,運用 VR 視覺追蹤技術,讓觀眾跟隨
故事。觀眾透過多位角色的經歷,一同揭開死後世界
車站的「釘子戶」們,在寂寥中找到生活的吉光片羽。
的陰謀。在觀看的過程中能夠自行切換視角、穿梭生
死兩界,而不管在哪一邊,都有人願意為愛鋌而走險。
Ryan is a First Nations Australian creator who has worked primarily in TV and comics. A fan of genre Antonin NICLASS, director of the BAFTA-winning short film Do Not Feed the Pigeons, decided to adapt
and 1950s cinema, Ryan brings a fantasy/sci-fi sensibility to his work to explore contemporary cultural the atmosphere of his graduation film into virtual reality.
themes.
瑞士 Switzerland | 2021 |走動 Roomscale | Colour | 12min |英語、法語 English, French |無字幕 No Subtitle (To the End of the World)
法國、英國、美國 France, UK, USA | 2022 |互動 Interactive | Colour | 42min |英語、法語 English, French |
英文、德文、挪威文字幕 English, German, Norwegian Subtitles
德國畫家保羅・克利原本有著幸福美滿的家庭,不料 Let the puppets created by Paul KLEE tell you 2018 年 1 月 13 日清晨,夏威夷居民收到一則國家警 On January 13th 2018, all of Hawai'i received an
有天納粹軍隊闖入小鎮,奪走他的作品,並脅迫他服 the story of their maker in this unique VR puppet 報簡訊:「彈道飛彈即將襲擊夏威夷,立即尋求掩蔽, SMS which read:
theater designed only with KLEE’s textures.
從於慘無人道的政權。克利帶著妻子逃往瑞士,並重 這不是演習。」接下來的 38 分鐘,夏威夷島民深刻 BALLISTIC MISSILE THREAT INBOUND TO HAWAII.
拾畫筆,創作出他生命中最憤怒、最具生命力的藝術 領悟到:「我們活在一個有核武的世界」。 SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL.
傑作。
本片由歐洲最大沉浸式內容製作公司 Atlas V 旗艦製 For 38 minutes, every citizen of Hawai'i experienced
the fundamental injustice of a world where nuclear
DNA Studios 推出以國際知名畫家為題的 VR 系列作 作,還原夏威夷人刻骨銘心的清晨。
weapons exist.
品,其中《保羅克利的布偶》重現保羅・克利拒絕服
從納粹、逃往瑞士定居的真實經歷,道出極權時代下
藝術創作者的反抗與轉變,並以立體透視技法打造出
麥克・布雷特(左)Mike BRETT 史提夫・賈米森(右)Steve JAMISON
驚人的視覺場景,更讓保羅・克利親手創作的布偶有 2014 年首部紀錄片《Next Goal Wins》獲英國獨立電影獎最佳紀錄片。
了生命,重新演繹出改變這位藝術家生涯最重大的歷 Mike BRETT and Steve JAMISON are co-founders of production studio Archer's Mark. Their
史事件。
directorial debut Next Goal Wins premiered at the Tribeca Film Festival and won the British
Independent Film Award (BIFA) for Best Documentary.
Martin CHARRIÈRE, born in Switzerland, is the co-founder of DNA Studios, a company about games and
皮耶・崇多維克 Pierre ZANDROWICZ
animation. He created the series Unframed dedicated to Swiss painters. Unframed - Hand puppets, Paul Atlas V 共同創辦人,VR 科幻電影《我,菲利浦》導演,為歐洲劇情類 VR 創作先鋒。
Klee is the fourth episode.
Pierre ZANDROWICZ is a director and filmmaker whose passion for visual storytelling has
pushed him to create memorable and awarded works. He was one of the first filmmakers in
Europe to try and create narrative VR fiction.
Thank you for sharing your world The Leap 2021 雨舞影展
日本 Japan | 2022 |互動 Interactive | Colour | 33min |英語、日語 English, Japanese |無字幕 No Subtitle 德國 Germany | 2021 |走動 Roomscale | Colour | 20min |英語、德語 English, German |英文字幕 English Subtitles
熱愛研究火車的小學生 Takashi 天生視力不佳,有一 This is a story about Takashi, a grade school student 1961 年,美、俄勢力在處於分裂狀態的德國交鋒,柏 The Leap carries visitors from reunified Berlin
天終於全盲,他也必須學習面對隨之而來的改變,唯 who lost his eyesight, learning how to enjoy the 林凝縮了冷戰時期的所有政治恐懼。當年,柏林圍牆 back to the year 1961. They will experience how
world with his imagination with the help of his policeman Conrad SCHUMANN took the leap at an
一不變的是,同為火車迷的自閉症同學 Shinji,始終 才剛開始興建,東、西德之間僅以鐵絲網作為路障,
friend. intersection from East into the West part of Berlin
待他親切。有天,Shinji 邀請 Takashi 一起去迎接蒸 而 19 歲的東德士兵舒曼被派駐守柏林圍牆。在一個 and how at exactly this moment the photo that has
汽火車進站。面對家門外的未知世界,Takashi 該如 平凡的午後,他在東、西德警察眾目睽睽下,突然輕 gone down in world history was taken.
何克服心魔,重拾他對生命的熱情呢? 盈地縱身一躍,一腳跳進自由的西德領土,而記者也
正好在此刻按下了快門,記錄下第一位跨越柏林圍牆
《追火車的男孩》由日本知名公司講談社製作,以盲
的人。
人視角出發,將感官化作視覺圖像,VR 控制器則成為
白手杖,讓觀眾深刻地體驗視障人士的日常。導演透 《希望之躍》以士兵舒曼、西德警察、媒體攝影師三
過兩位男孩直白且真誠的互動,打破生理障礙所築成 方的第一人稱視角,重新演繹這動人的時刻,並藉由
的牆,更在音樂家中村遼的琴聲搭配下,引領觀眾感 科技媒材將瞬間鑄為永恆。
受這段友情的溫度。
Japanese film director and screenwriter born in Osaka in 1990. Established a video production company A filmmaker, artist, author, and curator who loves crossing the border between art and science. He
Creative Studio Getsukuro in 2014 and acts as the representative. founded Liquid Blues Productions, which focuses on realizing feature films, documentaries, and
interactive art.
PRINT SOURCE Kodansha VR Lab, Ltd. PRINT SOURCE Liquid Blues Production
90 Program 20
KAOHSIUNG FOCUS
屍舞 The Remains
再見,打字機先生 2022 威尼斯影展
Typeman
日本 Japan | 2022 |線上即時互動演出 VR Live Performance | Colour | 25min |無對白 No Dialogue
《再見,打字機先生》是一部精緻的線上即時互動作品,
帶有遺憾,有懷念,卻也充滿溫暖,邀請你一起緬懷
往日的美好,來一場華麗的字母冒險。
KAOHSIUNG FOCUS:
Kaohsiung VR FILM LAB Originals
鏡子 白屋
Mirror Gray Room
台灣 Taiwan | 2022 | Colour | VR360 | 15min |中文、英語 Chinese, English |無字幕 No Subtitle 台灣 Taiwan | 2022 | VR360 | Colour | 14min |中文、英語 Chinese, English |無字幕 No Subtitle
本片《鏡子》改編自謝文賢的同名短篇小說。 Mirror is based on a short novel. 小時候,有一次夢遊,驚醒時發現自己站在屋外,眼 I had a childhood memory of waking up in the
前場景變得陌生。是奶奶在夜間聽到哭聲,才下樓開 middle of sleep and found myself sitting outside the
家中的男性成員總在時間的催促中,成為當年討厭的 In this story, the men in the family are always rushed
house. It felt like everything became displaced. My
by time and become the adults they always hated. 門接我回家。
「大人模樣」。 grandmother was woken by my crying and went out
However, in their memory, there is always a warm 近兩年我的身體出現狀況,開始有不尋常的頭痛症狀, to take me home.
不過,在他們的記憶中,總有一段與母親的溫暖回憶, memory with their mother, and the mother always 在最嚴重的時候幾乎長達兩週無法下床。檢查腦部過 In Gray Room, I use the 3D scan model to visualize
而母親也總是懷想著當年還未出嫁的時光。 thinks about the time when she was not married.
程中,意外檢測出我有「複視」的狀況,會將眼前的 my late grandmother’s house as a method to
事物看作為兩個重影,醫生判斷成因來自腦部神經。 explore the relationship between architectural
space and body, and to examine my perception of
在當代的醫學研究中,幾乎所有的知覺、情緒運作,
memory and death from a material perspective.
都能在神經科學範疇裡得到解釋。從這樣的角度而言,
精神與感知是一種身體物質,都是神經系統的構組,
靈魂的存在受到了挑戰。
《白屋》以 3D 掃描奶奶生前居住的房子,探索建築空
間與身體感知的關係,試圖從物質的角度重新理解記
憶與死亡。
PRINT SOURCE 鄭怡萍 CHENG Yi-ping PRINT SOURCE 許哲瑜藝術工作室 Hsu Che-Yu Studio
96 Program D Program E 97
雲海中漂浮著一座懸吊電車的車站,男孩在等車時睡著 At a train station floating in the cloud, a mysterious 故事源自法文「監視」(surveillance),英文原意 This story comes from the French word “surveillance”, which
了。此時,天空飄來了一條紅尾巴,男孩彷彿受到召喚, red tail catches the boy’s attention. Chasing the 為在空中的眼睛(eyes in the sky),意指在空中的 in English originally referred to “eyes in the sky”, or a pair of
red tail, the boy travels through countless magical eyes above us watching everything that happens below. The
開始追尋紅尾巴的幻影,懵懵懂懂地踏上漫長的旅程。他 一雙眼睛,正凝視土地上所發生的所有事物。
places, runs into bizarre creatures, and finally he Eye and I, Vol. I is a beautiful, thought-provoking, humorous
經過一座又一座既陌生又似曾相識的奇幻城市,只為尋找 meets the gentleman, who seems to know his 本作品《眼與我(一)》是一段美好、發人深省,且 and deeply-reflective experience. Viewers will be able to
紅尾巴的下落。 secrets more than he does. When the red tail explore the origin and development of The Eye and I, Vol. I,
同時兼具幽默及深刻反思的體驗過程。觀者將目不轉
reminds the boy of his own memory and sadness, and learn about the intertwined story of human society and
經歷一段段歷險後,疲累不堪的男孩沉沉睡著,直到他醒 睛地探索《眼與我(一)》的起源及發展脈絡,了解
what are the secrets hidden behind, and where will “surveillance”. After a series of dark journeys, viewers learn
來在一個神祕房間,一位紳士的出現,逐漸揭開紅尾巴的 they lead him next? 人類社會與「監視/被監視」共同交織的故事。經由 how “surveillance” is embedded in our culture in various
背後故事。此時,男孩的身上突然流出鮮血,鮮紅色的血 一系列的黑暗旅程後,觀者將了解「監視」是如何以 forms and even affects our perception of reality. The Eye
After winning a Golden Horse Award for the
也轉生而成一條小魚,正當男孩充滿著困惑時,紳士便娓 animation Gold Fish, Zero One Film and Fish 各種形式深植於我們的文化,甚至影響我們對真實的 and I, Vol. I aims to help people escape the surveillance
framework and its constraints by helping viewers understand
娓道來關於男孩身體與記憶、情感所交織的祕密。 WANG have teamed up again, in collaboration 認知。然而,為了超脫於《眼與我(一)》下的框架
its history and how it came to be embedded in our lives.
with Funique VR, to create the VR title Red Tail, 思考,我們更需要了解它的歷史和成因,才能加以逃
金馬獎最佳動畫短片《金魚》團隊零壹影像,與入選
inspired by WANG’s same-named comic story. 脫,並且超越它所帶來的約束。
2021 年威尼斯影展的《霧中》VR 製作團隊 Funique VR The mysterious red tail leads viewers on a magical
合作,《紅尾巴》從一條紅尾巴的流動,與男孩的奇幻旅 journey, creating a poetic metaphor of people’s
程相互暗湧,詩意地詮釋出人們童年的情感記憶。 childhood memories. 黃心健 HUANG Hsin-chien
台灣知名新媒體藝術家,擅長結合 XR、互動、表演藝術、裝置藝術、動力機械等大型新媒體與沉浸式內容
的製作。
王登鈺 Fish WANG
HUANG Hsin-chien is a new media artist adept at combining VR, interactive installations, performing
1971 年出生於台灣台北,現為專職動漫畫創作者。1987 年製作動畫至今,業餘也創作圖文書、短篇小說、 arts, and machinery to explore greater possibilities for human life through technology.
立體雕塑。作品包括漫畫《秘密耳語》、《夜的事變》;小說《電影裡的象小姐》;動畫《金魚》、《秘密
耳語》。
讓米歇爾.雅爾 Jean-Michel JARRE
Born in Taipei, Taiwan in 1971, Fish WANG is a graduate of Arts & Craft Department of Fu-Hsin Trade 法國電子樂教父及歐洲電子音樂創作先鋒之一,風格融合電子音樂及古典音樂,近年跨界舉辦虛擬演唱會。
and Arts School. He has been involved in animation and comics for more than 20 years, working in an Jean-Michel JARRE is a legendary French musician and one of the early pioneers in Europe who began
animation company as a layout composer and art designer. His recent animated short, Gold Fish, won to experiment with electronic music creation. In recent years, JARRE has held virtual concerts online.
Best Animated Short at the 2019 Golden Horse Awards. CREDIT_Feng Hai
PRINT SOURCE 零壹影像有限公司 Zero One Film PRINT SOURCE 台灣虛實展演發展協會 Virtual and Physical Media Integration Association of Taiwan
98 Program F Program G 99
蟬與花 漫步源雨㵵
When the Flowers Bloom Encounters
台灣 Taiwan | 2022 | Colour |走動 Roomscale | 20min |中文、英語 Chinese, English |無字幕 No Subtitle 法國、台灣 France, Taiwan | 2022 | Colour |互動、走動 Interactive, Roomscale | 32min |中文、英語 Chinese, English |無字幕 No Subtitle
重度汙染的近未來,居住於地底都市的人類在匱乏的 When the Flowers Bloom allows viewers and 《漫步源雨㵵》是結合 VR 虛擬實境、5G 整合技術、 Encounters is a sensory journey through space and
物質中尋覓延續文明的方式。多年後,一位研究員在 the researcher to travel through a post-disaster 高流明雷射投影以及 AI 感測技術的多人沉浸式體驗。 time, linking a saturated and unbearable “modern”
underground city and return to the surface to grow world to its possible peaceful future where time for
某次災難後意外找到了可以適應地表氣候的植物,她 本作品由法國藝術編導瑪太.普拉達進行創作,由法
plants. dialogue and self-awareness prevail.
決定穿過地下都市前往地表,在荒地中重新種下這株 國 La prairie productions、SoWhen? 及台灣綺影映
帶來希望的幼苗。 In the heavily polluted near future, humans living 畫共同製作,且與台灣的動態自造實驗室進行技術研
in underground cities are looking for ways to
發整合。
體驗者以 VR 手把操縱黑暗中的光束指引主角前進, continue civilization with scarce resources. Many
同時也照射出埋藏於場景中的幻象插畫,藉此探索主 years later, a researcher accidentally found plants 藉由人類生命中不可或缺的「水」作為主要意象,「漫
that could adapt to the climate on the surface after
角的心境。既扮演著指引者,卻也是主角內心的自我 步者」將於 VR 體驗中感受水滴、細雨、暴雨到迷霧
a certain disaster, and decided to travel from the
投射,將伴隨她在毀壞的地底城市找尋出路,並將代 underground city to the surface to grow plants in 等狀態,突破過往沉浸式體驗觀影形式的局限,打破
表希望的花朵帶回地表。體驗時間約為 20 分鐘。作 the wasteland. 真實世界與虛擬實境的界線。體驗者在六維 VR 影像
品藉由她的旅程,討論人與人之間的連結,以及對於 中可主動或被動地思考個體與群體的因果關係,及自
自身崗位的使命感。也期望在這個世界共同經歷疫後 我行為對於群體的影響,創造出一場多人共同經歷、
的時刻,喚起體驗者的共鳴。 漫步創造出的源雨㵵沉浸式展演。
柯佳彣 KE Chia-Wen Mathieu PRADAT, artist and architect, works in the fields of virtual reality and cinema. He is the founder
and director of La prairie productions. He focuses on the growing interaction between virtual and real
橡實洞工作室共同創辦人,以電腦圖像藝術為創作方向的程式設計師,致力於探尋互動媒體的各種可能性。 worlds, as territories that convey narratives and emotions.
Co-founder of Acorn Den Studio. A new media artist with computer graphics art as creative direction,
dedicated to exploring the possibilities of interactive media.
PRINT SOURCE 橡實洞工作室 Acorn Den Studio PRINT SOURCE La prairie productions / 綺影映畫有限公司 Serendipity Ltd.
高雄拍單元A Kaohsiung Shorts: Program A 101
KAOHSIUNG FOCUS:
KAOHSIUNG SHORTS
魍神之夜
鄉間怪事頻出,魔神仔的故事再次流傳──相傳滿月之夜,
「魍神」總喜歡準備山野大餐,騙走無知的小孩。這夜,春
妹被豬隻聲音吸引,好奇的她走進山洞,卻遁入一個炫目
世界中,石頭剪刀布,魍魎的祕密即將被揭開。改編自小說
家甘耀明的《水鬼學校和失去媽媽的水獺》,蔡旭晟結合台
灣民俗信仰,以熟稔的動畫語言,娓娓述說這則本土鄉野奇
譚。
食夢者
Shadow Under the Bed
台灣 Taiwan | 2022 | DCP | Colour | 20min
遲遲等不到父親回家的小皮,當晚遭怪物襲擊逃出家門。一
個不敢睡床上的小孩、一個遭逢人生低谷的父親、一隻原本
只該出現在卡牌遊戲上的怪物,這晚,全都攪在了一起。是
夢境、幻覺抑或是真實?從逃出家門的那刻起,已不再重要
⋯⋯
Late one night, while waiting for his father to come home,
Xiaopi is attacked by a monster and escapes from his house.
A child who dares not sleep in his bed, a father at his lowest
point in life, and a monster that should only exist on game
為鼓勵短片創作,高雄市電影館辦理「高雄拍」影像創作獎助計畫,每年以公開徵選的形式,從上百件申請案嚴選 cards. Is it a dream, an illusion, or reality?
出題材觀點或表現形式獨具特色之企畫,給予創作者一年的時間,從企畫雛形到實踐創作,再於高雄電影節首度亮
相與觀眾見面。「高雄拍」今年邁入第 11 年,獲獎助之短片作品已逾百件,本年度十部短片新作,匯聚新世代獨特
的創作視野,紛呈多元的創作面向,展現出新世代豐沛扎實的創作能量。 張羽樂 CHANG Yu-le
To encourage the creation of short films, Kaohsiung Film Archive presents “Kaohsiung Shorts”, a film grant 臺灣藝術大學電影學系畢業。攝影畢業作《起床氣》、《Milk Man》分別於第 30 屆、第 31 屆金穗獎獲獎。
initiative. Each year, a number of projects with unique themes, viewpoints or expressions are chosen through 2015 年劇本《食夢者》入圍優良電影劇本;2016 年擔任短片《阿尼》副導演;2021 年影集劇本《十日好孕》獲
an open selection process that attracts over a hundred submissions. The filmmakers are then given a year to 選「公視戲劇孵育計畫」。目前持續從事編導創作。
plan and film their projects before debuting them at the Kaohsiung Film Festival. Now entering its 11th year, CHANG Yu-le graduated from the Department of Motion Picture, National Taiwan University of Arts. His graduation
Kaohsiung Shorts has already supported the creation of over a hundred short films. This year’s 10 new shorts cinematography works, The Get up Kid and Milk Man, both won Golden Harvest Awards. His script for Shadow Under
the Bed was nominated for an Excellent Screenplay Award.
bring together unique visions and diverse creativity, showcasing the rich and robust filmmaking prowess of the
new generation.
PRINT SOURCE 莫比文化創意有限公司 Mobius Image
102 高雄拍單元A Kaohsiung Shorts: Program A 高雄拍單元 B Kaohsiung Shorts: Program B 103
殭屍外公 推特事
My Zombie Grandpa There’s No Sex, Only Fans
台灣 Taiwan | 2022 | DCP | Colour | 19min 台灣 Taiwan | 2022 | DCP | Colour | 20min
外公從養老院裡逃走了!聞訊前往的母親和男孩,卻在養老
院旁的偏僻郊外,遭遇了變成殭屍的老人們! 煖 煖 是 個 在 推 特 追 蹤 數 高 達 20K 的 網 黃, 在 網 站「Only
Fans」開放觀眾付費訂閱觀看自己攝製的素人色情片。一
驚險的躲避殭屍之旅,與外公患病後被家人拋棄的回憶交織 天,煖煖收到大學生阿鹹的合作來信,希望能體驗跟煖煖拍
在一起,愧疚不安的男孩,最終會如何面對他變成殭屍的外 片。兩人相約在一間商務旅館玩煖煖最拿手的控射主題。第
公呢? 一次拍片的阿鹹,卻在滿足煖煖拍攝的技術需求,與沉浸其
Grandpa escaped from the nursing home! But when his 中之間陷入兩難⋯⋯
daughter and grandson go looking for him, they encounter
On the website OnlyFans, subscribers can pay to watch
old people who have turned into zombies!
amateur pornography. Hsuan, who has 20,000 followers on
How will the guilt-ridden boy face his zombie grandpa when Twitter, receives a letter from university student A-Hsien, who
his treacherous journey of zombie escape is intertwined with proposes that they make a video together. The two meet in a
memories of his grandfather's illness and how they abandoned hotel to shoot Hsuan’s favorite sex act…
him?
春日郊遊 塑膠情人
NATASHA
A Sunny Trip 台灣 Taiwan | 2022 | DCP | Colour | 22min
台灣 Taiwan | 2022 | DCP | Colour | 25min
當寂寞空虛襲來,座落大樓內的性愛娃娃妓院,便成為人們
潘仔與阿竹是一對無樂不作的好兄弟,兩人總踩著單車穿梭 情慾的釋放之地。然而,神祕女人麗娥的闖入,卻鬧得妓院
鄉間、鎮日流連。一個遊手好閒的下午,他們偶然救出被人 不得安寧。她點台當家紅牌 Natasha,還聲稱要為她贖身,
欺負的皓呆,一趟春日三人遊便就此展開,不料雜貨店女孩 用盡一切手段,只為帶她義無反顧地踏上一段旅程。儘管阻
曉琪的加入,卻讓四人的關係產生了微妙變化。夜晚煙花燦 礙重重,但對麗娥而言,她解救的不只是具塑膠皮囊,而是
爛,浪花沖打於岸,當太陽逐漸升起,年輕的生命又該駛向 一份份寄託在其身上的真實情感。
何方?
A mysterious woman kidnaps a sex doll, Natasha, from a
Pan Nah and his friend Azhu are causing trouble all over the brothel. They embark on a journey full of difficulties. She has
town. When they encounter a bullied dork, Pan Nah adopts no choice but to finish this mission, no matter what it takes.
him into their group. And so begins an outing that will change
the fates of all of them.
馬慧妍 Galilee MA
林世菁 LIN Shih-ching
生於澳門,2009 年起旅居台北,在兩地擔任編劇、導演、演員等職,橫跨影視及劇場。作品聚焦以女性經驗出發
目前就讀臺灣藝術大學電影學系研究所,為 2018 年金馬電影學院學員,曾獲 101 年度優良電影劇本佳作劇本獎、 的科技與魔幻題材,並不斷實驗各種敘事形式的組合,近期編劇作品包括《滿七》、《大世界娛樂場 III》、《安
110 年度優良電影劇本優等獎。2018 年首部劇情短片《壞運氣》獲 LEXUS 新銳影展最佳影片及最佳導演獎。 娜與蘇珊》、《美樂蒂》,以及《SONIA》等。
2019 年參與金馬電影學院《4x 相識》系列短片,執導其一作品《阿嬤的祕密》。
Galilee MA is a Taiwan-based Macanese playwright, screenwriter, director, and actress for theater and film, passionate
LIN Shih-ching is currently studying filmmaking at National Taiwan University of Arts. Her first short film, Bad Luck, won for experimenting with narrative forms. Her works revolve around technology and fantasy with female-driven
Best Student Film and Best Director at the LEXUS Film Awards. She was a participant of the 10th Golden Horse Film perspectives.
Academy.
PRINT SOURCE 林世菁 LIN Shih-ching PRINT SOURCE 綺影映畫有限公司 Serendipity Films Ltd.
104 高雄拍單元 C Kaohsiung Shorts: Program C 高雄拍單元 C Kaohsiung Shorts: Program C 105
鷺鷥河 二重奏
The Egret River Duet
台灣 Taiwan | 2022 | DCP | Colour | 20min 台灣 Taiwan | 2022 | DCP | Colour | 25min 在母親罹患胰臟癌末期後,大提琴老師鍾宜的日子便在授課
在城市高樓夾縫間,孤單善良的大樓警衛大偉祕密擁有一個 與醫院中往返。一日因看護請假,她不得不親手幫母親換尿
無人知曉、生機盎然的美麗野地,並與棲息在那兒的鷺鷥相 布及清理排泄物。在女兒面前尊嚴盡失的鍾母、在母親面前
遇相熟。然而城市的擴張不曾停歇,某日野地被毀,蓋起高 無所適從的鍾宜,這對母女終究因為內在的惶惶不安,在病
樓,一鳥一人頓失身與心的棲地。而恍惚悲傷的大偉,在層 房內掀起一場風暴⋯⋯
層的鋼骨鷹架與起重機之間,開始看見各種神祕幻象。 As her mother suffers through the final stages of terminal
pancreatic cancer, cello teacher Chung Yi spends her days
Among the tall buildings of the city, the lonely security guard
commuting back and forth between music lessons and
David hides a beautiful field that no one knows, and meets an
hospital visits. One day, in the absence of a caretaker, Chung
egret there; but the expansion of the city never stops. One
Yi is left to change her mother’s diaper and clean up her
day, the field is destroyed, the egret disappears without a
excrement. Tensions explode in a perfect storm of inner panic
trace, and David begins to see mysterious illusions…
as the mother grapples with a loss of dignity in front of her
daughter, while Chung Yi searches for the strength to provide
for her dying mother’s needs.
