指導單位 ｜

主辦單位 ｜

節目協力 ｜

活動協力 ｜

場地協力 ｜

購票單位 ｜

贊助單位 ｜

感謝名單 ｜

行銷協力 ｜
 2 目次 Contents 目次 Contents 3

開幕片 Opening Film 056 國際組 08：世界怪奇如斯 087 Program 17 返來呷飯

International Competition 08: Strange Worlds 未來的末日 A Beautiful Summer Noon
007 流麻溝十五號 058 國際組 09：感官骨肉皮 On the Morning You Wake (To the End of the World)
Untold Herstory International Competition 09: All about Senses Program 18
088
高雄焦點：雄成人短片輯
009 尾號 1314 兒童評審團競賽 Children's Jury Competition 追火車的男孩
Marriage No.1314 Thank you for sharing your world
Kaohsiung Focus: Corpse, Dick, and Test Kit
062 兒童評審團 01 ：說好了，我們打勾勾 089 Program 19 107 有了 ?!
閉幕片 Closing Film Children's Jury Competition 01: Pinky Promise? Daddy-To-Be
希望之躍
011 山中森林 065 兒童評審團 02 ：天空島，我們來了 The Leap 春水奇譚
Lost in the Forest Children's Jury Competition 02: The Sky Is the Limit 090 Program 20 The Last Shot
013 阿波羅男孩 再見，打字機先生 108 屍舞
Space Boy VR 競賽 VR Competition Typeman The Remains
069 Program 1
特別放映 Special Screening 高雄焦點 Kaohsiung Focus
倫敦封城日記 年度主題：惡宇宙
014 恭請光臨曾賈府喜事 Adult Children 高雄焦點：高雄原創 VR Annual Theme: Evil Universe
Save the Date Program 2
070 Kaohsiung Focus:
梅莉 極限攀登：阿爾卑斯 我控訴（數位修復版）
015
Mary's Merry Marriage
Kaohsiung VR FILM LAB Originals 112
Alex Honnold: The Soloist VR J'accuse (Digital Restoration)
071 Program 3 093 Program A 113 外科醫生
貨櫃悲歌 諾弟 M*A*S*H
國際短片競賽
Container Where is Noddy? 114 第五號屠宰場
International Short Film Competition Slaughterhouse-Five
不哭泣的女人 094 Program B
018 短競決審評審 Tearless 鏡子 115 一九八四
Short Film Competition Final-stage Jury 073 Program 4 Mirror Nineteen Eighty-Four
020 短競初審評審 瀑布膠卷夢 095 Program C 116 時空攔截
Short Film Competition Preliminary Jury Montegelato 白屋 Jacob's Ladder
023 美麗島人權獎評審 生還 911：瓦礫堆下的 27 小時 Gray Room 117 星艦戰將
Formosa Human Rights Award Jury Surviving 9/11 - 27 Hours Under the Rubble 096 Program D Starship Troopers
024 VR 競賽決審評審 075 Program 5 紅尾巴 118 大逃殺（4K 數位修復版）
VR Competition Final-stage Jury 無法離開的人 Red Tail Battle Royale (4K Restoration)
025 VR 競賽初審評審 The Man Who Couldn't Leave 097 Program E 119 科索沃的夜與夜
VR Competition Preliminary Jury 076 Program 6 眼與我（一） Darkling
026 兒評競賽初審評審與決審機制 那些年，我們一起轉大人 The Eye and I, Vol. I
Children’s Jury Preliminary Jury & Weird Times 098 Program F
Final-stage Selection Process
077 Program 7 蟬與花 大師致敬 : 萊納．韋納．法斯賓達
廣場物語 When the Flowers Bloom
短片競賽台灣組 Taiwan Competition Tribute to the Master:
From the Main Square 099 Program G
Rainer Werner Fassbinder
028 台灣組 01：奇幻日與夜 078 Program 8 漫步源雨㵵
Taiwan Competition 01: While We Meet 一眼瞬間 Encounters 124 愛比死更冷（數位修復版）
030 台灣組 02：愛戀未打烊 Glimpse Love Is Colder Than Death (Digital Restoration)
Taiwan Competition 02: Heart's Beating Fast 079 Program 9 高雄焦點：高雄拍 125 當心聖妓（數位修復版）
謎幻泡泡糖 Beware of a Holy Whore (Digital Restoration)
032 台灣組 03：和自己跳舞 Kaohsiung Focus: Kaohsiung Shorts
Taiwan Competition 03: Sole Dance, Duet Dance Gumball Dreams 126 佩特拉的苦淚（數位修復版）
034 台灣組 04：成人的難題 080 Program 10 101 高雄拍單元 A Kaohsiung Shorts: Program A The Bitter Tears of Petra von Kant (Digital Restoration)
Taiwan Competition 04: Adult Issues VR 罪系列首部曲：迷路 魍神之夜 127 恐懼吞噬心靈（數位修復版）
036 台灣組 05：帶我去遠方 Immersive Criminology Episode 1: LOST A Night with Moosina Ali: Fear Eats the Soul (Digital Restoration)
Taiwan Competition 05: Somewhere Farther 081 Program 11 食夢者 128 寂寞芳心（數位修復版）
漫遊 1934：漢城 Shadow Under the Bed Effi Briest (Digital Restoration)
短片競賽國際組 International Competition Kubo Walks the City 102 殭屍外公 129 狐狸和他的朋友們（數位修復版）
039 國際組 01：純愛悄悄話 082 Program 12 My Zombie Grandpa Fox and His Friends (Digital Restoration)
International Competition 01: What about Love 牛男的迷宮 高雄拍單元 B Kaohsiung Shorts: Program B 130 中國輪盤（數位修復版）
041 國際組 02：你是否明白我存在 ? Lavrynthos 春日郊遊 Chinese Roulette (Digital Restoration)
International Competition 02: Coming into Existence 083 Program 13 A Sunny Trip 131 瑪麗布朗的婚姻（數位修復版）
044 國際組 03：烽火掃落的字句 露娜：啟示錄 103 推特事 The Marriage of Maria Braun (Digital Restoration)
International Competition 03: Words Torn Apart Luna: Episode 1 - Left Behind There's No Sex, Only Fans 132 莉莉瑪蓮
047 國際組 04：假裝看不見 084 Program 14 塑膠情人 Lili Marleen
International Competition 04: Disappearing Act 冥界淨化者：序章 NATASHA 133 法斯賓達壞壞
050 國際組 05：爸，想跟你說 Lustration 104 高雄拍單元 C Kaohsiung Shorts: Program C Enfant Terrible
International Competition 05: Father's Saying 085 Program 15 鷺鷥河
052 國際組 06：遺落在家的唱針 午夜．巴士・鴿子們 The Egret River
International Competition 06: Tune in to Home Radio Midnight Story 情書
054 國際組 07：身體想要飛 086 Program 16 Love Letters
International Competition 07: Identity and Intimacy 保羅克利的布偶 105 二重奏
Unframed - Hand puppets, Paul Klee Duet
 4 目次 Contents 目次 Contents 5

焦點影人：菲利浦．巴克的物幻流影 171 聊療西語課 特別企畫：滑板新噪聲 231 影片索引

Language Lessons Film Index
Filmmaker in Focus: Phillip Barker’s Special Program: New Noise in Skateboarding
我不哭，我搞笑 版權資訊
Strange Universe 172 233
Comedy Queen 208 迷幻公園 Print Source
138 菲利浦．巴克短片輯 1 173 女孩與蜘蛛 Paranoid Park 238 感謝名單
Filmmaker in Focus: Phillip Barker’s The Girl and the Spider 209 少年耶，Pro ！ Acknowledgements
Strange Universe I:1984-2008 North Hollywood
174 媽寶站起來 239 工作人員名單
140 菲利浦．巴克短片輯 2 Foscadh 210 等我有一天 Staff
Filmmaker in Focus: Phillip Barker’s Every Day in Kaimuki
Strange Universe II: 2010s 瘋狂世界 Crazy World 211 英倫滑板人
143 意外的春天 Boarders
The Sweet Hereafter 176 殘酷世界！再會
Goodbye Cruel World 212 滑板有嘻哈
177 殺人結業弒 All the Streets Are Silent
Lesson in Murder 213 我們的尬板夢
焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Skate Dreams
178 她喜歡的是
Director in Focus: Maryna Er Gorbach's What She Likes…
Fight in Films 179 愛你愛妳 特別企畫：音樂不敗時代
148 玻璃罐裏的男人 Waiting for Bojangles Special Program: Music Never Fails
The Jar 180 傑克的怪奇戀語
The Strange Case of Jacky Caillou 215 調職令是警察樂隊！
149 黑犬吠不廢
Black Dogs Barking 181 兄弟沒狗不應該 Offbeat Cops
Mother Schmuckers 216 電音頑童幹大事
150 邊境之歌
Omar and Us 182 惡女卡守貞 Pirates
Medusa 217 搖滾咖廁所見
151 沒有煙硝的日子
Klondike 183 恁北龐克仔 Meet Me in the Bathroom
Bob Spit, We Do Not Like People 218 音浪 AI
台灣越界 Taiwan Trans-border The Computer Accent
184 趴兔青春期
It's Just a Phase, Honey 219 搖滾媽祖婆
153 綠島金魂：第 1-2 集
Golden Dream on Green Island : Ep.1-2 185 詭孩 Fanny: The Right to Rock

154 女優，摔吧！ The Innocents

Girls, Be Ambitious!
孩子幻想國 Kids Fantasy 特別企畫：設計人生
155 小藍 Special Program: Design for Life
Little Blue 187 公主飛高高
Dragon Princess 221 卡拉凡的永恆地景
156 龍魂
Long Spirit 188 進擊小忍者 2 High Maintenance - The Life and Work of Dani Karavan
Checkered Ninja 2 222 花現印花宇宙
157 幻象人
Fish Pond 189 我是噗～ Maija Isola - Master of Colour and Form
Oink 223 時尚天才凡賽斯
台語有影 Taigi Cinema 190 來自星星的少女 The Genius of Gianni Versace Alive
Maika, the Girl from Another Galaxy
159 拳職人員 XR 大觀 XR Panorama
A Boxing Coach
225 Program 21
160 阿媽 孩子幻想國：長短腳動畫短片輯
a-má 時空樹洞
Kids Fantasy: Animation ReachYou
161 天字第二號
Which One You Choose 192 孩子幻想國：長短腳兒童動畫短片輯 1 226 Program 22
Kids Fantasy: Animation I 光影遊戲：追星星的人
國際視窗 Panorama 196 孩子幻想國：長短腳兒童動畫短片輯 2 Augmented Shadow: Chasing Stars in Shadow
Kids Fantasy: Animation II 227 Program 23
163 天使情緣
The Asian Angel 199 孩子幻想國：義大利拉各影展兒童動畫短片輯 聲林協奏曲——石虎樂章
Animation for Kids from Lago Film Fest Formosan Harmony
164 魚之子
The Fish Tale 228 Program 24
後人類計畫：訂製你的完美寶寶
165 流浪之月 人民力量：烏俄之聲
Wandering IVF-X: Posthuman Parenting in Hybrid Reality
People Power: Ukraine and Russia
229 Program 25
166 飄零人生
Snowball 203 戰火時，我們正青春 眾神的派對 feat. 九天民俗技藝團
Boney Piles Deities' Party feat. Chio Tian Folk Drums and Art Troupe
167 推土機女孩
The Girl on a Bulldozer 204 3 月 14 日，我在烏克蘭 虎年大吉 奇幻血肉 2.0
One Day in Ukraine The Year of the Tiger: Fantastic Flesh Juicer 2.0
168 愛我還是愛他
Both Sides of the Blade 205 闇夜烏克蘭
169 這一年，那一夜 Overcoming the Darkness
One Year, One Night 206 時代革命俄羅斯
170 甜祕蜜滋味 Ice Under His Feet
Honey Cigar
 開幕片 OPENING FILM 7

流麻溝十五號
Untold Herstory
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 112min

1953 年，綠島。17 歲的余杏惠因為幫學生會畫海報 In 1953, Yu Hsing-hui, an innocent high school

而遭指認為匪諜，被送到綠島集中營進行「思想再教 student, is inexplicably sentenced as a “thought
criminal” and sent to Green Island for rehabilitation.
育」，她在那裡認識了為救妹妹而自己承認是匪諜的
There, she endures bullying and snitching, but also
山東學生陳萍，以及冒著生命危險流通報紙資訊，鼓 bonds with other prisoners struggling to survive.
吹堅持信念到底的馬偕護理士嚴水霞，她們被稱為 When the authorities launch draconian rehabilitation
「綠島女生分隊」，只有編號沒有姓名，「流麻溝 measures in the prison, the women decide to fight
十五號」是共同的戶籍所在地。 back. But just when they think the resistance is
successful and the light of freedom is near, an even
當新生訓導處發起「一人一事良心救國運動」，要求 more forceful purge befalls them…
這群思想犯以寫血書、在身體刺上政治標語等「自發
性行動」擁戴國民黨政府，她們的牢獄生活面臨最大
威脅，時任國防部政戰部主任的蔣經國的來訪，更是
徹底改變她們的命運⋯⋯

前立委姚文智離開政壇後化身電影監製，偕同台灣首
位受邀成為美國影藝學院會員的女性導演周美玲，改
編曹欽榮的著作《流麻溝十五號：綠島女生分隊及其
他》，余佩真、連俞涵、徐麗雯三位女演員最真誠無
畏的詮釋，重現那段稍有不慎即可能「被消失」的荒
謬歲月。

周美玲 Zero CHOU

生於基隆市，畢業於政治大學哲學系，當過記者，以《私角落》、《極端寶島》等紀錄片聞名，後亦涉足劇
情片及連續劇，代表作包括電影《艷光四射歌舞團》、《刺青》、《愛．殺》及電視劇《死神少女》等。周
美玲是繼李安、侯孝賢之後，第三位受邀成為美國影藝學院會員的台灣導演。

Zero CHOU started her filmmaking career in documentaries and later transitioned to feature films. Her
film Spider Lilies won the 2007 Teddy Award for Best Gay/Lesbian Feature Film at Berlinale. Her 2004
film Splendid Float won three Golden Horse Awards, including Outstanding Taiwanese Film of the Year.

PRINT SOURCE 湠臺灣電影股份有限公司 thuànn Taiwan Film Corporation

 開幕片 OPENING FILM 9

尾號 1314
「你的婚姻不是你的婚姻」系列
Marriage No.1314
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 99min

2026 年，全球疫情事過境遷，國華終於盼到留學多年 In Mandarin, the number 1314 is a numeronym

的妻子曉芬畢業，滿心期待妻小回國一家團圓，並因 that means “for the rest of my life”. Li Guo-hua, a
dentist based in Taiwan, works to support his family
而計劃結束牙醫生涯、準備邁向美好新人生。未料曉
living far away in the UK. One day, he unexpectedly
芬投下希望留在國外工作的震撼彈，在錯愕與沮喪之 shuts down his dental clinic as a means to force
下，國華賣掉城市住處搬回海邊家鄉、重拾寫作夢想， his wife to return to Taiwan with their children.
在與回家過年的妻小欣喜重逢的同時，也企圖說服曉 However, after many years of separation, Guo-hua
芬回心轉意。同床異夢與進退維谷的兩人，終於被迫 finally realizes that under the family union and the
perfect marriage he’s been pursuing his whole life
正視自己的內心與彼此的關係。
lies the irreconcilable differences between him and
鄭文堂導演再度回到家鄉宜蘭取景，雖首度嘗試科幻 his estranged wife.
題材，表達人性仍是他一貫的情感核心。即使背景設
於解除疫情束縛的想像未來，夢想與現實的牴觸、
個人和家庭的衝突，依然是人生中無法擺脫的感情羈
絆。

城鄉對比與反璞歸真的劇情設定，襯托科技始終無法
取代人類的中心主旨，再擬人貼心的 AI 人工智慧，終
究只是暫供協助與慰藉的幻影，無論一生一世與否，
仍會留下深刻印記。

鄭文堂 CHENG Wen-tang

1958 年生於宜蘭，中國文化大學戲劇系影劇組畢業，曾任宜蘭縣政府文化局局長，作品聚焦台灣在地人文
風情，橫跨影視、紀錄與劇情。首部劇情長片《夢幻部落》獲 2002 年威尼斯影展「國際影評人週」單元最
佳影片及第 39 屆金馬獎年度最佳台灣電影；《眼淚》獲 2010 年台北電影獎最佳導演獎。

CHENG Wen-tang has extensive experience in all aspects of filmmaking. As an independent producer,
he has built his reputation on producing documentaries, short films, and feature films. His feature debut,
Somewhere Over the Dreamland, won the 2002 Golden Horse Award for Outstanding Taiwanese Film of
the Year.

PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation

 閉幕片 CLOSING FILM 11

山中森林
Lost in the Forest
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 132min

生哥曾是混跡中山區酒店街的黑道，年輕時為救兄弟 Asheng, once a gang member of Zhongshan

沙鷗入獄 12 年。多年後假釋，再度踏足曾經叱吒風 District, was sent to jail for 12 years after saving his
friend Shaou. He is released and returns to Linsen
雲的地盤，才發現小弟沙鷗已成為條通林森北的一方
North Road, his old turf, finding it familiar yet
之霸，利益糾葛下，考驗著兄弟情是否一如往昔？此 perplexing after being away for so many years.
時，一位心狠手辣的少年黑道「猴子」，率領新興的
Shaou is now a mob boss with his own turf. When
幫派殺了沙鷗背後金主的兒子。某天沙鷗接獲線報，
the son of Seagull’s patron, Mr. Xiao, is murdered,
派遣手下去旅館埋伏，卻被猴子逃脫。兩幫人馬暗地 the evidence points to up-and-coming mobster
裡展開火拚，林森北風雲變色，唯一能夠幫沙鷗討回 Monkey. Shauo tries to ambush Monkey and fails,
公道的人，竟然還是兄弟生哥⋯⋯ getting shot by the drugged-up gangster instead.
Asheng, who initially refused to help Shaou, is now
新鋭導演姜寧挑戰條通黑幫兄弟題材，華麗卡司包括 filled with rage and decides to avenge his friend.
寡言多情的黑道大哥李康生與風情萬種的情婦李千
娜、冤家情侶檔邱勝翊（王子）與郭雪芙，久違的瓊
瑤劇玉女始祖陳德容變身條通媽媽桑，連飾演小弟的
謝承鈞、黃遠等人都有不俗演出，亮眼陣容堪稱兄弟
版的《華燈初上》。

姜寧 Johnny CHIANG
身兼導演、編劇、作家、主持人等多重身分，擅長體察幽微人心、深諳真實人性。筆下故事，皆是透過觀察
與實地生活經驗，所產生富有魅力的情節；一個個豐富的人物，則是透過交流與對話，連結不同的生命所得
到的形象。曾監製及執導過不少 MV 與廣告，作品有電影《山中森林》、偶像劇《N 世代》，並曾主持《女
神情報局》、《深夜食堂台灣站。玩咖 9 透透》等節目。

Johnny CHIANG is a director, screenwriter, writer, and host. He has produced and directed many music
videos and commercials, and has operated nightclubs and media studios. His works include the film Lost
in the Forest and the book The King of Nightclubs. His idol drama, Generation N, was released in late
2018.

PRINT SOURCE 禾力文創有限公司 Synergy Co., Ltd.

 閉幕片 CLOSING FILM 13

阿波羅男孩
「台語有影」單元
Space Boy
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 90min

泰翔在腦海的宇宙中迷失了自己，Debby 在童年創傷 Tai-shian is locked away in his own autistic universe,

中迷失了方向。媽媽全心全意保護自閉症的泰翔，妹 totally lost to the world. His parents spend every
day looking after him, rendering Tai-shian’s little
妹 Debby 卻成了被遺忘的孩子。直到媽媽病危，擔
sister, Debby, completely invisible to her parents…
任女警且對哥哥有著複雜情緒的 Debby，必須化身為 until one day, when both parents are gone, and
照顧者。愛的魔力是否能讓兄妹倆找到共同的運行軌 Debby finds a new task thrust upon her.
道？

韓國有《非常律師禹英禑》，台灣也有十分動人精采
的《阿波羅男孩》。在精巧的篇幅中 ，刻劃家有自
閉兒的親人們如何用心與之共同成長，箇中滋味酸甜
苦辣皆有，演出母親的范瑞君寫下心得：「身為一
個母親，妳並不完美，但妳已經很努力了！」。飾演
Debby 的陳妤，堅強與脆弱兼具，令人心疼。而精湛
詮釋泰翔的巫建和，再次展示表演火力，比《陽光普
照》演技更上一層樓。

葉天倫 Nelson YEH

1975 年生於台北大稻埕，為跨界全方位導演，電影《雞排英雄》與《大稻埕》皆創下票房破億佳績；曾憑
影集《外鄉女》、《紫色大稻埕》入圍新加坡亞洲影視大賞最佳導演；以《含笑食堂》、《雙城故事》入圍
金鐘獎最佳戲劇節目導演與編劇獎。2020 年製作 HBO 原創影集《戒指流浪記》榮獲新加坡亞洲內容大獎最
佳喜劇節目獎。

Nelson YEH is an all-round director who is experienced in film, television, commercials, and more. His
films Night Market Hero and Twa-Tiu-Tiann both earned over 100 million NTD at the Taiwan box office.
He excels in finding the comedy in the lives of ordinary people and merging it with his observations of
society.

PRINT SOURCE 公視台語台 Taigi TV Station

14 特別放映 Special Screening 特別放映 Special Screening 15

恭請光臨曾賈府喜事 梅莉
「你的婚姻不是你的婚姻」系列 「你的婚姻不是你的婚姻」系列
Save the Date Mary's Merry Marriage
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 95min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 105min

基因突變造成的「中年消失症」，導致年滿 35 歲仍 去身體主導權的威脅，加上保守宗教和傳統觀念的限 梅莉是一名與丈夫恩愛、育有兩個子女的家庭主婦， 思索科技在提供便利與撫慰的同時，也可能侵犯隱私

未懷孕生子的女性跳過中年直接進入老年，即使已有 制與歧視，令這個想像世界宛如逼真夢魘，影射即使 人生雖然幸福美滿，卻仍懷抱一絲遺憾。曾經志在繪 且喧賓奪主，甚至為達目的不擇手段。本片為女性兼
疫苗預防，也無法保證避免。年限在即且尚未生子的 在現今的進步社會中，依舊暗藏許多貶低女性的迂腐 畫的她，為了成家放棄夢想，雖獲創作繪本的契機， 顧家庭與夢想提供一線曙光，但即使情節超乎想像，
賈安安，不顧違背父親信奉「真神教」反對婚前性行 陋習，造就一則喚起女性自主的醒世寓言。 仍只能利用繁重家務以外的短暫時間，然而意外獲得 仍不落俗套地貼近現實。
為的教義，分秒必爭地暗自與未婚夫曾孝銘努力做 的 新 型 AI 機 器 人 Juno， 開 始 幫 她 實 現 願 望。 即 使
Marriage is a scam and all you have to do is deceive Mary, a stay-at-home mother who is eager to return
人。然而在面對孝銘勢利母親的強勢要求下，安安開 丈夫終於答應分擔家事，梅莉又忽然被迫照顧失智公
yourself. Like many other women past their mid-30s, to the workforce, uses the new AI robot mouse
始對這門婚事產生疑慮，並憶及被父親強迫離棄的人 Ann rushes into marriage out of fear of the notorious 公，還好有 Juno 鼓勵她繼續找回自我，但在公公走 “Juno” to help her get rid of anything that’s in her
生摯愛。曾賈府喜事婚宴即將開席，安安卻再也無法 “middle-age vanishing syndrome”. Therefore, in 失導致婚姻瀕臨決裂後，她才發現 Juno 為了達成任 way. But instead, she triggers a series of family
隱瞞真實的自己。 exchange for a smooth wedding, she secretly uses a 務，其實一直在背後默默操控。 crises. Has AI technology outsmarted humanity
high-tech product called “Marriage Bestie” to help entirely, or has mankind never really understood
成功轉戰幕後並勇奪金鐘獎最佳導演的何潤東，再以 her get through all the fuss. However, Ann finds 高炳權再度以駕馭喜劇的長才，交出一部幽默有趣又 marriage?
婚姻題材探討女性困境。直接老化的症狀已令女性膽 herself stuck in a trail of problems. Meanwhile, the 富人情的作品，透過先進人工智慧的設定，點出必須
戰心驚，被迫懷孕生子的免疫條件，更使女性受到失 real reason why she is desperate to get married is 在個人與家庭之間作出權衡取捨的不變定理，並令人
gradually revealed…

何潤東 Peter HO 高炳權 KAO Pin-chuan

1975 年生於美國，在台灣成長，加拿大安大略藝術學院畢業。以擔任模特兒踏入演藝圈，曾為影歌雙棲並 1979 年生於台北，臺灣大學戲劇系及臺北藝術大學電影創作研究所導演組畢業，擅長呈現台灣在地風情的
橫跨港台的偶像藝人。首度自製自演的電視劇《泡沫之夏》再創事業高峰，以進而首度編導並受好評的電視 喜劇題材，領域橫跨影視與廣告，亦為演員與作詞人。執導電影《江湖無難事》獲 2020 年台北電影獎最佳
劇《翻牆的記憶》獲第 53 屆金鐘獎戲劇節目導演獎。 編劇、最佳女配角、最佳造型設計三項大獎；電視影集《用九柑仔店》獲第 55 屆金鐘獎戲劇節目導演獎。

Peter HO has been an actor, producer, screenwriter, and director. He has starred in 54 television dramas KAO Pin-chuan was born in Taipei in 1979. His 2019 film, The Gangs, the Oscars and the Walking Dead
and 29 films. In 2018, he once again took on multiple roles as actor, screenwriter, producer, and director won him Best Screenplay at the Taipei Film Awards. He won the Golden Bell Award for Best Director for
for the television series Age of Rebellion, for which he won the Golden Bell Award for Best Director. a Television Series for Yong-Jiu Grocery Store in 2020.

PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation
16 國際短片競賽簡介與獎項 International Short Film Competition Overview & Awards 國際短片競賽簡介與獎項 International Short Film Competition Overview & Awards 17

國際短片競賽簡介與獎項
The International Short Film Competition was introduced by Kaohsiung Film Festival in 2011, attracting thousands
of submissions from across the globe every year. Following an application, evaluation and discussion process
lasting several months, a collection of narrative, documentary, experimental, animation, and VR works are selected.
We especially value works that are unique, dare to challenge genre boundaries, and pursue innovation in topic,

International Short Film Competition concept, or style. Competition screenings are separated into four main sections: Taiwan Competition, International
Competition, Children’s Jury, and VR Competition. The Final-stage Jury will watch the films in person during the
Overview & Awards festival period and jointly select the winners of each award.

2011 年起，高雄電影節開始舉辦國際短片競賽，每年聚集數千件來自世界各地的作品，歷經數個月的徵件和評選討
論，精選劇情、紀錄、實驗、動畫以及 VR 作品。我們尤其看重觀點獨特、勇於挑戰類型界線，在議題概念及風格形
式上追求創新的作品。競賽放映共分成四個主要單元：台灣組、國際組、兒童評審團，以及 VR 組，並於影展期間由 國際組、台灣組競賽共同角逐
決審評審現場觀影，共同選出各別獎項。 Mutual Awards for International Competition & Taiwan Competition

台灣組競賽 金火球大獎 亞洲新浪潮獎 美麗島人權獎

Golden Fireball Award Asian New Wave Award Formosa Human Rights Award
Taiwan Competition
獎金美金 8,000 元與獎座一式 獎金美金 3,000 元與獎座一式 獎金美金 2,000 元與獎座一式
US$8,000 and a KFF trophy US$3,000 and a KFF trophy US$2,000 and a KFF trophy
1 名｜ 1 winner 1 名｜ 1 winner 1 名｜ 1 winner

評審團獎 評審團特別提及
Special Jury Award Special Mention 兒童評審團競賽 Children's Jury Competition
獎金美金 3,000 元與獎座一式 獎金美金 1,000 元與獎座一式
US$3,000 and a KFF trophy US$1,000 and a KFF trophy 兒童評審團大獎 兒童評審團特別獎
1 名｜ 1 winner 1 名｜ 1 winner Children’s Jury Grand Award Children’s Jury Special Award

獎金美金 1,000 元與獎座一式 獎狀一式

台灣學生獎 兔將奇幻大獎 US$1,000 and a KFF trophy Certificate of Appreciation
Taiwan Student Award TWR Fantasy Award 1 名｜ 1 winner 1 名｜ 1 winner

獎金美金 3,000 元與獎座一式 獎金美金 1,200 元與獎座一式
US$3,000 and a KFF trophy US$1,200 and a KFF trophy
1 名｜ 1 winner 1 名｜ 1 winner
國際組競賽 金火球大獎
Golden Fireball Award
International Competition
獎金美金 8,000 元與獎座一式
US$8,000 and a KFF trophy
1 名｜ 1 winner
本系列獎項將由獨立之入圍名單選出 Winners are selected from a separate list of nominees
VR 競賽 VR Competition
VR 金火球大獎 VR 沉浸體驗獎
VR Golden Fireball Award VR Immersive Award
獎金美金 6,000 元與獎座一式 獎金美金 2,000 元與獎座一式
US$6,000 and a KFF trophy US$2,000 and a KFF trophy
1 名｜ 1 winner 1 名｜ 1 winner

評審團獎 評審團特別提及 VR360 敘事獎 VR 評審團特別提及

Special Jury Award Special Mention VR360 Award VR Special Mention

獎金美金 3,000 元與獎座一式 獎金美金 1,000 元與獎座一式 獎金美金 2,000 元與獎座一式 獎金美金 1,000 元與獎座一式
US$3,000 and a KFF trophy US$1,000 and a KFF trophy US$2,000 and a KFF trophy US$1,000 and a KFF trophy
1 名｜ 1 winner 1 名｜ 1 winner 1 名｜ 1 winner 1 名｜ 1 winner
18 短競決審評審 Short Film Competition Final-stage Jury 短競決審評審 Short Film Competition Final-stage Jury 19

短競決審評審
Short Film Competition Final-stage Jury
菲利浦・巴克 Phillip BARKER 黃勁輝 WONG King-fai
國際知名的加拿大導演、美術設計和視覺藝術家。2006 年，他以《赤 曾以劇本《奪命金》榮獲第 49 屆金馬獎最佳原著劇本獎，並入選 2011
裸真相》（艾騰・伊格言執導）獲頒加拿大導演協會獎（Directors 年威尼斯影展「主競賽」單元。導演作品包括長片《劉以鬯：1918》、《也
Guild of Canada Award），以表彰他在美術設計方面的傑出成就。 斯：東西》；舞蹈短片《時光》、《遊園驚夢》；早年劇本有高票房電影《鍾
自編自導的短片《魅影情釣》（Shadow Nettes）獲選 2017 年溫哥 無艷》、柏林影展觀摩片《辣手回春》等。2018 年獲香港藝術發展局藝
華國際影展最佳加拿大短片獎。2019 年，一系列名為「怪奇機器」 術家年獎。

的回顧展「Strange Machines: The Films of Phillip Barker」由加 WONG King-fai is the director of the documentaries Liu Yichang:
拿大多個重要的電影機構合辦，展開各地巡迴。同年，法國的克萊 1918 and Leung Ping-kwan: Boundary. His screenplay for the
蒙費宏國際短片影展也舉辦回顧專題，並邀請多位藝術家創作展覽， 2011 film Life Without Principle won Best Original Screenplay at
向他的創作致敬。 the Golden Horse Awards and was screened in competition at the
Venice Film Festival.
Phillip BARKER is a filmmaker, installation artist and production
designer. His own films have been screened internationally and 黃勁輝
won numerous awards. In 2019, a retrospective of Phillip's films
WONG King-fai
was presented by Montreal's Festival Nouveau Cinema, TIFF
Lightbox, Toronto, and The Canadian Film Institute, Ottawa. At
the 2017 Vancouver International Film Festival, his film Shadow
Nettes won the award for Best Canadian Short Film. As a 邱立偉 CHIU Li-wei
production designer, he has worked on films by directors such as
Atom EGOYAN, Brian DE PALMA and Mira NAIR. 動畫導演，畢業於北京電影學院導演系博士班，曾任台南藝術大學動畫
美學藝術研究所副教授，於 2006 年擔任紐約法拉盛廳駐村藝術家。動畫
影集作品曾獲得四次金鐘獎，並曾以《窗邊的星星》入圍第 41 屆金馬獎
最佳創作短片獎，以《小貓巴克里》入圍第 54 屆金馬獎最佳動畫長片獎。

鄭芬芬 CHEN Fen-fen

CHIU Li-wei is an animation film director. He graduated from
Tainan National University of the Arts and earned his doctoral
degree in directing from Beijing Film Academy. He has directed
廣告製片出身，曾執導公視多部人生劇展，屢獲金鐘獎肯定。首部電影 many animated films, including Stars by the Window and Barkley,
長片《沉睡的青春》獲新加坡亞洲新人影展最佳編劇獎，第二部作品《聽 and won numerous awards.
說》為當年台灣票房冠軍，獲金馬獎最佳新演員獎提名，以及台北電影
節最佳女主角獎。其他獲獎作品有《台北異想》、《熊熊愛上你》等。
2021 年最新影集作品《做工的人》獲第 56 屆金鐘獎最佳迷你劇集、導演、
男主角與男配角獎。

CHEN Fen-fen served as a production manager before her

first full-length film, Keep Watching, won Best Screenplay at
Singapore’s Asian Festival of First Films. Hear Me, her second
feature film, was Taiwan’s top-grossing movie of 2009, and was
nominated for Best New Performer at the Golden Horse Awards
and won Best Actress at the Taipei Film Awards. Other award-
winning works include Taipei 24H, Bear It, and the miniseries
Workers, which won Best Miniseries, Best Director, Best Actor and
Best Supporting Actor at the 2021 Golden Bell Awards.
傅孟柏 FU Meng-po
2017 年於《最後的詩句》中飾演施人傑一角，「質樸而洗練」的演出榮
獲金鐘獎迷你劇集最佳男主角獎；隔年隨即以電影《范保德》入圍第 55
屆金馬獎最佳新演員獎。主演長片《本日公休》，預計於 2022 年底上映。
FU Meng-po is a Taiwanese actor. In 2017, he won the Golden
Bell Award for Best Actor in a Miniseries or Television Film for his
performance in The Last Verse. In 2018, he was nominated for
the Golden Horse Award for Best New Performer for Father to
Son. His latest feature film, Day Off, will be released at the end of
2022.
20 短競初審評審 Short Film Competition Preliminary Jury 短競初審評審 Short Film Competition Preliminary Jury 21

短競初審評審
Short Film Competition Preliminary Jury
李家驊 LEE Chia-hua 曹仕翰 TSAO Shih-han
導演，臺南藝術大學藝術創作理論博士，現為世新大學傳播管理學系助 畢業於臺北藝術大學電影創作學系研究所導演組。曾以《我的狗男友》
理教授。從事紀錄片創作多年，2003 年作品《25 歲，國小二年級》曾獲 入圍第 47 屆金鐘獎電視電影編劇獎，其創作劇本並多次入選電影優良
2005 年日本山形國際紀錄片影展「亞洲新力」單元特別賞、2004 年台 劇本獎。2016 年，獲選金馬電影學院學員，接受兩岸三地電影人指導，
北電影獎最佳紀錄片獎等肯定。2020 年以《我的兒子是死刑犯》入圍金 2017 年與 2020 年分別以《春之夢》及《貓與蒼蠅》入選法國克萊蒙費
馬獎及台北電影獎最佳紀錄片獎。 宏國際短片影展「國際競賽」單元，並於 2022 年入選柏林影展新銳營。

A graduate of the Doctoral Program in Art Creation and Theory
at Tainan National College of Arts, LEE Chia-hua works as an
independent documentary filmmaker and assistant professor at
Shih-Hsin University. His film Me and My Condemned Son was
nominated for Best Documentary at the 2020 Golden Horse
Awards and Best Documentary at 2020 Taipei Film Festival. He
also won a Special Mention at the 2005 Yamagata International
Film Festival for The Spirit of 8.
TSAO Shih-han holds a master’s degree in Filmmaking from
Taipei National University of the Arts and was a member of the
2016 Taipei Golden Horse Film Academy and selected for 2022
Berlinale Talents. His short films A Dream Of Spring (2017) and
Neko and Flies (2020) were both selected to the International
Competition of the Clermont-Ferrand International Short Film
Festival in France.

林宇辰 LIN Yu-chen 翁煌德 WENG Huang-te

職業編劇，參與過十數部電影、電視劇如《癡情男子漢》、《破局》、《詭 影評人、策展人、粉絲專頁與部落格「無影無蹤」經營者，現任台灣影
扯》、《我的自由年代》等。以《詭扯》入圍第 58 屆金馬獎最佳改編劇 評人協會常務理事。評論與採訪文章散見於《放映週報》、《端傳媒》、
本獎。擅長撰寫喜劇、恐怖驚悚、動作等類型電影，欣賞Ｂ級片為個人 《公視新聞網》、《關鍵評論網》、《上報》。曾任府中 15、桃園光影
嗜好，期望在影展看到表現風格強烈的作品。 電影館短片單元策展人，現為愛學影展策展人。

LIN Yu-chen is a professional script writer who was nominated for
Best Adapted Screenplay at the 2021 Golden Horse Awards for
Treat or Trick. His favorite movie genres are comedy, horror, action
and B movies.
WENG Huang-te is a film critic, curator, and founder of the No
Film No Me blog and fan page. He is currently the executive
director of Taiwan Film Critics Society. His articles are published
on Funscreen, Initium Media, PTS News, The News Lens, and Up
Media. He has worked as the curator of Fuzhong15 and Taoyuan
Arts Cinema, and is now curating the I-Fun Learning Film Festival.

林容嫺 LIN Jung-hsien 曾威量 CHIANG Wei-liang

畢業於臺北藝術大學美術學系、臺灣藝術大學多媒體動畫藝術學系研究 曾為金馬電影學院、馬賽電影學院、盧卡諾電影學院之學員。短片作品
所。曾創作多部動畫短片，2009 年作品《透明的孤獨》入圍當年柏林影 關切東南亞離散裔群，並曾巡迴柏林影展、威尼斯影展等國際影展。
展「新世代」單元，與數十個國際影片與動畫影展，並獲當年金馬獎最
Born in Singapore and based in Taiwan, CHIANG Wei-liang's work
佳創作短片獎提名，隔年亦獲台北電影獎最佳動畫片獎、高雄電影節愛 focuses on the Southeast Asian diaspora in modern Asia and has
世代短片動畫片優等，以及金穗獎最佳動畫短片獎。 been presented and awarded at various international film festivals.
LIN Jung-hsien is passionate about animation creation. She
studied in the Department of Multimedia and Animation Arts
of Taipei National University of the Arts and has made several
animated shorts. Her short film Invisible Loneliness was selected
to the Generation section of the 2009 Berlin International Film
Festival and nominated for Best Short Film at the Golden Horse
Awards.
22 短競初審評審 Short Film Competition Preliminary Jury 美麗島人權獎評審 Formosa Human Rights Award Jury 23

美麗島人權獎評審
Formosa Human Rights Award Jury
鄒隆娜 Rina B. TSOU 邱伊翎 CHIU E-ling
菲裔台灣電影工作者，畢業於國立臺灣藝術大學電影學系。兩個國度的 畢業於清華大學社會學研究所，曾任東海大學女研社社長、東亞科技與社會國際
生長經驗與跨文化背景豐富了她的創作畫布，如魔幻捕捉在台菲律賓漁 期刊助理、法律扶助基金會社會發展委員會委員。現為西藏台灣人權連線執委、
工的《阿尼》、溫柔記錄陸籍配偶在台築巢的吉光片羽的《青梅的手》， 台灣廢除死刑推動聯盟執委、人權公約施行監督聯盟執委、台灣人權促進會執委。
以及尖銳共鳴女性移工脆弱處境的《十年台灣》之《942》等作品，在國 2014-2019 年擔任台灣人權促進會秘書長，2011-2013 年曾任亞太難民權利網絡
內外各大影展如法國坎城影展、韓國釜山國際影展、台灣金馬獎等獲得 東亞副主席。2020 年 1 月接任國際特赦組織台灣分會秘書長。
展演與肯定。
CHIU E-ling has been the Chair of Feminism Study Club in Tunghai University,
Filipina-Taiwanese filmmaker Rina B. TSOU studied filmmaking at a member of Social and Development committee in Legal Aid Foundation
the Motion Picture Department of National Taiwan University of (2016-2018), and Deputy Chair of East Asia working group in Asia Pacific
Arts. Being of two lands, she has applied her sensibilities of two Refugee Rights Network (2011-2013). Currently, she is still a board member
cultures to the issues raised in her films, which have circulated of Human Rights Network for Tibet and Taiwan, Taiwan Alliance to End Death
international film festivals such as Cannes Critics’ Week, Busan Penalty, Covenants Watch, Taiwan Association for Human Rights (Secretary
International Film Festival, and the Golden Horse Awards in General 2014-2019). From the beginning of 2020, she took the position of
Taiwan. Based in Taipei, she is currently working on both fiction and the National Executive Director of Amnesty International Taiwan.
documentary films, exploring possibilities of different narratives.

施逸翔 SHIH Yi-hsiang

黃詩柔 HUANG Shi-rou
現任台灣人權促進會秘書長，2005 年因赴菲律賓調查路易西塔
動畫導演、插畫家。擅長以手繪動畫探討女性感官與內在，動畫風格如 大莊園人權屠殺事件而受到啟蒙，如今作為人權工作者已經十多
被包裹在細膩、柔軟的雲朵中。《水中的女孩》入圍安錫國際動畫影展、 年。關注的議題包括轉型正義、國際人權公約、外籍移工與漁工，
薩格勒布國際動畫影展、台北金馬影展等超過 70 個國際影展，並獲高雄 以及企業的人權責任。
電影節國際短片競賽台灣組金火球大獎、金穗獎最佳學生動畫片等獎項。
SHIH Yi-hsiang, the current Secretary-General of the
曾執導《A Land of Sorrow》、《蔓延思念》等動畫 MV。
Taiwan Association for Human Rights, was enlightened in
HUANG Shi-rou is a freelance animation director and illustrator. 2005 when he went to the Philippines to conduct a fact-
Specializing in cel-animation, she often finds herself deep-diving finding mission on the human rights massacre at Hacienda
into the female consciousness. Beneath the gentle and cloud- Luisita. He has been working as a human rights worker
like colors of her work lies the poetic and visceral storytelling that for more than 10 years now. Issues he focuses on include
defines this young and talented soul. transitional justice, international human rights conventions,
migrant workers and foreign fishermen, and human rights
responsibilities of businesses.

曾文珍 TSENG Wen-chen

蔡坤霖 Vincent TSAI 畢業於國立臺南藝術大學音像紀錄研究所。曾以《春天－許金玉的故事》獲得第
彰化縣大城人，臺灣大學經濟系畢業，現居高雄。曾獲溫世仁武俠小說 39 屆金馬獎最佳紀錄片獎，並入圍 2003 年釜山影展「超廣角」競賽單元。2020
獎、台北電影獎最佳編劇提名。影視編劇作品包括影集《返校》、電影 年完成關於失聯移工的紀錄片《逃跑的人》，入圍日本山形國際紀錄片影展「亞
長片《下半場》及《鬼才知道》。著有科幻小說《萬歲》，並撰寫多篇 洲千波萬波」競賽單元。長期拍攝弱勢族群題材的紀錄片，目前正進行跨國移工
評論，曾發表是枝裕和專訪文章〈聆聽海潮的人〉（發表於迷誠品）、 紀錄片拍攝。
金庸悼文〈以武俠再造失落的天下家國〉（發表於《聯合文學》）等。
TSENG Wen-chen graduated from the Graduate Institute of Documentary
Vincent TSAI grew up in Changhua County and earned a degree and Film Archiving, Tainan University of Arts. She won Best Documentary
in Economics at National Taiwan University. His screenwriting at the 39th Golden Horse Awards for her work, Spring: The Story of Hsu
credits include the Netflix TV series Detention and the film We Chin-Yu, which was also selected to the Wide Angle section of the Busan
Are Champions. He is now working with director John HSU as a International Film Festival in 2003. In 2020, she completed The Lucky
writer on the feature film Dead Talents Society. Woman, a documentary about runaway migrant workers, which was
selected to the New Asian Currents section of the Yamagata International
Documentary Film Festival. She has long focused on minority groups and is
currently working on a documentary about cross-country migrant workers.
24 VR 競賽決審評審 VR Competition Final-stage Jury VR 競賽初審評審 VR Competition Preliminary Jury 25

VR 競賽決審評審 VR 競賽初審評審
VR Competition Final-stage Jury VR Competition Preliminary Jury
布雷克・坎默迪納 Blake KAMMERDIENER 毛立慈 MAO Lee-tzu
西南偏南影展 XR 與電影單元策展人 臺北流行音樂中心視覺設計／行銷部經理
Sr. Manager, Film Festival Programming of XR & Film - SXSW Creative Artist & Marketing Manager - Taipei Music Center

自 2005 年起於西南偏南影展從事不同類型的工作。2015 年，西南偏 畢業於加拿大艾蜜莉卡藝術及設計大學，從視覺設計跨足科技內容領域，

南影展開始策劃論壇中的 VR ／ XR Track 單元，他亦開始從事沉浸式
內容相關策展。爾後他成為 VR 策展人，並創立沉浸式內容展覽「XR
Experience」（前身為「VR Cinema」），同時身兼 XR Track 的總策劃。
Blake KAMMERDIENER has been working for SXSW in different
capacities since 2005. He began programming immersive content
in 2015 when SXSW started the VR/AR Track in its conference.
He then became the VR Programmer and started the immersive
exhibition, the XR Experience (originally the Virtual Cinema), while
leading the XR Track.
擁有視覺設計與內容製作專業。曾從事虛擬實境內容國際發行及內容製
作，參與及推動之內容包括《家在蘭若寺》、《祈禱》，以及《咕嚕米
的眼睛》。無論從主視覺製作到內容展演推廣，乃至內容開發，皆具有
多方經驗。
MAO Lee-tzu is a Canadian independent cross-disciplinary artist
based in Taiwan. A graduate of the Emily Carr University of Design
in Vancouver, her work covers different fields of arts and design to
virtual content. She has participated in numerous award-winning
projects, such as The Deserted, Inori and Gloomy Eyes.

林經堯 LIN Jin-yao 洪珷 Sebox HONG

媒體藝術家 Media Artist 高雄電影節 XR 無限幻境策展人
Curator of XR Dreamland - Kaohsiung Film Festival
臺灣大學資訊網路與多媒體博士。作品涵蓋多媒體、裝置藝術、劇場及音樂作品。
2018 年以 AR 互動作品《AQUA AR》獲得臺北文創天空創意節百萬作品首獎。 曾擔任電影發行、電影媒體、影展宣傳、廣告及 MV 製片……等職務。
2020 年 VR 作品《四季百駿》獲得休士頓國際影展專業成人互動類金獎。2022 於擔任高雄電影節接待時，瞥見 VR 世界的奇幻與無限可能性，便一腳踏
NFT 作品入選香港巴塞爾藝術展（Art Basel）。 入沉浸式體驗產業。現任高雄市電影館 VR FILM LAB 計劃統籌、高雄電
影節 XR 無限幻境策展人，希望讓更多人變成 Oreo，浸入數位科技藝術
LIN Jin-yao holds a doctorate from the Graduate Institute of Networking
的牛奶當中。
and Multimedia, National Taiwan University. His works traverse
multimedia, art installations, theater and music. In 2018, he won the Sebox HONG is the Project Leader of Kaohsiung VR FILM LAB, in
TWD 1 million top prize at the Taipei New Horizon Art Festival for his charge of local and international VR productions, routine curation
AR work AQUA AR. In 2020, his VR work One Hundred Horses and the of VR FILM LAB theater, annual curation of XR Dreamland, and
Four Seasons won a Gold Remi in the New Media - Interactive - Adult/ immersive experience collaboration opportunities.
Professional category at the WorldFest-Houston International Film
Festival. In 2022, his NFT work was selected to Art Basel in Hong Kong.

茱麗葉・巴爾尚 Juliette BARCHON 黃郁傑 HUANG Yu-jie

法國新影像藝術節策展人 軟體設計師／藝術家 Programmer & Artist
Curator - NewImages
臺灣大學資訊工程學系暨研究所碩士。以互動設計、視覺設計及系統開
茱麗葉・巴爾尚以專案經理的身分加入歐洲第一個以遊戲玩家經驗為主 發等角色參與 VR ／ AR 及劇場製作，並與各類型創作者合作電子、數位
題的活動「> Ready > Players」，目前則是法國新影像藝術節的國際聯 等複合形式作品。專長為電腦圖學、虛擬及擴增實境、動態捕捉等技術。
繫與策展人，同時在法國影像論壇與 TUMO 創意科技中心負責 XR 與電 目前任職於涅所開發擔任軟體工程師。
玩業務。
HUANG Yu-jie is a programmer and artist. He graduated from
Juliette Barchon joined Forum des images as Project Manager National Taiwan University with a master’s degree in computer
of “> Ready > Players”, the first event dedicated to the science, and his specialties include computer graphics, virtual/
gamer's experience in Europe. Now Coordinator and Curator of augmented reality, and motion capture. He participates in designs,
NewImages, she is XR and videogames' referent of Forum des and collaborates on projects across the spectrum of virtual and
images and TUMO, center for creative technologies. immersive experiences, programming, and audio-visual works.
 26 兒評競賽初審評審與決審機制 Children's Jury Preliminary Jury & Final-stage Selection Process

Taiwan Competition

樹洞 Tree Hole for Secret

兒評競賽初審評審
Children's Jury Preliminary Jury

楊淑雯，熱愛旅遊、電影、音樂及探
究各種新奇事物，更深深著迷於孩子
天馬行空的想法。曾任職公共電視，
為 2012-2018 台灣國際兒童影展策展
統籌，現為自由策展人、兒童影像教
育講師、影展映後主持人。

夏康真
HSIA Kang-chen
夏康真，美國雪城大學廣播電視電影
系碩士，現為自由編劇，作品橫跨戲
劇、紀錄片與兒童節目。戲劇與紀錄
片作品曾入圍金鐘獎連續劇編劇獎、
台灣國際紀錄片影展、台北電影獎，
並獲金馬奇幻影展特別放映；參與之
兒童節目曾獲金鐘獎最佳兒童少年節
目、北京亞太青少年電視節 13 至 17
歲組紀實類首獎、台灣國際兒童電視
影展台灣獎，以及最佳電視節目獎。
HSIA Kang-chen obtained her
master’s degree in Television,
Radio, and Film from Syracuse
University. She is now a freelance
s c r e e n w r i t e r, a n d h e r w o r k s
include fiction, documentaries,
and children’s TV programs. The
children's programs she has
worked on have been awarded
Best Children’s Program at the
G o l d e n B e l l Aw a rd s , a n d t h e
Taiwan Award and Best TV Program
Award at the Taiwan International
Children’s Film Festival.
YA N G S h u - w e n l o v e s t r a v e l ,
movies, music, exploring new
things, and is deeply intrigued
by children’s imagination and
ideas. She was the curator of
Taiwan International Children’s
Film Festival from 2012 to 2018
while working for Taiwan’s Public
Television Service. She is now a
freelance curator, a lecturer of
children’s visual literacy, and a host
for post-screening sessions.
楊淑雯 YANG Shu-wen
劉旭恭 LIU Hsu-kung
劉 旭 恭，1973 年 出 生 於 台 北 石 牌，
1995 年參加「陳璐茜手製繪本教室」
後開始創作繪本，目前從事繪本創作
與教學。作品曾獲信誼幼兒文學獎「好
書大家讀」年度最佳少年兒童讀物、
開卷好書獎、金鼎獎、豐子愷兒童圖
畫書獎、上海好童書獎、瑞典彼得潘
獎，以及入選義大利波隆納插畫展。
Born in Taipei in 1973, LIU Hsu-
kung holds a civil engineering
d e g re e f ro m N a t i o n a l Ta i w a n
University. Besides working as
an engineer, he has taught both
children and adult illustration in
several Asian countries. He now
devotes himself exclusively to
writing and illustrating his books.
He has authored and illustrated
over 20 books. His illustrated
works were featured in Italy at the
Bologna International Children’s
Book Illustrators Exhibition in
2015 and 2018, respectively. He
currently lives and works in Taipei
with his wife and two children.

兒評競賽決審機制 總計共有 11 部劇情片、六部動畫片、三部紀錄片。其中包括七部學生作品。影片既有當代議題的展現，也有歷史的

切面與實驗；有奇幻的人我相遇，也有個人心思與社會的交擊；當然也看得見生死的幽微時刻，情感關係的裡外摸索，
Final-stage Selection Process 乃至親情與政治的傷懷探究。登上這趟影音旅次，便猶如登入了這一年來台灣影人和島民的心與腦，感受一次次跨
時跨域的創作身手。
為落實兒童參與、更貼近兒童觀點之目的，高 To facilitate the participation of children and the inclusion of
雄電影節召集高雄在地 9 至 12 歲兒童，組成 their viewpoints, KFF is forming a children’s jury comprising local The Taiwan Competition features 11 narrative films, six animations, and three documentaries. Seven of the
兒童評審團，自 9 月起，開始一系列影像教 kids in Kaohsiung aged nine to 12. Starting in September, a selections are student works. The films deal with not only contemporary issues, but also historical subjects and
育，培育電影知能。在決審當天，兒童評審團 series of workshops will be held to build up their knowledge and
experimentation. There are fantastical encounters, as well as conflicts between the individual mind and society;
comprehension of cinema. The children’s jury will then view each
成員逐一觀賞經由初選評審選出的入選短片， of course, you will also see subtle moments of life and death, examinations of emotional relationships, and
shortlisted film, and led by their mentors, undergo discussions and
並在導師群帶領下，透過公民方式，經過數輪 even explorations of grief in family and politics. Embark on this audiovisual journey to dive into the hearts and
debates before voting for the official winner of the Children’s Jury
投票、討論、辯論，親自選出大獎得主，頒予 Award. minds of Taiwanese filmmakers and residents from over this past year, and experience their timeless creativity
影展正式獎項「兒童評審團大獎」！ and cross-domain artistry over and over again.
28 台灣組 01：奇幻日與夜 Taiwan Competition 01: While We Meet 台灣組 01：奇幻日與夜 Taiwan Competition 01: While We Meet 29

金方便捏 門之後
2022 台灣國際女性影展 2022 桃園電影節
2022 挪威腓特烈斯塔動畫影展 2022 金穗獎 最佳學生劇情片獎提名

Oh So Convenient Blissgate
台灣、愛沙尼亞 Taiwan, Estonia ｜ 2022 ｜ DCP ｜ Colour ｜ 5min 台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 25min
大便男對擦屁股自有一套，刷牙男只懂轉開水龍頭不懂關；
澤瑋，一個沉默不多話的男孩，在家與父親不親近，在學校
爸爸知曉收拾碗盤，辦公女子酷愛整潔。生活細節一堆毛，
又飽受同學霸凌，在紙上畫上各種怪奇生物，是他度過苦悶
怪癖怪樣不可少。瑣事堆積成垃圾山，不如來匆匆去沖沖，
日子的方式。然而有天他一覺醒來，卻發現生活周遭的一
通通交給馬桶消滅殆盡！以偶動畫為主體，結合複合媒材與
切，都詭異地變得不一樣了⋯⋯
多元筆觸，微觀而具體地提煉日常經驗，處處巧思，一個古
怪又古錐的小世界如焉誕生。 Taku feels like he is incompatible with this world. But one day,
he wakes up to discover that all his dissatisfactions no longer
A man who has a unique way of using toilet paper after exist.
pooping. A couple who always orders delivery because they
don’t like to put on clothes. A family that has a way to avoid
washing dishes. A woman who likes her table to be sparkly
clean. People use bags for every little thing, a convenience
of life we enjoy every day. Too much waste? No problem, just
flush it all down the toilet!

洪慧珍 Red HUNG Huei-jen 楊芸喬 Joe YANG

1986 年生，雲林科技大學數位媒體設計系學士、愛沙尼亞藝術學院動畫研究所碩士。擁有多部獨立動畫短片經歷， 畢業於臺北藝術大學電影創作學系。致力實驗以複合媒材創造出獨特的觀感與敘事。
任動畫師、偶動畫設計及參與美術設計工作。擅長電腦動畫、偶動畫，傾向結合不同媒材、實驗並發展特殊風格。 Joe YANG graduated from Taipei National University of the Arts. He is devoted to art, cinematography and painting,
2019 年動畫短片作品《洗衣機裡的大猩猩》，曾獲當年度高雄電影節國際短片競賽台灣學生獎。 and enjoys mixing different media and domains to create unique experiences and stories.
Red HUNG Huei-jen is an animation filmmaker who is especially interested in stop-motion animation but also
specializes in 2D animation, After Effects animation and motion graphic design. She looks for the absurd and vexing in
life, then creates weird stories and characters with a tint of sarcasm and humor.

PRINT SOURCE 陳丞楦 Katie CHEN PRINT SOURCE 楊芸喬 Joe YANG

吸血鬼與魔法師 當鯨魚游上沙灘
2022 台中國際動畫影展
2022 台北電影獎 最佳動畫片獎提名
2022 香港電影節

Turn Twice and Click Alice on the Beach

台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour, B&W ｜ 11min
霓虹交織的西門町街頭，今晚是吸血鬼和魔法師的初次相 愛麗絲的購物車滑下手扶梯，沉入停車場幻化而成的海洋，
遇。原本的陌生，在他們述說著彼此的際遇後而熱絡起來， 彷似衣服又像塑膠袋的黑色物體在海面上漂浮，宛如鯨魚的
怕生的吸血鬼好奇魔法師為何總能開懷大笑，不會飛的魔法 尾巴擺動。愛麗絲向岸上救生員求助，兩人於深海之中交
師則羨慕吸血鬼的飛天技能。這一夜，他們盡情享受當下歡 會相戀，一生卻在瞬間流轉而過，隨著鯨魚游上沙灘驀然回
愉，穿梭都市狂奔玩樂，甚至翱翔到觸摸不到的彼端。兩顆 首。
寂寞破碎的心，漸漸拉近彼此，也在現實之外找到了相同的
頻率。 彩色與黑白對比的創新畫風，融為穿梭幻想的恣意漫遊，浪
漫與詩意盎然，巧妙揉合了自然異境與人生感懷。
In Ximending, the vampire meets the magician. The vampire
can't see herself in the mirror, but she wants to learn to laugh. A shopping cart slides into the ocean, along with her dream. Is
The flightless magician is always laughing, and his blood it an isolated reef, or a stranded whale? As she dives into the
seems to be the antidote for vampires. They run and laugh deep and silent sea, Alice thinks of her love and commitment,
throughout the city, and even fly into the sky. They hope to as they seem to drift away. Her dream loses its color; only
enjoy a night of fun before the magic wears off. black silence and white years remain.

鄭安群 CHENG An-chun 吳德淳 WU De-chuen

編劇、導演，畢業於臺北藝術大學電影創作系，編導作品包括《明天再見》、《地獄裡的惡夢》、《風剪樹》等， 畢業於東海大學及美國紐約大學視覺藝術研究所，以動畫創作見長，題材多來自個人生命經驗。以《簡單作業》
並先後榮獲國內影展獎項肯定。《吸血鬼與魔法師》為其最新創作，期以續寫超級英雄的系列殘酷故事， 將他們 與《荒城之月》分別獲 2010 年、2014 年台北電影獎最佳動畫片獎；《海角天涯》獲得第 58 屆金馬獎最佳動畫
的自卑與創傷轉化為超能力。 短片獎；《當鯨魚游上沙灘》再獲 2022 年台北電影獎最佳動畫片獎提名。
CHENG An-chun is a Taiwanese writer and director. He graduated from the Department of Filmmaking, Taipei WU De-chuen graduated from the NYU School of Visual Arts. Most of his animations are inspired by personal
University of the Arts, and participated in the 2016 Golden Horse Film Academy. He hopes to write a series of stories experience. His recent work, The Magical Tracing, won Best Animated Short Film at the 2021 Golden Horse Awards.
about brutal superheroes whose abilities come from their low self-esteem, trauma, or pain.