PRINT SOURCE 劉琬琳 LIU Wan-lin PRINT SOURCE 繆克電影有限公司 MILKYWAY Films
情書 返來呷飯
Love Letters A Beautiful Summer Noon
台灣 Taiwan | 2022 | DCP | B&W | 25min 台灣 Taiwan | 2022 | DCP | Colour | 20min
PRINT SOURCE 林宣瀚 Darren LIN / 侯文婷 HOU Wen-ting PRINT SOURCE 三上影像創作有限公司 Great Eyes Production Service
雄成人短片輯 Corpse, Dick, and Test Kit 107
PRINT SOURCE 高雄市電影館 Kaohsiung Film Archive / 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation
20 歲是成年獨立的時刻,褪去些許青春的躁動,迎向無限創意與可能!今年適逢高雄市電影館 20 週年,在邁向成
年的路上,電影館走過不同階段的綻放與蛻變,20 年來始終不變的,是支持創作開展無限想像,以及自由奔放不受
春水奇譚
侷限的精神。而公共電視也秉持扶植台灣新生代影視創作者的初心,擴展類型內容,澆灌台灣影視創意土壤。因此, The Last Shot
高雄市電影館與公共電視今年再度攜手合作系列主題短片,集結潘客印、黃丹琪和蔡佳穎三位導演,一起搞笑、搞 台灣 Taiwan | 2022 | DCP | Colour | 25 min
怪又搞鬼!台式喜劇加上生猛指數破表的奇思異想,三部成人限定的短片不按牌理大膽出招——《有了?!》軟爛 單身許久的中年男子阿三終於再次心動了,但卻遲遲無法對
青年遇上兩條線炸彈,笑中帶淚迎來成年體悟;《春水奇譚》久未「開機」的中年男子,慘遭真人化的雞雞搶奪主權; 玉蓮展開行動。多年陪伴在阿三身邊,隱忍多年、不離不棄
《屍舞》不瘋魔不成活的舞蹈家,追求完美的驚悚執念。雄瘋來襲,狂想紛飛,吹拂出愛與慾念的騷動,也颳起感 的好友⋯⋯也就是他的雞雞,真的受不了啦! 頹軟的雞雞化
官娛樂旋風。 身變成人,誓言要把阿三的廢物人生砍掉重練!阿三與他的
雞雞上演一場理性與感性、大頭與小頭的廝殺大戰。
The age of 20 is when one reaches adulthood and independence, when youthful restlessness is shed and
Middle-aged A-San, who has been single for many years,
boundless creativity and possibilities are embraced.
finally feels his heart beating again. But he is hesitant in taking
This year marks the 20th anniversary of Kaohsiung Film Archive. Along its journey of growth, Kaohsiung Film action and asking out Yu-lian. His best friend is someone who
has always been on his side and has never abandoned him,
Archive has gone through different stages of bloom and transformation, but what has not changed over these but can’t take his celibacy anymore. This friend is his penis.
20 years is its support for the limitless imagination of filmmaking and its free and uninhibited spirit. Meanwhile, His soft, flaccid penis turns into a human. He swears to God
the Taiwan Public Television Service Foundation has also upheld its original intention of cultivating the new that he will turn his loser life around and get laid. So A-San
generation of film and television content creators in Taiwan, expanding genres and watering the creative soil of and his penis duke it out for control of sense and sensibility.
Taiwan’s film and television industry.
Accordingly, Kaohsiung Film Archive and Taiwan Public Television Service Foundation have once again teamed 黃丹琪 HUANG Dan-chi
up this year, recruiting directors PAN Ke-yin, HUANG Dan-chi and TSAI Chia-ying to present a series of funny, 生於 1987 年,首部短片《未遂》獲第 32 屆金穗獎優等學生作品獎。2014 年短片《夏日紀事》與 2017 年短片《三
mischievous and eerie shorts. Made for adults and unafraid to push boundaries, these wildly imaginative 仔》曾入選金鐘獎、金穗獎、東京短片節、北京獨立影展等。VR 作品《女海盜:成名之路》曾入選坎城電影市場
Taiwanese-style short films are: Daddy-To-Be, in which an explosive revelation will force a weak young man to 展競賽、富川國際奇幻影展、西南偏南影展 。
welcome adulthood with laughter and tears; The Last Shot, the story of a celibate middle-aged man who must Born in 1987, HUANG Dan-Chi’s previous shorts were selected to Short Shorts Film Festival & Asia, Beijing
duke it out with his humanized penis for control; and The Remains, a thriller about dancers obsessed with the Independent Film Festival, and nominated by the Golden Bell Awards. Her VR project Madame Pirate (2021) was
selected to the Marché du Film Cannes XR program, South by Southwest, NewImages Festival, and Bucheon
pursuit of perfection. These are three tales filled with madness and imagination that will not only arouse love
International Fantastic Film Festival.
and desire, but also stir up a whirlwind of sensory entertainment.
PRINT SOURCE 高雄市電影館 Kaohsiung Film Archive / 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation
108 雄成人短片輯 Corpse, Dick, and Test Kit
Annual Theme:
Evil Universe
屍舞
我控訴 J'accuse
年輕的女舞者芳,對舞蹈有著純粹的熱愛,不停地追尋著舞蹈的
TSAI Chia-ying is a film director born in Kaohsiung, Taiwan. He first worked for a production company before moving
to New York and completing an MFA degree in filmmaking. His debut feature, The Visitors, was selected as the closing
film of the Kaohsiung Film Festival and earned multiple Golden Bell Award nominations.
PRINT SOURCE 高雄市電影館 Kaohsiung Film Archive / 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation
戰爭使邪惡有系統性的衍生至人性與社會階級之中,外部社會政治、經濟框架、由上而下的控制手段、極權下的全
面監控,皆是形變出戰爭邪惡行為的根源,我們又該如何將個體意圖和日常行為重新置入善意的語境裡?「惡宇宙」
曝現的是幾乎僅有一線之隔的現實與超現實,本單元羅列與橫跨一個世紀的反戰經典之作,藉由質地各自獨異的敍
事體拚貼出得以聯覺當下現實的宇宙。
War has systematically instilled evil into human nature and social classes. External socio-political and economic
frameworks, top-down control methods, and totalitarian monitoring are all root causes of the evils of war. How
do we put individual intentions and everyday actions back into the context of kindness? What "Evil Universe"
exposes is that reality and surreality are separated only by a thin line. This program presents a series of anti-
war classics spanning a century, a collage of narratives with different textures forming a synthesis of the current
reality of our universe.
110 年度主題:惡宇宙 Annual Theme: Evil Universe 年度主題:惡宇宙 Annual Theme: Evil Universe 111
當戰爭成為暴脹的
in countless war movies play out in Ukraine on a a series of anti-war classics. They include the
daily basis. aforementioned Abel GANCE film J’accuse;
Robert ALTMAN’s M*A*S*H (1970), which turns
萬惡源頭:
The silent-era filmmaker Abel GANCE once said: the brutality of war and hatred of the military
“I am against war, because war is futile.” This system into a highly satirical black-comedy classic;
year, the Kaohsiung Film Festival is screening George Roy HILL’s Slaughterhouse-Five (1972),
a d i g i t a l l y re s t o re d v e r s i o n o f h i s a n t i - w a r based on Kurt VONNEGUT’s classic novel of the
懸浮其上的非平行宇宙
masterpiece, J’accuse (1919). Like a post-war same name, is a journey through time, space
memorandum, it demonstrates empathy and and fantasy that is full of madness, black humor,
the grief of troubled times, yet it also ironically and criticisms of war; and Nineteen Eighty-Four
shows that, even after a hundred years, the (1984), Michael RADFORD’s adaptation of George
fighting has not ceased. War has always existed ORWELL’s novel of the same name, which predicts
throughout history; it is also mankind’s most evil the horrors of surveillance in a totalitarian world.
文/方錦玉(高雄電影節長片節目統籌) By Jaddie FANG (Program Manager & Coordinator, Kaohsiung Film Festival) and terrifying act. Whether it is the casualties
caused by the past two world wars, or ethnic T h e re a re a l s o a t y p i c a l a n d a l l e g o r i c a l s c i -
massacres ignited by religious differences or f i a n d h o r ro r a n t i - w a r f i l m s , s u c h a s A d r i a n
warlords and totalitarian hegemony, the world LYNE’s Jacob’s Ladder (1990), which details the
2022 年尾聲,對於進入後疫情時代的步伐,面對未來依 Eighty-Four,1984)預知世界在極權包覆之下的駭人
was once full of terrifying apocalyptic scenes. The dark side of the Vietnam War, swinging madly
然餘悸惴惴。當我們正試圖整飭生活,穿透那因疫情使人 監控系統之恐怖。 scale of the destruction of civilization was even between reality and illusion, and probing deep
對外在環境建起的牆籬,同時又不越過仍存在的社交距離 more unprecedented, giving future generations into the extreme fear of post-war trauma; Paul
之際,今年二月在世界的彼端,如平行宇宙般的另一現 另有非典型科幻和恐怖寓言式反戰電影,如細刻越 a profound understanding of the evils of human VERHOEVEN’s Starship Troopers (1997), which
實,俄羅斯對烏克蘭展開全面入侵,引發第二次世界大戰 戰陰暗面、由阿德里安・萊恩執導的《時空攔截》 nature. The horrors of war lie in the trampling portrays the horrors of how a fascist utopia of the
(Jacob's Ladder,1990),抓狂式搖擺於現實和幻 of humanity in extreme environments, as well future practices war and colonial violence in the
以來歐洲最大規模的軍事衝突。我們透過網路媒體近乎同
as the acts of cruelty it produces, to an extent name of planet Earth; the 4K digitally restored
步地見證該戰事爆發,震驚著無數戰爭電影裡所見的悲 覺間,並深戳戰後創傷的極致恐懼;保羅・范赫文執
even monsters and demons cannot fathom. In version of FUKASAKU Kinji’s Battle Royale (2000),
慘,在烏克蘭如日常般上演。 導 的 科 幻 大 作《 星 艦 戰 將 》(Starship Troopers, the famous words of American Civil War general a brutal representation of a violent killing game
1997)則呈現未來世界的法西斯烏托邦如何以地球 William Tecumseh SHERMAN: “War is hell.” It brought about by the passing of a militaristic law;
「我反對戰爭,因為它毫無意義。」默片時代的電影詩人 之名實踐戰爭與殖民暴力之恐怖;以及深作欣二執 destroys the goodness of humanity, and the and Dusan MILIC’s Darkling (2022), which depicts
阿貝爾・岡斯曾如是說,今年高雄電影節將放映的數位修 導 的《 大 逃 殺 》 4K 數 位 修 復 版(Battle Royale, desolation and dead silence of post-war no man’s war as a chilling dark force more terrifying than
land is an image that is deeply imprinted in the any wild beast.
復反戰鉅作《我控訴》(J’accuse,1919)如戰後備忘 2000),殘酷表現軍國主義式法案引發的暴力殺戮死
memories of those who have lived through the
錄般展現同理與亂世悲愴,卻也諷刺地再顯百年之後,干 亡遊戲;塞爾維亞導演杜桑・米利奇新作《科索沃的 horrors of war. Unfortunately, the re-screening of the horrors of
戈未曾偃息。綜觀歷史,戰爭永遠存在,也是人類最邪惡 夜與夜》(Darkling,2022),構築出戰爭為一令人 anti-war films cannot prevent these bad dreams
也最恐怖的作為。過往兩次世界大戰造成的傷亡、宗教信 毛骨悚然的黑暗力量,可怖更甚於山林野獸。 The "Evil Universe", this year’s curatorial concept, from recurring. War has become a lingering
仰相異或軍閥與極權制霸之下引起的族群大屠殺,世界各 is not only a response to the anti-war spirit born nightmare for mankind, a repeated assault on
遺憾的是,再現反戰電影的恐怖,並無法避免讓惡夢 under totalitarian oppression; it also drives the humanity’s progressive view of history. In the real
處曾滿是煙硝的末日景象令人驚懼,對文明摧殘的規模更
exploration of the violent consequences of war, world, the evil universe of war brings ultimate evil,
是前所未見,後世因此對人性之惡有了深刻體會。戰爭之 重演,大戰成了人類揮之不去的夢魘,一再衝擊人類
and the various psychological traumas and fears bullying by the powerful, and an undercurrent of
恐怖,在於極端環境中對人性的踐踏,所激發的殘忍行 的進步歷史觀,真實世界的戰爭惡宇宙,帶著究極的 it plants. War history and experiences have also violence, plunging our world into an extremely
為,連魑魅魍魎也望其項背,一如美國南北戰爭名將謝爾 邪惡、強權霸凌和暴力暗流,將世界衝擊成危如累卵 inspired countless directors who hold anti-war precarious predicament. The history of the past to
曼(William Tecumseh SHERMAN)的名言:「戰爭即 的境地。我們從國族以外的視角,觀望過去至現在所 views to make films. Over the past century, film, the present that we observe from our perspective
造就的歷史,其實也極有可能決定我們的未來,但也 whether fictional or documentary, has become as outsiders could also very well determine our
地獄。」其消弭了人性之善,戰後無人地帶的荒涼死寂景
an important medium for reflections on history future. However, it is hoped that we can also be
象,更是深刻烙印於經歷戰事種種的人們記憶之中。 希望我們會是如喬治.歐威爾所說的:「在抵抗暴力
and putting them into practice, as well as a as George ORWELL said: “a permanent protester
和承擔苦難上做一個永遠的抗議者。」 reproduction of cultural expression, history, in the sense of resisting violence and bearing
「惡宇宙」作為今年的策展概念,不僅是對極權壓迫下對 identity, cultural memory, and interrelationships suffering.”
應而生的反戰精神,也推進探討種種戰爭形生的暴力惡 between different groups. This year’s Kaohsiung
果,所植下的種種心靈創傷與恐懼。戰爭史實與經驗也啟 Film Festival hopes to reproduce the horrifying
As at the end of 2022, there remains lingering
universe of war films and all of its evils through
發無數抱持反戰意念的導演投入影像創作,百年下來,電 apprehension over the pace with which we are
影無論虛構或紀實,儼然已成為歷史性思考與實踐的重要 entering the post-pandemic era and what lies
ahead in the future. At a time when we were
媒介,成為文化表述、歷史再現,身分、文化記憶,以及
trying to reorganize our lives and penetrate the
集體之間相互關係的再現。本屆高雄電影節,希望透過一
外科醫生
1971 奧斯卡金像獎 最佳改編劇本獎
我控訴(數位修復版)
1971 金球獎 喜劇音樂類最佳影片獎
2014 里茲國際影展
1970 坎城影展 金棕櫚獎
2014 西雅圖國際影展
M*A*S*H
2009 舊金山默片影展
第五號屠宰場 一九八四
1985 標準晚報英國電影獎 最佳影片、男演員獎
1973 雨果獎 最佳戲劇表現獎
1985 葡萄牙國際奇幻影展 最佳男演員獎
1973 土星獎 最佳科幻電影獎
1985 伊斯坦堡國際影展 金鬱金香獎
1972 坎城影展 評審團大獎
做完愛的男人和女人全身赤裸,他抽了根菸,起身下 萊恩,拍攝工作結束後,李察・波頓因腦溢血過世,
由三個看似無關的片段開場,觀眾隨著主角比利進行 手法極為可觀,一場戰俘遊街示眾的戲碼,讓人有種
床,走向窗邊,兩人相摟望向窗外,忽然天外一聲斥喝 《一九八四》成為他的遺作。
一趟失控的時光之旅。有時他出現在紐約郊區,是有 凱旋歸國的錯覺,最終被納粹士兵一巴掌打醒,在眾
傳來,要他們站在原地不動,牆上的「老大哥」死狠
體面事業和家庭的富豪;有時他是第二次世界大戰的 聲喧鬧下道出人類的荒謬與無奈。 Winston Smith, who works at the Ministry of Truth,
狠瞪著他們,並命令舉起雙手握在腦後,這個房間隨
美軍助理牧師,進而成為德國納粹的戰俘;有時他甚 lives in a squalid one-room apartment in the capital
Billy Pilgrim is an ordinary World War II soldier with 後遭黑衣部隊接管。男人名叫溫斯頓,他身處歷經無
至被外星人綁架到喬法瑪鐸行星,和裸體的好萊塢女 city of Airstrip One in the totalitarian superstate of
one major exception: he has mysteriously become 數戰爭與併吞之後的大洋國,這個國家裡的每個人都 Oceania, his life dominated by fear. A giant two-way
星做了一場宇宙矚目、轟轟烈烈的愛。比利穿梭在現 unstuck in time. This strange malady sends Billy on 活在無孔不入的監控螢幕及思想警察掌控之下,就連 “telescreen” monitors his every move. All forms of
實與虛幻,死去又活來,三個時空看似毫無邏輯,他 an uncontrollable trip back and forth from his birth
寫日記、進行「人與人的連結」都可能遭到迫害⋯⋯ pleasure, including sex, are illegal.
的生命故事卻在巧妙詼諧的剪輯下隱約串起關聯,隨 in New York to life on a distant planet and back
There are thousands like W inston. Absolute
著人類視角升高,他混亂的腦袋越來越清醒,也傳達 again to the horrors of the 1945 fire-bombing of 本片改編自英國作家喬治・歐威爾出版於 1949 年的著
Dresden. conformity in action, word and thought, including
出反戰意念。 名反烏托邦小說,拍攝於書中設定的 1984 年 4 至 6 月 total loyalty to Oceania’s leader, Big Brother, is
倫敦及周邊地區,導演麥可・瑞福與他就讀英國國立 demanded in return for a job. But Winston is not as
改編自文學大師馮內果(Kurt VONNEGUT)的同名
電影電視學院時即認識的攝影師羅傑・狄金斯(Roger ordinary as he appears. He does something unique
經典小說,來自作家二戰期間在「第五號屠宰場」的
DEAKINS)第三度合作,並且請來曾是好萊塢身價最 in this totalitarian world: he keeps a diary, which
受俘經驗,並親眼見證德勒斯登大轟炸的悲劇。電影 becomes an obsession.
高男演員,且七度入圍奧斯卡的李察・波頓(Richard
如同小說,以後現代主義夾雜自由與混亂的敘事風
BURTON)出演片中身分立場撲朔迷離的要角歐布
格,對抗主流大歷史敘事的權威性,幽默的交叉剪接
Born in 1922, George Roy HILL entered the film industry in the 1960s where he craftily mixed satirical Michael RADFORD graduated from the English National Film School in 1974. After making several films
comedy elements into films that explore various facades of life. He is best known for the classic Butch for BBC Television, he wrote and directed his first feature, Another Time, Another Place, which featured
Cassidy and the Sundance Kid and The Sting, which won the Oscar for the Best Director along with six at Directors’ Fortnight at the 1983 Cannes Film Festival, and won awards for Best Film, Best Actress and
other awards. Best Actress at Taormina.
時空攔截 星艦戰將
1991 法國阿沃利亞茲奇幻影展 觀眾票選獎、影評人獎
1998 土星獎 最佳服裝、特效獎
1998 雨果獎 最佳戲劇表現獎提名
1998 奧斯卡金像獎 最佳視覺效果獎提名
從越戰倖存歸來的退役軍人雅克,無法逃離不斷閃現 背景音效,如快速旋轉的的頭顱與抹平的五官,直接
未來世紀,民主失靈,聯邦政府成為地球之主,以強 之餘反思:文明的底牌,掀開仍是暴力?
的戰爭記憶與夢魘,同時眼前的詭異幻象如鬼魅般糾 啟發了經典恐怖電玩遊戲《沉默之丘》。
盛軍力保家衛民,在銀河系開拓殖民。唯有服役,一
纏,困擾他的生活,所有破碎的線索漸漸指向一樁神 In the distant future, high school kids are
「你要是怕死,不肯放手,就會看見魔鬼奪走你的生命; 介平民才能晉身公民,有權利參與人類未來大計。三
祕巨大的戰爭陰謀。行過死蔭幽谷的雅克,在揭開真 encouraged to become citizens by joining the
要是你的心平靜了,那魔鬼就其實是天使,讓你從人 名高中死黨,畢業即相約從軍;精壯的強尼投身機動
相的道路上,似乎也通向地獄,驚悚駭人的異象紛呈, military. What they don't know is that they'll soon
世解脫。」 部隊,聰明的卡門專攻星艦飛行,擁有心電感應的卡 be engaged in a full scale war against a planet of
跳躍的時空變得混亂,也將他身旁的女友、前妻、手
爾則致力軍情研究。然而不久,外星蟲族流星猝然來 alien insects. The fight is on to ensure the safety of
療師好友、死去的兒子,與退役戰友捲入漩渦中。現 For years, Jacob Singer has been haunted by flashbacks
襲,近千萬人無辜喪命。全軍同仇敵愾,前仆後繼搶 humanity.
實、回憶與幻夢三者界線逐漸崩塌,孰真孰假耐人尋 of his war time experiences in Vietnam. But now, years
later, something much more frightening is occurring. 灘異星,不幸慘遭蟲族血洗。斷肢殘臂、肚破腸流,
味,出乎意料的結局,要到電影最後一刻才揭曉。 Hallucinatory demonic images have invaded his life. Jacob,
透過聯邦電視網傳送到世人眼前,鼓動新血加入戰局。
fearing for his sanity, seeks out his old psychiatrist, only to
導演透過創傷症候群、幻覺夢境、藥物控制、心理驚 discover that he has been killed in a car explosion. Later, an 這場大戰,究竟是捍衛家園,還是宇宙主宰權?
悚、懸疑推理等多元途徑,將本片打造成「恐怖博物 old war buddy confronts him with a tale of terror. He tells
本 片 改 編 自 美 國 科 幻 大 師 海 萊 因(Robert A.
館」,陳列各種戰爭後遺症,再結合宗教典故,探討 Jacob that he is experiencing the same nightmarish visions
that are haunting Jacob. Jacob is stunned. But their bond HEINLEIN)榮獲雨果獎的同名小說。這部限制級大
生死哲學,做出對人類戰爭最大的控訴。本片當年上 is short lived. Soon afterwards, Jacob’s friend is killed in 作耗資上億美金,場面浩大、視效獵奇。導演將嘲諷
映時反應平淡,但 Cult 迷口中傳開,證明是超越時代 another car explosion…
開好開滿,尤以戲仿《意志的勝利》、《我們為何而戰》
的經典,尤其是豐富驚駭的視覺效果,與具壓迫感的
等政宣片為最,突顯戰爭的荒誕。讓觀眾在感官酣暢
Adrian LYNE is an Academy Award-nominated director and producer of erotically-charged features such Born in the Netherlands in 1938, Paul VERHOEVEN began his film career by making documentaries for
as Flashdance (1983), Nine ½ Weeks (1986), Fatal Attraction (1987) and Unfaithful (2002). A few of his the Navy and later for TV. He is best known for films such as Total Recall and Starship Troopers, and has
films are arthouse-oriented fare, like Jacob's Ladder (1990), an ambitious supernatural thriller that has been nominated for the Cannes Palme d'Or three times with Basic Instinct, Elle, and Benedetta.
earned a reputation over the years as one of the most challenging and disturbing horror movies.
日本 Japan | 2000 | DCP | Colour | 122min 塞爾維亞、保加利亞、義大利、丹麥、希臘 Serbia, Bulgaria, Italy, Denmark, Greece | 2021 | DCP | Colour | 109min
萊納・韋納・法斯賓達,1945 年生於巴伐利亞,18 歲大
量接觸戲劇及表演,深受布萊希特及高達影響,24 歲以
適逢法斯賓達逝世 40 週年,藉此紀念這位德國新浪潮代表,並聚焦細看他電影世界裡,如何透析戰後悲頹的德國光 《愛比死更冷》成為德國新電影最桀驁不馴的代表性人物。
景與社會崩解下的人民餘生,引領觀眾一起進入他滿是無政府主義色彩濃烈的電影世界。一年平均至少拍攝二至三部 他的創作力非常旺盛,常在通俗劇外衣下探索人性的殘
影片的法斯賓達,不僅作品產量豐富,且總是直指問題核心、絕不矯情地探究所有事物本質,並轉化自身敏感、反感、 酷,並針對社會進行批判,1982 年他因用藥過量於慕尼
和恐懼的事物,令人在觀影旅程中,徹底沉浸於他剝離層層表象的犀利敍事及被解構的赤裸真相,進而隨他解放心智。 黑過世時,總計完成 40 餘部電影及電視作品。
Coinciding with the 40th anniversary of FASSBINDER's death, this program commemorates an icon of the Rainer Werner FASSBINDER was a German filmmaker,
German New Wave by focusing on how he analyzed the tragic post-war German situation and people's life actor and playwright. Born in 1945, he became a
under the collapse of society, and how also he led the audience into his cinematic world, full of anarchistic prominent figure of the New German Cinema movement
overtones. FASSBINDER, who shot at least two to three films a year on average, was not only prolific, but at the age of 24 with his debut feature, Love Is Colder
always went straight to the heart of the issue. Never hypocritical, he explored the essence of all things and Than Death. He died from an overdose in 1982, leaving
transformed his own sensitivities, aversions, and fears into films. behind a filmography of over 40 feature films.
122 大師致敬 : 萊納.韋納.法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 大師致敬 : 萊納.韋納.法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 123
法斯賓達的多重宇宙
文/鄭秉泓(影評人)
The bedroom is Petra’s battlefield of love and lust. His private life was as exciting as his creations. The
Werner Fassbinder
everything to love, but his efforts all come to
naught. Infuriated with his own stupidity for paying high and mighty Adonis, sometimes putting himself
for everything, he buries his head in the arms of in the shoes of a mistreated ex-lover looking back at
an admirer whom he feels nothing for. The next their faded romance, and sometimes stepping back
moment, he swallows all his sedative pills and dies and using a third party’s perspective to observe his
on the ground of the subway deep in the night, his old promises of unchanging fidelity and everlasting
money and valuables looted by passersby. love. Regardless of how he manipulated them,
all they could do was surrender and admire when
瑪麗布朗點了根菸,沒有關上瓦斯。她與前夫歷盡波折, 他的私生活與他的創作同等精彩,他愛的人及愛他的 standing before this giant of talent. Even if they
A 60-year-old cleaning woman, unafraid of others
如今柳暗花明,這段感情卻隨著隨後那聲轟然巨響,一切 人常常在他的電影中現身,有時是主角,有時卻是毫 pointing at her, boldly develops a romance with a left in dejection or committed suicide, they were
化為灰燼。 無存在感的過場人物。我不確定用現在的角度來看, Moroccan migrant worker young enough to be her ultimately still unable to shake him or his films.
他算不算 PUA(Pick-up Artist)高手?或者情緒勒索 son. The two, all dressed up, start dancing together
房間是佩特拉的愛慾修羅場。她在裡面等待新戀情的降 in a bar, but the man unexpectedly and suddenly From his debut Love is Colder than Death in 1969
大師?他把自己和戀愛對象的私生活寫成劇本,有時
collapses to the floor in pain. The doctor says the to his final film Querelle in 1982, FASSBINDER
臨,也在裡面等待前任回頭,她刻意忽視身旁另外一個等 把自己美化成不可一世的極品天菜,有時試著從受盡
foreign worker’s stress has caused his bouts of pain completed more than 40 films in almost 14 years.
待她垂憐的可憐之人,直到對方終於再也受不了絕塵而 自己欺負的對方立場回首如今已然煙消雲散的情感, to become a regular occurrence. The old woman This year’s Kaohsiung Film Festival presents a
去。 有時則是往後退開從第三者旁觀角度來看昔日如何山 walks beside the bed and holds her boyfriend’s hand. selection of nine of his films from different time
盟海誓、如何天長地久,無論如何遭受擺布,對方站 All that can be heard amid the silence is the sound of periods, covering everything from alienated
外號「狐狸」的賣藝人將一切奉獻給愛情卻徒勞無功,他 her gentle sobbing. theater to powerful period melodramas, plus an
在才華洋溢的巨人面前,除了臣服除了讚嘆,就算黯
unconventional biopic about him, Enfant Terrible.
氣憤自己為所有東西付帳的蠢笨,他把頭埋在毫無感覺的 然離開或者激烈自戕,最終都無法撼動他和他的電影。
A long while ago, I spent quite a bit of time watching Here, I will delightfully summarize what it feels like to
仰慕者懷裡痛哭。下一刻,他吞光安眠藥死在深夜地鐵 experience FASSBINDER and his works by borrowing
the films of Rainer Werner FASSBINDER. As I
站,身上零錢衣物被路過宵小搜刮精光。 從 1969 年 拍 攝 首 部 作 品《 愛 比 死 更 冷 》(Love Is watched, I admired how this stout, pudgy genius a term from Michelle YEOH’s dazzling Everything
Colder Than Death)直到 1982 年遺作《霧港水手》 could be so prolific and how his style could be so Everywhere All at Once: “verse jumping”.
60 歲清潔婦無畏旁人指指點點,與年齡足以當自己兒子 (Querelle),法斯賓達近 14 年間完成影視作品 40 varied. He not only made gay films; he was even
的摩洛哥移工勇敢認愛,兩人盛裝在酒吧裡相互依偎跳著 better at portraying women. He could empathize He was gay and he also loved women. He used
餘部,這次高雄電影節選映九部他不同時期作品,從
with the patheticness of the weaker party in the the female name Mary to declare his dual gender
舞,未料男人忽然痛苦倒臥在地。醫生表示外籍工人因為 疏離劇場風格到摧枯拉朽時代通俗劇皆囊括其中,
relationship, and also understood the fragility hidden identity to the world. He was Maria Braun, and he
工作壓力,頭痛往往變成常態循環。老婦走到床邊溫柔握 外 加 一 部 非 典 型 傳 記 片《 法 斯 賓 達 壞 壞 》(Enfant was also Lili Marleen. He was the bastard in his films
in the domineering of the stronger party. He was
著男友的手,萬籟俱寂,只聽見她的輕輕啜泣。 Terrible),在此姑且借用楊紫瓊在《媽的多重宇宙》 a leftist — his films are critical and mocking of the who trampled on others’ emotions without remorse,
(Everything Everywhere All at Once) 中 讓 人 目 眩 welfare state and the capitalist class. Though his films and he was also the fool who got stuck in emotional
很久以前曾經花不少時間看完法斯賓達的電影。邊看邊佩 神移的「宇宙搖」,快意總結法斯賓達其人其作。 are often full of cynicism and lack pitiable socialized quagmires because he always gave and never got
characters, he does not forget to take care of the anything in return. His life was equivalent to his
服這個身型渾圓柔軟的天才,怎麼能這麼多產,怎麼風格
simple and innocent commoners at the bottom of films. He used fictional stories to reflect and soothe
能夠如此多變,他不只會拍同志,更擅長描繪女人,他能 ――他是男同志,他也愛女人,他用女性名字瑪麗 his painful reality. He exhausted his life’s efforts to
society. Hence, the men and women under his lens
同理愛情中弱勢那方的卑微可鄙,亦懂強勢那方跋扈中隱 (Mary)向世人宣告自己的雙重性別認同,他既是瑪 are often both happy and sad, in love and in hate. capture the men and women he loved and hated,
藏的脆弱。他不只會拍愛情,還能輕而易舉勾勒嫉妒、苦 麗布朗更是莉莉瑪蓮,他是電影中那些毫無悔意踐踏 He wants to proclaim the beauty of love, but also and together they created a film prison called the
戀與孤獨等各種愛的面向。他是左派,他的電影對社會國 別人情感的混球,也是無止盡付出卻得不到回報而陷 render the deviancy and distortions that result when multiverse. In it, every character only wants to be
love gets too deep. Is this genius a demon, or did he loved.
家及資本階級充滿批判和訕笑,儘管他的電影常充斥憤世 入情感泥淖的笨蛋。他的人生等同他的創作,他用虛
make a deal with the devil to acquire such talent?
嫉俗、缺乏社會化的可憐人物,但也不忘關照簡單純真的 構的故事去反映去圓滿苦痛的現實,他窮盡畢生之力 FASSBINDER may be dead, but the legendary films
底層庶民,所以他鏡頭下的男男女女,往往快樂與悲傷並 網羅所愛所恨的男人女人,合力創造一個名為多重宇 that he devoted his life to create will forever exist in
This prodigy who went through an unhappy
存、愛戀與怨恨同在,他既要歌詠愛情的美好,更要渲染 宙的影像牢籠。在那裡面,每個角色只求有人願意愛 childhood was an immature and irritable brat full of this multiverse.
情到深處可能導致的變態與扭曲。這個天才到底是個惡 他們。 lies and lacking in self-control, but he was also filled
魔,或者說是與魔鬼交易才得來如此天賦? with enthusiasm and ideals when it came to theater
and motion pictures. He was willing to go to any
法斯賓達已死,但是他燃盡生命所成就的電影傳奇永
lengths to make a film, sometimes even revealing his
這個歷經不愉快童年的天才,是滿口謊言情緒管理欠佳的 遠存在於這個多重宇宙。 sordid and calculating businessman side. His films
幼稚暴躁鬼,偏偏他有著滿腔對於劇場和電影的熱情和理 are about loving and not loving, abusing and not
想,為了拍片可以不擇手段,有時還會露出市儈算計的商 Maria Braun lights a cigarette, but doesn’t turn off abusing. For him, perhaps there is no such thing as
人一面。他的電影在講愛與不愛、虐與不虐,對他來說或 the stove. She and her ex-husband had been through the true love of one’s life, because his loves tended
許根本沒有此生真愛這回事,因為他的愛往往來得快消逝 so much, and now there is finally light at the end of to come quickly and go quickly. He really only loved
himself.
也快,他其實只愛他自己。 the tunnel. And yet their love, in the loud explosion
that soon follows, is suddenly reduced to ash.
124 大師致敬 : 萊納.韋納.法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 大師致敬 : 萊納.韋納.法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 125
愛比死更冷(數位修復版) 當心聖妓(數位修復版)
Love Is Colder Than Death (Digital Restoration) Beware of a Holy Whore (Digital Restoration)
西德 West Germany | 1969 | DCP | B&W | 88min 1970 德國電影獎 最佳攝影、整體演出獎 西德 West Germany | 1970 | DCP | Colour | 104min 1971 威尼斯影展
1969 柏林影展 金熊獎提名
皮條客法蘭茲因拒絕加入幫派而遭痛毆,他因此認識 Franz, a small-time pimp attached to the prostitute 濱海旅館,不在狀況內的演員、不靠譜的劇組團隊、 In a hotel near the sea, a film team awaits the arrival
同遭拘禁的殺人犯布魯諾。法蘭茲迷戀於布魯諾的俊 Joanna, resists joining the syndicate. Members of 焦慮暴躁的導演,還有透支的拍攝預算,當記者問導 of the director, the star, the money supplied by the
the latter beat him. Franz loves another criminal, state-supported film agency and the film material.
美容顏,不僅邀請他一起生活,還與他分享自己的女 演這部片講什麼,他回答是關於殘忍。很多導演都會
the handsome murderer Bruno, with whom he The atmosphere is a mix of hysteria, apathy, hope,
友約漢娜。從性、愛到竊盜與謀殺,三人的關係逐漸 also wants to share his lover Joanna. However, the 拍一部關於電影的電影,楚浮有《日以作夜》、高達 quarrelling, jealousy, affairs. When the director
緊張,一發不可收拾⋯⋯ syndicate commissions Bruno to commit murder, 有《輕蔑》、費里尼有《八又二分之一》、溫德斯則 arrives with the star, the former is placed at the
and Franz is framed in order to force him to 是《事物的狀態》,《當心聖妓》裡頭的聖妓不是任 center of the chaos. In senseless actions, the entire
黑色皮衣、有型墨鏡,加上放蕩不羈的神態姿勢,是
collaborate. In the end the men plan to rob a bank 何角色,而是法斯賓達對於電影充滿譏諷的比喻。這 team — by now they feel increasingly dependent on
法斯賓達留給影迷的銀幕形象,在《愛比死更冷》這 together. Joanna gives them away to the cops. In Jeff — rebels against him. Jeff gets beaten up. But
部帶著半自傳色彩、被法斯賓達選為私心最愛的自編
部他 24 歲執導的首作中,他飾演的雙性戀主人翁法 the mix-up of the robbery, the police shoot Bruno. finally, the shooting of the film can begin.
自導自演之作,創作概念源於他在西班牙拍攝《威迪》
蘭茲即是以此造型示人。自編自導自演加上剪接,深 Franz and Joanna manage to flee.
的沮喪經驗,而他在片中故意不扮導演本人,反倒飾
受布萊希特疏離效果(Distancing Effect)影響的法
演焦頭爛額的製片。
斯賓達,以劇場風格的極簡佈景加上冰冷的黑白攝
影,完成這部由三角戀出發,跨越性別和性向,從情 1970 年對於法斯賓達是非常關鍵的時刻,他完成六
愛壓迫,進而思辨自由與人權的傑作。對他來說,愛 部類型、題材各異的作品,風格逐漸由早期《愛比
情是最精良、最狡猾也最有效的社會壓迫工具,所 死更冷》那種極簡主義構圖和劇場化疏離敘事,轉
以他的作品往往以愛情為引,從而進行更大命題的 向傳統、寫實且富於節奏感的場面調度,順利轉型
觀察與批判。值得注意的是約漢娜一角由法斯賓達 必須歸功日後成為他重要搭檔的美術指導柯特・拉
19 歲時上表演課結緣的好友漢娜・許古拉(Hanna 布(Kurt RAAB) 及 攝 影 師 麥 可・ 包 浩 斯(Michael
SCHYGULLA)飾演,此片開啟兩人 20 度合作的盟友 BALLHAUS)。
關係。
PRINT SOURCE Rainer Werner Fassbinder Foundation PRINT SOURCE Rainer Werner Fassbinder Foundation
126 大師致敬 : 萊納.韋納.法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 大師致敬 : 萊納.韋納.法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 127
佩特拉的苦淚(數位修復版) 恐懼吞噬心靈(數位修復版)
The Bitter Tears of Petra von Kant (Digital Restoration) Ali: Fear Eats the Soul (Digital Restoration)
西德 West Germany | 1972 | DCP | Colour | 119min 1973 德國電影獎 最佳女主角、女配角、攝影獎 西德 West Germany | 1974 | DCP | Colour | 89min 1974 坎城影展 費比西國際影評人獎、基督教評審團獎
1972 柏林影展 金熊獎提名 1974 德國電影獎 最佳女主角獎
佩特拉是事業成功的服裝設計師,已經離婚的她和沉 The successful fashion designer Petra von Kant 60 歲以清潔為業的寡婦艾美在酒吧認識了 40 歲的摩 In a pub frequented by foreigners, 60-something
默的助理兼女僕瑪蓮住在一間裝潢奢華的公寓。她對 lives in an opulently furnished loft with her assistant 洛哥移工阿里,在寂寞的驅使之下,他們跳了一支舞, widow Emmi meets the Moroccan Ali, at least 20
and servant Marlene, who executes all her orders years her junior. Ali dances with Emmi, they chat,
友人介紹的卡琳一見鍾情,兩人開始同居,但對方不 然後陷入愛河、開始同居、決定結婚、一起編織有對
without a word and who endures all her moods. he accompanies her home. He moves in with her.
堪佩特拉的強勢作風而離去,佩特拉終日在家焦慮地 Petra falls in love with Karin, 10 years her junior, 方參與的未來,但是兩人的年齡差卻遭到艾美的子女 They get married. For the others, this marriage is a
等待卡琳回來⋯⋯ whom she wants all to herself. While Karin exploits 和同事輪番指責,這段戀情是否能夠突破重重阻撓繼 scandal: Emmi’s grown children are embarrassed,
the affluent Petra, she also insists on her own 續下去? the neighbors whisper, the green grocer asks her
有著超乎常人的旺盛精力和魔鬼般創造力的法斯賓
independence. When Karin’s husband arrives to leave his shop, the colleagues despise her. Ali
達,在某次影展上看到美國通俗劇大師道格拉斯・瑟 unexpectedly from Australia, she returns to him. 法斯賓達深受通俗劇大師道格拉斯・瑟克(Douglas starts to see his former girlfriend Barbara again,
克(Douglas SIRK)的六部作品而深受啟發,於是他 Petra is desperate. She offers Marlene — heretofore SIRK) 描 述 階 級 差 異 的《 深 鎖 春 光 一 院 愁 》(All but when Emmi attempts to get him back, Ali has
從早期簡約蒼白的敘事風格,逐漸轉向以通俗手法吸 treated like an object — collaboration, liberty, fun. That Heaven Allows)影響,完成這部連瑟克之妻都 a breakdown. The doctor diagnoses a burst ulcer.
引觀眾。法斯賓達在柏林飛往洛杉磯的班機上完成這 But Marlene packs her suitcase and leaves without a 看不出來與其夫作品有何關聯的《恐懼吞噬心靈》。 Emmi stays with Ali, holding his hand.
word.
個劇本,僅僅耗時 12 小時,然後再以十天完成拍攝。 法斯賓達並非原封不動移植原作情節,而是以自己
電影製作倉促,張牙舞爪帶著心理暗示的服飾造型 「體制外」的工作方式去改造、去致敬瑟克那部在「體
和佈景陳設卻異常精彩,加上攝影大師麥可・包浩斯 制內」完成的作品。瑟克曾親口讚譽這個改編版本充
(Michael BALLHAUS)匠心獨運的鏡頭設計,令本片 滿法斯賓達自己的作者手筆,是他最好最美的作品之
成為法斯賓達生涯傑作。值得注意的是,片中設計師 一。飾演阿里的埃勒・狄・本・薩勒姆(El Hedi ben
和助理之間牽涉階級、愛與支配、施虐與受虐的情感 SALEM)來自摩洛哥,他另個身分是法斯賓達的戀人,
關係,這其實反映了法斯賓達本人和片中飾演助理的 分手後他因傷害罪遭德國警方通緝,後來在法國監獄
女演員依姆・赫曼(Irm HERMANN)的真實關係。 自縊身亡,多年後才得知此事的法斯賓達將最後一部
電影《霧港水手》獻給他。
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寂寞芳心(數位修復版) 狐狸和他的朋友們(數位修復版)
Effi Briest (Digital Restoration) Fox and His Friends (Digital Restoration)
西德 West Germany | 1974 | DCP | B&W | 141min 1974 柏林影展 金熊獎提名 西德 West Germany | 1975 | DCP | Colour | 123min 1975 芝加哥影展 評審團特別獎
1975 法羅島影展 最佳酷兒電影獎
年輕貌美的艾霏聽從父母安排,嫁給汲汲於功名的野 Effi Briest is 17; she is married off to Baron Geert 外號「狐狸」的賣藝者法蘭茲因男友被捕加上失業而 Franz, an unemployed showman and hooker, wins
心男爵,但兩人在年齡和性格上的巨大落差,令這段 von Innstetten, 20 years her senior. Effi feels lonely 陷入困境,沒想到買彩票卻贏了 50 萬馬克,伴隨優 the lottery. Antique dealer Max introduces him to a
in her new home, a secluded place on the Baltic group of elegant homosexuals. He falls in love with
婚姻陷入瓶頸。某次男爵的友人來訪,吹皺艾霏內心 渥物質生活而來的是一段新戀情,對象是風度翩翩、
Sea. Without really admitting this to herself, she Eugen, the son of an entrepreneur. The two move
一池春水,逐漸演變成錯綜複雜的三角關係,未料一 is unhappy because despite the sympathy the 品味優雅,但身家虛有其表的「企二代」尤金,法蘭 in together. Franz pays the rent of the extravagant
封情書的浮上檯面,卻造成他們命運的改變⋯⋯ ambitious man of principles has expressed towards 茲愛到願意將全部資產拿出來填補尤金家族企業財務 apartment and Franz puts the quasi bankrupt firm of
her, she knows that she is not really loved. While 黑洞,甚至百般容忍對方在愛與性方面的不專一,他 Eugen’s family back on an even keel. However, their
這是法斯賓達第一部時代劇作品,改編自 19 世紀德
her acquaintance with the new county commander, 以為如此便可以天長地久,然而兩人無論性格還是階 class difference remains insurmountable. Eugen’s
國知名的批判現實主義作家西奧多・方坦(Theodor Major Crampas – to whom her husband also feels financial exploitation of Franz is continuous; the
級上的巨大差異,卻將他們越推越遠⋯⋯
FONTANE)晚年鉅著,法斯賓達自述《寂寞芳心》是 friendship – initially brings change, it ultimately latter loses his share in the firm and finally even his
一部不帶任何雜念、他真正渴望改編成電影的作品, leads to confusion. A relationship develops between 法斯賓達原本期望拍一部喜劇,不過這個探討情感剝 apartment. The two split up. Eugen returns to his
他拍成黑白片,那是他認為最美妙的色彩。法斯賓達 Effi and Crampas that vacillates between dalliance 削與社經地位差距的愛情故事比較接近《恐懼吞噬心 old lover. Franz commits suicide.
and passion.
投入全副身家 80 萬馬克,用比以往更長的時間來籌 靈》,並沒有成為他「第一個商業故事」。有別於《愛
備、拍攝此作,他再三強調他不要拍女性電影,甚至 比死更冷》殘酷冷峻的油膩痞子形象,法斯賓達此番
和女主角漢娜・許古拉(Hanna SCHYGULLA)發生 以相形清瘦的外型及清澈純情的眼神,詮釋出身底層
強烈爭執,依舊堅持己見,忠於方坦對這個故事所採 全心全意為愛付出的卑微「狐狸」一角。事實上,「狐
取的立場。法斯賓達在片中苦心經營一種疏離感,盡 狸」乃是以法斯賓達眾多戀人中的阿米・邁爾(Armin
量淡化那些浪漫或是感傷的橋段可能對觀眾造成的情 MEIER)為原型,而尤金自然是經過美化的法斯賓達
感操弄,完成這部既批判社會的虛偽又認同這種虛偽 銀幕投射。電影首映三年後,阿米因未受邀出席法斯
的複雜態度的文學電影。 賓達的生日派對而自殺身亡。
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中國輪盤(數位修復版) 瑪麗布朗的婚姻(數位修復版)
Chinese Roulette (Digital Restoration) The Marriage of Maria Braun (Digital Restoration)
西德 West Germany | 1976 | DCP | Colour | 86min 1977 多倫多國際影展 西德 West Germany | 1978 | DCP | Colour | 116min 1979 柏林影展 銀熊獎最佳女演員、銀熊獎傑出成就獎
1977 愛丁堡國際影展 1979 德國電影獎 最佳導演、女主角、女配角、製作設計獎
一對貌合神離的夫妻,周末假期各自帶著情人出遊, The story of a long weekend at a secluded 瑪麗和赫曼在二次大戰末期的德國結婚,隔天赫曼上 It is WWII, and bombs are dropping all around. This
卻在兩人的鄉間別墅巧遇。此時不良於行的女兒也跟 Franconian country estate. Those who meet are 戰場卻失蹤,在誤傳丈夫陣亡的消息後,瑪麗與美國 is when Hermann Braun and Maria get married.
the couple Ariane and Gerhard Christ, and their They have one night together before Hermann
著家庭教師抵達,連同管家母子,樓上樓下、門裡門 黑人軍官比爾同居。但是赫曼並沒有死,他好不容易
respective lovers Irene and Kolbe. The mansion returns to the front. After the war — they say her
外,藏不盡的祕密與謊言,擋不了的尷尬與試探。隔 is maintained by housekeeper Kast and her son 回家,卻與比爾發生衝突,結果瑪麗殺了比爾,然後 husband died — Maria has an affair with the black
日晚餐在女兒主導之下,所有人任著她分組,玩起一 Gabriel. Arriving unexpectedly are Ariane and 由赫曼頂罪入獄⋯⋯ G.I. Bill. But Hermann returns unexpectedly, and
種名叫「中國輪盤」的殘酷心理遊戲,為的是逼迫互 Gerhard’s mobility-impaired daughter Angela and in the ensuing confrontation, Maria hits Bill with
1977 年,法斯賓達 32 歲,已經完成 30 餘部影視作
有保留的眾人說出心中真正想法,隨著遊戲問答越來 her mute governess Traunitz. This is a bizarre group a bottle, killing him. Hermann pleads guilty and
filled with hatred and mistrust, jealousy and sadism. 品,他開始構想一個從女性角度去看二戰之後西德社 is sentenced to jail. While waiting for Hermann's
越尖銳,有人再也按耐不住,舉起手上的槍把⋯⋯
Angela asks all present to play “Chinese Roulette,” 會變遷的拍攝計畫,稱為「BRD 三部曲」,BRD 是 release, Maria meets the industrialist Oswald,
法斯賓達撮合《佩特拉的苦淚》瑪姬特・卡絲騰森 a game of truth. Emotions suppressed for years and Bundesrepublik Deutschland(德意志聯邦共和國, becoming an indispensable part of his life and firm.
(Margit CARSTENSEN) 和《 恐 懼 吞 噬 心 靈 》 布 deep frustrations lead to an explosion. A gunshot 即西德正式名稱)的簡稱,而《瑪麗布朗的婚姻》是 But when the time comes, Hermann disappears
rings out. without a trace.
里 姬 特・ 米 拉(Brigitte MIRA) 兩 大 女 主 角, 與 法 三部曲之首,後續兩部曲亦以女主角之名作為片名,
國新浪潮巨匠高達的謬思女神安娜・卡麗娜(Anna 沒人猜想得到這三部曲將來會在德國海內外贏得多麼
KARINA)、高達執導的傑作《已婚女人》女主角瑪莎 巨大的商業成功。法斯賓達將時代的動盪與角色的悲
・梅里爾(MARSA MÉRIL)(她是偉大的法國作曲家 歡離合完美地融合,戮力描寫愛情的幻滅,並悲嘆夢
米榭・李葛蘭(Michel LEGRAND)的遺孀)同台競 想的失落,以及人類如何因為種種現實因素而必須從
技,封閉空間的進進出出、無所不在的鏡像投射、錯 柔弱逐漸蛻變為堅強,卻又屢屢遭變幻莫測的命運擊
綜複雜的情緒交纏、攝影之神麥可・包浩斯(Michael 倒。全片敘事技巧出眾、情感張力逼人,法斯賓達多
BALLHAUSE)令人歎為觀止的攝影機運動,將這部 次合作的演員漢娜・許古拉(Hanna SCHYGULLA)
法斯賓達重返劇場風格的野心之作堆砌地無比閃耀。 以此優異表演在柏林影展封后。
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莉莉瑪蓮
2021 貝爾格萊德國際影展 最佳導演獎
1981 德國斑比獎 最佳女主角獎
1981 德國電影獎 最佳女主角、女配角獎提名 Enfant Terrible
德國 Germany | 2020 | DCP | Colour | 134min
Lili Marleen
他總是一身皮衣勁裝、菸不離手;他要工作人員準備 不以外型取勝,而是由形到神全情投注,將這個狂人
西德 West Germany | 1980 | 35mm | Colour | 115min
番茄給進場觀眾,這樣可以選擇邊看邊吃或者拿來丟 天才的殘酷、孤獨、渴望與扭曲詮釋得維妙維肖,獲
舞台上的他;他誓言自己的名字馬上就要和奥森・威 得德國電影獎最佳男主角的肯定。
1938 年,猶太作曲家羅伯特與德國女歌手薇莉在瑞士 1938. Willie and Robert are in love: She, a minor 爾斯、尚盧・高達、道格拉斯・瑟克等偉大導演並列;
When 22-year-old Rainer Werner FASSBINDER
相戀,但是羅伯特的父親卻想方設法拆散兩人,因其 German singer who appears in a Zurich nightclub 他的生活充斥各式各樣的虐人與被虐,然後這些來龍
and waits for her big breakthrough. He, son of storms the stage of a small, progressive theater in
父常暗中協助猶太人逃離德國,擔心薇莉的身分會影 去脈幻化成他手中的劇本;拍片時他暴躁易怒、六親 Munich 1967, and seizes the production without
a rich Jewish family. His father is the head of
響所屬祕密組織的運作。兩人黯然分手後,薇莉以一 an organization that helps Jews flee from Nazi 不認,無論演員還是愛人都只是他手中的工具,他甚 further ado, nobody suspects this brazen young
首企求和平的歌曲〈莉莉瑪蓮〉在德軍之間廣為流傳, Germany. But following a trip to Germany, the 至要所有男性幕前幕後人員都取一個女性名字⋯⋯, rebel to become one of the most important post-
未料經廣播聽到前女友歌聲的羅伯特難耐相思,竟以 young lovers are forced to part when Willie is not 他是萊納・韋納・法斯賓達。 war German filmmakers. Despite early setbacks,
many of his films break out at the most renowned
身涉險前往德國而遭到逮捕,薇莉只得與祕密組織合 allowed to re-enter Switzerland. Willie therefore
remains in Germany, and unexpectedly becomes 這不是傳統傳記片,妖嬝艷麗的視覺構圖、張牙舞 films festivals and polarize audiences, critics
作展開救援⋯⋯
a big German Nazi star for her song Lili Marleen, 爪的美術陳設及服裝造型,導演奧斯卡・羅勒以一 and filmmakers alike. His radical views and self-
法斯賓達一面透過《第三代》激烈批判當代青年與政 exploitation, as well as his longing for love, have
a favorite of the armed forces and even the Führer 場接一場劇場風格的室內戲,完美重現法斯賓達短
himself. made him one of the most fascinating film directors
治,另方面在《瑪麗布朗的婚姻》、《莉莉瑪蓮》中 暫生命的幾個關鍵時刻。參演過《怪獸與鄧不利多 of this time.
使出渾身解數刻劃身處亂世的女人,如何追求情愛而 的祕密》的德國實力派男星奧立佛・麥蘇西(Oliver
於世浮沉,他堅持拍毫不妥協的電影,但也不反對迎 MASUCCI)以 50 歲高齡巧扮 2、30 歲的法斯賓達,
合市場征服觀眾。他曾表示自己拍電影是出於個人心
靈的撼動,〈莉莉瑪蓮〉歌詞寫於一戰、因納粹禁播 奧斯卡・羅勒 Oskar ROEHLER
而在二戰時流行起來,以現今角度來看,這是以時代
1959 年生於巴伐利亞,1995 年以中長片《Gentleman》展開自編自導的創作生涯,2000 年取材自赫赫有
金曲為軸心去發展的 IP 電影,法斯賓達憑藉高超的說
名的左派作家姬賽拉・艾爾斯納(Gisela ELSNER)的傳奇人生拍成《No Place to Go》,受到德國本地和
故事能力,跳脫小情小愛類型框架,從而辯證人類命 國際影展的多重肯定。從真人真事、時代懷舊、愛情悲喜劇到親情成長,他的電影題材多元風格多變,對於
運和普世價值該當何去何從的哲學命題。 歷史真實和社會變遷尤其關注。
Oskar ROEHLER started his career as a screenwriter and had his breakthrough with his second feature,
No Place to Go (2000), which premiered at Cannes (Director’s Fortnight) and won the German Film
Award (Lola) for best film. His other award-winning films include Angst (2003), Agnes and His Brothers
(2004), and Rise and Fall (2010).