PRINT SOURCE 鄭安群 CHENG An-chun PRINT SOURCE 鄭怡萍 CHENG Yi-ping
30 台灣組 02：愛戀未打烊 Taiwan Competition 02: Heart's Beating Fast 台灣組 02：愛戀未打烊 Taiwan Competition 02: Heart's Beating Fast 31

軟弱的梨 燒
2022 金穗獎 最佳演員、攝影獎
2021 台北電影獎 最佳短片、新演員獎提名
2021 桃園電影節

Her and I Burning

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 18min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 12min

高中女生安安為男友準備了禮物，班上的失竊案卻令人懷疑 《天橋上的魔術師》「小不點」李奕樵主演。毛頭小子阿傑
禮物的來路，受到同學議論的她怒不可遏，面對男友的疏 與明凱撥開枯黃的玉米田，跋山涉水攀上平房屋頂，輪流以
離、媽媽的指責及導師即將臨盆的新生兒，失去原有一切的 小望遠鏡偷窺正在沐浴的妙齡女子。明凱對遠天嘶吼「成就
安安，逐漸明白被愛的不同可能。酸澀色調攪動青春期對愛 達成」，彷彿證明自己在轉大人的清單上又少了一項挑戰。
情、親情、友情的渴望，少女在錯誤中蛻變成長。 兩人偷抽阿傑私藏的香菸，在越級打怪之餘，沒料到代價卻
也隨之而來。
Her and I is a story about an adolescent girl’s mistake in the
pursuit of love. She eventually realizes her decision will cost Two boys are searching for their place in a world not made
her everything she thought she had. Through witnessing the for them. They roam the neighboring corn field looking for
birth of a newborn child, she sees what it is that she lacks. somewhere to settle, deciding to occupy an empty rooftop in
order to fill it with their curiosities, dreams and memories. It is
an elegiac contemplation on friendship and solitude.

陳韶君 CHEN Shao-chun 唐豪 TANG Hao

1992 年生於高雄，畢業於臺北藝術大學電影創作學系，主修表演、剪輯。第一部自編自導短片作品《軟弱的梨》 現就讀臺北藝術大學電影創作學系研究所導演組。曾以《邱比特的金槍》入圍 2018 年 MOD 微電影暨金片子創作
即獲影展肯定，入圍台北電影獎最佳短片、最佳新演員獎，以及桃園電影節，並獲第 44 屆金穗獎最佳演員及最 大賽 4K 影片特別獎、最佳劇本獎。除短片創作外，亦拍攝 MV、錄像作品。
佳攝影獎。 TANG Hao was born in 1997 and raised in the rural south of Taiwan. He is currently studying at the Department of
CHEN Shao-chun is a Taiwanese filmmaker born in 1992. She graduated from Taipei National University of the Arts Filmmaking of Taipei National University of the Arts. Burning (2022) is his first short film.
with a degree in film production. Since graduation, she has worked as a freelance filmmaker who uses film to explore
her life and establish a connection between herself and the world around her.

PRINT SOURCE 陳韶君 CHEN Shao-chun PRINT SOURCE 唐豪 TANG Hao

陀陀 套子套
2022 台北電影節 2022 青春影展 影視類評審團特別提及

Tuo Tuo Unspoken Things

台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 14min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25min

服兵役的阿海，趁著部隊放假兩天回到家中鹿場工作。潮濕 跨年之夜，立豪扛著喝醉的雅宣回家休息，途中他們互相透
的空氣、草腥與血腥的氣味，攪和著阿海童年的回憶，以及 露不為人知的事情。抵達立豪家後，雅宣卻脫口而出一個令
對他而言最重要的一隻鹿──陀陀。 立豪驚詫不已的祕密，那一刻起，這個夜晚變得不太一樣
⋯⋯
During his weekend leave, Hai goes home to help out on the
family deer farm. Upon his return, he discovers that he has to On New Year's Eve, Hao carries the drunk Xuan to his home
say goodbye to his favorite deer. to rest. On their way, they reveal unknown secrets to each
other. After arriving at Hao's home, Xuan blurts out a secret
that surprises Hao. From that moment on, their long night
becomes slightly different…

朱建安 An CHU 鍾易澄 CHUNG Yik-ching

1993 年生於台北，畢業於政治大學企業管理系、紐約哥倫比亞大學電影研究所。短片《錦鯉墜落》和《陀陀》接 生於香港，香港城市大學創意媒體學系畢業，現就讀於臺北藝術大學電影創作學系研究所。
連入選 2021、2022 年台北電影節。 CHUNG Yik-ching was born and raised in Hong Kong and graduated from the School of Creative Media of City
An CHOU is a Taiwanese filmmaker with a graduate degree in screenwriting and directing from Columbia University. University of Hong Kong in 2020. He is currently in Taiwan studying for a master’s degree at the Department of
His latest two shorts were selected to Taipei Film Festival in consecutive years. Filmmaking of Taipei National University of the Arts.

PRINT SOURCE 朱建安 An CHU PRINT SOURCE 鍾易澄 CHUNG Yik-ching

32 台灣組 03：和自己跳舞 Taiwan Competition 03: Sole Dance, Duet Dance 台灣組 03：和自己跳舞 Taiwan Competition 03: Sole Dance, Duet Dance 33

吃葡萄不吐葡萄皮 樹洞
2022 台灣國際女性影展 2022 桃園城市紀錄片影展
2022 台北電影節

Eating Grapes without Spitting Out the Skin Tree Hole for Secret
台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 21min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour, B&W ｜ 25min

年過 30 歲的瑋瑋一心想當配音員，用好聲音征服全世界， 本片跟拍一位從事影視美術設計的女孩，多才多藝、笑容爽
偏偏時不我與，處處碰壁。人生陷入困頓之際，她意外發現 朗的她，其實已和憂鬱症長年共處，多次將自己從黑暗谷底
過世的父親原來是位債權人！為了夢想、尊嚴與相依為命的 撈起。透過她大方分享心路歷程及支持系統，影片間以黑畫
老母，瑋瑋搖身變為鐵血討債人，誓言為她灰暗的人生注入 面匯集多位病友自白，從不同觀點剖繪「我生病了」，將私
金錢的光芒。全片運用大量的手持運鏡，鏡位設計與活潑的 密記憶轉化成能量。觀眾也猶如化為樹洞，不只承接最赤裸
剪輯，增添充滿動態感的喜劇能量。 無畏的傾訴，也彷彿接住了不被理解的自己。

Wei-wei longs to be a voice actress. When she accidentally This film follows a girl who has been living with depression
finds out that many people owe money to her late father, she for many years, and explores the concept of “I’m sick”
makes them pay back with her voice. through different points of view. Everyone has experienced
low moments in their lives or been through dark times in the
past that are rarely talked about. It is hoped that this film can
transform these emotions into positive energy in our lives.

林㵟芝 LIN Wei-chih 吳品萱 WU Pin-hsuan

1988 年生於台灣，臺灣藝術大學電影學系研究所畢業，致力於喜劇的研究與創作，現為廣告導演。作品曾入圍 平常以拍照吃飯，喜歡拍劇照跟舞台表演，夢想是環遊世界邊拍照，任何好玩的影像需求歡迎發案。廣播兒童，
4A 創意獎、數位奇點獎等廣告獎項。《吃葡萄不吐葡萄皮》為其畢業製作。 最喜歡的節目是《青春點點點》。
LIN Wei-chih currently works as a director in advertising. She obtained her master's degree from the Department of WU Pin-hsuan is a working photographer who enjoys capturing behind-the-scenes moments and live performances.
Motion Picture at National Taiwan University of Arts. She welcomes anyone to collaborate with her for any fun projects. Her favorite radio show is YoungDotx3.

PRINT SOURCE 林㵟芝 LIN Wei-chih PRINT SOURCE 吳品萱 WU Pin-hsuan

島影 1/5400・單格舞曲
2022 台北電影獎 最佳動畫片獎提名 2022 台灣國際女性影展
2022 金穗獎 最佳動畫片獎 2022 non-syntax 實驗影像展
2022 富川國際動畫影展 2022 韓國 EXiS 實驗影展

The Island of Us Flight and Frame

台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 19min 台灣 Taiwan ｜ 2021 ｜ DCP ｜ B&W ｜ 10min

迷霧散去，苗仔從樹梢間醒來，月光將影子拉長，隨著引領 在一間落後於時代的老屋裡，開啟一個緩慢的手工實驗。作
攀梯而下，他開始了在島上的探險。奇妙生物接二連三出 者將折返國境之間，而散落於相異時空顯影的 8mm 黑白膠
現，萬物皆有序，天地為一體，苗仔在週而復始中，找尋著 卷，逐日逐格黏貼於 16mm 透明膠卷。時間秩序重整，以
與影子共存的方式。定格動畫訴說詩意寓言，在毛絨包覆的 再製的格數計算前行。日子過去，間隙／格的光影留下。
奇幻國度，共赴一段溫柔卻殘酷的生命之旅。
This is an 8mm and 16mm experimental film made during
A seed who can’t get under the sun and a shadow the year of COVID-19 around the time I moved back to
Taiwan from Japan. I shot 8mm footage during the state of
who needs light to exist are each other’s meaning of
emergency in Japan and just after moving back to Taiwan.
life. The seed makes up her mind to find a way to be I then spent several months cutting and pasting each 8mm
with the shadow, kicking off a journey to explore this frame onto 16mm film. Sometimes the daily fragments were
strange world. too sentimental, but the film gave me shelter.

余聿 YU yu 張若涵 Johan CHANG

政治大學廣播電視學系與哲學系雙學士、南加州大學動畫學系碩士。2016 年《視線》獲第 39 屆金穗獎學生作品 1990 年生，台南人。從事紀錄片製作、推廣、影展等工作。於日本 Image Forum 修習實驗電影後，開始個人影
類優等獎，2017 年《家家酒》亦獲第 40 屆金穗獎入圍肯定，2018 年《雛菊》獲美國學生奧斯卡動畫銀獎。《島 像創作。
影》為其最新作品。 Johan CHANG has been working for documentary film festivals/organizations and producing documentaries for many
YU Yu, who graduated from the University of Southern California with an MFA in Animation, specializes in stop motion years. Her works explore the expression of moving images to address memory, image-making, hand-made processes,
animation. At the end of 2018, she returned to Taiwan and founded the Shadow Step Studio to continue making more and diary films. She is a member of ReaRflex (Taiwan) and Ground Rebel/Level Cinema (Japan).
stop-motion commercials and personal projects.

PRINT SOURCE 余聿 YU yu PRINT SOURCE 張若涵 Johan CHANG

34 台灣組 04：成人的難題 Taiwan Competition 04: Adult Issues 台灣組 04：成人的難題 Taiwan Competition 04: Adult Issues 35

下一站 詠晴
2022 金穗獎 最佳紀錄片獎提名 2022 台北電影獎 最佳短片獎
2022 桃園電影節 2022 金穗獎 最佳劇情片獎
2021 金馬獎 最佳劇情短片獎
高二的一場車禍，讓熱愛棒球的溫金勝就此癱瘓，頸椎粉碎
Next Stop 性骨折造成他只剩頭部能與人溝通。臥床 25 年，意識清醒 Good Day
台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour, B&W ｜ 25min 卻無法動彈的他，生命看不到盡頭，連死亡都是一種奢求， 台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 19min
父親在渺茫希望與經濟負擔中擺盪，安樂死成為溫金勝的唯
一指望，人生的下一站該開往何處？黑白抽色影像呼應病痛 與妻子正在協商離婚，被趕出門的家誠，這天趁母老虎不在
現況，多方訪談直面困境真相，生命最後的尊嚴，是否在於 家，潛回家中拿取高爾夫球。 此時，強颱「詠晴」來襲，一
自我選擇善終？ 個與老婆同名的颱風⋯⋯

WEN Jin-sheng loved being active from a young age. A Taiwanese businessman Chia-chen is kicked out by his wife,
motorbike accident during his junior year of high school left whom he is going to divorce. One day, he sneaks back home
him with a comminuted fracture to the cervical spine, paralysis to take his golf set. Approaching at the same time is “Yong
of four limbs, and only his head left to communicate with Ching”, a typhoon that shares the same name as his wife.
others.

Jin-sheng has since spent 25 years lying in bed. Not only

has his family suffered under the financial burden of his
condition, his life has also lost all direction and he has begun
to contemplate euthanasia.

楊孟嘉 Charles YANG Meng-jia 張誌騰 ZHANG Zhi-teng

臺灣藝術大學應用媒體藝術研究所碩士，身兼導演、編劇、攝影、剪輯，作品橫跨電視、電影、舞台劇。劇本作 攝影出身的新銳導演，喜歡欣賞殘缺中的美。26 歲時以《醉・生夢死》獲第 52 屆金馬獎最佳攝影獎提名；2021
品多次入選優良電影劇本與金馬創投會議。2019 年執導電視電影《忘川》入圍第 54 屆金鐘獎迷你劇集／電視電 年，自編自導的首部短片《詠晴》入選釜山國際影展，並接連獲得金馬獎、金穗獎與台北電影獎最佳短片之肯定，
影女主角獎、2019 年桃園電影節台灣獎。《下一站》為其最新作品。 為創作之路注下強心針。
Charles YANG Meng-jia is a director, screenwriter, and editor. He graduated from National Taiwan University of Arts, ZHANG Zhi-teng is a new filmmaker with a background in cinematography. He was nominated for Best
where he is now a guest professor. He has participated in many documentaries and stage plays, and his screenplays Cinematography at the 2015 Golden Horse Awards for Thanatos, Drunk. His first short, Good Day, was selected to
have been nominated by the Excellent Screenplay Awards and selected to the Golden Horse FPP. Busan's Wide Angle Asian Short Film Competition and won Best Live Action Short Film at the 2021 Golden Horse
Awards.

PRINT SOURCE 華星八方傳播股份有限公司 Infinity Stars Media Inc. PRINT SOURCE 林儀芬 Fenda LYN

關係暴力 單人遊戲
2021 金穗影展
2021 韓國光化門國際短篇電影節
2021 香港 ifva 獨立短片及影像媒體比賽
一個女人與一隻黑貓在城市裡生活，有時愜意輕鬆，有時傷
Asphyxia Me and Me 心孤單。藉由主角細心感受生活中的小事小物，生命中的溫
暖與靈光閃耀在短暫的片刻。
台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 22min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ B&W ｜ 10min
一起侵入竊盜的案件，使原本夫妻關係破裂的她，下意識向 本片靈感來自法國老電影，導演運用黑白素描與粉彩，捕捉
丈夫求救，然而，丈夫卻在制伏歹徒的過程中失手殺了歹 城市光影與獨處心境，像一首詩、一支輕快的短歌，送給孤
徒。一夜過去，丈夫成了輿論口中的護妻英雄，同時卻也可 身在城市裡的每「一個人 」。
能背負過失殺人的刑責，丈夫的暴力行為究竟是保護或是傷
One woman and one black cat share a city life together. This
害？她心裡不斷地辯證兩人的過去與未來，於是那些傷口又 life is pleasant and relaxed sometimes, while sad and lonely
開始隱隱作痛⋯⋯ at other times. The protagonist feels every minute detail in
life, and senses the warmth and glitter of life in the briefest of
During a burglary, a woman asks for help from her estranged moments.
husband, who ends up accidentally killing the thief. Overnight,
the husband becomes a hero in the eyes of the public, This film takes inspiration from classic French cinema. The
even though he could also be responsible for involuntarily director captures the lights and shades of a city and the
manslaughter. Was his violence to protect or to harm? As feeling of solitude with black and white sketches and colorful
she ponders their past and future, painful old wounds are pastels. The film aspires to be a poem, a brisk song, and a gift
reopened… to every “one” living alone in cities.

莊翔安 CHUANG Shiang-an 陳秋苓 CHEN Chiu-ling

1987 年出生，臺北藝術大學電影創作學系研究所導演組畢業。歷年作品以奇幻、類型揉和當代議題為其特色，曾以短
片《媽媽桌球》（2018）入選富川國際奇幻影展、棕櫚泉國際短片影展等國際重要影展，並獲得金穗獎優等獎、金鐘
獎迷你劇集／電視電影編劇獎入圍等肯定。2020 年為電視影集《返校》的導演之一，現正籌備《媽媽桌球》電影長片。
CHUANG Shiang-an was born in 1987 and graduated from the Department of Filmmaking of Taipei National University
of the Arts. His short Mama Pingpong Social Club was selected to BIFAN and Palm Springs, and earned a Special
Mention in the General Slate of the Golden Harvest Awards as well as two Golden Bell Award nominations.
台灣插畫家、動畫導演。以細膩視角探索生活，呈現手繪質感的詩意奇想。作品跨足影視、廣告與出版，動畫作
品《彼岸》曾獲 2011 台北電影獎最佳動畫片獎。
CHEN Chiu-ling is a Taiwanese illustrator and animation director who aims to explore life with a nuanced perspective
and express poetic fantasies with hand-drawn textured art. Her work is seen across audiovisual media, advertisements,
and publications. She won Best Animation at the 2011 Taipei Film Awards for The Other Side.

PRINT SOURCE 青春期影視娛樂有限公司 Teamwork Entertainment Co. PRINT SOURCE 陳秋苓 CHEN Chiu-ling
36 台灣組 05：帶我去遠方 Taiwan Competition 05: Somewhere Farther 台灣組 05：帶我去遠方 Taiwan Competition 05: Somewhere Farther 37

看海 講話沒有在聽
2022 桃園電影節 「台灣獎」競賽最佳影片、演員獎 2022 富川國際奇幻影展
2022 金穗獎 評審團特別獎 2022 香港 ifva 獨立短片及影像媒體比賽 亞洲新力量組特別表揚獎
2022 布魯塞爾短片影展 2022 台北電影獎 最佳短片、編劇獎提名

To the Sea Can You Hear Me?

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 25min 台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 25min

年邁的母親獨自扶養智能障礙的兒子長達 30 多年，久病纏 阿忠一覺醒來，發現自己死了。他看著太太和子女處理他的

身的她已經相當疲憊了。這天，母親騎著機車，載著喜歡看 身後事，一家人圍著屍體一邊吃早餐、一邊七嘴八舌，阿忠
海的兒子來到海邊，母親哄著兒子一起走向大海，走向兩人 也在旁邊喋喋不休，但不論生前或是死後，他講的話都沒人
生命的終點。 聽！他只能委託一個人，完成他最後心願。

An elderly mother who spends her life taking care of her Jhong wakes up at home and finds himself dead. He watches
intellectually-disabled son finally reaches her breaking point his wife and children deal with his death as they speak their
and decides to take her son on one last ride, towards the sea thoughts over breakfast. Shortly after, absurd things begin to
and towards the end of their lives. happen.

林柏瑜 LIN Po-yu 李念修 LI Nien-hsiu

生於 1990 年，臺灣藝術大學電影學系研究所畢業，曾是第 13 屆金馬電影學院學員。執導電影短片《少年阿堯》 為編劇、剪輯、導演三棲的創作者，過去十幾年的剪輯經驗累積了對人物細膩的觀察眼光，近年開始跨足編劇及
（2020）、《看海》（2021）曾於國內外各大重要影展獲獎。目前正積極籌備個人首部劇情長片。 導演工作。
LIN Po-yu graduated with an MFA from the Department of Motion Picture, National Taiwan University of Arts. His LI Nien-hsiu is a Taiwanese director, screenwriter and film editor. She acquired a good eye for character after working
works Growing Pains and To the Sea were selected to numerous international film festivals. He is now preparing his as a film editor for more than a decade, and has been applying that knowledge to her work as a screenwriter and
first feature film. director in recent years.

PRINT SOURCE 林柏瑜 LIN Po-yu PRINT SOURCE 打勾勾娛樂有限公司 Deal Entertainment Inc.

不詳的一方 路上 2022 金點設計新秀獎 數位影像設計類

Noname Square On the Road

台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 6min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 7min

一位於白色恐怖中遇害的版畫家，被捲入一個不知名的方形 當一對父子在車上，兩個男人的對話輕鬆展開。兒子彷彿對
空間，在其中幻想著他應該擁有的人生⋯⋯ 父親有上百萬個好奇，對自己也有無限個疑問。父親偶爾像
朋友般自在幽默，有時又顯現身為人父的沉穩。在無謂閒散
1950 年代的台灣，政治犯的遺體會被下葬在六張犁亂葬崗，
間摻佐人生命題，關於工作、戀愛、成長，有過去也有未來。
並以紅漆在墓碑上寫上不詳字樣。本片透過受難者黃榮燦的
當代又簡約的動畫風格，搭配真實父子對話，一趟屬於年少
身分切入，想像當年被殺害的台籍精英們，存活下來的生命
又有前輩領路的旅程，讓父子情誼真摯鋪開。
樣貌。
Son and father are driving on the highway. The son keeps
A printmaker, who was killed in the 228 Incident, falls into asking questions until he finally notices the changes in his
an unknown square space, in which he imagines the life he father's body. The dialogue in the animation is taken from a
should have had… recording of a real conversation between the filmmaker and
his father.

黃信瑋 HUANG Hsin-wei 洪楷勛 HONG Kai-xun

新竹人，臺北藝術大學動畫學系畢業，現就讀臺南藝術大學動畫藝術與影像美學研究所。作品《彼雀》曾獲 2017 2000 年生於台中，現就讀於實踐大學媒體傳達設計學系。
年青春影展動畫類銀獎，並入圍首爾國際動漫影展。 HONG Kai-xun was born in 2000 in Taichung, Taiwan. He is currently studying at the Department of Communication
HUANG Hsin-wei received his bachelor’s degree from Taipei National University of the Arts and is currently studying at Design of Shih Chien University.
Tainan National University of the Arts. His film Sparrow won the Silver Award at the 2017 Youth Film Festival and was
selected to the Seoul International Cartoon & Animation Film Festival.

PRINT SOURCE 黃信瑋 HUANG Hsin-wei PRINT SOURCE 洪楷勛 HONG Kai-xun
 國際組 01：純愛悄悄話 International Competition 01: What about Love 39

International Competition
霧中北極

霧中北極 North Pole

2022 貝爾格萊德紀錄片暨短片影展 專業獎最佳導演

North Pole
2022 香港電影節 火鳥大獎最佳短片提名
2021 坎城影展 金棕櫚獎最佳短片提名

北馬其頓、塞爾維亞 North Macedonia, Serbia ｜ 2021 ｜ DCP ｜ Colour ｜ 15min

瑪格是一名正在摸索自我的青少女，在寒冷的暸望台上，與
俊俏男孩幽會卻躑躅遲疑；在學校的更衣室裡，想融入其他
女生又感格格不入。她決定採取行動，對男孩獻身破處，雖
亟欲找到自己的定位，內心卻有如冬日迷霧更加朦朧。

本片為首部入選坎城影展的北馬其頓影片，透過以膠卷拍攝
的迷人質感，呈現一則細膩幽微的成長詩篇。

Misty field, crowded locker room. Margo belongs to neither.

Maybe if she loses her virginity, she will finally find her place.

瑪麗亞・阿普賽夫絲卡 Marija APCEVSKA

擁有北馬其頓史高比耶戲劇藝術學院的導演學位，以及紐約電影學院洛杉磯分校的電影與媒體製作碩士。短片作
品曾入選坎城及柏林影展，亦主創受到北歐國家青睞引進的兒童影集《Zoki Poki》（該影集是唯一在北歐播出的
北馬其頓影集），現正籌拍首部長片《Spring Cleaning》。
Marija APCEVSKA holds a BA in Directing from FDA, Skopje and an MA in Film and Media Production from NYFA, Los
Angeles. Her shorts have traveled to festivals worldwide and won several awards. She is the creator of the children’s
TV series Zoki Poki, the only TV series from North Macedonia broadcasted in Scandinavia.

PRINT SOURCE Lights On

男情足球迷 2022 棕櫚泉國際短片影展 實景短片特別提及

Makassar is a City for Football Fans

2022 日舞影展 評審團大獎最佳短片
2022 芬蘭坦佩雷影展

印尼、法國 Indonesia, France ｜ 2021 ｜ DCP ｜ Colour ｜ 20min

在印尼的望加錫（Makassar）有個定律：是男人，就要瘋
足球。剛上大學的阿巴為了不遭新朋友排擠，只好假裝成
足球迷一起觀賽吆喝。某天晚上，眾人在狂歡後紛紛倒地入
睡，半夢半醒間，阿巴似乎感覺有雙手抱住了他，他是否該
做出回應？本片游移在說與不說、真誠與隱瞞之間。導演藉
由陽剛的足球文化，突顯印尼社會裡 LGBTQ+ 族群的無奈、
壓抑與掙扎。

In a city where men have to go crazy about football, Akbar has

to pretend to love the game in order to prevent rejection from
總計共有 18 部劇情片、14 部動畫片、五部實驗片、三部紀錄片。其中包括 17 部亞洲片。國際組向來競爭激烈，除
his new college friends.

了真人演出的劇情片之外，實驗片和動畫創作的能量，也教人十分驚豔。透過聲畫的精心調度，敘事的編寫，這些
作品不僅能與普世的情感溝通，也能帶觀眾一窺不同地域和文化的生活細節。幽默、柔情的迷人追索有之，亦有悚
然跌宕、驚恐和惶惶無語的出奇時刻。 柯奇・里沙 Khozy RIZAL
The International Competition features a total of 18 narrative films, 14 animations, five experimental films, and 印尼獨立電影導演，現居望加錫，首部劇情短片《男情足球迷》旋即獲得國際各大影展關注與肯定。
three documentaries. Seventeen of the selections are from Asia. The International Competition has always Khozy RIZAL is an independent filmmaker based in Makassar, Indonesia. He began his filmmaking career in 2021
been highly competitive. Apart from the live-action narrative films, the experimental films and animations are by making his first short film, Makassar is a City for Football Fans, which was selected to Sundance, Palm Springs,
also full of amazing creative energy. Through the careful crafting of sound, images and narratives, these works Tampere, BFI Flare, and other film festivals.

not only convey universal emotions, but also give the audience a glimpse into life and culture in different
regions. Expect charming moments full of humor and tenderness, as well as unexpected instances of horror,
anxiety and speechlessness.
PRINT SOURCE Khozy RIZAL
40 國際組 01：純愛悄悄話 International Competition 01: What about Love 國際組 02：你是否明白我存在？ International Competition 02: Coming into Existence 41

網戀沙塵暴 2022 日舞影展 評審團大獎最佳短片提名 傢俱展 2022 西班牙韋斯卡國際影展

Sandstorm The Furniture

2021 威尼斯影展 地平線獎最佳短片提名 2022 以色列特拉維夫國際學生影展 最佳剪輯獎
2021 美國電影學會影展 評審團大獎最佳實景短片提名 2022 蒙特婁國際藝術影展

巴基斯坦 Pakistan ｜ 2021 ｜ DCP ｜ Colour ｜ 20min 比利時 Belgium ｜ 2021 ｜ DCP ｜ Colour ｜ 16min
伊莉迪亞被委派到一家當代藝廊，負責某場表演藝術展覽的
傳統家庭長大的女學生颯拉，與男網友墜入曖昧情網。某 清潔工作。展覽當天，藝術家有的裝扮成傢俱任人使用，有
日，她向對方分享艷舞影片，竟慘遭脅迫。拒絕成為父權傀 的在乳牛面前爆吃牛肉堡，而參觀的觀眾則拍手叫好。伊莉
儡，颯拉陷入天人交戰的自我掙扎。 迪亞能否在困惑之餘，安然度過這詭異的一天？導演以喜劇
手法諷刺藝術圈，然而老百姓所見的荒誕，或許就是藝術圈
巴基斯坦裔英國新銳導演對準當代女性敘事，帶領觀眾走進
的日常。
角色心情起伏，不僅以影像進一步直視網路交友陷阱，也拋
出愛情與慾望追尋的青春大哉問。 A contemporary art gallery organizes an exhibition presenting
several art performances.
Zara, a schoolgirl in Karachi, Pakistan, shares a sensual dance
video with her virtual boyfriend, who then blackmails her. The cleaning lady Ilidia has trouble understanding the aim
Caught between his manipulative behavior and the desire of such performances and gets irritated by the visitors'
to experience love on her own terms, Zara searches for the behaviors.
strength to reject the confines of a patriarchal society.
The evening could end badly…

西瑪布・古爾 Seemab GUL 梅赫迪．彼耶赫 Mehdi PIERRET

巴基斯坦裔英國人，畢業於倫敦電影學校。她擅長用影像交織紀錄片、虛構、表演等元素，以探索社會政治議題。 1996 年生於比利時布魯塞爾，畢業於布魯塞爾藝術高等學院。本片是他的畢業作品，曾入選蒙特婁國際藝術影展等。
她的紀錄片《Zahida》在半島電視台播映，預告瀏覽率超過 1200 萬次。《網戀沙塵暴》是其最新作品。 Mehdi PIERRET is a Belgian director born in Brussels in 1996 and trained at INSAS between 2016 and 2021. In his final
Seemab GUL is a British-Pakistani filmmaker with a BA in Fine Art and an MA in Filmmaking from the London Film year at INSAS, he directed his graduation film, The Furniture, a satirical comedy about the world of contemporary art.
School. Her portfolio includes documentaries, drama, hybrid films and art installations.
Her films have screened in HotDocs, SXSW, DokLeipzig, Sheffield Doc Fest, Centre d'Art Contemporain Genève, and
many other international festivals and galleries.

PRINT SOURCE Sayonara Film (Elenfant Distribution) PRINT SOURCE INSAS

暴雨前夕的祕密 2022 柏林影展 「Generation 14plus」單元水晶熊獎最佳短片提名 寂靜的和聲 2021 瑞士溫特圖爾國際短片影展

Memoir of a Veering Storm The Silent Echo

2022 奧柏豪森國際短片影展 2021 雨舞影展 最佳短片獎
2022 香港電影節 火鳥大獎最佳短片提名 2021 好萊塢短片影展

希臘 Greece ｜ 2022 ｜ DCP ｜ Colour ｜ 14min 印度、法國、孟加拉、尼泊爾 India, France, Bangladesh, Nepal ｜ 2021 ｜ DCP ｜ Colour ｜ 16min

一場暴風雨即將到來，9 月的早晨，母親一如往常送女兒安 壯闊山谷，回音裊裊，山脊上的廢置巴士裡，藏著一鳴驚人

娜上學，但殊不知少女內心正烏雲密布，準備掀起另一場風 的天籟歌喉。鄰村即將舉辦音樂競賽，四名尼泊爾孩童組成
暴。面對將要產生變化的身體，忐忑心情紊亂交織。這一刻， 樂團，攢下錢幣，勇敢啟程。印度導演蘇曼・森以流暢的敘
空氣凝結，時間彷若無聲靜止，僅剩窗外樹葉隨風婆娑。暴 事與絕美的攝影，捕捉那些在邊緣環境中奮力求生、展現頑
雨過後，一切終會回到正軌？還是已步入全新人生階段？ 強生命韌性的破碎靈魂，敘說未被聆聽的在地故事，有望衝
擊 2023 年奧斯卡金像獎最佳短片。
It is a morning in September. A storm is about to break. A
mother drives a girl to school in the morning and picks up a Four teenagers from a remote mountain village spend their
woman at the end of the school day. Anna, a 15-year-old girl days in an abandoned bus on a ridge, playing music. When
sneaks out of school, and with the help of her boyfriend, they a band competition is organized in a neighboring town, they
visit a hospital. There, she has to face an event that will jolt gather the money and courage to be part of it.
her into adulthood.

蘇菲亞・耶爾格瓦西里 Sofia GEORGOVASSILI 蘇曼・森 Suman SEN

1980 年生於希臘帕特雷，在雅典成長並修讀表演專業，身兼導演、編劇和演員身分。2017 年完成首部短片 生於 1992 年，現居於印度孟買。商業、設計和傳播領域出身，作為專業廣告人，和眾多品牌合作超過十年。《寂
《Preparation》，於多倫多國際影展世界首映，並獲國際各大獎項肯定。《暴雨前夕的祕密》為其最新短片， 靜的和聲》是他的首部短片，他的第二部短片《悲傷是一條乾枯的河》（Cry Me a River）在台灣取景，首部跨
入選柏林影展「Generation 14plus」單元，現正籌備首部劇情長片《Mignon》。 國合製的劇情長片《Eka》正在籌製中。
Sofia GEORGOVASSILI is an award-winning actress and filmmaker based in Athens. Her first short film as a director, Suman SEN is a filmmaker currently living in Mumbai, India. His debut short, The Silent Echo (2021), won Best Short at
Preparation (2017), had its world premiere at the Short Cuts section of Toronto International Film Festival, and went on the Raindance Film Festival. His just completed his second short, Cry Me A River, which is based in Taiwan and made
to win numerous awards including Best Director at the Drama International Short Film Festival. with the support of the Information Bureau of Taichung City Government.

PRINT SOURCE Lights On PRINT SOURCE Fickle Formula

42 國際組 02：你是否明白我存在？ International Competition 02: Coming into Existence 43 國際組 02：你是否明白我存在？ International Competition 02: Coming into Existence

網紅靡音 梅婆
2022 巴黎國際動畫影展 「地平線」競賽單元原創獎
2022 西寧 FIRST 青年電影展
2022 奧柏豪森國際短片影展 2022 澳門當代電影及錄像展 評審大獎

Virtual Voice Mui

2021 翠貝卡影展
2021 卡達世代青春影展 Made in Qatar 獎評審團特別提及

蘇丹、卡達 Sudan, Qatar ｜ 2021 ｜ DCP ｜ Colour ｜ 7min 澳門 Macao ｜ 2021 ｜ DCP ｜ Colour ｜ 8min
蘇西娃娃是一位名符其實的虛擬網紅，透過各大社群網站，她展
現走在尖端的時尚品味，也附和政治風向大力疾呼，但對著手機 在一趟短途旅程之中，一名年輕人和他的外婆面對可怕的回
的自言自語，成了網路聲浪的空虛迴音，連 Siri 都對她厭倦不已。 憶。在外婆一貫的喋喋不休之中，折磨於過去與現在交疊的
時間感受，似乎將永無止盡地延續下去。
導演的話：「在這部數位諷刺劇中，我提出一個基本問題：社交
距離對於人類造成何種影響？所有關心時事的轉貼與分享，最終 導演的話：「我嘗試透過這個動畫作品，去探索自己與外婆
都只是裝模作樣。」 相處所產生的恐懼和想法，思考我們之間的關係。我喜歡透
This is a satirical review of our times. Suzi doll is an ego- 過這個途徑來梳理煩惱，自問有時不想面對的答案。」
warrior. My online avatar, marching to the algorithms of
During a short trip, a young man and his grandmother
social media. She is lit by temporary outrage. A trending
are confronted with horrible memories. Amidst grandma’s
indignation. A passion that is fashion. A politics of the
usual nonstop nagging, it feels as if suffering will persist
popular. Her activism is abstract. Her help is hypothetical. We
simultaneously in the past and the present.
know many girls like Suzi, and many times we are her: vacuous
virtual voices, echoing injustices.

蘇珊娜・米爾加尼 Suzannah MIRGHANI 黃榮俊 WONG Weng-chon

作家、研究者與獨立電影創作者，擁有媒體及博物館研究雙學位，因身為蘇丹與俄羅斯混血，而對關於複雜身分 一邊眉毛是自然捲的澳門 90 後。畢業於實踐大學媒體傳達設計學系。動畫作品 《黄苦瓜》曾入選薩格勒布國際
的故事深感興趣，作品曾於克萊蒙費宏國際短片影展和美國電影學會影展等獲獎，現正籌拍首部長片《Cotton 動畫影展、台北電影節等。新作《梅婆》榮獲巴黎國際動畫影展「地平線」競賽單元原創獎，並入選第 16 屆西
Queen》。 寧 FIRST 青年電影展短片競賽。
Suzannah MIRGHANI is a writer, researcher, and independent filmmaker of Sudanese and Russian descent. She is the WONG Weng-chon is a Macanese filmmaker who graduated from the Department of Communications Design of
writer, director, and producer of Al-Sit (2020), which won the Canal+ Award at Clermont-Ferrand Short Film Festival, Shih Chien University. His short film, Wong, Bitter Gourd, was selected to the Student Film Competition of Animafest
Best of Fest at LA Shorts, and Grand Jury Prize for Short Live Action Short at AFI Fest, among others. Zagreb and Taipei Film Festival in 2019.

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超能輪胎男孩
2022 克萊蒙費宏國際短片影展
2022 舊金山國際影展 金門獎最佳動畫短片
2022 棕櫚泉國際短片影展 最佳影片獎

Sierra
愛沙尼亞 Estonia ｜ 2022 ｜ DCP ｜ Colour ｜ 16min

父親是民間賽車（Folkrace）狂熱份子，某日他背著老婆帶
兒子參加比賽，無奈家用車性能不敵對手的賽車，男孩只好
化身為超能輪胎以奪取最後的勝利⋯⋯

導演用超現實手法講述一段民間賽車與父親之間真實的回
憶，以電玩鏡頭視角，讓觀眾身歷其境於比賽之中，穿插其
父親於 1980 年拍攝的逐格動畫，畫面色塊隨著音樂律動出
幽默可愛父子版的《在車上》。

A father and his son are losing the folk race. In order to win,
the boy turns himself into a car tire. Loosely inspired by the
director’s childhood, Sierra pulls us into the surreal car racing
world.

桑德・俊 Sander JOON

生於 1992 年，愛沙尼亞藝術學院動畫碩士，現於該校教授動畫，擅長用動畫創造富有幽默感的超現實世界。除
了製作動畫電影外，亦曾為知名饒舌歌手湯米・凱許（Tommy CASH）的 MV，以及《瑞克和莫蒂》的廣告製作
動畫，並曾擔任獲獎無數的動畫片《The Old Man》的 2D 美術設計。前作《Sounds Good》（2018）曾在斯圖
加特國際動畫影展、塔林黑夜影展等獲獎。
Sander JOON uses animation to create surreal worlds with a dash of humor. His films have previously traveled to
festivals such as Annecy, DOK Leipzig, Ottawa, GLAS, and more. He teaches animation at the Estonian Academy of
Arts, where he received a master's degree in animation.

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44 國際組 03：烽火掃落的字句 International Competition 03: Words Torn Apart 國際組 03：烽火掃落的字句 International Competition 03: Words Torn Apart 45

淚舞塞納河 The Seine's Tears 2022 西南偏南影展 評審團特別提及 殺口 2022 邁阿密影展 最佳國際短片獎

Murder Tongue
2022 克萊蒙費宏國際短片影展 ADOBE 特效獎 2022 佛利堡國際影展
法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 9min 2021 華沙國際影展 最佳動畫短片獎 2022 峇厘島國際影展 最佳劇情短片

1961 年 10 月 17 日，阿爾及利亞獨立戰爭期間，阿爾及利
亞工人走上巴黎街頭，抗議實施宵禁，遭到血腥鎮壓，示威
者被扔下塞納河，史稱「巴黎慘案」。此事件曾遭政府長期
否認。創作團隊耗時兩年，從成員家庭經驗出發，打造木偶
風格的 CG 動畫，仿擬手持攝影，再現示威現場與水中孤影，
綺麗震撼，期待喚醒大眾的歷史記憶。
October 17, 1961. Algerian workers take to the streets of
Paris to protest the mandatory curfew imposed by the Police
Prefecture.
亞尼斯・貝萊德
1 5
Yanis BELAID
巴基斯坦 Pakistan ｜ 2022 ｜ DCP ｜ Colour ｜ 18 min 1992 年 5 月，巴基斯坦喀拉蚩城內動盪不斷，父親得知兒子受
傷，便與兒子友人動身前往醫院。途中他們目睹騷亂與烽火，還
被警察盤查刁難。他在醫院被告知一個壞消息後，才坦承了兒子
與家族的祕密。導演試圖透過一個家族的經歷，道出 1992 年至
1994 年間數千名口說烏爾都語的移民慘遭殺害的歷史事件。本
片獻給現今因種族、膚色、宗教、語言與那些擁有權力之人不同，
而遭受歧視的人。
It is May of 1992. The state sanctioned “Operation” has put the
city of Karachi in constant unrest. Abdul Aziz Ansari wakes up
at night and is informed by his daughter in law, Naseema, that
his son hasn’t returned home. A knock on their door later at
night summons them to the hospital. What they witness along
the way is known today as the most brutal chapter of the city’s
history, a sentiment of hatred towards their race, deep rooted
阿德里揚・皮諾
beneath the system.
Hadrien PINOT

埃利奧特・伯納德 麗莎・維森特 阿里・蘇海爾・喬拉 Ali Sohail JAURA

2 6
1 3 5 7 Eliott BENARD Lisa VICENTE 1994 年 生 於 巴 基 斯 坦 喀 拉 蚩，2017 年 以 觀 光 短 片《Land of Pakistan》 囊 括 各 大 國 際 影 展 獎 項， 隨 後 拍 攝
《Grandpa and I》、《Dry Leaves》等短片。本片入選邁阿密影展，並獲最佳國際短片獎，以及入圍瑞士佛利
尼古拉斯・梅耶 菲莉嬪・桑潔 堡國際影展短片競賽等。
3 7
Nicolas MAYEUR Philippine SINGER
Ali Sohail JAURA is an independent filmmaker from Karachi, Pakistan. His short film Dry Leaves was selected to more
than 35 international film festivals and won Best International Short Film at the 2021 Vancouver International South
艾蒂安・穆朗 愛麗絲・萊塔耶爾
2 4 6 8 4 8 Asian Film Festival. In 2018, he co-founded Wide Angle Films, a company that specializes in ad films and branded
Etienne MOULIN Alice LETAILLEUR communications.

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逝言翻譯中 拂過死蔭的幽谷
2022 克萊蒙費宏國際短片影展 「國際競賽」單元最佳紀錄片獎
2021 歐洲電影獎 最佳歐洲短片獎提名
2021 盧卡諾影展 「明日之豹」競賽單元最佳導演獎 2022 薩格勒布國際動畫影展

In Flow of Words Where the Winds Die

荷蘭 Netherlands ｜ 2021 ｜ DCP ｜ Colour ｜ 22 min 伊朗 Iran ｜ 2021 ｜ DCP ｜ Colour ｜ 13min
專業法庭口譯，要像機械沒血沒淚。面對人道悲劇也得平穩
傳譯，彷彿花瓶靜定，信達雅地撐持每一句證詞。本片邀請 座落於伊朗西亞塞拜然省的薩達什特，是庫德族居住的城
三位口譯員，重述國際刑事法院見聞，逐句拼湊出前南斯拉 市，當地居民和睦、家庭和樂，但原本恬淡的生活，卻因戰
夫種族滅絕慘狀。儘管事隔數十年，這段椎心的歷史愴痛， 火延燒、毒氣彈的墜落，就此改變他們的生命軌跡。愛侶被
仍沾附在受害者家屬、證人、被告的口供。然而這次，他們 迫天人永隔，城市更被炸得殘破不堪，無數的傷痛時刻，至
終於能毫無保留地表露情緒，為亡者發聲。 今仍歷歷在目。影片透過湖面的鏡射，端詳戰爭的殘酷無
情，也揭示烽火過後所遺留的痛苦與死亡。
In Flow of Words follows the narratives of three interpreters of
the International Criminal Tribunal for the former Yugoslavia. Sardasht is a Kurdish city in western Iran. At 4:15 p.m. on
They interpreted shocking testimonies from witnesses, victims Sunday, June 28, 1987, the city was hit by chemical weapons
and perpetrators, without ever allowing their own emotions, in a mustard gas bomb attack. This film is about before and
feelings and personal histories to be present. Contrary to after the bombing, a romantic relationship between a couple,
their position at the tribunal, this film places their voices and and finally, the effects of the war.
experiences center stage.

伊莉安・艾斯特・博茨 Eliane Esther BOTS 佩傑曼・阿里普爾 Pejman ALIPOUR

1986 年生於荷蘭，2016 年畢業於荷蘭電影學院電影碩士，長期擔任 Go Short 國際短片影展選片人，並在烏特 1975 年出生於伊朗薩達什特，現居馬哈巴德，於德黑蘭藝術大學取得動畫導演碩士。作品擅長結合數位繪畫和動
勒支藝術大學（Utrecht School of the Arts）執教。2017 年以第二部紀錄短片《The Brick House》入圍荷蘭影 畫技術，通過多元視覺語言反思人文議題。曾執導多部動畫短片，並參與數部電視影集之動畫製作，《拂過死蔭
展金犢獎。2021 年以第四部導演作品《逝言翻譯中》榮獲盧卡諾影展、克萊蒙費宏短片影展等國際獎項殊榮。 的幽谷》為其最新動畫作品。
Eliane Esther BOTS graduated cum laude from the Master of Film at the Film Academy in Amsterdam in 2016. Her Pejman ALIPOUR is an Iranian director, animator, illustrator and cartoonist. He was born in 1975 in Sardasht, Iran and
films have screened at international national festivals such as Berlinale, Cinema du Reel, New York Film Festival, earned his master’s in directing animation from Tehran Art University.
among others. In 2017, her film The Brick House was shortlisted for a Golden Calf at The Netherlands Film Festival.

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46 國際組 03：烽火掃落的字句 International Competition 03: Words Torn Apart 國際組 04：假裝看不見 International Competition 04: Disappearing Act 47

迷幻戰鬥機 2022 東京短片影展 最佳動畫短片獎 流浪球桌 2022 日舞影展 短片評審團獎最佳非敘事影片

Airborne Displaced
2022 克萊蒙費宏國際短片影展 2021 多倫多國際影展 IMDbPro Short Cuts 獎最佳影片
2022 布魯塞爾國際動畫影展 2021 坎城影展 金棕櫚獎最佳短片提名

波蘭 Poland ｜ 2021 ｜ DCP ｜ Colour ｜ 8min 科索沃 Kosovo ｜ 2021 ｜ DCP ｜ Colour ｜ 15min
戰鬥機在空中纏鬥，飛行員瞄準好敵機，準備發射飛彈，未
科索沃最強桌球俱樂部，擁有三名國手，卻連一個像樣的場
料竟被蒼蠅遮住視線。命懸一線之際，他的靈魂墜入超現實
地也沒有！為了培育青年出國比賽，隊上兩位熟男，不辭辛
宇宙。身體、飛行器、蟲魚花鳥開始交纏變形。動畫以強烈
勞地推著俱樂部的唯一財產：兩張球桌，四處商借集訓場
的平面設計，黑、綠、黃為主色的極簡色調，打造出後人類
地。不論是私家車庫、婚宴會館、貨倉、教堂，只要擺得下
魔幻生態。
球桌，就能專注訓練。本片採紀實電影形式，以真實人物重
Airborne is a surreal animation that connects the world of 建事實，關注戰後科索沃面臨的體育困境。
flying machines with the kingdom of flora and fauna. Engrossed
in the fight, a pilot loses his target, leading to tragedy. The In post-war Kosovo, driven by the ambition of keeping their
plane crashes into the crown of a tree. The tragedy that seems beloved sport alive, two local players wander from one
to be the end opens a new stage in history. In place of the obscure location to another carrying with them the only
accident, a new life is awakened and now it has to solve the possession of the club: their tables.
mystery of its origin. Airborne is a story about passion, its
roots, and tells us what we have to lose to be born again.

安傑・約布齊克 Andrzej JOBCZYK 薩米爾・卡拉霍達 Samir KARAHODA

1985 年生於波蘭，曾就讀洛茲電影學院，從事平面設計、攝影及動畫創作，擅長在作品中結合生物、精密科學、
極簡風格的超現實主義。《迷幻戰鬥機》為他的第四部短片。
Andrzej JOBCZYK grew up in Chodow, Poland, and began his artistic education in high school, focusing on drawing,
painting and wood carving, before becoming interested in photography and animation. In 2006, he began his studies
at National Film School in Łódź. His works combine biology, exact sciences and minimalist surrealism.
1977 年生於科索沃普里茲倫，1992 年涉足攝影，2003 年畢業於土耳其米馬爾希南藝術大學，他也是科索沃國際
紀錄片暨短片影展（DokuFest）的攝影、導師及策展人。2019 年首執導演筒創作紀錄片《In Between》，一舉
闖進柏林影展角逐金熊獎最佳短片，開創科索沃影史先河。《流浪球桌》是他的第二部短片作品。
Samir KARAHODA completed his photography studies at the Academy of Fine Arts at Mimar Sinan University in
Istanbul in 2003. In addition to his work as a photographer, he is also a cinematographer, tutor and film festival curator.
His documentary short In Between had its world premiere at Berlinale in 2019.

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加拉諾馬
2022 安錫國際動畫影展 水晶獎最佳短片提名
2022 薩格勒布國際動畫影展
Garrano
葡萄牙、立陶宛 Portugal, Lithuania ｜ 2022 ｜ DCP ｜ Colour ｜ 14min
瀕臨絕種的一匹加拉諾馬在父子的驅使下，頂著豔陽馱運重
物。男孩陪父親在林中撿拾廢棄物，無意間卻撞見森林縱火
犯。夜裡，男孩在欲望的驅使下，決定悄悄牽著馬去森林，
完成受人囑託之事。兩位葡萄牙動畫新星再度攜手合作這部
美術風格獨特的 2D 手繪動畫，他們結合油畫與電腦繪圖，
透過加拉諾馬、森林與火，述說文化與生態正急速消逝的一
則警世寓言。

A Garrano horse is forced to pull a heavy load under the

blazing sun. Young boy Joel discovers a man who is about to
set a forest on fire.

大衛・杜特爾 David DOUTEL

1983 年生於波多，畢業於葡萄牙天主教大學美術學院聲音暨影像研究所，身兼導演、動畫師與製作人，為 BAP 動畫工作室共
同創辦人之一。他與瓦斯科・薩合作逾 12 年，兩人合作的第三部短片《Augur》於 2019 年榮獲釜山國際短片影展最佳影片大獎。
David DOUTEL was born in Portugal and graduated in Sound and Image at UCP School of Arts. For the last 15 years, he has
worked in the field of independent animated shorts as director, animator and producer, contributing to several award-winning
short films selected to international film festivals. He is a co-founder of BAP-Animation Studio.

瓦斯科・薩 Vasco SÁ
1979 年生於波多，18 歲以前住在葡萄牙北部山區，爾後取得葡萄牙天主教大學美術學院聲音暨影像研究所碩士學位，亦為
BAP 動畫工作室共同創辦人之一。《加拉諾馬》為他與大衛・杜特爾合作的第四部短片，兩人目前正在籌備首部動畫長片。
Vasco SÁ was born in Portugal and earned his master’s degree in Sound and Image UCP School of Arts. There, he met David
DOUTEL, with whom he created several projects awarded nationally and internationally, such as The Shoemaker (2011), Soot
(2014), and Augur (2018). He is a co-founder of BAP-Animation Studio.

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48 國際組 04：假裝看不見 International Competition 04: Disappearing Act 國際組 04：假裝看不見 International Competition 04: Disappearing Act 49

左手的抉擇 2022 首爾國際女性影展 鹹海幻夢 2022 安錫國際動畫影展 安錫城市獎提名

Left Handed Once There Was A Sea…

2022 克萊蒙費宏國際短片影展 學生評審團獎

伊朗 Iran ｜ 2022 ｜ DCP ｜ Colour ｜ 15min 一名獨立扶養一家四口的單親媽媽，在雞隻屠宰場工作，生 斯洛伐克、波蘭 Slovakia, Poland ｜ 2021 ｜ DCP ｜ Colour, B&W ｜ 16min
計入不敷出，還得躲避債務。她總是莫名地練習左手，似乎
曾被譽為世界第四大海的鹹海，支撐著烏茲別克當地居民的
暗自盤算計劃，直到付諸行動的那一刻，命運卻對她開了一
漁業生計，並帶動了觀光經濟。然而，因農業所需大量灌溉
個天大的玩笑。
水利，讓鹹海被開發至萎縮乾涸，鼎盛的產業也隨著海的消
導演的話：「女性支撐家計的貧窮問題，是現代社會最迫切 逝而沒落，人去樓空、船骸擱淺，眼前僅剩貧脊荒漠圍繞。
的問題之一。我以電影喚起女性對於權利的意識，並為她們 影片藉由轉描動畫（Rotoscope），栩栩描繪小鎮居民的昔
發聲增加大眾的關注。」 日回憶，那渴望再次航行的美夢，只能載浮載沉，顯現於居
民的腦海中。
Maryam is a 38-year-old woman who heads a family of four.
She decides to cut off her right hand while working in a poultry Once upon a time, there was a sea...the Aral Sea, the sea
slaughterhouse because, in this way, she can get more money that vanished. And along with the sea, seaside life and work
from insurance than losing her left hand to pay her debts. To also disappeared. Only the dead desert terrain remains, and
this end, Maryam starts to practice with her left hand to do wrecks of huge fishing boats lying in the sand...and people
daily chores. who have been living on the shores of the dry port for years,
dreaming of high water and longing to sail once again.

娜絲琳・默罕瑪德普爾 Nasrin MOHAMMADPOUR This is a film about the consequences of human decisions and
actions, and how they can affect the daily lives of inhabitants
1989 年生於伊朗馬什哈德，擁有電影與社會學雙學位及女性研究碩士，身兼編劇與導演，除了以電影呈現女性、 in one Uzbek town.
家庭與孩童的困境，也不遺餘力地從事幫助弱勢家庭主婦及童工的社會工作。
Nasrin MOHAMMADPOUR was born in 1989 in Mashhad, Iran. She holds a double degree in film and sociology, and

喬安娜．寇茲克 Joanna KOZUCH

a master’s degree in feminist studies. As a writer and director, she focuses on social harms to women, children and
families. As a social worker, she strives to empower disadvantaged women and eliminate child labor.
1977 年生於波蘭，先後在波茲南藝術大學和卡托維茲西里西亞大學修讀美術，後赴布拉提斯拉瓦表演藝術學院動
畫系執教，並取得博士學位。執導多部動畫作品，曾憑藉《Fongopolis》榮獲 2014 年斯洛伐克電影獎最佳動畫
片獎，《鹹海幻夢》為其最新創作。
PRINT SOURCE Mojtaba ABDOULRAHIMKHAN
Joanna KOZUCH graduated from the University of Arts in Poznan and University of Silesia in Katowice. She is also a
teacher in the Animation Department of the Academy of Performing Arts in Bratislava, where she completed her PhD.

晾衣繩上的戰火
Her filmography includes Game (2004), Fongopolis (2014), 39 Weeks, 6 Days (2017), and Music Box (2019).

2022 美國最佳電影短片競賽獎 優秀實驗獎、概念獎

PRINT SOURCE Miyu Distribution

Clotheslined
2022 蒙特盧波菲奧倫蒂洛國際獨立影展 評審團獎最佳實驗短片

黎巴嫩 Lebanon ｜ 2021 ｜ DCP ｜ Colour ｜ 9min 陽台上的晾衣繩，也是一家三口的生活見證。有笑語歡聲，

也有悲傷艱困，以及隱而未見的暗流，如轟然炸響的砲火，
朝這個家洶湧而來。本片是黎巴嫩導演帕翠克・切瑪利帶有
自傳色彩的作品，融入私密成長經驗，巧妙地以晾衣繩為敘
事者，記敘生活流變，也鋪展出一個家庭的編年史，書寫時
至今日仍飽受戰爭摧殘、面臨嚴峻考驗的黎巴嫩。

In Clotheslined, the viewer is invited into the intimate

chronicle of the lives of Fares, Souad and Mira, a family
in modern-day Lebanon as told by the clothesline on
their balcony terrasse. In a way, the film is the story of the
clothesline as it narrates, from its own perspective, the
beginnings, the joys, the laughter, but also the sadness and
hardships, and all the unforeseen challenges that life dishes
out to this family of three and their surroundings.

帕翠克・切瑪利 Patrick CHEMALI

1973 年生於黎巴嫩貝魯特，計算機科學和商業管理專業出身，對表演藝術抱有極大熱忱。他積極參與各種劇場表
演工作坊，2019 年首度以演員身分參演電視劇《Awake》，之後亦參與劇情片的編劇工作。《晾衣繩上的戰火》
是他首部執導的短片作品。
Patrick CHEMALI is a first-time self-taught director. Coming from the world of technology and consulting, he ventured
into the industry initially as an actor and later contributed to the writing of a feature film, before making his directorial
debut with the partly autobiographical Clotheslined.

PRINT SOURCE Patrick CHEMALI

50 國際組 05：爸，想跟你說 International Competition 05: Father's Saying 國際組 05：爸，想跟你說 International Competition 05: Father's Saying 51

煙薰到了眼睛 2022 釜山國際影展 摯愛的父親 2022 克萊蒙費宏國際短片影展 影展聯盟協會獎

Smoke Gets in Your Eyes Love, Dad

2021 倫敦影展 最佳短片獎
2021 盧卡諾影展

新加坡 Singapore ｜ 2022 ｜ DCP ｜ Colour ｜ 19min 捷克、斯洛伐克 Czech Republic, Slovakia ｜ 2021 ｜ DCP ｜ Colour ｜ 13min

怠忽職守的禮儀師一時大意，竟在火化時燒錯遺體。然而， 一封封信件，一張張郵票，雖承載來自監獄父親對女兒的思
訃聞已寄出，告別式箭在弦上。面對三位遠來奔喪的往生者 念，但這份愛對女兒戴安娜而言卻充滿困惑。多年前，原本
子女，進退兩難的禮儀師只好硬著頭皮說服他們辦一場張冠 和樂的家庭，因傳統的束縛、性別的刻板印象，讓父親選擇
李戴的告別式。未料，在追思樂曲的吹奏下，子女們對亡父 拋下家庭，亦成為戴安娜心中的未解之謎。通過照片剪影，
的生疏與偽善逐漸顯露出來。曾演出新加坡版《笑傲江湖》 導演女兒對父親寫下這封關於愛的影像書信，藉由心聲的闡
的女星曾詩梅，在本片飾演二女兒，哀愁又犀利。台灣金曲 述，試圖重新連結，並修補未竟圓滿的父女關係。
歌王謝銘祐的一曲旋律，也為故事加添十足後勁。
A short film about ties and gaps between a child and a parent.
A funeral director finds himself hapless when the wrong A daughter rediscovers love letters her dad used to write her
body has been sent for cremation. When there seems to be from prison. That love seems to be gone now. She decides
no other way, he devises a plan for a sham funeral with the to write back in hopes of finding their connection again. She
deceased’s three estranged children. puts in writing what could not be said: blaming him for their
family´s break-up but also trying to understand.

李昌榮 Alvin LEE 戴安娜．錦文．阮 Diana Cam Van NGUYEN

新加坡電影導演及編劇，畢業於北京電影學院。以劇情短片《回家說再見》獲 2015 年新加坡短片獎最佳導演及 越南裔捷克導演，1993 年出生，畢業於布拉格表演藝術學院影視學院（FAMU），現居布拉格。其創作擅長以動
最佳音效雙料獎項；2016 年以《種子》榮獲中國微電影大典金蜂鳥獎最佳新人導演，以及 2017 年東京短片節最 畫紀錄片，聚焦個人回憶和家族記事，作品包含《The Little One》、《Apart》等，囊獲國際各大影展獎項。現
佳女主角獎；2018 年以《萍水相逢》入圍新加坡電影節。 正籌備首部劇情作品。
Alvin LEE is a Singaporean filmmaker. He graduated from the prestigious Beijing Film Academy with a Bachelor's in Diana Cam Van NGUYEN is a Czech-Vietnamese director based in Prague. Her short films have been selected to
Film Directing. His short films have won top awards at various film festivals around the world. festivals like Locarno IFF, Toronto, Rotterdam or IDFA. Apart (2018) was a finalist for the BAFTA Student Film Award
2019; Love, Dad (2021) won the BFI Short Film Award and Clermont-Ferrand Connexion Award.

PRINT SOURCE 李昌榮 Alvin LEE PRINT SOURCE Miyu Distribution

我要你安全 2022 克萊蒙費宏國際短片影展 再會吧！錄影帶 2022 俄羅斯 Saint Anna 學生與首部作品影展

Safe VHS
2021 坎城影展 Canal+ 獎最佳短片提名 2022 俄羅斯 Konic 獨立短片影展
2021 納許維爾影展 評審團獎最佳劇情短片提名

美國 USA ｜ 2021 ｜ DCP ｜ Colour ｜ 16min 俄羅斯 Russia ｜ 2022 ｜ DCP ｜ Colour ｜ 12min

大西洋城，歇業賭城的保全經理，躲著監視錄影機，藏匿誤 1991 年，蘇聯解體之前，縱使民不聊生，領不到工廠薪資

犯非預謀殺人罪的兒子。眼看將被通緝，父親急忙籌劃逃亡 的父親仍送給兒子一支左輪手槍當禮物，他一心想奔逃至美
路線，無奈兒子只心繫戀人，爸爸天人交戰，父子衝突一觸 國。但兒子的夢想並不大，他只期待此夜，一家人能相聚一
即發。導演伊恩・巴林，找來《別告訴她》攝影安娜・弗蘭 堂，用錄影機看一部電影。
克薩・索拉諾（Anna Franquesa SOLANO）掌鏡，更找來
初出茅廬的導演亞歷山大 ‧ 馬金改編自身經驗，回到童年
《夢想之地》、《世界末日》九Ｏ動作片熟面孔威爾・派頓
父母離異後，父親在鎮上開設的第一間電影沙龍，重溫父子
（Will PATTON）獨挑大梁，飾演護子心切的父親。
相處的親密時光。
On a winter night in Atlantic City, the manager of a defunct
casino must reckon with his parental failures when his unruly End of summer, 1991. USSR. Yura works at a factory and
son needs help out of an illicit bind. dreams of escaping to America. His son's dream is for the
whole family to be together every night. Both desires can
come true if a VHS appears in the family.

伊恩・巴林 Ian BARLING 亞歷山大・馬金 Alexander MARKIN

美國東岸大西洋城人，龐克樂團鼓手出身，前後共拍攝七部短片。2021 年，最新短片《我要你安全》獲「史派克 1985 年生於俄羅斯，記者、電影導演。除影片製作外，也參與藝術節籌備工作、支援公益團體活動。2022 年甫
李電影基金」（Spike LEE Film Production Fund）支持，入圍坎城影展「國際影評人週」單元，獲得好評不斷， 從莫斯科電影學院畢業，主修導演，師承阿列克謝・波波格列布斯基（Alexei POPOGREBSKY）與帕維爾・巴爾
已被美國三大經紀公司「UTA」簽下，現居紐約，籌備首部長片《Francis》。 金（Pvael BARDIN）。本片為其畢業製作。
A native of Atlantic City, New Jersey, Ian BARLING toured the eastern United States as a drummer in various punk rock Alexander MARKIN is a Russian journalist and director. He has worked on video production teams, and also on social
bands in his youth. His last short film, Safe, premiered at the 2021 International Critics' Week of Cannes Film Festival. projects organizing art festivals and events in support of charitable foundations. In 2022, he graduated from the
He is currently preparing his first feature-length film, Francis. Directing Department of Moscow Film School. VHS is his graduation film.

PRINT SOURCE Lights On PRINT SOURCE Festagent

52 國際組 06：遺落在家的唱針 International Competition 06: Tune in to Home Radio 國際組 06：遺落在家的唱針 International Competition 06: Tune in to Home Radio 53

我的充氣媽咪 2022 芬蘭坦佩雷影展 幻遊曲 2022 安錫國際動畫影展 尚路克・西貝拉斯獎最佳首部作品獎

The Sea Calls for Me The Record

2022 法國蔚藍海岸影展 評審團獎最佳戲劇、導演 2022 瑞士 Fantoche 國際動畫影展
2021 釜山國際影展 善才獎最佳亞洲短片 2022 渥太華國際動畫影展

印尼 Indonesia ｜ 2021 ｜ DCP ｜ Colour ｜ 17min 瑞士 Switzerland ｜ 2022 ｜ DCP ｜ Colour, B&W ｜ 9min

偏僻的漁村，男孩蘇拉意外撿拾到充氣娃娃。為了填補寂 樂器行老闆拉開窗簾，調整錯音的琴弦，冒雨而來的神祕客
寞，外人眼裡的性玩具，因孩童的純真竟漸漸昇華為代理母 人帶來一張魔法唱片，播放的音樂讓往事一一浮現。童年的
親。 列車不斷前進，老闆沉溺於過往記憶，不知不覺已年華逝
去，只留下迴盪的悠揚旋律。黑白動畫譜寫斑斕念想，原創
導演頓帕・湯普波藍透過兒童視角與純真言語，輕鬆幽默的
樂曲連結民族創傷，遙望深埋在靈魂中回不去的故鄉。
口吻揭示全球化下的貧富差距。寫實基調下的懵懂男孩，令
人想起阿巴斯《何處是我朋友的家》。 An antique music instrument dealer receives a magical
vinyl record from a traveller: “It reads your mind and plays
Sura lives alone in the fishing village, waiting for his father your lost memories”. Obsessed by this endless record, the
to return home. One day, he finds a broken sex doll, and antique dealer listens to it again and again and the forgotten
he asks Argo to help him fix the doll. He finds a companion memories of his childhood reemerge.
and a surrogate parent in the doll. But this companionship is
threatened by Argo, who wants to take it away from Sura.

頓帕・湯普波藍 Tumpal TAMPUBOLON 強納森・拉斯卡 Jonathan LASKAR

畢業於萬隆理工學院數學系，現居印尼雅加達。2005 年，他的首部劇本《The Last Believer》贏得得雅加達國際
影展劇本開發比賽最佳短篇小說類別。此後，他編導多部短片，陸續在國際影展放映。
Tumpal TAMPUBOLON is a cinephile-turned-filmmaker based in Jakarta. His first screenplay, The Last Believer,
won the JiFFest Script Development Competition for Best Short Fiction. He has been selected to the Asian Young
Filmmakers Forum, Berlinale Talent Campus, and Asian Film Academy. In 2014, he won the Citra Award for Best
Original Screenplay for Tabula Rasa.
1978 年生於法國，於法國艾克斯普羅旺斯大學主修視覺藝術，並同時於德國修習建築及低音提琴。首部動畫短片
《From Earth and Ink》即由《酷瓜人生》導演克勞德・巴哈（Claude BARRAS）監製，《幻遊曲》為其第二部作品。
Jonathan LASKAR studied visual arts at the University of Aix-en-Provence, classical double bass at the Conservatory of
Aix-en-Provence, and architecture at the Bauhaus-University of Weimar. After working three years as an architect, he
studied animation at the Lucerne University of Art and Design and made the animated short From Earth and Ink.

PRINT SOURCE PT Talamedia PRINT SOURCE Punched paper films

擁抱的痕跡 2022 布魯塞爾國際動畫影展 最佳短片獎 賣羊記 2022 香港電影節 火鳥大獎最佳短片提名

Cuddle What Remains

2022 摩洛哥梅克內斯國際動畫影展 觀眾票選獎 2022 克萊蒙費宏短片國際影展
2021 里斯本獨立影展 最佳葡萄牙短片獎

比利時、法國 Belgium、France ｜ 2022 ｜ DCP ｜ Colour ｜ 15min 葡萄牙 Portugal ｜ 2021 ｜ DCP ｜ Colour ｜ 21min

柯琳重回兒時房間，舊時的生活軌跡被父親原封不動地保留 獨居老翁要賣掉農場內僅存的一頭公羊了，原訂的交易取
下來，她看著童年玩具們，歡樂回憶一一浮現。而柯琳也總 消，他被迫拄著拐杖踏上一趟賣羊之旅；離開鄉村，迎接他
想起母親睡前的輕輕撫抱，是讓她不再懼怕黑暗，安穩進入 的卻是已然跟不上的時代。
夢鄉的鑰匙，但隨著青春期的變化與摸索，重聽卡帶播放的 年輕世代導演回望童年記憶，以 16mm 膠卷拍攝攝葡萄牙
音樂，卻讓她內心的陰影再度湧上心頭。這一次的歸來，是 鄉間的荒蕪與孤獨，曾經的榮景不再，用沉思步調記述著一
塵封，是告別，更是揮別過去，邁向新生活。 切消逝前的最後光景。
At her father's request, Coline returns to her childhood Emilio, a lonely man in his 80s, lives alone on his abandoned
bedroom to sort out her things. The different objects she finds farm in the Portuguese countryside. Everyone close to him
there plunge her into the memories of her childhood. Among is gone. One ram is all that is left. Due to physical incapacity
them stand out those that have marked her to this day. and age, he decides to get rid of it. After the company that
is supposed to buy the ram cancels the appointment, Emilio
tries to sell it on his own.

瑪格．胡蒙 Margot REUMONT 丹尼爾・索亞歷斯 Daniel SOARES

成長於法國，後前往比利時攻讀動畫，於知名視覺藝術學校 ENSAV-La Cambre 取得碩士學位。期間曾赴動畫
工作室實習，並執導首部作品《If I Was a Man》，獲各大國際影展肯定。她現居布魯塞爾，亦為動畫工作室
Studio TABASS co. 共同創辦人，《擁抱的痕跡》為其最新作品。
Margot REUMONT's first short film, If I Was a Man (2012), was made during her studies at La Cambre in Brussels and
was selected to and won awards at several international festivals. She has since worked in various animation studios in
France and Belgium, notably the Studio TABASS Co. she co-founded with other directors.
葡萄牙電影工作者、攝影師，生於德國，現居美國紐約。2017 年獲紐約藝術指導協會頒發青年先鋒獎，2018 年
紀錄短片《Forgotten》展映於美國多個影展。《賣羊記》為其首部劇情短片。
Daniel SOARES is a Portuguese filmmaker and photographer, born in Germany and currently living in New York. His
works have screened at several festivals in North America and at the International Center of Photography. He has won
several international creativity awards, such as Young Guns from the Art Directors Club in 2017.

PRINT SOURCE Zorobabel PRINT SOURCE Portugal Film – Portuguese Film Agency
54 國際組 07：身體想要飛 International Competition 07: Identity and Intimacy 國際組 07：身體想要飛 International Competition 07: Identity and Intimacy 55

當我望向你的時候 2022 香港電影節 火鳥大獎最佳短片提名 哦讓自己 High 2021 法國 Off-Courts 影展

Will You Look At Me Sex Relish (A Solo Orgasm)

2022 坎城影展 「影評人週」競賽單元 酷兒棕櫚獎最佳短片 2021 瑞士 Animatou 影展
2021 荷蘭 Go Short 國際短片影展

中國 China ｜ 2022 ｜ DCP ｜ Colour ｜ 20min 法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 12min

從學校畢業後，導演從北京返回溫州家鄉。同志身分讓母親 疫情時代全球封城，人人自危之虞，身體的渴求也待自娛。
的數落不斷，隨拍影像拼湊成生活片段，雖然真實的自我不 女性高潮彷彿世界難解之謎，千變萬化又各有異趣。本片集
能滿足社會期待，但一切爭端終將在包容與愛裡沉沒。超 結多位女性的私密經驗，深入淺出地分享自己的愛慾之旅，
8mm 捕捉生命吉光片羽，透過兩代對話和個人絮語，辯證 向下探索身體的祕境，向上掌握情感的流動。手繪動畫讓一
自我追尋和傳統價值，暈染而出最坦承親密的私電影。 幅性感的陰性書寫，富含溫柔的氣息。

When a young Chinese filmmaker returns to his hometown in In this endless pandemic era, where our sexuality has
search of himself, a long overdue conversation with his mother sometimes had to evolve and be tested, women from different
dives the two of them into a quest for acceptance and love. backgrounds offer their intimate testimonies, addressing their
desires and pleasures in solitude.

黃樹立 HUANG Shu-li 阿南達・薩佛 Ananda SAFO

生於中國溫州，畢業於北京電影學院，於紐約大學攻讀電影碩士。2021 年擔任攝影作品《再見，樂園》入選釜山 生於法國，畢業自法國國立布爾吉藝術學院。曾任教師與平面攝影師，現投入導演工作。擁有劇場、馬戲團、舞
國際影展，2021 年首部短片《Exposed》入選棕櫚泉國際短片影展，最新作品《當我望向你的時候》獲坎城影展 蹈等跨界經驗，並為多部作品擔任製片、編劇。導演作品橫跨紀錄短片、動畫與 MV。正著手籌備第一部 VR 電影
「影評人週」酷兒棕櫚獎最佳短片。 作品。
HUANG Shu-li is a writer-director and cinematographer born in Wenzhou, China. After graduating from Beijing Film Ananda SAFO has been writing and directing since childhood and graduated from ENSA Bourges. Following several
Academy in 2019, he moved to New York City as an MFA candidate for NYU’s graduate film program. Farewell, My fiction and documentary projects in short format, she is now working on various scripts, from a creative documentary
Hometown, his feature debut as a cinematographer, won the New Currents Award at the 2021 Busan International to a virtual reality animation project, the latter being also her first fiction feature film.
Film Festival.

PRINT SOURCE Lights On PRINT SOURCE Manifest Pictures

童樂之夏 2021 耶路撒冷女性影展 幸福獨角獸 2022 義大利薩倫托國際影展

Boydem The Single Horn

2022 德國奧斯納布魯克國際影展

以色列 Israel ｜ 2021 ｜ DCP ｜ Colour ｜ 19min 少年與少女每年暑假依隨祖父母造訪別墅。青春期的他們嬉 伊朗 Iran ｜ 2022 ｜ DCP ｜ Colour ｜ 13min

戲、聊天、躲貓貓，情慾逐漸萌發。直至無法抗拒傾聽內心 未得到家人的允准，女孩只好在掩護下偷溜出門，與朋友到
渴望，他們嘗試跨越社會所不允許的界線。 遊樂園玩耍。她深信獨角獸的存在，而且認為只要碰到牠就
能得到幸福。回到家後，她不只挨了一頓罵，還得面對一件
導演雅耶爾・妮芙隆首部作品即挑戰大膽議題，直探愛慾本
大人的世界裡，她永遠無法理解的事，但是她決定作出一個
能與道德良知的矛盾。全片聚焦處理曖昧情境與微妙慾望，
重大的決定。透過獨角獸象徵幸福與自由，本片溫柔而堅定
在青春記憶裡，迴盪出細膩的情感波紋。
地述說伊朗女孩普遍面臨的社會壓力。
Ever since they were children, Keren and Noam have
been meeting at their grandparent's home during summer A little girl goes to the amusement park to play with her
vacations. This particular summer, at an age that falls between friends without her family's permission. Everything changes
childhood and young adulthood, while their grandparents are when she returns home, prompting her to make a big
taking their afternoon nap, Keren and Noam play games in the decision.
attic (“Boydem” in Yiddish) that brings them into unchartered
waters and introduces them to a new level of intimacy.

雅耶爾・妮芙隆 Yael NIVRON 穆罕默德・卡麥爾・阿拉維 Mohammad Kamal ALAVI

穿梭於演員、編劇、劇場導演等多重身分。作品主題聚焦探索角色青春期的社會禁忌，以挑戰日常生活難以言喻 1983 年生於德黑蘭，身兼電影導演、演員及製片經理，《幸福獨角獸》是他的第四部劇情短片。
的情狀。她曾與以色列著名劇作家約書亞 ˙ 索貝爾（Joshua SOBOL）共同創作劇本《Melting Pot》。《童樂 Mohammad Kamal ALAVI is an Iranian film director, actor and production manager. He was born in 1983 and
之夏》是她的首部導演短片。 graduated in advanced direction from the School of Art and Architecture, Tehran Center. Short films he has directed
include Nim/Half, The Puncture, and Silence Again.
Yael NIVRON is an actress, writer, theater director and an upcoming film director. Her works include the theater play
Melting Pot, which she co-wrote with the Israeli playwright Joshua SOBOL. Boydem is her debut short film as writer
and director. Her second short film is now in pre-production.

PRINT SOURCE Yael NIVRON PRINT SOURCE First Screen Film Distribution Co.
56 國際組 08：世界怪奇如斯 International Competition 08: Strange Worlds 國際組 08：世界怪奇如斯 International Competition 08: Strange Worlds 57

外面下雨蛙 看板人生
2022 荷蘭萊登短片影展 國際獎
2022 柏林影展 金熊獎最佳短片提名
2021 菲律賓 QCinema 國際影展 性別敏銳獎 2022 阿姆斯特丹國際紀錄片影展

It's Raining Frogs Outside Party Poster

2022 佛利堡國際影展
2022 愛琴海影展 特別提及

菲律賓 Philippines ｜ 2021 ｜ DCP ｜ Colour ｜ 14min 印度 India ｜ 2021 ｜ DCP ｜ Colour ｜ 20min

末日將至，數以萬計的雨蛙從天而落，如簌簌的雨聲。女孩不 「沒有看板，你等於不存在。」洗衣工如是說。每到選舉、
得不獨自一人重返童年舊屋，卻飽受記憶中的夢魘侵蝕，也遭 慶典或政治人物的生日，印度街頭總懸掛各式看板，露出宗
遇前所未見的身分危機。菲律賓導演瑪莉亞・埃斯特拉・佩索 教圖像、政治口號、出資者的大頭照，甚至疫情期間還得騰
大膽運用家庭影像、實物拼貼、視覺特效等多重媒材，引領觀 出空位擺防疫規定。然而，看板不只是上位者的宣傳工具，
眾遁入詭奇多變的狂熱幻境，一同見證駭人的身體異變，奇異 也是種姓制度下的平民被看見、等待鹹魚翻身的機會。片
生猛，交出極富作者風格的短片首作。 中，導演交錯觀察拍攝與訪談，幽默而諷刺地呈現印度的看
板文化。
The world is about to end. Maya is forced to go home to the
province of Zambales. There, she confronts the childhood In suburban Mumbai, science, religion and politics comically
house that terrorized her as frogs rain outside. c o l l i d e a m i d s t a r a g i n g p a n d e m i c , w h e n a g ro u p o f
laundrymen set out to design a poster celebrating a hugely
popular annual festival worshipping the deity Ganesha.

瑪莉亞・埃斯特拉・佩索 Maria Estela PAISO 里希・相德納 Rishi CHANDNA

1997 年生於菲律賓奎松（Quezon），2016 年取得傳播藝術學位後，即開始從事後製工作，參與剪輯數部劇情長 印度獨立紀錄片工作者，現居孟買與果亞兩地，作品包含紀錄片、商業廣告及錄像裝置藝術。2018 年以帶有黑色
片與短片。在完成大量視覺實驗作品和嘻哈 MV 後，她在 2021 年初執導筒，《外面下雨蛙》是她的首部短片作品。 幽默的紀錄短片《Tungrus》入圍逾百項國際影展，並榮獲 Slamdance 影展評審團大獎，《看板人生》是他的
她的閒暇時光以精進卡拉 OK 歌技為樂。 第二部紀錄短片。
Maria Estela PAISO has worked in post-production since 2016 and edited several features and shorts. After numerous Rishi CHANDNA is a self-taught independent filmmaker based in Mumbai and Goa. His works have exhibited at
visual experiments and hip-hop music videos, she forayed into directing in 2021 with her short film It’s Raining Frogs MoMA, Venice Biennale of Architecture, and the MAK Museum Vienna. His debut short, Tungrus (2018), traveled to
Outside. She spends her free time trying to get a 100 at karaoke. 150+ international film festivals, won 28 awards, and became an Oscar-qualifying short documentary after winning at
Slamdance.

PRINT SOURCE MalasMalas PRINT SOURCE Rishi CHANDNA

東京微光絮語 2022 柏林影展 歐洲電影獎提名 老少女遊歐記 2022 科索沃國際紀錄片暨短片影展

The Sower of Stars Women Visiting a City

2022 里斯本獨立影展 2022 墨西哥瓜納華托國際影展
2022 香港電影節 2022 葡萄牙孔迪國際短片影展

西班牙 Spain ｜ 2022 ｜ DCP ｜ Colour ｜ 25min 西班牙、法國 Spain, France ｜ 2022 ｜ DCP ｜ Colour ｜ 15min
東京川上魅影光船來往不息、漂浮夜間電車疾駛、高樓天梯 丈夫去世後，三個退休女人相約搭上巴士，準備展開一段歐
駛向遠方，賽博龐克舞台，男女吟詠著禪學格言。西班牙導 洲奇旅。她們滿心懷抱著對旅行的旖旎憧憬，就像在許願池
演路易斯・帕堤諾，反覆疊影水泥叢林黑夜輪廓，譜寫一首 裡不假思索地投下硬幣。然而，這段旅程卻與想像中的大相
「眠之城市」與「死神」合唱的光之安眠曲。融入七Ｏ年代 徑庭。西班牙導演安立奎・布利奧鍾愛撿拾虛渺的希望與自
非法無政府組織「三菱重工爆破事件」死囚訣別書，用「告 然而生的喜感，以一齣讓人啼笑皆非的悲喜劇，叩問在大眾
別」挖掘最後人性微光，捕捉消費城市崩壞前的最後光景。 旅遊熱中，逐漸佚失的真實文化體驗，發人深省。
Distant lights draw the city. Shining ships arrive with sleeping Three retired women travel by bus to discover Europe. They
people and the night turns liquid. recently lost their husbands and it's now time to start living.
The stars’ sower wakes them up and they travel through the They've heard people talk about the wonders of tourism all
city, talking about this and that, while saying goodbye to their lives and are dying to experience them firsthand.
everything.

路易斯・帕堤諾 Lois PATIÑO 安立奎・布利奧 Enrique BULEO

出生於西班牙比戈，錄像藝術家，電影作品曾入選坎城、柏林、盧卡諾、紐約、鹿特丹影展。2013 年，長片《Coast
of Death》入選鹿特丹；2020 年，長片《Red Moon Tide》入選柏林「論壇」單元。2021 年，與阿根廷名導馬
蒂亞斯・皮涅羅（Matias PINEIRO）合導《Sycorax》在坎城影展「導演雙週」單元首映。
Lois PATIÑO was born in Vigo, Spain. His films have been screened at festivals including Locarno, Toronto, Rotterdam,
San Francisco, Ann Arbor, Viennale, Cinema du Rèel, and Media City. His first feature, Costa da Morte (2013), won
Best Emerging Director at Locarno, and also received awards at Jeonju, FICUNAM, and Valdivia.
1979 年生於西班牙，美術專業出身，曾辦過數次個展，後投身電影製作。因拍攝短片《Sângerete》、《In Self-
defense》對鄉郊環境和悲喜劇產生濃厚興趣，以短片《Decorosa》、《Hell and Such》在國際影展斬獲數獎。
Enrique BULEO was born in a small village in Spain and studied fine arts. After making the shorts Sangerete (2012)
and In Self-defense (2014), he directed Decorosa (2016), which was selected to 60 international festivals and won
eight awards. In 2019, he directed Hell and Such, which won Special Mention of the Jury at Clermont-Ferrand.

PRINT SOURCE Lights On PRINT SOURCE Quatre Films

 58 國際組 09：感官骨肉皮 International Competition 09: All about Senses 國際組 09：感官骨肉皮 International Competition 09: All about Senses 59

不安之身 2022 安錫國際動畫影展 評審團提及最佳短片 凝視你的面具 2022 聖保羅國際短片影展

Anxious Body Masks

2022 薩格勒布國際動畫影展 2022 克萊蒙費宏國際短片影展
2021 坎城影展 Illy 獎提名 2022 卡姆登國際影展

法國、日本 France, Japan ｜ 2021 ｜ DCP ｜ Colour ｜ 6min 比利時 Belgium ｜ 2021 ｜ DCP ｜ Colour ｜ 23min

緩緩撕下膠台上的透明膠帶，黏住的手指被膠帶彎扯延伸， 信步林中的敘事者回憶起過世的雙親，但是腦中浮現的卻是
膠帶另一端黏住蛇信，粉嫩舌尖由此曳往膠台刀鋒；傷害在 他們的遺容，彷彿有道面具遮住他們生前的慈祥和藹。隨著
即，令人戰慄卻不禁期待！本片雜揉日常微光及肉身實驗， 疫情的籠罩，現實生活的人們也紛紛戴上如面具般的口罩。
在輕靈幻化的音畫流動中堆砌懸念、深入潛意識的深淵，為 於是，敘事者陷入思考，在人類的歷史中，面具如何成為可
感官開拓嶄新高潮。當生物、人造物、幾何形狀和線條交會 見與不可見世界的橋樑。本片引用大量文獻影像與肖像攝
時，冥想與遐思再無界限，凡事都有可能。 影，梳理面具從部落到博物館，從戰爭到醫院，曾經存在的
各種珍貴面向。
Living things, artificial things, geometric shapes, and lines.
When these different things come together, a new direction is A filmmaker mourns the fading faces of his loved ones and
born. evokes the ritual of masks as a way of connecting to the
afterlife.

水尻自子 MIZUSHIRI Yoriko 奧利維耶・司莫德斯 Olivier SMOLDERS

1984 年生於日本青森縣，2007 年畢業於女子美術大學，以短篇動畫屢獲國際讚譽。2012 年以《Futon》勇奪廣 1956 年生於剛果雷堡市，為比利時電影導演、編劇及製片，並於比利時國家視覺藝術與傳播技術高等學院（INSAS）
島國際動畫影展木下蓮三獎；2014 年及 2015 年，連續以《Snow Hut》和《Veil》獲柏林影展金熊獎最佳短片提 及列日大學（HEC Liège）兼職任教。1998 年以作品《Death in Vignole》獲萊比錫紀錄片暨動畫影展銀鴿獎，2009
名。2021 年以《不安之身》獲坎城影展 Illy 獎提名，並榮獲安錫國際動畫影展評審團提及最佳短片。 年以《Journey Around My Room》獲里昂紀錄短片影展首獎。他已創作 20 多部影像作品，也書寫文學及電影散文。
MIZUSHIRI Yoriko is a freelance director who graduated from the Joshibi University of Art and Design. She is known for Born in 1956 in Leopoldville, Olivier SMOLDERS is a producer, screenwriter and film director. He has a degree in
her trilogy focusing on the sense of touch: Futon (2012), Snow Hut (2013), and Veil (2014). She has been nominated Romance philology (UCL) and in film/radio/TV directing (INSAS) and has directed some 20 films, which have received
and won awards at festivals such as Berlinale, Annecy, and Zagreb. more than 70 awards at international festivals. He has also published essays on literature and cinema.

PRINT SOURCE Miyu Distribution PRINT SOURCE CBA-Promotion

生存駭遊戲 2022 盧卡諾影展 失控的尺度 2022 安錫國際動畫影展 水晶獎最佳短片提名

Fairplay Scale
2022 坎城影展影評人週

瑞士、法國 Switzerland, France ｜ 2022 ｜ DCP ｜ Colour ｜ 18min 法國、英國、捷克、比利時 France, UK, Czech Republic, Belgium ｜ 2022 ｜ DCP ｜ Colour ｜ 15min

尋求認同的少年加入同儕，開直播大玩危險挑戰；員工參加 有人因生活失去想法，威爾則因毒癮失去空間感。他的寫作
耐力競賽，不顧一切只為獲得大獎；年長主管與同事玩起團 人生彷彿疾駛在盤根錯節的高速公路，並隨著嗎啡不停偏
康，出乎意料撐過一輪又一輪。三位主角、三場遊戲，隨著 駛。在家庭與生活都將失去控制前，他極力試圖挽回些什
賽況越演越烈，事情逐漸失速、失序又失控，犀利直指當代 麼。作品改編自英國作家威爾・賽爾夫（Will SELF）的同
人在競爭之下的瘋狂。 名短篇小說，以轉描動畫（Rotoscope）的手法、炫目流暢
的轉場，以及撲朔迷離的動畫變形，營造獨樹一幟的陰鬱風
A teenager in search of recognition, a worker ready to do
anything to hit the jackpot, a senior executive at the end of 格。
his career who wants to prove to himself that he is still alive.
Driving along the motorway, Will loses his sense of scale. As
Three characters who are losing speed on the competition
his crippling drug addiction deepens, he struggles to unpack
highway...
the sequence of events that led to his predicament, before he
is lost forever.

佐爾．埃施巴赫 Zoel AESCHBACHER 喬瑟夫・皮爾斯 Joseph PIERCE

1993 年生於法國巴黎，具瑞士和越南血統。2017 年以短片《Bonobo》畢業於瑞士洛桑州立藝術學院，並於克 1982 年生於格林威治，畢業於英國國立電影電視學院，雙棲電影及動畫。曾獲英國電影雜誌《國際銀幕》（Screen
萊蒙費宏國際短片影展「國際競賽」單元獲得觀眾票選獎。2022 年完成短片《生存駭遊戲》，同時正準備他的第 International）選為「明日之星」之一。2008 年以學生動畫短片《Stand Up》驚豔安錫國際動畫影展，2010 年以
一部劇情長片《Underdog》。 首部個人動畫短片《A Family Portrait》奪得斯圖加特國際動畫影展首獎。《失控的尺度》是他的第五部動畫短片。
Born in 1993 in Paris, Zoel AESCHBACHER is of Swiss and Vietnamese descent. In 2017, he finished a bachelor's Joseph PIERCE is a British filmmaker and animator. After graduating from the National Film and Television School, he
degree in cinema at ECAL (Ecole cantonale d'art de Lausanne). His graduation film, Bonobo (2017), was presented in was featured in Screen International’s “Stars of Tomorrow”. His short films have toured internationally, winning over 40
international competition at the Clermont-Ferrand Film Festival and received the Audience Award. prizes. He has collaborated on theater and live events with the Met Opera NYC, Royal Opera House, and the National
Theater.

PRINT SOURCE Salaud Morisset PRINT SOURCE Salaud Morisset

60 國際組 09：感官骨肉皮 International Competition 09: All about Senses

Children's Jury Competition

假面換換情

露絲與石頭大夥伴 Luce and the Rock

2022 安錫動畫影展 水晶獎最佳學生畢業製作
2022 薩格勒布國際動畫影展
2022 坎城影展

Persona
韓國 South Korea ｜ 2022 ｜ DCP ｜ Colour ｜ 7min

女孩剛洗好人皮裝，掛在浴室晾乾，卻馬上收到朋友邀約簡
訊，她只好再套上仍滴著水的人皮裝出門社交。回家後，她
疲憊地褪下裝扮，卻發現鏡子裡不再是她熟悉的面孔。本片
以冷調的風格，臨摹真實生活與少女漫畫，並透過主、客觀
鏡頭的切換，穿梭於角色的外在與內在之間，讓觀者貼近角
色自我逐漸銷蝕的過程。

The process of being encroached by the persona.

文秀真 MOON Sujin

1996 年生於韓國安山市，2022 年甫於韓國藝術綜合大學動畫系畢業，她的學生畢業製作《假面換換情》旋即入
圍坎城影展及薩格勒布國際動畫影展，更一舉奪下安錫國際動畫影展水晶獎最佳學生畢業製作。
MOON Sujin was born in 1996 in Ansan, South Korea. She graduated from the Korea National University of Arts of
Animation in 2022.

PRINT SOURCE AniSEED

「兒童評審團」為高雄電影節獨樹一幟的評審機制，邀請 9-12 歲兒童組成決審評審團，從孩子的觀影視角出發，透

過激辯，選出獎項得主！本單元百花齊放，童趣的觀點、創作形式無所拘束且活力無限，讓大人發現，專屬孩子的
不再只有「可愛」二字。「兒童評審團競賽」單元今年邁入第五年，就用電影的想像力為孩子解鎖「影像超能力」！

The Children’s Jury is formed by children aged nine through 12. Through a series of votes, discussions, and
debates, they will decide the winner of the Children’s Jury Award. In this program, the children’s perspective,
unrestrained creativity and infinite vitality will make the adults realize that “cute” is definitely not the only word
for kids. In this fifth year of the Children’s Jury, the imagination of cinema will help these children unlock their
superpower!
62 兒童評審團 01 ：說好了，我們打勾勾 Children's Jury Competition 01: Pinky Promise? 兒童評審團 01 ：說好了，我們打勾勾 Children's Jury Competition 01: Pinky Promise? 63

荒地中的足球夢 2022 翠貝卡電影節 她不笨，她是我妹妹 2022 薩格奈國際短片影展

Desert Lights Margot’s Sister

2022 洛杉磯拉丁國際影展
2022 聖保羅國際短片影展

智利 Chile ｜ 2022 ｜ DCP ｜ Colour ｜ 19min 加拿大 Canada ｜ 2022 ｜ DCP ｜ Colour ｜ 17min

在智利的阿塔卡馬沙漠中，因長年乾旱與政府的無所作為， 正值前青春期的瑪格，為了融入女生的小團體，只好在學校
讓小鎮生活日漸凋零。上街抗議無功而返的居民紛紛搬離， 假裝不認識智能遲滯的親妹妹。一天，正當瑪格在課堂上介
足球隊男孩安泰目睹隊友一個個離開，隨著足球上的紀念簽 紹喜愛的怪奇比莉，走廊上卻傳來妹妹咿呀的發語聲。面對
名越來越多，依依不捨的失落與孤獨，也成為童年記憶碎片 同學對妹妹的訕笑與嘲弄，她會如何面對？本片靈感取自導
的一部份。 演自身的的家庭經驗。擅長以紀錄片為弱勢族群發聲的她，
首度跨足劇情短片，以溫暖卻勇敢的鏡頭，讓眾人認識與正
In the middle of Atacama desert, 12-year-old Antay sees his
town disappearing due to the drought. Alongside his friends 視慢飛天使。
and their football team, they will try to hang on to the last Margot, a pre-teen who struggles to find acceptance at
sunrays, their childhood fragments, and the ties with those school, is challenged by the arrival of her intellectually
who still resist. disabled sister in the after-school program. Margot initially
struggles to keep her worlds separate, but an event soon
leads her to re-evaluate her position.

凱瑟琳娜・哈德・薩克 Katherina HARDER SACRE 克莉絲汀・朵詠 Christine DOYON

畢業於智利大學，身兼導演及伊基克國際影展的創辦人與總監。於 2011 年開始拍攝短片，首部作品《Guiding 加拿大導演、編劇與剪輯，魁北克大學蒙特羅分校藝術史與電影雙學士。2014 年紀錄長片《Bienvenue Chez
Sights》入選眾多國際影展。她目前正在發展智利和西班牙的企畫案，並於西班牙創辦巴賽隆納國際長者影展， Nous》入圍蒙特婁世界影展。2020 年紀錄長片《Traces of Hope》以敘利亞難民為題、停格動畫方式呈現，於
同時亦創立了製片公司 Volcánica Films，希冀提升北智利的電影製作環境。 蒙特婁國際藝術影展放映。《她不笨，她是我妹妹》是她的首部劇情短片。
Katherina HARDER SACRE is a film and TV director. She graduated from the University of Chile and earned a Master Christine DOYON is a Canadian writer, director and editor. She holds a double degree in Art History and Cinema from
in Film Directing from Escuela de Cine Bande a Part in Barcelona. Her short film Guiding Sights won Best Short Film at UQAM. In 2012, her first documentary feature, Au Revoir ma Lou, was selected to Rendez Vous du Cinema Québécois.
FICValdivia 2011 and was selected to more than 35 international festivals. She also directed the documentaries Bienvenue chez Nous (2014) and Traces of Hope (2020).

PRINT SOURCE Volcánica Films PRINT SOURCE Les Films du 3 Mars

睡夢中的橘香 2022 吉福尼影展 最佳禮物

The Scent of Tangerine 12 歲的小女孩莎拉，對生活及人們離世後的世界充滿好奇，媽
媽告訴她，可以循著橘子的香氣尋找到答案。某個愉悅春日，父
The Best Gift Ever
義大利 Italy ｜ 2021 ｜ DCP ｜ Colour ｜ 24min 親突然出現，開心地和莎拉一起在美麗的城市漫遊冒險，在充滿 澳門 Macao ｜ 2022 ｜ DCP ｜ Colour ｜ 20min
故事的奇妙景色中，她漸漸了解到成長、愛情、回憶、永恆和生 「我先跟誰吃飯？」庭萱問奶奶。在生日前夕，她必須分別
活。夜裡，莎拉與父母晚安道別，擁著散發香氣的柑橘皮緩緩睡 與離異的父母親吃生日餐，看著他們各自美滿的家庭，收下
去⋯⋯ 她不喜歡的禮物。然而，她真正想要的其實很簡單，只是沒
人留心。於是，她決定靠自己獲得，但陰錯陽差之下，奶奶
Sara is a smart and likable 12-year-old, curious as can be
and full of questions about life and about where we go after 仍得出面替她解圍。導演透過女孩的視角，細數青春迷茫的
depart our earthly existence. Marina, her mother, tries to 過程裡，我們收集到的各種成長禮物。
explain that the answer can be found in the place where
mandarin peels go to find new life. One night before her birthday, little Ting-hsuan has two
separate dinners with each of her divorced parents and their
Shortly later, in an unexpected and joyously early spring day new partners, receiving two gifts she doesn’t like. She hatches
spent roaming around the beautiful city of Verona with her a plan to get the gift she really wants, and ends up being
father, Sara has a marvelous urban adventure amidst the rescued by her grandma when she gets into trouble. In the
monuments and the wondrous views, full of stories narrated end, it seems “growing up” is the greatest gift she could ever
by her loving father and redesigned by his talented pen. wish for.

瓦倫蒂娜・扎內拉 Valentina ZANELLA 侯婕 HAO Chit

生於義大利維羅納，在米蘭取得傳播及音樂目錄學學位。自 2009 年起，她在 K+ 擔任創意總監，負責 MV 剪輯和
廣告製作，並開始創作長、短片及紀錄片。本片是她首部執導作品。
Valentina ZANELLA was born in Verona. After attaining a master's in communication and discography in Milan, she
began coordinating artists, creative directors and technicians in the production of videos, concerts and events. She
has been the Creative Director of K+ since 2009, working on music videos and commercials while directing shorts,
feature films and documentaries.
侯婕，澳門紀錄及劇情影像工作者，現為臺灣藝術大學電影學系研究生。作品有《澳門一日遊》、《申哥與他的
芭樂》，並以雙導演紀錄片《告訴世界我來過》入圍 2021 年廣州國際紀錄片節。
HAO Chit is a Macanese filmmaker currently undertaking a graduate degree at the Department of Motion Picture of
National Taiwan University of Arts. Her works includes Hato’s Journey, Brother Sun and Once They Were Here, which
was selected to the Guangzhou International Documentary Film Festival.

PRINT SOURCE Varicoloured - Holistic Film Agency PRINT SOURCE 1220 Film Production
64 兒童評審團 01 ：說好了，我們打勾勾 Children's Jury Competition 01: Pinky Promise? 兒童評審團 02 ：天空島，我們來了 Children's Jury Competition 02: The Sky Is the Limit 65

交戰 露絲與石頭大夥伴
2022 金穗獎 最佳動畫片獎提名 2022 柏林影展 兒童評審團短片獎特別提及
2021 地拉那國際影展 2022 布魯塞爾國際動畫影展 Canvas 獎、SABAM 獎最佳比利時短片
2021 金點新秀獎 數位影像設計類年度最佳設計獎

Fighters Luce and the Rock

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Colour ｜ 6min 比利時、法國、荷蘭 Belgium, France, The Netherlands ｜ 2022 ｜ DCP ｜ Colour ｜ 13min
兩方的戰鬥機駕駛因互相鬥爭，降落在同一片海上，紅與 懼怕黑暗的女孩露絲總是穿著黃色大衣，隨身攜帶螢光棒才
藍，爭奪著一把手槍，只求你死我活，分出勝負，究竟生存 能在夜裡安心入睡。她住在依山傍海的紅色小村莊裡，村民
與鬥爭該如何選擇？《交戰》探討人性，思考人類如何被身 們生活規律且過著幸福平凡的日子。某日，一顆被風吹落的
處的立場束縛，而變得盲目荒謬，如同淪為海上難民的士 巨石弟弟掉落在在他們的家園，無意間摧毀了房子，怕黑的
兵，若能放下武器與立場，將更有生存的機會，而隱藏在深 露絲決定在深夜面對巨石弟弟，並想盡辦法帶他回自己的家
處的人性也可能隨之顯露。 ⋯⋯導演運用幾何圖形與對比色塊，讓小小孩也能目不轉睛
The story takes place in a sea. Two pilots crash down, red and 專注於這場大冒險。
blue. The two compete for a pistol, hoping to kill each other…
One day, out of nowhere, a giant Rock lays in the middle of
This film explores human nature. People who are bound by the peaceful little village where Luce lives. The villagers can’t
duty are extremely blind, like soldiers who have become even open the door to their houses anymore! Luce is angry:
refugees at sea. If they can leave their guns and duties Go away Rock, you don’t belong here! And why are you here
behind, the two have a greater chance of survival. anyway?

董恆瑞 DUNG Heng-ruei 布莉・瑞絲 Britt RAES

畢業於實踐大學媒體傳達設計學系。從事 3D 動畫創作，在學期間製作過六部 3D 動畫短片，2021 年以畢業製作《交 動畫導演及童書作家，現年 35 歲，常透過作品喚醒觀眾的赤子之心。2017 年首部動畫作品《煞星凱薩琳》囊括
戰》獲金點新秀數位影像設計類年度最佳設計獎、放視大賞動畫類 3D 動畫組銅獎，2022 年入圍金穗獎最佳動畫 世界各大影展獎項，並曾榮獲當年度高雄電影節國際短片競賽動畫獎殊榮。《露絲與石頭大夥伴》是她的第二部
片。 作品。
DUNG Heng-ruei graduated from the Department of Communications Design of Shih Chien University. He produced Britt RAES’ first professional short, Catherine, traveled to 200 festivals worldwide, collecting 50 prizes along the way.
six 3D animation short films during his studies, and his 2021 graduation work Fighters received a Golden Pin Design Besides having just completed her second professional short, Luce and the Rock, Britt is also writing a series, a special
Award and was nominated for a Golden Harvest Award. and a children’s book.

PRINT SOURCE 董恆瑞 Dung Heng-ruei PRINT SOURCE Miyu Distribution

行動代號科學怪人 2022 蒙特婁國際奇幻影展

Operation Frankenstein
2022 科索沃國際紀錄片暨短片影展
2022 科索沃阿尼巴國際動畫影展

西班牙 Spain ｜ 2022 ｜ DCP ｜ Colour ｜ 11min

雨果是家中排行最大的哥哥，有天他負責倒垃圾，意外發現
廢棄人體模型的零件，他的弟弟維特提議要來製造科學怪
人，於是協同妹妹莎拉，三人背著母親開始進行這場祕密行
動，他們想盡各種方法拼湊科學怪人的形體，但最後該如何
讓它活起來呢？《布紐爾：超現實人生》製作班底從日常挖
掘想像，活靈活現蹦出奇趣旅程。

Three siblings find a broken mannequin in the dumpster

and decide to rebuild it using whatever they can find. After
that, they try to animate it like Dr. Frankenstein did with his
monster.

何塞・馬力亞・費爾南德斯・德・維加 José MARÍA FERNÁNDEZ DE VEGA

製片、導演，1977 年生於西班牙，在視聽領域從事創意開發及製作已有超過十年經驗。2018 年擔任製片的動畫
紀錄片《布紐爾：超現實人生》於 2019 年安錫國際動畫影展獲得評審團獎。
José MARÍA FERNÁNDEZ DE VEGA is an idea man and producer with a long career in the audiovisual field, and
more than 10 years of experience in development and production. He is the writer and director of both the short and
feature versions of Buñuel in the Labyrinth of the Turtles.

PRINT SOURCE Freak - Independent Film Agency

66 兒童評審團 02 ：天空島，我們來了 Children's Jury Competition 02: The Sky Is the Limit 兒童評審團 02 ：天空島，我們來了 Children's Jury Competition 02: The Sky Is the Limit 67

給狐狸女王的情書 發明家爺爺路西安
2022 安錫國際動畫影展 青少年觀眾票選獎、最佳短片原創音樂獎
2022 奧伯豪森國際短片影展 兒童評審團獎
2022 柏林影展 「Generation Kplus」單元水晶熊獎最佳短片提名 2022 吉福尼影展

The Queen of the Foxes Monsieur Lucien

瑞士 Switzerland ｜ 2022 ｜ DCP ｜ Colour ｜ 9min 法國 France ｜ 2022 ｜ DCP ｜ Colour ｜ 9min

住在森林裡的狐狸女王總是感到悲傷寂寞，每晚狐狸下屬們 主角路西安是個老發明家，為了讓人類生活更加美好，他將
在城裡的垃圾堆穿梭，尋找那些寫下卻未被寄出的動人情書 自己的人生都投注於發明機器。一日，他被邀請到學校與孩
送給女王，希望優美字句能討她歡心。然而，在女王的內心 子分享他的發明：廣場的柳橙汁噴泉讓人們可以停駐於此
深處，還是渴望有一封專屬於她的情書，狐狸下屬們又該如 休息聊天、清潔狗大便的機器大嘴鳥保持市容整潔等等。然
何是好？導演運用富含情感的手繪風格，畫出一首溫馨感人 而，年老又孤單一人的路西安卻思考著如何讓發明的精神延
的愛之頌歌。 續下去⋯⋯
The queen of the foxes is the saddest of them all. In order The venerable Monsieur Lucien comes to present his
to make her happy, her worried gang swarms out at night to extraordinary inventions to a class of children. When
lay at her feet the secretly written, but ultimately unsent love imagination is a bridge between generations...
letters retrieved from the city’s rubbish.

瑪莉娜・蘿塞特 Marina ROSSET 荷邦・巴希葉 Robin BARRIÈRE

1984 出生於瑞士洛桑，畢業於坎布雷國立視覺藝術高等學院與琉森藝術與設計大學。自 2008 年開始，以一名自
由接案者自居，並製作短片。2013 年作品《La fille aux feuilles》獲得盧卡諾影展 Action Light 獎項。
Marina ROSSET was born in 1984 in Lausanne. Between 2003 and 2004, she attended the École Nationale Supérieure
des Arts Visuels de la Cambre in Brussels followed by HSLU (Hochschule Luzern) from 2004-2008. Since 2008, she has
worked as a freelancer and produces her own short films.
荷邦・巴希葉，現年 42 歲，一直都在廣告、新聞、紀錄片及連續劇等視聽產業工作。不僅是一名導演，更是編
劇及剪接師。他喜歡為孩子製作短片，自 2000 年以來，針對兒童與長者觀眾族群，編導十來部短片作品。2018
年作品《Imagineafriend》曾入選克萊蒙費宏國際短片影展及里斯本獨立影展。
Robin BARRIÈRE is a multi-instrumentalist (he is screenwriter and editor of all his films) who works on advertisements,
news, documentaries, series, performances and films. Since 2000, he has written and directed a dozen short films,
some for children and others for older audiences, many of which have been awarded at various festivals.

PRINT SOURCE Marina ROSSET PRINT SOURCE HappyGrumble Productions

愛吃鬼史噗飛 2022 渥太華國際動畫影展

Spuffies
2022 瓜納華托國際影展
2022 克萊蒙費宏國際短片影展

斯洛維尼亞 Slovenia ｜ 2021 ｜ DCP ｜ Colour ｜ 11min

毛茸茸的史噗飛們最喜歡吃漿果了！一下就把漿果全部吃光
的他們，只好穿越陰森可怕的樹林，找尋可以填飽肚子的漿
果。沿路遇見了長相恐怖的大蜘蛛與脾氣古怪的老先生（和
他的狗），讓他們學會了不以貌取人、合作與永續的重要性。

本片色彩飽和鮮明，角色設計活潑可愛，摒除過度簡化的二
元判斷，探討環境永續與跨代共容的議題。

Spuffies have a serious thing for jubees. When they’ve eaten

the last delicious fruit, they head to the next jubee grove.

賈卡・伊凡克 Jaka IVANC

生於 1975 年，畢業於盧布爾雅那大學戲劇暨廣電學院。以戲劇導演身分執導多部偶戲及青少年兒童劇，涉足影
視製作、戲劇構作、劇場設計、水下攝影及大型活動辦理。本片為導演的首部動畫創作。
Jaka IVANC is a graduate of the Academy of Theater, Radio, Film and Television in Ljubljana, Slovenia. He mostly
works as a director in theaters, where he directs puppet and children’s shows. He is also engaged in video production,
dramaturgy, production design, underwater filming, and event directing. Spuffies is his debut film.

PRINT SOURCE Strup Produkcija

 Program 1 69

VR COMPETITION

再見，打字機先生 Typeman
倫敦封城日記 2022 盧森堡影展
2021 倫敦影展 LFF Expanded 單元

Adult Children
英國 UK ｜ 2021 ｜ VR360 ｜ Colour ｜ 17min ｜英語 English ｜中文字幕 Chinese Subtitles

家屋浮現舞台中央，是住在平凡郊區住宅的一家四口， A poignant virtual reality drama about longing to be

而她在窗外隔著電話與好友叨叨絮語。再也無法承受 together in a time of social distance.
社交距離的她，密謀違反居隔條例，去見年邁母親， S e t i n a n e m p t y t h e a t re d u r i n g t h e C O V I D
一邊忍不住想找人排解寂寞。公園板凳上、轎車裡、 pandemic, Adult Children dramatises the impact
閣樓間，倫敦生活的責任與失落感，在空蕩蕩的虛擬 of social distance on families and friends, young
people and old, and on the strangers we were
劇場裡被保存。
asked to protect.
由英國知名 3D 掃描公司 ScanLAB Projects、英國劇
作家艾拉・希克森與 XR 導演莎夏・魏爾斯合作，掃描
倫敦知名劇院「丹瑪倉庫劇院」，帶來嶄新劇場體驗。

艾拉・希克森 Ella HICKSON

英國劇場編劇，近期作品包括 2019 年於英國國家劇院首演之《Anna》。
Ella HICKSON is an award-winning British playwright whose works include Anna (National Theatre), Swive
(Shakespeare’s Globe), The Writer and Oil (Almeida), and Wendy and Peter Pan (Royal Shakespeare
Company).

莎夏・魏爾斯 Sacha WARES

英國知名劇場、XR 導演。作品《Museum of Austerity》在阿姆斯特丹國際紀錄片影展獲獎。

高雄電影節國際短片競賽 VR 組，為台灣唯一也是亞洲最具規模的 VR 競賽之一，本屆總計徵得 113 件有效作品。借 Sacha WARES is an acclaimed British theatre and XR director. Works include CHANG Jung's Wild Swans
(Young Vic, London) and Museum of Austerity (IDFA DocLab Immersive Non Fiction Award).
重本屆初審委員於製作、發行及策展上的專業，考量作品之技術與敘事突破性、對創作媒材之掌握度，並延續雄影
重視的多元性，評選出 22 部入圍作品。從語音辨識互動、線上沉浸式劇場，乃至多重視角敘事作品，都是令人驚喜 ScanLAB Projects
的亮點。 數位新創團體，擅長使用 3D 掃描，將現實片刻及場域轉化為永久的沉浸式體驗。
A pioneering creative practice that specialises in exploring the use of 3D scanning. They digitise the
Kaohsiung Film Festival hosts the sole VR competition in Taiwan and is one of the biggest festival platforms in world, transforming temporary moments and spaces into compelling permanent experiences and design
Asia to award cinematic VR experiences. From the 113 eligible submissions, 22 brilliant titles were selected for online environments and immersive installations.
their breakthroughs in narrative, use of technology, and proficiency in immersive media. The selected works
are diverse in format and showcase amazing creative energy.
PRINT SOURCE ScanLAB Projects Ltd.
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極限攀登：阿爾卑斯 2022 坎城電影市場展 XR 單元 最佳 VR 敘事大獎 貨櫃悲歌 2022 翠貝卡影展

2021 威尼斯影展

Alex Honnold: The Soloist VR Container 2021 倫敦影展

法國、義大利、美國 France, Italy, USA ｜ 2021 ｜ VR360 ｜ Colour ｜ 60min ｜英語 English ｜中文字幕 Chinese Subtitles 南非 South Africa ｜ 2021 ｜ VR180 ｜ Colour ｜ 16min ｜英語 English ｜無字幕 No Subtitle

無繩獨攀運動家艾力克斯・霍諾德，繼成功挑戰美國 Alex Honnold: The Soloist VR features Alex 1794 年葡萄牙奴隸船沉沒，221 名奴隸溺斃，活下來 Container makes visible the “invisiblized” bodies
優勝美地酋長岩後，他將目標瞄準了歐洲的阿爾卑斯 HONNOLD, the star of the Oscar-winning film Free 的人被運到南非開普敦；今日世界，鐵皮貨倉底下， enabling our consumer society. Confronting slavery
Solo, as he travels to and solo climbs some of the through an ever-transforming shipping container,
山群峰，包括義大利北部的多羅米提山脈，以及法國 貨櫃繼續裝運「人」：為貴族服務的過勞女僕、為運
world’s most remote and beautiful mountain peaks, the past becomes the present, the invisible become
境內的德魯峰。艾力克斯再度將自己推向生命最極限 captured using the latest in high-resolution 3D 動品牌服務的童工、從事色情按摩的女性性工作者、 visible. We witness the shards of society: the ghosts
的挑戰，唯有做出最完美的每一步，才能成功登頂。 360-degree cameras. 被消費主義拘禁的大眾。時至今日，「人」與貨品仍 of the past and living spectres of the modern world.
舊沒有太大差別。
《極限攀登：阿爾卑斯》出動八台超高解析度攝影機，
跟隨艾力克斯登上海拔四千公尺的高空進行拍攝，近 透過紀錄片視角，《貨櫃悲歌》以紀念 221 名犧牲的
距離捕捉他登頂的完整歷程，讓觀眾看得心跳加速、 奴隸為名，用 VR180 窺探貨櫃內被搬運的芸芸眾生。
手汗直流。旅途中不僅將阿爾卑斯山早晨、夜晚的壯 社會暗面不斷變形，不變的是我們仍繼續被殖民著。
闊美景盡收眼底，更讓人體會無繩獨攀獨一無二的魅
力。

梅格娜・辛格 Dr. Meghna SINGH

視覺藝術家、紀錄片製片。作品關注人性及社會議題，曾參與製作紀錄片《當龍吞了太陽》。

瓊恩・格里菲斯 Jonathan GRIFFITH

Dr. Meghna SINGH is a visual artist working with mediums of video, installation and virtual reality.
Blurring boundaries between documentary and fiction, she creates immersive environments highlighting
英國知名導演，多拍攝戶外運動紀實影片，同時也是登山愛好者，曾登上聖母峰拍攝 VR 作品，熱愛深入世 issues of “humanism”.
界上最難以抵達的角落，帶回震撼人心的冒險故事。
西蒙・伍德 Simon WOOD
Jonathan GRIFFITH specializes in award-winning outdoor and adventure productions, often in remote
紀錄片導演。作品曾入圍加拿大 Hot Docs 紀錄片影展，2020 年更以《Scenes from a Dry City》獲艾美獎
areas of the world that very few can access, bringing cutting edge technologies and human adventure to
the world. 提名最佳紀實短片。

Simon WOOD is an Emmy-nominated filmmaker based in Cape Town. His films have screened at the
world's largest film festivals and won awards in Africa, Asia, Europe and America.

PRINT SOURCE Jonathan Griffith Productions PRINT SOURCE Electric South

72 Program 3 Program 4 73

不哭泣的女人 2022 墨爾本國際影展

2021 日內瓦國際影展 最佳 VR 體驗金映獎
瀑布膠卷夢 2022 富川國際奇幻影展
2022 坎城電影市場展 XR 單元

Tearless 2021 威尼斯影展

Montegelato 2021 威尼斯影展

美國、韓國 USA, Korea ｜ 2021 ｜ VR360 ｜ Colour ｜ 12min ｜無對白 No Dialogue 義大利 Italy ｜ 2021 ｜ VR360 ｜ Colour ｜ 15min ｜義大利語 Italian ｜英文字幕 English Subtitles

南韓東豆川市，逍遙山腳的美軍駐地，有俗稱「猴房」 Tearless is part of a trilogy on camp town comfort 在 羅 馬 近 郊， 有 一 座 最 常 出 現 在 義 大 利 影 史 的 瀑 Hundreds of cinematic sequences define a three-
（Monkey House）的「美軍性病診療所」。這裡直 women that the South Korean government offered 布： 吉 拉 托 山 瀑 布。 自 五 O 年 代 起， 超 過 180 部 dimensional collage of the Monte Gelato waterfalls
to US soldiers stationed there. The film moves (Rome) as they have been filmed in more than
到 2004 年才關閉，無數染上性病的韓國慰安婦曾被監 義大利電影、電視、廣告曾在這裡取景；從軟調色
through the haunting spaces of Monkey House, a 180 productions including films, TV series and
禁於此。浴室、走廊、飯堂、診間，抽菸的女人如鬼魅， deadly medical prison established in South Korea in 情片、古裝片、戰爭片，到驚悚片、義大利式西部 commercials.
走在光下。寢室夜晚，女人在樓頂邊緣徘徊，而走廊 the 1970s to isolate comfort women with STDs. 片、喜劇，所有類型電影共浴這座瀑布，亞瑟王神
猛然下起傾盆大雨，如那不曾被聽見的哭聲⋯⋯ 劍佇立、夏娃摘取禁忌果實⋯⋯

導演金鎮娥，繼 2017 年獲威尼斯最佳 VR 敘事獎的《東 義大利導演大衛・拉普，耗時五年搜集珍稀影像，

豆川血痕》後，再次凝視女性與人權議題，觀眾置身 用泛黃超 8、DVD、錄影帶、典藏影像，拼湊出瀑
冷戰遺骸感受歷史的重量，場域的力量不言自明。 布的影史全景，紀錄義大利影視發展的繁華年代。

金鎮娥 Gina KIM 大衛・拉普 Davide RAPP

1973 年出生，畢業於首爾大學美術系、加州藝術學院碩士，現任教於加州大學洛杉磯分校。作品《金鎮娥 1980 年出生於義大利，米蘭創意工作室「-orama」創辦人及創意總監。大衛・拉普的蒙太奇電影和散文影
的影像日記》、《美味秘方》、《第二次愛情》於全球過百影展放映，2017 年以《東豆川血痕》獲威尼斯 像創作曾在多項國際藝術雙年展及影展放映。2021 年，他以首部 VR 作品《瀑布膠卷夢》入圍威尼斯影展
影展最佳 VR 敘事獎。 VR 競賽。

Gina KIM is a South Korean filmmaker who produces works in both Hollywood and her home country. Davide RAPP (Verbania, Italy, 1980). His montage films and video essays have been screened at
Her films have been theatrically released in Europe, Asia and the US. international museums and film festivals. He is the founder and creative director of the Milan-based
creative agency “-orama”.

PRINT SOURCE Cyan Films PRINT SOURCE Diversion Cinema

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生還 911： 2022 威比獎 最佳 VR 影片 無法離開的人 2022 威尼斯影展 最佳體驗獎

瓦礫堆下的 27 小時
2022 西南偏南影展
2021 世界沉浸論壇 最佳 XR 紀錄片
The Man Who Couldn't Leave
台灣 Taiwan ｜ 2022 ｜ VR360 ｜ Colour ｜ 35min ｜台語、中文 Taiwanese, Chinese ｜英文字幕 English Subtitles
Surviving 9/11 - 27 Hours Under the Rubble
綠島曾關押政治犯的蠟像展示場，政治受難者坤伯正 Experience the time, the place, and the hope, to
法國、美國 France, USA ｜ 2021 ｜ VR360 ｜ Colour ｜ 21min ｜英語、法語 English, French ｜中文字幕 Chinese Subtitles
述說著當年的情景。隨著坤伯導覽的腳步，觀眾彷彿 keep the stories alive.
穿越時光隧道，一同經歷了 1950 年代坤伯與難友阿 Inside the former Green Island prison, political
2001 年 9 月 11 日早晨，一聲巨響震撼紐約天空， 20 years after September 11, discover the 青的故事，他們像是被凍結在時間裡，守護著約定而 detainee A-Kuen recounts imprisonment and
當時在北塔工作的珍妮兒・古茲曼麥克米倫，目光 extraordinary story of Genelle GUZMAN- 無法離開，也等待著那位能讓故事不斷被傳頌下去的 persecution in the 1950s in Taiwan. Among inmates,
MCMILLAN, the last survivor rescued from the frozen in time, he recalls his own experience and
所及之處全在瞬間內灰飛煙滅。最終她成了最後一 人。
rubble at Ground Zero. those of his friend, A-Ching, who never made it out.
位被救出的倖存者，那時，她已經在瓦礫堆中被埋
《無法離開的人》融合多位白色恐怖政治受難者的經
了 27 小時。20 年過去，珍妮兒首度回到雙子星大 Featuring never-seen-before 360-degree images of
the World Trade Center, this experience is a unique 歷，以一封無法送達的遺書，穿越歷史與時間，並藉
樓遺址，在紀念碑的見證下，她娓娓道出那改變世
virtual reality dive into the story of a 9/11 survivor. 由 VR 沉浸式體驗，期待喚起不同世代對這段歷史與
界、也改變她人生的 27 小時。
人物的共感。
本 片 以 360 度 鏡 頭、 影 像 檔 案， 還 原 了 2001 年 的
紐約地景，帶領觀眾回到遭飛機撞擊前的雙子星大
樓，以前所未有的方式去認識這場災難中真實存在
的面孔。

克洛伊・羅切萊爾 Chloé ROCHEREUIL 陳芯宜 Singing CHEN

法國電影導演，同時也是製作公司 TARGO 的共同創辦人。拍攝多部 VR 電影，作品曾入圍美國艾美獎、法 作品橫跨電影、紀錄片、VR 與電視劇，常聚焦在人生存的處境與信仰，以魔幻寫實的手法、細膩的敘事，
國盧米埃電影獎，最新作品《生還 911：瓦礫堆下的 27 小時》則榮獲 2021 年 Crystal Owl Award 肯定。 建立獨特的影像語言。作品曾在柏林影展、金馬獎等 30 多個影展入圍或獲獎肯定。

Chloé ROCHEREUIL is an Emmy-nominated director and the co-founder of TARGO, an award-winning ​​

Singing CHEN’s work encompasses fiction, documentary and VR films and has received numerous
virtual reality studio specializing in documentaries and non-fiction experiences. festival accolades. Her collective work is marked by a deep empathy for disenfranchised characters and
a strong sense of social justice.