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焦點影人:菲利浦.巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 135
Filmmaker in Focus:
Phillip Barker’s Strange Universe
三個人的船艙欲情 Dredger
1984 《形影不離》I Am Always Connected
2002 《試鏡中》Regarding
2012 《顛倒瑪洛蒂》Malody
2015 《三個人的船艙欲情》Dredger
菲利浦・巴克
Phillip BARKER
菲利浦.巴克,國際知名的加拿大導演、美術設計和視覺藝術家。本次影展分兩單元放映,共集結他 1984 到 2017 菲利浦・巴克,1955 年生於英國,創作領域橫跨短片及裝置藝術,也
年的九部導演短片作品,及一部由他打造美術設計的劇情長片。湖岸船舶、攝影機制、器械結構,共同打造一個視 是艾騰・伊格言長期合作的美術指導。作品常展現對電影本質與攝影
覺風格強烈,迷離似幻的電影世界。人與物、人與自然景觀的奇詭互動,既是親密的光影成像遊戲,也是深邃的記 機兩造關係的關注,探究觀看與被看間的張力。2017 年《魅影情釣》
憶航行。作品各別成篇,若一系列依序觀之,更能在臉孔和姿態的流動幻化之間,感受到藝術家獨特的目光和電影 獲溫哥華影展最佳加拿大短片。個人回顧專題「怪奇機器」(Strange
創作的敏銳心靈。 Machines)自 2019 年起於世界各地巡迴展出。
Phillip BARKER is an internationally renowned Canadian director, production designer and visual artist. This Phillip BARKER was born in 1955 in UK. His works traverse short
program, composed of two parts, features a total of nine short films he directed between 1984 and 2017, as films and art installations, and he is also filmmaker Atom EGOYAN’s
well as one feature-length film for which he did the production design. Lakeshore boats, filming techniques long-time production designer. In 2017, his film Shadow Nettes won
and mechanical devices come together to jointly create a visually powerful, mystical film world. The strange Best Canadian Short at the Vancouver International Film Festival. A
interactions between people and objects and people and natural landscapes are not only an intimate game of worldwide tour of "Strange Machines", a retrospective of his works,
light and shadow, but also a profound voyage of memories. While each work stands on its own, viewing them began in 2019.
in sequential order as a series offers audiences — through flowing images of his characters’ facial expressions,
gestures and physical movements — an even greater sense of the artist’s unique vision and sharp filmmaking
sensibilities.
136 焦點影人:菲利浦.巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 焦點影人:菲利浦.巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 137
文/謝以萱(策展人、影評人) 巴克著迷「生成電影的怪奇機器」(strange cinema magician who blends the “tricks” of theater, thoughts on the capturing of an individual on
delivery machines), 在《 魅 影 情 釣 》(Shadow performance art and film together to challenge the camera and the reproduction of it. Night Vision
By Ruby HSIEH I-hsuan (curator, film Critic)
traditional boundaries of art. cuts into the essence of visual storytelling using the
Nettes)中他再現《三個人的船艙欲情》裡的古老圓
smallest unit of moving images (still photography),
錐狀投影裝置,錐端的火光將中間的人體投影至末端 In I am Always Connected, both the boundaries while Slow Blink is like a small handmade film
或許是出身機械技師家庭的關係,菲利浦・巴克的作品 的圓形布幕上,如皮影戲般單純運用光直線傳播原理, of the stage and the frame of the lens and film experiment that edits more than 300 photographs
總帶有點蒸汽龐克寓言(Steampunk fabulism)的影子, 此為電影的原型。在閃動的火光前、流水旁,人與影 are blurred by visual magic. Through the design and eight rolls of Super 8 film into a short film,
但是靈魂更為古老的那種。他的電影人物像是來自維多 鬼魅地舞動著,仿若對電影之古典源頭獻上崇敬的祭 of the performers, puppets, backgrounds and challenging the audience to recognize the magic
photographic installations, dazzling visual effects of film composition.
利亞時代的劇場舞台,被攝影的機械裝置捕捉,困限在 儀。
are produced using simple physical movements.
不知時空為何的電影世界;場景常在田園牧歌式的水邊 And just when the audience cannot look away, BARKER is fascinated by strange cinema-delivery
林間,於潺潺水聲與水相變化中,漫溢神祕詭譎的有機 相 較 於 導 演 身 分, 巴 克 亦 是 享 譽 國 際 的 美 術 指 導。 BARKER unveils the truth of the illusion in one fell machines. In Shadow Nettes, he brings back the
魔性,某些悖反自然常理的事情即將發生。巴克就像頑 九〇年代就和導演艾騰・伊格言展開劇場與電影的合 swoop, deconstructing the “magic” of the image ancient conical projection device from Dredger.
皮叛逆的魔法師,混合著劇場裝置、表演藝術與電影的 作, 從《 意 外 的 春 天 》(The Sweet Hereafter)、 by showing us the magician’s secret. The firelight at the pointy end of the device
「招數」,挑戰藝術的傳統界線。 《A 級控訴》(Ararat)、《赤裸真相》(Where the projects the body of the person in the middle to
Inside the shabby room of Regarding, water the circular screen at the other end, simply utilizing
Truth Lies)、《色・誘》(Chloe)一路到《雪地迷蹤》
flows against the principle of gravity, and a black- the rectilinear propagation of light principle like in
《形影不離》(I Am Always Connected)中舞台框架、 (The Captive),兩人共同打造出一個個寫實又魔幻 haired woman has the supernatural ability to shadow puppetry. It is the prototype of the motion
鏡頭畫框與底片外框,框框條條的界線被視覺魔法混淆, 的電影世界。相較於和其他導演合作時,場景設計、 climb and cling onto vertical walls. In Malody, picture. In front of the flashing firelight, beside the
透過表演者、偶、背板與攝影裝置的設計,他以簡單的 道具、攝影設備多作為輔助角色與情節,在巴克自己 a sickly young woman suddenly activates her flowing water, man and shadow dance ghostly, as
物理運動產生令人迷眩的視覺效果。在觀者目不轉睛的 執導的電影中,這些裝置反而是其創作內核,他關注 magical powers; in the flick of a finger, everything though paying ritualistic homage to the classical
becomes topsy-turvy as items fly and liquids float, origins of cinema.
時刻,巴克一舉揭露幻象的原形,解構了影像生成的「魔 人與生成影像之機械裝置的關係,角色和情節於此與
like a weightless space capsule in a sci-fi movie.
法」,我們看見魔法師的祕密。 其說是乘載敘事,不如說是更接近魔術師變戲法時醞 But between shots, BARKER once again reveals Apart from being a director, BARKER is also an
釀氣氛、引人入勝的手法,乃是為了引導觀者見證魔 the secret behind the visual magic — the set is internationally renowned production designer. He
《試鏡中》(Regarding)的陋室裡,水違反重力原則地 幻時刻的發生。巴克就像道行高深的魔法師,不需任 a giant rolling circular structure being manually began collaborating on theater and film projects
流動,黑髮女子擁有飛簷走壁的超能力攀附在垂直的牆 何特效作為障眼法,堅持以古老的語法,打造魔幻的 pushed along by manpower. The previous world with director Atom EGOYAN in the 1990s. From
of the film is encapsulated in a wider paratheater
面;《顛倒瑪洛蒂》(Malody)裡病懨懨的女孩瞬間啟 時空。 The Sweet Hereafter, Arat, Where the Truth Lies
space, yet in actuality, this space is also part of the and Chloe, all the way to The Captive, the two
動魔力,彈指之間萬物違反常理,物件紛飛、液體流淌, film’s world. The dazzling effect of stacking layers
菲利浦・巴克:
have worked together to create one realistic and
像科幻片裡失重的太空艙。在鏡頭切換間,巴克再次揭 of visuals is expanded into a larger-scale, dual- magical film world after another. The set design,
露視覺魔法的祕密,巨大環狀結構的場景道具滾輪般被 layered space in Dredger, where what is rotating is props and film equipment are mostly to support
人力推動著,先前的電影世界被含括在更大的類劇場空 not just the circular structure but also the moving character and plot. In contrast, these things are
camera. Through delicate and multi-layered
間,但事實上,這空間依然在電影世界裡。視覺上層層 at the heart of BARKER's own films. He focuses
古老的電影鍊金術
installations, BARKER uses the simple on the relationship between people and the
堆疊的迷眩效果,在《三個人的船艙欲情》(Dredger) movements of objects to visually subvert the mechanical devices that generate images. Rather
拓展成規模更大的雙層空間,轉動的不僅是環狀結構, principles of physics, filling the small, narrow than carry the narrative through character and plot,
攝影機也加入一起運動。巴克透過精細且多層次的裝置, spaces with magic. these are methods of brewing the atmosphere
以單純的物體運動顛覆視覺上的物理原理,讓小小的窄 and capturing attention for when the magician
Phillip Barker
the camera frame, but also just misdirect, but insists on using ancient techniques
影格,他對「在框中成像」的興趣,可回溯到他八〇年 a small frame of film stock. His to create magical time and space.
代旅居荷蘭、探索人生的階段。巴克曾在阿姆斯特丹運 interest in “the image in the
frame” can be traced back to the 1980s, when he
河旁進行一現場表演《Trust A Boat》,表演者的身體
was living in the Netherlands and exploring life.
由燈光投影成黑色剪影,九個人影在三層樓建築的窗框 BARKER once presented a live performance of
中舞動著,發光的九宮格形成更大的一幅景象。在《漂 Trust a Boat by the canals of Amsterdam. Lights
流 拼 貼 》(A Temporary Arrangement) 亦 有 類 似 的 Perhaps because he was born into an automotive projected the perfor mers’ bodies into black
視覺效果,畫面上動態的九宮格,各自涵納著同一位演 mechanic family, Phillip BARKER’s works tend silhouettes as the nine figures danced in the
to always have shades of Steampunk fabulism, window frames of a three-story building, the grid
員臉部的不同部位,分屬不同時空的九格畫面,又可合
albeit the kind with an older soul. It is as though of nine glowing squares forming a larger image. A
成一張立體主義風格不對稱且歪斜的臉;《攝取你的魂》 the characters in his films came from the theater Temporary Arrangement employs a similar visual
(Soul Cages)進一步將此擴張為含括 45 格超 8 底片的 stages of the Victorian era and were captured by effect, where each of the nine screens in a three-
畫面,於劇情和視覺形式,皆呈現出巴克對個體被攝影 mechanical filming equipment, trapping them in a by-three configuration contain a different part of
裝置捕捉並再現的思考;《聊聊夜裏光的構成》(Night film world where time and space are unknown. The the same actor’s face. This grid of nine images
scene is often an idyllic waterside forest, where, as belonging to different times and spaces can also
Vision)從動態影像最小的影格單位(靜態攝影)切入
the water gurgles and changes, there permeates be combined into an asymmetric and skewed
影像敘事的本質,《快門下的女舞者》(Slow Blink) a mysterious organic magic, foreshadowing that Cubism-style face. Soul Cages further expands this
則像小巧的影像手工實驗,將 300 多張攝影和八卷超 8 some unnatural things are about to happen. to include an image of 45 frames of Super 8 film,
底片剪成一部短片,挑戰觀者能否辨識電影構成的魔法。 BARKER is like a mischievous and rebellious presenting through plot and visual form BARKER’s
138 菲利浦.巴克短片輯 1 Filmmaker in Focus: Phillip Barker’s Strange Universe I : 1984-2008 菲利浦.巴克短片輯 1 Filmmaker in Focus: Phillip Barker’s Strange Universe I : 1984-2008 139
形影不離 攝取你的魂
2022 黑影展
2000 美國安娜堡影展
2001 加拿大金吉尼獎 最佳短片獎提名
加拿大 Canada | 1984 | DCP | B&W | 4 min 加拿大 Canada | 1999 | DCP | Colour | 21min
以三顆鏡頭濃縮電影的起始與演進,展現光影明 相館老闆在神祕女攝影師送來沖洗的底片中看到
暗、身體與思想、攝影與被攝之間的連結和張力。 自己,展開一段觀看與被看、捕捉與逃逸、窺淫
開場剪影一如原始洞穴內的跳動火影,形體相連 與暴露的來回追尋。靈感來自民間傳說,據說遇
的人與獸,如同皮影戲的視覺妙趣;道具佈景和 難的水手靈魂會被困於海底陶罐,待破罐而出才
裝置機關隨即登場,以技法創造魔術幻象;終在 能邁向來世。取此靈魂牢籠的意象,結合拍照會
攝影機運動後,向早期電影舉手道別。以超 8mm 竊取靈魂的迷信,轉化攝影術與防腐術的類比,
底片拍攝,原為阿姆斯特丹一間藝廊的裝置作品, 翻轉性別凝視的張力,打造一則現代的黑色影像
經剪接重構,成為一鳴驚人的影像首作。 寓言。
I Am Always Connected is about inseparable This lyrical experimental/narrative film was inspired
connections, like those between light and shadow, by the various myths of the Soul Cages. Legend
the mind and the body, the rational and the states that the souls of drowned sailors are
instinctual. It is a new construction from footage captured by underwater spirits and held in clay
originally made for a 1984 installation piece for the pots at the bottom of the ocean. A mortal man
Lumen Travo, a gallery in Amsterdam. The original becomes compelled to set the souls free so that
Super 8 film was projected hundreds of times in a they can continue their afterlife journey.
loop. The footage was filmed on a small country
The film sets the legend in the present. It is the
road near Nijmegen, The Netherlands. The canvas
story about a relationship between a photographer
backdrop was painted based on photographs taken
and the man who possesses her film in a one-hour
at the location.
photo lab.
加拿大 Canada | 1996 | DCP | B&W | 12min 加拿大 Canada | 2002 | DCP | B&W | 5min
波光粼粼之上,男男女女仰躺水面,隨波逐流, 房內男女談論著即將到來的試鏡,女人成名在望
在分割畫面內各展樣態。原為導演的影像習作, 卻又難掩焦慮。此時房間忽然超脫地心引力,對
將攝影機架高於船上,試圖研究漂浮身體的千姿 話動作更添魔幻氣息。應多倫多藝術獎之邀,改
百態。不料找來拍攝的親友各有狀況,意外拍出 編自電影《紅色小提琴》一幕,將原作中眾人為
臣服於自然的眾生相。拍攝素材被投影為多重影 之癡狂的小提琴更換為攝影機。精心的美術與機
格,敘事空間也就此開放,水流成為時間的隱喻, 關設計,反映電影以假亂真的造像魔力。當快門
臉孔與身體浮沉,生命的幽微無常也於此顯現。 按下,魔法解除,隨之而來的是現實或幻境?
The film began as an experiment: to study the Regarding is a film inspired by scene no. 50 from
human form suspended in a body of water — a The Red Violin (1998). In this free adaptation, the
search for commonality. It was also an attempt to violin has been changed into a camera, an object
express the complexities within an individual, the that ignites a young woman's passion for fame.
multiple points of view of the human psyche.
加拿大 Canada | 2008 | DCP | Colour, B&W | 20min 加拿大 Canada | 2012 | DCP | Colour | 12min
故事由一張靜照開展,景框內的世界被女子賦予 大雨夜裡,快餐店內百無聊賴,女人的病容比日
如夢動態。科學家穿戴一身燈泡潛入湖中,在暗 子更蒼白,呆望靜待時間消散。此時鏡面竟映照
夜 黑 水 劃 出 光 采 絢 爛; 失 明 老 人 用 肥 皂 泡 泡 包 出她年少臉孔,少女的她穿越時空跳上吧台,就
裹回憶,泡泡飄飛之際,舊日歲月也隨之現形。 此觸發連鎖效應:空間失重,地覆天翻,卻也帶
影像由靜轉動,暗中有明,娓娓道來的故事也如 她通往自由。延續前作對重力的挑戰,這次拉遠
一千零一夜的魔法施展,指引夜裡尋光的角色走 鏡頭讓機關現形,類似裝置的手法也成為最具代
向最好的結局。 表性的作者印記。
A scientist swims underwater at night, her body A young woman, sicker than those who dare to
adorned with pulsing electric lights. A blind man eat the food at the all-night diner she's perched
sends giant soap bubbles filled with his memories in, catches a ghostly reflection of herself as a child.
floating across a lake. Children play innocently on This inspires a topsy-turvy cataclysm, hermetically
a raft as they drift downstream towards the edge sealed within a huge wheel rolling through a movie
of a perilous waterfall. Night Vision brings together studio.
stories of people who find light in darkness.
Dredger
Slow Blink 加拿大 Canada | 2015 | DCP | Colour | 14min
加拿大 Canada | 2010 | DCP | Colour, B&W | 6min
船上來了新的挖泥工,他言行古怪,不懷好意,
鏡頭鎖定女人特寫,從雙眼到臉龐,一如愛人的 動手翻攪的不只有安大略湖底的淤泥,還有船長
炙熱目光。快門如眼,打開闔上,連續動作都被 妻子的無限想像及夫妻倆的情感角力。靈感來自
拆解,化為定格逐一收藏。自白式的絮語旁白, 尚維果(Jean VIGO)的《亞特蘭大號》,聚焦
加上略顯古怪的肢體表演,暗示身體既是凝視對 狹仄船艙內的三角關係,拒斥線性敘事,而以細
象,也是成像的機器設備,眼球與相機的類比在 緻堆疊的聲景、象徵豐富的構圖及令人屏息的場
音畫配置中充分體現。全片以逾 300 張 Holga 相 景設計,營造詭譎緊繃的故事氛圍,片中提及的
機拍攝的相片,搭配八卷超 8mm 黑白底片的動 神祕漁法也為下部作品《魅影情釣》埋下伏筆。
態素材混合呈現。
The crew of a salvage ship retrieve more
A camera is locked upon a woman’s face, framed in than debris from the bottom of Lake Ontario.
a perpetual and intimate close-up. She tells us that Suppressed memories of an old shipmate rise to
“the last time we met, you forgot to close this hole consciousness and inflame the imagination of the
in the top of my head and since then everything captain's wife.
inside of me has been projected on my face,
pouring out of my eyes for all to see…”
Shadow Nettes
2017 溫哥華影展 最佳加拿大短片獎
2017 蒙特婁國際新電影暨新媒體影展
「影子漁網」是加拿大的古老漁法:漁夫在夜間
爬上湖中的圓錐支架,架上火光將身形動態投影
至水面,以影為餌,誘捕魚群。一名漁夫欲傳承
此技,夜夜在火堆旁示範動作奧義,他蜷曲伸展,
在布幕上投出幢幢魅影,最終卻吸引到意外的訪
客。神祕古法被挪作電影象徵,作者對光影、機
關與身體的執迷,全都一氣呵成化作這則暗夜童
話。
意外的春天
Shadow Nettes follows one Shadow Nette
Fisherman as he attempts to teach the operation of
the device to his teenage son.
Born in Egypt to Armenian parents, Atom EGOYAN was raised in Western Canada. He received attention
at the Sundance Film Festival for his earlier work, then broke through critically and commercially
with Exotica (1994). Afterwards, The Sweet Hereafter (1997) led him to receive two Academy Award
nominations, and Chloe (2009) became his biggest box office hit.
2009 No Ofsayt
2013 Love Me
2022 《沒有煙硝的日子》Klondike
瑪麗娜・艾爾・戈巴赫
Maryna ER GORBACH
烏克蘭導演瑪麗娜・艾爾・戈巴赫先後畢業於烏克蘭基輔國立劇院、電影電視大學,及波蘭安德烈華依達電影學院,
2017 年成為歐洲電影學院一員。本專題將透過放映瑪麗娜首部獨立編導長片《沒有煙硝的日子》與她一鳴驚人的首
支短片《玻璃罐裡的男人》,加上與既是伴侶也是編導夥伴的土耳其導演莫梅特・巴哈迪・艾爾所共作的兩部劇情
長片《邊境之歌》與《黑犬吠不廢》,延伸探討女性導演注入於影像創作之中的細膩觀察與面對權力結構的反動。
Maryna ER GORBACH is a Ukrainian filmmaker. She is a graduate of Kyiv National I. K. Karpenko-Kary Theater,
Cinema and Television University (Ukraine), and the Andrzej Wajda Master School of Film Directing (Poland).
She has been a member of the European Film Academy since 2017. This program features her first short film,
The Jar, along with her latest film, Klondike, which won her Best Director at the Sundance Film Festival, plus
two additional feature films, Omar and Us and Black Dogs Barking, which she co-directed with her partner,
Mehmet Bahadir ER. It is an exploration of how female directors infuse their delicate observations into
filmmaking and how they react in the face of power structures.
146 焦點導演:瑪麗娜.艾爾.戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 焦點導演:瑪麗娜.艾爾.戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 147
瑪麗娜.艾爾.戈巴赫:
under limited funding. The story is littered with and compositions in the film flow from family
danger and the dreams of youngsters in the disputes to political and ideological differences,
ghetto, depicting a tough life on the streets like a slow-drifting soundscape, blending with
of Istanbul where the youth are determined to reality in a beautiful balance, staring quietly
用鏡頭書寫生命的鬥志與溫靭
make "a man with bread is a man" come true, and powerfully at the trauma brought by the
and sadly reveal how insignificant a man can be tragedy of war, crying out loudly against the
when reality bites. conflict. Maryna not only infuses the film with
the true meaning of freedom as a human being,
文/方錦玉(高雄電影節長片節目統籌統籌) By Jaddie FANG (Program Manager & Coordinator, Kaohsiung Film Festival) This program includes another feature film, but also demonstrates the resilience and will to
Omar and Us, that Maryna also co-directed survive that women show in a patriarchal world,
with Mehmet. The narrative is shown through making Klondike a heavy hitter on this issue and
「在毫無規則的戰爭中,對侵略者套用文明世界的規 緩流的聲景般與現實作出極為平衡的揉合,靜謐有力 the Syrian refugee crisis and various aspects a strong echo of the ongoing Russo-Ukrainian
則,等同於要求一個貧 血 病 患 成 為 捐 血 者。 我 抗 議 俄 地凝視戰爭悲歌帶來的創傷。瑪麗娜不僅為該片注入 of the immigration phenomenon, folding out war.
羅斯的瘋狂,反對殘暴 的 帝 國 主 義, 反 對 那 有 如 世 界 身而為人的真正自由意涵,同時彰顯女性處於父權世 gently but sharply from the perspectives of
惡疾的軍事侵略作為。我敦促眾人盡一切力量抑制這 界之下所展現的靭性與生存意志,讓《沒有煙硝的日 culture, society, and self-identity. It lets the Reflecting back on her first short film, The Jar,
audience rethink the so-called "us and them" she boldly used an experimental style of black-
血戰,以公開立場表明反對俄羅斯才是對專制主義的 子》成為今年直指烏俄戰爭的一記有力迴聲。
dichotomy in the journey of changing identities and-white imaging interlaced with light and
有力療法。」――瑪麗娜.艾爾.戈巴赫(Maryna ER
and how human nature transcends ideology and shadow, without any dialogue, but with a strong
GORBACH) 令人細思再三的是,此時回顧她學生時期的首部短片
political discourse, which ultimately allows us statement; her way of carefully pondering the
作品《玻璃罐裏的男人》(The Jar),大膽的以實驗
to refocus on subtle things or the phenomena psychological and emotional status of people
出生於 1981 年,來自烏克蘭首都基輔,畢業於基輔國立 性的黑白影像手法和光影交錯,沒有對白卻張力十足 of daily life, and awaken the conscience to facing the challenges of daily life. Whether it
劇院及烏克蘭電影電視大學後,繼續研讀波蘭安德烈華 地陳述了她那時已細琢著人在面對生活常態的心理世 respond with kindness. Long before Omar and is a co-creation with her husband or a new film
依達電影學院並專攻電影執導,按部就班踏入電影世界, 界。無論是她與丈夫的共同創作,或自編自導的新作, Us was completed in 2019, the Donbas war she wrote and directed on her own, these films
瑪麗娜不僅導戲,也編寫劇本、擔任製片與剪輯,並與 皆對映出她對囚於困境的細徹人性觀察,溫柔地刻劃 in southeaster n Ukraine in 2014 had already humbly reflect her meticulous and humanistic
既是伴侶亦是工作夥伙的土耳其導演莫梅特・巴哈迪爾 於作品之中,且滿是人文主義的動人同理。隨著《沒 ignited Marina's determination to make a observations of people trapped in all manner of
・艾爾(Mehmet Bahadir ER)共同編導。一如土耳其 有煙硝的日子》頻頻獲獎,電影雖無法阻止戰爭的發 story like Klondike. She completed the script predicaments. With Klondike currently gaining
和烏克蘭的友好關係,兩人以絕佳默契的雙導演組合在 生,卻或許能改變人的想法。那股靭性正如瑪麗娜對 i n 2 0 1 6 , re c e i v e d 8 0 % o f t h e b u d g e t f ro m much more attention, although the film cannot
有限的拍攝經費下,完成首部劇情長片《黑犬吠不廢》 於反戰到底的堅持:「何謂善惡的理解如今已見分曉, the Ukrainian State Film Agency in 2019, and prevent the occurrence of war, it may somehow
completed filming during the global pandemic change people's minds. That resilience is just
(Black Dogs Barking);細膩、直接甚至有些黑色幽 但在人類製造出能摧毀烈日的炸彈之前,身為人類的
the following year. like Maryna's insistence on resisting the war
默的鏡頭語言,穿梭於危險和熱血夢想之間,帶出伊斯 我們皆有生存的契機。」
烏克蘭 Ukraine | 2004 | DCP | B&W | 7min 土耳其 Turkey | 2008 | DCP | Colour | 88min
水龍頭滴滴答答,滴進一個玻璃罐裡。罐子破了,男 Water ticks and drips into a jar. Then the jar is 青年賽林屈居伊斯坦堡龍蛇混雜的郊區底層,與死黨 對於黑幫鬥爭與社會底層的犀利觀察及批判,乍現馬
子卻突然受困其中,他狂躁崩潰,直到一名女子出現。 broken, and the man is trapped in it. He collapses 恰恰一起闖蕩打拼,在獲得黑幫老大的撐腰下力爭上 丁・史柯西斯與肯洛區的早期風範,在刺激緊張的情
in a frenzy, whereupon a woman appears. The jar
罐子接住了水滴,女子接住了男子,而原本裝水的罐 游,盼望出人頭地迎娶女友。然而他拓展停車場事業 節之餘,更宛如一首無路可退的青春輓歌,留下令人
catches the dripping water, and the woman catches
子,成了裝牛奶的奶瓶。全片無台詞,導演擅以光影 the man. The water-containing jar somehow turns 的野心過大,觸犯購物中心地頭蛇的商業利益,橫衝 低迴不已的餘韻。
與音效製造鬼影幢幢,水之折射、鏡之反面,映照出 into a milk bottle, then the sound of a crying baby 直撞的恰恰又不時惹事生非,令他們的幫派被警方緊
Restless and young, best buddies Selim and Çaça
人們的內心世界。本片是導演學生時期的作品。 fades in... 盯。在雙面包圍與弱肉強食的威脅下,他們該如何在
live a meager existence on the outskirts of Istanbul.