PRINT SOURCE TARGO PRINT SOURCE 吳伯山 WU Po-shan

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那些年，我們一起轉大人 2022 西南偏南影展

2022 美國 Games 4 Change 影展
廣場物語 2022 渥太華國際動畫影展
2022 威尼斯影展 評審團大獎

Weird Times From the Main Square

美國 USA ｜ 2022 ｜ VR360 ｜ Colour ｜ 19min ｜英語 English ｜中文字幕 Chinese Subtitles 德國 Germany ｜ 2022 ｜互動 Interactive ｜ Colour ｜ 19min ｜無對白 No Dialogue

我的學業表現很差，是不是因為我很笨？我的身材很 A 360-degree immersive VR series that takes a look 這一切全圍繞著廣場發生。人們相聚而居，隨著技術 Encircling a central square, a new town emerges
胖，會被嘲笑一輩子嗎？同學在 IG 上總有數不完的美 at the life of a teenager and the unique challenges 發展、資源開發，聚落變成了都市，人們享受著科技 in all its diversity. People nurture sympathy and
they face in today’s technology and social media- care for their equals, but also animosity towards
照，我是不是一無是處？這些是我們都曾經歷過的煩 進步帶來的便利生活。然而，夢幻生活卻開始變調。
heavy world. Approaching storytelling through those who are different. From the Main Square is an
惱。然而，在這資訊爆炸的時代，現在的青少年都面 multiple episodes, each one digs deeper into the 當人們開始區分你我，為了不同價值而反目，為了權 interactive VR experience that invites the viewer to
對著什麼樣的青春期焦慮呢？愈發進步的科技、與現 characters and their struggles. 力而鬥爭，衝突將永無止境。 witness the rise and fall of a divided society; how it
代生活密不可分的社交軟體，又會帶給少男少女們什 blossoms only to become a danger to itself.
《廣場物語》將社會興衰濃縮進短短 20 分鐘，觀眾
麼樣的衝擊？
得以用雙眼觸發與尋找衝突爆發的關鍵時刻，每個小
少年情懷總是詩，《那些年，我們一起轉大人》以鮮 細節都可能將社會推向更激烈的衝突。震撼人心的結
豔明亮的色彩、充滿活力的線條，打造出充滿創意的 局殘酷地叩問社會永續的價值何在，也呼應著政治走
狂想世界，帶領我們一同走進青少年剪不斷理還亂的 向兩極化的真實社會。
煩惱，或許也能窺見你年少輕狂的足跡。

萊恩・哈特塞爾 Ryan HARTSELL

電影導演、動畫師、電影製作人，曾拍攝多部 VR、動畫作品，並擔任過李察・林克雷特執導電影《我們的
輕狂年代》的視覺特效。 佩德羅・哈雷斯 Pedro HARRES
Since the advent of 360-degree VR, Ryan has been pioneering content creation on and off set for Flight 出生於巴西，現居德國柏林，現為動畫導演，同時也是影視編劇及多媒體創作者，首部動畫短片及首部 VR
School Studio contributing to countless award-winning productions all over the world. 作品皆獲邀於威尼斯影展放映。

克洛伊・康比 Chloe COMBI Pedro HARRES is a Berlin-based Brazilian animation director, scriptwriter, and multimedia artist. Both his
first animated short and his first VR experience premiered at the Venice Film Festival.
英國知名作家，曾訪問超過千名 Z 世代青少年，熟悉年輕世代的心理成長歷程，並獲邀於可口可樂、
Netflix、Google 等多家知名企業擔任顧問。

Writer, speaker, columnist, consultant, futurist, problem solver, podcast host.

PRINT SOURCE Flight School Studio PRINT SOURCE Filmuniversität Babelsberg KONRAD WOLF
78 Program 8 Program 9 79

一眼瞬間 2022 坎城電影市場展 XR 單元 最佳 VR 互動體驗

2022 安錫國際動畫影展 VR 水晶獎
謎幻泡泡糖 2022 威尼斯影展
2022 西南偏南影展 觀眾票選獎

Glimpse 2021 砂之盒沉浸影像節 最佳沉浸藝術

Gumball Dreams
英國、法國、愛爾蘭 UK, France, Ireland ｜ 2021 ｜互動 Interactive ｜ ​​Colour ｜ 23min ｜英語 English ｜無字幕 No Subtitle 美國 USA ｜ 2022 ｜線上即時互動演出 VR Live Performance ｜ Colour ｜ 60min ｜英語 English ｜無字幕 No Subtitle

插畫家熊貓荷比與女友小鹿萊斯分手後，成天躲在工 A panda called Herbie is holed up in his illustrator 來日無多的外星人歐尼克斯，召喚你踏上神祕星球， You have been called by an alien creature named
作室。他的繪圖日記、答錄機、廢紙簍，像儲思盆喚 studio after a bad breakup with a talented deer 傳承他千年的智慧。在那之前請先接受挑戰，通過考 Onyx to a mythical planet on which they are living
called Rice. Using Herbie's art we delve back out their final days. You, and two others, are asked
起種種回憶，回到相識相戀、回到爭吵起點、回到被 驗，並展開迷幻之旅。在大氣中漂浮、在群星間跳躍，
through the memories of their relationship from to help their transition from this reality to the next.
生活磨光的愛情、回到紀念日吹蠟燭許願的瞬間。 the heartbreaking end to the beautiful beginning; 當你能從絢爛的幻影中看見真實的自己，表示你也即
a dreamlike voyage through his mind, his heart and 將和歐尼克斯告別⋯⋯
奧斯卡最佳短片導演班傑明・克利里，與任天堂御用
his illustrations.
遊戲設計師麥可・歐康納聯手，並找來《金牌特務》 《 謎 幻 泡 泡 糖 》 是 VR 體 驗 設 計 團 隊 Ferryman
泰隆・艾格頓、《波西米亞狂想曲》露西・波頓獻聲， Collective 的第四部作品，以華麗視覺、合作解謎遊
搭 配 美 國 獨 立 搖 滾 樂 團 Phosphorescent 催 淚 情 歌 戲與演員真實的互動，跨越虛擬的界線，帶你探尋心
〈Song for Zula〉，帶你重溫再也攬不回的心酸愛戀。 中的愛與遺憾。

麥可・歐康納 Michael O'CONNOR

XR 導演、編劇、製作人。曾為 SEGA、任天堂遊戲設計師，《一眼瞬間》為其首部導演作品。
Michael O'CONNOR is an XR writer, director and producer. Glimpse is his directorial debut. He designed
and produced flagship titles for SEGA and Nintendo. Before working in games, he produced feature
films in Ireland.
迪爾德莉・萊恩斯 Deirdre V. LYONS
居於洛杉磯的製片、演員，同時也是十分受歡迎的 VR 劇場演講者。《謎幻泡泡糖》為其首部執導作品。
Deirdre V. LYONS is a Los Angeles producer, actress and sought-after speaker on the topic of VR
Theater. Gumball Dreams is Ferryman Collective’s fourth production and her directorial debut.

班傑明・克利里 Benjamin CLEARY 克里斯多福・戴維斯 Christopher Lane DAVIS

2015 年以《口吃男戀語》獲奧斯卡最佳實景短片，2021 年劇情長片《天鵝之歌》於 Apple TV 播出，獲影 音 樂 家、 作 家、 表 演 者、3D 設 計 師， 過 往 VR 作 品 包 括《 分 裂 世 界： 我 的 秘 密 基 地 》。 本 片 源 自 其 在
評盛讚。 VRChat 平台上創作的首款電玩遊戲《泡泡糖俱樂部》。

Benjamin CLEARY is an Oscar-winning writer and director. In 2015, he wrote, directed and edited his first Christopher Lane DAVIS is a musician, writer, performer and 3D-designer. He created his first VR video
short film Stutterer, which won an Academy Award for Best Live Action Short. game, Club Gumball, for VRChat. VR productions include Welcome to Respite and Gumball Dreams.

PRINT SOURCE Electric Skies PRINT SOURCE Ferryman Collective

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VR 罪系列首部曲：迷路 2022 富川國際奇幻影展 漫遊 1934：漢城 2022 翠貝卡影展 最佳 VR 敘事大獎

2022 新影像藝術節 評審團特別提及 LBE 類

Immersive Criminology Episode 1: LOST Kubo Walks the City

台灣 Taiwan ｜ 2022 ｜互動 Interactive ｜ Colour ｜ 16min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle 法國 France ｜ 2021 ｜走動 Roomscale ｜ B&W ｜ 20min ｜英語、法語、韓語 English, French, Korean ｜無字幕 No Subtitle

一齣傀儡戲正上演，一位迷路的小女孩想要回家，我 You watch closely at an exquisite marionette play. A 1934 年朝鮮漢城，正值日本殖民時期淘金熱高峰。跟 Like an “ethno-detective”, you follow the footsteps
參與了她回家的路程並竭盡可能地幫助她解決問題， girl is lost, and you are helping her to find her way 著遇上創作瓶頸的作家仇甫，進城展開一場「意識流」 of Kubo, a Korean writer in his urban flanerie in
home. On the 7th day, you realize the story of the Seoul in 1934, when Korea was under Japanese
直到最後一晚她終於到了家門口，才發現我也是這齣 漢城漫遊。北朝鮮 23 萬農民正經歷著三年大饑荒；
little girl is also very much your own… occupation.
戲的一部分。 漢城茶館中暴發戶們無所事事，街車上拜金女奔赴下
一個懷抱，時下話題是 1936 年即將到來的柏林夏季
奧運。

改編自現代主義小說家朴泰遠名作《小說家仇甫氏的
一日》，當代藝術家權河允以獨特的大範圍走動 VR
形 式、Quill 繪 圖、Gravity Sketch 建 模 技 術， 讓 觀
眾通過作家憂鬱的眼睛，直擊殖民政權下的精神貧脊
與罪惡。

高逸軍 KAO Yi-chun 權河允 KWON Ha-youn

曾以作品《抓周》獲第 33 屆金穗獎最佳學生作品首獎、青年金雄獎等，投入動畫特效產業多年，擔任過第 Innerspace VR 工 作 室 聯 合 創 辦 人。 畢 業 於 法 國 當 代 藝 術 搖 籃 Le Fresnoy， 作 品 曾 於 龐 畢 度、 紐 約
51 屆金鐘獎《一把青》特效製作總監，也曾以 VR 短片入圍薩格勒布國際動畫影展、美國 SIGGRAPH 等。 MoMA、巴黎東京宮展出。2020 年，因巴黎新影像藝術節與高雄 VR FILM LAB 合作之駐村計畫來台創作《玉
山守護者》，並於隔年雄影 XR 大觀首映。
KAO Yi-chun is an animation director and screenwriter. The Abandoned Deity (2019) is his first animated
VR film, which has been selected by 2021 Animafest Zagreb, 2021 Cannes XR and 2020 SIGGRAPH VR KWON Ha-youn is a Korean artist. She studied at Le Fresnoy Art School in France and co-founded
Theater. Innerspace VR studio. Fascinated by virtual reality, a medium she uses for questioning the truth, she has
been developing VR works on memory for several years.

PRINT SOURCE 腦高映像 HiBrain Image PRINT SOURCE Innerspace VR

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牛男的迷宮 2022 新影像藝術節

2022 坎城電影市場展 XR 單元
露娜：啟示錄 2022 坎城電影市場展 XR 單元

Lavrynthos 2021 威尼斯影展

Luna: Episode 1 - Left Behind
巴西 Brazil ｜ 2021 ｜互動 Interactive ｜ Colour ｜ 20min ｜英語 English ｜無字幕 No Subtitle 加拿大、泰國 Canada, Thailand ｜ 2021 ｜互動 Interactive ｜ Colour ｜ 30min ｜英語 English ｜無字幕 No Subtitle

希臘克里特島上的克諾索斯迷宮，是史詩《奧德賽》 Lavrynthos places you at the heart of the labyrinth 世界在經歷一場浩劫後，所有機器人都失控了，他們 You, a small droid, wake up and meet a little girl
中被監禁的牛頭人身王子米諾陶吞噬雅典進貢男女的 of Crete to tell you the story of the unlikely 一心只想消滅他們的造物者――人類。而你是一個小 named Luna trying to survive an AI apocalypse.
relationship between the Minotaur and his next The machines seem to be after only one goal: to
地方，而米諾陶的下一頓晚餐是女孩柯拉。柯拉置身 型機器人，在這場浩劫中甦醒，遇見身上藏有祕密的
meal: a girl named Cora. exterminate its creators. Can you, a droid with no
迷宮中央，她答應米諾陶尋找出口，卻和他一起迷失 小女孩露娜，並且發現她可能就是人類與機器人和平 combat capabilities, protect Luna? Can humanity be
於這個「移動迷宮」的矩陣之間⋯⋯ 共處的關鍵。一場末世的救援行動，就在充滿賽博龐 saved?
克風格的衰敗城市裡展開。
巴西新銳導演搭擋再度攜手，繼廣受雄影觀眾歡迎的
《重力兄弟好不好》後又一力作。《牛男的迷宮》打 本作結合情境敘事及電玩體驗，讓觀眾一步步陪伴露
造顛覆現實的非歐幾里得幾何迷宮，挑戰虛擬實境的 娜認識世界。除了透過把手與露娜進行互動，也必須
極限，顛覆你對空間的想像，邀請你一起走出心的迷 保護露娜免於傷害。此外，更能透過語音輸入指令，
宮。 你的發言都將影響露娜的觀點，打造出更加沉浸的互
動體驗。

法比托・希區特 Fabito RYCHTER

曾擔任多部知名巴西節目編劇，節目每週觸及超過一千萬名觀眾。2016 年創辦 Delirium XR。

Fabito RYCHTER has been working as a TV scriptwriter for 17 years, having contributed to some of
薩魯維特・萬尼森 Charuvit WANNISSORN
Brazil´s most famous shows, reaching more than 10 million viewers each week. In 2016, he started
Delirium XR. VR 創作者，過去曾擔任技術美術師、遊戲工程師。擅長結合敘事、藝術形式與科技媒材，打造出獨一無二
的視覺體驗。
阿米爾・阿居莫尼 Amir ADMONI
Charuvit WANNISSORN is a developer who likes to combine his passions in storytelling, art and
執導六部動畫短片於多項國際影展放映，獲超過 120 個獎項肯定，也曾和 MTV、迪士尼、Netflix 等品牌合作。 technology. He used to work as a technical artist and gameplay programmer.
Amir ADMONI has worked for MTV, Disney, Nickelodeon, Comedy Central, Netflix among others and
has had his personal work featured worldwide. He has directed six animated short films that were
screened around the world, achieving more than 120 awards.

PRINT SOURCE Delirium XR PRINT SOURCE Charuvit WANNISSORN

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冥界淨化者：序章 午夜．巴士・鴿子們
2022 西南偏南影展
2022 美國 SeriesFest 影展
2022 薩格勒布國際動畫影展

Lustration Midnight Story

澳洲、美國 Australia, USA ｜ 2022 ｜互動 Interactive ｜ Colour ｜ 32min ｜英語 English ｜無字幕 No Subtitle 英國 UK ｜ 2022 ｜互動 Interactive ｜ Colour ｜ 12min ｜英語 English ｜無字幕 No Subtitle

活著很累，但沒有人跟你說，死後會比活著還累。 Lustration is a four-part multi-strand animated series 凌晨兩點，尋常無奇的巴士站，疲憊的旅人們在候車 Even in a lonely, revolting and boring place such as
following a group of characters whose stories are 室等待發車。老奶奶喃喃自語，抱怨連連，她討厭車 a coach station, a little bit of harmony can always be
歡迎來到死後的世界，既非天堂，也非地獄。在這裡 mysteriously intertwined both in the real world and found…
站的嬰兒哭鬧，討厭鴿子；鴿子停駐在不停消毒椅子
你可以享受生活、開心玩樂，不會老，不會生病，但 the afterlife. As their stories unfold and intersect, we
的男人旁、一位帶貓的壯漢腳邊、一個生死不明的睡
就是得想辦法打發時間。如果你是少數的聰明人，那 uncover a conspiracy so vast it has affected every
facet of our existence…and the next. 袋附近、一對不講話的印度夫妻眼前。夜晚使人煩躁，
麼小心，別和「信眾」作對，他們監控一切——除了
但也許，你只是需要跟著鴿子向上看。
一些漏網之魚⋯⋯
新銳動畫導演安東尼・尼克拉斯，改編自己榮獲英國
《冥界淨化者：序章》改編自導演所著的同名圖像小
電影學院獎最佳動畫短片的畢業製作《Do Not Feed
說，由四部短片所組成，描述一則黑色電影般的懸疑
the Pigeons》，運用 VR 視覺追蹤技術，讓觀眾跟隨
故事。觀眾透過多位角色的經歷，一同揭開死後世界
車站的「釘子戶」們，在寂寥中找到生活的吉光片羽。
的陰謀。在觀看的過程中能夠自行切換視角、穿梭生
死兩界，而不管在哪一邊，都有人願意為愛鋌而走險。

萊恩・格里芬 Ryan GRIFFEN 安東尼・尼克拉斯 Antonin NICLASS

澳洲藝術家、策展人，作品形式多為電視影集及漫畫，並曾入圍德國柏林影展、澳洲雪梨影展。萊恩深受 2021 年於英國國立電影電視學院取得碩士學位，畢業製作《Do Not Feed the Pigeons》榮獲英國電影學院
1950 年代電影及類型片所影響，擅長透過科幻、奇幻的故事，探索當代文化議題。 獎最佳動畫短片，其後尼克拉斯將該短片改編為 VR 作品《午夜．巴士．鴿子們》。

Ryan is a First Nations Australian creator who has worked primarily in TV and comics. A fan of genre Antonin NICLASS, director of the BAFTA-winning short film Do Not Feed the Pigeons, decided to adapt
and 1950s cinema, Ryan brings a fantasy/sci-fi sensibility to his work to explore contemporary cultural the atmosphere of his graduation film into virtual reality.
themes.

PRINT SOURCE New Canvas PRINT SOURCE Antonin NICLASS

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保羅克利的布偶 2022 新影像藝術節 金面具獎

2022 多倫多獨立電影工作者影展 最佳 VR
未來的末日 2022 安錫國際動畫影展
2022 新影像藝術節 評審團大獎

Unframed - Hand puppets, Paul Klee 2022 加爾各答國際邪典影展 最佳 VR

On the Morning You Wake 2022 西南偏南影展 評審團大獎

瑞士 Switzerland ｜ 2021 ｜走動 Roomscale ｜ Colour ｜ 12min ｜英語、法語 English, French ｜無字幕 No Subtitle (To the End of the World)
法國、英國、美國 France, UK, USA ｜ 2022 ｜互動 Interactive ｜ Colour ｜ 42min ｜英語、法語 English, French ｜
英文、德文、挪威文字幕 English, German, Norwegian Subtitles

德國畫家保羅・克利原本有著幸福美滿的家庭，不料 Let the puppets created by Paul KLEE tell you 2018 年 1 月 13 日清晨，夏威夷居民收到一則國家警 On January 13th 2018, all of Hawai'i received an
有天納粹軍隊闖入小鎮，奪走他的作品，並脅迫他服 the story of their maker in this unique VR puppet 報簡訊：「彈道飛彈即將襲擊夏威夷，立即尋求掩蔽， SMS which read:
theater designed only with KLEE’s textures.
從於慘無人道的政權。克利帶著妻子逃往瑞士，並重 這不是演習。」接下來的 38 分鐘，夏威夷島民深刻 BALLISTIC MISSILE THREAT INBOUND TO HAWAII.
拾畫筆，創作出他生命中最憤怒、最具生命力的藝術 領悟到：「我們活在一個有核武的世界」。 SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL.
傑作。
本片由歐洲最大沉浸式內容製作公司 Atlas V 旗艦製 For 38 minutes, every citizen of Hawai'i experienced
the fundamental injustice of a world where nuclear
DNA Studios 推出以國際知名畫家為題的 VR 系列作 作，還原夏威夷人刻骨銘心的清晨。
weapons exist.
品，其中《保羅克利的布偶》重現保羅・克利拒絕服
從納粹、逃往瑞士定居的真實經歷，道出極權時代下
藝術創作者的反抗與轉變，並以立體透視技法打造出
麥克・布雷特（左）Mike BRETT 史提夫・賈米森（右）Steve JAMISON
驚人的視覺場景，更讓保羅・克利親手創作的布偶有 2014 年首部紀錄片《Next Goal Wins》獲英國獨立電影獎最佳紀錄片。

了生命，重新演繹出改變這位藝術家生涯最重大的歷 Mike BRETT and Steve JAMISON are co-founders of production studio Archer's Mark. Their
史事件。
directorial debut Next Goal Wins premiered at the Tribeca Film Festival and won the British
Independent Film Award (BIFA) for Best Documentary.

阿諾・柯林納 Arnaud COLINART

Atlas V 共同創辦人。製作《星球》三部曲（Spheres），並曾在威尼斯、日舞等影展放映。
馬丁・夏利耶 Martin CHARRIÈRE
Arnaud COLINART began his career in digital content in the French award-winning
1991 年出生於瑞士，為 DNA Studios 的共同創辦人，負責製作遊戲與動畫。他推出一系列作品來向瑞士畫 production company Agat Films - Ex Nihilo. He has 15 years of experience across multiple
media industries, and his work merges new technologies with storytelling.
家致敬，《保羅克利的布偶》為該系列第四部。

Martin CHARRIÈRE, born in Switzerland, is the co-founder of DNA Studios, a company about games and
皮耶・崇多維克 Pierre ZANDROWICZ
animation. He created the series Unframed dedicated to Swiss painters. Unframed - Hand puppets, Paul Atlas V 共同創辦人，VR 科幻電影《我，菲利浦》導演，為歐洲劇情類 VR 創作先鋒。
Klee is the fourth episode.
Pierre ZANDROWICZ is a director and filmmaker whose passion for visual storytelling has
pushed him to create memorable and awarded works. He was one of the first filmmakers in
Europe to try and create narrative VR fiction.

PRINT SOURCE DNA Studios PRINT SOURCE Astrea

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追火車的男孩 2022 威尼斯影展 希望之躍 2022 FIPADOC 國際紀錄片影展

2022 聖荷西 Cinequest 影展

Thank you for sharing your world The Leap 2021 雨舞影展

日本 Japan ｜ 2022 ｜互動 Interactive ｜ Colour ｜ 33min ｜英語、日語 English, Japanese ｜無字幕 No Subtitle 德國 Germany ｜ 2021 ｜走動 Roomscale ｜ Colour ｜ 20min ｜英語、德語 English, German ｜英文字幕 English Subtitles

熱愛研究火車的小學生 Takashi 天生視力不佳，有一 This is a story about Takashi, a grade school student 1961 年，美、俄勢力在處於分裂狀態的德國交鋒，柏 The Leap carries visitors from reunified Berlin
天終於全盲，他也必須學習面對隨之而來的改變，唯 who lost his eyesight, learning how to enjoy the 林凝縮了冷戰時期的所有政治恐懼。當年，柏林圍牆 back to the year 1961. They will experience how
world with his imagination with the help of his policeman Conrad SCHUMANN took the leap at an
一不變的是，同為火車迷的自閉症同學 Shinji，始終 才剛開始興建，東、西德之間僅以鐵絲網作為路障，
friend. intersection from East into the West part of Berlin
待他親切。有天，Shinji 邀請 Takashi 一起去迎接蒸 而 19 歲的東德士兵舒曼被派駐守柏林圍牆。在一個 and how at exactly this moment the photo that has
汽火車進站。面對家門外的未知世界，Takashi 該如 平凡的午後，他在東、西德警察眾目睽睽下，突然輕 gone down in world history was taken.
何克服心魔，重拾他對生命的熱情呢？ 盈地縱身一躍，一腳跳進自由的西德領土，而記者也
正好在此刻按下了快門，記錄下第一位跨越柏林圍牆
《追火車的男孩》由日本知名公司講談社製作，以盲
的人。
人視角出發，將感官化作視覺圖像，VR 控制器則成為
白手杖，讓觀眾深刻地體驗視障人士的日常。導演透 《希望之躍》以士兵舒曼、西德警察、媒體攝影師三
過兩位男孩直白且真誠的互動，打破生理障礙所築成 方的第一人稱視角，重新演繹這動人的時刻，並藉由
的牆，更在音樂家中村遼的琴聲搭配下，引領觀眾感 科技媒材將瞬間鑄為永恆。
受這段友情的溫度。

作道雄 SAKUDO Yu 波里斯・哈斯查卡丁 Boris HARS-TSCHACHOTIN

1990 年出生於大阪，於京都大學法學部畢業。2014 年成立影像製作公司 Creative Studio Getsukuro，並 電影工作者、藝術家、作家，同時也是策展人，熱愛在創作裡打破藝術及科學的界線。波里斯成立 Liquid
擔任代表。現為電影導演、編劇，最新編劇作品為 NHK 影集《ペットにドはまりして、会社辞めました》。 Blues Production，專門製作劇情片、紀錄片與互動藝術。

Japanese film director and screenwriter born in Osaka in 1990. Established a video production company A filmmaker, artist, author, and curator who loves crossing the border between art and science. He
Creative Studio Getsukuro in 2014 and acts as the representative. founded Liquid Blues Productions, which focuses on realizing feature films, documentaries, and
interactive art.

PRINT SOURCE Kodansha VR Lab, Ltd. PRINT SOURCE Liquid Blues Production
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KAOHSIUNG ＦＯＣＵＳ

屍舞 The Remains
再見，打字機先生 2022 威尼斯影展

Typeman
日本 Japan ｜ 2022 ｜線上即時互動演出 VR Live Performance ｜ Colour ｜ 25min ｜無對白 No Dialogue

歡迎來到打字機先生的世界，清脆的敲打聲、輕快的 Typeman has been needed by many human beings.

節奏、華麗的音符，在老舊卻熟悉而溫暖的公寓裡， However, he has been forgotten by people.
邀請你跳最後一支舞⋯⋯ You will meet Typeman in a room of an old
apartment building. When you encounter Typeman
打字機先生這輩子總是被人需要，也忠實地為人類 for the first time, what feelings will you have for him
服務，但時至今日卻漸漸被遺忘。初次見面的你，是 and how will you act toward him?
否會共感他的沮喪，或和他一起編織全新的快樂舞蹈
呢？

《再見，打字機先生》是一部精緻的線上即時互動作品，
帶有遺憾，有懷念，卻也充滿溫暖，邀請你一起緬懷
往日的美好，來一場華麗的字母冒險。

高雄市電影館每年藉由獎助計畫及合作邀請，迄今已扶植超過 160 部原創作品，今年透過「高雄拍」、「高雄原創

VR」計畫，以及與公共電視的合作，一口氣推出 18 部原創新作，類型包含劇情短片、動畫、實驗及 VR，老將新秀
伊東圭介 ITOH Keisuke
各展創意，持續開拓創作的無限可能，18 部作品見證著今年度台灣短片及 VR 創作的豐碩成果，亦體現高雄對原創
VR 動畫導演，畢業於多摩美術大學平面設計系，近期投入以 VR 形式創作互動敘事作品。
精神的開闊包容與全力支持。
ITOH Keisuke is a VR animation director. He graduated from Tama Art University’s Department of
Graphic Design. Currently, he is in pursuit of interactive storytelling by using VR. Each year, Kaohsiung Film Archive supports filmmakers through award programs and collaboration invites,
fostering more than 160 original works to date. This year, through the Kaohsiung Shorts and Kaohsiung VR
FILM LAB Originals initiatives, as well as a partnership with Taiwan Public Television Service, we present a total
of 18 original works. These include short films, animations, experimental films and VR, showcasing the creativity
of veterans and newcomers alike and continuing to open up the infinite possibilities of filmmaking. The 18
works are a testament to the fruitful achievements of Taiwan’s short film and VR creations this year, reflecting
Kaohsiung’s openness, inclusivity, and full support for the spirit of originality.
PRINT SOURCE CinemaLeap
 Program A 93

KAOHSIUNG FOCUS:
Kaohsiung VR FILM LAB Originals

眼與我（一）The Eye and I, Vol. I

諾弟
Where is Noddy?
台灣 Taiwan ｜ 2022 ｜ Colour ｜互動 Interactive ｜ 17min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle

有一個小男孩他叫做諾弟，他最喜歡玩遊戲了。好多 A boy named Noddy, who likes to play games

好多的遊戲裡，諾弟最喜歡玩捉迷藏。因為，大家都 very much. His favorite is hide and seek because
everyone likes it. But Noddy is always the first one
喜歡玩。只是諾弟總是第一個被抓到。
to get caught. Every time he gets caught, he puts
被抓到的時候他都臭著一張臉，因為只要被抓到，他 up a long face. Because once he gets caught, he
就得站在一旁，看著繼續遊戲的大家。所以諾弟最討 can only stand aside and look at everyone else
playing. Noddy hates to lose so he tries to observe
厭輸了，每次都張大眼睛地觀察。學著大家一起跑，
carefully every time. Learn to run like everyone
學著大家一起賴皮，學著大家一起胡鬧，學著如何不 else, to cheat like everyone else, to fool around like
要被找到。漸漸地，諾弟越來越會玩捉迷藏了。 everyone else and not to get caught. Gradually,
Noddy plays hide and seek better and better.
這天，他找到了一個最安全的地方，安安靜靜地躲在
裡面，很有耐心地，沒有發出任何聲音，看著其他小 One day, he finds the safest place and hides inside
quietly and patiently without making any noise. He
朋友一個一個被抓到。
sees other kids getting caught one by one. Noddy
諾弟終於成功了，沒有任何人可以找到他。 finally succeeds; no one can find him.

許智彥 HSU Chih-yen

秉持鼓勵影像創作者開拓敘事疆界之精神，高雄 VR FILM LAB 至今獎助逾 30 部作品，分別入選威尼斯、日舞、翠 影像導演，從 MV、廣告拍攝跨足電影圈，擁有兩部電影拍攝經歷。首部 VR 作品《舊家》入選威尼斯影展，
並獲得 Beyond the Frame Festival VR 大賞。
貝卡等國際影展，為台灣 VR 影像創作的重要扶植平台，並持續促進與國際間的交流。本年度七部作品來自不同領域
背景的創作團隊，以獨特的視角與手法，持續探索與思辨生命的樣貌。 HSU Chih-yen is a film director. He extends his work field from music videos, commercials to feature
films. His first VR film, Home, was selected by Venice International Film Festival and won the VR Grand
The Kaohsiung VR FILM LAB was founded to encourage content creators to explore the narrative potential Prix at Beyond the Frame Festival.
of virtual reality. To date, this local VR incubating platform has funded the creation of around 30 VR projects,
many of which have been selected by international film festivals such as Venice, Sundance, and Tribeca. This
year, seven creative teams with varying backgrounds, unique perspective, and techniques will showcase their
fascinating insights into different facets of life.
PRINT SOURCE 許智彥導演工作室有限公司 Hsuˇ Chihˋ Yenˋ Director Studios
94 Program B Program C 95

鏡子 白屋
Mirror Gray Room
台灣 Taiwan ｜ 2022 ｜ Colour ｜ VR360 ｜ 15min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle 台灣 Taiwan ｜ 2022 ｜ VR360 ｜ Colour ｜ 14min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle

本片《鏡子》改編自謝文賢的同名短篇小說。 Mirror is based on a short novel. 小時候，有一次夢遊，驚醒時發現自己站在屋外，眼 I had a childhood memory of waking up in the
前場景變得陌生。是奶奶在夜間聽到哭聲，才下樓開 middle of sleep and found myself sitting outside the
家中的男性成員總在時間的催促中，成為當年討厭的 In this story, the men in the family are always rushed
house. It felt like everything became displaced. My
by time and become the adults they always hated. 門接我回家。
「大人模樣」。 grandmother was woken by my crying and went out
However, in their memory, there is always a warm 近兩年我的身體出現狀況，開始有不尋常的頭痛症狀， to take me home.
不過，在他們的記憶中，總有一段與母親的溫暖回憶， memory with their mother, and the mother always 在最嚴重的時候幾乎長達兩週無法下床。檢查腦部過 In Gray Room, I use the 3D scan model to visualize
而母親也總是懷想著當年還未出嫁的時光。 thinks about the time when she was not married.
程中，意外檢測出我有「複視」的狀況，會將眼前的 my late grandmother’s house as a method to
事物看作為兩個重影，醫生判斷成因來自腦部神經。 explore the relationship between architectural
space and body, and to examine my perception of
在當代的醫學研究中，幾乎所有的知覺、情緒運作，
memory and death from a material perspective.
都能在神經科學範疇裡得到解釋。從這樣的角度而言，
精神與感知是一種身體物質，都是神經系統的構組，
靈魂的存在受到了挑戰。

《白屋》以 3D 掃描奶奶生前居住的房子，探索建築空
間與身體感知的關係，試圖從物質的角度重新理解記
憶與死亡。

吳德淳 WU De-chuen 許哲瑜 HSU Che-yu

畢業於東海大學及美國紐約大學視覺藝術研究所，以動畫創作見長，題材多來自個人生命經驗。以《簡單作 畢業於台南藝術大學造形藝術研究所，曾於 HISK 比利時高等藝術學院及 Le Fresnoy 法國國立當代藝術工
業》與《荒城之月》分別獲 2010 年、2014 年台北電影獎最佳動畫片獎；《海角天涯》獲得第 58 屆金馬獎 作室駐村。自 2022 年，開始參與 Rijksakademie 阿姆斯特丹皇家視覺藝術學院的進駐計畫。
最佳動畫短片獎；《當鯨魚游上沙灘》再獲 2022 年台北電影獎最佳動畫片獎提名。
HSU Che-yu had participated in the residency program at HISK (Ghent, 2019–2020) and Le Fresnoy
WU De-chuen graduated from the NYU School of Visual Arts. Most of his animations are inspired by (Tourcoing, 2020–2022). In 2022, he begins his two-year residency program at Rijksakademie in
personal experience. His recent work, The Magical Tracing, won Best Animated Short Film at the 2021 Amsterdam.
Golden Horse Awards.

PRINT SOURCE 鄭怡萍 CHENG Yi-ping PRINT SOURCE 許哲瑜藝術工作室 Hsu Che-Yu Studio
96 Program D Program E 97

紅尾巴 2022 威尼斯影展 眼與我（一）

Red Tail The Eye and I, Vol. I
台灣 Taiwan ｜ 2022 ｜ Colour ｜走動 Roomscale ｜ 20min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle 台灣 Taiwan ｜ 2022 ｜ Colour ｜互動 Interactive ｜ 20min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle

雲海中漂浮著一座懸吊電車的車站，男孩在等車時睡著 At a train station floating in the cloud, a mysterious 故事源自法文「監視」（surveillance），英文原意 This story comes from the French word “surveillance”, which
了。此時，天空飄來了一條紅尾巴，男孩彷彿受到召喚， red tail catches the boy’s attention. Chasing the 為在空中的眼睛（eyes in the sky），意指在空中的 in English originally referred to “eyes in the sky”, or a pair of
red tail, the boy travels through countless magical eyes above us watching everything that happens below. The
開始追尋紅尾巴的幻影，懵懵懂懂地踏上漫長的旅程。他 一雙眼睛，正凝視土地上所發生的所有事物。
places, runs into bizarre creatures, and finally he Eye and I, Vol. I is a beautiful, thought-provoking, humorous
經過一座又一座既陌生又似曾相識的奇幻城市，只為尋找 meets the gentleman, who seems to know his 本作品《眼與我（一）》是一段美好、發人深省，且 and deeply-reflective experience. Viewers will be able to
紅尾巴的下落。 secrets more than he does. When the red tail explore the origin and development of The Eye and I, Vol. I,
同時兼具幽默及深刻反思的體驗過程。觀者將目不轉
reminds the boy of his own memory and sadness, and learn about the intertwined story of human society and
經歷一段段歷險後，疲累不堪的男孩沉沉睡著，直到他醒 睛地探索《眼與我（一）》的起源及發展脈絡，了解
what are the secrets hidden behind, and where will “surveillance”. After a series of dark journeys, viewers learn
來在一個神祕房間，一位紳士的出現，逐漸揭開紅尾巴的 they lead him next? 人類社會與「監視／被監視」共同交織的故事。經由 how “surveillance” is embedded in our culture in various
背後故事。此時，男孩的身上突然流出鮮血，鮮紅色的血 一系列的黑暗旅程後，觀者將了解「監視」是如何以 forms and even affects our perception of reality. The Eye
After winning a Golden Horse Award for the
也轉生而成一條小魚，正當男孩充滿著困惑時，紳士便娓 animation Gold Fish, Zero One Film and Fish 各種形式深植於我們的文化，甚至影響我們對真實的 and I, Vol. I aims to help people escape the surveillance
framework and its constraints by helping viewers understand
娓道來關於男孩身體與記憶、情感所交織的祕密。 WANG have teamed up again, in collaboration 認知。然而，為了超脫於《眼與我（一）》下的框架
its history and how it came to be embedded in our lives.
with Funique VR, to create the VR title Red Tail, 思考，我們更需要了解它的歷史和成因，才能加以逃
金馬獎最佳動畫短片《金魚》團隊零壹影像，與入選
inspired by WANG’s same-named comic story. 脫，並且超越它所帶來的約束。
2021 年威尼斯影展的《霧中》VR 製作團隊 Funique VR The mysterious red tail leads viewers on a magical
合作，《紅尾巴》從一條紅尾巴的流動，與男孩的奇幻旅 journey, creating a poetic metaphor of people’s
程相互暗湧，詩意地詮釋出人們童年的情感記憶。 childhood memories. 黃心健 HUANG Hsin-chien
台灣知名新媒體藝術家，擅長結合 XR、互動、表演藝術、裝置藝術、動力機械等大型新媒體與沉浸式內容
的製作。
王登鈺 Fish WANG
HUANG Hsin-chien is a new media artist adept at combining VR, interactive installations, performing
1971 年出生於台灣台北，現為專職動漫畫創作者。1987 年製作動畫至今，業餘也創作圖文書、短篇小說、 arts, and machinery to explore greater possibilities for human life through technology.
立體雕塑。作品包括漫畫《秘密耳語》、《夜的事變》；小說《電影裡的象小姐》；動畫《金魚》、《秘密
耳語》。
讓米歇爾．雅爾 Jean-Michel JARRE

Born in Taipei, Taiwan in 1971, Fish WANG is a graduate of Arts & Craft Department of Fu-Hsin Trade 法國電子樂教父及歐洲電子音樂創作先鋒之一，風格融合電子音樂及古典音樂，近年跨界舉辦虛擬演唱會。
and Arts School. He has been involved in animation and comics for more than 20 years, working in an Jean-Michel JARRE is a legendary French musician and one of the early pioneers in Europe who began
animation company as a layout composer and art designer. His recent animated short, Gold Fish, won to experiment with electronic music creation. In recent years, JARRE has held virtual concerts online.
Best Animated Short at the 2019 Golden Horse Awards. CREDIT_Feng Hai

PRINT SOURCE 零壹影像有限公司 Zero One Film PRINT SOURCE 台灣虛實展演發展協會 Virtual and Physical Media Integration Association of Taiwan
98 Program F Program G 99

蟬與花 漫步源雨㵵
When the Flowers Bloom Encounters
台灣 Taiwan ｜ 2022 ｜ Colour ｜走動 Roomscale ｜ 20min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle 法國、台灣 France, Taiwan ｜ 2022 ｜ Colour ｜互動、走動 Interactive, Roomscale ｜ 32min ｜中文、英語 Chinese, English ｜無字幕 No Subtitle

重度汙染的近未來，居住於地底都市的人類在匱乏的 When the Flowers Bloom allows viewers and 《漫步源雨㵵》是結合 VR 虛擬實境、5G 整合技術、 Encounters is a sensory journey through space and
物質中尋覓延續文明的方式。多年後，一位研究員在 the researcher to travel through a post-disaster 高流明雷射投影以及 AI 感測技術的多人沉浸式體驗。 time, linking a saturated and unbearable “modern”
underground city and return to the surface to grow world to its possible peaceful future where time for
某次災難後意外找到了可以適應地表氣候的植物，她 本作品由法國藝術編導瑪太．普拉達進行創作，由法
plants. dialogue and self-awareness prevail.
決定穿過地下都市前往地表，在荒地中重新種下這株 國 La prairie productions、SoWhen? 及台灣綺影映
帶來希望的幼苗。 In the heavily polluted near future, humans living 畫共同製作，且與台灣的動態自造實驗室進行技術研
in underground cities are looking for ways to
發整合。
體驗者以 VR 手把操縱黑暗中的光束指引主角前進， continue civilization with scarce resources. Many
同時也照射出埋藏於場景中的幻象插畫，藉此探索主 years later, a researcher accidentally found plants 藉由人類生命中不可或缺的「水」作為主要意象，「漫
that could adapt to the climate on the surface after
角的心境。既扮演著指引者，卻也是主角內心的自我 步者」將於 VR 體驗中感受水滴、細雨、暴雨到迷霧
a certain disaster, and decided to travel from the
投射，將伴隨她在毀壞的地底城市找尋出路，並將代 underground city to the surface to grow plants in 等狀態，突破過往沉浸式體驗觀影形式的局限，打破
表希望的花朵帶回地表。體驗時間約為 20 分鐘。作 the wasteland. 真實世界與虛擬實境的界線。體驗者在六維 VR 影像
品藉由她的旅程，討論人與人之間的連結，以及對於 中可主動或被動地思考個體與群體的因果關係，及自
自身崗位的使命感。也期望在這個世界共同經歷疫後 我行為對於群體的影響，創造出一場多人共同經歷、
的時刻，喚起體驗者的共鳴。 漫步創造出的源雨㵵沉浸式展演。

魏斈穎 WEI Shiue-ying

橡實洞工作室共同創辦人，從事科技藝術與遊戲製作，以富有敘事性的互動體驗為創作方向。 瑪太．普菈達 Mathieu PRADAT
Co-founder of Acorn Den Studio. WEI is engaged in technological art and game production, creating 藝術家、建築家，致力於 VR 領域的創作，是 La prairie productions 的共同創辦人與執行長。他追求虛擬
inspirational interactive experiences. 與真實世界間的相互作用，藉此傳達敘事與情感。

柯佳彣 KE Chia-Wen Mathieu PRADAT, artist and architect, works in the fields of virtual reality and cinema. He is the founder
and director of La prairie productions. He focuses on the growing interaction between virtual and real
橡實洞工作室共同創辦人，以電腦圖像藝術為創作方向的程式設計師，致力於探尋互動媒體的各種可能性。 worlds, as territories that convey narratives and emotions.
Co-founder of Acorn Den Studio. A new media artist with computer graphics art as creative direction,
dedicated to exploring the possibilities of interactive media.

PRINT SOURCE 橡實洞工作室 Acorn Den Studio PRINT SOURCE La prairie productions ／ 綺影映畫有限公司 Serendipity Ltd.
 高雄拍單元Ａ Kaohsiung Shorts: Program A 101

KAOHSIUNG FOCUS:
KAOHSIUNG SHORTS
魍神之夜

鷺鷥河 The Egret River

A Night with Moosina
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25 min

鄉間怪事頻出，魔神仔的故事再次流傳──相傳滿月之夜，
「魍神」總喜歡準備山野大餐，騙走無知的小孩。這夜，春
妹被豬隻聲音吸引，好奇的她走進山洞，卻遁入一個炫目
世界中，石頭剪刀布，魍魎的祕密即將被揭開。改編自小說
家甘耀明的《水鬼學校和失去媽媽的水獺》，蔡旭晟結合台
灣民俗信仰，以熟稔的動畫語言，娓娓述說這則本土鄉野奇
譚。

On a full moon night, a 10-year-old girl from a pig farming

family in a remote village is lured by Moosina to a strange
cave in the mountains. There, she will discover the secret of
why Moosina always plays dirty tricks on children.

蔡旭晟 TSAI Shiu-cheng

1979 年生於高雄，畢業於臺南藝術大學音像動畫研究所，致力創作屬於台灣的本土原創動畫。曾以動畫短片《櫻
時》榮獲東京動畫獎首獎，後與漫畫家蕭言中合作的《印象禪武》，入圍第 43 屆金穗獎最佳動畫片。現以個人
工作室模式創作，並持續將台灣漫畫家及小說家的精彩作品動畫化。
Born in 1979 in Kaohsiung, Taiwan, TSAI Shiu-cheng has always been passionate about painting, cartoons and movies
since he was a child, and continues to be devoted to creating local and distinctive original animations. His film Time of
Cherry Blossoms won the Grand Prize at the 2013 Tokyo Anime Awards.

PRINT SOURCE 畢業生有限公司 The Graduate Ltd.

食夢者
Shadow Under the Bed
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 20min

遲遲等不到父親回家的小皮，當晚遭怪物襲擊逃出家門。一
個不敢睡床上的小孩、一個遭逢人生低谷的父親、一隻原本
只該出現在卡牌遊戲上的怪物，這晚，全都攪在了一起。是
夢境、幻覺抑或是真實？從逃出家門的那刻起，已不再重要
⋯⋯

Late one night, while waiting for his father to come home,
Xiaopi is attacked by a monster and escapes from his house.

A child who dares not sleep in his bed, a father at his lowest
point in life, and a monster that should only exist on game
為鼓勵短片創作，高雄市電影館辦理「高雄拍」影像創作獎助計畫，每年以公開徵選的形式，從上百件申請案嚴選 cards. Is it a dream, an illusion, or reality?

出題材觀點或表現形式獨具特色之企畫，給予創作者一年的時間，從企畫雛形到實踐創作，再於高雄電影節首度亮
相與觀眾見面。「高雄拍」今年邁入第 11 年，獲獎助之短片作品已逾百件，本年度十部短片新作，匯聚新世代獨特
的創作視野，紛呈多元的創作面向，展現出新世代豐沛扎實的創作能量。 張羽樂 CHANG Yu-le
To encourage the creation of short films, Kaohsiung Film Archive presents “Kaohsiung Shorts”, a film grant 臺灣藝術大學電影學系畢業。攝影畢業作《起床氣》、《Milk Man》分別於第 30 屆、第 31 屆金穗獎獲獎。
initiative. Each year, a number of projects with unique themes, viewpoints or expressions are chosen through 2015 年劇本《食夢者》入圍優良電影劇本；2016 年擔任短片《阿尼》副導演；2021 年影集劇本《十日好孕》獲
an open selection process that attracts over a hundred submissions. The filmmakers are then given a year to 選「公視戲劇孵育計畫」。目前持續從事編導創作。
plan and film their projects before debuting them at the Kaohsiung Film Festival. Now entering its 11th year, CHANG Yu-le graduated from the Department of Motion Picture, National Taiwan University of Arts. His graduation
Kaohsiung Shorts has already supported the creation of over a hundred short films. This year’s 10 new shorts cinematography works, The Get up Kid and Milk Man, both won Golden Harvest Awards. His script for Shadow Under
the Bed was nominated for an Excellent Screenplay Award.
bring together unique visions and diverse creativity, showcasing the rich and robust filmmaking prowess of the
new generation.
PRINT SOURCE 莫比文化創意有限公司 Mobius Image
102 高雄拍單元Ａ Kaohsiung Shorts: Program A 高雄拍單元 B Kaohsiung Shorts: Program B 103

殭屍外公 推特事
My Zombie Grandpa There’s No Sex, Only Fans
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 19min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 20min
外公從養老院裡逃走了！聞訊前往的母親和男孩，卻在養老
院旁的偏僻郊外，遭遇了變成殭屍的老人們！ 煖 煖 是 個 在 推 特 追 蹤 數 高 達 20K 的 網 黃， 在 網 站「Only
Fans」開放觀眾付費訂閱觀看自己攝製的素人色情片。一
驚險的躲避殭屍之旅，與外公患病後被家人拋棄的回憶交織 天，煖煖收到大學生阿鹹的合作來信，希望能體驗跟煖煖拍
在一起，愧疚不安的男孩，最終會如何面對他變成殭屍的外 片。兩人相約在一間商務旅館玩煖煖最拿手的控射主題。第
公呢？ 一次拍片的阿鹹，卻在滿足煖煖拍攝的技術需求，與沉浸其
Grandpa escaped from the nursing home! But when his 中之間陷入兩難⋯⋯
daughter and grandson go looking for him, they encounter
On the website OnlyFans, subscribers can pay to watch
old people who have turned into zombies!
amateur pornography. Hsuan, who has 20,000 followers on
How will the guilt-ridden boy face his zombie grandpa when Twitter, receives a letter from university student A-Hsien, who
his treacherous journey of zombie escape is intertwined with proposes that they make a video together. The two meet in a
memories of his grandfather's illness and how they abandoned hotel to shoot Hsuan’s favorite sex act…
him?

錢檸 QIAN Ning 丁啟文 TING Chi-wen

1997 年生於浙江，現就讀臺灣藝術大學電影學系研究所。曾是 2020 年金馬電影學院學員，喜歡神祕、奇幻元素 政治大學廣播電視學系雙主修哲學系畢業，北京電影學院文學系電影劇本創作藝術碩士。現職編劇、導演，劇本
題材，試圖在展現悖離常識的事物的同時，突顯出世界的真實。2022 年以《藍色毛球》入圍第 44 屆金穗獎及第 作品多次獲臺北文學獎，短片作品曾入選台北電影節、入圍金穗獎。2021 年短片作品《失去》榮獲第 44 屆金穗
16 屆西寧 First 青年電影展；2019 年以《失眠怪物》入選 2019 聖地牙哥國際兒童影展、波士頓國際兒童影展等。 獎評審團特別獎。
QIAN Ning was born in China and is currently studying filmmaking at the National Arts University of Taiwan. He is an TING Chi-wen is a screenwriter and director based in Taiwan. He graduated from National Chengchi University’s
alumnus of the Golden Horse Film Academy. He likes mysterious and fantastical subjects, showing things that deviate Department of Radio and Television and earned his MFA in Screenwriting from Beijing Film Academy.
from common sense while highlighting a certain reality of the world.

PRINT SOURCE 燒聲娛樂實驗室 SoundME Studio

PRINT SOURCE 丁啟文 TING Chi-wen
高雄拍單元 B Kaohsiung Shorts: Program B

春日郊遊 塑膠情人
NATASHA
A Sunny Trip 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 22min
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25min
當寂寞空虛襲來，座落大樓內的性愛娃娃妓院，便成為人們
潘仔與阿竹是一對無樂不作的好兄弟，兩人總踩著單車穿梭 情慾的釋放之地。然而，神祕女人麗娥的闖入，卻鬧得妓院
鄉間、鎮日流連。一個遊手好閒的下午，他們偶然救出被人 不得安寧。她點台當家紅牌 Natasha，還聲稱要為她贖身，
欺負的皓呆，一趟春日三人遊便就此展開，不料雜貨店女孩 用盡一切手段，只為帶她義無反顧地踏上一段旅程。儘管阻
曉琪的加入，卻讓四人的關係產生了微妙變化。夜晚煙花燦 礙重重，但對麗娥而言，她解救的不只是具塑膠皮囊，而是
爛，浪花沖打於岸，當太陽逐漸升起，年輕的生命又該駛向 一份份寄託在其身上的真實情感。
何方？
A mysterious woman kidnaps a sex doll, Natasha, from a
Pan Nah and his friend Azhu are causing trouble all over the brothel. They embark on a journey full of difficulties. She has
town. When they encounter a bullied dork, Pan Nah adopts no choice but to finish this mission, no matter what it takes.
him into their group. And so begins an outing that will change
the fates of all of them.

馬慧妍 Galilee MA
林世菁 LIN Shih-ching
生於澳門，2009 年起旅居台北，在兩地擔任編劇、導演、演員等職，橫跨影視及劇場。作品聚焦以女性經驗出發
目前就讀臺灣藝術大學電影學系研究所，為 2018 年金馬電影學院學員，曾獲 101 年度優良電影劇本佳作劇本獎、 的科技與魔幻題材，並不斷實驗各種敘事形式的組合，近期編劇作品包括《滿七》、《大世界娛樂場 III》、《安
110 年度優良電影劇本優等獎。2018 年首部劇情短片《壞運氣》獲 LEXUS 新銳影展最佳影片及最佳導演獎。 娜與蘇珊》、《美樂蒂》，以及《SONIA》等。
2019 年參與金馬電影學院《4x 相識》系列短片，執導其一作品《阿嬤的祕密》。
Galilee MA is a Taiwan-based Macanese playwright, screenwriter, director, and actress for theater and film, passionate
LIN Shih-ching is currently studying filmmaking at National Taiwan University of Arts. Her first short film, Bad Luck, won for experimenting with narrative forms. Her works revolve around technology and fantasy with female-driven
Best Student Film and Best Director at the LEXUS Film Awards. She was a participant of the 10th Golden Horse Film perspectives.
Academy.

PRINT SOURCE 林世菁 LIN Shih-ching PRINT SOURCE 綺影映畫有限公司 Serendipity Films Ltd.
104 高雄拍單元 C Kaohsiung Shorts: Program C 高雄拍單元 C Kaohsiung Shorts: Program C 105

鷺鷥河 二重奏
The Egret River Duet
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 20min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25min 在母親罹患胰臟癌末期後，大提琴老師鍾宜的日子便在授課
在城市高樓夾縫間，孤單善良的大樓警衛大偉祕密擁有一個 與醫院中往返。一日因看護請假，她不得不親手幫母親換尿
無人知曉、生機盎然的美麗野地，並與棲息在那兒的鷺鷥相 布及清理排泄物。在女兒面前尊嚴盡失的鍾母、在母親面前
遇相熟。然而城市的擴張不曾停歇，某日野地被毀，蓋起高 無所適從的鍾宜，這對母女終究因為內在的惶惶不安，在病
樓，一鳥一人頓失身與心的棲地。而恍惚悲傷的大偉，在層 房內掀起一場風暴⋯⋯
層的鋼骨鷹架與起重機之間，開始看見各種神祕幻象。 As her mother suffers through the final stages of terminal
pancreatic cancer, cello teacher Chung Yi spends her days
Among the tall buildings of the city, the lonely security guard
commuting back and forth between music lessons and
David hides a beautiful field that no one knows, and meets an
hospital visits. One day, in the absence of a caretaker, Chung
egret there; but the expansion of the city never stops. One
Yi is left to change her mother’s diaper and clean up her
day, the field is destroyed, the egret disappears without a
excrement. Tensions explode in a perfect storm of inner panic
trace, and David begins to see mysterious illusions…
as the mother grapples with a loss of dignity in front of her
daughter, while Chung Yi searches for the strength to provide
for her dying mother’s needs.

劉琬琳 LIU Wan-lin 蘇珮儀 SU Pei-yi

臺南藝術大學音像動畫研究所碩士，定居於高雄，動畫與插畫雙棲的創作者，靈感經常來自於日常生活與大自然。 政治大學廣播電視學系畢業，是經驗豐富的電影剪輯師，熟悉各種說故事的技巧與方式，對於影像敘事具有高敏
LIU Wan-Lin is a freelance animator and illustrator living in Kaohsiung, Taiwan. She takes her inspiration from everyday 銳度。曾以《無聲》獲第 57 屆金馬獎最佳剪輯獎提名，《二重奏》是她的首部導演作品。
life and nature. SU Pei-yi was born in Taiwan in 1980. She is a highly-experienced film editor and was nominated for Best Editor at the
2020 Golden Horse Awards for The Silent Forest. Duet is her debut directorial work.

PRINT SOURCE 劉琬琳 LIU Wan-lin PRINT SOURCE 繆克電影有限公司 MILKYWAY Films

情書 返來呷飯
Love Letters A Beautiful Summer Noon
台灣 Taiwan ｜ 2022 ｜ DCP ｜ B&W ｜ 25min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 20min

施月霞，26 歲，腹中的孩子即將臨盆，但她的丈夫卻不在 今天這個日子對爸爸阿海來說是特別的，因為擔任消防員的

這裡。劉耀廷，28 歲，原本在高雄女中任教，但他卻在另 兒子祥仔終於要回家了。阿海從幾天前就開始準備，想著要
個這裡──青島東路三號的軍法處看守所。信是唯一讓他在 煮哪幾道祥仔喜歡吃的料理，想著要怎麼迎接他回家。辛苦
她這裡的方式。九個月又 11 天、80 封情書，消弭了兩人之 了一整個上午，這整桌飯菜，不只是滿溢著父愛，也是思念
間的距離，直到那封「信」使一切歸零⋯⋯ 的味道。所有的一切，都是為了父子倆能夠在家裡再一起好
好吃頓飯。
Captured and imprisoned by the government, LIU Yao-ting is
forcefully separated from his wife, SHIH Yueh-hsia. During this Today is a special day. Hsiang the fireman is coming home.
time, they write to keep their love alive. Eighty letters, lipstick- His father, Hai, has prepared for several days to welcome him
smudged and sweat-stained, are the vessel for their passion back, hoping they can have a good meal together.
and the embodiment of their spirits.

林宣瀚 Darren LIN 龔萬祥 KUNG Wan-hsiang

1997 年生於高雄，畢業於布拉格表演藝術學院影視學院導演系。高中畢業後旅外五年，2020 年回到台灣，重新 高雄人，雪仔的大漢後生，臺灣藝術大學電影學系碩士。作品橫跨劇場、紀錄、劇情、實驗等形式領域，創作主
以嶄新的視角和孩童般的好奇心認識這塊土地，傾聽它的聲音及過去。自詡為說故事的人，以電影作為媒介，將 題多與在地文化及本土議題相關。曾以 16mm 短片《邊境》、紀錄片《回家吃自己》，獲國內各大獎項肯定，近
聽到的說給願意張開的耳朵和眼睛。《情書》為返國後首部作品。 作《當思念吹起一陣風》入圍第 43 屆金穗獎、2021 年桃園電影節台灣獎等。
Darren LIN was born in 1997 in Kaohsiung, Taiwan. After graduating from FAMU International and immersing KUNG Wan-hsiang earned his MFA from the Department of Motion Picture of National Taiwan University of Arts and
himself in years of life abroad, he returned home in 2020. Infused with newly-formed perspective and curiosity, he is completed the NYU Filmmaking Certificate Program. He has participated in the productions of many feature films and
determined to give the stories of Taiwan a never-before-seen retelling. documentaries, and the themes of his own works are mostly about local culture and Taiwan-related issues.

PRINT SOURCE 林宣瀚 Darren LIN ／ 侯文婷 HOU Wen-ting PRINT SOURCE 三上影像創作有限公司 Great Eyes Production Service
 雄成人短片輯 Corpse, Dick, and Test Kit 107

Corpse, Dick, and Test Kit

KAOHSIUNG FOCUS:
有了？！

春水奇譚 The Last Shot

Daddy-To-Be
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25min
阿鈞原本在等待入伍的悠閒日子，全都在女友小安的驗孕棒
出現兩條線後，開始糗態百出。從小失去父親的阿鈞，面對
這突如其來的「父親身分」顯得手足無措。此時，媽媽甲玲
將自己珍藏 20 幾年的手錶送給阿鈞，他沒料到這竟然是父
親的遺物！阿鈞看著手上老氣的金色手錶，他能發出身為父
親的光芒嗎？

As Jun waits leisurely to enlist in the army, everything starts to

go sloppy after two lines appear on his girlfriend’s pregnancy
test. Jun, who lost his father as a child, is at a loss because of
his sudden "fatherhood". Meanwhile, his mother Jia-ling gives
Jun a golden watch, a relic from his father. Looking at the old-
fashioned watch, Jun wonders if he can become a reliable
man.

潘客印 PAN Ke-yin

曾以剪接作品《肇事者逃逸》入圍第 55 屆金鐘獎戲劇類節目剪輯獎；以首部執導短片作品《姊姊》入圍第 58 屆
金馬獎最佳劇情短片獎、榮獲第 44 屆金穗獎評審團特別獎等三項獎項、入選 2022 大阪亞洲電影節，並擔任新加
坡華語電影節開幕片之一。
PAN Ke-yin's directorial debut, My Sister, was nominated for the 2021 Golden Horse Award for Best Short Film,
selected for the 2022 Osaka Asian Film Festival, and one of the opening films for the 2022 Singapore Chinese Film
Festival. It also won three major Golden Harvest Awards, including the Audience Choice Award.

PRINT SOURCE 高雄市電影館 Kaohsiung Film Archive ／ 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation

20 歲是成年獨立的時刻，褪去些許青春的躁動，迎向無限創意與可能！今年適逢高雄市電影館 20 週年，在邁向成
年的路上，電影館走過不同階段的綻放與蛻變，20 年來始終不變的，是支持創作開展無限想像，以及自由奔放不受
春水奇譚
侷限的精神。而公共電視也秉持扶植台灣新生代影視創作者的初心，擴展類型內容，澆灌台灣影視創意土壤。因此， The Last Shot
高雄市電影館與公共電視今年再度攜手合作系列主題短片，集結潘客印、黃丹琪和蔡佳穎三位導演，一起搞笑、搞 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 25 min
怪又搞鬼！台式喜劇加上生猛指數破表的奇思異想，三部成人限定的短片不按牌理大膽出招——《有了？！》軟爛 單身許久的中年男子阿三終於再次心動了，但卻遲遲無法對
青年遇上兩條線炸彈，笑中帶淚迎來成年體悟；《春水奇譚》久未「開機」的中年男子，慘遭真人化的雞雞搶奪主權； 玉蓮展開行動。多年陪伴在阿三身邊，隱忍多年、不離不棄
《屍舞》不瘋魔不成活的舞蹈家，追求完美的驚悚執念。雄瘋來襲，狂想紛飛，吹拂出愛與慾念的騷動，也颳起感 的好友⋯⋯也就是他的雞雞，真的受不了啦！ 頹軟的雞雞化
官娛樂旋風。 身變成人，誓言要把阿三的廢物人生砍掉重練！阿三與他的
雞雞上演一場理性與感性、大頭與小頭的廝殺大戰。
The age of 20 is when one reaches adulthood and independence, when youthful restlessness is shed and
Middle-aged A-San, who has been single for many years,
boundless creativity and possibilities are embraced.
finally feels his heart beating again. But he is hesitant in taking
This year marks the 20th anniversary of Kaohsiung Film Archive. Along its journey of growth, Kaohsiung Film action and asking out Yu-lian. His best friend is someone who
has always been on his side and has never abandoned him,
Archive has gone through different stages of bloom and transformation, but what has not changed over these but can’t take his celibacy anymore. This friend is his penis.
20 years is its support for the limitless imagination of filmmaking and its free and uninhibited spirit. Meanwhile, His soft, flaccid penis turns into a human. He swears to God
the Taiwan Public Television Service Foundation has also upheld its original intention of cultivating the new that he will turn his loser life around and get laid. So A-San
generation of film and television content creators in Taiwan, expanding genres and watering the creative soil of and his penis duke it out for control of sense and sensibility.
Taiwan’s film and television industry.