瀕臨兇猛黑狗般的危機四伏中化險為夷? By day they breed pigeons on the roof, by night
they roam the streets with their entourage in
夫妻檔導演瑪麗娜・艾爾・戈巴赫與莫梅特・巴哈迪
their pimped-up car, "My Orange Angel". Their
・艾爾以生猛有力的敘事手法一鳴驚人,角色也充滿 neighborhood's view of the city's gigantic business
細膩的刻畫與關照。以本片初登銀幕的帥氣演員傑馬 towers accelerates their ambitions. The two buddies
勒・ 托 克 塔 斯(Cemal TOKTAS), 精 湛 詮 釋 主 角 want to open their own parking-lot business near a
賽林的年少輕狂,飾演恰恰的伏爾加・索古(Volga gigantic mall, and they just might get lucky, since
they're supported by the local mafia boss.
SORGU)則以搶眼表現連奪多座最佳男配角獎。
Maryna ER GORBACH is a Ukrainian filmmaker. She is a graduate of Kyiv National I. K. Karpenko-Kary Maryna ER GORBACH and Mehmet Bahadir ER are a wife and husband director duo
Theater, Cinema & Television University (Ukraine), and Andrzej Wajda Master School of Film Directing from Ukraine and Turkey, respectively. In 2009, they released their first feature film,
(Poland). She has been a member of the European Film Academy since 2017. Black Dogs Barking, followed by Love Me in 2013 and Omar and Us in 2019.
土耳其 Turkey | 2019 | DCP | Colour | 104min 烏克蘭、土耳其 Ukraine, Turkey | 2022 | DCP | Colour | 100min
Maryna ER GORBACH and Mehmet Bahadir ER are a wife and husband director duo Maryna ER GORBACH is a Ukrainian filmmaker. She is a graduate of Kyiv National I. K. Karpenko-Kary
from Ukraine and Turkey, respectively. In 2009, they released their first feature film, Theater, Cinema & Television University (Ukraine), and Andrzej Wajda Master School of Film Directing
Black Dogs Barking, followed by Love Me in 2013 and Omar and Us in 2019. (Poland). She has been a member of the European Film Academy since 2017.
Taiwan Trans-border
一個負債累累想方設法募資東山再起的過氣歌手,一 藉著尋寶和鬧鬼去重新思考台灣的過去、當下和未來
個想要幫心上人捍衛父親留給她的幼稚園的外送員, 的草根奇劇。
還有一對為了籌措鋼琴神童兒子出國留學費用的離
Four desperate people — a debt-ridden singer past
異夫妻,四人帶著一張幾十年前黑道大哥留下的藏寶
his prime hoping for a comeback, a delivery man
圖,來到綠島聞名遐邇的燕子洞,冀望能夠挖到流傳 trying to save the preschool inherited by the girl he
幾百年的綠島黃金傳說,解決他們眼前的經濟難題。 likes, and a divorced couple raising money for their
不過淘金任務沒有想像中容易,陰風陣陣且 Wi-Fi 設 piano prodigy son to study abroad — are guided
備很不靠譜的老舊旅館、險象環生的地理環境、時不 to the famous Swallow Cave on Green Island by
a treasure map left behind by a gangster boss
時現身盤查的海巡隊員,還有一個充滿祕密的年輕男
decades ago, hoping to unearth the hidden gold
子,讓這場淘金夢看似危機四伏,卻充滿黑色幽默之 that will relieve their financial burdens. But faced
餘,竟還帶點靈異恐怖⋯⋯ with unreliable Wi-Fi, treacherous terrain, and pesky
coast guards, attaining their “gold dream” won’t be
金鐘獎最佳導演王小棣和北村豐晴繼叫好叫座的《戀 as easy as they imagined.
愛沙塵暴》後二度攜手,「茁劇場」系列第四號作品,
改編自生態保育學者陳玉峯半史實、半小說、半靈異、
半宗教哲學的著作《綠島金夢》,一齣跳脫類型框架,
以匯聚台灣最新電影與劇集為主,本單元集結了以不同面向和類型為出發點的影像作品,結合半史實、半虛構的多
重類型奇劇,讓人反思台灣土地點滴;少女的身體遊戲成為自我蛻變烙痕的憂傷;跨越雲端與現實,展現多元都市
北村豐晴 KITAMURA Toyoharu
愛情樣貌的清新之作;少年夢想力抗霸凌者,融合武打與穿越元素的奇幻愛情故事;將女性在社會承受的苦悶與壓
1974 年生於日本,畢業於臺灣藝術大學電影學系,在台灣影視圈發展 20 年,兼具導演、演員、日式居酒屋
力化作抓狂式拳拳重擊,腦洞大開的魯蛇大反撲喜劇,部部精采體現電影漫遊於虛實之間的活力。
老闆等多重身分。他的作品遊走於不同風格的喜劇之間,代表作包括電影《愛你一萬年》、《阿嬤的夢中情
With a focus on bringing together the latest Taiwanese films and TV series, this program offers a collection of 人》和電視劇《流氓蛋糕店》、《戀愛沙塵暴》、《戒指流浪記》等。
works from different perspectives and genres. These include a multi-genre story that combines fact and fiction KITAMURA Toyoharu was born in Japan in 1974 and graduated from the Department of Motion Picture
to reflect on the land of Taiwan; a girl whose promiscuous games channel a melancholic self-transformation; of National Taiwan University of Arts, after which he became a film and TV director, actor and Japanese
a refreshing work that spans the internet and reality, showing the diversity of urban love; a fantasy romance restaurant owner. His films include Love You 10,000 Years and Forever Love.
about a boy who dreams of standing up against his bullies that integrates martial arts and mystical elements;
and a wild comedy in which struggling women fight back against the anguish and pressures they endure in
society. Each work brilliantly reflects the vitality with which cinematic art roams between fiction and reality.
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154 台灣越界 Taiwan Trans-border 台灣越界 Taiwan Trans-border 155
女優,摔吧! 小藍
2022 釜山國際影展
2022 台北電影節
2022 富川國際奇幻影展
前往日本當 AV 女優的麗絲愛愛、小紅莓,不幸慘遇 Aspiring AV actresses Liz Ai Ai and Berry fail to 妳對自己的第一次滿意嗎? Xiao Lan’s first sexual experience is at the beach,
「AV 界寒冬」,求職屢屢破壁受挫,直至陰錯陽差加 break into the industry and somehow end up joining with a football jock in her school. Just like many
a wrestling club, where they use their AV-style 小藍的第一次在海邊。在太平洋洶湧的海浪聲中,她 girls in this situation, Xiao Lan thinks she can gain
入摔角俱樂部,結合 AV 所學的「特殊技能」,來勢「胸
“special moves” to rise to superstardom. Starring 暗戀的足球隊校草五秒射門般地對她發動攻勢。跟很 his love with her body.
胸」的肢體動作竟爆紅累積大量狂粉。痛快肩摔父權 Kimi HSIA, Gemma WU and Tiara HUANG, with 多女孩一樣,那一刻的小藍以為可以拿身體交換愛。
社會假掰,人生第二春超展開,乘風破浪的姊姊妹妹 stunts directed by Japanese wrestling promotion
Inevitably, that boy leaks a photo of her in a sexually
她沒想到的是,五秒後校草開始若即若離,甚至還將 compromising position online. Xiao Lan’s entire
們,站起來! Stardom, this is a comedy about the struggles and
world collapses. Alone without anyone to help, she
tears behind the pursuit of dreams. 小藍的性感照片外流了。小藍的世界瞬間崩塌,孤立
資深經紀人周美豫首度挑戰跨類型荒謬性喜劇,攜手 turns to comfort from men on the internet…
無援的她轉而約炮,一開始那就是一場身體遊戲,遊
夏于喬與吳映潔跨越嗆辣大尺度,抓狂演出令人拍案
戲中她慢慢理解了男人,似乎也更明白了自己。
叫絕。拳拳到肉的動作場面下,實則犀利翻轉身為
女性在社會承受的苦悶與壓力。全片顛覆台灣電影框 然而,在一次約炮中,她撞見最不期望遇見的那個人,
架,大開腦洞,笑中帶淚,煮沸魯蛇生活死水,爆笑 這場性遊戲於是發展成更不堪的風暴。處於風暴中心
葷哏萬箭齊發! 的她被迫要說服自我,然後她明白了,女孩成為女人
的過程,註定要伴隨著傷痛,而透過傷痛,她終會真
正地覺醒與蛻變。
PRINT SOURCE 滿滿額娛樂股份有限公司 Man Man Er Co., Ltd. PRINT SOURCE 日映影像 Aview Images
156 台灣越界 Taiwan Trans-border 台灣越界 Taiwan Trans-border 157
龍魂 幻象人
Long Spirit Fish Pond
台灣 Taiwan │ 2022 │ DCP │ Colour │ 79min 台灣 Taiwan │ 2022 │ DCP │ Colour │ 87min
TENG Kun-hou is from Macau and earned his master’s degree from the Department of Filmmaking at WANG Yi-ling is a director based in Taipei. Her short film Towards the Sun was selected to Cannes
Taipei National University of the Arts. His short film One to Ten won Best Narrative of the Student Slate Cinéfondation in 2017. Her short films Do Not Go Gentle in Taipei, Midnight Tod, Midday, and Night
at the 2020 Golden Harvest Awards. Raid were selected to the Taipei Golden Horse Film Festival and Taipei Film Festival and won numerous
awards.
PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation / 公共電視 Public Television Service (PTS) PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation / 公共電視 Public Television Service (PTS)
台語有影 Taigi Cinema 159
Taigi Cinema
阿媽 a-má
拳職人員
A Boxing Coach
台灣 Taiwan │ 2022 │ DCP │ Colour │ 90min
少年阿凱看似文弱,其實傳承了曾為拳擊國手老爸的 建宇,從柔弱到剛強,不僅顯示出「拳擊」是充滿魅
天分與拚勁,但父親因為運動傷害,喪失職涯與家庭, 力的運動,也為自己的人生全力出拳!
因此「拳擊」變成禁忌話題。然而,阿凱的叔叔在學
Kai, whose father used to be a national boxer and
校擔任拳擊教練,必須訓練學生取得金牌才能繼續工
uncle teaches boxing at school, is fond of boxing.
作,他因而把希望寄託在深具潛力的阿凱身上。「拳 Kai and his uncle have, nevertheless, secretly
擊」讓兩代三人又愛又恨,最終迎來殘酷又矛盾的結 participated in competitions even though he is
局。 strictly forbidden to do so, and this eventually leads
to a cruel and contradictory outcome.
本片為公共電視台語台「台語有影」系列。宛如《翻
滾吧!阿信》加上《鋼鐵擂台》,真正的比賽,不僅
在擂台上,也在人心。「拳擊」是父親的遺憾、是叔
叔維生的方式,但底層之人終究只能在夢想與生存的
平衡中掙扎,但少年也從困惑到堅定,確立自己與拳
擊的關係。全片於高雄小港國中拍攝,質樸流暢,飾
演兄弟的黃鐙輝、藍葦華就像在表演的擂台上大比
拚,以充滿細節的演出,盡顯寫實風采。少年演員陳
風格的情節來表現故事的獨特世界觀。本單元各以鮮明主題和敘事,淬鍊聚焦,讓觀眾能透視台灣影像創作者如何 HUANG Po-tsang was born in Kaohsiung and graduated from Kun Shan University of Science and
細琢台語片。 Technology. He was selected for the Kaohsiung Shorts grant program and won the 39th Golden Harvest
Award for Best Drama, Best Score, and Best Actor with his short film Rocky's Sightline.
To expand the new generation of Tâi-gí dramas, the Tâi-gí Cinema program produced by Taigi TV Station
solicits a variety of genres and themes, inheriting the rich genres of the past Tâi-gí film era, but with more
emphasis on new drama innovations in today's internet streaming era. This program presents distinct narratives
and different stories, allowing the audience to see how filmmakers refine Tâi-gí films.
PRINT SOURCE 公視台語台 Taigi TV Station
160 台語有影 Taigi Cinema 台語有影 Taigi Cinema 161
阿媽 天字第二號
a-má Which One You Choose
台灣 Taiwan | 2022 | DCP | Colour | 85min 台灣 Taiwan | 2022 | DCP | Colour | 90min
最疼愛國倫的阿媽因車禍過世了,隱藏多年且已轉為 Kuo-lun's family returns home for the funeral of 疫情時代,獲得中國名導欽點的台灣 C 咖演員李志誠, Li Chih-cheng, a C-list Taiwanese actor, is hand-
女兒身的他,不得不回鄉奔喪。一大家子的人聚在一 his grandmother, who was killed in a car accident. 在上海隔離的最後一天,竟發現自己開始發燒,但更 picked by a renowned Chinese director to star in a
Having not spoken with his family in a long time, project during the pandemic. On his last day of self-
起,有尷尬卻也有溫暖。當他發現撞死阿媽的人,竟 糟的狀況不只如此,他還必須在視訊上,在台灣正宮
Kuo-lun comes home as a trans woman. Then, he isolation in Shanghai, he discovers he has a fever.
然是如今有妻有子的初戀男友,再加上家族間利益糾 finds out the person who killed his grandmother 妻子與中國小三之間做出抉擇。峰迴路轉,每個人都 Worse still, he must make a decision between his
葛、新怨舊恨,一場喪禮像是打翻了滾燙的熱鍋,還 was his first love. Besides facing his father, who is 有未知的身分與祕密,這次,為了活下來,真的必須 wife in Taiwan and mistress in China over video call.
活著的人該何去何從? unwilling to accept him, he also has to deal with 「演很大」! But as it turns out, everyone has a hidden identity
financial entanglements between relatives and and secret. In order to make it through, Chih-cheng
本片為公視台語台的「台語有影」系列,劇本並榮獲 their complicated past. Yet, he still wants to see his 本片為公共電視台語台「台語有影」系列,誕生於 must deliver the performance of a lifetime.
109 年度優良電影劇本優等獎。宛如電影《孤味》, grandmother one last time. 2021 年 5 月台灣三級警戒期間,只能用視訊溝通的
家族喪禮有時就是人情試煉場,所有祕密等待掀鍋示 導演與製片人,靈光乍現、腦洞大開地以視訊畫面為
現。導演吳旻炫以精湛的編劇技巧,在寫實的基調下, 主體,用喜感又緊張的基調創作。作品幽默地看待兩
卻深埋了許多危機與衝突。經過陳文彬、王可元等演 岸關係中真真假假的各種狀態,取材自疫情,但製作
員的細膩演繹,父子間壓抑又一觸即發的情感張力, 又不受疫情限制。題材大膽、敘事創新,劇情急轉直
讓人捏緊了手,卻又無比了解「這就是家人」的普世 下,讓人猜不到最後的結局,台灣觀眾必發出會心一
感受。 笑。
WU Min-hsuan graduated from the Department of Radio, Television and Film of Shih Hsin University and Ray WU graduated from the Department of Journalism, National Chengchi University. His 2018 short
has many years of experience as an assistant director. He penned the screenplays for the film Untold film, Bite, won Best Sound at the Golden Bell Awards. His 2019 series, The Mirror, was nominated for six
Herstory and the series Danger Zone, and is a two-time Excellent Screenplay Award winner. Golden Bell Awards. In 2021, his basketball series Girls Win was nominated for five Golden Bell Awards,
winning for Best Writing.
PRINT SOURCE 公視台語台 Taigi TV Station PRINT SOURCE 公視台語台 Taigi TV Station
國際視窗 Panorama 163
Panorama
流浪之月 Wandering
天使情緣 2021 大阪亞洲電影節 閉幕片
2021 紐約亞洲影展
愛妻離世後,小說家青木剛帶著兒子遠赴首爾,打算 延續石井裕也家族經典《我們家》帶來的暖心救贖與
投靠久未聯繫的哥哥,開啟第二人生。殊知哥哥遭生 感動。
意夥伴背叛,好不容易累積的一切也被迫從零開始。
After the death of his beloved wife, novelist Aoki
在漂向南方尋找事業契機的火車上,青木一行人遇見
Takeshi takes his son to Seoul, intending to stay
獨力養家的過氣歌手崔率,正帶著哥哥與妹妹一道返 with his long-lost brother Toru and start a new life.
鄉掃墓。雖然語言不通,青木與崔率卻在彼此身上看 His brother was betrayed by his business partner
見了神祕的羈絆。經歷一番波折後,同樣命運多舛的 and lost everything, leaving him to start from
兩個家族默默地走在一起,踏上展開新生的療癒之旅 scratch. Aoki meets a struggling singer named
Choi Seol, embroiled in a relationship with the
⋯⋯
controlling president of her talent agency. Despite
繼《東京夜空最深藍》後,金獎名導石井裕也再度聯 the language barrier and what they've been through
in their lives, Aoki and Choi somehow form a bond.
手實力派影帝池松壯亮,並找來性格男星小田切讓、
The two ill-fated families come together naturally
韓國大鐘獎影后崔嬉序領銜共演。石井裕也作品向來 and embark on a new journey of healing...
擅長勾勒家庭成員間「相愛相殺」的微妙關係,對底
發掘世界各地導演的獨特敍事觀點,並展現不同國族的文化特色。今年囊括 12 部從細膩家庭關係的療癒溫情;到以 層邊緣人脆弱封閉的心理描繪更是細膩動人。本片進
逐漸消弭的高地方言流述另類熟齡成長之作;後疫情時代跨越距離和語言隔閡的輕快喜劇;演技淋漓地激盪出社會 一步呈現出超越國界、文化和語言的深刻情感,成功
議題與暴力創傷的後事件之殤;正能量飽滿勵志的真實熱血傳奇;憂鬱質地的電影語言羅織出複雜的情感密網;以
及青春與成人群像各自在生活中衝撞,或以探索慾望、追尋身分認同,在愛情和慾念的泥澤打轉,讓觀影者自不同 石井裕也 ISHII Yuya
故事切入各種對於存在的辯證。
1983 年生於日本埼玉縣,畢業於大阪藝術大學電影系。2009 年以長片《從河底問好》獲藍絲帶獎最佳導演
Discover the unique narrative perspectives of directors from all over the world as they present their unique 獎,成為此獎最年輕的得獎者。2013 年再以《宅男的戀愛字典》獲日本電影學院獎最佳影片、最佳導演獎,
cultural characteristics through stylized cinematic languages. This program features 12 new films, including a 以及每日電影獎日本電影大獎、報知電影獎最佳作品獎等日本電影最高榮譽。
story depicting the healing warmth of family relationships; a fading highland dialect that narrates an alternative ISHII Yuya studied film at Osaka University of Arts, and has garnered many film festival prizes for his
maturity; a post-pandemic era comedy that overcomes distance and language barriers; a powerful portrayal of works, beginning with his debut feature, Bare-assed Japan (2005), awarded the Grand Prix at the PIA
social issues and the post-event grief that follows violent trauma; a passionate true story full of positive energy Festival in Japan. He also won Best Director at the Blue Ribbon Awards for Sawako Decides (2010).
and inspiration; an intricate emotional web weaved by melancholic film language; and portraits of youth and
adulthood colliding in life, exploring desires or pursuing self-identity, rolling around in the mud of love and lust.
These are deeply intriguing stories that explore existence through various dialectics and compelling narratives.
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OKITA Shuichi was born in Saitama and studied film at Nihon University of Arts. A representative of LEE Sang-il, born in in 1974 in Niigata Prefecture, Japan, is a Japanese film director and screenwriter of
both commercial and art-house styles, his films are frequently selected by international film festivals and Korean descent. His first film, Chong, is a short film about the lives of third generation Koreans living in
praised for their delicate portrayals of daily life and humanity. His best known works include A Story of Japan.
Yonosuke and The Mohican Comes Home.
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166 國際視窗 Panorama 國際視窗 Panorama 167
推土機女孩
飄零人生
2022 大阪亞洲電影節
2022 紐約亞洲影展
Snowball 2020 首爾獨立影展 New Choice 獎 韓國 South Korea | 2021 | DCP | Colour | 113min
Born in Paris, French director Claire DENIS studied at the IDEHEC (Institut des Hautes Etudes Isaki LACUESTA is a Spanish filmmaker who has directed six feature films. His 2011 film, The Double
Cinématographiques). She is renowned for films such as Chocolat, Beau Travail, Trouble Every Day, 35 Steps, won the Golden Seashell at San Sebastián and screened at MoMA, New York. His others films
Shots of Rum, and Bastards. In 1996, she won the Golden Leopard at the Locarno International Film include the award-winning The Clay Diaries, The Damned, The Legend of Time, and Cravan vs Cravan.
Festival for Nenette and Boni.
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巴黎,1993 年。出身富裕中產階級之家的少女瑟瑪 自我相處的瑟瑪一角,率性大方又令人動容,是本片 亞當的丈夫豪氣買下線上西語課當作驚喜,每週一 When Adam's husband surprises him with weekly
剛成為大學新鮮人,她的眼睛帶著亮光,她的身體如 的靈魂所在。 次、長達兩年的早晨西語時間就此展開。平凡年輕的 Spanish lessons, he's unsure about where or how
this new element will fit into his already structured
一片海洋,暗潮洶湧,浮想聯翩。她在學校遇見叛逆 女教師卡莉妞一鍵登入亞當金碧輝煌的豪宅,映照自
Paris, 1993. life. But when tragedy strikes, his Spanish teacher,
少年之後,才驚覺保守家教如何阻礙她探索自身慾望 己樸實無華的人生,兩個平行世界就此數位交會。第 Cariño, becomes a lifeline he didn’t know he
與擁有身體自主權。她與家人大吵,與此同時,阿爾 Selma, 17, lives in a bourgeois and secular Berber 二堂課前夜,一場突如其來的意外摧毀亞當歲月靜好 needed. Adam develops an unexpected and
及利亞發生動亂⋯⋯尚在摸索自身慾望與身分認同的 family. When she meets Julien, a provocative young 的生活,每週只出現在螢幕上遙遙相望的卡莉妞成為 complicated emotional bond with Cariño —
man, she realizes for the first time how the heavy
她,能否走出自己的路? 亞當的寄託,漸漸產生超越師生的曖昧情愫,一場分 but do you really know someone just because
rules of patriarchy affect her intimacy. you’ve experienced a traumatic moment with
不清是真人版《雲端情人》還是線上版《愛在日落巴
女導演卡蜜兒.阿努茲以影響自身生命經驗甚深的阿 As she faces her own fears to explore the power them? Bittersweet, honest, and at times darkly
黎時》的情誼正在上演。
爾及利亞內戰為出發點,雜揉女性成長與身分認同議 and dangers of her desire, her family crumbles and funny, Language Lessons is a disarmingly moving
題,在小人物故事中,折射大時代動盪歷史與社會圖 the terror of fundamentalism emerges in her country 演而優則導的古巴裔美國演員娜塔莉・莫拉蕾茲自導 exploration of platonic love.
像。女主角與當時阿爾及利亞內戰的命運微妙地扣合 of origin. Selma must fight back to reclaim her body 自演,以極簡的形式、僅有兩個演員,靠著視訊軟體
and become a free woman.
在一起,若有似無卻又緊緊相連;鏡頭彷彿幽魂一般, 各自對著鏡頭表演對手戲,營造數位時代那麼遠又那
跟隨著她的一舉一動,多個特寫鏡頭,更顯親密與疏 麼近的當代親密。跨越時空及語言的藩籬,建立輕快
離的界線。新生代演員柔伊.艾珍妮(Zoé ADJANI) 的節奏,以喜劇開場,又巧妙地迎來戲劇轉折,收攏
細膩詮釋一方面勇於探索自我、一方面不知該如何與 於醉心溫暖的迷人結局。
Born in Paris to Algerian parents, Kamir AÏNOUZ studied film writing at UCLA and participated in various Natalie MORALES is an actor, director, writer and activist who has appeared in The Middleman, White
filmmaking workshops at USC-School of Cinematic Arts. She has been developing original content Collar, Parks and Recreation, Abby, The Newsroom, Girls, Santa Clarita Diet, Stuber, and Dead to Me.
inspired by her dual Algerian and French culture, and has worked as a screenwriter for cinema and She has directed episodes in the series Love Letters, Room 104, and Mr. Student Body President.
television, notably on LOL.
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我不哭,我搞笑 2022 柏林影展 「Generation Kplus」單元水晶熊獎 最佳影片 女孩與蜘蛛 2021 柏林影展 「邂逅」單元最佳導演、國際影評人協會獎
2021 永河畔拉羅什國際影展 「法國新浪潮」競賽單元評審團特別獎
Comedy Queen The Girl and the Spider 2021 馬德普拉塔影展 最佳劇本獎
瑞典 Sweden | 2022 | DCP | Colour | 94min 瑞士 Switzerland | 2021 | DCP | Colour | 98min
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174 國際視窗 Panorama
Crazy World
28 歲 的 約 翰 才 剛 遭 遇 父 母 驟 逝 之 慟, 又 在 街 頭 慘 族 語 言 劇 本 創 作, 嘗 試 以 最 道 地 的 愛 爾 蘭 民 族 氣
遭 醉 後 鄰 人 痛 毆, 身 心 狀 態 跌 落 谷 底, 不 知 該 如 口,拍出質地特異的另類熟齡成長電影。
何 面 對 未 來 的 人 生。 當 他 生 無 可 戀、 萬 念 俱 灰 地
Set in the wild mountains of Connemara, Foscadh
在 醫 院 醒 來, 照 顧 他 的 美 麗 護 士 和 同 房 的 魯 蛇 宅
tells the story of friendless and guileless recluse
男 相 繼 走 進 他 的 生 命, 陪 伴 並 鼓 勵 原 本 內 向 到 近 John Cunliffe, who is suddenly propelled into
乎自閉的他,首度開始品嚐生命的樂趣。出院後, manhood at the ripe old age of 28. When his over-
他 發 現 自 己 繼 承 的 貧 瘠 田 地, 在 風 電 開 發 計 畫 下 cosseting parents pass away, John inherits mountain
有 望 可 獲 高 價 徵 收, 看 似 天 上 掉 下 來 的 大 禮, 卻 land that is in the way of a lucrative wind-farm
development, and he is forced to navigate the
讓 他 好 不 容 易 獲 得 的 愛 情、 友 情 與 自 信 產 生 了 質
choppy waters of romance, trust and vengeance
變⋯⋯ for the first time. The ensuing drama is a taut
and absorbing late coming-of-age tale from the
改 編 自 衛 報 譽 為「 愛 爾 蘭 新 浪 潮 小 說 之 王 」 作 家 午夜小品、邪典片和各具視覺風格的類型電影,從微觀至宏觀,本單元網羅十部令影迷醒神,透過銀幕召喚眾生進
northwestern tip of Europe.
多納・萊恩(Donal RYAN)的著作。全片攝於雲 入瘋狂張力至極的影像世界。聚焦各種瘋狂異質,從不按牌理出牌、挑戰影史爛到笑的屎尿與地獄梗噴飛;打破社
霧 籠 罩 的 愛 爾 蘭 國 家 公 園, 朦 朧 灰 暗 的 高 地 景 色 會厭女教條和窒息式束縛的女子暴走;輕細的鏡頭語言打造另類青春純愛紀事;類紀錄片視角營造出超自然的的暖
鏡 射 出 主 角 的 迷 惘 心 境 與 人 生 前 路。 崇 尚 自 然 主 心奇幻;動畫結合紀錄片、穿越劇手法打造「龐克不死」真諦;以及譜寫世界容不下平庸的法式愛情狂想曲;中年
義 的 導 演, 長 期 鑽 研 封 閉 社 區 題 材、 耕 耘 少 數 民 人生失序的二度青春期;無人知曉的孩童時光背後是詭譎湧現的惡童殘酷物語;血腥駭人的心理極端驚悚之作,還
有那犯罪份子如百鬼夜行,混融出喋血對戰的日式耽美。
尚恩・布萊納克 Seán BREATHNACH
Midnight movies, cult classics, genre films of different visual styles. From the microscopic to the macroscopic,
來自愛爾蘭西岸城市高威,現於愛爾蘭國立大學教授編劇、電影美學及製作,研究並提倡少數民族語言劇本 the 10 films included in this program will intrigue and summon audiences to enter a world of extreme craziness.