Accordingly, Kaohsiung Film Archive and Taiwan Public Television Service Foundation have once again teamed 黃丹琪 HUANG Dan-chi
up this year, recruiting directors PAN Ke-yin, HUANG Dan-chi and TSAI Chia-ying to present a series of funny, 生於 1987 年，首部短片《未遂》獲第 32 屆金穗獎優等學生作品獎。2014 年短片《夏日紀事》與 2017 年短片《三
mischievous and eerie shorts. Made for adults and unafraid to push boundaries, these wildly imaginative 仔》曾入選金鐘獎、金穗獎、東京短片節、北京獨立影展等。VR 作品《女海盜：成名之路》曾入選坎城電影市場
Taiwanese-style short films are: Daddy-To-Be, in which an explosive revelation will force a weak young man to 展競賽、富川國際奇幻影展、西南偏南影展 。
welcome adulthood with laughter and tears; The Last Shot, the story of a celibate middle-aged man who must Born in 1987, HUANG Dan-Chi’s previous shorts were selected to Short Shorts Film Festival & Asia, Beijing
duke it out with his humanized penis for control; and The Remains, a thriller about dancers obsessed with the Independent Film Festival, and nominated by the Golden Bell Awards. Her VR project Madame Pirate (2021) was
selected to the Marché du Film Cannes XR program, South by Southwest, NewImages Festival, and Bucheon
pursuit of perfection. These are three tales filled with madness and imagination that will not only arouse love
International Fantastic Film Festival.
and desire, but also stir up a whirlwind of sensory entertainment.
PRINT SOURCE 高雄市電影館 Kaohsiung Film Archive ／ 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation
108 雄成人短片輯 Corpse, Dick, and Test Kit

Annual Theme:
Evil Universe
屍舞

我控訴 J'accuse
年輕的女舞者芳，對舞蹈有著純粹的熱愛，不停地追尋著舞蹈的

The Remains 極致；經驗豐富且嚴肅的女老師雪，對於表演的要求幾近癲狂。

芳在一次表演失利後，對自己的表現失望，也辜負了老師的期
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 20 min 望，兩種情緒交疊，在兩人生命之間造成了極大的轉變。師徒之
間伴隨著彼此執念的牽絆，執念是作為生活的動力推進著她們，
還是生命在支撐著與生俱來的執念？
Fang, a young and innocent female dancer, has a pure love for
dance. Her experienced and strict female teacher, Xue, who
used to capture the spotlight on the dance floor, has an extreme
pursuit of performance. The power of obsession, however, has
almost driven her crazy.

The relationship between master and apprentice becomes

entangled with mutual obsessions, causing a great change in
both their lives. Will an unexpected failure transform Fang's own
obsession into paranoia?

Life is an experience with various obsessions. But is obsession

the motivation of living? Or is it simply the reason why we exist?

蔡佳穎 TSAI Chia-ying

高雄人，大學畢業後開始影像創作，參與多部 MV、廣告及短片製作，隨後轉往美國紐約攻讀電影，並取得藝術碩士學位。
參與美國當地許多電影製作，執導的短片獲得眾多影展肯定。專攻導演與剪輯，擅長以刻劃令人印象深刻的影像畫面，來
傳達每部影片的核心內涵。第一部劇情長片、公視新創電影《訪客》為 2020 年高雄電影節閉幕片，入圍第 56 屆金鐘獎最
佳男配角、攝影、美術設計、聲音設計等四項大獎；開發中劇情長片《如有雷同實屬不幸》入選 2021 年金馬創投會議。

TSAI Chia-ying is a film director born in Kaohsiung, Taiwan. He first worked for a production company before moving
to New York and completing an MFA degree in filmmaking. His debut feature, The Visitors, was selected as the closing
film of the Kaohsiung Film Festival and earned multiple Golden Bell Award nominations.

PRINT SOURCE 高雄市電影館 Kaohsiung Film Archive ／ 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation

戰爭使邪惡有系統性的衍生至人性與社會階級之中，外部社會政治、經濟框架、由上而下的控制手段、極權下的全
面監控，皆是形變出戰爭邪惡行為的根源，我們又該如何將個體意圖和日常行為重新置入善意的語境裡？「惡宇宙」
曝現的是幾乎僅有一線之隔的現實與超現實，本單元羅列與橫跨一個世紀的反戰經典之作，藉由質地各自獨異的敍
事體拚貼出得以聯覺當下現實的宇宙。

War has systematically instilled evil into human nature and social classes. External socio-political and economic
frameworks, top-down control methods, and totalitarian monitoring are all root causes of the evils of war. How
do we put individual intentions and everyday actions back into the context of kindness? What "Evil Universe"
exposes is that reality and surreality are separated only by a thin line. This program presents a series of anti-
war classics spanning a century, a collage of narratives with different textures forming a synthesis of the current
reality of our universe.
110 年度主題：惡宇宙 Annual Theme: Evil Universe
當戰爭成為暴脹的
萬惡源頭：
懸浮其上的非平行宇宙
文／方錦玉（高雄電影節長片節目統籌） By Jaddie FANG (Program Manager & Coordinator, Kaohsiung Film Festival)
2022 年尾聲，對於進入後疫情時代的步伐，面對未來依
然餘悸惴惴。當我們正試圖整飭生活，穿透那因疫情使人
對外在環境建起的牆籬，同時又不越過仍存在的社交距離
之際，今年二月在世界的彼端，如平行宇宙般的另一現
實，俄羅斯對烏克蘭展開全面入侵，引發第二次世界大戰
以來歐洲最大規模的軍事衝突。我們透過網路媒體近乎同
步地見證該戰事爆發，震驚著無數戰爭電影裡所見的悲
慘，在烏克蘭如日常般上演。
「我反對戰爭，因為它毫無意義。」默片時代的電影詩人
阿貝爾・岡斯曾如是說，今年高雄電影節將放映的數位修
復反戰鉅作《我控訴》（J’accuse，1919）如戰後備忘
錄般展現同理與亂世悲愴，卻也諷刺地再顯百年之後，干
戈未曾偃息。綜觀歷史，戰爭永遠存在，也是人類最邪惡
也最恐怖的作為。過往兩次世界大戰造成的傷亡、宗教信
仰相異或軍閥與極權制霸之下引起的族群大屠殺，世界各
處曾滿是煙硝的末日景象令人驚懼，對文明摧殘的規模更
是前所未見，後世因此對人性之惡有了深刻體會。戰爭之
恐怖，在於極端環境中對人性的踐踏，所激發的殘忍行
為，連魑魅魍魎也望其項背，一如美國南北戰爭名將謝爾
曼（William Tecumseh SHERMAN）的名言：「戰爭即
地獄。」其消弭了人性之善，戰後無人地帶的荒涼死寂景
象，更是深刻烙印於經歷戰事種種的人們記憶之中。
「惡宇宙」作為今年的策展概念，不僅是對極權壓迫下對
應而生的反戰精神，也推進探討種種戰爭形生的暴力惡
果，所植下的種種心靈創傷與恐懼。戰爭史實與經驗也啟
發無數抱持反戰意念的導演投入影像創作，百年下來，電
影無論虛構或紀實，儼然已成為歷史性思考與實踐的重要
媒介，成為文化表述、歷史再現，身分、文化記憶，以及
集體之間相互關係的再現。本屆高雄電影節，希望透過一
系列反戰主題的經典，再現戰爭電影的恐怖宇宙，一見惡
的各種樣貌。從上述阿貝爾・岡斯的《我控訴》，至勞勃
・阿特曼的《外科醫生》（M*A*S*H，1970）將戰爭殘
暴、軍事體系的痛恨轉化為極具嘲諷之能事的惡搞經典；
喬治・羅伊・希爾取材馮內果經典著作的《第五號屠宰場》
（Slaughterhouse-Five，1972），梭巡於時空與幻想，
滿是狂噪和黑色幽默地䜋責戰爭種種；改編喬治・歐威爾
同名小說，麥克・瑞福所執導的《一九八四》（Nineteen
Eighty-Four，1984）預知世界在極權包覆之下的駭人
監控系統之恐怖。
另有非典型科幻和恐怖寓言式反戰電影，如細刻越
戰陰暗面、由阿德里安・萊恩執導的《時空攔截》
（Jacob's Ladder，1990），抓狂式搖擺於現實和幻
覺間，並深戳戰後創傷的極致恐懼；保羅・范赫文執
導 的 科 幻 大 作《 星 艦 戰 將 》（Starship Troopers，
1997）則呈現未來世界的法西斯烏托邦如何以地球
之名實踐戰爭與殖民暴力之恐怖；以及深作欣二執
導 的《 大 逃 殺 》 4K 數 位 修 復 版（Battle Royale，
2000），殘酷表現軍國主義式法案引發的暴力殺戮死
亡遊戲；塞爾維亞導演杜桑・米利奇新作《科索沃的
夜與夜》（Darkling，2022），構築出戰爭為一令人
毛骨悚然的黑暗力量，可怖更甚於山林野獸。
遺憾的是，再現反戰電影的恐怖，並無法避免讓惡夢
重演，大戰成了人類揮之不去的夢魘，一再衝擊人類
的進步歷史觀，真實世界的戰爭惡宇宙，帶著究極的
邪惡、強權霸凌和暴力暗流，將世界衝擊成危如累卵
的境地。我們從國族以外的視角，觀望過去至現在所
造就的歷史，其實也極有可能決定我們的未來，但也
希望我們會是如喬治．歐威爾所說的：「在抵抗暴力
和承擔苦難上做一個永遠的抗議者。」
As at the end of 2022, there remains lingering
apprehension over the pace with which we are
entering the post-pandemic era and what lies
ahead in the future. At a time when we were
trying to reorganize our lives and penetrate the
When War Becomes the Inflating
walls we have erected against the outside world
because of the pandemic, while at the same time
not overstep the social distancing boundaries
Root of All Evil: The Non-parallel
that still exist, what transpired this February on
the other side of the world was seemingly from
a parallel reality — Russia’s full-scale invasion
of Ukraine sparked the largest military conflict
Universe Suspended Above It
in Europe since World War II. We witnessed the
outbreak of the war in real-time through online
media, stunned as the tragedies we see depicted
年度主題：惡宇宙 Annual Theme: Evil Universe
in countless war movies play out in Ukraine on a
daily basis.
The silent-era filmmaker Abel GANCE once said:
“I am against war, because war is futile.” This
year, the Kaohsiung Film Festival is screening
a d i g i t a l l y re s t o re d v e r s i o n o f h i s a n t i - w a r
masterpiece, J’accuse (1919). Like a post-war
memorandum, it demonstrates empathy and
the grief of troubled times, yet it also ironically
shows that, even after a hundred years, the
fighting has not ceased. War has always existed
throughout history; it is also mankind’s most evil
and terrifying act. Whether it is the casualties
caused by the past two world wars, or ethnic
massacres ignited by religious differences or
warlords and totalitarian hegemony, the world
was once full of terrifying apocalyptic scenes. The
scale of the destruction of civilization was even
more unprecedented, giving future generations
a profound understanding of the evils of human
nature. The horrors of war lie in the trampling
of humanity in extreme environments, as well
as the acts of cruelty it produces, to an extent
even monsters and demons cannot fathom. In
the famous words of American Civil War general
William Tecumseh SHERMAN: “War is hell.” It
destroys the goodness of humanity, and the
desolation and dead silence of post-war no man’s
land is an image that is deeply imprinted in the
memories of those who have lived through the
horrors of war.
The "Evil Universe", this year’s curatorial concept,
is not only a response to the anti-war spirit born
under totalitarian oppression; it also drives the
exploration of the violent consequences of war,
and the various psychological traumas and fears
it plants. War history and experiences have also
inspired countless directors who hold anti-war
views to make films. Over the past century, film,
whether fictional or documentary, has become
an important medium for reflections on history
and putting them into practice, as well as a
reproduction of cultural expression, history,
identity, cultural memory, and interrelationships
between different groups. This year’s Kaohsiung
Film Festival hopes to reproduce the horrifying
universe of war films and all of its evils through
111
a series of anti-war classics. They include the
aforementioned Abel GANCE film J’accuse;
Robert ALTMAN’s M*A*S*H (1970), which turns
the brutality of war and hatred of the military
system into a highly satirical black-comedy classic;
George Roy HILL’s Slaughterhouse-Five (1972),
based on Kurt VONNEGUT’s classic novel of the
same name, is a journey through time, space
and fantasy that is full of madness, black humor,
and criticisms of war; and Nineteen Eighty-Four
(1984), Michael RADFORD’s adaptation of George
ORWELL’s novel of the same name, which predicts
the horrors of surveillance in a totalitarian world.
T h e re a re a l s o a t y p i c a l a n d a l l e g o r i c a l s c i -
f i a n d h o r ro r a n t i - w a r f i l m s , s u c h a s A d r i a n
LYNE’s Jacob’s Ladder (1990), which details the
dark side of the Vietnam War, swinging madly
between reality and illusion, and probing deep
into the extreme fear of post-war trauma; Paul
VERHOEVEN’s Starship Troopers (1997), which
portrays the horrors of how a fascist utopia of the
future practices war and colonial violence in the
name of planet Earth; the 4K digitally restored
version of FUKASAKU Kinji’s Battle Royale (2000),
a brutal representation of a violent killing game
brought about by the passing of a militaristic law;
and Dusan MILIC’s Darkling (2022), which depicts
war as a chilling dark force more terrifying than
any wild beast.
Unfortunately, the re-screening of the horrors of
anti-war films cannot prevent these bad dreams
from recurring. War has become a lingering
nightmare for mankind, a repeated assault on
humanity’s progressive view of history. In the real
world, the evil universe of war brings ultimate evil,
bullying by the powerful, and an undercurrent of
violence, plunging our world into an extremely
precarious predicament. The history of the past to
the present that we observe from our perspective
as outsiders could also very well determine our
future. However, it is hoped that we can also be
as George ORWELL said: “a permanent protester
in the sense of resisting violence and bearing
suffering.”
112 年度主題：惡宇宙 Annual Theme: Evil Universe 年度主題：惡宇宙 Annual Theme: Evil Universe 113

M*A*S*H © 1969 Twentieth Century Fox Film Corporation.

外科醫生
1971 奧斯卡金像獎 最佳改編劇本獎

我控訴（數位修復版）
1971 金球獎 喜劇音樂類最佳影片獎
2014 里茲國際影展
1970 坎城影展 金棕櫚獎
2014 西雅圖國際影展

M*A*S*H
2009 舊金山默片影展

J'accuse (Digital Restoration) 美國 USA ｜ 1970 ｜ DCP ｜ Colour ｜ 116min

法國 France ｜ 1918 ｜ DCP ｜ Colour, B&W ｜ 164min

以 1950 年韓戰時期的野戰醫院為背景，一群醫術高 取而代之，挑戰道德極限的幽默感，滿滿的地獄哏，

《我控訴》是首部以第一次世界大戰為背景的史詩電 真實拍攝的影像，以及如骷髏的死亡之舞等象徵手法， 超的痞子外科大夫，風流成性、臭味相投，他們成天 拿到 50 年後的現在看，依舊生猛無比。《外科醫生》
影。居住法國鄉間的女子艾蒂絲與情感細膩的榮相戀， 在在可見導演雕琢畫面的用心。 嘻皮笑臉地喝酒把妹、開黃腔、頂撞上司、打高爾夫， 是電影大師勞勃・阿特曼的成名作，當年叫好賣座，
無奈卻嫁給粗魯莽夫方索瓦，過著不快樂的婚姻及跟 甚至把軍紀當軍妓，偷看護士洗澡、廣播做愛叫床， 兩年後改拍成同名電視影集，連播 11 年，是美國七、
前戀人藕斷絲連的生活。隨後一戰爆發，方索瓦遠赴
Based on the title of a famous article by Émile 幹盡下三濫蠢事。他們總在製造混亂，合力把死對頭 八○年代最有創意也最成功的情境喜劇。
ZOLA, J'accuse (I Accuse) is a major work by Abel
前線，將艾蒂絲送往父母家中暫住，未料她卻被來襲 弄進精神病院，偷拐搶騙到日本嫖妓，唯有跨營比賽
GANCE that denounces the Great War through the This celebrated satire depicts the crazy antics and the
的德軍擄走，榮為尋找艾蒂絲的下落亦投身戰場。兩 common thread of the life and death of a former 美式足球才有三分認真，場上噴垃圾話，場下賭博使 sexual adventures of Hawkeye Pierce, Trapper John
個原先互相敵視的男人在戰地相遇，卻意外地發現彼 soldier who becomes a convinced pacifist. 詐，彷彿活在生死戰場的平行宇宙。 McIntyre and Duke Forrest, all surgeons working in a
Mobile Army Surgical Hospital during the Korean War. The
此真實的內心進而惺惺相惜，可是隨著艾蒂絲終於歸 「這裡不是醫院！是瘋人院！」――護理長「熱唇」 black humor of the medical team is contrasted with the
來，兩個男人的生命也即將遭逢天翻地覆的轉變⋯⋯ 瑪格麗特 terrible waste of life that they are exposed to.

分為三部、長達 164 分鐘的本片，是導演阿貝爾・岡 這是一部藉韓戰諷喻當時越戰的黑色喜劇，捨棄線性

This was director Robert ALTMAN's first major hit, and
bears his characteristic stamp of documentary-like
斯生涯初期的代表作，當年甫上映紅遍歐洲，更遠赴 敘事，改以緊湊節奏拼貼事件場景，呈現出戰爭的瘋 camerawork, loose narrative and quick-fire, realistically
美國，獲得極高評價。乍看通俗的劇情，不僅傳達人 狂與荒謬，宛如一齣「戰場現形記」。有別於多數戰 delivered dialogue. A long-running, popular television
物情感的細緻轉折，更強烈控訴戰爭摧殘人性的殘酷， 爭片槍林彈雨的血腥悲壯，這部反戰電影沒有出現任
series followed, although the only cast member to make
the transition was Gary BURGHOFF.
反戰意味濃厚。此外，本片的攝影也極為傑出，精緻 何槍炮兵器，反倒以活色生香、肉慾橫流的插科打諢
的人物特寫、絕美如詩的鄉間不說，甚至採用戰場上

勞勃・阿特曼 Robert ALTMAN

阿貝爾・岡斯 Abel GANCE
1925 年出生於美國堪薩斯，影史上多產的大師級導演。自七○年代起作品常以自由原創精神挑戰類型電影
1889 年生於法國巴黎，14 歲離開學校，起先應父母期許在法律事務所工作，爾後因對戲劇的熱愛，19 歲 界線，特色是即興捕捉拍攝現場狀況，和應接不暇的複調對白。知名作品有《外科醫生》、《納許維爾》、《銀
首度登台演出，後來延伸至電影編劇及執導。他是法國電影在一戰後復興時最重要的導演，作品多以壯觀的 色・性・男女》、《謎霧莊園》等。1992 年以《超級大玩家》獲坎城影展最佳導演獎，五度入圍奧斯卡金像獎
歷史電影著稱，同時開發出許多影響後世的技法，代表作有《我控訴》（1918）、《輪》（1923）、《拿 最佳導演獎，2006 年過世當年獲奧斯卡榮譽獎肯定。
破崙》（1927）等。
Robert ALTMAN worked in documentaries and series television in the 1950s and 1960s, and one of
Abel GANCE was a French director, screenwriter and producer, born October 25, 1889 in Paris and died his first feature films was the 1970 war comedy M*A*S*H, a box office success. He went on to make
November 10, 1981 in the same city. He was a pioneer of cinematographic language. the acclaimed McCabe & Mrs. Miller (1971), Nashville (1975) and A Wedding (1978), before making a
comeback with The Player (1992), which earned three Oscar nominations.

PRINT SOURCE Lobster Films PRINT SOURCE Park Circus

114 年度主題：惡宇宙 Annual Theme: Evil Universe 年度主題：惡宇宙 Annual Theme: Evil Universe 115

1984 © 1984 Orion Pictures Corporation. All Rights Reserved.

Images courtesy of Park Circus/Universal

第五號屠宰場 一九八四
1985 標準晚報英國電影獎 最佳影片、男演員獎
1973 雨果獎 最佳戲劇表現獎
1985 葡萄牙國際奇幻影展 最佳男演員獎
1973 土星獎 最佳科幻電影獎
1985 伊斯坦堡國際影展 金鬱金香獎
1972 坎城影展 評審團大獎

Slaughterhouse-Five Nineteen Eighty-Four

英國 UK ｜ 1984 ｜ DCP ｜ Colour ｜ 111min
美國 USA ｜ 1972 ｜ DCP ｜ Colour ｜ 104min

做完愛的男人和女人全身赤裸，他抽了根菸，起身下 萊恩，拍攝工作結束後，李察・波頓因腦溢血過世，
由三個看似無關的片段開場，觀眾隨著主角比利進行 手法極為可觀，一場戰俘遊街示眾的戲碼，讓人有種
床，走向窗邊，兩人相摟望向窗外，忽然天外一聲斥喝 《一九八四》成為他的遺作。
一趟失控的時光之旅。有時他出現在紐約郊區，是有 凱旋歸國的錯覺，最終被納粹士兵一巴掌打醒，在眾
傳來，要他們站在原地不動，牆上的「老大哥」死狠
體面事業和家庭的富豪；有時他是第二次世界大戰的 聲喧鬧下道出人類的荒謬與無奈。 Winston Smith, who works at the Ministry of Truth,
狠瞪著他們，並命令舉起雙手握在腦後，這個房間隨
美軍助理牧師，進而成為德國納粹的戰俘；有時他甚 lives in a squalid one-room apartment in the capital
Billy Pilgrim is an ordinary World War II soldier with 後遭黑衣部隊接管。男人名叫溫斯頓，他身處歷經無
至被外星人綁架到喬法瑪鐸行星，和裸體的好萊塢女 city of Airstrip One in the totalitarian superstate of
one major exception: he has mysteriously become 數戰爭與併吞之後的大洋國，這個國家裡的每個人都 Oceania, his life dominated by fear. A giant two-way
星做了一場宇宙矚目、轟轟烈烈的愛。比利穿梭在現 unstuck in time. This strange malady sends Billy on 活在無孔不入的監控螢幕及思想警察掌控之下，就連 “telescreen” monitors his every move. All forms of
實與虛幻，死去又活來，三個時空看似毫無邏輯，他 an uncontrollable trip back and forth from his birth
寫日記、進行「人與人的連結」都可能遭到迫害⋯⋯ pleasure, including sex, are illegal.
的生命故事卻在巧妙詼諧的剪輯下隱約串起關聯，隨 in New York to life on a distant planet and back
There are thousands like W inston. Absolute
著人類視角升高，他混亂的腦袋越來越清醒，也傳達 again to the horrors of the 1945 fire-bombing of 本片改編自英國作家喬治・歐威爾出版於 1949 年的著
Dresden. conformity in action, word and thought, including
出反戰意念。 名反烏托邦小說，拍攝於書中設定的 1984 年 4 至 6 月 total loyalty to Oceania’s leader, Big Brother, is
倫敦及周邊地區，導演麥可・瑞福與他就讀英國國立 demanded in return for a job. But Winston is not as
改編自文學大師馮內果（Kurt VONNEGUT）的同名
電影電視學院時即認識的攝影師羅傑・狄金斯（Roger ordinary as he appears. He does something unique
經典小說，來自作家二戰期間在「第五號屠宰場」的
DEAKINS）第三度合作，並且請來曾是好萊塢身價最 in this totalitarian world: he keeps a diary, which
受俘經驗，並親眼見證德勒斯登大轟炸的悲劇。電影 becomes an obsession.
高男演員，且七度入圍奧斯卡的李察・波頓（Richard
如同小說，以後現代主義夾雜自由與混亂的敘事風
BURTON）出演片中身分立場撲朔迷離的要角歐布
格，對抗主流大歷史敘事的權威性，幽默的交叉剪接

喬治・羅伊・希爾 George Roy HILL 麥可・瑞福 Michael RADFORD

1922 年生於美國明尼蘇達州的知名導演。六○年代進入影壇後，擅長在類型片中注入諷刺喜劇元素，藉此探 1946 年出生於英國殖民時期印度新德里，牛津大學畢業後曾經短暫教書，後轉向當時成立未久的英國國立
討嚴肅的人生觀。1969 年執導由保羅・紐曼與勞勃・瑞福主演的《虎豹小霸王》，從此影史留名；1973 年執 電影電視學院申請修習影視製作，取得學位後，開始為 BBC 拍紀錄片、幫電視喜劇寫劇本，《一九八四》
導的《刺激》，二度和保羅・紐曼與勞勃・瑞福合作，更獲得奧斯卡金像獎最佳導演等七項大獎，達到事業巔峰。 是他第二部劇情長片，十年後他以虛構智利流亡詩人聶魯達與一名郵差友誼的小品《郵差》征服全球觀眾。

Born in 1922, George Roy HILL entered the film industry in the 1960s where he craftily mixed satirical Michael RADFORD graduated from the English National Film School in 1974. After making several films
comedy elements into films that explore various facades of life. He is best known for the classic Butch for BBC Television, he wrote and directed his first feature, Another Time, Another Place, which featured
Cassidy and the Sundance Kid and The Sting, which won the Oscar for the Best Director along with six at Directors’ Fortnight at the 1983 Cannes Film Festival, and won awards for Best Film, Best Actress and
other awards. Best Actress at Taormina.

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116 年度主題：惡宇宙 Annual Theme: Evil Universe 117 年度主題：惡宇宙 Annual Theme: Evil Universe

Images courtesy of Park Circus/Walt Disney Stud

時空攔截 星艦戰將
1991 法國阿沃利亞茲奇幻影展 觀眾票選獎、影評人獎
1998 土星獎 最佳服裝、特效獎
1998 雨果獎 最佳戲劇表現獎提名
1998 奧斯卡金像獎 最佳視覺效果獎提名

Jacob's Ladder Starship Troopers

美國 USA ｜ 1990 ｜ DCP ｜ Colour ｜ 113min
美國 USA ｜ 1997 ｜ DCP ｜ Colour ｜ 129min

從越戰倖存歸來的退役軍人雅克，無法逃離不斷閃現 背景音效，如快速旋轉的的頭顱與抹平的五官，直接
未來世紀，民主失靈，聯邦政府成為地球之主，以強 之餘反思：文明的底牌，掀開仍是暴力？
的戰爭記憶與夢魘，同時眼前的詭異幻象如鬼魅般糾 啟發了經典恐怖電玩遊戲《沉默之丘》。
盛軍力保家衛民，在銀河系開拓殖民。唯有服役，一
纏，困擾他的生活，所有破碎的線索漸漸指向一樁神 In the distant future, high school kids are
「你要是怕死，不肯放手，就會看見魔鬼奪走你的生命； 介平民才能晉身公民，有權利參與人類未來大計。三
祕巨大的戰爭陰謀。行過死蔭幽谷的雅克，在揭開真 encouraged to become citizens by joining the
要是你的心平靜了，那魔鬼就其實是天使，讓你從人 名高中死黨，畢業即相約從軍；精壯的強尼投身機動
相的道路上，似乎也通向地獄，驚悚駭人的異象紛呈， military. What they don't know is that they'll soon
世解脫。」 部隊，聰明的卡門專攻星艦飛行，擁有心電感應的卡 be engaged in a full scale war against a planet of
跳躍的時空變得混亂，也將他身旁的女友、前妻、手
爾則致力軍情研究。然而不久，外星蟲族流星猝然來 alien insects. The fight is on to ensure the safety of
療師好友、死去的兒子，與退役戰友捲入漩渦中。現 For years, Jacob Singer has been haunted by flashbacks
襲，近千萬人無辜喪命。全軍同仇敵愾，前仆後繼搶 humanity.
實、回憶與幻夢三者界線逐漸崩塌，孰真孰假耐人尋 of his war time experiences in Vietnam. But now, years
later, something much more frightening is occurring. 灘異星，不幸慘遭蟲族血洗。斷肢殘臂、肚破腸流，
味，出乎意料的結局，要到電影最後一刻才揭曉。 Hallucinatory demonic images have invaded his life. Jacob,
透過聯邦電視網傳送到世人眼前，鼓動新血加入戰局。
fearing for his sanity, seeks out his old psychiatrist, only to
導演透過創傷症候群、幻覺夢境、藥物控制、心理驚 discover that he has been killed in a car explosion. Later, an 這場大戰，究竟是捍衛家園，還是宇宙主宰權？
悚、懸疑推理等多元途徑，將本片打造成「恐怖博物 old war buddy confronts him with a tale of terror. He tells
本 片 改 編 自 美 國 科 幻 大 師 海 萊 因（Robert A.
館」，陳列各種戰爭後遺症，再結合宗教典故，探討 Jacob that he is experiencing the same nightmarish visions
that are haunting Jacob. Jacob is stunned. But their bond HEINLEIN）榮獲雨果獎的同名小說。這部限制級大
生死哲學，做出對人類戰爭最大的控訴。本片當年上 is short lived. Soon afterwards, Jacob’s friend is killed in 作耗資上億美金，場面浩大、視效獵奇。導演將嘲諷
映時反應平淡，但 Cult 迷口中傳開，證明是超越時代 another car explosion…
開好開滿，尤以戲仿《意志的勝利》、《我們為何而戰》
的經典，尤其是豐富驚駭的視覺效果，與具壓迫感的
等政宣片為最，突顯戰爭的荒誕。讓觀眾在感官酣暢

阿德里安・萊恩 Adrian LYNE

保羅・范赫文 Paul VERHOEVEN
1941 年生於英國，商業廣告導演出身，八○年代起陸續執導《愛你九週半》、《致命的吸引力》、《桃色
交易》、《蘿莉塔》、《出軌》等情色禁忌題材的電影，成功引爆票房與話題，並以《致命的吸引力》入圍 1938 年生於荷蘭，以生猛異色手法獨步歐美，屢創佳績。全球票房破億美金的作品包括《魔鬼總動員》
奧斯卡金像獎及金球獎最佳導演。他擅長以豐富視覺效果結合扣人心弦的音樂，塑造情慾氛圍，探討爭議性 （1990）、《星艦戰將》（1997）、《透明人》（2000）等片。曾以《第六感追緝令》（1992）、《她的
話題，《時空攔截》是導演少見較無情色元素的電影。 危險遊戲》（2016）、《聖慾》（2021），三度角逐坎城影展金棕櫚獎。

Adrian LYNE is an Academy Award-nominated director and producer of erotically-charged features such Born in the Netherlands in 1938, Paul VERHOEVEN began his film career by making documentaries for
as Flashdance (1983), Nine ½ Weeks (1986), Fatal Attraction (1987) and Unfaithful (2002). A few of his the Navy and later for TV. He is best known for films such as Total Recall and Starship Troopers, and has
films are arthouse-oriented fare, like Jacob's Ladder (1990), an ambitious supernatural thriller that has been nominated for the Cannes Palme d'Or three times with Basic Instinct, Elle, and Benedetta.
earned a reputation over the years as one of the most challenging and disturbing horror movies.

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118 年度主題：惡宇宙 Annual Theme: Evil Universe 年度主題：惡宇宙 Annual Theme: Evil Universe 119

大逃殺（4K 數位修復版） 2001 藍絲帶獎 最佳影片、新人獎

2001 日本電影學院獎 最佳剪接、新人獎
科索沃的夜與夜 2022 索菲亞國際影展
2022 貝爾格萊德國際影展
Battle Royale (4K Restoration) 2001 鹿特丹影展
Darkling 2022 的里雅斯特影展

日本 Japan ｜ 2000 ｜ DCP ｜ Colour ｜ 122min 塞爾維亞、保加利亞、義大利、丹麥、希臘 Serbia, Bulgaria, Italy, Denmark, Greece ｜ 2021 ｜ DCP ｜ Colour ｜ 109min

新世紀歡快來臨，大東亞共和國卻頹喪衰敗，失業 一戰成名，使本片登上不敗經典王座。 科索沃戰爭結束後不久，與母親、外公住在北方山 而動的怪物所居的領域，而片中那股始終未能清楚

人口激增，青少年無惡不作。「新世紀教育改革法 區的女孩蜜莉莎，仍在等待失蹤父親與舅舅的消息。 看見敵人的焦慮與恐慌，反倒真正一步步地釀成毀
Forty-two students, three days, one deserted
案」――暴虐生存遊戲 BR 法大逃殺強制執行。城岩 儘管北約維和部隊經常來探訪協助所需，但每逢夜 滅。
island: welcome to Battle Royale. A group of ninth-
中學三年 B 班全體 40 名同學遭軍政府挾持送上無人 grade students from a Japanese high school have 晚降臨密林環繞的此地，全家人即陷入恐懼，深怕
A family living in post-war Kosovo, protected by the
島，加上兩名陌生轉學生，殘酷殺戮即將展開。三日 been forced by legislation to compete in a Battle 凶險不知從何襲來。當牲畜莫名被殺害死去，林中
NATO-led KFOR during the daytime, experiences
內，不殺者則被誅之，頸上項圈一言不合就地爆炸。 Royale. The students are sent off to kill each other 傳來令人不安的動靜，破敗社區內的鄰居陸續遷離， a dreadful torment when night falls. They struggle
勾心鬥角毫不手軟、明槍暗箭奇招百出，一場大逃殺 in a no-holds-barred game to the death, until one 漫長困守消磨意志，究竟還要在此多久，才能得到 to prove that their fear is real, keep their sanity, and
survives — or they all die. Some decide to play
勾起人性最汙穢的邪惡，天地不仁的殘虐遊戲，將殺 一個確切答案？又待何時才能開展新的生活？ stay alive.
the game like the psychotic Kiriyama or the sexual
到只剩一人倖存。 Mitsuko, while others are trying to find a way to 本片著眼於戰火停歇後殘留的衝突、恐懼、不信任
get off the island without violence. However, as the
日系反烏托邦經典前有《漂流教室》，後有《大逃 等遺緒，然而不同於近年處理南斯拉夫內戰題材作
numbers dwindle, is there any way for Shuya and his
殺》。改編自高見廣春的同名小說，暴力美學大師深 classmates to survive? 品常見的寫實風格，導演挪用驚悚片元素，將片中
作欣二晚年再攀巔峰，割喉、砍殺、炸腦血肉橫飛， 的 家 屋 打 造 為 一 個 停 滯 的 懸 宕 之 地（limbo）。 極
挑戰道德邊緣的駭人之作引發政府關切，仍締造票房 為晦暗的室內、深夜中難以望盡猶如深淵的林間，
佳績。北野武飾演冷酷無情的教師，柴崎幸以「鐮刀 「黑」既隱喻縈繞人物心頭的絕望陰霾，也屬伺機
女」形象創下經典，首度挑戰大銀幕演出的藤原龍也

杜桑・米利奇 Dušan MILIĆ

深作欣二 FUKASAKU Kinji
1969 年生於塞爾維亞的貝爾格萊德，1988 年起開始從事電影。他的最初兩部劇情長片《Strawberries in
東映電影公司出身，與山田洋次、大島渚等名導同期。作品等身，個人風格強烈，以動作、暴力、血腥題材 the Supermarket》及《Gucha - Distant Trumpet》，均入選柏林影展「電影大觀」單元，並銷往世界 40
見長，又以極道故事為人所知。以《大逃殺》系列再創巔峰，並於 2003 年完成《大逃殺 2：鎮魂歌》後罹 多國發行。第三部長片《Travelator》則拿下 2014 年蒙特婁世界影展最佳創新獎，以及隔年貝爾格萊德國
癌與世長辭，享壽 73 歲。 際影展最佳導演獎。本片則為其第四部長片。
FUKASAKU Kinji (1930-2003) was a Japanese film director and screenwriter who rose to prominence with Dušan MILIĆ was born in Belgrade, Serbia. He graduated from the Department of Film and TV Directing
a series of yakuza films. In 1997, he received the Purple Medal of Honor from the Japanese government at University of Dramatic Arts. His previous two films, Strawberreis in the Supermarket and Gucha
for his work in film. American film directors inspired by his work include Quentin TARANTINO and - Distant Trumpet, were official selections in the Panorama Program at Berlinale. His third feature,
William FRIEDKIN. Travelator, premiered at Montreal and won the Innovation award.

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 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder
Tribute to the Master：
Rainer Werner Fassbinder
愛比死更冷 Love Is Colder Than Death
1966 This Night (Short)
1966 The City Tramp (Short)
1967 The Little Chaos (Short)
1969 《愛比死更冷》Love Is Colder Than Death
1969 《瘟疫之神》Gods of the Plague
1969 《外籍工人》Katzelmacher
1969/70 《R 先生為何會抓狂？》Why Does Herr R. Run Amok?
1970 Rio das Mortes (TV Movie)
1970 The Coffeehouse (TV Movie)
1970 《威迪》Whity
1970 《尼克勞斯豪森之旅》The Niklashausen Journey (TV Movie)
1970 《美國大兵》The American Soldier
1970/71 《當心聖妓》Beware of a Holy Whore
1970/71 Pioneers in Ingolstadt (TV Movie)
1971 《與四季交易的商人》The Merchant of Four Seasons
1972 《佩特拉的苦淚》The Bitter Tears of Petra von Kant
1972 Jail Bait (TV Movie)
1972/3 《八小時不是一日》Eight Hours Don’t Make a Day
適逢法斯賓達逝世 40 週年，藉此紀念這位德國新浪潮代表，並聚焦細看他電影世界裡，如何透析戰後悲頹的德國光
景與社會崩解下的人民餘生，引領觀眾一起進入他滿是無政府主義色彩濃烈的電影世界。一年平均至少拍攝二至三部
影片的法斯賓達，不僅作品產量豐富，且總是直指問題核心、絕不矯情地探究所有事物本質，並轉化自身敏感、反感、
和恐懼的事物，令人在觀影旅程中，徹底沉浸於他剝離層層表象的犀利敍事及被解構的赤裸真相，進而隨他解放心智。
Coinciding with the 40th anniversary of FASSBINDER's death, this program commemorates an icon of the
German New Wave by focusing on how he analyzed the tragic post-war German situation and people's life
under the collapse of society, and how also he led the audience into his cinematic world, full of anarchistic
overtones. FASSBINDER, who shot at least two to three films a year on average, was not only prolific, but
always went straight to the heart of the issue. Never hypocritical, he explored the essence of all things and
transformed his own sensitivities, aversions, and fears into films.
121
1972 Bremen Freedom (TV Movie)
1973 《世界旦夕之間》World on a Wire (TV Mini Series)
1973/74 Nora Helmer (TV Movie)
1973/74 《瑪塔》Martha (TV Movie)
1973/74 《恐懼吞噬心靈》Ali: Fear Eats the Soul
1974 《寂寞芳心》Effi Briest
1974/75 《狐狸與他的朋友們》Fox and His Friends
1974 Like a Bird on a Wire (TV Movie)
1975 《屈斯特婆婆上天堂》Mother Küsters Goes to Heaven
1975 《恐懼中的恐懼》Fear of Fear (TV Movie)
1975/76 I Only Want You to Love Me (TV Movie)
1975/76 《小惡魔》Satan’s Brew
1976 《中國輪盤》Chinese Roulette
1976/77 《站長夫人》The Station Master's Wife (TV Movie)
1977 Women in New York (TV Movie)
1977/78 《絕望》Despair
1977/78 《德國之秋》Germany in Autumn (Documentary)
1978 《瑪麗布朗的婚姻》The Marriage of Maria Braun
1978 《一年十三個月亮》In a Year with 13 Moons
1978/79 《第三代》The Third Generation
1979/80 Berlin Alexanderplatz (TV Mini Series)
1980 《莉莉瑪蓮》Lili Marleen
1981 《蘿拉》Lola
1981 Theater in Trance (Documentary)
1981 《維洛妮卡佛斯的慾望》Vernonika Voss
1982 《霧港水手》Querelle
萊納・韋納・法斯賓達，1945 年生於巴伐利亞，18 歲大
量接觸戲劇及表演，深受布萊希特及高達影響，24 歲以
《愛比死更冷》成為德國新電影最桀驁不馴的代表性人物。
他的創作力非常旺盛，常在通俗劇外衣下探索人性的殘
酷，並針對社會進行批判，1982 年他因用藥過量於慕尼
黑過世時，總計完成 40 餘部電影及電視作品。
Rainer Werner FASSBINDER was a German filmmaker,
actor and playwright. Born in 1945, he became a
prominent figure of the New German Cinema movement
at the age of 24 with his debut feature, Love Is Colder
Than Death. He died from an overdose in 1982, leaving
behind a filmography of over 40 feature films.
122 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder
法斯賓達的多重宇宙
The Multiverse of Rainer
Werner Fassbinder
瑪麗布朗點了根菸，沒有關上瓦斯。她與前夫歷盡波折，
如今柳暗花明，這段感情卻隨著隨後那聲轟然巨響，一切
化為灰燼。
房間是佩特拉的愛慾修羅場。她在裡面等待新戀情的降
臨，也在裡面等待前任回頭，她刻意忽視身旁另外一個等
待她垂憐的可憐之人，直到對方終於再也受不了絕塵而
去。
外號「狐狸」的賣藝人將一切奉獻給愛情卻徒勞無功，他
氣憤自己為所有東西付帳的蠢笨，他把頭埋在毫無感覺的
仰慕者懷裡痛哭。下一刻，他吞光安眠藥死在深夜地鐵
站，身上零錢衣物被路過宵小搜刮精光。
60 歲清潔婦無畏旁人指指點點，與年齡足以當自己兒子
的摩洛哥移工勇敢認愛，兩人盛裝在酒吧裡相互依偎跳著
舞，未料男人忽然痛苦倒臥在地。醫生表示外籍工人因為
工作壓力，頭痛往往變成常態循環。老婦走到床邊溫柔握
著男友的手，萬籟俱寂，只聽見她的輕輕啜泣。
很久以前曾經花不少時間看完法斯賓達的電影。邊看邊佩
服這個身型渾圓柔軟的天才，怎麼能這麼多產，怎麼風格
能夠如此多變，他不只會拍同志，更擅長描繪女人，他能
同理愛情中弱勢那方的卑微可鄙，亦懂強勢那方跋扈中隱
藏的脆弱。他不只會拍愛情，還能輕而易舉勾勒嫉妒、苦
戀與孤獨等各種愛的面向。他是左派，他的電影對社會國
家及資本階級充滿批判和訕笑，儘管他的電影常充斥憤世
嫉俗、缺乏社會化的可憐人物，但也不忘關照簡單純真的
底層庶民，所以他鏡頭下的男男女女，往往快樂與悲傷並
存、愛戀與怨恨同在，他既要歌詠愛情的美好，更要渲染
情到深處可能導致的變態與扭曲。這個天才到底是個惡
魔，或者說是與魔鬼交易才得來如此天賦？
這個歷經不愉快童年的天才，是滿口謊言情緒管理欠佳的
幼稚暴躁鬼，偏偏他有著滿腔對於劇場和電影的熱情和理
想，為了拍片可以不擇手段，有時還會露出市儈算計的商
人一面。他的電影在講愛與不愛、虐與不虐，對他來說或
許根本沒有此生真愛這回事，因為他的愛往往來得快消逝
也快，他其實只愛他自己。
大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder
文／鄭秉泓（影評人）
The bedroom is Petra’s battlefield of love and lust.
By Ryan CHENG (film critic)
She waits there for a new love to arrive, but also for
her ex to come back to her. She deliberately ignores
the other woman by her side who has been longing
for her pity, until the poor soul can no longer bear it
and leaves.
The carnival entertainer nicknamed “Fox” devotes
everything to love, but his efforts all come to
naught. Infuriated with his own stupidity for paying
for everything, he buries his head in the arms of
an admirer whom he feels nothing for. The next
moment, he swallows all his sedative pills and dies
on the ground of the subway deep in the night, his
money and valuables looted by passersby.
他的私生活與他的創作同等精彩，他愛的人及愛他的
A 60-year-old cleaning woman, unafraid of others
人常常在他的電影中現身，有時是主角，有時卻是毫 pointing at her, boldly develops a romance with a
無存在感的過場人物。我不確定用現在的角度來看， Moroccan migrant worker young enough to be her
他算不算 PUA（Pick-up Artist）高手？或者情緒勒索 son. The two, all dressed up, start dancing together
in a bar, but the man unexpectedly and suddenly
大師？他把自己和戀愛對象的私生活寫成劇本，有時
collapses to the floor in pain. The doctor says the
把自己美化成不可一世的極品天菜，有時試著從受盡
foreign worker’s stress has caused his bouts of pain
自己欺負的對方立場回首如今已然煙消雲散的情感， to become a regular occurrence. The old woman
有時則是往後退開從第三者旁觀角度來看昔日如何山 walks beside the bed and holds her boyfriend’s hand.
盟海誓、如何天長地久，無論如何遭受擺布，對方站 All that can be heard amid the silence is the sound of
her gentle sobbing.
在才華洋溢的巨人面前，除了臣服除了讚嘆，就算黯
然離開或者激烈自戕，最終都無法撼動他和他的電影。
A long while ago, I spent quite a bit of time watching
the films of Rainer Werner FASSBINDER. As I
從 1969 年 拍 攝 首 部 作 品《 愛 比 死 更 冷 》（Love Is watched, I admired how this stout, pudgy genius
Colder Than Death）直到 1982 年遺作《霧港水手》 could be so prolific and how his style could be so
（Querelle），法斯賓達近 14 年間完成影視作品 40 varied. He not only made gay films; he was even
better at portraying women. He could empathize
餘部，這次高雄電影節選映九部他不同時期作品，從
with the patheticness of the weaker party in the
疏離劇場風格到摧枯拉朽時代通俗劇皆囊括其中，
relationship, and also understood the fragility hidden
外 加 一 部 非 典 型 傳 記 片《 法 斯 賓 達 壞 壞 》（Enfant
in the domineering of the stronger party. He was
Terrible），在此姑且借用楊紫瓊在《媽的多重宇宙》 a leftist — his films are critical and mocking of the
（Everything Everywhere All at Once） 中 讓 人 目 眩 welfare state and the capitalist class. Though his films
神移的「宇宙搖」，快意總結法斯賓達其人其作。 are often full of cynicism and lack pitiable socialized
characters, he does not forget to take care of the
simple and innocent commoners at the bottom of
――他是男同志，他也愛女人，他用女性名字瑪麗
society. Hence, the men and women under his lens
（Mary）向世人宣告自己的雙重性別認同，他既是瑪 are often both happy and sad, in love and in hate.
麗布朗更是莉莉瑪蓮，他是電影中那些毫無悔意踐踏 He wants to proclaim the beauty of love, but also
別人情感的混球，也是無止盡付出卻得不到回報而陷 render the deviancy and distortions that result when
love gets too deep. Is this genius a demon, or did he
入情感泥淖的笨蛋。他的人生等同他的創作，他用虛
make a deal with the devil to acquire such talent?
構的故事去反映去圓滿苦痛的現實，他窮盡畢生之力
網羅所愛所恨的男人女人，合力創造一個名為多重宇
This prodigy who went through an unhappy
宙的影像牢籠。在那裡面，每個角色只求有人願意愛 childhood was an immature and irritable brat full of
他們。 lies and lacking in self-control, but he was also filled
with enthusiasm and ideals when it came to theater
and motion pictures. He was willing to go to any
法斯賓達已死，但是他燃盡生命所成就的電影傳奇永
lengths to make a film, sometimes even revealing his
遠存在於這個多重宇宙。 sordid and calculating businessman side. His films
are about loving and not loving, abusing and not
Maria Braun lights a cigarette, but doesn’t turn off abusing. For him, perhaps there is no such thing as
the stove. She and her ex-husband had been through the true love of one’s life, because his loves tended
so much, and now there is finally light at the end of to come quickly and go quickly. He really only loved
himself.
the tunnel. And yet their love, in the loud explosion
that soon follows, is suddenly reduced to ash.
123
His private life was as exciting as his creations. The
ones he loved and the ones who loved him often
appeared in his films, sometimes as the protagonist,
other times as just a passing character with no
presence at all. I’m not sure if, from a modern
perspective, he could be considered a pick-up
artist. Or perhaps a master emotional blackmailer?
He turned his and his lovers’ private lives into
screenplays, sometimes beautifying himself into a
high and mighty Adonis, sometimes putting himself
in the shoes of a mistreated ex-lover looking back at
their faded romance, and sometimes stepping back
and using a third party’s perspective to observe his
old promises of unchanging fidelity and everlasting
love. Regardless of how he manipulated them,
all they could do was surrender and admire when
standing before this giant of talent. Even if they
left in dejection or committed suicide, they were
ultimately still unable to shake him or his films.
From his debut Love is Colder than Death in 1969
to his final film Querelle in 1982, FASSBINDER
completed more than 40 films in almost 14 years.
This year’s Kaohsiung Film Festival presents a
selection of nine of his films from different time
periods, covering everything from alienated
theater to powerful period melodramas, plus an
unconventional biopic about him, Enfant Terrible.
Here, I will delightfully summarize what it feels like to
experience FASSBINDER and his works by borrowing
a term from Michelle YEOH’s dazzling Everything
Everywhere All at Once: “verse jumping”.
He was gay and he also loved women. He used
the female name Mary to declare his dual gender
identity to the world. He was Maria Braun, and he
was also Lili Marleen. He was the bastard in his films
who trampled on others’ emotions without remorse,
and he was also the fool who got stuck in emotional
quagmires because he always gave and never got
anything in return. His life was equivalent to his
films. He used fictional stories to reflect and soothe
his painful reality. He exhausted his life’s efforts to
capture the men and women he loved and hated,
and together they created a film prison called the
multiverse. In it, every character only wants to be
loved.
FASSBINDER may be dead, but the legendary films
that he devoted his life to create will forever exist in
this multiverse.
124 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder
愛比死更冷（數位修復版）
Love Is Colder Than Death (Digital Restoration)
西德 West Germany ｜ 1969 ｜ DCP ｜ B&W ｜ 88min
皮條客法蘭茲因拒絕加入幫派而遭痛毆，他因此認識
同遭拘禁的殺人犯布魯諾。法蘭茲迷戀於布魯諾的俊
美容顏，不僅邀請他一起生活，還與他分享自己的女
友約漢娜。從性、愛到竊盜與謀殺，三人的關係逐漸
緊張，一發不可收拾⋯⋯
黑色皮衣、有型墨鏡，加上放蕩不羈的神態姿勢，是
法斯賓達留給影迷的銀幕形象，在《愛比死更冷》這
部他 24 歲執導的首作中，他飾演的雙性戀主人翁法
蘭茲即是以此造型示人。自編自導自演加上剪接，深
受布萊希特疏離效果（Distancing Effect）影響的法
斯賓達，以劇場風格的極簡佈景加上冰冷的黑白攝
影，完成這部由三角戀出發，跨越性別和性向，從情
愛壓迫，進而思辨自由與人權的傑作。對他來說，愛
情是最精良、最狡猾也最有效的社會壓迫工具，所
以他的作品往往以愛情為引，從而進行更大命題的
觀察與批判。值得注意的是約漢娜一角由法斯賓達
19 歲時上表演課結緣的好友漢娜・許古拉（Hanna
SCHYGULLA）飾演，此片開啟兩人 20 度合作的盟友
關係。
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大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 125
當心聖妓（數位修復版）
Beware of a Holy Whore (Digital Restoration)
1970 德國電影獎 最佳攝影、整體演出獎 西德 West Germany ｜ 1970 ｜ DCP ｜ Colour ｜ 104min 1971 威尼斯影展
1969 柏林影展 金熊獎提名
Franz, a small-time pimp attached to the prostitute 濱海旅館，不在狀況內的演員、不靠譜的劇組團隊、 In a hotel near the sea, a film team awaits the arrival
Joanna, resists joining the syndicate. Members of 焦慮暴躁的導演，還有透支的拍攝預算，當記者問導 of the director, the star, the money supplied by the
the latter beat him. Franz loves another criminal, state-supported film agency and the film material.
演這部片講什麼，他回答是關於殘忍。很多導演都會
the handsome murderer Bruno, with whom he The atmosphere is a mix of hysteria, apathy, hope,
also wants to share his lover Joanna. However, the 拍一部關於電影的電影，楚浮有《日以作夜》、高達 quarrelling, jealousy, affairs. When the director
syndicate commissions Bruno to commit murder, 有《輕蔑》、費里尼有《八又二分之一》、溫德斯則 arrives with the star, the former is placed at the
and Franz is framed in order to force him to 是《事物的狀態》，《當心聖妓》裡頭的聖妓不是任 center of the chaos. In senseless actions, the entire
collaborate. In the end the men plan to rob a bank 何角色，而是法斯賓達對於電影充滿譏諷的比喻。這 team — by now they feel increasingly dependent on
together. Joanna gives them away to the cops. In Jeff — rebels against him. Jeff gets beaten up. But
部帶著半自傳色彩、被法斯賓達選為私心最愛的自編
the mix-up of the robbery, the police shoot Bruno. finally, the shooting of the film can begin.
自導自演之作，創作概念源於他在西班牙拍攝《威迪》
Franz and Joanna manage to flee.
的沮喪經驗，而他在片中故意不扮導演本人，反倒飾
演焦頭爛額的製片。
1970 年對於法斯賓達是非常關鍵的時刻，他完成六
部類型、題材各異的作品，風格逐漸由早期《愛比
死更冷》那種極簡主義構圖和劇場化疏離敘事，轉
向傳統、寫實且富於節奏感的場面調度，順利轉型
必須歸功日後成為他重要搭檔的美術指導柯特・拉
布（Kurt RAAB） 及 攝 影 師 麥 可・ 包 浩 斯（Michael
BALLHAUS）。
Rainer Werner Fassbinder Foundation PRINT SOURCE Rainer Werner Fassbinder Foundation
126 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 127

佩特拉的苦淚（數位修復版） 恐懼吞噬心靈（數位修復版）
The Bitter Tears of Petra von Kant (Digital Restoration) Ali: Fear Eats the Soul (Digital Restoration)
西德 West Germany ｜ 1972 ｜ DCP ｜ Colour ｜ 119min 1973 德國電影獎 最佳女主角、女配角、攝影獎 西德 West Germany ｜ 1974 ｜ DCP ｜ Colour ｜ 89min 1974 坎城影展 費比西國際影評人獎、基督教評審團獎
1972 柏林影展 金熊獎提名 1974 德國電影獎 最佳女主角獎

佩特拉是事業成功的服裝設計師，已經離婚的她和沉 The successful fashion designer Petra von Kant 60 歲以清潔為業的寡婦艾美在酒吧認識了 40 歲的摩 In a pub frequented by foreigners, 60-something
默的助理兼女僕瑪蓮住在一間裝潢奢華的公寓。她對 lives in an opulently furnished loft with her assistant 洛哥移工阿里，在寂寞的驅使之下，他們跳了一支舞， widow Emmi meets the Moroccan Ali, at least 20
and servant Marlene, who executes all her orders years her junior. Ali dances with Emmi, they chat,
友人介紹的卡琳一見鍾情，兩人開始同居，但對方不 然後陷入愛河、開始同居、決定結婚、一起編織有對
without a word and who endures all her moods. he accompanies her home. He moves in with her.
堪佩特拉的強勢作風而離去，佩特拉終日在家焦慮地 Petra falls in love with Karin, 10 years her junior, 方參與的未來，但是兩人的年齡差卻遭到艾美的子女 They get married. For the others, this marriage is a
等待卡琳回來⋯⋯ whom she wants all to herself. While Karin exploits 和同事輪番指責，這段戀情是否能夠突破重重阻撓繼 scandal: Emmi’s grown children are embarrassed,
the affluent Petra, she also insists on her own 續下去？ the neighbors whisper, the green grocer asks her
有著超乎常人的旺盛精力和魔鬼般創造力的法斯賓
independence. When Karin’s husband arrives to leave his shop, the colleagues despise her. Ali
達，在某次影展上看到美國通俗劇大師道格拉斯・瑟 unexpectedly from Australia, she returns to him. 法斯賓達深受通俗劇大師道格拉斯・瑟克（Douglas starts to see his former girlfriend Barbara again,
克（Douglas SIRK）的六部作品而深受啟發，於是他 Petra is desperate. She offers Marlene — heretofore SIRK） 描 述 階 級 差 異 的《 深 鎖 春 光 一 院 愁 》（All but when Emmi attempts to get him back, Ali has
從早期簡約蒼白的敘事風格，逐漸轉向以通俗手法吸 treated like an object — collaboration, liberty, fun. That Heaven Allows）影響，完成這部連瑟克之妻都 a breakdown. The doctor diagnoses a burst ulcer.
引觀眾。法斯賓達在柏林飛往洛杉磯的班機上完成這 But Marlene packs her suitcase and leaves without a 看不出來與其夫作品有何關聯的《恐懼吞噬心靈》。 Emmi stays with Ali, holding his hand.
word.
個劇本，僅僅耗時 12 小時，然後再以十天完成拍攝。 法斯賓達並非原封不動移植原作情節，而是以自己
電影製作倉促，張牙舞爪帶著心理暗示的服飾造型 「體制外」的工作方式去改造、去致敬瑟克那部在「體
和佈景陳設卻異常精彩，加上攝影大師麥可・包浩斯 制內」完成的作品。瑟克曾親口讚譽這個改編版本充
（Michael BALLHAUS）匠心獨運的鏡頭設計，令本片 滿法斯賓達自己的作者手筆，是他最好最美的作品之
成為法斯賓達生涯傑作。值得注意的是，片中設計師 一。飾演阿里的埃勒・狄・本・薩勒姆（El Hedi ben
和助理之間牽涉階級、愛與支配、施虐與受虐的情感 SALEM）來自摩洛哥，他另個身分是法斯賓達的戀人，
關係，這其實反映了法斯賓達本人和片中飾演助理的 分手後他因傷害罪遭德國警方通緝，後來在法國監獄
女演員依姆・赫曼（Irm HERMANN）的真實關係。 自縊身亡，多年後才得知此事的法斯賓達將最後一部
電影《霧港水手》獻給他。