創作。曾任愛爾蘭公共電視談話、紀錄節目製作人,亦曾參與電視影集演出。電影導演及編劇作品皆以母語 These films and their stories depict all manner of wild cinematic heterogeneity, including some of the most
愛爾蘭語創作,聚焦描繪以孤離鄉村社群為主題的故事。 random “so bad it’s good” hilarity in film history; women breaking free from the misogyny and suffocating
Seán BREATHNACH is a writer/director from Galway, Ireland. He has written and directed a number of bondage of society; an alternative young love story crafted through a gentle lens; a heart-warming supernatural
award-winning short films that have screened at film festivals in Europe, North America, and Asia. He has fantasy with a documentary-like point of view; an animation that explores the true meaning of “punk’s not
both photographed and directed a variety of documentaries for the Irish national television broadcasters dead” through combining documentary and multiverse narrative techniques; a French love rhapsody about a
RTÉ and TG4. world that can't tolerate mediocrity; a mid-life crisis that brings about a chaotic second adolescence; hidden
memories that reveal a tale of childhood evil and cruelty; and a bloody and terrifying psychological thriller in
which criminals roam the streets at night with a touch of Japanese-style homoeroticism.
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黑夜降臨,百鬼夜行。五人結黨的犯罪組織突襲黑道 Former yakuza Anzai, illegal taxi driver Mutoh, 在市區經營咖啡廳的榛村待人和藹可親,時常免費 心理驚悚張力十足,血腥場面令人咋舌,懸疑轉折
洗錢現場,黑吃黑捲款而逃。旭日東昇,歌舞昇平, laborer Hamada, assassin Hagiwara, and hooker 提 供 點 心 給 用 功 唸 書 的 莘 莘 學 子。 直 到 唯 一 倖 存 動人心弦,宛若日系男版《沉默的羔羊》。
Miru are in a car headed to a love hotel used by
暗裡的髒污被蒸發殆盡,罪犯回歸庶民生活,遊走黑 的生還者報案,他多次迷昏純潔少男少女,對其施
the Sugiyama Clan for money laundering. The front Masaya Kakei attends a low-ranked university, a
白兩道之間的警察為黑幫尋仇,緊抓一點黑影尾隨在 desk clerk gave them information about the big 虐並殘殺的變態惡行才終於東窗事發。遭到逮捕並
situation he finds depressing. One day, he receives
後。首腦安西想金盆洗手,但浪子回頭談何容易?同 scheme and the five formed a “one night only” 判處死刑後,榛村寫信邀請曾在店內用餐的少年筧 a letter from Yamato Haimura, a high-profile serial
夥荻原與罪同行,邪惡與罪孽擴張侵蝕,地下組織、 gang. They succeed in robbing them blind, and 井前來探監,打算告訴他一個無人知曉的祕密⋯⋯ murderer convicted and sentenced to death for nine
政治人物、平凡家庭無一倖免。山雨欲來,誰背叛了 though the five are supposed to go their separate 原來殺死部分受害者的真兇另有其人,且仍逍遙法 of the 24 killings he’d been accused of. Before his
ways after splitting the money, they end up being
誰?誰又是能笑到最後的贏家? 外? capture, Yamato ran a local bakery, which Masaya
hunted down by a detective hired by the clan frequented while attending junior high school.
以平克・佛洛伊德(Pink Floyd)名曲為題,大森立 and the clan members themselves, kicking off a 改編自日本恐怖小說獎讀者獎作家櫛木理宇作品 Reaching out to Masaya, Yamato freely admits his
嗣聯手《尋人啟弒》、《愛情,突如其來》當紅編劇 merciless struggle and leading to an ending nobody
《招致死刑的疾病》。以《凶惡》、《極惡刑事》 guilt but insists the ninth conviction was a frameup
expected… and implores him to find the true killer. As Masaya
高田亮再次出擊。西島秀俊領銜主演,與齋藤工、玉 和《孤狼之血》等鉅作奠定犯罪電影大師地位的白
delves into the case, the truth proves to be cruel
城蒂娜、宮川大輔、三浦友和共組犯罪集團。大森南 石和彌再次重磅出擊,繼橫掃多座大獎的名作《她 beyond imagination.
朋、宮澤冰魚等華麗卡司,佐以傳奇靈魂樂手巴比・ 不知道那些鳥的名字》後,二度請出魔性滿滿的演
沃麥克(Bobby WOMACK)多首樂曲,讓喋血衝突 技派男星阿部貞夫,聯手潛力小鮮肉岡田健史,以
中帶有靈動的性感,殘忍又耽美。 及在《金魚妻》中表現亮眼的岩田剛典同台飆戲。
OMORI Tatsushi’s 2005 directorial debut, The Whispering of the Gods, screened at the Tokyo SHIRAISHI Kazuya is one of Japan’s leading directors. His acclaimed films include Lost Paradise in Tokyo
International Film Festival and Locarno International Film Festival. In 2013, he won the Special Jury (2009), The Devil's Path (2013), Twisted Justice (2016), and the box office hit The Blood of Wolves (2018).
Prize at the Moscow International Film Festival for The Ravine of Goodbye. Other films include Seto and In 2019, he received the New Face Award for Sea of Revival from Japan’s Agency for Cultural Affairs.
Utsumi, And Then There Was Light, and Every Day a Good Day.
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The Strange Case of Jacky Caillou Mother Schmuckers 2021 畢爾包奇幻影展 最佳創新導演獎
法國 France | 2022 | DCP | Colour | 93min 比利時 Belgium | 2021 | DCP | Colour | 71min
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182 瘋狂世界 Crazy World 瘋狂世界 Crazy World 183
巴西 Brazil | 2021 | DCP | Colour | 128min 巴西 Brazil | 2021 | DCP | Colour | 90min
Born and raised in Rio de Janeiro, Anita Rocha da SILVEIRA has written, directed and edited three Cesar CABRAL graduated in Film and Video at ECA-USP. He began his career as a stop-motion animator
short films: The Noon Vampire (2008), Handball (2010, FIPRESCI Award at Int. Short Film Festival before co-founding the animation company Coala Filmes in 2000. Through Coala, he directed the stop-
Oberhausen), and The Living Dead (2012, Cannes Directors’ Fortnight). Her first feature, Kill Me Please motion short film Dossiê Rê Bordosa (2008), winner of more than 70 awards at Brazilian and international
(2015), screened at Venice, New Directors/New Films and SXSW. film festivals.
德國 Germany | 2021 | DCP | Colour | 105min 挪威 Norway | 2021 | DCP | Colour | 117min
小說家保羅和配音員艾米莉亞是對夢幻伴侶,他們 一同分享的電影,給予人們有愛不怕老的智慧與勇 由於姊姊罹患無法與人溝通的奇症,伊達自幼即欠缺 The Innocents follows four children who become
育有三個孩子,被視為「人生勝利組」。但正邁入 氣。 玩伴,生活中唯一的樂趣便是趁父母不注意,偷偷欺 friends during the summer holidays. Out of sight
of the adults, they discover they have hidden
中年的他們,卻發現青春不再,開始會為掉髮、視 負對一切逆來順受的姊姊。某天,伊達在鄰近的森林
Paul and Emilia are 40-somethings who have always powers. While exploring their newfound abilities in
力減退、性慾降低而憂心不已。不願服老的兩人決 遊玩時,認識了與他同樣孤獨的單親男孩班,兩人一 the nearby forests and playgrounds, their innocent
been held up as the dream couple. Paul was the
定涅槃重生:他們要放飛自我,重新找回人生第二 successful novelist and Emilia an actress in demand 拍即合,開始每天見面玩耍。隨著兩人間破壞「遊戲」 play takes a dark turn and strange things begin to
個青春期。不過他們似乎用錯了方法,意外使兩人 for dubbing telenovelas. However, age is gradually 的升級,班與生俱來的神奇超能力漸漸強大,原本覺 happen.
愛情突然陷入了泥淖⋯⋯ catching up with them — thinning hair, eyesight and 得好玩的依達,卻慢慢發現事態不太對勁⋯⋯
libido not being what they used to be. Thus, they
《趴兔青春期》根據賣翻亞馬遜排行榜、名列榜首 set out to resist the inevitable by trying to regain 甫以《世界上最爛的人》獲奧斯卡最佳原著劇本獎提
數月的暢銷小說改編。劇情大膽誠實地描述日常生 their long-lost youth. But that may well mean losing 名,挪威影人艾斯基・佛格重拾導演筒,找回前次合
活中,令人抗拒承認的中年叛逆期,所發生種種的 the one thing that they both cherish the most… 作《盲》並勇奪挪威影后的艾倫・多莉・彼得森(Ellen
有趣事件,讓人捧腹又感動!四座喜劇影帝克里斯 Dorrit PETERSON),攜手現實中的女兒本色出演。
多 福・ 赫 斯 特(Christoph Maria HERBST) 與 艾 故事聚焦無人知曉的孩童玩樂時光,不僅直視人性原
美 獎 女 星 克 莉 絲 汀・ 保 羅(Christiane PAUL) 瘋 初的冷酷暴力,更架構出小小社會中難以言傳卻真實
狂逗趣的演出、奧斯卡得主佛羅芮・加倫柏格功力 存在的魔幻宇宙。北歐式冷調心理驚悚結合兒童成長
超凡的喜劇執導,笑弄出這一部值得與最親密伴侶 電影,堪稱今年最另類的惡童殘酷物語。
PRINT SOURCE 海鵬影業有限公司 Swallow Wings Films Co., Ltd. PRINT SOURCE 好威映象 Hooray Films
孩子幻想國 Kids Fantasy 187
Kids Fantasy
毛毛是被火龍撫養長大的女孩,她從一顆蛋中被孵 同種族的女孩相知相惜的友誼與勇氣,講述一個驚險
出,同時擁有人類的外表和龍族的神力,她從小與森 刺激的冒險與成長故事,同時觸及了關於人與自然、
林中的動物們一同成長,能口吐火焰,力大無窮,奔 戰爭與貪婪的層層反思。
跑快如疾風。擁有一頭綠色長髮的毛毛,一但有了想
Bristle is a little girl raised by dragons. She breathes
要守護的人,長髮就會像翅膀一樣張開,帶著她飛舞
fire, is as strong as 10 men, and has scales that
高空。某一天,巫蛙來到火龍爸爸的洞穴,要他遵守 change color depending on the season. When her
約定交出第二珍貴的寶藏――他疼愛的小女兒。毛毛 father, Dragon, has to pay the Sorcerog using his
傷心欲絕地離開家,踏上探索人類世界的旅程,她認 second-most valuable asset, he offers her Bristle…
識了城堡裡的公主,第一次感受到友情的美好,也遇 Heartbroken Bristle then flees the family cave and
embarks on a journey to discover the world of men.
見了被貪婪遮蔽了心的國王⋯⋯
Upon meeting them, she will learn the meaning of
本片畫面光感通透,情節細緻流暢,雖是法國動畫, friendship and solidarity, but also greed. It’s there that
Bristle will earn her nickname: the “Dragon Princess”.
配樂與畫風卻帶著濃濃的日系動畫風格。透過兩個不
本單元向來以闔家觀賞為主軸,除了集結適合各年齡層小朋友觀賞的趣味短片輯,今年長片添加了冒險氣息滿滿的 Trained at the Gobelins School of Visual Arts in Paris, Jean-Jacques DENIS started working with Ankama
公路電影,以展顯彼此有難同當的志氣;也有透過孩童情誼和成長故事,以清透質地描繪出身分認同、大自然和成 in 2010, first as storyboarder for the series Wakfu, then as director of the series Dofus: Kerub’s Bazaar. In
2015, he co-directed his first feature film, Dofus – Book I: Julith.
人世界的幽微之面;或是角色性格甚至氣味形塑得極致生動,以及溫情與童趣十足的科幻類型片。這次的「孩子幻
想國」,將帶領大家踏入更繽紛的異想奇地。 安東尼・胡克斯 Anthony ROUX
法國遊戲動畫製作公司 Ankama 的創辦人兼創意總監,曾製作如《龍夢幻境》(DOFUS)等多款遊戲大作。
This program has always been designed for a family-friendly audience. In addition to a collection of interesting
short films suitable for children of all ages, the selection of feature films this year includes an adventurous road Anthony ROUX is the founder and creative director of Ankama. A graduate of the Académie des Beaux-
movie that highlights childhood friendship and growth; a story that depicts identity, nature and the subtle Arts in Tournai, he presided over the series Wakfu as author, scriptwriter and director before venturing
aspects of the adult world through clear textures, where the characters and even the smells are shaped vividly; into feature films and bringing his universe to the big screen in Dofus – Book I: Julith.
and a warm sci-fi film full of childlike charm. This year's "Kids Fantasy" will lead you to a more colorful and
whimsical land.
PRINT SOURCE Pulsar Content
188 孩子幻想國 Kids Fantasy 孩子幻想國 Kids Fantasy 189
進擊小忍者 2
我是噗~
2022 丹麥波迪獎 最佳男演員獎
2022 丹麥羅伯特獎 最佳兒青電影、改編劇本獎
Anders MATTHESEN is a stand-up comedian, scriptwriter, and director. He wrote, directed and starred in
瑪莎・哈伯史塔 Mascha HALBERSTAD
What Goes Around and co-directed Checkered Ninja 1 and Checkered Ninja 2. 瑪莎・哈伯史塔,動畫導演,1973 年生於荷蘭,畢業於荷蘭阿納姆 ArtEZ 藝術學院,曾為多部劇情長片
製作動畫,包含《幸福百萬分之一》。她亦曾執導多部動畫短片、劇集及 MV,並以動畫短片《Munya in
托比約恩・克里斯托弗森 Thorbjørn CHRISTOFFERSEN
Me》獲阿姆斯特丹國際兒童影視展 Cinekid 電視獎。本片是她的第一部動畫長片。她與製片瑪琳・史洛特
投身動畫產業逾 20 年,曾以執導作品《Terkel in Trouble》、《Ronal Barbarian)》及《進擊小忍者 1》 (Marleen SLOT)共同創立 Holy Motion 動畫製作基地。
三度獲安錫國際動畫影展水晶獎最佳長片提名。
Mascha HALBERSTAD attended the ArtEZ Art Academy in Arnhem and has made animations for several
Thorbjørn CHRISTOFFERSEN has been devoted to animation for over 20 years. He has been nominated feature films, including Taking Chances (Berlinale Generation 2012). Her 2013 film Munya in Me won the
three times for the Cristal Award for Best Feature at the Annecy International Animated Film Festival, for Grand Jury Prize of the BANFF World Media Festival. She is the co-founder of the animation studio Holy
Terkel in Trouble, Ronal Barbarian, and Checkered Ninja 1. Motion.
PRINT SOURCE 木棉花國際股份有限公司 Muse Communication Co., Ltd. PRINT SOURCE LevelK
190 孩子幻想國 Kids Fantasy
Ham TRAN received his MFA in Directing from the UCLA School of Theater, Film and Television, where Films can fire up the imagination and embellish the world of children with different colors. This program
his short films won numerous accolades including the title of National Finalist for the Student Academy includes three compilations that contain sounds and images from around the world. Targeting primary schoolers
Awards. In the spring of 2006, he premiered his first feature film, Journey from the Fall, at Sundance. and preschoolers, the films will allow them to discover their own stories through characters and plot. A fluffy
and lively stop-motion animation about a bear family, a wildly imaginative T-Rex adventure, and exquisite
3D animations traveling through space and time...there is more to these compilations than meets the eye!
Additionally, this program is joined by a fine selection from Lago Film Fest’s UNICEF Kids Competition.
小恐龍咕嚕嚕奇遇記 靴靴你啊
2022 安錫國際動畫影展
2022 西雅圖兒童影展
Step by Step 2022 東京動畫獎
Bellysaurus
2022 希臘雅典動畫影展
法國 France | 2021 | DCP | Colour | 7min
靜謐小河邊,一隻小靴子獨自在森林裡醒來,悠悠哉哉四處散步。
澳洲 Australia | 2021 | DCP | Colour | 8min 夜幕降臨,沉睡的小靴子被一隻飢餓小老鼠吵醒,他們深深被彼此
吸引,遇到狐狸襲擊只能緊緊依靠。小老鼠為小靴子奉上鮮美果
鮮嫩多汁的果實讓小恐龍們為之瘋狂,因為太貪吃,紅色小
實,而小靴子成為小老鼠最安心的避風港。為了幫助小靴子回家,
恐龍吃著吃著居然撞到大暴龍還不甘示弱亂亂吼。大暴龍一
陪伴的力量將帶著他們穿越森林,最終他們能回到溫暖的家嗎?
氣之下將他一口吞進肚子裡,沒想到,小恐龍卻意外發現自
己可以控制大暴龍的一舉一動,於是在森林裡展開一連串的 The movie opens with a little rain boot laying on a river’s side. She
wakes up and starts her way alone in the forest. Night falls, the boot
大冒險!本片藉由內外力量的拉扯,展現一段有趣卻不可思 falls asleep but she is bothered by a harvest mouse that is trying to find
議的友情。 something to eat. They are interested in each other but their encounter
is interrupted by a fox’s attack. This adventure starts their friendship and
A tiny dinosaur dreams she is a scary big dinosaur. When their journey through the forest. Their trip together is stopped by a road;
danger strikes, she learns it’s what’s on the inside that counts. the boot has to cross alone to return home and to her people.
Literally.
西奧多・尚維耶 Thēodore JANVIER 茱莉・瓦倫汀 Julie VALENTIN
兒時的夢想是成為一名插畫家,但發現自己從繪畫習得的連續 八歲看了第一部 3D 動畫片後,便對動畫無法忘情,創作動畫
性技法可以運用在 3D 動畫後,便發展出對角色建模的熱情。 也成為其志業。自小開始繪畫,對電影有莫大熱情。
法國 France | 2020 | DCP | Colour | 6min 德國 Germany | 2022 | DCP | Colour | 8min
金絲雀奇奇從小就被關在鳥籠裡,整天只知道等老太太餵食 主角蹦蹦球怪是群體生物,譚姆林是領航人,擁有特殊號角
跟發呆。某天,老太太忘記關上籠子的門,奇奇撲通一跳, 樂器可和他們進行溝通。他們在荒涼貧脊的沙漠裡尋找豐沃
滾進陌生城市裡,才赫然發現自己根本不會飛,好險野鳥小 的牧場,沿著彩虹階梯來到海灘,眼前充滿希望的美麗綠世
黑帶著他一起衝刺、冒險。跌跌撞撞、連滾帶爬的奇奇,最 界就在對岸,不諳水性的他們該如何穿越海洋通向幸福的結
後能學會飛高高嗎?全片詼諧自在的影像語言,讓人忘情穿 局呢?邀請你跟著有牛角造型的可愛蹦蹦球怪,打開想像力
梭在 2D 與真實世界之間。 進行一趟奇幻旅程!
Kiki the canary only knows his cage and the old lady who In a barren world, TamLin of the Little People travels with his
feeds him. He dreams of flying with the free birds from herd of splendid smortlybacks in search of greener pastures.
outside. When at last the door of the cage stays open, he They struggle with fear and find themselves stranded on
escapes and discovers the big outside where it’s necessary to the shore of the ocean. With unlikely help from TamSin, a
know how to fly. wonderful mermaid, and her disrespectful smortlysharks, they
cross the ocean and find a happy end.
Mouse House
2022 捷克茲林國際兒童暨青少年影展
餓扁了的兩隻小老鼠,發現了超大塊起司,還有⋯⋯一隻飢
腸轆轆的貓!本片敘事清晰、節奏明快且寓意深遠:如何認
識自己的情感和欲望?如何面對生活中的每個決定?如何承
擔每個決定所帶來的責任?導演透過簡單的角色建立關係,
盡可能排除了年齡限制,企圖引起更多層次的想像與討論。
莫弟的消失事件簿 小豬萬事屋,泥好!
2022 克萊蒙費宏國際短片影展
2021 蒙特婁世界影展
2022 薩格勒布國際動畫影展 2021 安錫國際動畫影展
德國 Germany | 2022 | DCP | Colour | 14min 法國 France | 2021 | DCP | Colour | 9min
莫弟最近發現身邊的東西一個一個消失了,眼鏡、腳踏車、 農場裡下起了大雨,四隻牛擠在牛棚裡,不斷抱怨著惡劣的
玩具⋯⋯越來越多,但大人們卻一點都沒發現,最後就連他 天氣。山坡上來了一隻小豬,開心地在雨中跳起舞來,小豬
討厭的妹妹艾瑪也消失了。滿頭問號的莫弟意外進入一個失 的快樂感染了小牛們,大家紛紛丟掉憤怒的情緒,走入雨
物時空中,時間則變成莫弟的敵人,他必須在他父母回家之 中,享受起雨水與泥巴的樂趣。用毛線、棉花、黏土等各種
前,將妹妹找回來⋯⋯科幻劇情中包裹真摯親情,宛若一場 素材組合成的定格動畫,交織出一個充滿童趣與想像,富有
挖掘自我的新奇旅程;細緻流暢 3D 偶動畫,連機器人都超 音樂節奏性的輕快故事。
級有戲。
Plic ploc plic ploc! The rain has invited itself to the field of
The orderly Mortimer wants to know why things have been the Horn Quartet. Marguerite, Aglaé, Clarisse and Rosine
disappearing all over his street lately. When even his annoying are huddled together under the shelter and are angry at
little sister Emma disappears while he's taking care of her, the bad weather. When it rains, it's impossible to have fun!
Mortimer embarks on an adventurous journey to rescue her But impossible is nothing to Charly! This little piggy full of
from the Lost-Things-Dimension. Time is Mortimer's enemy: madness will teach the four cows that it’s possible to create
he must find his sister before his parents return home. rhythm with precipitation.
小村歡唱三姊妹 春天聚樂部
2022 捷克茲林國際兒童暨青少年影展
2022 薩格奈國際短片影展
The Soloists 2022 德國德勒斯登國際短片影展
PRINT SOURCE Miyu Distribution PRINT SOURCE Atelier de production de la Cambre, ASBL
198 孩子幻想國:長短腳兒童動畫短片輯 2 Kids Fantasy: Animation II 孩子幻想國:義大利拉各影展兒童動畫短片輯 Animation for Kids from Lago Film Fest 199
Theo the Water Tower Ursa - The Song of the Northern Lights
2022 薩格奈國際短片影展 2022 捷克茲林國際兒童暨青少年影展
2022 里斯本獨立影展
法國、瑞士 France, Switzerland | 2021 | DCP | Colour | 9min 挪威 Norway | 2021 | DCP | Colour | 10min
水塔西奧是個愛哭鬼,每天早上總是哭到惹人厭,羅伯特和小狗 在寒冷黑暗的北極,一隻小北極熊孤獨地從洞穴裡醒來,但他四
試圖以歌聲安慰他不成,卻把他嚇跑到熱鬧的城鎮去。在這裡大 處都找不到媽媽。他穿越暴風雪,走過冰冷的苔原,爬上鋒利的
家嘲笑西奧不是一座真正的建築物,而是個單調無趣、沒有任何 冰丘,聲聲呼喚著媽媽。經過重重的困難,他來到了冰川的邊緣,
裝飾的水塔,他又哭得更傷心了,哪裡才有他的容身之處呢?色 眼前只有一望無際的大海,在遠處北極光閃耀的地方,他彷彿看
彩繽紛、擬人化的建築共同高歌,譜出難得一見的動畫音樂劇。 到了自己的媽媽⋯⋯一部美麗而憂傷的可愛動畫,讓人反思全球
暖化所造成的環境問題。
Every morning, Theo the water tower cries and disturbs the
village's peace. Robert and his dog try to cheer him up by The little polar bear Ursa is alone in the cold, dark Arctic,
singing songs. But Theo is in no mood to sing and tries to looking for his mom. He walks through a blizzard, through the
escape, which leads him out of the village and into the city! icy cold tundra and sharp ice hummocks, towards the northern
lights and the magic song, in the hopes of find his mother.
After many challenges, he comes to the edge of the Earth. In
front of him is only the sea and the northern lights. And there
in the distance, in the northern lights, he sees his mom!
SCRATCH
2021 義大利 Imaginaria 想像國際動畫影展
2021 雅典數位藝術展
森林的地底下有一個無底的深淵會吞噬被傷了心的人,地底
的入口只會對孤獨無助的人敞開,一旦踏了進去,就很難再
出來⋯⋯和情人吵架的小虎,看著空蕩蕩的房間,心裡像破
了一個洞,只有喝下勇氣與熱情的藥水,才能進入地底救出
心愛的人。畫風簡約宛如《角落小夥伴》,一起進入奇幻世
界,承受可愛爆擊!
我腦中的橡皮擦 蝸居小鎮
2022 義大利拉各影展
2022 斯圖加特國際動畫影展
2022 義大利拉各影展 2021 關渡國際動畫節
瑞士 Switzerland | 2022 | DCP | Colour | 7min 俄羅斯 Russia | 2022 | DCP | Colour | 7min
鱷魚小姐每次打噴嚏,都會喪失一部分的記憶。漸漸地,她 在一個所有話語及故事都不具意義的世界裡,城市早已失去
忘了怎麼烤麵包、怎麼燒開水,也不記得該怎麼澆花,甚至 其應有的樣貌,沒了街道,也無巷弄,只剩下不再具有任何
忘了怎麼開門,只能被困在自己的公寓裡。她必須在所有記 功能的文物,而城市裡的居民,變成了一個又一個背負沉重
憶都消失前,找到房門的鑰匙,打開門走出去,才能找回跟 的房子,想飛也飛不高,永遠離不開家的蝸牛。一則關於霸
世界相處的辦法。輕快的畫風,充滿奇想的筆觸,講述了一 權與掠奪,戰爭與和平,既超現實又極端寫實的當代寓言。
個在絕望中重新發現希望的可愛故事。 In a world where stories are losing their value, all that remains
is to enjoy the ever-encroaching nature, and feed on falling
Every time Louise the crocodile sneezes, she loses part of her
fruit. In this world, the city has long since lost its outlines —
brain, until she cannot perform simple tasks and becomes
there are no roads, no streets left to be seen, only artifacts
trapped inside her own apartment. She must find a way to
that no longer perform any function, and its only inhabitants
rediscover the world before she fades away completely.
are snails that never leave their houses.