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128 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder
寂寞芳心（數位修復版）
Effi Briest (Digital Restoration)
西德 West Germany ｜ 1974 ｜ DCP ｜ B&W ｜ 141min
年輕貌美的艾霏聽從父母安排，嫁給汲汲於功名的野
心男爵，但兩人在年齡和性格上的巨大落差，令這段
婚姻陷入瓶頸。某次男爵的友人來訪，吹皺艾霏內心
一池春水，逐漸演變成錯綜複雜的三角關係，未料一
封情書的浮上檯面，卻造成他們命運的改變⋯⋯
這是法斯賓達第一部時代劇作品，改編自 19 世紀德
國知名的批判現實主義作家西奧多・方坦（Theodor
FONTANE）晚年鉅著，法斯賓達自述《寂寞芳心》是
一部不帶任何雜念、他真正渴望改編成電影的作品，
他拍成黑白片，那是他認為最美妙的色彩。法斯賓達
投入全副身家 80 萬馬克，用比以往更長的時間來籌
備、拍攝此作，他再三強調他不要拍女性電影，甚至
和女主角漢娜・許古拉（Hanna SCHYGULLA）發生
強烈爭執，依舊堅持己見，忠於方坦對這個故事所採
取的立場。法斯賓達在片中苦心經營一種疏離感，盡
量淡化那些浪漫或是感傷的橋段可能對觀眾造成的情
感操弄，完成這部既批判社會的虛偽又認同這種虛偽
的複雜態度的文學電影。
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狐狸和他的朋友們（數位修復版）
Fox and His Friends (Digital Restoration)
1974 柏林影展 金熊獎提名 西德 West Germany ｜ 1975 ｜ DCP ｜ Colour ｜ 123min 1975 芝加哥影展 評審團特別獎
1975 法羅島影展 最佳酷兒電影獎
Effi Briest is 17; she is married off to Baron Geert 外號「狐狸」的賣藝者法蘭茲因男友被捕加上失業而 Franz, an unemployed showman and hooker, wins
von Innstetten, 20 years her senior. Effi feels lonely 陷入困境，沒想到買彩票卻贏了 50 萬馬克，伴隨優 the lottery. Antique dealer Max introduces him to a
in her new home, a secluded place on the Baltic group of elegant homosexuals. He falls in love with
渥物質生活而來的是一段新戀情，對象是風度翩翩、
Sea. Without really admitting this to herself, she Eugen, the son of an entrepreneur. The two move
is unhappy because despite the sympathy the 品味優雅，但身家虛有其表的「企二代」尤金，法蘭 in together. Franz pays the rent of the extravagant
ambitious man of principles has expressed towards 茲愛到願意將全部資產拿出來填補尤金家族企業財務 apartment and Franz puts the quasi bankrupt firm of
her, she knows that she is not really loved. While 黑洞，甚至百般容忍對方在愛與性方面的不專一，他 Eugen’s family back on an even keel. However, their
her acquaintance with the new county commander, 以為如此便可以天長地久，然而兩人無論性格還是階 class difference remains insurmountable. Eugen’s
Major Crampas – to whom her husband also feels financial exploitation of Franz is continuous; the
級上的巨大差異，卻將他們越推越遠⋯⋯
friendship – initially brings change, it ultimately latter loses his share in the firm and finally even his
leads to confusion. A relationship develops between 法斯賓達原本期望拍一部喜劇，不過這個探討情感剝 apartment. The two split up. Eugen returns to his
Effi and Crampas that vacillates between dalliance 削與社經地位差距的愛情故事比較接近《恐懼吞噬心 old lover. Franz commits suicide.
and passion.
靈》，並沒有成為他「第一個商業故事」。有別於《愛
比死更冷》殘酷冷峻的油膩痞子形象，法斯賓達此番
以相形清瘦的外型及清澈純情的眼神，詮釋出身底層
全心全意為愛付出的卑微「狐狸」一角。事實上，「狐
狸」乃是以法斯賓達眾多戀人中的阿米・邁爾（Armin
MEIER）為原型，而尤金自然是經過美化的法斯賓達
銀幕投射。電影首映三年後，阿米因未受邀出席法斯
賓達的生日派對而自殺身亡。
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130 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder
中國輪盤（數位修復版）
Chinese Roulette (Digital Restoration)
西德 West Germany ｜ 1976 ｜ DCP ｜ Colour ｜ 86min
一對貌合神離的夫妻，周末假期各自帶著情人出遊，
卻在兩人的鄉間別墅巧遇。此時不良於行的女兒也跟
著家庭教師抵達，連同管家母子，樓上樓下、門裡門
外，藏不盡的祕密與謊言，擋不了的尷尬與試探。隔
日晚餐在女兒主導之下，所有人任著她分組，玩起一
種名叫「中國輪盤」的殘酷心理遊戲，為的是逼迫互
有保留的眾人說出心中真正想法，隨著遊戲問答越來
越尖銳，有人再也按耐不住，舉起手上的槍把⋯⋯　　　　　　　　　　　　
法斯賓達撮合《佩特拉的苦淚》瑪姬特・卡絲騰森
（Margit CARSTENSEN） 和《 恐 懼 吞 噬 心 靈 》 布
里 姬 特・ 米 拉（Brigitte MIRA） 兩 大 女 主 角， 與 法
國新浪潮巨匠高達的謬思女神安娜・卡麗娜（Anna
KARINA）、高達執導的傑作《已婚女人》女主角瑪莎
・梅里爾（MARSA MÉRIL）（她是偉大的法國作曲家
米榭・李葛蘭（Michel LEGRAND）的遺孀）同台競
技，封閉空間的進進出出、無所不在的鏡像投射、錯
綜複雜的情緒交纏、攝影之神麥可・包浩斯（Michael
BALLHAUSE）令人歎為觀止的攝影機運動，將這部
法斯賓達重返劇場風格的野心之作堆砌地無比閃耀。
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瑪麗布朗的婚姻（數位修復版）
The Marriage of Maria Braun (Digital Restoration)
1977 多倫多國際影展 西德 West Germany ｜ 1978 ｜ DCP ｜ Colour ｜ 116min 1979 柏林影展 銀熊獎最佳女演員、銀熊獎傑出成就獎
1977 愛丁堡國際影展 1979 德國電影獎 最佳導演、女主角、女配角、製作設計獎
The story of a long weekend at a secluded 瑪麗和赫曼在二次大戰末期的德國結婚，隔天赫曼上 It is WWII, and bombs are dropping all around. This
Franconian country estate. Those who meet are 戰場卻失蹤，在誤傳丈夫陣亡的消息後，瑪麗與美國 is when Hermann Braun and Maria get married.
the couple Ariane and Gerhard Christ, and their They have one night together before Hermann
黑人軍官比爾同居。但是赫曼並沒有死，他好不容易
respective lovers Irene and Kolbe. The mansion returns to the front. After the war — they say her
is maintained by housekeeper Kast and her son 回家，卻與比爾發生衝突，結果瑪麗殺了比爾，然後 husband died — Maria has an affair with the black
Gabriel. Arriving unexpectedly are Ariane and 由赫曼頂罪入獄⋯⋯ G.I. Bill. But Hermann returns unexpectedly, and
Gerhard’s mobility-impaired daughter Angela and in the ensuing confrontation, Maria hits Bill with
1977 年，法斯賓達 32 歲，已經完成 30 餘部影視作
her mute governess Traunitz. This is a bizarre group a bottle, killing him. Hermann pleads guilty and
filled with hatred and mistrust, jealousy and sadism. 品，他開始構想一個從女性角度去看二戰之後西德社 is sentenced to jail. While waiting for Hermann's
Angela asks all present to play “Chinese Roulette,” 會變遷的拍攝計畫，稱為「BRD 三部曲」，BRD 是 release, Maria meets the industrialist Oswald,
a game of truth. Emotions suppressed for years and Bundesrepublik Deutschland（德意志聯邦共和國， becoming an indispensable part of his life and firm.
deep frustrations lead to an explosion. A gunshot 即西德正式名稱）的簡稱，而《瑪麗布朗的婚姻》是 But when the time comes, Hermann disappears
rings out. without a trace.
三部曲之首，後續兩部曲亦以女主角之名作為片名，
沒人猜想得到這三部曲將來會在德國海內外贏得多麼
巨大的商業成功。法斯賓達將時代的動盪與角色的悲
歡離合完美地融合，戮力描寫愛情的幻滅，並悲嘆夢
想的失落，以及人類如何因為種種現實因素而必須從
柔弱逐漸蛻變為堅強，卻又屢屢遭變幻莫測的命運擊
倒。全片敘事技巧出眾、情感張力逼人，法斯賓達多
次合作的演員漢娜・許古拉（Hanna SCHYGULLA）
以此優異表演在柏林影展封后。
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132 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 大師致敬 : 萊納．韋納．法斯賓達 Tribute to the Master: Rainer Werner Fassbinder 133

法斯賓達壞壞 2021 德國電影獎 最佳男主角獎

莉莉瑪蓮
2021 貝爾格萊德國際影展 最佳導演獎
1981 德國斑比獎 最佳女主角獎
1981 德國電影獎 最佳女主角、女配角獎提名 Enfant Terrible
德國 Germany ｜ 2020 ｜ DCP ｜ Colour ｜ 134min

Lili Marleen
他總是一身皮衣勁裝、菸不離手；他要工作人員準備 不以外型取勝，而是由形到神全情投注，將這個狂人
西德 West Germany ｜ 1980 ｜ 35mm ｜ Colour ｜ 115min
番茄給進場觀眾，這樣可以選擇邊看邊吃或者拿來丟 天才的殘酷、孤獨、渴望與扭曲詮釋得維妙維肖，獲
舞台上的他；他誓言自己的名字馬上就要和奥森・威 得德國電影獎最佳男主角的肯定。
1938 年，猶太作曲家羅伯特與德國女歌手薇莉在瑞士 1938. Willie and Robert are in love: She, a minor 爾斯、尚盧・高達、道格拉斯・瑟克等偉大導演並列；
When 22-year-old Rainer Werner FASSBINDER
相戀，但是羅伯特的父親卻想方設法拆散兩人，因其 German singer who appears in a Zurich nightclub 他的生活充斥各式各樣的虐人與被虐，然後這些來龍
and waits for her big breakthrough. He, son of storms the stage of a small, progressive theater in
父常暗中協助猶太人逃離德國，擔心薇莉的身分會影 去脈幻化成他手中的劇本；拍片時他暴躁易怒、六親 Munich 1967, and seizes the production without
a rich Jewish family. His father is the head of
響所屬祕密組織的運作。兩人黯然分手後，薇莉以一 an organization that helps Jews flee from Nazi 不認，無論演員還是愛人都只是他手中的工具，他甚 further ado, nobody suspects this brazen young
首企求和平的歌曲〈莉莉瑪蓮〉在德軍之間廣為流傳， Germany. But following a trip to Germany, the 至要所有男性幕前幕後人員都取一個女性名字⋯⋯， rebel to become one of the most important post-
未料經廣播聽到前女友歌聲的羅伯特難耐相思，竟以 young lovers are forced to part when Willie is not 他是萊納・韋納・法斯賓達。 war German filmmakers. Despite early setbacks,
many of his films break out at the most renowned
身涉險前往德國而遭到逮捕，薇莉只得與祕密組織合 allowed to re-enter Switzerland. Willie therefore
remains in Germany, and unexpectedly becomes 這不是傳統傳記片，妖嬝艷麗的視覺構圖、張牙舞 films festivals and polarize audiences, critics
作展開救援⋯⋯
a big German Nazi star for her song Lili Marleen, 爪的美術陳設及服裝造型，導演奧斯卡・羅勒以一 and filmmakers alike. His radical views and self-
法斯賓達一面透過《第三代》激烈批判當代青年與政 exploitation, as well as his longing for love, have
a favorite of the armed forces and even the Führer 場接一場劇場風格的室內戲，完美重現法斯賓達短
himself. made him one of the most fascinating film directors
治，另方面在《瑪麗布朗的婚姻》、《莉莉瑪蓮》中 暫生命的幾個關鍵時刻。參演過《怪獸與鄧不利多 of this time.
使出渾身解數刻劃身處亂世的女人，如何追求情愛而 的祕密》的德國實力派男星奧立佛・麥蘇西（Oliver
於世浮沉，他堅持拍毫不妥協的電影，但也不反對迎 MASUCCI）以 50 歲高齡巧扮 2、30 歲的法斯賓達，
合市場征服觀眾。他曾表示自己拍電影是出於個人心
靈的撼動，〈莉莉瑪蓮〉歌詞寫於一戰、因納粹禁播 奧斯卡・羅勒 Oskar ROEHLER
而在二戰時流行起來，以現今角度來看，這是以時代
1959 年生於巴伐利亞，1995 年以中長片《Gentleman》展開自編自導的創作生涯，2000 年取材自赫赫有
金曲為軸心去發展的 IP 電影，法斯賓達憑藉高超的說
名的左派作家姬賽拉・艾爾斯納（Gisela ELSNER）的傳奇人生拍成《No Place to Go》，受到德國本地和
故事能力，跳脫小情小愛類型框架，從而辯證人類命 國際影展的多重肯定。從真人真事、時代懷舊、愛情悲喜劇到親情成長，他的電影題材多元風格多變，對於
運和普世價值該當何去何從的哲學命題。 歷史真實和社會變遷尤其關注。

Oskar ROEHLER started his career as a screenwriter and had his breakthrough with his second feature,
No Place to Go (2000), which premiered at Cannes (Director’s Fortnight) and won the German Film
Award (Lola) for best film. His other award-winning films include Angst (2003), Agnes and His Brothers
(2004), and Rise and Fall (2010).

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 焦點影人：菲利浦．巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 135
Filmmaker in Focus:
Phillip Barker’s Strange Universe

三個人的船艙欲情 Dredger
1984 《形影不離》I Am Always Connected

1996 《漂流拼貼》A Temporary Arrangement

2000 《攝取你的魂》Soul Cages

2002 《試鏡中》Regarding

2008 《聊聊夜裏光的構成》Night Vision

2010 《快門下的女舞者》Slow Blink

2012 《顛倒瑪洛蒂》Malody

2015 《三個人的船艙欲情》Dredger

2017 《魅影情釣》Shadow Nettes

菲利浦・巴克
Phillip BARKER
菲利浦．巴克，國際知名的加拿大導演、美術設計和視覺藝術家。本次影展分兩單元放映，共集結他 1984 到 2017 菲利浦・巴克，1955 年生於英國，創作領域橫跨短片及裝置藝術，也
年的九部導演短片作品，及一部由他打造美術設計的劇情長片。湖岸船舶、攝影機制、器械結構，共同打造一個視 是艾騰・伊格言長期合作的美術指導。作品常展現對電影本質與攝影
覺風格強烈，迷離似幻的電影世界。人與物、人與自然景觀的奇詭互動，既是親密的光影成像遊戲，也是深邃的記 機兩造關係的關注，探究觀看與被看間的張力。2017 年《魅影情釣》
憶航行。作品各別成篇，若一系列依序觀之，更能在臉孔和姿態的流動幻化之間，感受到藝術家獨特的目光和電影 獲溫哥華影展最佳加拿大短片。個人回顧專題「怪奇機器」（Strange
創作的敏銳心靈。 Machines）自 2019 年起於世界各地巡迴展出。

Phillip BARKER is an internationally renowned Canadian director, production designer and visual artist. This Phillip BARKER was born in 1955 in UK. His works traverse short
program, composed of two parts, features a total of nine short films he directed between 1984 and 2017, as films and art installations, and he is also filmmaker Atom EGOYAN’s
well as one feature-length film for which he did the production design. Lakeshore boats, filming techniques long-time production designer. In 2017, his film Shadow Nettes won
and mechanical devices come together to jointly create a visually powerful, mystical film world. The strange Best Canadian Short at the Vancouver International Film Festival. A
interactions between people and objects and people and natural landscapes are not only an intimate game of worldwide tour of "Strange Machines", a retrospective of his works,
light and shadow, but also a profound voyage of memories. While each work stands on its own, viewing them began in 2019.
in sequential order as a series offers audiences — through flowing images of his characters’ facial expressions,
gestures and physical movements — an even greater sense of the artist’s unique vision and sharp filmmaking
sensibilities.
 136 焦點影人：菲利浦．巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 焦點影人：菲利浦．巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 137

文／謝以萱（策展人、影評人） 巴克著迷「生成電影的怪奇機器」（strange cinema magician who blends the “tricks” of theater, thoughts on the capturing of an individual on
delivery machines）， 在《 魅 影 情 釣 》（Shadow performance art and film together to challenge the camera and the reproduction of it. Night Vision
By Ruby HSIEH I-hsuan (curator, film Critic)
traditional boundaries of art. cuts into the essence of visual storytelling using the
Nettes）中他再現《三個人的船艙欲情》裡的古老圓
smallest unit of moving images (still photography),
錐狀投影裝置，錐端的火光將中間的人體投影至末端 In I am Always Connected, both the boundaries while Slow Blink is like a small handmade film
或許是出身機械技師家庭的關係，菲利浦・巴克的作品 的圓形布幕上，如皮影戲般單純運用光直線傳播原理， of the stage and the frame of the lens and film experiment that edits more than 300 photographs
總帶有點蒸汽龐克寓言（Steampunk fabulism）的影子， 此為電影的原型。在閃動的火光前、流水旁，人與影 are blurred by visual magic. Through the design and eight rolls of Super 8 film into a short film,
但是靈魂更為古老的那種。他的電影人物像是來自維多 鬼魅地舞動著，仿若對電影之古典源頭獻上崇敬的祭 of the performers, puppets, backgrounds and challenging the audience to recognize the magic
photographic installations, dazzling visual effects of film composition.
利亞時代的劇場舞台，被攝影的機械裝置捕捉，困限在 儀。
are produced using simple physical movements.
不知時空為何的電影世界；場景常在田園牧歌式的水邊 And just when the audience cannot look away, BARKER is fascinated by strange cinema-delivery
林間，於潺潺水聲與水相變化中，漫溢神祕詭譎的有機 相 較 於 導 演 身 分， 巴 克 亦 是 享 譽 國 際 的 美 術 指 導。 BARKER unveils the truth of the illusion in one fell machines. In Shadow Nettes, he brings back the
魔性，某些悖反自然常理的事情即將發生。巴克就像頑 九〇年代就和導演艾騰・伊格言展開劇場與電影的合 swoop, deconstructing the “magic” of the image ancient conical projection device from Dredger.
皮叛逆的魔法師，混合著劇場裝置、表演藝術與電影的 作， 從《 意 外 的 春 天 》（The Sweet Hereafter）、 by showing us the magician’s secret. The firelight at the pointy end of the device
「招數」，挑戰藝術的傳統界線。 《A 級控訴》（Ararat）、《赤裸真相》（Where the projects the body of the person in the middle to
Inside the shabby room of Regarding, water the circular screen at the other end, simply utilizing
Truth Lies）、《色・誘》（Chloe）一路到《雪地迷蹤》
flows against the principle of gravity, and a black- the rectilinear propagation of light principle like in
《形影不離》（I Am Always Connected）中舞台框架、 （The Captive），兩人共同打造出一個個寫實又魔幻 haired woman has the supernatural ability to shadow puppetry. It is the prototype of the motion
鏡頭畫框與底片外框，框框條條的界線被視覺魔法混淆， 的電影世界。相較於和其他導演合作時，場景設計、 climb and cling onto vertical walls. In Malody, picture. In front of the flashing firelight, beside the
透過表演者、偶、背板與攝影裝置的設計，他以簡單的 道具、攝影設備多作為輔助角色與情節，在巴克自己 a sickly young woman suddenly activates her flowing water, man and shadow dance ghostly, as
物理運動產生令人迷眩的視覺效果。在觀者目不轉睛的 執導的電影中，這些裝置反而是其創作內核，他關注 magical powers; in the flick of a finger, everything though paying ritualistic homage to the classical
becomes topsy-turvy as items fly and liquids float, origins of cinema.
時刻，巴克一舉揭露幻象的原形，解構了影像生成的「魔 人與生成影像之機械裝置的關係，角色和情節於此與
like a weightless space capsule in a sci-fi movie.
法」，我們看見魔法師的祕密。 其說是乘載敘事，不如說是更接近魔術師變戲法時醞 But between shots, BARKER once again reveals Apart from being a director, BARKER is also an
釀氣氛、引人入勝的手法，乃是為了引導觀者見證魔 the secret behind the visual magic — the set is internationally renowned production designer. He
《試鏡中》（Regarding）的陋室裡，水違反重力原則地 幻時刻的發生。巴克就像道行高深的魔法師，不需任 a giant rolling circular structure being manually began collaborating on theater and film projects
流動，黑髮女子擁有飛簷走壁的超能力攀附在垂直的牆 何特效作為障眼法，堅持以古老的語法，打造魔幻的 pushed along by manpower. The previous world with director Atom EGOYAN in the 1990s. From
of the film is encapsulated in a wider paratheater
面；《顛倒瑪洛蒂》（Malody）裡病懨懨的女孩瞬間啟 時空。 The Sweet Hereafter, Arat, Where the Truth Lies
space, yet in actuality, this space is also part of the and Chloe, all the way to The Captive, the two
動魔力，彈指之間萬物違反常理，物件紛飛、液體流淌， film’s world. The dazzling effect of stacking layers

菲利浦・巴克：
have worked together to create one realistic and
像科幻片裡失重的太空艙。在鏡頭切換間，巴克再次揭 of visuals is expanded into a larger-scale, dual- magical film world after another. The set design,
露視覺魔法的祕密，巨大環狀結構的場景道具滾輪般被 layered space in Dredger, where what is rotating is props and film equipment are mostly to support
人力推動著，先前的電影世界被含括在更大的類劇場空 not just the circular structure but also the moving character and plot. In contrast, these things are
camera. Through delicate and multi-layered
間，但事實上，這空間依然在電影世界裡。視覺上層層 at the heart of BARKER's own films. He focuses

古老的電影鍊金術
installations, BARKER uses the simple on the relationship between people and the
堆疊的迷眩效果，在《三個人的船艙欲情》（Dredger） movements of objects to visually subvert the mechanical devices that generate images. Rather
拓展成規模更大的雙層空間，轉動的不僅是環狀結構， principles of physics, filling the small, narrow than carry the narrative through character and plot,
攝影機也加入一起運動。巴克透過精細且多層次的裝置， spaces with magic. these are methods of brewing the atmosphere
以單純的物體運動顛覆視覺上的物理原理，讓小小的窄 and capturing attention for when the magician

The Film Alchemist:

仄空間充盈著魔力。 T h e s p a c e , o r r a t h e r, t h e
frame where BARKER makes
the magic happen, is a large
巴克的空間，或說他讓魔法發生的框（frame），既是大 spatial installation limited by
型的空間裝置、攝影機械框限的景框，又是小小的底片
performs his tricks. The man/machine relationship
is there to guide the audience to bear witness to
the magical moment. BARKER is a master magician
who does not need to use any special effects to

影格，他對「在框中成像」的興趣，可回溯到他八〇年
代旅居荷蘭、探索人生的階段。巴克曾在阿姆斯特丹運
河旁進行一現場表演《Trust A Boat》，表演者的身體
由燈光投影成黑色剪影，九個人影在三層樓建築的窗框
中舞動著，發光的九宮格形成更大的一幅景象。在《漂
流 拼 貼 》（A Temporary Arrangement） 亦 有 類 似 的
視覺效果，畫面上動態的九宮格，各自涵納著同一位演
員臉部的不同部位，分屬不同時空的九格畫面，又可合
成一張立體主義風格不對稱且歪斜的臉；《攝取你的魂》
（Soul Cages）進一步將此擴張為含括 45 格超 8 底片的
畫面，於劇情和視覺形式，皆呈現出巴克對個體被攝影
裝置捕捉並再現的思考；《聊聊夜裏光的構成》（Night
Vision）從動態影像最小的影格單位（靜態攝影）切入
影像敘事的本質，《快門下的女舞者》（Slow Blink）
則像小巧的影像手工實驗，將 300 多張攝影和八卷超 8
底片剪成一部短片，挑戰觀者能否辨識電影構成的魔法。
Phillip Barker
Perhaps because he was born into an automotive
mechanic family, Phillip BARKER’s works tend
to always have shades of Steampunk fabulism,
albeit the kind with an older soul. It is as though
the characters in his films came from the theater
stages of the Victorian era and were captured by
mechanical filming equipment, trapping them in a
film world where time and space are unknown. The
scene is often an idyllic waterside forest, where, as
the water gurgles and changes, there permeates
a mysterious organic magic, foreshadowing that
some unnatural things are about to happen.
BARKER is like a mischievous and rebellious
the camera frame, but also just misdirect, but insists on using ancient techniques
a small frame of film stock. His to create magical time and space.
interest in “the image in the
frame” can be traced back to the 1980s, when he
was living in the Netherlands and exploring life.
BARKER once presented a live performance of
Trust a Boat by the canals of Amsterdam. Lights
projected the perfor mers’ bodies into black
silhouettes as the nine figures danced in the
window frames of a three-story building, the grid
of nine glowing squares forming a larger image. A
Temporary Arrangement employs a similar visual
effect, where each of the nine screens in a three-
by-three configuration contain a different part of
the same actor’s face. This grid of nine images
belonging to different times and spaces can also
be combined into an asymmetric and skewed
Cubism-style face. Soul Cages further expands this
to include an image of 45 frames of Super 8 film,
presenting through plot and visual form BARKER’s
138 菲利浦．巴克短片輯 1 Filmmaker in Focus: Phillip Barker’s Strange Universe I : 1984-2008 菲利浦．巴克短片輯 1 Filmmaker in Focus: Phillip Barker’s Strange Universe I : 1984-2008 139

形影不離 攝取你的魂
2022 黑影展
2000 美國安娜堡影展
2001 加拿大金吉尼獎 最佳短片獎提名

I Am Always Connected Soul Cages

1999 克萊蒙費宏國際短片影展
1999 多倫多國際影展

加拿大 Canada ｜ 1984 ｜ DCP ｜ B&W ｜ 4 min 加拿大 Canada ｜ 1999 ｜ DCP ｜ Colour ｜ 21min

以三顆鏡頭濃縮電影的起始與演進，展現光影明 相館老闆在神祕女攝影師送來沖洗的底片中看到
暗、身體與思想、攝影與被攝之間的連結和張力。 自己，展開一段觀看與被看、捕捉與逃逸、窺淫
開場剪影一如原始洞穴內的跳動火影，形體相連 與暴露的來回追尋。靈感來自民間傳說，據說遇
的人與獸，如同皮影戲的視覺妙趣；道具佈景和 難的水手靈魂會被困於海底陶罐，待破罐而出才
裝置機關隨即登場，以技法創造魔術幻象；終在 能邁向來世。取此靈魂牢籠的意象，結合拍照會
攝影機運動後，向早期電影舉手道別。以超 8mm 竊取靈魂的迷信，轉化攝影術與防腐術的類比，
底片拍攝，原為阿姆斯特丹一間藝廊的裝置作品， 翻轉性別凝視的張力，打造一則現代的黑色影像
經剪接重構，成為一鳴驚人的影像首作。 寓言。

I Am Always Connected is about inseparable This lyrical experimental/narrative film was inspired
connections, like those between light and shadow, by the various myths of the Soul Cages. Legend
the mind and the body, the rational and the states that the souls of drowned sailors are
instinctual. It is a new construction from footage captured by underwater spirits and held in clay
originally made for a 1984 installation piece for the pots at the bottom of the ocean. A mortal man
Lumen Travo, a gallery in Amsterdam. The original becomes compelled to set the souls free so that
Super 8 film was projected hundreds of times in a they can continue their afterlife journey.
loop. The footage was filmed on a small country
The film sets the legend in the present. It is the
road near Nijmegen, The Netherlands. The canvas
story about a relationship between a photographer
backdrop was painted based on photographs taken
and the man who possesses her film in a one-hour
at the location.
photo lab.

PRINT SOURCE Phillip BARKER PRINT SOURCE Phillip BARKER

漂流拼貼 1996 芝加哥影展 優等獎 試鏡中 2003 蒙特婁國際新電影暨新媒體影展

A Temporary Arrangement Regarding

1996 奧伯豪森國際短片影展 2003 奧伯豪森國際短片影展
1996 墨爾本國際影展 最佳實驗短片獎

加拿大 Canada ｜ 1996 ｜ DCP ｜ B&W ｜ 12min 加拿大 Canada ｜ 2002 ｜ DCP ｜ B&W ｜ 5min

波光粼粼之上，男男女女仰躺水面，隨波逐流， 房內男女談論著即將到來的試鏡，女人成名在望
在分割畫面內各展樣態。原為導演的影像習作， 卻又難掩焦慮。此時房間忽然超脫地心引力，對
將攝影機架高於船上，試圖研究漂浮身體的千姿 話動作更添魔幻氣息。應多倫多藝術獎之邀，改
百態。不料找來拍攝的親友各有狀況，意外拍出 編自電影《紅色小提琴》一幕，將原作中眾人為
臣服於自然的眾生相。拍攝素材被投影為多重影 之癡狂的小提琴更換為攝影機。精心的美術與機
格，敘事空間也就此開放，水流成為時間的隱喻， 關設計，反映電影以假亂真的造像魔力。當快門
臉孔與身體浮沉，生命的幽微無常也於此顯現。 按下，魔法解除，隨之而來的是現實或幻境？
The film began as an experiment: to study the Regarding is a film inspired by scene no. 50 from
human form suspended in a body of water — a The Red Violin (1998). In this free adaptation, the
search for commonality. It was also an attempt to violin has been changed into a camera, an object
express the complexities within an individual, the that ignites a young woman's passion for fame.
multiple points of view of the human psyche.

During filming, a shift occurred in the agenda.

Individual dramas unfolded as each person had to
confront their ability — or inability — to relinquish
control to the water.

Looking repeatedly at these scenes during and

since editing, I am awed by what I see — evidence
of the impermanence of life, and the resilience of
human nature.

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140 菲利浦．巴克短片輯 1 Filmmaker in Focus: Phillip Barker’s Strange Universe I : 1984-2008 菲利浦．巴克短片輯 2 Filmmaker in Focus: Phillip Barker’s Strange Universe II : 2010s 141

聊聊夜裏光的構成 2008 克萊蒙費宏國際短片影展 顛倒瑪洛蒂 2012 奧伯豪森國際短片影展

Night Vision Malody

2008 西班牙聖賽巴斯汀當代文化中心

加拿大 Canada ｜ 2008 ｜ DCP ｜ Colour, B&W ｜ 20min 加拿大 Canada ｜ 2012 ｜ DCP ｜ Colour ｜ 12min

故事由一張靜照開展，景框內的世界被女子賦予 大雨夜裡，快餐店內百無聊賴，女人的病容比日
如夢動態。科學家穿戴一身燈泡潛入湖中，在暗 子更蒼白，呆望靜待時間消散。此時鏡面竟映照
夜 黑 水 劃 出 光 采 絢 爛； 失 明 老 人 用 肥 皂 泡 泡 包 出她年少臉孔，少女的她穿越時空跳上吧台，就
裹回憶，泡泡飄飛之際，舊日歲月也隨之現形。 此觸發連鎖效應：空間失重，地覆天翻，卻也帶
影像由靜轉動，暗中有明，娓娓道來的故事也如 她通往自由。延續前作對重力的挑戰，這次拉遠
一千零一夜的魔法施展，指引夜裡尋光的角色走 鏡頭讓機關現形，類似裝置的手法也成為最具代
向最好的結局。 表性的作者印記。

A scientist swims underwater at night, her body A young woman, sicker than those who dare to
adorned with pulsing electric lights. A blind man eat the food at the all-night diner she's perched
sends giant soap bubbles filled with his memories in, catches a ghostly reflection of herself as a child.
floating across a lake. Children play innocently on This inspires a topsy-turvy cataclysm, hermetically
a raft as they drift downstream towards the edge sealed within a huge wheel rolling through a movie
of a perilous waterfall. Night Vision brings together studio.
stories of people who find light in darkness.

PRINT SOURCE Phillip BARKER

PRINT SOURCE Phillip BARKER
菲利浦．巴克短片輯 2 Filmmaker in Focus: Phillip Barker’s Strange Universe II : 2010s

快門下的女舞者 三個人的船艙欲情 2015 多倫多國際影展

Dredger
Slow Blink 加拿大 Canada ｜ 2015 ｜ DCP ｜ Colour ｜ 14min
加拿大 Canada ｜ 2010 ｜ DCP ｜ Colour, B&W ｜ 6min
船上來了新的挖泥工，他言行古怪，不懷好意，
鏡頭鎖定女人特寫，從雙眼到臉龐，一如愛人的 動手翻攪的不只有安大略湖底的淤泥，還有船長
炙熱目光。快門如眼，打開闔上，連續動作都被 妻子的無限想像及夫妻倆的情感角力。靈感來自
拆解，化為定格逐一收藏。自白式的絮語旁白， 尚維果（Jean VIGO）的《亞特蘭大號》，聚焦
加上略顯古怪的肢體表演，暗示身體既是凝視對 狹仄船艙內的三角關係，拒斥線性敘事，而以細
象，也是成像的機器設備，眼球與相機的類比在 緻堆疊的聲景、象徵豐富的構圖及令人屏息的場
音畫配置中充分體現。全片以逾 300 張 Holga 相 景設計，營造詭譎緊繃的故事氛圍，片中提及的
機拍攝的相片，搭配八卷超 8mm 黑白底片的動 神祕漁法也為下部作品《魅影情釣》埋下伏筆。
態素材混合呈現。
The crew of a salvage ship retrieve more
A camera is locked upon a woman’s face, framed in than debris from the bottom of Lake Ontario.
a perpetual and intimate close-up. She tells us that Suppressed memories of an old shipmate rise to
“the last time we met, you forgot to close this hole consciousness and inflame the imagination of the
in the top of my head and since then everything captain's wife.
inside of me has been projected on my face,
pouring out of my eyes for all to see…”

And we see, stare, invest, and gaze at her face but

we feel it, funnily enough, in our bodies.

This film was made with over 300 still photographs

taken with a Holga camera, and eight rolls of black
and white super eight film.

PRINT SOURCE Phillip BARKER PRINT SOURCE Phillip BARKER

142 菲利浦．巴克短片輯 2 Filmmaker in Focus: Phillip Barker’s Strange Universe II : 2010s 焦點影人：菲利浦．巴克的物幻流影 Filmmaker in Focus: Phillip Barker’s Strange Universe 143

魅影情釣 2017 多倫多國際影展

Shadow Nettes
2017 溫哥華影展 最佳加拿大短片獎
2017 蒙特婁國際新電影暨新媒體影展

加拿大 Canada ｜ 2017 ｜ DCP ｜ B&W ｜ 17min

「影子漁網」是加拿大的古老漁法：漁夫在夜間
爬上湖中的圓錐支架，架上火光將身形動態投影
至水面，以影為餌，誘捕魚群。一名漁夫欲傳承
此技，夜夜在火堆旁示範動作奧義，他蜷曲伸展，
在布幕上投出幢幢魅影，最終卻吸引到意外的訪
客。神祕古法被挪作電影象徵，作者對光影、機
關與身體的執迷，全都一氣呵成化作這則暗夜童
話。

The Shadow Nette is a traditional fishing device

that projects the silhouette of the fisherman. It is
these projections that attract the innocent prey,
drawing them close to be captured in nets.

意外的春天
Shadow Nettes follows one Shadow Nette
Fisherman as he attempts to teach the operation of
the device to his teenage son.

The film crew were given special permission to

The Sweet Hereafter

track the fishing family and witness the strange
rituals, capturing them on film for the first time.
Some parts of the most secretive rituals were off
limits, and have been recreated by the film makers,
based on sketches and notation.
1998 電影獨立精神獎 最佳外語片獎
1997 坎城影展 費比西影評人、基督教精神評審團、評審團大獎
1997 加拿大金尼獎 最佳影片、導演、男主角、攝影、配樂、聲音剪輯、整體聲音獎
加拿大 Canada ｜ 1997 ｜ DCP ｜ Colour ｜ 112min

PRINT SOURCE Phillip BARKER 加拿大一座被冰雪覆蓋的僻靜小鎮，發生一起校車意外 莎拉・波莉（Sarah POLLEY），在片中飾演關鍵人物

悲劇，幾乎失去全鎮所有的孩童。來自城市的律師史米 妮可，演技精湛。而導演巧妙縫入格林童話《花衣吹笛
契野心勃勃，陸續拜訪罹難孩童的父母，企圖煽動居民 手》，更讓根基於殘酷現實的童話故事，顯得寓意深遠。
情緒，點燃怒火，藉他們集體控訴政府以獲取賠償金。
艾騰・伊格言御用美術指導菲利浦・巴克更以本片首度
他在訪查過程中，剝開每個家庭隱藏的悲痛，發覺心碎
入圍加拿大金尼獎。
小鎮上潛伏的祕密：夫妻失和、通姦、亂倫⋯⋯；事實
上，史米契與索錢嗑藥的女兒失和，親子關係的長期侵 Based on the book by Russell BANKS, The Sweet
擾，也讓他漸漸藏不住內心的憤怒與絕望。 Hereafter recounts the fictional events leading up
to and following a school bus accident that kills
這是艾騰・伊格言揚威國際的成名代表作，2015 年被 14 children in a small town in the British Columbia
多倫多國際影展選為「加拿大影史最偉大十部電影」的 interior. The story follows the families whose lives
第三名。本片採雙線敘事，一是悲劇發生當年，史米契 irrevocably change and a big-city lawyer, Mitchell
Stephens, who hopes to sign them up for a class-
前往小鎮興訟的過程，鎮上人物關係錯綜複雜，卻性格
action lawsuit. In the ensuing atmosphere of
刻劃鮮明，對家庭傷痛與如何遺忘傷痛，有人性化的多 suspicion, guilt and doubt, a surviving teenager
重詮釋；二是史米契巧遇女兒故友而回憶往事，追憶起 named Nicole, who has lost the use of her legs in
女兒幼時生病的掙扎，成了全片最甜蜜的瞬間，平衡壓 the accident, regains her strength and dignity and,
抑沉痛的電影調性。值得一提的是，才華洋溢的女導演 by telling a lie, reunites the community.

艾騰・伊格言 Atom EGOYAN

1960 年生於埃及開羅的亞美尼亞裔加拿大導演，就讀多倫多大學時開始拍攝短片。1987 年《闔家觀賞》獲
多倫多國際影展最佳加拿大長片獎而備受矚目；1994 年《色情酒店》橫掃坎城影展、多倫多國際影展，和
加拿大最高榮譽金尼獎，並在加拿大上映長達半年；1997 年《意外的春天》獲奧斯卡金像獎最佳導演和最
佳改編劇本獎兩項提名，奠定當代名導地位。

Born in Egypt to Armenian parents, Atom EGOYAN was raised in Western Canada. He received attention
at the Sundance Film Festival for his earlier work, then broke through critically and commercially
with Exotica (1994). Afterwards, The Sweet Hereafter (1997) led him to receive two Academy Award
nominations, and Chloe (2009) became his biggest box office hit.

PRINT SOURCE Playtime Group

 焦點導演瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 145
Director in Focus:
Maryna Er Gorbach's Fight in Films
沒有煙硝的日子 Klondike

2004 《玻璃罐裏的男人》 The Jar (Short)

2006 The Debt (Short)

2008 《黑犬吠不廢》 Black Dogs Barking

2009 No Ofsayt

2013 Love Me

2019 《邊境之歌》Omar and Us

2022 《沒有煙硝的日子》Klondike

瑪麗娜・艾爾・戈巴赫
Maryna ER GORBACH

烏克蘭導演瑪麗娜・艾爾・戈巴赫先後畢業於烏克蘭基輔國立劇院、電影電視大學，及波蘭安德烈華依達電影學院，
2017 年成為歐洲電影學院一員。本專題將透過放映瑪麗娜首部獨立編導長片《沒有煙硝的日子》與她一鳴驚人的首
支短片《玻璃罐裡的男人》，加上與既是伴侶也是編導夥伴的土耳其導演莫梅特・巴哈迪・艾爾所共作的兩部劇情
長片《邊境之歌》與《黑犬吠不廢》，延伸探討女性導演注入於影像創作之中的細膩觀察與面對權力結構的反動。

Maryna ER GORBACH is a Ukrainian filmmaker. She is a graduate of Kyiv National I. K. Karpenko-Kary Theater,
Cinema and Television University (Ukraine), and the Andrzej Wajda Master School of Film Directing (Poland).
She has been a member of the European Film Academy since 2017. This program features her first short film,
The Jar, along with her latest film, Klondike, which won her Best Director at the Sundance Film Festival, plus
two additional feature films, Omar and Us and Black Dogs Barking, which she co-directed with her partner,
Mehmet Bahadir ER. It is an exploration of how female directors infuse their delicate observations into
filmmaking and how they react in the face of power structures.
146 焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 147

瑪麗娜．艾爾．戈巴赫：
under limited funding. The story is littered with
danger and the dreams of youngsters in the
ghetto, depicting a tough life on the streets
of Istanbul where the youth are determined to
and compositions in the film flow from family
disputes to political and ideological differences,
like a slow-drifting soundscape, blending with
reality in a beautiful balance, staring quietly

用鏡頭書寫生命的鬥志與溫靭
make "a man with bread is a man" come true, and powerfully at the trauma brought by the
and sadly reveal how insignificant a man can be tragedy of war, crying out loudly against the
when reality bites. conflict. Maryna not only infuses the film with
the true meaning of freedom as a human being,
文／方錦玉（高雄電影節長片節目統籌統籌） By Jaddie FANG (Program Manager & Coordinator, Kaohsiung Film Festival) This program includes another feature film, but also demonstrates the resilience and will to
Omar and Us, that Maryna also co-directed survive that women show in a patriarchal world,
with Mehmet. The narrative is shown through making Klondike a heavy hitter on this issue and
「在毫無規則的戰爭中，對侵略者套用文明世界的規 緩流的聲景般與現實作出極為平衡的揉合，靜謐有力 the Syrian refugee crisis and various aspects a strong echo of the ongoing Russo-Ukrainian
則，等同於要求一個貧 血 病 患 成 為 捐 血 者。 我 抗 議 俄 地凝視戰爭悲歌帶來的創傷。瑪麗娜不僅為該片注入 of the immigration phenomenon, folding out war.
羅斯的瘋狂，反對殘暴 的 帝 國 主 義， 反 對 那 有 如 世 界 身而為人的真正自由意涵，同時彰顯女性處於父權世 gently but sharply from the perspectives of
惡疾的軍事侵略作為。我敦促眾人盡一切力量抑制這 界之下所展現的靭性與生存意志，讓《沒有煙硝的日 culture, society, and self-identity. It lets the Reflecting back on her first short film, The Jar,
audience rethink the so-called "us and them" she boldly used an experimental style of black-
血戰，以公開立場表明反對俄羅斯才是對專制主義的 子》成為今年直指烏俄戰爭的一記有力迴聲。
dichotomy in the journey of changing identities and-white imaging interlaced with light and
有力療法。」――瑪麗娜．艾爾．戈巴赫（Maryna ER
and how human nature transcends ideology and shadow, without any dialogue, but with a strong
GORBACH） 令人細思再三的是，此時回顧她學生時期的首部短片
political discourse, which ultimately allows us statement; her way of carefully pondering the
作品《玻璃罐裏的男人》（The Jar），大膽的以實驗
to refocus on subtle things or the phenomena psychological and emotional status of people
出生於 1981 年，來自烏克蘭首都基輔，畢業於基輔國立 性的黑白影像手法和光影交錯，沒有對白卻張力十足 of daily life, and awaken the conscience to facing the challenges of daily life. Whether it
劇院及烏克蘭電影電視大學後，繼續研讀波蘭安德烈華 地陳述了她那時已細琢著人在面對生活常態的心理世 respond with kindness. Long before Omar and is a co-creation with her husband or a new film
依達電影學院並專攻電影執導，按部就班踏入電影世界， 界。無論是她與丈夫的共同創作，或自編自導的新作， Us was completed in 2019, the Donbas war she wrote and directed on her own, these films
瑪麗娜不僅導戲，也編寫劇本、擔任製片與剪輯，並與 皆對映出她對囚於困境的細徹人性觀察，溫柔地刻劃 in southeaster n Ukraine in 2014 had already humbly reflect her meticulous and humanistic
既是伴侶亦是工作夥伙的土耳其導演莫梅特・巴哈迪爾 於作品之中，且滿是人文主義的動人同理。隨著《沒 ignited Marina's determination to make a observations of people trapped in all manner of
・艾爾（Mehmet Bahadir ER）共同編導。一如土耳其 有煙硝的日子》頻頻獲獎，電影雖無法阻止戰爭的發 story like Klondike. She completed the script predicaments. With Klondike currently gaining
和烏克蘭的友好關係，兩人以絕佳默契的雙導演組合在 生，卻或許能改變人的想法。那股靭性正如瑪麗娜對 i n 2 0 1 6 , re c e i v e d 8 0 % o f t h e b u d g e t f ro m much more attention, although the film cannot
有限的拍攝經費下，完成首部劇情長片《黑犬吠不廢》 於反戰到底的堅持：「何謂善惡的理解如今已見分曉， the Ukrainian State Film Agency in 2019, and prevent the occurrence of war, it may somehow
completed filming during the global pandemic change people's minds. That resilience is just
（Black Dogs Barking）；細膩、直接甚至有些黑色幽 但在人類製造出能摧毀烈日的炸彈之前，身為人類的
the following year. like Maryna's insistence on resisting the war
默的鏡頭語言，穿梭於危險和熱血夢想之間，帶出伊斯 我們皆有生存的契機。」

Using Films to Voice the

坦堡街頭底層青年為那「衣食無慮方為人」的意志，暴
露在弱肉強食的現實面之下又是如此渺小。
“During a war with no rules, applying the rules
of the civilized world to the aggressor is the

Fighting Spirit and Tenacity

本專題收錄她與莫梅特共導的另一作品《邊境之歌》 same as asking an anemic patient to become
（Omar and Us），借以敍利亞難民議題將移民現象裡 a d o n o r. I p r o t e s t a g a i n s t t h e m a d n e s s o f
的種種，溫柔卻也犀利地摺出當中文化、社會及自我歸 t h e R u s s i a n F e d e r a t i o n , a g a i n s t m u rd e ro u s

of Life: Maryna Er Gorbach

屬認同的視界，令人重新思考所謂的「他者與我們」， imperialism, against military aggression as a
並描繪身分不斷變動的過程中，人性從何超越意識形態 world disease. I urge you to do everything in
與政治話語而回歸到細微的事物或現象，在個人面對生 your power to stop the bloodshed. The public
活時付出的美好，提醒自身的良知並回以善意的回應。 position against Russian Federation in all areas
早 在 2019 年 完 作 的《 邊 境 之 歌 》 之 前，2014 年 在 烏 is a loud cure for despotism.”―― Maryna ER
GORBACH Maryna's new film, Klondike, was directed and to the end, "the understanding of what is
克蘭東南部爆發的頓巴斯戰爭，其戰事餘火就已燃起瑪
written on her own, as she turns the film into goodness and what is badness is broken right
麗娜決心拍攝《沒有煙硝的日子》（Klondike），她於 now. But until humans create bombs which can
Born in 1981, and hailing from the capital of a struggle and a voice against Russia, as well
2016 年完成其劇本，2019 年自烏克蘭國家電影局籌得 a s w i t h t h e a p p a re n t i n t e n t i o n o f s p e a k i n g destroy sunset and sunrise, our humanity will
Ukraine, Kyiv, Maryna ER GORBACH graduated
百分之八十的資金並在隔年的全球疫情期間完成拍攝。 up for Ukraine. She describes it as a war film, have a chance to survive."
f ro m t h e K y i v N a t i o n a l I . K . K a r p e n k o - K a r y
T h e a t re a n d Te l e v i s i o n U n i v e r s i t y a n d l a t e r but she refuses to create war scenes since the
瑪麗娜首部執導演的這部《沒有煙硝的日子》新作，將 graduated from Andrzej Wajda Master School of "anti-war" message may be drowned out by
電影化成一種戰鬥形式，帶著再明顯不過的意圖――為 Film Directing in Poland. She writes, produces, su ch i mme r si ve se n sor y i mage s of w ar. T h e
烏克蘭發聲。她形容這確實是一部戰爭電影，但她拒絕 edits, and co-directs films along with Turkish story is set in a village where separatism can
以觀看戰爭的美學為任何戰事增色，而「反戰」訊息也 director Mehmet Bahadir ER, her partner in trigger conflict at any moment; Marina focuses
可能因沉浸於戰爭視覺而消弭。其片中場景設定在分裂 both life and career. Their partnership is akin the narrative on the protagonist, a pregnant
woman, Ilka, subtly using the smoke of male-
主義隨時讓衝突一觸即發的村莊裡，瑪麗娜將故事聚焦 to the close relationship between Turkey and
Ukraine. The two completed their first feature dominated war in the distance to contrast
於孕事在身的主角伊爾卡，精妙地運用男性主導的戰事
film, Black Dogs Barking, with a perfect tacit against a woman who is holding on to her
煙硝，對比堅守家園、不久將要分娩的女性，從家庭紛
understanding as a dual-director collaboration home and her unborn child. The poetic images
爭到政治意識形態的不合，充滿詩性的影像和構圖，如
148 焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 149

玻璃罐裏的男人 黑犬吠不廢 2010 安卡拉國際影展 最佳男配角、新男演員、評審團特別獎

2009 西班牙瓦雅多利德國際影展 「會面點」單元最佳影片獎

The Jar Black Dogs Barking 2009 安塔利亞金橙影展 最佳男配角獎

烏克蘭 Ukraine ｜ 2004 ｜ DCP ｜ B&W ｜ 7min 土耳其 Turkey ｜ 2008 ｜ DCP ｜ Colour ｜ 88min

水龍頭滴滴答答，滴進一個玻璃罐裡。罐子破了，男 Water ticks and drips into a jar. Then the jar is 青年賽林屈居伊斯坦堡龍蛇混雜的郊區底層，與死黨 對於黑幫鬥爭與社會底層的犀利觀察及批判，乍現馬
子卻突然受困其中，他狂躁崩潰，直到一名女子出現。 broken, and the man is trapped in it. He collapses 恰恰一起闖蕩打拼，在獲得黑幫老大的撐腰下力爭上 丁・史柯西斯與肯洛區的早期風範，在刺激緊張的情
in a frenzy, whereupon a woman appears. The jar
罐子接住了水滴，女子接住了男子，而原本裝水的罐 游，盼望出人頭地迎娶女友。然而他拓展停車場事業 節之餘，更宛如一首無路可退的青春輓歌，留下令人
catches the dripping water, and the woman catches
子，成了裝牛奶的奶瓶。全片無台詞，導演擅以光影 the man. The water-containing jar somehow turns 的野心過大，觸犯購物中心地頭蛇的商業利益，橫衝 低迴不已的餘韻。
與音效製造鬼影幢幢，水之折射、鏡之反面，映照出 into a milk bottle, then the sound of a crying baby 直撞的恰恰又不時惹事生非，令他們的幫派被警方緊
Restless and young, best buddies Selim and Çaça
人們的內心世界。本片是導演學生時期的作品。 fades in... 盯。在雙面包圍與弱肉強食的威脅下，他們該如何在
live a meager existence on the outskirts of Istanbul.
瀕臨兇猛黑狗般的危機四伏中化險為夷？ By day they breed pigeons on the roof, by night
they roam the streets with their entourage in
夫妻檔導演瑪麗娜・艾爾・戈巴赫與莫梅特・巴哈迪
their pimped-up car, "My Orange Angel". Their
・艾爾以生猛有力的敘事手法一鳴驚人，角色也充滿 neighborhood's view of the city's gigantic business
細膩的刻畫與關照。以本片初登銀幕的帥氣演員傑馬 towers accelerates their ambitions. The two buddies
勒・ 托 克 塔 斯（Cemal TOKTAS）， 精 湛 詮 釋 主 角 want to open their own parking-lot business near a
賽林的年少輕狂，飾演恰恰的伏爾加・索古（Volga gigantic mall, and they just might get lucky, since
they're supported by the local mafia boss.
SORGU）則以搶眼表現連奪多座最佳男配角獎。

瑪麗娜・艾爾・戈巴赫 Maryna ER GORBACH

瑪麗娜・艾爾・戈巴赫 Maryna ER GORBACH 莫梅特・巴哈迪・艾爾 Mehmet Bahadir ER
生於 1981 年，先後畢業於烏克蘭基輔國立劇院、電影電視大學，及波蘭安德烈華依達電影學院，2017 年成 一對分別來自烏克蘭和土耳其的跨國夫妻檔導演，於 2008 年推出首部劇情長片《黑犬吠
為歐洲電影學院一員。本片是她的第一部短片，她後續的三部作品《黑狗吠不廢》、《Love Me》及《邊境 不廢》，其後繼續合導《Love Me》和《邊境之歌》。瑪麗娜・艾爾・戈巴赫於 2022 年
之歌》，皆與土耳其導演先生莫梅特・巴哈迪・艾爾（Mehmet Bahadir ER）共同編劇及指導。她於 2022 推出首度獨立編導、與丈夫聯合製作的《沒有煙硝的日子》，獲得日舞影展「世界劇情片」
年首度獨自編導長片《沒有煙硝的日子》。 單元導演獎。

Maryna ER GORBACH is a Ukrainian filmmaker. She is a graduate of Kyiv National I. K. Karpenko-Kary Maryna ER GORBACH and Mehmet Bahadir ER are a wife and husband director duo
Theater, Cinema & Television University (Ukraine), and Andrzej Wajda Master School of Film Directing from Ukraine and Turkey, respectively. In 2009, they released their first feature film,
(Poland). She has been a member of the European Film Academy since 2017. Black Dogs Barking, followed by Love Me in 2013 and Omar and Us in 2019.

PRINT SOURCE Mehmet Bahadir ER PRINT SOURCE Inter Medya

150 焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 焦點導演：瑪麗娜．艾爾．戈巴赫的戰鬥生命 Director in Focus: Maryna Er Gorbach's Fight in Films 151

邊境之歌 2020 伊斯坦堡國際影展 「人權競賽」單元最佳影片

2020 安卡拉國際影展 最佳剪輯獎
沒有煙硝的日子 2022 柏林影展 「電影大觀」單元基督教評審團獎
2022 日舞影展 「世界劇情片」單元導演獎

Omar and Us 2019 華沙國際影展 基督教評審團獎

Klondike 2022 西雅圖國際影展 評審團獎最佳劇情片獎

土耳其 Turkey ｜ 2019 ｜ DCP ｜ Colour ｜ 104min 烏克蘭、土耳其 Ukraine, Turkey ｜ 2022 ｜ DCP ｜ Colour ｜ 100min

在土耳其與希臘的濱海邊界，帶著妹妹的敘利亞難民 飾演歐馬及其妹妹的兩位素人演員，在現實中即為真 2014 年頓巴斯戰爭爆發，位於烏俄邊界、烏東的頓涅 「這部電影是我反對戰爭的發聲。」──導演瑪麗娜．

歐馬見義勇為、拯救一名遭受攻擊的老人，因而被老 正的敘利亞難民，除了真摯動人的自然詮釋，也增添 茨克首當其衝。居民伊爾卡的客廳被親俄勢力炸出大 艾爾．戈巴赫
人及其雇主伊斯梅與妻子收容庇護。曾任海巡警長的 現身說法的高可信度，與其他主角的專業演技不相上 窟窿，懷有身孕的她不願撤離，堅持整修快崩塌的房
July, 2014. Expectant parents Irka and Tolik live
伊斯梅起初對於難民的歧視偏見仍根深蒂固，然而歐 下、相互輝映。 子。然而丈夫托里克暗自盤算帶她投奔俄羅斯，伊爾
in the disputed Donetsk region of Ukraine near
馬的誠實善良卻令他開始逐漸改觀、予以同情並伸出 卡親烏的弟弟也想帶她撤離邊界。直到有天，一架波 the Russian border. Their nervous anticipation of
Ismet is a recently retired Turkish soldier whose last
援手，但過往執法身分的衝突牴觸，也造成他天人交 音客機墜毀在他們家門前。 their first child’s birth is violently disrupted as the
post was as a Commander of the Coast Guard at
戰的內心掙扎。 vicinal crash of flight MH17 elevates the tension
the Turkish maritime border. New to civilian life, he 客廳的大窟窿，彷彿成為凝視這場戰爭的大景框。本 enveloping their village.
struggles to communicate with his family and the
本片設於風光明媚的土耳其沿海，不過在碧海藍天的 片作為 2022 年烏俄戰爭爆發後的「反戰電影」之一，
people around him. His only son abandoned him As Tolik’s separatist friends expect him to join their
美景之下，關注的卻是難民涉險偷渡的迫切議題。瑪 and left for the U.S., and now his wife wants to join 雖然時空背景設定在頓巴斯戰爭發生不久、馬來西亞
efforts, Irka’s brother is enraged by suspicions that
麗娜・艾爾・戈巴赫與莫梅特・巴哈迪・艾爾再展對 her son, too. In an unexpected turn of events, he 航空 MH17 班機失事的 2014 年，但戰爭與悲劇帶來 the couple has betrayed Ukraine. Irka refuses to be
於社會和時事的深入剖析，以這個與眾不同的難民故 suddenly becomes neighbors with two refugees, 的創傷，並不僅止於這座烏俄邊界的小村莊。 evacuated when the village is captured by armed
事，不僅傳遞悲天憫人的情懷，也透過反方的觀點令 Omar and Mariye. Through this encounter and forces, and she tries to make peace between her
firsthand experience of what refugees have to go 伊爾卡會為了小孩離開家園嗎？戰爭的創傷會慢慢癒
人思索。 husband and brother by asking them to repair their
through, he is finally able to face his prejudices… 合嗎？導演透過這名烏克蘭女人的視角，向世界控訴 bombed house.
女人如何成為戰爭的犧牲品。

瑪麗娜・艾爾・戈巴赫 Maryna ER GORBACH

莫梅特・巴哈迪・艾爾 Mehmet Bahadir ER 瑪麗娜・艾爾・戈巴赫 Maryna ER GORBACH
一對分別來自烏克蘭和土耳其的跨國夫妻檔導演，於 2008 年推出首部劇情長片《黑犬吠 生於 1981 年，先後畢業於烏克蘭基輔國立劇院、電影電視大學，及波蘭安德烈華依達電影學院，2017 年
不廢》，其後繼續合導《Love Me》和《邊境之歌》。瑪麗娜・艾爾・戈巴赫於 2022 年 成為歐洲電影學院一員。她的三部前作《黑犬吠不廢》、《Love Me》及《邊境之歌》，皆與土耳其導演先
推出首度獨立編導、與丈夫聯合製作的《沒有煙硝的日子》，獲得日舞影展「世界劇情片」 生莫梅特・巴哈迪爾・艾爾（Mehmet Bahadir ER）共同編劇及執導。本片是她首度獨自編導的長片，並
單元導演獎。 讓她奪下 2022 日舞影展「世界劇情片」單元導演獎。

Maryna ER GORBACH and Mehmet Bahadir ER are a wife and husband director duo Maryna ER GORBACH is a Ukrainian filmmaker. She is a graduate of Kyiv National I. K. Karpenko-Kary
from Ukraine and Turkey, respectively. In 2009, they released their first feature film, Theater, Cinema & Television University (Ukraine), and Andrzej Wajda Master School of Film Directing
Black Dogs Barking, followed by Love Me in 2013 and Omar and Us in 2019. (Poland). She has been a member of the European Film Academy since 2017.

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 台灣越界 Taiwan Trans-border 153

Taiwan Trans-border

女優，摔吧！ Girls, Be Ambitious!