PRINT SOURCE Lago Film Fest PRINT SOURCE Lago Film Fest
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2022 義大利拉各影展
2022 翠貝卡影展
2021 墨西哥莫雷利亞國際影展
Phonos
墨西哥 Mexico | 2022 | DCP | Colour | 9min
女孩和爺爺都喜歡聲音,爺爺教她感知、欣賞世上的各種聲
音,笛聲、鳥鳴聲、螽斯的叫聲、風聲⋯⋯他們一起收集並
分類各種聲音的線索,一點一滴拼湊出世界的樣貌。然而自
從爺爺去世之後,女孩失去了對一切的熱情,直到有一天,
她偶然聽見了百靈鳥的叫聲,喚起了她遺忘已久的記憶。結
合了城市、自然、聲音與親情的狂想作品。
People Power:
Ukraine and Russia
14 歲的女孩娜斯恰所居住的托列茨克(Toretsk) 於烏克蘭戰區孩童的見證,也是獻給出生於戰時,
原是盛產煤礦的烏克蘭小鎮,礦區的廢土丘鱗次櫛 未曾見過一日和平的所有孩子們。
比地林立著;自 2014 年俄烏衝突開始後,距前線僅
Nastya was six when three missiles fired by the
數百米的這座小鎮,戰事地景便取代了日常風景。
Russian army hit her house on New Year's Eve.
除夕的三枚導彈一夕奪走父親的生命,也摧毀了安 She survived but lost her father, childhood and
適的家園與童年。娜斯恰開始在網路世界裡尋求庇 faith in life. To the likes of her, the war has become
護與安定,偶與處境相當的孩子們在廢墟或墓地裡 something commonplace, like the landscape
玩耍,在廢土丘間撿拾金屬變賣,或為餘戶者吟唱 outside the window. Yet Nastya has dreams. Like
every girl, she dreams of a new house and a dog
聖誕頌歌賺取零花。在日復一日的天真中,哀傷已
and keeps on writing letters to Santa asking him to
近無聲,就像傾倒的廢土經過輾壓夷平後,成為大 bring her father back.
地的一部分⋯⋯只剩如赭紅緩丘的傷痕,沉默地爬
According to official statistics, approximately 10,000
上衣袖裡的手臂。
children currently reside in the Donbas warzone.
片名看似敍述著煤礦小鎮逝去的榮繁與遺留的廢棄,
同時也雙關暗示著戰火下的成堆骨墳,以及倖存者
被迫共存的巨大悲傷與一絲希望。這不僅是一部關
年度主題「惡宇宙」之骨衍生出今年人民力量單元的軸心:烏俄之聲,其所選四部作品以撼動人心的新聞紀實影像
塔拉斯・托梅科 Taras TOMENKO
和靜而有力的劇情敍事,對照出戰爭暴力下,層層切面所表露的形而上邪惡,以及現今烏俄戰事洪流裡的真實狀態。
在大銀幕的光亮之下,我們更能清晰看見那些在極權之下成長,並將覺醒付諸行動的年輕世代,堅韌地展現絕地而 1976 年出生於烏克蘭基輔,畢業於國立基輔國立劇院、電影電視大學,以及塔拉斯謝甫琴科國立基輔大學
的哲學學院。曾以執導短片《Tyr》拿下 2001 年柏林影展紐約電影學院「電影大觀」獎,過去作品包含紀
生的勇氣,為民主和家園抗力向前。
錄短片《Liza》、首部紀錄長片《Budynok 'Slovo'》等。
This year’s "Evil Universe" theme gave birth to the central focus of the People Power program: Ukraine Taras TOMENKO was born in Kyiv, Ukraine in 1976. He graduated from Kyiv National I. K. Karpenko-
and Russia. The four selected films present a contrasting mix of stunning news footage, quiet and powerful Kary Theater, Cinema and Television University, and Taras Shevchenko State Kyiv University. His films
narratives that contrast the layers of war and violence, and the metaphysical evil revealed by the true state of include the documentaries Checkpoint Ukraine (2015), Prison Mamas (2007), and Liza (2006), as well as
the current Russo-Ukrainian War. Under the light of the cinema screen, bear witness to the younger generation the short Slaughter House (1999).
who grew up under totalitarianism as they spring into action, tenaciously demonstrating their courage through
despair, and stepping forward to defend democracy and their homeland.
PRINT SOURCE Insight Media
204 人民力量:烏俄之聲 People Power: Ukraine and Russia 人民力量:烏俄之聲 People Power: Ukraine and Russia 205
當人們普遍將 2022 年 2 月視作俄烏戰爭的伊始,對烏 This film plays out in Ukraine on a single day: March 自 2014 年克里米亞事件起,烏克蘭與俄羅斯即在民 A compendium of short films, Overcoming the
克蘭人來說,截至 3 月 14 日,這場戰役事實上已經持 14, 2022, the 2,944th day of the Russian-Ukrainian 族認同與邊境主權等問題上,不斷累積政治矛盾並爆 Darkness highlights the full tragedy that followed
War. Intense warfare has created a post-apocalyptic the Russian invasion of Ukraine in February 2022. It
續了 2,944 天。這也是 2013 年烏克蘭爆發親歐盟示威 發零星武裝衝突。2022 年 2 月,俄羅斯軍隊大舉入侵,
dimension revealing new qualities and roles. The charts the course of the Russian progression across
運動以來的第九年。鏡頭流轉於首都基輔的地鐵月台、 capital city’s previously calm suburbs have been 兩國的對抗正式從低強度的政治作戰及代理人戰爭, the country through the lives and communities
清冷街頭與焦土上空,凝視一天之中被迫改變日常的烏 transformed into battle zones of destruction and 爆發成延燒全境的大規模熱戰。許多無辜的烏克蘭人 of those affected by the wide-scale aggression,
克蘭人:寄宿地鐵的家庭、守衛領土的士兵、提供後勤 looting by Russian occupiers. People no longer live 民決定與家園共存亡,在斷垣殘壁中見證俄軍的暴行 alongside those fighting for their land. The film
支援的女子⋯⋯當工作日與週末的時間間隙被倏然抹 according to “workdays” or “weekends,” counting 與戰火的殘酷。剛毅的烏克蘭軍隊至今仍堅守陣線, details the force of the assault, but its primary focus
instead the number of days since Russia’s full-scale lies with the strength of the communities that have
去,昔日平和的街區被異化為殘破與動盪的異域,剩下 一次又一次抵擋敵人的推進、瓦解敵人的攻勢⋯⋯
invasion of Ukraine… had to endure unimaginable hardships but who
的,只有日復一日的槍響與硝煙。
The film presents this day in the lives of a pop music 如同香港《時代革命》、《理大圍城》等紀錄作品, remain resilient in the face of such oppression. It
長期關注運動的導演伏羅德米爾・泰克易,以沉浸式的 來自烏克蘭各地的影像工作者游擊式的拍攝、匯集在 joins an increasing number of ground-level films
star, video engineer, historian, art restorer, polar
documenting the reality of this modern tragedy.
手持攝影,襯以憂傷緊促的配樂,和迴盪在城市上空的 researcher, and pensioner, all of whom were forced 地的第一手影像。在各大城市街道、國道驛站與戰線
警鳴,引領觀眾一同探訪戰火前線。3 月 14 日,也是 to radically change their lives. 堡壘上,攝影機捕捉了烏克蘭軍民一體、身處戰火中
烏克蘭志願者日。本片並未揭露鏡頭前每個人的背景身 的日常,也終將共同見證烏克蘭的國族命運。臨場感
分──流行歌手、影片工程師、史學工作者、藝術修復 滿滿的影像及草根味十足的訪談,讓人深刻感受和平
師等等,在戰事未歇的此刻,他們都成了志願者。 自由的無價,以及自強止戰的重要。
Special Program:
New Noise in Skateboarding
少年耶,Pro ! North Hollywood
時代革命俄羅斯
Ice Under His Feet
俄羅斯 Russia | 2022 | DCP | Colour | 91min
2022 年 2 月,俄羅斯入侵烏克蘭,暴行震驚全球,但 Masha and Ilya were born around the time Vladimir
對瑪莎和伊利亞而言,爭取自由的戰爭早已開始。惡意 PUTIN came to power. The girl and the boy, just like
their friends, wanted to live in a free, democratic
逮捕競選對手、武力鎮壓人權運動、操縱輿論封鎖異
and open country. Fighting for freedom and their
言,兩人親眼見證國家一步一步走向極權。逆境之中, future, our heroes organize discussion clubs and
俄羅斯年輕學子依然奮起,呼籲眾人走上街頭,與志同 protest actions, participate in pickets and give
道合的朋友並肩戰鬥,和長輩意見相左也不輕易罷休, lectures, support their comrades who are behind
因為他們始終相信,只要持續努力,未來將就此改變。 bars, and try to change the minds of their relatives,
friends and ordinary passersby in various Russian
長期關注祖國政治的俄羅斯導演基里爾・涅納謝夫數度 cities.
以紀錄片叩問普丁霸權,《時代革命俄羅斯》再次展露 War breaks out. And we all find ourselves in another
俄國人民對威權的異議之聲。拼貼訪談跟拍、運動影像 reality.
及新聞片段,搭配節奏強烈的地下音樂,以歌詞質詢獨
裁執政。黨伸出的手,對人民究竟是保護還是禁錮?自
由意志的嚮往勢不可擋,抗爭的呼聲隱隱騷動,引領著 踩著滑板大步滑行的輪聲、板子磨過石臺的聲音、輪架卡過地形頂緣的清脆聲、失敗著地的落板聲,這些他人耳中
新世代敲響一記革命警鐘。 的噪音,向來是滑板人認為最美妙的樂音。去年東京奧運初亮相成為當屆盛事亮點的滑板競賽,使這一向來不以競
技與評分機制、未曾被視為傳統運動發展主軸的滑板在近幾年開始輪轉變動,全球各地興起的滑板文化更如百花齊
放般蓬勃成長。本單元網羅最新滑板相關紀錄片與劇情片,以及電影大師觀點之下的滑板世界,將觸角探入滑板文
基里爾・涅納謝夫 Kirill NENASHEV 化的深層切面,經由觀影體驗抽解出這個非一般運動的迷人之處,呈現不同世代藉由滑板傳達自我、性別多元化、
次文化樣貌及滑板歷史的保存與弱勢群體的發聲。
1985 年出生於莫斯科,於大學時期研讀法律,後轉攻讀電影,並參與亞歷山大・普羅斯金(Alexander
PROSHKIN)電影工作坊。紀錄作品長片作品有《Putin Forever?》、《People Who Differ》,《時代革 Wheels striding down the street, boards and trucks grinding and sliding over ledges and rails; the frustration,
命俄羅斯》為其最新作品。 pain, and laughter of failing to land a trick — these are sounds that skateboarders cherish. The Tokyo Olympics
Nenashev KIRILL was born 1985 in Pavlovski Posad, Moscow Region. He studied at the Artkino Film debuted competitional skateboarding last year, and it became one of the highlights of the event, shifting the
School and the Gerasimov Institute of Cinematography. He is the co-founder and coordinator of the skateboarding industry. In recent years, skateboarding culture has emerged and grown abundantly around
civic project network Politics Space, and the co-author and organizer of Emigration for Action, a Russian the world. This program includes the latest skateboarding documentaries and feature films, diving deep
emigration initiative for Ukrainian refugees in Georgia. into aspects of skateboarding culture, and extracting the charm of this extraordinary activity through the
viewing experience, while also presenting different generations’ expressions of self-identity, gender diversity,
subculture, as well as the preservation of skateboarding history and the voice of the underprivileged.
PRINT SOURCE Antipode Sales International
208 特別企畫:滑板新噪聲 Special Program: New Noise in Skateboarding 特別企畫:滑板新噪聲 Special Program: New Noise in Skateboarding 209
North Hollywood
Paranoid Park
2007 坎城影展 60 週年紀念獎
2007 電影筆記 年度十大電影
Gus VAN SANT’s body of work includes many hallmarks of 90s independent cinema, notably Drugstore Mikey ALFRED is an accomplished director and entrepreneur who has successfully incorporated his
Cowboy (1989), My Own Private Idaho (1991), and Even Cowgirls Get the Blues (1993). He directed deeply held passions for fashion, art, film, skateboard culture, and his hometown of Los Angeles into
Nicole KIDMAN in To Die For (1995), Sean PENN in Milk (2008), and received a Best Director Academy a burgeoning career. He is best known as the owner of Illegal Civilization, a million-dollar clothing
Award nomination for Good Will Hunting (1997). company and creative collective born in L.A.’s skating community.
英倫滑板人
等我有一天
2021 塔林黑夜影展
也讓無處歸屬的異鄉困惑渲染了整個世代。夏威夷族 片中一幕中國滑板國家隊青訓的片段,小朋友穿著制服,在 and feel of British skate culture, from its emergence in the
毫無特色的室內板場,機械式地練習各種招式,與這文化向 late 60s to the billion-dollar industry it is today.
出身的導演聯合同樣來自在地的男主角,將詩意的滑
板視角與滑行節奏融入運鏡,以極富日常感的生活氛
圍呈現男主角的自傳故事,突破世人對夏威夷及當 西恩・費 Sean FEE
地住民浪漫卻單調的想像。獨特畫幅搭配憂鬱熱帶色 在加州與英國東南地區長大,影像作品包含瑞士雪板名將尼可拉斯・穆勒(Nicolas MÜLLER)的紀錄長片
《Fruition: The Life and Dreams of Nicolas Müller》,以及各種極限運動形象廣告。
Sean FEE is a director and cinematographer who grew up in California and South East England. He considers
艾利卡・添甘 Alika TENGAN every project to be an opportunity to share his fascination for the unique experience of having self-reflective
consciousness and the ability to share our experiences with each other.
來自夏威夷檀香山,身兼電影編劇、導演、製片及電台 DJ。曾在好萊塢專業編劇/製片喬・羅伯特・柯爾(《黑
豹》)指導下,自編自導講述夏威夷草根故事的首部短片《Mauka to Makai》(2018),並榮獲夏威夷國 安妮卡・芮寧 Annika RANIN
際影展最佳夏威夷短片獎。第二部短片《Moloka'i Bound》(2019)更獲選進入奧斯卡金像獎決選名單。 有多部運動紀錄片的製片經驗;《My Everest》記錄了小兒麻痺登山者攀登聖母峰的過程,還有拍攝英國女
Alika Maikau TENGAN is a Hapa Hawaiian/Asian filmmaker. In 2017, he earned a mentorship under Joe 子足球隊挑戰 2022 年歐洲杯的紀錄短片《Ahead Of the Game》。
Robert COLE (co-writer of Black Panther), who oversaw the development of what would become his Annika RANIN is a filmmaker, producer, and consultant with experience in film production, financing, and
short, Mauka To Makai, which was awarded Best Made In Hawai’i Short at the Hawai’i International Film independent film business. In 2019, Annika co-founded Unmannered Limited, a production company that
focuses on projects with a strong artistic approach and international commercial viability. She recently line
Festival.
produced Jessica HENWICK’s directorial debut, Bus Girl.
美國 USA | 2021 | DCP | Colour | 89min 美國 USA | 2022 | DCP | Colour | 83min
Special Program:
Music Never Fails
Offbeat Cops
日本 Japan | 2022 | DCP | Colour | 119min
搖滾咖廁所見
電音頑童幹大事
2022 日舞影展
2022 里斯本獨立影展 獨立音樂 Schweppes 獎提名
2022 西南偏南影展
2021 英國獨立電影獎 最佳編劇新人獎提名
Meet Me in the Bathroom 2022 以色列 DocAviv 紀錄片影展 最佳國際影片獎提名
音浪 AI 2022 CPH:DOX 哥本哈根國際紀錄片影展 搖滾媽祖婆 2022 加拿大 Hot Docs 國際紀錄片影展 觀眾票選獎
2022 美國聖塔芭芭拉國際影展
團名典故源自「Young Americans Challenging High The film follows the independent pop group YACHT 范妮樂團(Fanny)曾被搖滾傳奇變色龍大衛・鮑伊 籌備新專輯和巡迴演出的重要時刻,搖滾精神令人動
Technology」 (美國青年挑戰高科技)的美國波特蘭 as they employ cutting-edge data analysis tools, 讚揚為「美國搖滾史上最重要的女性樂團」,這支由 容!
machine learning, neural networks, sci-instruments,
電氣雙人組快艇樂團(YACHT)於 2019 年發表的專輯 一對菲律賓移民姐妹發起,在六○年代加州成立的樂
and generative composition strategies to create Sometime in the 1960s, in sunny Sacramento, two
《Chain Tripping》。該 專 輯 運 用 Google Magenta a new kind of human-machine album. The band, 團,清一色由女性組成,在還是以男性為中心的年
Filipina-American sisters got together with other
MusicVAE AI 人工智慧編曲學習程式,讓軟體分析學 non-coders with a DIY background, struggle with 代,以直擊靈魂的嘶吼唱腔,「派」到不行的吉他痛 teenage girls to play music. Little did they know
習快艇樂團的招牌作曲風格,自動生成專輯的全數單 complex new concepts and unintuitive tools as they (Tone),讓人隨之搖擺的鼓點,奔放流淌的鍵盤樂 their garage band would evolve into the legendary
曲。這張作品不僅成為音樂人運用 AI 人工智慧製作正 attempt to find their own path through the brave 音,帥氣自成一格的氣場,成為女力搖滾的超級先鋒。 rock group Fanny, the first all-women band to
new world of machine intelligence. By putting AI
式專輯的先鋒,亦挑戰了「創作」的傳統定義,一併探 大衛・鮑伊甚至表示「如果范妮樂團可以重出江湖, release an LP with a major record label. Despite
to the test in the name of art, YACHT asks probing releasing five critically-acclaimed albums over five
究所謂「招牌音色」、「招牌節奏」、「招牌編曲」是否 questions about the future of music, and ultimately 那我的心願也算完成了。」
years, touring with famed bands from Slade to
真的能夠被複製與仿效。《音浪 AI》記錄著快艇樂團 question their own roles in a future where software 本片以豐富的檔案資料回顧范妮樂團的誕生歷程,除 Chicago and amassing a dedicated fan base of
與 AI 人工智慧「共同創作」的完整過程,揭開這項足 anticipates, generates, and synthesizes human work. music legends including David BOWIE, Fanny's
了請到范妮樂團的成員現身說法,更邀請大衛・鮑伊
以撼動未來音樂產業的未來科技的神祕面紗。 groundbreaking impact in music was written out of
御用吉他手、貝斯手,威豹樂團(Def Leppard)等 history...until bandmates reunite 50 years later with
重量級搖滾樂手暢聊范妮樂團對後進的影響和啟發。 a new rock record deal.
經歷近半世紀的洗盡鉛華,范妮樂團幾位創始成員成
為搖滾奶奶,本片也紀錄了范妮樂團再次聚首復出,
瑞爾・羅赫德克特 Riel ROCH-DECTER
賽巴斯帝安・帕爾多 Sebastian PARDO
於 2014 年共同創立製片工作室 MEMORY,被 《Filmmaker Magazine》選為 25 家獨立電影注目新面孔之 巴比・喬・哈特 Bobbi Jo HART
一。《音浪 AI》是其首部執導作品。
生於加州,現居加拿大魁北克。作品多關注運動賽事和文化產業中女性和多元性別發展。最新紀錄片作品《搖
Sebastian PARDO and Riel ROCH-DECTER founded MEMORY at the start of 2014 and together have 滾媽祖婆》獲選各大國際影展,除了放映也帶著片中團員巡迴表演,本片獲加拿大 Hot Docs 國際紀錄片影
produced and distributed award-winning fiction and non-fiction films. In 2016, MEMORY was named one
展觀眾票選獎殊榮。
of Filmmaker Magazine’s 25 New Faces of Independent Film, and in 2020 MEMORY was awarded the
Cinereach Producing Award for “shaping new ways of filmmaking”. MEMORY’s latest production, Theo Bobbi Jo HART is an award-winning American/Canadian documentary filmmaker. Her most recent
Anthony’s All Light, Everywhere, won a Special Jury Prize for Non-Fiction Experimentation at Sundance feature documentary, I Am Not a Rock Star, premiered at dozens of worldwide film festivals. Her
2021. previous award-winning films include She Got Game: Behind-the-Scenes of the Women’s Tennis Tour.
Special Program:
Design for Life
今年首次進駐高雄的臺灣文博會串連了台灣設計展,以海洋、城市和山脈共振出島嶼的多元文化地景,將注入生活
巴拉克・賀曼 Barak HEYMANN
的各形各式美學凝聚於高雄。懷以昔日的設計經典,藉以呼應台灣設計節主軸,用電影與觀眾分享設計世界之中的
1976 年 生 於 以 色 列, 紀 錄 片 導 演、 製 片,2003 年 加 入 胞 兄「 同 志 紀 錄 片 大 師 」 托 默・ 賀 曼(Tomer
藝術本質,本單元也延展精選三部從時裝、印花、繪畫、雕塑和建築的各界設計大師的影像紀實,令人得以從中凝
HEYMANN)行列,合力打造多部國際獲獎之作。2009 年製片代表作《攝吧!我的愛》曾獲台灣國際紀錄片影
視他們的創造過程,領會那想像力的無限變化,以及滿是未來主義的耐人尋味。
展觀眾票選獎。2016 年以導演作品《誰來愛我》奪得柏林影展「電影大觀」單元觀眾票選最佳紀錄片。
This year, Creative Expo Taiwan joins hands with Taiwan Design Exhibitions to curate a grand celebration of Barak HEYMANN has been directing and producing documentaries for TV and cinema for more than
design that radiates from Kaohsiung harbor through to the entire island, resonating with the ocean, cities, and 15 years. The independent film company he runs with his brother Tomer, Heymann Brothers Films, has
mountains. To echo the event's central theme and share the design world's artistic essence with the audience produced over 30 documentaries, some of which have premiered at festivals including Berlinale, IDFA,
through film, this program presents three select films about design masters from the fields of fashion, painting, and Hot Docs, where they have won prestigious awards.
sculpture, and architecture. We can glimpse their creative processes through these documentaries and
appreciate the ever-changing nature of the imagination and futurism that deeply intrigue us.
PRINT SOURCE Heymann Brothers Films
222 特別企畫:設計人生 Special Program: Design for Life 特別企畫:設計人生 Special Program: Design for Life 223
芬蘭 Finland | 2021 | DCP | Colour, B&W | 96min 美國 USA | 2022 | DCP | Colour | 92min
Leena KILPELÄINEN is a director, cinematographer and screenplay writer. As a cinematographer she has Salvatore ZANNINO was born In Baltimore, Maryland in 1968. He was educated at Our Lady of Pompei
worked on films such as The Children of the Big Bear (1993) and On the Edge (2002). As a director she and is a graduate of Johns Hopkins University.
has made experimental films such as Zero (2002) and Metro (2003). Her first full-length documentary was
The Voice of Sokurov (2013).
XR Panorama
眾神的派對 feat. 九天民俗技藝團 Deities' Party feat. Chio Tian Folk Drums and Art Troupe
時空樹洞 2022 翠貝卡影展 主競賽入圍
ReachYou
美國 USA | 2022 |擴增實境 AR | Colour |英語 English |中文字幕 Chinese Subtitles
Katrina GOLDSAITO is a multi-racial, award-winning author of The Sound of Silence, a teacher on grief,
疫情重新建構了社會秩序與人際連結,也激發豐盛且強韌的創作力。「XR 大觀」單元選映六部形式多元且風格迥異
and has previously been a journalist for organizations like NHK, and National Geographic.
的作品,以「集體記憶」與「生命連結」出發,集結疫情下各國 XR 創作力的實驗與突破,展現台灣作品多元豐富的
生命力,從 VR 與傳統劇場的跨域,到沉浸式投影與 MR 的結合,邀請影迷一同跨入瞬息萬變的無限幻境。 喬納・金齊藤 Jonah GOLDSAITO
The COVID-19 pandemic has restructured society and connections between human beings, but it has also 創意技術開發、設計師、工程師,曾在 Google 工作,喜歡設計有趣的程式,至今這些程式已經觸及數百萬
sparked resilience and creativity in abundance. Revolving around the themes of “collective memories” and 用戶。
“interdependence of life”, XR Panorama presents six titles diverse in both format and style that showcase the Jonah GOLDSAITO is a creative technologist, designer, coder, and former Googler who crafts playful
vitality and developments made in the XR industry over the past year. From immersive projection combined software that has scaled to millions of screens.
with MR, to the fusion of traditional theater and VR, this year’s XR Panorama will bring audiences into an
immersive new world of ever-changing and fantastical experiences.
PRINT SOURCE You.Have.Agency
226 Program 22 Program 23 227
《光影遊戲:追星星的人》是一部沉浸式投影作品。來 Augmented Shadow: Chasing Stars in Shadow 《聲林協奏曲——石虎樂章》是一場充滿奇幻魔法的 Formosan Harmony is a fantasy-driven immersive
自韓國的新媒體藝術家文畯鏞自 2010 年起創作的《光 is a story about shadow kids who come and go 旅程,以沉浸式的表演形式帶出人類與大自然共存的 show about magic, wonder, and the balance
between 2D and 3D. In conjunction with the story, between humans and nature. Combining 360-degree
影遊戲》系列,使用光影創造透視錯覺,並注入奇幻 議題。表演中包含了 360 度擬真投影、Lidar 動態偵
Augmented Shadow technique creates an optical projection, Lidar sensors, HoloLens 2 headsets, and
元素,形成獨特的敘事語言,帶領觀眾走入璀璨寧靜 illusion, making the flat shadows appear three- 測與 MR 眼鏡(HoloLens 2),並搭配杜比環繞音響, Dolby surround sound, our production transforms
的故事裡。 dimensional. This original illusion is used in a unique 讓觀賞者化身主角融入故事,透過互動來推展故事情 multiplayer guests into the heroes of the show,
way of storytelling. 節與節奏,展開一場探索的旅程。 unlocking scenes through their interactions.
在《光影遊戲:追星星的人》中,讓我們手提燈籠,
引領成群的金魚,追隨黑影小孩們在 2D 和 3D 的世界 每個人都擁有專屬的小精靈,在它的引領之下,主角
間遊走,在群星熠熠中打造夢一般的光影世界。 可以施展魔法、與石虎互動,並且在車水馬龍的都市
叢林裡作戰。體驗過程中將獲得超能力來幫助石虎一
家人團圓,你/妳願意幫助大地恢復生機嗎?