綠島金魂：第 1-2 集
Golden Dream on Green Island : Ep.1-2
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 96min

一個負債累累想方設法募資東山再起的過氣歌手，一 藉著尋寶和鬧鬼去重新思考台灣的過去、當下和未來
個想要幫心上人捍衛父親留給她的幼稚園的外送員， 的草根奇劇。
還有一對為了籌措鋼琴神童兒子出國留學費用的離
Four desperate people — a debt-ridden singer past
異夫妻，四人帶著一張幾十年前黑道大哥留下的藏寶
his prime hoping for a comeback, a delivery man
圖，來到綠島聞名遐邇的燕子洞，冀望能夠挖到流傳 trying to save the preschool inherited by the girl he
幾百年的綠島黃金傳說，解決他們眼前的經濟難題。 likes, and a divorced couple raising money for their
不過淘金任務沒有想像中容易，陰風陣陣且 Wi-Fi 設 piano prodigy son to study abroad — are guided
備很不靠譜的老舊旅館、險象環生的地理環境、時不 to the famous Swallow Cave on Green Island by
a treasure map left behind by a gangster boss
時現身盤查的海巡隊員，還有一個充滿祕密的年輕男
decades ago, hoping to unearth the hidden gold
子，讓這場淘金夢看似危機四伏，卻充滿黑色幽默之 that will relieve their financial burdens. But faced
餘，竟還帶點靈異恐怖⋯⋯ with unreliable Wi-Fi, treacherous terrain, and pesky
coast guards, attaining their “gold dream” won’t be
金鐘獎最佳導演王小棣和北村豐晴繼叫好叫座的《戀 as easy as they imagined.
愛沙塵暴》後二度攜手，「茁劇場」系列第四號作品，
改編自生態保育學者陳玉峯半史實、半小說、半靈異、
半宗教哲學的著作《綠島金夢》，一齣跳脫類型框架，
以匯聚台灣最新電影與劇集為主，本單元集結了以不同面向和類型為出發點的影像作品，結合半史實、半虛構的多
重類型奇劇，讓人反思台灣土地點滴；少女的身體遊戲成為自我蛻變烙痕的憂傷；跨越雲端與現實，展現多元都市
北村豐晴 KITAMURA Toyoharu
愛情樣貌的清新之作；少年夢想力抗霸凌者，融合武打與穿越元素的奇幻愛情故事；將女性在社會承受的苦悶與壓
1974 年生於日本，畢業於臺灣藝術大學電影學系，在台灣影視圈發展 20 年，兼具導演、演員、日式居酒屋
力化作抓狂式拳拳重擊，腦洞大開的魯蛇大反撲喜劇，部部精采體現電影漫遊於虛實之間的活力。
老闆等多重身分。他的作品遊走於不同風格的喜劇之間，代表作包括電影《愛你一萬年》、《阿嬤的夢中情
With a focus on bringing together the latest Taiwanese films and TV series, this program offers a collection of 人》和電視劇《流氓蛋糕店》、《戀愛沙塵暴》、《戒指流浪記》等。
works from different perspectives and genres. These include a multi-genre story that combines fact and fiction KITAMURA Toyoharu was born in Japan in 1974 and graduated from the Department of Motion Picture
to reflect on the land of Taiwan; a girl whose promiscuous games channel a melancholic self-transformation; of National Taiwan University of Arts, after which he became a film and TV director, actor and Japanese
a refreshing work that spans the internet and reality, showing the diversity of urban love; a fantasy romance restaurant owner. His films include Love You 10,000 Years and Forever Love.
about a boy who dreams of standing up against his bullies that integrates martial arts and mystical elements;
and a wild comedy in which struggling women fight back against the anguish and pressures they endure in
society. Each work brilliantly reflects the vitality with which cinematic art roams between fiction and reality.
PRINT SOURCE 茁劇場 Qseries2
154 台灣越界 Taiwan Trans-border 台灣越界 Taiwan Trans-border 155

女優，摔吧！ 小藍
2022 釜山國際影展
2022 台北電影節
2022 富川國際奇幻影展

Girls, Be Ambitious! Little Blue

台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 108min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 96min

前往日本當 AV 女優的麗絲愛愛、小紅莓，不幸慘遇 Aspiring AV actresses Liz Ai Ai and Berry fail to 妳對自己的第一次滿意嗎？ Xiao Lan’s first sexual experience is at the beach,
「AV 界寒冬」，求職屢屢破壁受挫，直至陰錯陽差加 break into the industry and somehow end up joining with a football jock in her school. Just like many
a wrestling club, where they use their AV-style 小藍的第一次在海邊。在太平洋洶湧的海浪聲中，她 girls in this situation, Xiao Lan thinks she can gain
入摔角俱樂部，結合 AV 所學的「特殊技能」，來勢「胸
“special moves” to rise to superstardom. Starring 暗戀的足球隊校草五秒射門般地對她發動攻勢。跟很 his love with her body.
胸」的肢體動作竟爆紅累積大量狂粉。痛快肩摔父權 Kimi HSIA, Gemma WU and Tiara HUANG, with 多女孩一樣，那一刻的小藍以為可以拿身體交換愛。
社會假掰，人生第二春超展開，乘風破浪的姊姊妹妹 stunts directed by Japanese wrestling promotion
Inevitably, that boy leaks a photo of her in a sexually
她沒想到的是，五秒後校草開始若即若離，甚至還將 compromising position online. Xiao Lan’s entire
們，站起來！ Stardom, this is a comedy about the struggles and
world collapses. Alone without anyone to help, she
tears behind the pursuit of dreams. 小藍的性感照片外流了。小藍的世界瞬間崩塌，孤立
資深經紀人周美豫首度挑戰跨類型荒謬性喜劇，攜手 turns to comfort from men on the internet…
無援的她轉而約炮，一開始那就是一場身體遊戲，遊
夏于喬與吳映潔跨越嗆辣大尺度，抓狂演出令人拍案
戲中她慢慢理解了男人，似乎也更明白了自己。
叫絕。拳拳到肉的動作場面下，實則犀利翻轉身為
女性在社會承受的苦悶與壓力。全片顛覆台灣電影框 然而，在一次約炮中，她撞見最不期望遇見的那個人，
架，大開腦洞，笑中帶淚，煮沸魯蛇生活死水，爆笑 這場性遊戲於是發展成更不堪的風暴。處於風暴中心
葷哏萬箭齊發！ 的她被迫要說服自我，然後她明白了，女孩成為女人
的過程，註定要伴隨著傷痛，而透過傷痛，她終會真
正地覺醒與蛻變。

李怡芳 LEE Yi-fang

周美豫 Julian CHOU
臺灣大學外文系畢業，愛丁堡藝術學院電影製作碩士。參與過多部紀錄片及劇情片工作；1999 年曾以紀錄
現為導演、編劇、監製、經紀人。2005 年成立經紀公司「周子娛樂」，培養林依晨、林柏宏、張睿家與黃 短片《愛情的互文性》入選台灣國際女性影展；2020 年以長片劇本《三餘》獲頒拍台北金劇本獎；首部劇
心娣等實力派演員，近年拓展影視製作開發。曾任古裝喜劇《小女花不棄》的監製和出品人，超過 56 億次 情長片《小藍》獲第 41 屆優良電影劇本優等劇本獎及 109 年度國產電影長片輔導金的支持，並入選 2022
點擊。《女優，摔吧！》為其首部執導電影長片。 年香港亞洲電影投資會（HAF）「WIP」單元。
Julian CHOU is a Taiwanese director, screenwriter, producer and talent agent. She founded Chou's After graduating from National Taiwan University in Foreign Languages, LEE Yi-fang received her
Entertainment Ltd in 2005 and has managed many well-known artists such as Ariel LIN and Austin LIN, Master’s in Film/TV at the University of Edinburgh. Numerous documentary projects and feature films
and produced many notable works, including the historical comedy drama I Will Never Let You Go . followed, including working as an assistant director, post producer and script advisor/supervisor. Little
Blue is her first feature film.

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156 台灣越界 Taiwan Trans-border 台灣越界 Taiwan Trans-border 157

龍魂 幻象人
Long Spirit Fish Pond
台灣 Taiwan │ 2022 │ DCP │ Colour │ 79min 台灣 Taiwan │ 2022 │ DCP │ Colour │ 87min

高中生李志暉非常崇拜武打電影明星「龍」，夢想和 High school student Li Chih-hui worships martial-art 男大生許浩渴望愛情，他篤信著「魚池理論」，認 作，將觀察視角放到林予晞和吳念軒演繹的姊弟戀，

他一樣擁有一身功夫，就能抵擋惡少同學殷志強等人 movie star “Long” and dreams of becoming a kung 為戀愛對象必須同時間多方發展比較，才有可能萬 持續探索更多元的都市愛情樣貌。
fu master so he can defend himself from bullies.
的霸凌。同班女生簡麗華主動關心志暉被欺負而受的 中挑一。雖然十分嚮往少女漫畫中怦然心動的情節，
When classmate Chien Li-hua shows concern for the University student Hsu-hao longs for love. He
傷，此舉讓內向孤僻的志暉對她萌生情愫，開始悄悄 bullied Chih-hui, he begins to develop feelings for 但他卻從未體驗過心跳加速的感覺，也不知道什麼
subscribes to the “fish pond theory”, believing
觀察她。得知麗華著迷於塔羅、靈擺等各式占卜，還 her. And when he finds out Li-hua is into divination 樣的人適合自己。一晚，他在交友軟體上聊到一名 that he should spend time with and compare many
立志成為能和靈界溝通的巫師，志暉因此自創了一套 and wants to become a spirit medium, Chih- 女子「小井」，特別投緣的兩人交換起彼此的祕密， different girls before choosing the right one.
《龍與魔法公主》的劇本，邀請麗華跟他一起入鏡拍 hui pens a script entitled “Long and the Magic 好像有聊不完的話題，隔天醒來，許浩卻收到未成
Princess” and invites her to star in it, but the bullies One night, Hsu-hao comes across a girl named
攝，不料這時，惡少們又來找志暉麻煩，一場打鬥中， 功配對的通知，他決定從對方留下的手機前七碼， “Koi” on a dating app and they hit it off, but the
show up and knock Chih-hui unconscious. When he
志暉倒地失去意識，在恍惚之間，他與偶像「龍」相 wakes up, however, Chih-hui suddenly declares that 展開地毯式搜索，希望能再聯繫上她。同學見他為 app does not match them. As he begins searching
見，奇妙事件也因此觸發。甦醒後的志暉，竟宣稱現 Long’s spirit now possesses his body. 情所困，推薦他使用「出租女友」服務，許浩與赴 for her, a classmate recommends that he use the
存體內的是「龍」的靈魂，麗華雖認定他是「龍魂覺 約的女子共度了愉快的情人節約會，儘管想找到真 “Rent a Girlfriend” service. Hsu-hao ends up having
a great Valentine’s Day with a girl from the service,
醒」，但也擔心志暉的靈魂哪兒去了？麗華著急地想 命天女「小井」，他仍不明所以地被這名女子吸引
and despite still wanting to find Koi, he becomes
幫助志暉恢復原樣，而事實卻漸漸浮現⋯⋯ ⋯⋯ inexplicably attracted to this new girl…
描繪過《午夜陶德》呼之欲出的 BL 火花，以及《台
北過手無暝無日》的女同志情侶後，王逸鈴本次新

丁冠濠 TENG Kun-hou 王逸鈴 WANG Yi-ling

澳門人，臺北藝術大學電影創作學系導演組碩士，亦熟悉廣告、MV 製作，也曾擔任新聞媒體、旅遊節目等 臺灣藝術大學電影學系畢業。2021 年劇情短片《台北過手無暝無日》入圍 2022 年台北電影獎最佳短片獎；
攝影工作。短片《Walking in the Drizzle》（與張嘉恩共同執導）入圍第 43 屆金穗獎學生組最佳劇情片； 2019 年實驗短片《日正當中》獲台灣國際女性影展「台灣競賽」單元評審團特別提及；2016 年劇情短片《迎
短片《合十》獲得第 42 屆金穗獎學生作品類最佳劇情片獎。 向邊疆公路》曾入選坎城影展「電影基石」（Cinéfondation）學生競賽單元。

TENG Kun-hou is from Macau and earned his master’s degree from the Department of Filmmaking at WANG Yi-ling is a director based in Taipei. Her short film Towards the Sun was selected to Cannes
Taipei National University of the Arts. His short film One to Ten won Best Narrative of the Student Slate Cinéfondation in 2017. Her short films Do Not Go Gentle in Taipei, Midnight Tod, Midday, and Night
at the 2020 Golden Harvest Awards. Raid were selected to the Taipei Golden Horse Film Festival and Taipei Film Festival and won numerous
awards.

PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation ／ 公共電視 Public Television Service (PTS) PRINT SOURCE 財團法人公共電視文化事業基金會 Taiwan Public Television Service Foundation ／ 公共電視 Public Television Service (PTS)
 台語有影 Taigi Cinema 159

Taigi Cinema

阿媽 a-má
拳職人員
A Boxing Coach
台灣 Taiwan │ 2022 │ DCP │ Colour │ 90min

少年阿凱看似文弱，其實傳承了曾為拳擊國手老爸的 建宇，從柔弱到剛強，不僅顯示出「拳擊」是充滿魅
天分與拚勁，但父親因為運動傷害，喪失職涯與家庭， 力的運動，也為自己的人生全力出拳！
因此「拳擊」變成禁忌話題。然而，阿凱的叔叔在學
Kai, whose father used to be a national boxer and
校擔任拳擊教練，必須訓練學生取得金牌才能繼續工
uncle teaches boxing at school, is fond of boxing.
作，他因而把希望寄託在深具潛力的阿凱身上。「拳 Kai and his uncle have, nevertheless, secretly
擊」讓兩代三人又愛又恨，最終迎來殘酷又矛盾的結 participated in competitions even though he is
局。 strictly forbidden to do so, and this eventually leads
to a cruel and contradictory outcome.
本片為公共電視台語台「台語有影」系列。宛如《翻
滾吧！阿信》加上《鋼鐵擂台》，真正的比賽，不僅
在擂台上，也在人心。「拳擊」是父親的遺憾、是叔
叔維生的方式，但底層之人終究只能在夢想與生存的
平衡中掙扎，但少年也從困惑到堅定，確立自己與拳
擊的關係。全片於高雄小港國中拍攝，質樸流暢，飾
演兄弟的黃鐙輝、藍葦華就像在表演的擂台上大比
拚，以充滿細節的演出，盡顯寫實風采。少年演員陳

黃柏蒼 HUANG Po-tsang

台文「有影」，意即「真實不虛」之事。為拓展新世代的台語戲劇，公視策劃的「台語有影」系列徵求多元的類型 1983 年生於高雄，畢業於崑山科技大學視訊傳播系暨媒藝所。2016 年短片《洛基的視線》入選「高雄拍」，
及題材，承襲過往台語片時代的豐富類型，今日的網路串流時代，更強調戲劇新創，希望以原創概念、有張力且具 更奪得第 39 屆金穗獎最佳劇情片、最佳男演員、最佳配樂等三項大獎。《拳職人員》為導演第一部劇情長片。

風格的情節來表現故事的獨特世界觀。本單元各以鮮明主題和敘事，淬鍊聚焦，讓觀眾能透視台灣影像創作者如何 HUANG Po-tsang was born in Kaohsiung and graduated from Kun Shan University of Science and
細琢台語片。 Technology. He was selected for the Kaohsiung Shorts grant program and won the 39th Golden Harvest
Award for Best Drama, Best Score, and Best Actor with his short film Rocky's Sightline.
To expand the new generation of Tâi-gí dramas, the Tâi-gí Cinema program produced by Taigi TV Station
solicits a variety of genres and themes, inheriting the rich genres of the past Tâi-gí film era, but with more
emphasis on new drama innovations in today's internet streaming era. This program presents distinct narratives
and different stories, allowing the audience to see how filmmakers refine Tâi-gí films.
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160 台語有影 Taigi Cinema 台語有影 Taigi Cinema 161

阿媽 天字第二號
a-má Which One You Choose
台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 85min 台灣 Taiwan ｜ 2022 ｜ DCP ｜ Colour ｜ 90min

最疼愛國倫的阿媽因車禍過世了，隱藏多年且已轉為 Kuo-lun's family returns home for the funeral of 疫情時代，獲得中國名導欽點的台灣 C 咖演員李志誠， Li Chih-cheng, a C-list Taiwanese actor, is hand-
女兒身的他，不得不回鄉奔喪。一大家子的人聚在一 his grandmother, who was killed in a car accident. 在上海隔離的最後一天，竟發現自己開始發燒，但更 picked by a renowned Chinese director to star in a
Having not spoken with his family in a long time, project during the pandemic. On his last day of self-
起，有尷尬卻也有溫暖。當他發現撞死阿媽的人，竟 糟的狀況不只如此，他還必須在視訊上，在台灣正宮
Kuo-lun comes home as a trans woman. Then, he isolation in Shanghai, he discovers he has a fever.
然是如今有妻有子的初戀男友，再加上家族間利益糾 finds out the person who killed his grandmother 妻子與中國小三之間做出抉擇。峰迴路轉，每個人都 Worse still, he must make a decision between his
葛、新怨舊恨，一場喪禮像是打翻了滾燙的熱鍋，還 was his first love. Besides facing his father, who is 有未知的身分與祕密，這次，為了活下來，真的必須 wife in Taiwan and mistress in China over video call.
活著的人該何去何從？ unwilling to accept him, he also has to deal with 「演很大」！ But as it turns out, everyone has a hidden identity
financial entanglements between relatives and and secret. In order to make it through, Chih-cheng
本片為公視台語台的「台語有影」系列，劇本並榮獲 their complicated past. Yet, he still wants to see his 本片為公共電視台語台「台語有影」系列，誕生於 must deliver the performance of a lifetime.
109 年度優良電影劇本優等獎。宛如電影《孤味》， grandmother one last time. 2021 年 5 月台灣三級警戒期間，只能用視訊溝通的
家族喪禮有時就是人情試煉場，所有祕密等待掀鍋示 導演與製片人，靈光乍現、腦洞大開地以視訊畫面為
現。導演吳旻炫以精湛的編劇技巧，在寫實的基調下， 主體，用喜感又緊張的基調創作。作品幽默地看待兩
卻深埋了許多危機與衝突。經過陳文彬、王可元等演 岸關係中真真假假的各種狀態，取材自疫情，但製作
員的細膩演繹，父子間壓抑又一觸即發的情感張力， 又不受疫情限制。題材大膽、敘事創新，劇情急轉直
讓人捏緊了手，卻又無比了解「這就是家人」的普世 下，讓人猜不到最後的結局，台灣觀眾必發出會心一
感受。 笑。

吳旻炫 WU Min-hsuan 吳宗叡 Ray WU

吳旻炫，1982 年生於雲林，畢業於世新大學廣播電視電影學系，擔任副導經驗豐富，近年參與電影《流麻 1990 年生於南投，政治大學新聞系畢業。2018 年電影短片《最後一次溫柔》榮獲第 54 屆金鐘獎最佳音效獎；
溝十五號》及影集 《逆局》的編劇工作。原作《阿嬤》是其獲得 109 年度優良電影劇本優等獎之作品，也 2019 年執導影集《鏡子森林》第二季，獲第 55 屆金鐘獎六項提名；2021 年編導清新的女籃影集《女孩上場》，
曾以刑偵類型《誰是劉立偉》與續集《我是劉立偉》分別獲得 103 年度及 106 年度優良電影劇本優等獎。 獲第 56 屆金鐘獎五項提名，並拿下戲劇節目編劇獎。

WU Min-hsuan graduated from the Department of Radio, Television and Film of Shih Hsin University and Ray WU graduated from the Department of Journalism, National Chengchi University. His 2018 short
has many years of experience as an assistant director. He penned the screenplays for the film Untold film, Bite, won Best Sound at the Golden Bell Awards. His 2019 series, The Mirror, was nominated for six
Herstory and the series Danger Zone, and is a two-time Excellent Screenplay Award winner. Golden Bell Awards. In 2021, his basketball series Girls Win was nominated for five Golden Bell Awards,
winning for Best Writing.

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 國際視窗 Panorama 163

Panorama

流浪之月 Wandering
天使情緣 2021 大阪亞洲電影節 閉幕片
2021 紐約亞洲影展

The Asian Angel 2021 上海國際電影節

日本 Japan ｜ 2021 ｜ DCP ｜ Colour ｜ 128min

愛妻離世後，小說家青木剛帶著兒子遠赴首爾，打算 延續石井裕也家族經典《我們家》帶來的暖心救贖與
投靠久未聯繫的哥哥，開啟第二人生。殊知哥哥遭生 感動。
意夥伴背叛，好不容易累積的一切也被迫從零開始。
After the death of his beloved wife, novelist Aoki
在漂向南方尋找事業契機的火車上，青木一行人遇見
Takeshi takes his son to Seoul, intending to stay
獨力養家的過氣歌手崔率，正帶著哥哥與妹妹一道返 with his long-lost brother Toru and start a new life.
鄉掃墓。雖然語言不通，青木與崔率卻在彼此身上看 His brother was betrayed by his business partner
見了神祕的羈絆。經歷一番波折後，同樣命運多舛的 and lost everything, leaving him to start from
兩個家族默默地走在一起，踏上展開新生的療癒之旅 scratch. Aoki meets a struggling singer named
Choi Seol, embroiled in a relationship with the
⋯⋯
controlling president of her talent agency. Despite
繼《東京夜空最深藍》後，金獎名導石井裕也再度聯 the language barrier and what they've been through
in their lives, Aoki and Choi somehow form a bond.
手實力派影帝池松壯亮，並找來性格男星小田切讓、
The two ill-fated families come together naturally
韓國大鐘獎影后崔嬉序領銜共演。石井裕也作品向來 and embark on a new journey of healing...
擅長勾勒家庭成員間「相愛相殺」的微妙關係，對底
發掘世界各地導演的獨特敍事觀點，並展現不同國族的文化特色。今年囊括 12 部從細膩家庭關係的療癒溫情；到以 層邊緣人脆弱封閉的心理描繪更是細膩動人。本片進
逐漸消弭的高地方言流述另類熟齡成長之作；後疫情時代跨越距離和語言隔閡的輕快喜劇；演技淋漓地激盪出社會 一步呈現出超越國界、文化和語言的深刻情感，成功
議題與暴力創傷的後事件之殤；正能量飽滿勵志的真實熱血傳奇；憂鬱質地的電影語言羅織出複雜的情感密網；以
及青春與成人群像各自在生活中衝撞，或以探索慾望、追尋身分認同，在愛情和慾念的泥澤打轉，讓觀影者自不同 石井裕也 ISHII Yuya
故事切入各種對於存在的辯證。
1983 年生於日本埼玉縣，畢業於大阪藝術大學電影系。2009 年以長片《從河底問好》獲藍絲帶獎最佳導演
Discover the unique narrative perspectives of directors from all over the world as they present their unique 獎，成為此獎最年輕的得獎者。2013 年再以《宅男的戀愛字典》獲日本電影學院獎最佳影片、最佳導演獎，
cultural characteristics through stylized cinematic languages. This program features 12 new films, including a 以及每日電影獎日本電影大獎、報知電影獎最佳作品獎等日本電影最高榮譽。
story depicting the healing warmth of family relationships; a fading highland dialect that narrates an alternative ISHII Yuya studied film at Osaka University of Arts, and has garnered many film festival prizes for his
maturity; a post-pandemic era comedy that overcomes distance and language barriers; a powerful portrayal of works, beginning with his debut feature, Bare-assed Japan (2005), awarded the Grand Prix at the PIA
social issues and the post-event grief that follows violent trauma; a passionate true story full of positive energy Festival in Japan. He also won Best Director at the Blue Ribbon Awards for Sawako Decides (2010).
and inspiration; an intricate emotional web weaved by melancholic film language; and portraits of youth and
adulthood colliding in life, exploring desires or pursuing self-identity, rolling around in the mud of love and lust.
These are deeply intriguing stories that explore existence through various dialectics and compelling narratives.
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魚之子 2022 蒙特婁國際奇幻影展 流浪之月 2022 全州影展

The Fish Tale Wandering

日本 Japan ｜ 2022 ｜ DCP ｜ Colour ｜ 139min 日本 Japan ｜ 2022 ｜ DCP ｜ Colour ｜ 150min

小鎮孩子美寶特立獨行，對魚類情有獨鍾，視章魚為 Meebo is an elementary school student who 大雨將至，十歲女孩家內更紗獨自在公園晃蕩，不願 共同打造剖析人心，耽美且沉靜、一段難被定義卻絕

初戀情人、海洋是永遠的歸宿。在水族館流連忘返， loves fish. He stares at fish, draws fish, and eats 回到沒有父母的家。19 歲的大學生佐伯文為她撐傘， 對深刻的情感。
fish every day. His father worries that he is a little
無時無刻不在觀察魚類的美寶，在學校發行「美寶週 輕輕地讓她幼小的靈魂往自己靠岸，更紗進入他平淡
different from other children but his mother always In a park on a rainy evening, a 19-year-old university
報」介紹魚種是他最快樂的事。他對魚的熱情不僅令 encourages and supports him. After entering high 無為的人生。跨越年齡與世俗眼光的藩籬，他們以名
student, Fumi, offers an umbrella to a soaking wet
師長眼睛一亮，連不良少年都被收服。可惜他不善讀 school, Meebo is still obsessed with fish. For some 字互稱，晚餐共享冰淇淋。同棲生活兩個月，盛暑未 10-year-old girl, Sarasa. Realizing her reluctance to
書考試，水族館、料理店的工作也一竅不通，只對魚 reason, he gets along with the school’s delinquents. 歇的時節，佐伯文被逮捕，冠上誘拐罪名，戀童癖的 go home, Fumi lets her stay at his place, where she
有滿腔熱血。成為魚類學者的夢想看似遙遠，但愛魚 Eventually, Meebo starts living alone. Through 汙名隨之而來。15 年過去，在神祕的深夜咖啡店， spends the next two months in peace. They take
encounters and re-encounters, he remains loved by
成癡的他，是否能乘著浪花游向更遠大的彼方？ 已是成熟女子的更紗看見那只熟悉的身影。兩人的身 each other's hands and seem to have finally found
the people around him and pushes forward the only their place in the world until Fumi is arrested for
上似乎還存有彼此的碎片，致命的吸引力讓他們往對
改編自「魚君」宮澤正之的真實人生，由 Non 詮釋這 way he knows how. kidnapping. Fifteen years later, they are reunited
方靠近，當年的風雨捲土重來，只剩一輪明月依舊皎
號僅有高中學歷，卻是日本成功繁殖鱟的第一人，憑 but still suffering from the stigma as the victim and
潔。 perpetrator of "a pedophile case". Will society give
著滿腔熱血闖出一片天的傳奇人物。「魚君」本尊也
a place to the unshakable bond they have formed?
戴著招牌河豚帽驚喜現身，華麗卡司集結柳樂優彌、 改編自凪良汐暢銷代表同名小說，名導李相日邀來
夏帆。擅長傳遞溫暖飽滿正能量的導演沖田修一，再 《寄生上流》、《燃燒烈愛》攝影師洪慶彪掌鏡，冷
次交出鼓舞人心的勵志故事。 靜沉穩的影像帶有淒美的氣息。廣瀨鈴與松坂桃李領
銜主演，橫濱流星、多部未華子助陣演出。華麗陣容

沖田修一 OKITA Shuichi 李相日 LEE Sang-il

1977 年生於埼玉。以《南極料理人》闖出名號，再以《啄木鳥與雨》叫好又叫座，成為縱橫商業與獎季的 1974 年生於日本新瀉。2004 年與宮藤官九郎合作編劇，改編村上龍自傳小說為電影《69 sixty nine》，始
代表性導演，頻繁走訪釜山、東京影展。以溫馨喜劇見長，風格動人溫馨。知名作品包括《橫道世之介》、 獲矚目。2006 年以《扶桑花女孩》榮獲日本電影學院獎最佳導演、最佳編劇獎。多次改編文學作品，代表
《龐克頭返鄉記》等。 作包括《惡人》、《怒》。

OKITA Shuichi was born in Saitama and studied film at Nihon University of Arts. A representative of LEE Sang-il, born in in 1974 in Niigata Prefecture, Japan, is a Japanese film director and screenwriter of
both commercial and art-house styles, his films are frequently selected by international film festivals and Korean descent. His first film, Chong, is a short film about the lives of third generation Koreans living in
praised for their delicate portrayals of daily life and humanity. His best known works include A Story of Japan.
Yonosuke and The Mohican Comes Home.

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166 國際視窗 Panorama 國際視窗 Panorama 167

推土機女孩
飄零人生
2022 大阪亞洲電影節
2022 紐約亞洲影展

2021 紐約亞洲影展 亞洲新星獎 The Girl on a Bulldozer 2021 釜山國際影展

2020 釜山國際影展 韓國獨立電影大獎、韓國攝影師協會及三陽光學電影攝影獎

Snowball 2020 首爾獨立影展 New Choice 獎 韓國 South Korea ｜ 2021 ｜ DCP ｜ Colour ｜ 113min

韓國 South Korea ｜ 2020 ｜ DCP ｜ Colour ｜ 109min

未滿 20 歲的少女慧瑛看似清秀，但當她脫下遮住左 Don’t you dare mess with me!
手的袖套，栩栩如生的龍紋身彷彿是她的武裝，一秒 Hye-yeong turns 20 soon. She may seem delicate and
三位來自不同家庭背景，卻同樣對生活的無味感到茫 沉，最後又極具爆發的豐富層次演出，勇奪新銳演員 化身苦海女神龍，逞凶鬥狠毫不手軟，以下犯上威震 pretty, but the dragon tattoo on her arm can sure scare
然的高中好友，某日決定結伴離家、背身奔逃人生的 大獎。 四方，只有年幼的弟弟能卸下她的心房。嗜賭的父親 people off. Her only problem is her father, Bon-jin, a
一切低迷。青春看似無懼，世界卻毫不留情，街頭狂 看似把中華餐廳經營得有聲有色人生走上正軌，卻捲 gambling addict who once lost all their money and
To 18-year old Kang-yi, her friends So-young and even deserted the family. He later opened a Chinese
歡後的女孩們，不僅初嚐流浪謀生、階級金援才是王 入車禍肇逃事件，突然進入腦死狀態。各方壓力拔山
Ah-ram are everything. Wanting to go somewhere restaurant on the outskirts of Seoul, and it’s now regularly
道的滋味，變調的親密更是現實霸凌的最後一擊。然 foreign, she runs away from home with them, only 倒海而來，餐廳將被擁有者強硬接手，自稱受害者的 packed with diners. Hye-yeong still can’t forgive him,
而無論離家或返家，原來都是被他者世界反覆踐踏的 to find a strange side of themselves and the balance 母女突然現身，連政客都來摻一腳。昏迷的父親留給 but the only reason she stays with her family is her little
傷痕，原來要像自衛本能般牢記著，溫暖之前總是孤 of their friendship tipping in a weird way. Although 慧瑛巨大的謎團，但真正被判了死刑的，則是慧瑛應 brother, Hye-jeok. He reminds her of her childhood and
冷，發聲之後終將默然，才能偶得安適。但是每一個 they left home as one, they eventually return home 該無憂的青春，以及在工地現場叱吒風雲的夢想。 he’s considerate like their late mother.
as three. Kang-yi wants nothing more than to go
即將成年的我們，只不過是想要好好長成自己想要的 One day, Bon-jin is found unconscious in hospital, having
back to how they once were, but that’s easier said 導演首部長片聚焦在未滿韓國習俗認定成年年齡的年
大人而已。 allegedly assaulted someone, stolen a car, and hit two
than done… 輕女性，如何在轉大人前被迫承擔社會現實的苦澀與 innocent people. Hye-yeong doesn’t even feel sorry for
改編自林率兒獲小說獎大賞的小說，李雨靜首部執導 堅毅。Super Junior 成員藝聲睽違多年再登大銀幕； him, but strangely, she receives several anonymous calls
劇情長片。全片背景設定於 2000 年初期，試圖透過 以《偶然發現的一天》、《Sky Castle 天空之城》成 from people who want to talk to her father. And a couple
千禧世代成年前後的不安感，傳達瀕臨滿溢的躁動與 名的金惠允打破甜美形象，獨挑大梁主演出口成髒、 suddenly shows up at the father’s restaurant, saying they
will take it over from Bon-jin in two weeks. On top of
焦慮，同時捕捉在各種結構階級與社會現象下，羅 霸氣十足的暴走少女。
that, Bon-jin’s condition rapidly worsens and now is brain
織出的青春群像。其中 Girl’s Day 成員珉雅以內斂深 dead. What happened to him?

李雨靜 LEE Woo-jung 朴伊雄 PARK Ri-woong

生於 1984 年，畢業於漢陽大學戲劇電影系。自 2005 年發表首部短片作品《Fish Curry》後，其多部短片
包括《Hanna Song》、《See You Tomorrow》和《Romance in Seoul》陸續於首爾獨立影展、釜山國際
影展、柏林影展等參與演出。《飄零人生》為李雨靜潛沉多時、十年磨一劍的首部執導長片。
LEE Woo-jung majored in Theater and Film at Hanyang University. She debuted as an actor but also
served as a script supervisor. She started making her own films in 2008 with the short Hanna Song, and
in 2011, she received the Sonje Award (Short Films) at the Busan International Film Festival for See You
Tomorrow.
韓國藝術綜合大學畢業，主修導演。短片《Let Us Go》、《Good Yeon-ha》廣受好評，入選首爾國際影展、
全州影展等。《推土機女孩》為其首部長片，於釜山國際影展世界首映。
PARK Ri-woong majored in directing at Korea National University of Arts. His short films Let Us Go (2007)
and Good Yeon-ha (2008) have been honored with awards at international film festivals, including the
Seoul International Film Festival, Filmfest München, and the Jeonju International Film Festival.

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168 國際視窗 Panorama 國際視窗 Panorama 169

愛我還是愛他 2022 柏林影展 銀熊獎最佳導演 這一年，那一夜 2022 柏林影展 「主競賽」單元基督教評審團獎

Both Sides of the Blade One Year, One Night

法國 France ｜ 2022 ｜ DCP ｜ Colour ｜ 116min 西班牙、法國 Spain, France ｜ 2022 ｜ DCP ｜ Colour ｜ 130min

莎拉與尚如鶼鰈般情深。某日早晨，莎拉在街上無意 交織。導演也與易燃物樂團（Tindersticks）再度攜 2015 年 11 月 13 日，在巴黎巴塔克蘭劇院演出的樂 透過兩人關係的苦樂參半，呈現高度同理卻不煽情的

間瞥見久未謀面的舊情人弗朗索瓦，返家後更得知弗 手合作電影配樂，在低沉悠緩的樂音渲染下，讓片中 團正開唱，忽然槍聲四起，觀眾慌亂逃竄，年輕情侶 創傷後反思，更折射出對於當代國族與社會問題的探
朗索瓦邀請尚一起重操橄欖球隊事業。第三人的重新 的情愛場景增添一絲詭譎、懸疑的氛圍。 席琳與雷蒙幸運活了下來，他們的人生卻在那一晚永 討。
出現，攪亂兩人原本濃情蜜意的一池春水。一位是她 遠被改變了。劫後餘生的復原之路漫漫：席琳壓抑感
Paris, winter. Sarah and Jean love each other. They Ramón and Céline are a young couple that attended
的現任愛人，另一位是她忘不了的舊愛，莎拉如何周 受，迫切想回到原本的生活，雷蒙則受焦慮和恐慌所
have lived together for several years. Their love a concert at the Bataclan theater in Paris on the
旋於兩男之間？法國影后茱麗葉・畢諾許與影帝文森 makes them happy, strong. There is mutual trust, 苦，不斷回憶事發經過。暴力的記憶碎片入侵日常， fateful night of November 13, 2015. They survive
・林頓首度於大銀幕聚首為此愛情難題飆戲。 and the passion has never died down. One morning 面對創傷，該記得還是該遺忘？隨著隔閡逐漸深化， the attack, but when they leave the theater, they
(by chance?), Sarah crosses paths with François, who 相互扶持的兩人又該如何走下去？ are no longer the same. That night leaves a deep
導 演 克 萊 兒・ 德 尼 與 法 國 作 家 克 莉 絲 汀・ 安 戈 introduced her to Jean. And it was François whom scar on both their lives and each tries to cope with
（Christine ANGOT）二度合作，改編小說《生命轉 she left for Jean without hesitating. 根據巴黎恐怖攻擊事件的倖存者證詞改編，本片請到 the aftermath as best they can. Céline desperately
捩點》（Un tournant de la vie），以一女二男的三 主演《燃燒女子的畫像》而入圍法國凱薩獎最佳女 tries to leave the events behind her, clinging to her
角關係剖析角色情感。無論男性慾望也好，女性慾望 演員的諾耶米・梅蘭特（Noémie MERLANT ），和 previous life, while Ramón repeatedly goes back to
that night, trying to remember and understand what
也罷，面對愛情時，人人皆可能反覆無常，也可能在 《BPM》、《天上再見》俊帥男星比斯卡亞（Nahuel
happened.
愛情裡犯錯。片中的室內拍攝場景，不僅近距離呈現 Pérez BISCAYART）飾演片中情侶，直面創傷後的恐
導演老班底演員的精彩演技，亦細膩捕捉角色間的親 懼消沉、積極振作與自我矛盾等多重面向，貢獻情感
暱與衝突、優雅與難堪，將談情說愛與情緒勒索相互 細膩又張力十足的精彩演出。導演伊薩基・拉奎斯塔

克萊兒・德尼 Claire DENIS 伊薩基・拉奎斯塔 Isaki LACUESTA

1946 年生於巴黎，首部劇情長片《巧克力》於 1988 年獲坎城影展金棕櫚獎提名，1996 年以《不知不覺愛上你》 1975 年生於西班牙加泰隆尼亞，身兼導演、編劇、錄像藝術家，電影作品囊括劇情與紀錄類型。2018 年以
獲盧卡諾影展金豹獎，《軍中禁戀》獲英國影藝學院《視與聽》雜誌於 2012 年選為影史百大佳片。其他重要 《家離海邊那麼近》榮獲生涯第二座聖賽巴斯提安國際影展金貝殼獎最佳影片獎；同年，法國龐畢度中心為
代表作如《巴黎日和》、《白鬼子》、《我心渴望的陽光》、《黑洞迷情》等，亦獲多國影展獎項提名或肯定。 其舉辦完整作品回顧展。最新作品《這一年，那一夜》獲 2022 年柏林影展基督教評審團獎。

Born in Paris, French director Claire DENIS studied at the IDEHEC (Institut des Hautes Etudes Isaki LACUESTA is a Spanish filmmaker who has directed six feature films. His 2011 film, The Double
Cinématographiques). She is renowned for films such as Chocolat, Beau Travail, Trouble Every Day, 35 Steps, won the Golden Seashell at San Sebastián and screened at MoMA, New York. His others films
Shots of Rum, and Bastards. In 1996, she won the Golden Leopard at the Locarno International Film include the award-winning The Clay Diaries, The Damned, The Legend of Time, and Cravan vs Cravan.
Festival for Nenette and Boni.

PRINT SOURCE 可樂電影 Cola Films PRINT SOURCE The Festival Agency
170 國際視窗 Panorama 國際視窗 Panorama 171

甜祕蜜滋味 2021 全州影展

2020 威尼斯影展 「威尼斯日」單元開幕片
聊療西語課 2021 柏林影展 泰迪熊獎最佳劇情片提名
2021 西南偏南影展 觀眾票選獎

Honey Cigar 2020 塞爾維亞歐洲影展 新浪獎最佳影片提名

Language Lessons
法國、阿爾及利亞、比利時 France, Algeria, Belgium ｜ 2020 ｜ DCP ｜ Colour ｜ 100min 美國 USA ｜ 2021 ｜ DCP ｜ Colour ｜ 91min

巴黎，1993 年。出身富裕中產階級之家的少女瑟瑪 自我相處的瑟瑪一角，率性大方又令人動容，是本片 亞當的丈夫豪氣買下線上西語課當作驚喜，每週一 When Adam's husband surprises him with weekly
剛成為大學新鮮人，她的眼睛帶著亮光，她的身體如 的靈魂所在。 次、長達兩年的早晨西語時間就此展開。平凡年輕的 Spanish lessons, he's unsure about where or how
this new element will fit into his already structured
一片海洋，暗潮洶湧，浮想聯翩。她在學校遇見叛逆 女教師卡莉妞一鍵登入亞當金碧輝煌的豪宅，映照自
Paris, 1993. life. But when tragedy strikes, his Spanish teacher,
少年之後，才驚覺保守家教如何阻礙她探索自身慾望 己樸實無華的人生，兩個平行世界就此數位交會。第 Cariño, becomes a lifeline he didn’t know he
與擁有身體自主權。她與家人大吵，與此同時，阿爾 Selma, 17, lives in a bourgeois and secular Berber 二堂課前夜，一場突如其來的意外摧毀亞當歲月靜好 needed. Adam develops an unexpected and
及利亞發生動亂⋯⋯尚在摸索自身慾望與身分認同的 family. When she meets Julien, a provocative young 的生活，每週只出現在螢幕上遙遙相望的卡莉妞成為 complicated emotional bond with Cariño —
man, she realizes for the first time how the heavy
她，能否走出自己的路？ 亞當的寄託，漸漸產生超越師生的曖昧情愫，一場分 but do you really know someone just because
rules of patriarchy affect her intimacy. you’ve experienced a traumatic moment with
不清是真人版《雲端情人》還是線上版《愛在日落巴
女導演卡蜜兒．阿努茲以影響自身生命經驗甚深的阿 As she faces her own fears to explore the power them? Bittersweet, honest, and at times darkly
黎時》的情誼正在上演。
爾及利亞內戰為出發點，雜揉女性成長與身分認同議 and dangers of her desire, her family crumbles and funny, Language Lessons is a disarmingly moving
題，在小人物故事中，折射大時代動盪歷史與社會圖 the terror of fundamentalism emerges in her country 演而優則導的古巴裔美國演員娜塔莉・莫拉蕾茲自導 exploration of platonic love.
像。女主角與當時阿爾及利亞內戰的命運微妙地扣合 of origin. Selma must fight back to reclaim her body 自演，以極簡的形式、僅有兩個演員，靠著視訊軟體
and become a free woman.
在一起，若有似無卻又緊緊相連；鏡頭彷彿幽魂一般， 各自對著鏡頭表演對手戲，營造數位時代那麼遠又那
跟隨著她的一舉一動，多個特寫鏡頭，更顯親密與疏 麼近的當代親密。跨越時空及語言的藩籬，建立輕快
離的界線。新生代演員柔伊．艾珍妮（Zoé ADJANI） 的節奏，以喜劇開場，又巧妙地迎來戲劇轉折，收攏
細膩詮釋一方面勇於探索自我、一方面不知該如何與 於醉心溫暖的迷人結局。

卡蜜兒・阿努茲 Kamir AÏNOUZ 娜塔莉・莫拉蕾茲 Natalie MORALES

身 兼 編 劇 與 導 演， 生 於 巴 黎， 父 母 親 皆 為 阿 爾 及 利 亞 裔， 兄 弟 為 知 名 導 演 凱 里・ 阿 努 茲（Karim 1985 年生於美國，以演員身分起家，曾參演《超級英雄》、《女孩我最大》等影集，亦曾為《馬男波傑克》
AÏNOUZ）。曾於加州大學洛杉磯分校影視戲劇學院攻讀編劇，就學期間並參與相關工作坊。她的編劇作品 配音。執導多部短片後，《聊療西語課》與其首部導演長片《Plan B》於同年推出，獲柏林影展泰迪熊獎最
包括愛情喜劇《美國 LOL：我的愛情我的夢》等。《甜祕蜜滋味》是她首部自編自導劇情長片。 佳劇情片獎提名。

Born in Paris to Algerian parents, Kamir AÏNOUZ studied film writing at UCLA and participated in various Natalie MORALES is an actor, director, writer and activist who has appeared in The Middleman, White
filmmaking workshops at USC-School of Cinematic Arts. She has been developing original content Collar, Parks and Recreation, Abby, The Newsroom, Girls, Santa Clarita Diet, Stuber, and Dead to Me.
inspired by her dual Algerian and French culture, and has worked as a screenwriter for cinema and She has directed episodes in the series Love Letters, Room 104, and Mr. Student Body President.
television, notably on LOL.

PRINT SOURCE Best Friend Forever PRINT SOURCE Blue Fox Entertainment
172 國際視窗 Panorama 國際視窗 Panorama 173

我不哭，我搞笑 2022 柏林影展 「Generation Kplus」單元水晶熊獎 最佳影片 女孩與蜘蛛 2021 柏林影展 「邂逅」單元最佳導演、國際影評人協會獎
2021 永河畔拉羅什國際影展 「法國新浪潮」競賽單元評審團特別獎

Comedy Queen The Girl and the Spider 2021 馬德普拉塔影展 最佳劇本獎

瑞典 Sweden ｜ 2022 ｜ DCP ｜ Colour ｜ 94min 瑞士 Switzerland ｜ 2021 ｜ DCP ｜ Colour ｜ 98min

13 歲 女 孩 莎 夏 年 紀 雖 小， 卻 正 遭 逢 人 生 的 悲 痛 大 輕 小 演 員 席 格 莉（Sigrid JOHNSON）， 更 是 把 一張新公寓的平面圖，兩天的搬家進出，一個女孩告 閉的室內做為主要拍攝場景，緊湊的出場調度與過度

事。 她 拒 絕 哭 泣、 心 思 縝 密， 甚 至 列 了 一 張 生 存 她 的 迷 惘、 哀 傷、 憤 怒 與 和 解 詮 釋 地 絲 絲 入 扣， 別了與另一個女孩同住的日子，親密與角力，在四周 放大的畫面細節，讓觀者無法以全視者之姿旁觀，更
清 單， 想 以 此 挽 救 悲 傷 心 情。 她 清 單 上 最 重 要 的 無比動人。 夾牆的狹小空間中幽微地張扯著。各方好友、家人、 像處於情緒交織的現場，直視愛與碰觸、疏離與孤獨。
目標是成為喜劇女王，讓身邊每個人都開懷大笑， 工人、鄰居或小狗逐一現身，通通匯集到搬家現場，
Comedy Queen tells the story of 13-year old Lisa is moving out. Mara is left behind. As boxes
尤 其 是 她 的 爸 爸； 她 爸 爸 自 從 發 生 那 件 大 事 後， 但每一次的錯身或交談，都有不尋常的氣息及欲望在
Sasha, who refuses to cry despite suffering from are shifted, walls painted and cupboards built,
就 再 也 沒 笑 過 了。 然 而， 她 發 現 自 己 寫 不 出 好 笑 immeasurable sorrow. She decides to become a 狹縫裡流動，也逐漸織理出登場眾人的角色座標系統； abysses begin to open up, yearnings fill the room,
的 笑 話， 又 與 最 好 的 朋 友 吵 架 ⋯⋯ 歷 經 一 連 串 挫 stand-up comedian. Her goal is to make everyone 然而，倏忽移轉到物件細節的凝視鏡頭，不時從四面 and an emotional rollercoaster is set in motion. A
折 與 失 敗 後， 莎 夏 的 喜 劇 女 王 之 路 是 否 能 順 利 實 laugh again, especially her father. 八方湧入的背景噪音，總是截斷了人物與住所之間的 tragicomic catastrophe film. A poetic ballad about
現？ 點線過渡，就像片中不時響起的華爾滋舞曲，在一進 change and transience.
一退之間，譜寫出充滿情愛、嫉妒、焦慮交織的小節。 The Girl and the Spider is the second instalment of
改 編 自 知 名 童 書， 瑞 典 女 導 演 珊 娜・ 蓮 肯 以 13 歲
a trilogy about human togetherness, a ballad about
女孩的視角出發，講述人們走出傷痛的千折百轉、 瑞士兄弟檔導演繼 2013 年《柏林貓咪日記》首部執導 the need for closeness and the pain of separation.
跌 跌 撞 撞。 全 片 情 緒 掌 握 極 佳， 不 灑 狗 血 濫 情， 之作八年後，以《女孩與蜘蛛》強勢回歸。本片以封
卻 總 能 在 恰 當 時 機 點， 讓 觀 眾 窺 見 莎 夏 傷 痕 累 累
的 內 心 風 景。 導 演 在 悲 傷 灰 暗 的 故 事 基 調 與 莎 夏
燦 爛 明 亮 的 幽 默 感 之 間 轉 換 自 如； 飾 演 莎 夏 的 年 拉曼・楚舍 Ramon ZÜRCHER
席爾萬・楚舍 Silvan ZÜRCHER

珊娜・蓮肯 Sanna LENKEN 1982 年生於瑞士，為雙胞胎導演兄弟檔。皆曾就讀於柏林影視學院，拉曼主修導演，席爾萬則主修電影製

作。2013 年拉曼以其首部執導的畢業作品《柏林貓咪日記》一舉驚豔影壇後，2017 年與席爾萬共同創立了
1978 年生於瑞典哥特堡。曾執導多部短片，2015 年以首部劇情長片《姊妹情殤》拿下柏林影展「Generation 製作公司 Zürcher Film，並發表兩位首度共同製作的第二部劇情片《女孩與蜘蛛》，本片亦為他們試圖以
Kplus」單元水晶熊獎最佳影片及國際評審團特別提及。近年參與執導大獲好評的社會寫實影集《Thin Blue 電影三部曲，探究家庭與人際關係的中的第二部曲。
Line》，以及青春成長影集《Thunder in My Heart》。《我不哭，我搞笑》是她的第二部劇情長片。
Twin brothers Ramon ZÜRCHER and Silvan ZÜRCHER were born in Switzerland in 1982. Ramon first studied
Born in Gothenburg, Sweden, Sanna LENKEN studied at Dramatiska Institutet in Stockholm as well as visual arts at the Bern School of Arts, while Silvan studied philosophy, film and German at the Universities
the European Film College in Denmark. After several successful short films such as Eating Lunch and the of Bern and Zurich. The brothers then attended the German Film and TV Academy Berlin, where Ramon
series Double Life, she made her feature film debut in 2015 with My Skinny Sister, for which she won the studied film directing and Silvan studied film production. Ramon’s graduation work and first feature film,
Crystal Bear at Berlinale. The Strange Little Cat, premiered at the Berlinale Forum in 2013 and won numerous awards.

PRINT SOURCE Swedish Film Institute PRINT SOURCE 好威映象 Hooray Films
174 國際視窗 Panorama

Crazy World

殘酷世界！再會 Goodbye Cruel World

媽寶站起來 2022 愛爾蘭影視獎 最佳男主角、男配角獎提名
2022 芝加哥影展

Foscadh 2021 紐波特海灘影展 評審團獎最佳導演獎

愛爾蘭 Ireland ｜ 2021 ｜ DCP ｜ Colour ｜ 93min

28 歲 的 約 翰 才 剛 遭 遇 父 母 驟 逝 之 慟， 又 在 街 頭 慘 族 語 言 劇 本 創 作， 嘗 試 以 最 道 地 的 愛 爾 蘭 民 族 氣
遭 醉 後 鄰 人 痛 毆， 身 心 狀 態 跌 落 谷 底， 不 知 該 如 口，拍出質地特異的另類熟齡成長電影。
何 面 對 未 來 的 人 生。 當 他 生 無 可 戀、 萬 念 俱 灰 地
Set in the wild mountains of Connemara, Foscadh
在 醫 院 醒 來， 照 顧 他 的 美 麗 護 士 和 同 房 的 魯 蛇 宅
tells the story of friendless and guileless recluse
男 相 繼 走 進 他 的 生 命， 陪 伴 並 鼓 勵 原 本 內 向 到 近 John Cunliffe, who is suddenly propelled into
乎自閉的他，首度開始品嚐生命的樂趣。出院後， manhood at the ripe old age of 28. When his over-
他 發 現 自 己 繼 承 的 貧 瘠 田 地， 在 風 電 開 發 計 畫 下 cosseting parents pass away, John inherits mountain
有 望 可 獲 高 價 徵 收， 看 似 天 上 掉 下 來 的 大 禮， 卻 land that is in the way of a lucrative wind-farm
development, and he is forced to navigate the
讓 他 好 不 容 易 獲 得 的 愛 情、 友 情 與 自 信 產 生 了 質
choppy waters of romance, trust and vengeance
變⋯⋯ for the first time. The ensuing drama is a taut
and absorbing late coming-of-age tale from the
改 編 自 衛 報 譽 為「 愛 爾 蘭 新 浪 潮 小 說 之 王 」 作 家 午夜小品、邪典片和各具視覺風格的類型電影，從微觀至宏觀，本單元網羅十部令影迷醒神，透過銀幕召喚眾生進
northwestern tip of Europe.
多納・萊恩（Donal RYAN）的著作。全片攝於雲 入瘋狂張力至極的影像世界。聚焦各種瘋狂異質，從不按牌理出牌、挑戰影史爛到笑的屎尿與地獄梗噴飛；打破社
霧 籠 罩 的 愛 爾 蘭 國 家 公 園， 朦 朧 灰 暗 的 高 地 景 色 會厭女教條和窒息式束縛的女子暴走；輕細的鏡頭語言打造另類青春純愛紀事；類紀錄片視角營造出超自然的的暖
鏡 射 出 主 角 的 迷 惘 心 境 與 人 生 前 路。 崇 尚 自 然 主 心奇幻；動畫結合紀錄片、穿越劇手法打造「龐克不死」真諦；以及譜寫世界容不下平庸的法式愛情狂想曲；中年
義 的 導 演， 長 期 鑽 研 封 閉 社 區 題 材、 耕 耘 少 數 民 人生失序的二度青春期；無人知曉的孩童時光背後是詭譎湧現的惡童殘酷物語；血腥駭人的心理極端驚悚之作，還
有那犯罪份子如百鬼夜行，混融出喋血對戰的日式耽美。
尚恩・布萊納克 Seán BREATHNACH
Midnight movies, cult classics, genre films of different visual styles. From the microscopic to the macroscopic,
來自愛爾蘭西岸城市高威，現於愛爾蘭國立大學教授編劇、電影美學及製作，研究並提倡少數民族語言劇本 the 10 films included in this program will intrigue and summon audiences to enter a world of extreme craziness.
創作。曾任愛爾蘭公共電視談話、紀錄節目製作人，亦曾參與電視影集演出。電影導演及編劇作品皆以母語 These films and their stories depict all manner of wild cinematic heterogeneity, including some of the most
愛爾蘭語創作，聚焦描繪以孤離鄉村社群為主題的故事。 random “so bad it’s good” hilarity in film history; women breaking free from the misogyny and suffocating
Seán BREATHNACH is a writer/director from Galway, Ireland. He has written and directed a number of bondage of society; an alternative young love story crafted through a gentle lens; a heart-warming supernatural
award-winning short films that have screened at film festivals in Europe, North America, and Asia. He has fantasy with a documentary-like point of view; an animation that explores the true meaning of “punk’s not
both photographed and directed a variety of documentaries for the Irish national television broadcasters dead” through combining documentary and multiverse narrative techniques; a French love rhapsody about a
RTÉ and TG4. world that can't tolerate mediocrity; a mid-life crisis that brings about a chaotic second adolescence; hidden
memories that reveal a tale of childhood evil and cruelty; and a bloody and terrifying psychological thriller in
which criminals roam the streets at night with a touch of Japanese-style homoeroticism.
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殘酷世界！再會 殺人結業弒 2022 紐約亞洲影展

Goodbye Cruel World Lesson in Murder

日本 Japan ｜ 2022 ｜ DCP ｜ Colour ｜ 127min 日本 Japan ｜ 2022 ｜ DCP ｜ Colour ｜ 128min

黑夜降臨，百鬼夜行。五人結黨的犯罪組織突襲黑道 Former yakuza Anzai, illegal taxi driver Mutoh, 在市區經營咖啡廳的榛村待人和藹可親，時常免費 心理驚悚張力十足，血腥場面令人咋舌，懸疑轉折
洗錢現場，黑吃黑捲款而逃。旭日東昇，歌舞昇平， laborer Hamada, assassin Hagiwara, and hooker 提 供 點 心 給 用 功 唸 書 的 莘 莘 學 子。 直 到 唯 一 倖 存 動人心弦，宛若日系男版《沉默的羔羊》。
Miru are in a car headed to a love hotel used by
暗裡的髒污被蒸發殆盡，罪犯回歸庶民生活，遊走黑 的生還者報案，他多次迷昏純潔少男少女，對其施
the Sugiyama Clan for money laundering. The front Masaya Kakei attends a low-ranked university, a
白兩道之間的警察為黑幫尋仇，緊抓一點黑影尾隨在 desk clerk gave them information about the big 虐並殘殺的變態惡行才終於東窗事發。遭到逮捕並
situation he finds depressing. One day, he receives
後。首腦安西想金盆洗手，但浪子回頭談何容易？同 scheme and the five formed a “one night only” 判處死刑後，榛村寫信邀請曾在店內用餐的少年筧 a letter from Yamato Haimura, a high-profile serial
夥荻原與罪同行，邪惡與罪孽擴張侵蝕，地下組織、 gang. They succeed in robbing them blind, and 井前來探監，打算告訴他一個無人知曉的祕密⋯⋯ murderer convicted and sentenced to death for nine
政治人物、平凡家庭無一倖免。山雨欲來，誰背叛了 though the five are supposed to go their separate 原來殺死部分受害者的真兇另有其人，且仍逍遙法 of the 24 killings he’d been accused of. Before his
ways after splitting the money, they end up being
誰？誰又是能笑到最後的贏家？ 外？ capture, Yamato ran a local bakery, which Masaya
hunted down by a detective hired by the clan frequented while attending junior high school.
以平克・佛洛伊德（Pink Floyd）名曲為題，大森立 and the clan members themselves, kicking off a 改編自日本恐怖小說獎讀者獎作家櫛木理宇作品 Reaching out to Masaya, Yamato freely admits his
嗣聯手《尋人啟弒》、《愛情，突如其來》當紅編劇 merciless struggle and leading to an ending nobody
《招致死刑的疾病》。以《凶惡》、《極惡刑事》 guilt but insists the ninth conviction was a frameup
expected… and implores him to find the true killer. As Masaya
高田亮再次出擊。西島秀俊領銜主演，與齋藤工、玉 和《孤狼之血》等鉅作奠定犯罪電影大師地位的白
delves into the case, the truth proves to be cruel
城蒂娜、宮川大輔、三浦友和共組犯罪集團。大森南 石和彌再次重磅出擊，繼橫掃多座大獎的名作《她 beyond imagination.
朋、宮澤冰魚等華麗卡司，佐以傳奇靈魂樂手巴比・ 不知道那些鳥的名字》後，二度請出魔性滿滿的演
沃麥克（Bobby WOMACK）多首樂曲，讓喋血衝突 技派男星阿部貞夫，聯手潛力小鮮肉岡田健史，以
中帶有靈動的性感，殘忍又耽美。 及在《金魚妻》中表現亮眼的岩田剛典同台飆戲。

大森立嗣 OMORI Tatsushi 白石和彌 SHIRAISHI Kazuya

1970 年生於東京。大學時拍攝 8mm 電影，曾任演員。首部長片《鍺之夜》即嶄露頭角叩關東京國際影展。 1974 年生於北海道，師從電影大師若松孝二，亦曾參與行定勳等名導作品，擅長改編充滿疏離、犯罪及暴
2013 年以《再見溪谷》榮獲藍絲帶獎最佳導演獎攀上職涯高峰。代表作包括《瀨戶與內海》、《母子情劫》 力的社會失序事件。2013 年以第二部長片《凶惡》闖出名號，獲日本電影學院獎最佳影片等四項大獎提名，
等，為創作與商業兼顧的日本當代導演代表之一。 後更陸續以《極惡刑事》、《孤狼之血》等佳作屢獲大獎肯定。

OMORI Tatsushi’s 2005 directorial debut, The Whispering of the Gods, screened at the Tokyo SHIRAISHI Kazuya is one of Japan’s leading directors. His acclaimed films include Lost Paradise in Tokyo
International Film Festival and Locarno International Film Festival. In 2013, he won the Special Jury (2009), The Devil's Path (2013), Twisted Justice (2016), and the box office hit The Blood of Wolves (2018).
Prize at the Moscow International Film Festival for The Ravine of Goodbye. Other films include Seto and In 2019, he received the New Face Award for Sea of Revival from Japan’s Agency for Cultural Affairs.
Utsumi, And Then There Was Light, and Every Day a Good Day.

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178 瘋狂世界 Crazy World 瘋狂世界 Crazy World 179

她喜歡的是 2021 釜山國際影展

2021 東京國際影展
愛你愛妳 2022 英國切爾滕納姆國際影展

What She Likes… Waiting for Bojangles

日本 Japan ｜ 2021 ｜ DCP ｜ Colour ｜ 121min 法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 124min

高中男生安藤純，在學校隱藏著同志身分，嚮往平 向的懵懂與掙扎、對感情的理解與誤解，都將在一 「當現實平庸且悲傷，請編織一個美麗的故事。」 Bojangles〉跳支舞吧，生活裡總有悲傷，那就用美

凡的結婚生子，與同學保持「摩擦力 =0」的安全距 片湛藍的未來中獲得解答。 好的故事來造夢吧！
男人與女人初識，幻想的愛情成真，一夜間私下成婚，
離，和有婦之夫交往中。純在書局意外撞見了購買
While roaming a bookstore, high student Jun comes 無視社會規則，做自己命運的主人。數年後，他們的 In front of their little boy, Camille and Georges
BL 漫畫的女同學三浦紗枝，為了保護身為腐女的祕
across his female classmate and notices that she is 孩子長大了，一家三口相依為命，生活越發艱辛，派 dance to their favorite song, Mr. Bojangles. With
密，紗枝不斷向純接近，情愫也日漸增長，終於在 looking at male homoerotic fantasy graphic novels. 對與舞步卻不能停。男孩見證父母不顧一切的愛情， them, there is only place for fun and fantasy.
同班同學集體約會時，紗枝對純表白。心中抱持猶 The girl wants her taste and preference kept a The one who shows the way is the mother, an
當狂想入侵現實，秩序逐漸失衡，也得共同對抗與逃
疑卻依然答應交往的純，是否能就此邁向普通的人 secret. They agree and become close friends. She unpredictable wisp. She leads them into a whirlwind
離。都說不瘋魔不成活，短暫的是絢爛煙火，永恆的
生？ professes her love for him. They begin to date, but of poetry so that the party continues again and
he is gay. 則是那充滿激情與想像、絕無可能遏止的愛意。 again, no matter what happens. Mad love has never
改編自日本暢銷輕小說《她喜歡的是 BL，不是同志 lived up to its name so well.
本片由暢銷小說改編，帶著詩意的孩童視角，溫柔
的我》，導演草野翔吾以輕盈細膩的鏡頭語言，打
述說一則極致純愛、浪漫不死的成人童話。法國演
造出同志 vs 腐女的另類青春純愛紀事。新生代國寶
技派男星侯曼・杜西斯（Romain DURIS）與比利時
級帥哥神尾楓珠領銜主演，與萌系少女山田杏奈和
甜心薇吉妮・愛菲哈（Virginie EFIRA）天雷勾動地
前傑尼斯偶像今井翼換乘戀愛，在充斥著推特、同
火，共譜不離不棄、賺人熱淚的熾烈戀曲，令人遙
人誌、不倫⋯⋯等次文化符號的異常生活中，試圖
想《巴黎野玫瑰》的法式狂愛。伴著經典名曲〈Mr.
摸索前往正常的道路。對現實的理想與妄想、對性

草野翔吾 KUSANO Shogo 雷基・朗索 Régis ROINSARD

1984 年出生於日本群馬，身兼導演、編劇，作品橫跨電影、電視、MV。就讀早稻田大學時期長片作品 1972 年生於法國盧維埃，導演、編劇。2012 年以浪漫喜劇《愛在彈指間》入圍凱薩獎最佳處女作獎，2019
《Mogera Wogura》即獲肯定，2012 年《空》入選沖繩國際影展，作品尚有電影《愛上有機男》、《世界 年執導眾星雲集的懸疑驚悚片《密室譯戰》。《愛你愛妳》為其第三部劇情長片作品。
最長的照片》、《愛在九月來臨前》，以及日劇《濕身偵探水野羽衣》、《什麼都不做的出租先生》、《被
Régis ROINSARD was born in 1972 in Louviers, France. After studying film at ESEC, he made several
擦掉的初戀》等。《她喜歡的是》為其最新作品。
short films before his 2012 feature debut Populaire was nominated for a César Award for Best First Film.
KUSANO Shogo is a Japanese film director and screenwriter. He graduated from the Faculty of Social He followed that up with the star-studded thriller Les traducteurs in 2019.
Sciences of Waseda University and has made films including Mogera Wogura, Empty, Bittersweet, and
The World’s Longest Photograph.