IVF-X: Posthuman Parenting in Hybrid Reality Deities' Party feat. Chio Tian Folk Drums and Art Troupe
荷蘭 Netherlands | 2021 | VR 沉浸式劇場 VR Immersive Theater | Colour | 25min |中文、英語 Chinese, English | 台灣 Taiwan | 2022 | VR360 | Colour | 3min |無對白 No Dialogue
無字幕 No Subtitle
PRINT SOURCE Victorine van ALPHEN PRINT SOURCE 合作藝文有限公司 Collaboration Arts Co., Ltd
230 Program 25 影片索引 Film Index 231
虎年大吉 奇幻血肉2.0
125 Beware of a Holy Whore (Digital Restoration) 80 Immersive Criminology Episode 1: LOST
2022 美國洛杉磯獨立短片影展 最佳視覺效果
149 Black Dogs Barking 44 In Flow of Words
2022 德國慕尼黑音樂錄影帶獎 入圍決賽
2022 羅馬音樂錄影帶獎 入圍決賽 29 Blissgate 184 It's Just a Phase, Honey
211 Boarders 56 It's Raining Frogs Outside
台灣 Taiwan | 2022 | VR360 | Colour | 4min |中文、英語 Chinese, English |中文、英文字幕 Chinese, English Subtitles
168 Both Sides of the Blade J 112 J'accuse (Digital Restoration)
193 Bottle Cap 116 Jacob's Ladder
54 Boydem
血肉神明的光符,鎮守廟的神,黑虎將軍與這座牌
48 Clotheslined 82 Lavrynthos
172 Comedy Queen 48 Left Handed
樓象徵的含義。 71 Container 197 Legend of Spring
趕走病痛,鎮邪除煞。
52 Cuddle 177 Lesson in Murder
132 Lili Marleen
217
40
Meet Me in the Bathroom
Memoir of a Veering Storm
74 Surviving 9/11 - 27 Hours Under the Rubble
版權資訊 Print Source
85 Midnight Story T 72 Tearless
94 Mirror 88 Thank you for sharing your world 1220 Film Production Beta Film Cola Films 可樂電影
67 Monsieur Lucien 163 The Asian Angel WONG Lok Ian Claudia SCHWENDELE Elaine CHEN
73 Montegelato 63 The Best Gift Ever lok@1220.com.mo claudia.schwendele@betafilm.com elaine@colafilms.com.tw
196 Mortimer and the Vanishings 126 The Bitter Tears of Petra von Kant (Digital Restoration) •The Best Gift Ever 最佳禮物 •Lili Marleen 莉莉瑪蓮 •Both Sides of the Blade 愛我還是愛他
181 Mother Schmuckers 218 The Computer Accent •Goodbye Cruel World 殘酷世界!再會
194 Mouse House 104 The Egret River Acorn Den Studio 橡實洞工作室 Blue Finch Film Releasing •Lesson in Murder 殺人結業弒
43 Mui 97 The Eye and I, Vol. I WEI Shiue-ying 魏斈穎;KE Chia-wen 柯佳彣 info@bluefinchfilms.com •Maika, The Girl From Another Galaxy
45 Murder Tongue 164 The Fish Tale maloweiii@gmail.com ; coco830514@gmail.com •North Hollywood 少年耶,Pro! 來自星星的少女
102 My Zombie Grandpa 41 The Furniture •When the Flowers Bloom 蟬與花 •The Asian Angel 天使情緣
223 The Genius of Gianni Versace Alive Blue Fox Entertainment
N 103 NATASHA 173 The Girl and the Spider Alvin LEE 李昌榮 lexi@bluefoxentertainment.com Collaboration Arts Co., Ltd. 合作藝文有限公司
34 Next Stop 167 The Girl on a Bulldozer alvinleecr@gmail.com •Language Lessons 聊療西語課 CHANG Kai-hsiang 張凱翔
140 Night Vision 185 The Innocents •Smoke Gets in Your Eyes 煙薰到了眼睛 elephantgym@gmail.com
115 Nineteen Eighty-Four 32 The Island of Us CBA-Promotion •Deities' Party feat. Chio Tian Folk Drums and
36 Noname Square 148 The Jar An CHU 朱建安 Charlotte NASTASI Art Troupe 眾神的派對 feat.九天民俗技藝團
209 North Hollywood 107 The Last Shot cc4324@columbia.edu promo@cbadoc.be
39 North Pole 89 The Leap •Tuo Tuo 陀陀 •MASKS 凝視你的面具 Cyan Films
75 The Man Who Couldn't Leave Gina KIM
O 215 Offbeat Cops 131 The Marriage of Maria Braun (Digital Restoration) AniSEED Charuvit WANNISSORN cyanfilms2013@gmail.com
28 Oh So Convenient 66 The Queen of the Foxes YIM Naeun c.wannissorn@gmail.com •Tearless 不哭泣的女人
189 Oink 53 The Record kaniseed@kiafa.org •Luna: Episode 1 - Left Behind 露娜:啟示錄
150 Omar and Us 108 The Remains •Persona 假面換換情 Darren LIN 林宣瀚;HOU Wen-ting 侯文婷
87 On the Morning You Wake (To the End of the World) 62 The Scent of Tangerine CHEN Chiu-ling 陳秋苓 d2626888@gmail.com ; wintinghou@gmail.com
37 On the Road 52 The Sea Calls for Me Antipode Sales International misscharliego@gmail.com •Love Letters 情書
49 Once There Was A Sea… 44 The Seine's Tears festivals@antipode-sales.biz •Me and Me 單人遊戲
204 One Day in Ukraine 41 The Silent Echo •Ice Under His Feet 時代革命俄羅斯 Deal Entertainment INC. 打勾勾娛樂
169 One Year, One Night 55 The Single Horn CHEN Shao-chun 陳韶君 Vita HUANG 黄薇夏
65 Operation Frankenstein 195 The Smortlybacks Come Back! Antonin NICLASS tty590@gmail.com vitahuang2007@gmail.com
205 Overcoming the Darkness 196 The Soloists antonin.niclass@gmail.com •Her and I 軟弱的梨 •Can You Hear Me? 講話沒有在聽
56 The Sower of Stars •Midnight Story 午夜.巴士.鴿子們
P 208 Paranoid Park 180 The Strange Case of Jacky Caillou CHENG An-chun 鄭安群 Delirium XR
57 Party Poster 143 The Sweet Hereafter Astrea ga645906@gmail.com Fabito RYCHTER
60 Persona 165 The Wandering Moon publisher@astreaimmersive.io •Turn twice and click 吸血鬼與魔法師 fabitorychter@gmail.com
200 Phonos 230 The Year of the Tiger: Fantastic Flesh Juicer 2.0 • On the Morning You Wake (To the End of •Lavrynthos 牛男的迷宮
216 Pirates 198 Theo the Water Tower the World) 未來的末日 CHENG Yi-ping 鄭怡萍
103 There’s No Sex, Only Fans ypcheng43@gmail.com Directory Films
R 225 ReachYou 36 To the Sea Atelier de production de la Cambre, ASBL •Alice on the beach 當鯨魚游上沙灘 savychenko@gmail.com
96 Red Tail 33 Tree Hole for Secret Vincent Gilot •Mirror 鏡子 •One Day in Ukraine 3月14日,我在烏克蘭
139 Regarding 30 Tuo Tuo info.adifac@gmail.com
28 Turn Twice and Click •Legend of Spring 春天聚樂部 CHUNG Yik-ching 鍾易澄 Diversion Cinema
Electric South FREES DESIGN INTERNATIONAL CO., LTD. Hsuˇ Chihˋ Yenˋ Director Studios Kaohsiung Film Archive 高雄市電影館 Lights On Manifest
Vuyokazi KADALIE 福利事國際有限公司 許智彥導演工作室有限公司 Emma LEE 李佩禪 Flavio ARMONE Emma HAMELIN
coordinator@electricsouth.org Geegee CHENG 鄭芝羽 TSENG Wan-rong 曾琬容 kfashorts@gmail.com lightson@lightsonfilm.org festivals@manifest.pictures
•Container 貨櫃悲歌 geecheng18@gmail.com wan.ron.tseng@gmail.com •Memoir of a Veering Storm 暴雨前夕的祕密 •Sex Relish (A Solo Orgasm) 哦讓自己High
Taiwan Public Television Service Foundation
•The Year of the Tiger: Fantastic Flesh •Where is Noddy? 諾弟 •North Pole 霧中北極
財團法人公共電視文化事業基金會
ESSE Production House Juicer 2.0 虎年大吉 奇幻血肉2.0 •Safe 我要你安全 Marina ROSSET
WANG Yi-hua 王藝樺
o.beskhmelnitsyna@essehouse.com HUANG Hsin-wei 黃信瑋 •The Sower of Stars 東京微光絮語 marina.rosset@gmail.com
wangyihua@pts.org.tw
•Overcoming the Darkness 闇夜烏克蘭 GaragePlay 車庫娛樂 n0258006@yahoo.com.tw •Will You Look At Me 當我望向你的時候 •The Queen of the Foxes 給狐狸女王的情書
•Daddy-To-Be 有了?
Sharon YANG楊雙蕾 •Noname Square 不詳的一方
•The Last Shot 春水奇譚
EST Studios sharon@gpx.tw LIN Po-Yu 林柏瑜 Mehmet Bahadir ER
•The Remains 屍舞
Michelle LEE •Battle Royale 大逃殺 Infinity Stars Media Inc. bruce4436@gmail.com mehmetbahadirer@gmail.com
Michelle.L@estmedia.com •Snowball 飄零人生 華星八方傳播股份有限公司 •To the Sea 看海 •The Jar 玻璃罐裏的男人
Katie CHEN 陳丞楦
•Every Day in Kaimuki 等我有一天 •Wandering 流浪之月 Joy TSAI 蔡秋儀
gokatiechen@gmail.com
•Waiting for Bojangles 愛你愛妳 joyaki0715@gmail.com LIN Shih-ching 林世菁 MEMORY.IS
•Oh So Convenient 金方便捏
Fenda LYN 林儀芬 •What She Likes... 她喜歡的是 •Next Stop 下一站 jinglinntua@gmail.com Riel ROCH-DECTER
fenda1217@gmail.com •A Sunny Trip 春日郊遊 rrd@memory.is
KFF Sales & promotion
•Good Day 詠晴 Great Eyes Production Service Innerspace VR •The Computer Accent 音浪AI
Anna WASZCZUK
三上影像創作有限公司 Richard TURCO LIN Wei-Chih 林㵟芝
anna.waszczuk@kff.com.pl
Ferryman Collective KUNG Wan-hsiang 龔萬祥 richard@innerspacevr.com linweichihtaiwan@gmail.com MILKYWAY Films 繆克電影有限公司
•Airborne 迷幻戰鬥機
Stephen BUTCHKO snlab.tw@gmail.com •Kubo Walks the City 漫遊1934:漢城 • Eating Grapes without Spitting Out the SU Pei-yi 蘇珮儀
info@ferrymancollecitve.com •A Beautiful Summer Noon 返來呷飯 Skin 吃葡萄不吐葡萄皮 milkspy@gmail.com
Khozy RIZAL
•Gumball Dreams 謎幻泡泡糖 INSAS •Duet 二重奏
khozyrizal@gmail.com
Greenwich Entertainment Manon MANCINI Liquid Blues Production
•Makassar Is a City for Football Fans
Festagent Carla T BISPE manon.mancini@insas.be Boris HARS-TSCHACHOTIN Miyu Distribution
男情足球迷
Yulia cbispe@greenwichentertainment.com •The Furniture 傢俱展 BHT@liquid-blues-production.com Thibaud MALARTE
travnikova.yu@gmail.com •All the Streets are Silent 滑板有嘻哈 •The Leap 希望之躍 thibaud.malarte@miyu.fr
Kodansha VR Lab, Ltd.
•VHS 再會吧!錄影帶 Insight Media •Step by Step 靴靴你啊
PUN Sham-kiu
Gunpowder & Sky Alena GRINTSEVICH LIU Wan-lin 劉琬琳 •The Soloists 小村歡唱三姊妹
pun@kodanshavrlab.com
Fickle Formula mjc@gunpowdersky.com alenagrintsevich@gmail.com liuacow@gmail.com
•Thank you for sharing your world
Suman SEN •Pirates 電音頑童幹大事 •Boney Piles 戰火時,我們正青春 •The Egret River 鷺鷥河 Miyu Distribution
追火車的男孩
suman@fickleformula.com Laure GOASGUEN
•The Silent Echo 寂靜的和聲 HappyGrumble Productions Inter Medya Lobster Films festival@miyu.fr
L’Agence du court métrage
Barrière ROBIN Irem KUCUKKUTLU Maria CHIBA •Once There Was A Sea... 鹹海幻夢
Elliot LARDENOIS
Filmuniversität Babelsberg KONRAD WOLF robin.barriere@orange.fr Irem.Kucukkutlu@intermedya.tv mchiba@lobsterfilms.com •Love, Dad 摯愛的父親
e.lardenois@agencecm.com
Clara MIRANDA-SCHERFFING •Monsieur Lucien 發明家爺爺路西安 •Black Dogs Barking 黑犬吠不廢 •J'accuse 我控訴 •Anxious Body 不安之身
•A Splash in a Mud 小豬萬事屋,泥好!
c.miranda-scherffig@filmuniversitaet.de •Omar and Us 邊境之歌 •Luce and the Rock 露絲與石頭大夥伴
•From the Main Square 廣場物語 Heymann Brothers Films Long Shot Factory
La prairie productions
Naama FLUKSMAN Invida Erin OWENS MK2
Mathieu PRADAT
First Screen Film Distribution Co. festivals@heymannfilms.com Maja ZUPANC erin@longshotfactory.com Louise RICHARD
mp@laprairie-atelier.fr
mmscrwriter@gmail.com • High Maintenance - The Life and Work of maja@invida.tv •Skate Dreams 我們的尬板夢 intlfest@mk2.com
•The Single Horn 幸福獨角獸 Dani Karavan 卡拉凡的永恆地景 •Mouse House 妙妙起司屋 Serendipity Ltd. 綺影映畫有限公司 •Paranoid Park 迷幻公園
Jamie LIN 林晏如 M-Line
Flight School Studio HiBrain Image 腦高映像 Je Regarde jamielin@sfilms.com.tw Alice CHANG Mobius Image 莫比文化創意有限公司
Patrick WETZEL hibrainimage@gmail.com Patrick De CARVALHO •Encounters 漫步源雨㵵 alice@mline-distribution.com Eric XIE 謝翔宇
patrick.wetzel@flightschoolstudio.com •Immersive Criminology Episode 1: LOST patrick2carvalho@gmail.com •The Girl on a Bulldozer 推土機女孩 bluestair@hotmail.com
•Weird Times 那些年,我們一起轉大人 VR罪系列首部曲:迷路 •The Seine's Tears 淚舞塞納河 Lago Film Fest •Shadow under the Bed 食夢者
info@lagofest.org MAGNETFILM GmbH
Folimage HONG Kai-xun 洪楷勛 Joe YANG 楊芸喬 •Lost Brain 我腦中的橡皮擦 Frauke KNAPPKE Mojtaba ABDOULRAHIMKHAN
Jérémy MOURLAM rex20000420@gmail.com joe880708@gmail.com •Phonos 相思百靈鳥 frauke.knappke@magnetfilm.de mojtaba.abdoulrahimkhan@gmail.com
j.mourlam@folimage.fr •On the Road 路上 •Blissgate 門之後 •SCRATCH 刻在你心底的痕跡 •The Smortlybacks Come Back! •Left Handed 左手的抉擇
•Theo the Water Tower 愛哭鬼水塔男孩 •Snail’s Breakfast 蝸居小鎮 蹦蹦球怪的跳島冒險
Hooray Films 好威映象 Johan CHANG 張若涵 •Ursa - The Song of the Northern Lights MOON Joon-yong
Freak Agency Han SUN johanjohanyu@gmail.com 小白熊的極光之歌 MalasMalas joonybangol@gmail.com
Vazquez Millan tsunghansun@gmail.com •Flight and Frame 1/5400・單格舞曲 Maria Estela PAISO • Augmented Shadow: Chasing Stars in
sfd@agenciafreak.com ; •The Girl and the Spider 女孩與蜘蛛 Les Films du 3 Mars estelapaiso@gmail.com ; Shadow 光影遊戲:追星星的人
internacional@agenciafreak.com •The Innocents 詭孩 Jonathan Griffith Productions Vatrinet CLOTILDE malasmalasxx@gmail.com
•Operation Frankenstein 行動代號科學怪人 Jonathan GRIFFITH cvatrinet@f3m.ca •It's Raining Frogs Outside 外面下雨蛙 MoonShine Animation 夢想動畫
Hsu Che-Yu Studio 許哲瑜藝術工作室 jon@alpineexposures.com •Margot's Sister 她不笨,她是我妹妹 Zoe LIAO 廖純奐
CHEN Yung-shuang 陳詠雙 •Alex Honnold: The Soloist VR Man Man Er Co., Ltd. 滿滿額娛樂股份有限公司 info@moonshine.tw
yschen8181@gmail.com 極限攀登:阿爾卑斯 LevelK Alice ANG 洪槿楓 •Formosan Harmony 聲林協奏曲――石虎樂章
•Gray Room 白屋 Niklas TENG aliceang@mm2entertainment.com
niklas@levelk.dk •Girls, Be Ambitious! 女優,
摔吧!
•OINK 我是噗~
236 版權資訊 Print Source 版權資訊 Print Source 237
Muse Communication Co., Ltd. Playtime Group Rainer Werner Fassbinder Foundation Strup Produkcija TBA Studios WONG Weng-chon 黃榮俊
木棉花國際股份有限公司 Joris BOYER Jennifer BORRMANN Videnovic VIVA Cindy SISON wongwc530@gmail.com
David YANG 楊智緯 joris@playtime.group info@fassbinderfoundation.de viva@strup.si cindy.sison@tba.ph •MUI 梅婆
David@e-muse.com.tw •The Sweet Hereafter 意外的春天 •Ali: Fear Eats the Soul 恐懼吞噬心靈 •Spuffies 愛吃鬼史噗飛 •Fanny: The Right to Rock 搖滾媽祖婆
•Checkered Ninja 2 進擊小忍者 2 •Beware of a Holy Whore 當心聖妓 WU Pin-hsuan 吳品萱
Portugal Film – Portuguese Film Agency •Chinese Roulette 中國輪盤 Swallow Wings Films 海鵬影業有限公司 TEAMWORK ENTERTAINMENT CO. wulu.pinhsuan@gmail.com
New Canvas Luís LEMOS •Effi Briest 寂寞芳心 Iris LIU 劉虹瑩 Lisa HO •Tree Hole for Secret 樹洞
Nathan ANDERSON pf@portugalfilm.org •Fox and His Friends 狐狸和他的朋友們 irisliu1204@gmail.com weteamwork.co@gmail.com
nathan@newcanvas.co •What Remains 賣羊記 •Love is Colder than Death 愛比死更冷 •It's Just a Phase, Honey 趴兔青春期 •Asphyxia 關係暴力 WU Po-shan 吳伯山
•Lustration 冥界淨化者:序章 •The Bitter Tears of Petra Von Kant themanvr1950@gmail.com
Prototypes Productions 佩特拉的苦淚 Swedish Film Institute The Festival Agency •The Man Who Couldn't Leave 無法離開的人
Park Circus Nicolas BIANCO-LEVRIN •The Marriage of Maria Braun Sandra NORDEN Fanny GAVELLE
Jack BELL films@festival-prototype.com 瑪麗布朗的婚姻 sandra.norden@filminstitutet.se fg@thefestivalagency.com Yael NIVRON
jack@parkcircus.com •Kiki the Feather 飛吧!金絲雀奇奇 •Comedy Queen 我不哭,我搞笑 •Foscadh 媽寶站起來 yael.nivron@gmail.com
•Slaughterhouse-Five 第五號屠宰場 Reservoir Docs •One Year, One Night 這一年,那一夜 •Boydem 童樂之夏
•Nineteen Eighty- Four 一九八四 PSYOP Irène CADAVID Synergy Co., Ltd. 禾力文創有限公司
•Starship Troopers 星艦戰將 Andrew LINSK irene@urbangroup.biz CHIANG Chen-sai 姜陳塞 The Graduate Ltd. 畢業生有限公司 You.Have.Agency
•M*A*S*H 外科醫生 alinsk@psyop.tv •Boarders 英倫滑板人 CHIANG Po-chang 姜伯彰 TUNG Fang Yu 董芳伃 Jonah GOLDSAITO
•Bottle Cap 蓋世奇蹟 Jony8197@gmail.com tung@redbitpictures.com jonahgoldsaito@gmail.com
Park Circus PT Talamedia Rishi CHANDNA •Lost in the Forest 山中森林 •A Night with Moosina 魍神之夜 •ReachYou 時空樹洞
Evie KORZEC Amanda MARAHIMIN rishichandna2020@gmail.com ;
Evie.korzec@parkcircus.com mm@talamedia.co fishychandna@gmail.com Taigi TV Station 公視台語台 thuànn Taiwan Film Corporation 湠臺灣電影 YU Yu 余聿
•Meet Me in the Bathroom 搖滾咖廁所見 •The Sea Calls For Me 我的充氣媽咪 •Party Poster 看板人生 LIN Yi-huei 林宜慧 Julia HSIEH 謝承璇 yuyustopmo@gmail.com
yilin@pts.org.tw julianx0414@gmail.co •The Island of Us 島影
Patrick CHEMALI Pulsar Content Salaud Morisset •A Boxing Coach 拳職人員 •Untold Herstory 流麻溝十五號
patrick.chemali@gmail.com Indiana PERRIER Adria BONNEVILLE •a-má 阿媽 Zero One Film 零壹影像有限公司
•Clotheslined 晾衣繩上的戰火 iperrier@pulsarcontent.com festival@salaudmorisset.com •Space Boy 阿波羅男孩 TING Chi-wen 丁啟文 CHEN Yi-ching 陳怡菁
•Dragon Princess 公主飛高高 •FAIRPLAY 生存駭遊戲 •Which One You Choose 天字第二號 screenplayting@gmail.com zeroone.taipei@gmail.com
Pejman ALIPOUR •Scale 失控的尺度 •There’s No Sex, Only Fans 推特事 •Red Tail 紅尾巴
pjcartoon@yahoo.com Punched paper films Taiwan Public Television Service Foundation
•Where the Winds Die 拂過死蔭的幽谷 Jonathan LASKAR Sayonara Film (Elenfant Distribution) 財團法人公共電視文化事業基金會 Varicoloured Zorobabel
festivals@papierperfore.ch Adam SELO Julian CHENG 鄭博文 Vannucci ENRICO Justine PAULUS
Philip WATTS •The Record 幻遊曲 distribution.sayonarafilm@gmail.com +886-2-2633-8118 info.varicoloured@gmail.com diffusion@zorobabel.be
pwatts@me.com •Sandstorm 網戀沙塵暴 •Marriage No.1314 尾號1314 •The Scent of Tangerine 睡夢中的橘香 •Cuddle 擁抱的痕跡
•Bellysaurus 小恐龍咕嚕嚕奇遇記 Qseries2 茁劇場 •Save the Date 恭請光臨曾賈府喜事
AN Je-yi 安哲毅 ScanLAB Projects Ltd. •Mary's Merry Marriage 梅莉 Victorine van ALPHEN
Phillip BARKER jeyimei@gmail.com Matthew SHAW victorinevanalphen@icloud.com
phillipfilm@gmail.com •Golden Dream on Green Island matt@scanlabprojects.co.uk Taiwan Public Television Service Foundation • IVF-X: Posthuman Parenting in Hybrid
•A Temporary Arrangement 漂流拼貼 綠島金魂 第1-2集 •Adult Children 倫敦封城日記 財團法人公共電視文化事業基金會 Reality 後人類計畫:訂製你的完美寶寶
•Dredger 三個人的船艙欲情 Public Television Service (PTS)公共電視
•I Am Always Connected 形影不離 Quatre Films Serendipity Ltd. 綺影映畫有限公司 WANG Yi-hua 王藝樺 Virtual and Physical Media Integration
•Malody 顛倒瑪洛蒂 Alejandra MORA Judy LIEN 連怡晴 wangyihua@pts.org.tw Association of Taiwan 台灣虛實展演發展協會
•Night Vision 聊聊夜裏光的構成 amora@quatrefilms.com judylien@sfilms.com.tw •Long Spirit 龍魂 CHEN Wen-jin 陳玟君
•Regarding 試鏡中 •Women Visiting a City 老少女遊歐記 •NATASHA 塑膠情人 •Fish Pond 幻象人 wenjinvpat@gmail.com
•Shadow Nettes 魅影情釣 •The Eye and I, Vol. I 眼與我
(一)
•Slow Blink 快門下的女舞者 Radiator IP Sales Sky Digi Entertainment Co., Ltd. Tamasa Distribution
•Soul Cages 攝取你的魂 Ben VANDENDAELE 天馬行空數位有限公司 Laurence BERBON Volcánica Films
ben@radiatorsales.eu Tiffany WANG 王婷妮 laurence@tamasadistribution.com Katherina HARDER
Picture Tree International GmbH •Displaced 流浪球桌 tiffany_wang@skydigient.com •Jacob's Ladder 時空攔截 katherina@volcanicafilms.cl
Cara SANDER •Offbeat Cops 調職令是警察樂隊! •Desert Lights 荒地中的足球夢
cara@picturetree-international.com Raina Film Festival Distribution •The Fish Tale 魚之子 TANG Hao 唐豪
•Enfant Terrible 法斯賓達壞壞 Andrew NORTON tanhoww@gmail.com WIDE
andy@rainfilms.com SoundME Studio 燒聲娛樂實驗室 •Burning 燒 Matthias ANGOULVANT
Pigeon-co. Ltd. 政駒 •Virtual Voice 網紅靡音 CHIEN Ning 錢檸 ma@widemanagement.com
Hochun SUN •Maija Isola - Master of Colour and Form ebinichang1997@gmail.com TARGO •Darkling 科索沃的夜與夜
hochun0902@gmail.com 花現印花宇宙 •My Zombie Grandpa 殭屍外公 Victor AGULHON •The Genius of Gianni Versace Alive
•Klondike 沒有煙硝的日子 victor@targostories.com 時尚天才凡賽斯
Square Eyes •Surviving 9/11 - 27 Hours Under the Rubble
PixelPEC GmbH Wouter JANSEN 生還911:瓦礫堆下的27小時 Wide Angle Films
Sebastian SIMON info@squareeyesfilm.com Zafeer KHAN
simon@pixelpec.de •In Flow of Words 逝言翻譯中 zafeer@wideanglefilms.com.pk
•Mortimer and the Vanishings •Garrano 加拉諾馬 •Murder Tongue 殺口
莫弟的消失事件簿 •Sierra 超能輪胎男孩
238 感謝名單 Acknowledgements 工作人員 Staff 239
安慰劑 Placebo Taipei 法國在台協會 動態自造實驗室 新月映像 夢境現實 映演專員 陳芝儀 行政副理 蔡閔丞
Screening Coordinator CHEN Chih-yi Administration Assistant TSAI Min-cheng
節目組 Program 放映專員 陳崇政
Manager
剪接 吳怡嫺 高雄焦點導演宣傳片拍攝
Editor Elly WU
Kaohsiung Focus Promotional Video
剪接 吳昭晨
Editor WU Jau-chen 高雄焦點導演宣傳片拍攝及剪輯 羊有四十七隻 唐張崇偉
2D 動畫師 吳怡嫺 Kaohsiung Focus Promotional Video Sheep47 Thom
Shooting & Editing
2D Artist Elly WU
2D 動畫師 洪楷勛 錄音師 PU
2D Artist HONG Kai-xun Sound Engineer
總預告剪輯 陳昱誠
Program Trailer Editor Andy CHEN
競賽預告剪輯 呂憶茹
Competition Trailer Editor LU Yi-ru
影展商品拍攝團隊
Festival Merchandise Photography
模特兒 柳螺珠
Model LIU Luo-zhu
模特兒 于贊茹
Model YU Zan-ru
模特兒 王郁鈞
Model WANG Yu-jun
商品攝影 陳李視物
Merchandise Photographer chenleestudio