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180 瘋狂世界 Crazy World 瘋狂世界 Crazy World 181

傑克的怪奇戀語 2022 坎城影展

2022 布魯塞爾國際影展 Director's Week 獎提名
兄弟沒狗不應該 2021 日舞影展
2021 布魯塞爾國際影展 Director's Week 獎提名

The Strange Case of Jacky Caillou Mother Schmuckers 2021 畢爾包奇幻影展 最佳創新導演獎

法國 France ｜ 2022 ｜ DCP ｜ Colour ｜ 93min 比利時 Belgium ｜ 2021 ｜ DCP ｜ Colour ｜ 71min

阿爾卑斯深山中的小村裡，少年傑克與祖母相依為 與情感等無形能量的輪廓，靈幻氣質堪比《夢鹿情 伊薩沙與薩布倫兩兄弟出身底層社區，與風韻猶存的 展首映時投下一顆解放文青式審美疲勞的土製炸彈。

命，簡樸的日常僅靠祖母以靈氣療法為村人治病， 謎》。 性工作者媽媽相依為命。總是形影不離的他們看似少
Brussels, today.
收取微薄奉獻為生。年復一年，傑克在耳濡目染下 根筋，卻也從沒讓自己在險惡的街頭吃過虧。某天，
Small village, high in the French Alps, today.
慢慢學習靈療，卻始終沒有自信能像祖母一樣，真 兩人上街閒晃時不小心弄丟了家裡的老狗，怒不可遏 Issachar and Zabulon, two broke 20-something
brothers with a knack for stupidity and trouble,
正為村民排解身心疾患。直到某日，一對父女從鄰 Jacky Caillou lives with his loving grandmother 的媽媽命令他們必須在 24 小時內尋回愛犬，否則將被
live in a low-income housing complex in Brussels
近小鎮前來求助，背上長了謎樣斑塊並正在擴散的 Gisele, a magnetic healer respected by all. Elsa, a 逐出家門。消息靈通的他們，很快便發現愛犬被妄想 with their mother, Cashmere. When they lose their
young woman comes from the city to consult — a
少女，讓傑克一見傾心。當他決定發揮自己的天賦， 吃天鵝肉的媽媽追求者綁走。他們能結合一眾狐朋狗 mother’s beloved dog, January-Jack, she gives them
strange hairy dark stain grows on her back... an ultimatum — find him in 24 hours or get kicked
嘗試照著祖母的教誨來為少女治病時，卻發現少女 友的力量，在時限內奪回愛犬嗎？
When the village starts to suffer herd killings and his out of the house.
的真實狀況並不如她所述說的單純⋯⋯
grandmother passes away, Jacky urgently needs to 出身電影世家的新銳導演兄弟檔聯手執導，挑戰影史最 A hilarious adventure through contemporary
曾跟隨金獎紀錄片團隊深入阿爾卑斯山脈的導演， understand if he inherited the ancestral gift. Will he 狂搞笑兄弟經典。受美國爛片泰斗約翰・華特斯（John Brussels, Mother Schmuckers features appearances
帶 著 自 然 主 義 的 類 紀 錄 片 視 角 回 到 僻 靜 山 村， 採 manage to save both Elsa and his village? WATERS）、六○年代義大利鄉土喜劇電影影響，全片 by French actor Mathieu AMALRIC (The French
Dispatch, Sound of Metal) and Claire BODSON
用 來 自 當 地 的 素 人 演 員， 並 配 以 地 方 傳 統 手 風 琴 屎尿與地獄梗齊飛、邊緣怪人與低俗奇觀橫行，充滿 (Young Ahmed). As the two brothers encounter a
音樂，濃厚的在地感成功突出超自然故事的奇幻氛 根源於市井江湖的有機生命力與樂天世界觀。爛到笑 cast of eccentric characters, they’re never too far
圍。導演在鄉村民謠般的溫暖基調與黑暗奇詭的懸 的無賴派拍攝手法，搭配動物直覺般的野性風格，堪 from trouble.
疑 節 奏 間 自 由 轉 換， 嘗 試 對 焦、 捕 捉 聲 音、 靈 力 稱 Youtube 影像世代版的《脫線沖天炮》，在日舞影

盧卡斯・迪朗格 Lucas DELANGLE 蘭尼・蓋特 Lenny GUIT

1987 年生於法國薩特省，畢業於著名的法國高等國家影像與聲音職業學院，主修導演。畢業後曾跟隨著名
哈波・蓋特 Harpo GUIT
紀錄片導演克萊兒・西蒙（Claire SIMON），擔任助理導演，作品《森林中的伊甸園》曾入選《電影筆記》 生於巴黎，現居布魯塞爾。受導演父親影響，兩人幼時便曾參與電影演出，高中時期開始共同創作短片，創
年度十大；亦曾與新銳導演合作擔任編劇，作品《Meteorites》曾獲聖賽巴斯提安國際影展最佳新導演獎提 作組合又稱「蓋特俱樂部」(Club Guitos)。早期作品多上傳於 Youtube，首部聯合編導長片《兄弟沒狗不
名。 應該》便入圍日舞影展等多個國際影展，並廣獲歡笑好評。
Lucas DELANGLE is a director and scriptwriter born in Le Mans, France. He studied film at Montpellier Born in Paris and based in Brussels, Harpo and Lenny GUIT make movies together. They’ve worked with the
before joining the Film Directing department of La Fémis in 2008. He has directed several short films, same crew since their film school days, starting with shorts including La Semaine Est Encore Longue (2015),
including Les Chaussettes Mouillées (2013), Les Enterrements (2012) and Bien Loin d'Ici (2011). Nathalie F*** You All (2016) and La Brigade du Kiff (2018). Mother Schmuckers is their first feature film.

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182 瘋狂世界 Crazy World 瘋狂世界 Crazy World 183

惡女卡守貞 2022 年 鹿特丹影展

2021 年 坎城影展「導演雙週」單元
恁北龐克仔 2021 安錫國際動畫影展 Contrechamp 獎最佳影片
2021 渥太華國際動畫影展 最佳動畫長片獎

Medusa Bob Spit, We Do Not Like People 2021 東京動畫獎 最佳動畫長片優等獎

巴西 Brazil ｜ 2021 ｜ DCP ｜ Colour ｜ 128min 巴西 Brazil ｜ 2021 ｜ DCP ｜ Colour ｜ 90min

我們的宗教就是你的宗教！不信我們的宗教就訓你！ 型元素，譜出一部媲美《黑鏡》般近未來感的全新類 「龐克不死，也不凋零。」，一生貫徹龐克精神的諷 人物成為動畫角色，將受造物與造物主的精神世界貼

一群年輕女性，信奉容貌就該乾淨，舉止就該端莊婉 型作品！本片可說是近年巴西影壇，面對極右勢力高 刺漫畫家安吉利接受劇組訪問，談及他筆下的角色 合。
約，交友就該純潔自愛。她們深信耶穌和傳統教條， 漲和女性議題，最有力的一聲吶喊。 「鮑勃死呸特」時如是說。
The old punk Bob Spit, one of Brazil’s most iconic
殷切等待某日走進家庭婚姻；夜幕降臨，她們卻在城
Today, Brazil. 一身皮衣、卯丁裝飾的綠皮膚老龐克縱橫沙場，試圖 comic book characters, tries to escape a post-
市裡襲擊她們眼中行為不檢點的單身女子，處以私刑
逃出末日之後的一座沙漠。若有《瘋狂麥斯》的氣息， apocalyptic desert that is actually a purgatory in the
一陣毒打，要求在鏡頭前懺悔，甚至傳網公審。 Mariana, 21 years old, belongs to a world where mind of his creator, legendary cartoonist Angeli.
she must do her utmost to keep up the appearance 隨著鮑勃的步伐，漫畫家安吉利的精神世界越顯清
女子之一的瑪莉，在某次夜晚行動中傷到無暇的臉 of a perfect woman. In order to resist temptation, 晰。原來這座沙漠，正是安吉利精神世界的煉獄⋯⋯
龐，留下傷疤，心中堅若磐石的信仰也逐漸崩解；得 she and her girlfriends try their best to control
結合紀錄片、劇情片等體裁，再以停格動畫為形式，
不到的永遠在騷動，她開始質疑自己的信仰，想起傳 everything and everyone around them. And that
includes the town sinners. 《恁北龐克仔》找到最能提煉諷刺漫畫家存在精神的
言中她們教訓過的一位女子，近乎毀容的臉龐。瑪莉
形式講述他的創作。本片基於巴西史上最著名的漫畫
精神上逐漸和那樣宛若梅杜莎的面容疊合⋯⋯面對社 At night, their girls squad put on masks, hunt and
家安吉利的故事。成名於七○年代巴西軍政府獨裁時
會沉重的期待、宗教窒息式的束縛，終於大聲吼叫出 beat up all women who have deviated from the right
path. However, the day will come when the urge to 期，安吉利擅長揶揄諷刺反映巴西社會現況。本片道
來！
scream will be stronger than it has ever been... 出安吉利筆下最廣為人知的角色之一「鮑勃死呸特」，
導演有感於巴西社會近年保守勢力反撲，雜揉恐怖類 以龐克精神為主軸，神還原漫畫角色的同時，讓真實

愛妮塔・蘿莎・達・希爾薇拉 Anita Rocha da SILVEIRA 凱薩・卡布羅 Cesar CABRAL

出 生 並 成 長 於 巴 西 里 約 熱 內 盧。 身 兼 導 演、 編 劇 和 剪 輯， 曾 完 成 三 部 短 片； 首 部 長 片 作 品《Kill Me 畢業於巴西聖保羅傳播與藝術大學，主修電影。1998 年起開始製作停格動畫，並於 2000 年成立動畫工作
Please》在威尼斯影展「地平線」單元中首映。作品擅長以恐怖類型元素和形式反映時局現實，備受國際影 室 Coala Filmes。執導三部動畫短片後推出首部長片《恁北龐克仔》，一舉奪得動畫影展最高殿堂安錫國
展矚目。 際動畫影展 Contrechamp 獎最佳影片。

Born and raised in Rio de Janeiro, Anita Rocha da SILVEIRA has written, directed and edited three Cesar CABRAL graduated in Film and Video at ECA-USP. He began his career as a stop-motion animator
short films: The Noon Vampire (2008), Handball (2010, FIPRESCI Award at Int. Short Film Festival before co-founding the animation company Coala Filmes in 2000. Through Coala, he directed the stop-
Oberhausen), and The Living Dead (2012, Cannes Directors’ Fortnight). Her first feature, Kill Me Please motion short film Dossiê Rê Bordosa (2008), winner of more than 70 awards at Brazilian and international
(2015), screened at Venice, New Directors/New Films and SXSW. film festivals.

PRINT SOURCE Best Friend Forever PRINT SOURCE Coala Filmes

184 瘋狂世界 Crazy World 瘋狂世界 Crazy World 185

趴兔青春期 2022 西雅圖國際影展

2022 德國影展
詭孩 2022 挪威亞曼達電影獎
2021 西班牙錫切斯奇幻影展 特別提及

It's Just a Phase, Honey The Innocents 2021 坎城影展 一種注目獎提名

德國 Germany ｜ 2021 ｜ DCP ｜ Colour ｜ 105min 挪威 Norway ｜ 2021 ｜ DCP ｜ Colour ｜ 117min

小說家保羅和配音員艾米莉亞是對夢幻伴侶，他們 一同分享的電影，給予人們有愛不怕老的智慧與勇 由於姊姊罹患無法與人溝通的奇症，伊達自幼即欠缺 The Innocents follows four children who become
育有三個孩子，被視為「人生勝利組」。但正邁入 氣。 玩伴，生活中唯一的樂趣便是趁父母不注意，偷偷欺 friends during the summer holidays. Out of sight
of the adults, they discover they have hidden
中年的他們，卻發現青春不再，開始會為掉髮、視 負對一切逆來順受的姊姊。某天，伊達在鄰近的森林
Paul and Emilia are 40-somethings who have always powers. While exploring their newfound abilities in
力減退、性慾降低而憂心不已。不願服老的兩人決 遊玩時，認識了與他同樣孤獨的單親男孩班，兩人一 the nearby forests and playgrounds, their innocent
been held up as the dream couple. Paul was the
定涅槃重生：他們要放飛自我，重新找回人生第二 successful novelist and Emilia an actress in demand 拍即合，開始每天見面玩耍。隨著兩人間破壞「遊戲」 play takes a dark turn and strange things begin to
個青春期。不過他們似乎用錯了方法，意外使兩人 for dubbing telenovelas. However, age is gradually 的升級，班與生俱來的神奇超能力漸漸強大，原本覺 happen.
愛情突然陷入了泥淖⋯⋯ catching up with them — thinning hair, eyesight and 得好玩的依達，卻慢慢發現事態不太對勁⋯⋯
libido not being what they used to be. Thus, they
《趴兔青春期》根據賣翻亞馬遜排行榜、名列榜首 set out to resist the inevitable by trying to regain 甫以《世界上最爛的人》獲奧斯卡最佳原著劇本獎提
數月的暢銷小說改編。劇情大膽誠實地描述日常生 their long-lost youth. But that may well mean losing 名，挪威影人艾斯基・佛格重拾導演筒，找回前次合
活中，令人抗拒承認的中年叛逆期，所發生種種的 the one thing that they both cherish the most… 作《盲》並勇奪挪威影后的艾倫・多莉・彼得森（Ellen
有趣事件，讓人捧腹又感動！四座喜劇影帝克里斯 Dorrit PETERSON），攜手現實中的女兒本色出演。
多 福・ 赫 斯 特（Christoph Maria HERBST） 與 艾 故事聚焦無人知曉的孩童玩樂時光，不僅直視人性原
美 獎 女 星 克 莉 絲 汀・ 保 羅（Christiane PAUL） 瘋 初的冷酷暴力，更架構出小小社會中難以言傳卻真實
狂逗趣的演出、奧斯卡得主佛羅芮・加倫柏格功力 存在的魔幻宇宙。北歐式冷調心理驚悚結合兒童成長
超凡的喜劇執導，笑弄出這一部值得與最親密伴侶 電影，堪稱今年最另類的惡童殘酷物語。

佛羅芮・加倫柏格 Florian GALLENBERGER 艾斯基・佛格 Eskil VOGT

1972 年生於慕尼黑，畢業於慕尼黑影視大學，學生時期曾參與拍攝文・溫德斯執導的德國電影《光之幻影》， 1974 年生於挪威，電影創作以編劇為主，曾與名導尤沃金・提爾（Joachim TRIER）合作《八月三十一日，
他的畢業製作短片《 I Want to Be…》不僅拿下德國幾乎所有的電影新銳獎項，也榮獲 2001 年奧斯卡金像獎最 我在奧斯陸》、《記憶乍響》等大作，並以共同編劇的《世界上最爛的人》獲奧斯卡最佳原著劇本獎提名。
佳短片。《趴兔青春期》是他執導的第二部喜劇長片，也是他與製片班傑明・赫曼（Benjamin HERMANN）合 一鳴驚人的首部執導作品《盲》則在 2014 年推出，於柏林、日舞等多個國際重要影展獲獎肯定。
作的第六部電影。除了擔任導演、編劇和製片人，加倫伯格自 2011 年起，也在慕尼黑影視學院任教。
Eskil VOGT graduated from La Fémis in Paris. His directing debut, Blind (2014), premiered at Sundance,
Florian GALLENBERGER graduated from the renowned University of Television and Film in Munich in 1998. where it won the Screenwriting Award. He has a longstanding collaboration with Joachim TRIER,
His graduation film, Quiero ser (I Want to Be...) , not only received almost all the German and international including the scripts for Reprise (2006), Oslo, August 31st (2011), Louder than Bombs (2015), Thelma
young talent awards, but also won the Academy Award for Best Live Action Short Film in 2001. (2017) and The Worst Person in the World (2021).

PRINT SOURCE 海鵬影業有限公司 Swallow Wings Films Co., Ltd. PRINT SOURCE 好威映象 Hooray Films
 孩子幻想國 Kids Fantasy 187

Kids Fantasy

來自星星的少女 Maika, the Girl from Another Galaxy

公主飛高高 2022 布魯塞爾國際動畫影展 最佳兒童動畫長片獎
2022 烏克蘭國際兒童影展 最佳影片獎提名

Dragon Princess 2022 盧米埃電影獎 最佳動畫電影獎提名

法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 78min

毛毛是被火龍撫養長大的女孩，她從一顆蛋中被孵 同種族的女孩相知相惜的友誼與勇氣，講述一個驚險
出，同時擁有人類的外表和龍族的神力，她從小與森 刺激的冒險與成長故事，同時觸及了關於人與自然、
林中的動物們一同成長，能口吐火焰，力大無窮，奔 戰爭與貪婪的層層反思。
跑快如疾風。擁有一頭綠色長髮的毛毛，一但有了想
Bristle is a little girl raised by dragons. She breathes
要守護的人，長髮就會像翅膀一樣張開，帶著她飛舞
fire, is as strong as 10 men, and has scales that
高空。某一天，巫蛙來到火龍爸爸的洞穴，要他遵守 change color depending on the season. When her
約定交出第二珍貴的寶藏――他疼愛的小女兒。毛毛 father, Dragon, has to pay the Sorcerog using his
傷心欲絕地離開家，踏上探索人類世界的旅程，她認 second-most valuable asset, he offers her Bristle…
識了城堡裡的公主，第一次感受到友情的美好，也遇 Heartbroken Bristle then flees the family cave and
embarks on a journey to discover the world of men.
見了被貪婪遮蔽了心的國王⋯⋯
Upon meeting them, she will learn the meaning of
本片畫面光感通透，情節細緻流暢，雖是法國動畫， friendship and solidarity, but also greed. It’s there that
Bristle will earn her nickname: the “Dragon Princess”.
配樂與畫風卻帶著濃濃的日系動畫風格。透過兩個不

吉恩・賈克・丹尼斯 Jean-Jacques DENIS

曾為許多動畫作品繪製了分鏡腳本。 他們首次攜手合作的導演作品是 2015 年的動畫長片《Dofus - Book 1:
Julith》，而《公主飛高高》是兩人搭檔執導的第二部動畫長片。

本單元向來以闔家觀賞為主軸，除了集結適合各年齡層小朋友觀賞的趣味短片輯，今年長片添加了冒險氣息滿滿的 Trained at the Gobelins School of Visual Arts in Paris, Jean-Jacques DENIS started working with Ankama
公路電影，以展顯彼此有難同當的志氣；也有透過孩童情誼和成長故事，以清透質地描繪出身分認同、大自然和成 in 2010, first as storyboarder for the series Wakfu, then as director of the series Dofus: Kerub’s Bazaar. In
2015, he co-directed his first feature film, Dofus – Book I: Julith.
人世界的幽微之面；或是角色性格甚至氣味形塑得極致生動，以及溫情與童趣十足的科幻類型片。這次的「孩子幻
想國」，將帶領大家踏入更繽紛的異想奇地。 安東尼・胡克斯 Anthony ROUX
法國遊戲動畫製作公司 Ankama 的創辦人兼創意總監，曾製作如《龍夢幻境》（DOFUS）等多款遊戲大作。
This program has always been designed for a family-friendly audience. In addition to a collection of interesting
short films suitable for children of all ages, the selection of feature films this year includes an adventurous road Anthony ROUX is the founder and creative director of Ankama. A graduate of the Académie des Beaux-
movie that highlights childhood friendship and growth; a story that depicts identity, nature and the subtle Arts in Tournai, he presided over the series Wakfu as author, scriptwriter and director before venturing
aspects of the adult world through clear textures, where the characters and even the smells are shaped vividly; into feature films and bringing his universe to the big screen in Dofus – Book I: Julith.

and a warm sci-fi film full of childlike charm. This year's "Kids Fantasy" will lead you to a more colorful and
whimsical land.
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188 孩子幻想國 Kids Fantasy 孩子幻想國 Kids Fantasy 189

進擊小忍者 2
我是噗～
2022 丹麥波迪獎 最佳男演員獎
2022 丹麥羅伯特獎 最佳兒青電影、改編劇本獎

Checkered Ninja 2 2022 柏林影展 「Generation Kplus」單元水晶熊獎最佳影片提名

丹麥 Denmark ｜ 2021 ｜ DCP ｜ Colour ｜ 86min

Oink
荷蘭 The Netherlands ｜ 2022 ｜ DCP ｜ Colour ｜ 72min
忍者娃娃與艾力克斯再度合體！因為大壞蛋艾普明即將從 斯將帶領觀眾穿梭泰國繽紛喧鬧的街道，共同面對那些在
曼谷監獄獲釋，艾普明為了脫罪不惜動用律師消滅證據， 任何人生階段都可能出現的疑惑與困境，展開前所未有的 小巴全家吃素，她有疼愛她的父母及雜食好友小泰。 《我是噗～》是瑪莎・哈伯史塔首部停格動畫長片，
關鍵證人們因此身陷危機！忍者娃娃這次以充滿愛心圖案 跨國歷險！ 在小巴生日前夕，家裡來了不速之客――素未謀面的 透過媒材獨有的質地，生動塑造角色的性格與小豬的
的紅色格紋重出江湖，藉著艾力克斯家庭旅行一路殺到泰 爺爺、已失聯多年的爸爸，自美國返家，闖進她們一 「氣味」，將意外的結局藏在溫厚的材質裡。
In Checkered Ninja 2, we again follow the boy
國，必須在證人們被滅口前搶先一步重新搜集證據！ 家人的生活。爺爺在她生日當天送了她夢寐以求的寵
Alex and Checkered Ninja on a frantic hunt for
When nine-year-old Babs receives a pig named Oink
在危機四伏的公路冒險旅程中，每次危機都是忍者娃娃和 the villain from the first movie, Phillip Eppermint. 物――小豬仔小諾（雖然她的本意是想要一隻小狗）。
as a present from her grandfather, she convinces
Because Eppermint manages to evade a prison
艾力克斯對彼此情感與信任的挑戰！且看他們在過程中如 小諾不太懂事，又是逃家、又是把媽媽的菜園踩得一 her parents to keep it under the condition that Oink
sentence in Thailand, Checkered Ninja comes alive
何學會不囿於外在的膚淺表象，看透人事物內在的真實本 and seeks out Alex. Together, and with Alex’s entire 塌糊塗，暴怒的媽媽想把昂昂趕出家門。為了將牠留
follows puppy training. But her parents are not the
biggest threat to Oink because her grandfather
質，他們又是如何發現若只著眼於目標與結果，就會錯過 family, they now have to go to Thailand to bust 下來，小巴帶小諾去狗狗學校接受訓練，爺爺則努力 is secretly taking part in the sausage competition
與彼此共同經歷的每個瞬間？ Eppermint. Alex and Checkered Ninja are swooped 修復媽媽的菜園，兩人都希望能夠有所彌補。 organized by The Society for Meat Products from
up into a dangerous mission, where their friendship
Fresh Pigs...
這不只是部給兒童與青少年觀眾的動畫，更是部充滿冒險 sometimes comes under intense pressure. 隨著小鎮第 100 屆「香腸王盃」來臨，一向對爺爺
元素的公路電影。隨著劇情跌宕起伏，忍者娃娃與艾力克 有所遲疑的小泰和小巴的姨婆，帶來了許多令人不安
的消息。事情要追溯到 25 年前，爺爺有樁未了的事
安德斯・麥特森 Anders MATTHESEN ⋯⋯
身兼單口相聲／喜劇演員、編劇與導演，《What Goes Around》與《進擊小忍者 1》、《進擊小忍者 2》
為自編自導自演的作品（後者為共同執導）。

Anders MATTHESEN is a stand-up comedian, scriptwriter, and director. He wrote, directed and starred in
瑪莎・哈伯史塔 Mascha HALBERSTAD
What Goes Around and co-directed Checkered Ninja 1 and Checkered Ninja 2. 瑪莎・哈伯史塔，動畫導演，1973 年生於荷蘭，畢業於荷蘭阿納姆 ArtEZ 藝術學院，曾為多部劇情長片
製作動畫，包含《幸福百萬分之一》。她亦曾執導多部動畫短片、劇集及 MV，並以動畫短片《Munya in
托比約恩・克里斯托弗森 Thorbjørn CHRISTOFFERSEN
Me》獲阿姆斯特丹國際兒童影視展 Cinekid 電視獎。本片是她的第一部動畫長片。她與製片瑪琳・史洛特
投身動畫產業逾 20 年，曾以執導作品《Terkel in Trouble》、《Ronal Barbarian）》及《進擊小忍者 1》 （Marleen SLOT）共同創立 Holy Motion 動畫製作基地。
三度獲安錫國際動畫影展水晶獎最佳長片提名。
Mascha HALBERSTAD attended the ArtEZ Art Academy in Arnhem and has made animations for several
Thorbjørn CHRISTOFFERSEN has been devoted to animation for over 20 years. He has been nominated feature films, including Taking Chances (Berlinale Generation 2012). Her 2013 film Munya in Me won the
three times for the Cristal Award for Best Feature at the Annecy International Animated Film Festival, for Grand Jury Prize of the BANFF World Media Festival. She is the co-founder of the animation studio Holy
Terkel in Trouble, Ronal Barbarian, and Checkered Ninja 1. Motion.

PRINT SOURCE 木棉花國際股份有限公司 Muse Communication Co., Ltd. PRINT SOURCE LevelK
190 孩子幻想國 Kids Fantasy

Kids Fantasy: Animation

呼哇呼哇小熊之歌 Hush Hush Little Bear

來自星星的少女 2022 日舞影展
2022 西雅圖國際影展

Maika, the Girl from Another Galaxy 2022 紐沙特奇幻影展

越南 Vietnam ｜ 2022 ｜ DCP ｜ Colour ｜ 108min

媽媽因病過世，與爸爸同住的男孩虹，只能藉由遙控 Hung is an eight-year-old boy still coping with

飛機的陪伴，作為對母親的思念。弱小的他雖常被同 the death of his mother. Whenever he feels
distraught, Hung retreats to the roof to be alone
儕欺負，但他卻從不退縮，勇於伸張正義。某天夜裡，
and watches the night sky. One night, he witnesses
虹驚見天空有流星墜落，一道紫光閃現，循著墜落地 a meteor shower with an errant falling star hitting
尋找的他，意外與來自星星的少女瑪依卡相遇。瑪依 the ground in the distance. At the crash site, he
卡的無所不能，幫助男孩解決一連串棘手問題，虹也 discovers an alien girl named Maika. As Hung
為了幫助少女找回同伴、返回星球，兩人攜手打擊資 helps Maika find her friend and get back to her
home, she inadvertently helps Hung make new
本、擊退惡霸，共闖一趟奇妙神祕的尋家歷險。
friends and mend his broken heart. But danger lurks
啟發自 1981 年斯洛伐克經典科幻電視劇《She Fell everywhere, as Hung is not the only one who knows
from Clouds》，越南籍導演陳光咸描繪失親男孩與 about his new alien friend…
外星女孩的深刻情誼，同時以此片獻給其母親。故事
既 有《E.T. 外 星 人 》 的 溫 情， 亦 富 含《 小 鬼 當 家 》
的趣味，導演結合當代科技議題，藉由童星生動活潑
的演技及精準的類型電影節奏，打造越南首部科幻電
影。

陳光咸 Ham TRAN 用影像燃點想像，為孩子的世界塗上不同色彩！本單元專為小小孩及小孩分齡量身打造，來自世界各國影像與聲音

越南裔美國人，加州大學洛杉磯分校影視戲劇學院畢業，取得電影導演碩士。2003 年執導短片《The
的冒險，讓孩子在電影裡找到自己的故事。短片輯中不只有軟綿綿、讓人大呼超可愛的熊熊定格動畫，同時還有穿
Anniversary》，入選奧斯卡金像獎最佳實景短片決選名單，爾後完成多部長片。《來自星星的女孩》為其 梭科幻時空、細膩流暢的 3D 偶動畫，以及想像力破表的紙雕質感恐龍肚肚歷險記！遠從義大利湖畔來的拉各影展選
最新作品，於 2022 年日舞影展世界首映。 輯，更像是一場溫柔如夢境的奇幻國度旅程。

Ham TRAN received his MFA in Directing from the UCLA School of Theater, Film and Television, where
his short films won numerous accolades including the title of National Finalist for the Student Academy
Awards. In the spring of 2006, he premiered his first feature film, Journey from the Fall, at Sundance.
Films can fire up the imagination and embellish the world of children with different colors. This program
includes three compilations that contain sounds and images from around the world. Targeting primary schoolers
and preschoolers, the films will allow them to discover their own stories through characters and plot. A fluffy
and lively stop-motion animation about a bear family, a wildly imaginative T-Rex adventure, and exquisite
3D animations traveling through space and time...there is more to these compilations than meets the eye!
Additionally, this program is joined by a fine selection from Lago Film Fest’s UNICEF Kids Competition.

PRINT SOURCE 可樂電影 Cola Films

192 孩子幻想國：長短腳兒童動畫短片輯 1 Kids Fantasy: Animation I 孩子幻想國：長短腳兒童動畫短片輯 1 Kids Fantasy: Animation I 193

小恐龍咕嚕嚕奇遇記 靴靴你啊
2022 安錫國際動畫影展
2022 西雅圖兒童影展
Step by Step 2022 東京動畫獎

Bellysaurus
2022 希臘雅典動畫影展
法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 7min
靜謐小河邊，一隻小靴子獨自在森林裡醒來，悠悠哉哉四處散步。
澳洲 Australia ｜ 2021 ｜ DCP ｜ Colour ｜ 8min 夜幕降臨，沉睡的小靴子被一隻飢餓小老鼠吵醒，他們深深被彼此
吸引，遇到狐狸襲擊只能緊緊依靠。小老鼠為小靴子奉上鮮美果
鮮嫩多汁的果實讓小恐龍們為之瘋狂，因為太貪吃，紅色小
實，而小靴子成為小老鼠最安心的避風港。為了幫助小靴子回家，
恐龍吃著吃著居然撞到大暴龍還不甘示弱亂亂吼。大暴龍一
陪伴的力量將帶著他們穿越森林，最終他們能回到溫暖的家嗎？
氣之下將他一口吞進肚子裡，沒想到，小恐龍卻意外發現自
己可以控制大暴龍的一舉一動，於是在森林裡展開一連串的 The movie opens with a little rain boot laying on a river’s side. She
wakes up and starts her way alone in the forest. Night falls, the boot
大冒險！本片藉由內外力量的拉扯，展現一段有趣卻不可思 falls asleep but she is bothered by a harvest mouse that is trying to find
議的友情。 something to eat. They are interested in each other but their encounter
is interrupted by a fox’s attack. This adventure starts their friendship and
A tiny dinosaur dreams she is a scary big dinosaur. When their journey through the forest. Their trip together is stopped by a road;
danger strikes, she learns it’s what’s on the inside that counts. the boot has to cross alone to return home and to her people.
Literally.
西奧多・尚維耶 Thēodore JANVIER 茱莉・瓦倫汀 Julie VALENTIN
兒時的夢想是成為一名插畫家，但發現自己從繪畫習得的連續 八歲看了第一部 3D 動畫片後，便對動畫無法忘情，創作動畫
性技法可以運用在 3D 動畫後，便發展出對角色建模的熱情。 也成為其志業。自小開始繪畫，對電影有莫大熱情。

艾瑪・加赫 Emma GACH 安娜貝爾・大衛 Anabelle DAVID

菲利普・瓦茲 Philip WATTS
出生於法國西南部，從小即熱愛動畫。動畫創作旅程始於亞維 在藝術預備課程練習停格動畫時，發覺自己想從事動畫創作。
澳洲斯威本電影學院（現為 VCA 影視學院）畢業。 2013 年《Bless You》在國際影展大放異彩，2014 年《The 儂新影像學院，專長是動畫及為角色綁定骨架，不過在這部作 為了達成夢想，便來到亞維儂新影像學院。在這部作品主要負
Visitors》獲紐約國際兒童影展兒童評審團獎，2017 年電影《Superperson》獲巴塞隆納兒童影展最佳短片獎。 品負責的工作是聲音剪輯。 責動畫部分。
他同時也擔任電視節目剪輯師，參與多部影集包含《溫特沃斯》。
芬妮・寶莉 Fanny PAOLI 克萊兒・羅伯特 Claire ROBERT
Philip WATTS is an animator from Melbourne, Australia. His film Bless You (2013) played at over 25 festivals and
自小受印象派畫家的構圖、色彩、光線和人物表現啟發，因此 深深為動畫片所著迷，因此決心以動畫維生。於巴黎高等應用
won Best Animated Film at the Portland Film Festival; The Visitors (2014) won the Kids Jury Prize at the New York
開始對講述故事產生興趣。身為這部作品的起始成員，其主要 藝術學院取得 3D 動畫執照，於亞維儂新影像學院取得碩士學
International Children's Film Festival, and Superperson (2017) won Best Short (Age 7+) at the Barcelona Children's
Film Festival. 負責分鏡、剪輯及動畫。 位。未來想專注於動畫建模和材質貼圖。

PRINT SOURCE Philip WATTS PRINT SOURCE Miyu Distribution

呼哇呼哇小熊之歌 2022 安錫國際動畫影展 蓋世奇蹟 Bottle Cap 2022 安錫國際動畫影展 水晶獎最佳短片提名

Hush Hush Little Bear

2022 柏林影展 「Generation Kplus」單元水晶熊獎最佳短片提名 2022 斯圖加特國際動畫影展
美國 USA ｜ 2022 ｜ DCP ｜ Colour ｜ 5min

拉脫維亞 Latvia ｜ 2022 ｜ DCP ｜ Colour ｜ 5min

螯的大小對招潮蟹來說，是最重要的一件事，關乎一輩子的
熊爸爸外出採蜂蜜，熊媽媽外出採漿果，兩隻小熊留在家，和小 生存與榮耀，但蟹爾頓生來只有一雙小而無用的螯，牠感覺
羊一起玩。調皮的小熊弄亂小羊的毛線，滾呀滾呀滾，把自己也 自己什麼也做不好。有一天，牠在沙灘上發現了一個瓶蓋，
纏住了，該怎麼辦才好呢？ 牠用這個瓶蓋代替螯來挖砂，牠感覺自己變得像上帝一樣強
充滿童趣的定格動畫，配上拉脫維亞傳統的搖籃曲《Hush Hush 大，然而這種虛榮終將帶來可怕的代價。本片以幽默輕鬆的
Little Bear》，讓人徜徉在一個完全由羊毛氈所構築而成的童話 語調講述當今海洋環境面對的緊迫課題。
世界，跟著小熊一起踏上軟綿綿又輕飄飄的冒險之路。 Claw size matters to a fiddler crab, so when a plastic
While the bear parents are away looking for berries and bottle cap stands in for Shelton's worthless digging
honey, the baby bears stay at home with the sheep. The bear claw, he feels almost God-like, but this kind of glory
cubs have a good time playing merrily with a ball of yarn, but will come at a horrible cost.
soon enough the cubs find themselves all tangled up and
everything is turned upside down! Luckily, the sheep help
them put everything in order again. The film is based on the
traditional Latvian lullaby Hush Hush Little Bear. 玄瑪麗 Marie HYON
馬可・斯皮爾 Marco SPIER
玄瑪麗出生於韓國首爾，九歲移民紐約，帕森設計學院畢業。馬可・斯皮爾曾獲艾美獎肯定，他與瑪麗為紐約首屈一指的
瑪拉・莉妮娜 Mara LININA
影像製作公司 Psyop 的共同創始人，兩人從 2000 年起便開始合作關係，本片為其首部共同執導的動畫短片，即榮獲目前
畢業於拉脫維亞文化學院，主修電影導演和舞台表演。她曾執導一部電影長片和七部動畫短片，她同時也是一位編劇。自 世界最重要的兩個動畫影展入圍肯定，預計將發展成一個關於海洋保育的系列故事。
1998 年以來，她便在大學教授口條及表演，並曾擔任拉脫維亞多部國產及國際電影企畫案的選角指導。她在九○年代開始 Marie HYON was born in Seoul and moved to Brooklyn when she was nine. She received her BA from the Parsons
從事動畫工作，很快地開始執導自己的動畫短片。瑪拉表示，動畫是她與世界對話的方式，透過電影語言講述冒險和經歷。 School of Design, and as a co-founder of Psyop, created commissioned works which have earned her a Cannes Lion, a
Mara LININA studied Film Direction and Stage Speech at the Latvian Academy of Culture. She teaches elocution Gold CLIO for Best Direction, a Webby, a D&AD Gold Pencil, as well as the Golden Award of Montreux.
and acting at various higher educational establishments and works as a casting director for Latvian and international Marco SPIER is a co-founder and Emmy-winning Director for Psyop. He directed the Gold Cannes Lion-winning Adidas
film projects. She first worked as an executive artist for Dauka Animation studio in the 1990s before directing own “Together” campaign, as well as more recent projects for Adidas Parley, Apple, Facebook, IBM, and the new Sesame
animated shorts. Street opening.

PRINT SOURCE Atom Art PRINT SOURCE Psyop

194 孩子幻想國：長短腳兒童動畫短片輯 1 Kids Fantasy: Animation I 孩子幻想國：長短腳兒童動畫短片輯 1 Kids Fantasy: Animation I 195

飛吧！金絲雀奇奇 2021 薩格勒布國際動畫影展 蹦蹦球怪的跳島冒險 2022 薩格勒布國際動畫影展

Kiki the Feather The Smortlybacks Come Back!

2021 奧伯豪森國際短片影展 「兒青競賽」單元最佳影片獎 2022 瑞士 Fantoche 國際動畫影展
2021 里斯本獨立影展

法國 France ｜ 2020 ｜ DCP ｜ Colour ｜ 6min 德國 Germany ｜ 2022 ｜ DCP ｜ Colour ｜ 8min

金絲雀奇奇從小就被關在鳥籠裡，整天只知道等老太太餵食 主角蹦蹦球怪是群體生物，譚姆林是領航人，擁有特殊號角
跟發呆。某天，老太太忘記關上籠子的門，奇奇撲通一跳， 樂器可和他們進行溝通。他們在荒涼貧脊的沙漠裡尋找豐沃
滾進陌生城市裡，才赫然發現自己根本不會飛，好險野鳥小 的牧場，沿著彩虹階梯來到海灘，眼前充滿希望的美麗綠世
黑帶著他一起衝刺、冒險。跌跌撞撞、連滾帶爬的奇奇，最 界就在對岸，不諳水性的他們該如何穿越海洋通向幸福的結
後能學會飛高高嗎？全片詼諧自在的影像語言，讓人忘情穿 局呢？邀請你跟著有牛角造型的可愛蹦蹦球怪，打開想像力
梭在 2D 與真實世界之間。 進行一趟奇幻旅程！

Kiki the canary only knows his cage and the old lady who In a barren world, TamLin of the Little People travels with his
feeds him. He dreams of flying with the free birds from herd of splendid smortlybacks in search of greener pastures.
outside. When at last the door of the cage stays open, he They struggle with fear and find themselves stranded on
escapes and discovers the big outside where it’s necessary to the shore of the ocean. With unlikely help from TamSin, a
know how to fly. wonderful mermaid, and her disrespectful smortlysharks, they
cross the ocean and find a happy end.

茱莉・倫鮑維爾 Julie REMBAUVILLE

尼可拉斯・比安科萊夫林 Nicolas BIANCO-LEVRIN
茱莉・倫鮑維爾與尼可拉斯・比安科萊夫林共同創作動畫超過 15 年的時間。絕佳默契始於 2015 年與 La Luna 製作公
司合作的《Once Upon Three Times》，爾後更一起與 Xbo 電影公司製作了《A Story by Jeannot》，並於法國第三
電視台播映。他們的近期新作為《Old Hag》，該劇本於 2016 年安錫國際動畫影展獲獎，並預售給法國 Canal+ 電視台。
Julie REMBAUVILLE and Nicolas BIANCO-LEVRIN have been writing and directing animated shorts for about 15 years.
Their first collaboration in 2015 was Once Upon Three Times, and they have since made A Story by Jeannot and Old
Hag, whose screenplay was awarded at the 2016 Annecy Film Market and pre-bought by Canal +.
泰德・席格 Ted SIEGER
1958 年生於智利，在世界各國遊歷居住，做過馬伕、森林工人等工作，現為動畫導演和製片人。以 1999 年電
視 動 畫 劇《Ted Sieger’s Wildlife》 而 聞 名，2016 年 動 畫 長 片《Ted Sieger's Molly Monster》 獲 得 柏 林 影 展
「Generation Kplus」單元水晶熊獎最佳長片提名，《蹦蹦球怪的跳島冒險》是 2013 年《The Smortlybacks》
的延續故事。
Born 1958 in South America, Ted SIEGER grew up in Chile, Peru, Australia and Switzerland, and lived later in Los
Angeles, Amsterdam and Berlin. He has worked as a roofer, ferryman, horse groomer, night clerk, forest worker,
engineer on a cargo ship to Africa, and egg counter in an egg factory — until he finally found his calling: animation.

PRINT SOURCE Prototypes Productions PRINT SOURCE MAGNETFILM GmbH

妙妙起司屋 2022 薩格勒布國際動畫影展

Mouse House
2022 捷克茲林國際兒童暨青少年影展

斯洛維尼亞、克羅埃西亞 Slovenia, Croatia ｜ 2022 ｜ DCP ｜ Colour ｜ 8min

餓扁了的兩隻小老鼠，發現了超大塊起司，還有⋯⋯一隻飢
腸轆轆的貓！本片敘事清晰、節奏明快且寓意深遠：如何認
識自己的情感和欲望？如何面對生活中的每個決定？如何承
擔每個決定所帶來的責任？導演透過簡單的角色建立關係，
盡可能排除了年齡限制，企圖引起更多層次的想像與討論。

A bulky mouse finds himself trapped within a cheese wheel

while his itsy brother is left to fend for himself, starving and
having to deal with a monstrous cat. Meanwhile, within the
wheel-turned-mouse-palace, driven loco by the cheese
bonanza, the rodent living like a King mustn’t forget that every
bite he takes to his house leads him closer to a tumble.

提蒙・雷德 Timon LEDER

斯洛維尼亞籍動畫導演，亦從事動畫教學。自幼著迷動畫，畢業於法國 La Poudrière 動畫學校，研究兒童如何理
解電影語言，曾參與創作兒童適齡的動畫手冊。自編自導的首部動畫短片《Weasel》入圍 30 多個影展，曾參與
《Martin Krpan》等電視動畫製作。
Timon LEDER is an animation director and teacher. He graduated from La Poudrière animation school in France, and
his debut animated short, Weasel, was selected to over 30 festivals worldwide. Animations he has worked on include
Martin Krpan, Prince Ki-Ki-Do, and Twisted Tales: Cinda Real.

PRINT SOURCE Invida

196 孩子幻想國：長短腳兒童動畫短片輯 2 Kids Fantasy: Animation II 孩子幻想國：長短腳兒童動畫短片輯 2 Kids Fantasy: Animation II 197

莫弟的消失事件簿 小豬萬事屋，泥好！
2022 克萊蒙費宏國際短片影展
2021 蒙特婁世界影展
2022 薩格勒布國際動畫影展 2021 安錫國際動畫影展

Mortimer and the Vanishings A Splash in a Mud

2022 德國德勒斯登國際短片影展
2022 愛爾蘭丁格爾動畫影展

德國 Germany ｜ 2022 ｜ DCP ｜ Colour ｜ 14min 法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 9min
莫弟最近發現身邊的東西一個一個消失了，眼鏡、腳踏車、 農場裡下起了大雨，四隻牛擠在牛棚裡，不斷抱怨著惡劣的
玩具⋯⋯越來越多，但大人們卻一點都沒發現，最後就連他 天氣。山坡上來了一隻小豬，開心地在雨中跳起舞來，小豬
討厭的妹妹艾瑪也消失了。滿頭問號的莫弟意外進入一個失 的快樂感染了小牛們，大家紛紛丟掉憤怒的情緒，走入雨
物時空中，時間則變成莫弟的敵人，他必須在他父母回家之 中，享受起雨水與泥巴的樂趣。用毛線、棉花、黏土等各種
前，將妹妹找回來⋯⋯科幻劇情中包裹真摯親情，宛若一場 素材組合成的定格動畫，交織出一個充滿童趣與想像，富有
挖掘自我的新奇旅程；細緻流暢 3D 偶動畫，連機器人都超 音樂節奏性的輕快故事。
級有戲。
Plic ploc plic ploc! The rain has invited itself to the field of
The orderly Mortimer wants to know why things have been the Horn Quartet. Marguerite, Aglaé, Clarisse and Rosine
disappearing all over his street lately. When even his annoying are huddled together under the shelter and are angry at
little sister Emma disappears while he's taking care of her, the bad weather. When it rains, it's impossible to have fun!
Mortimer embarks on an adventurous journey to rescue her But impossible is nothing to Charly! This little piggy full of
from the Lost-Things-Dimension. Time is Mortimer's enemy: madness will teach the four cows that it’s possible to create
he must find his sister before his parents return home. rhythm with precipitation.

羅伯特・夏夫納 Robert SCHEFFNER 艾曼紐・戈吉雅 Emmanuelle GORGIARD

畢業於法蘭克福視覺藝術學院，2009 年以短片《Cornell and the Toaster》獲獎，隨後專注於動畫及童書創作， 1963 年生於法國，畢業於雷恩美術學院。畢業後曾擔任劇場佈景設計師，1996 年投身於動畫，1998 年執導了
他目前正與知名童書作家邁特・凱利（Maite Kelly）合作，共同籌備首部動畫長片。 她的第一部系列動畫短片《Bêtes comme choux》，並入選安錫國際動畫影展。 2006 年她將法國劇作家高乃依
Robert SCHEFFNER graduated from the Academy of Visual Arts Frankfurt in 2009 with the award winning short film （Pierre CORNEILLE）的《熙德》（The Cid）改編為定格動畫。擅長靈活運用各種異素材創作定格動畫。
Cornell and the Toaster. He has since worked as an animation director and children's author and is currently working Emmanuelle GORGIARD graduated from the Fine Arts School of Rennes, then worked as a set designer for many
on his first animated feature and a children's book series. French and Swiss directors of theater. In 1998, she directed her first series, Bêtes comme choux. She is also known the
stop-motion animation adaption of Le Cid (2006) and Dorothy the Rambler (2018).

PRINT SOURCE PixelPEC GmbH PRINT SOURCE L’Agence du court métrage

小村歡唱三姊妹 春天聚樂部
2022 捷克茲林國際兒童暨青少年影展
2022 薩格奈國際短片影展
The Soloists 2022 德國德勒斯登國際短片影展

法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 8min

在一個有著許多「女性禁止」規定的小鎮裡 ，三個愛唱歌的
Legend of Spring
老太太和狗狗住在一起。某天，廣播裡傳來「女性禁止唱歌 比利時 Belgium ｜ 2021 ｜ DCP ｜ Colour ｜ 7min
且不得養狗，除非三重唱」的新禁令，為平復心情，她們開
森林裡落下靄靄白雪，好冷的小瓢蟲忍不住發問：「為什麼
始練歌，但其中一位卻突然死翹翹。剩下的兩位老太太，該
冬天這麼冷呢？春天又是怎麼來的呢？」於是蜘蛛說起了關
如何找到新夥伴繼續表演呢？可愛人物、流暢轉場與明快音
於春天的傳說：很久以前，太陽熱力四射創造出生命，但卻
樂節奏，用可愛勇氣對抗荒謬的厭女世界。
筋疲力盡，只好躲進雲裡休息，直到聽見冬天的小葉子快樂
In a small village ruled by a lot of ridiculous laws, three old 高歌，它慢慢甦醒且春天再次到來，但隨著喚醒太陽的表演
ladies live together with their dog. In this village, women are not 儀式越來越盛大，卻起了意想不到的變化⋯⋯
allowed to sing unless they are in a trio, nor are they allowed to
own a dog. While the three old ladies are rehearsing for their Do you know how spring was born? Legend says that every
greatest performance, one has an untimely death and the two year, at the end of winter, the small leaves revive the sun’s
remaining ladies and their forbidden dog need to find a third energy by performing a show.
singer in time to be able to perform and not break the law.

梅赫納茲・艾畢杜拉希妮亞 Mehrnaz ABDOLLAHINIA 瑟莉絲特・雅妮克 Celeste JAMNECK

身兼導演、3D 動畫師，動畫創作生涯逾十年，作品類型包括動畫、 有抱負的導演及資深 2D ／ 3D 角色藝術家，主要
攝影、廣告、MV、手遊等，希望以各種創作形式表現精彩故事及創 目標是創造出帶有故事的角色，以及有角色的故 露．維宏 Lou VÉRANT
新想法。 事。 現居布魯塞爾，從事繪畫及藝術教育工作，專注於兒童文學及圖像創作，並對哲學和自然生態有著濃厚的興趣。
拉扎克・伊薩卡 Razahk ISSAKA 劉易 LIU Yi Lou VÉRANT is an artist, illustrator, director and teacher based in Brussels. She writes and draws for children with a
具有發現細節的眼光、跳脫框架解決問題的能力，以及把事情做好 熱愛繪畫與設計，喜歡捕捉生活的獨特時刻作為 deep interest in philosophy and nature.
做滿的動力。 作品的靈感來源。

菲本・艾麗雅絲・沃爾德哈瓦莉亞特 Feben Elias WOLDEHAWARIAT

決心要成為一名說故事的人及視覺藝術家。

PRINT SOURCE Miyu Distribution PRINT SOURCE Atelier de production de la Cambre, ASBL
198 孩子幻想國：長短腳兒童動畫短片輯 2 Kids Fantasy: Animation II 孩子幻想國：義大利拉各影展兒童動畫短片輯 Animation for Kids from Lago Film Fest 199

愛哭鬼水塔男孩 2022 克萊蒙費宏國際短片影展 小白熊的極光之歌 2022 義大利拉各影展

Theo the Water Tower Ursa - The Song of the Northern Lights
2022 薩格奈國際短片影展 2022 捷克茲林國際兒童暨青少年影展
2022 里斯本獨立影展

法國、瑞士 France, Switzerland ｜ 2021 ｜ DCP ｜ Colour ｜ 9min
水塔西奧是個愛哭鬼，每天早上總是哭到惹人厭，羅伯特和小狗
試圖以歌聲安慰他不成，卻把他嚇跑到熱鬧的城鎮去。在這裡大
家嘲笑西奧不是一座真正的建築物，而是個單調無趣、沒有任何
裝飾的水塔，他又哭得更傷心了，哪裡才有他的容身之處呢？色
彩繽紛、擬人化的建築共同高歌，譜出難得一見的動畫音樂劇。
Every morning, Theo the water tower cries and disturbs the
village's peace. Robert and his dog try to cheer him up by
singing songs. But Theo is in no mood to sing and tries to
escape, which leads him out of the village and into the city!
挪威 Norway ｜ 2021 ｜ DCP ｜ Colour ｜ 10min
在寒冷黑暗的北極，一隻小北極熊孤獨地從洞穴裡醒來，但他四
處都找不到媽媽。他穿越暴風雪，走過冰冷的苔原，爬上鋒利的
冰丘，聲聲呼喚著媽媽。經過重重的困難，他來到了冰川的邊緣，
眼前只有一望無際的大海，在遠處北極光閃耀的地方，他彷彿看
到了自己的媽媽⋯⋯一部美麗而憂傷的可愛動畫，讓人反思全球
暖化所造成的環境問題。
The little polar bear Ursa is alone in the cold, dark Arctic,
looking for his mom. He walks through a blizzard, through the
icy cold tundra and sharp ice hummocks, towards the northern
lights and the magic song, in the hopes of find his mother.
After many challenges, he comes to the edge of the Earth. In
front of him is only the sea and the northern lights. And there
in the distance, in the northern lights, he sees his mom!

嘉敏・德賽 Jaimeen DESAI 娜塔莉亞・瑪莉奇娜 Natalia MALYKHINA

生於印度小鎮，在成長學習過程中被栽培成一名醫生，最終他成為了動畫師。他的作品總是在探索物件變形，
並從童年所接觸的卡通汲取靈感。2018 年，移居法國就讀 La Poudrière 動畫學校，《愛哭鬼水塔男孩》是法國
Folimage 動畫工作室駐村藝術家計畫的成果之一。
Born in a small town in India, Jaimeen DESAI was groomed to be a doctor but ended up becoming an animator. In
2018, he moved to France to study at La Poudriere, where he made his final year film, Love in the Clouds. His films
tend to be about transformation and channel the cartoons from his childhood.
1971 年生，是一位擁有 25 年動畫經驗的導演、編劇和製片。她是挪威創意動畫工作室 Ulvenfilm 的創辦人，專
注於製作兒童友善動畫，她的前兩部作品《小灰狼：夏日派對》及《小灰狼：秋天去旅行》曾在高雄市電影館放映。
Natalia MALYKHINA is a director, screenwriter, and producer with 25 years of animation experience in short and
feature cartoon films, animation series, commercials, and TV programs. She has worked on more than 20 animated
film projects at international film production studios and runs her own little creative animation studio, Ulvenfilm, in
Lillehammer, Norway.

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刻在你心底的痕跡 2022 義大利拉各影展

SCRATCH
2021 義大利 Imaginaria 想像國際動畫影展
2021 雅典數位藝術展

法國 France ｜ 2021 ｜ DCP ｜ Colour ｜ 6min

森林的地底下有一個無底的深淵會吞噬被傷了心的人，地底
的入口只會對孤獨無助的人敞開，一旦踏了進去，就很難再
出來⋯⋯和情人吵架的小虎，看著空蕩蕩的房間，心裡像破
了一個洞，只有喝下勇氣與熱情的藥水，才能進入地底救出
心愛的人。畫風簡約宛如《角落小夥伴》，一起進入奇幻世
界，承受可愛爆擊！

Separation, loneliness and a deadly smell tarnish the lives of

the occupants of the forest.

朱利安・皮奧 Julien PIAU

朱利安・皮奧，1988 年生於法國南特，是一名獨立動畫電影導演，喜歡透過暗黑卻又可愛的反差角色，來講述受
真實事件或是個人經歷所啟發的故事。
Julien PIAU is an independent animated film director born in France in 1988. He loves telling stories inspired by real
events, sometimes personal, through cute characters in dark fantasy worlds.

PRINT SOURCE Lago Film Fest

200 孩子幻想國：義大利拉各影展兒童動畫短片輯 Animation for Kids from Lago Film Fest 孩子幻想國：義大利拉各影展兒童動畫短片輯 Animation for Kids from Lago Film Fest 201

我腦中的橡皮擦 蝸居小鎮
2022 義大利拉各影展
2022 斯圖加特國際動畫影展
2022 義大利拉各影展 2021 關渡國際動畫節

Lost Brain Snail's Breakfast

2022 奧伯豪森國際短片影展
2022 棕櫚泉國際短片影展 Shorties! 獎特別提及

瑞士 Switzerland ｜ 2022 ｜ DCP ｜ Colour ｜ 7min 俄羅斯 Russia ｜ 2022 ｜ DCP ｜ Colour ｜ 7min

鱷魚小姐每次打噴嚏，都會喪失一部分的記憶。漸漸地，她 在一個所有話語及故事都不具意義的世界裡，城市早已失去
忘了怎麼烤麵包、怎麼燒開水，也不記得該怎麼澆花，甚至 其應有的樣貌，沒了街道，也無巷弄，只剩下不再具有任何
忘了怎麼開門，只能被困在自己的公寓裡。她必須在所有記 功能的文物，而城市裡的居民，變成了一個又一個背負沉重
憶都消失前，找到房門的鑰匙，打開門走出去，才能找回跟 的房子，想飛也飛不高，永遠離不開家的蝸牛。一則關於霸
世界相處的辦法。輕快的畫風，充滿奇想的筆觸，講述了一 權與掠奪，戰爭與和平，既超現實又極端寫實的當代寓言。
個在絕望中重新發現希望的可愛故事。 In a world where stories are losing their value, all that remains
is to enjoy the ever-encroaching nature, and feed on falling
Every time Louise the crocodile sneezes, she loses part of her
fruit. In this world, the city has long since lost its outlines —
brain, until she cannot perform simple tasks and becomes
there are no roads, no streets left to be seen, only artifacts
trapped inside her own apartment. She must find a way to
that no longer perform any function, and its only inhabitants
rediscover the world before she fades away completely.
are snails that never leave their houses.

伊莎貝爾・法維絲 Isabelle FAVEZ 尤金尼・法迪耶夫 Eugeniy FADEYEV

1974 年生於瑞士伯恩，1999 年畢業於蘇黎世藝術大學電影和影像學系，成為獨立動畫電影製片人，同時也是導 1988 年出生於莫斯科，2011 年畢業於莫斯科國立測量與繪圖大學建築系，2013 年於 SHAR 動畫學院進修，
演及編劇。2004 年曾以動畫短片《Circuit Marine》榮獲柏林影展水晶熊獎特別提及。 2015 年完成學業。2016 年執導首部動畫短片作品《Helmet Comedy》。
Isabelle FAVEZ is an independent animation filmmaker born in 1974 in Bern, Switzerland. She graduated from the Film Eugeniy FADEYEV was born in 1988 in Moscow. In 2011, he graduated from Moscow State University of Geodesy and
and Video Department of ZHdK (Zürcher Hochschule der Künste) in 1999. Cartography with a degree in architecture before enrolling in School-Studio SHAR in 2013. Upon graduating in 2015,
he released his first short, Helmet Comedy, in 2016.

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相思百靈鳥
2022 義大利拉各影展
2022 翠貝卡影展
2021 墨西哥莫雷利亞國際影展

Phonos
墨西哥 Mexico ｜ 2022 ｜ DCP ｜ Colour ｜ 9min

女孩和爺爺都喜歡聲音，爺爺教她感知、欣賞世上的各種聲
音，笛聲、鳥鳴聲、螽斯的叫聲、風聲⋯⋯他們一起收集並
分類各種聲音的線索，一點一滴拼湊出世界的樣貌。然而自
從爺爺去世之後，女孩失去了對一切的熱情，直到有一天，
她偶然聽見了百靈鳥的叫聲，喚起了她遺忘已久的記憶。結
合了城市、自然、聲音與親情的狂想作品。

Cloe and her grandfather share a fondness for sounds,

which they sense, admire, absorb and catalog. But when her
grandfather dies, Cloe must confront the loss of a shared
passion.

蓋布莉葉拉・巴迪歐 Gabriela BADILLO

曾於墨西哥最大的媒體集團特萊維薩工作，13 年的媒體經歷，讓她多次獲得紐約影展、墨西哥影藝學院、
PROMAX/BDA 媒體獎等的認可。並為國家文化藝術基金會執導《68 voices-68 hearts》，用動畫電影的方式呈
現墨西哥 68 種原住民母語，追溯文化與宇宙的起源。現為 Hola Combo 動畫工作室創意總監，致力於以動畫作
為傳達社會責任的溝通工具。
Gabriela BADILLO is the Creative Director and co-founder of Hola Combo, a design and animation studio. With over
13 years of experience, her work has been recognized by the New York Festival, Promax/BDA, Mexican Film Academy,
and Quorum, as well as the National Fund for Culture and the Arts.

PRINT SOURCE Lago Film Fest

 人民力量：烏俄之聲 People Power: Ukraine and Russia 203

People Power:
Ukraine and Russia

3 月 14 日，我在烏克蘭 One Day in Ukraine

戰火時，我們正青春 2022 柏林影展 最佳紀錄片、「Generation
Kplus」單元水晶熊獎最佳影片提名

Boney Piles 2022 德國 GoEast 影展 費比西國際影評人協會

獎最佳紀錄片、中東歐線上圖書館獎最佳紀錄片

烏克蘭 Ukraine ｜ 2022 ｜ DCP ｜ Colour ｜ 80min

14 歲的女孩娜斯恰所居住的托列茨克（Toretsk） 於烏克蘭戰區孩童的見證，也是獻給出生於戰時，
原是盛產煤礦的烏克蘭小鎮，礦區的廢土丘鱗次櫛 未曾見過一日和平的所有孩子們。
比地林立著；自 2014 年俄烏衝突開始後，距前線僅
Nastya was six when three missiles fired by the
數百米的這座小鎮，戰事地景便取代了日常風景。
Russian army hit her house on New Year's Eve.
除夕的三枚導彈一夕奪走父親的生命，也摧毀了安 She survived but lost her father, childhood and
適的家園與童年。娜斯恰開始在網路世界裡尋求庇 faith in life. To the likes of her, the war has become
護與安定，偶與處境相當的孩子們在廢墟或墓地裡 something commonplace, like the landscape
玩耍，在廢土丘間撿拾金屬變賣，或為餘戶者吟唱 outside the window. Yet Nastya has dreams. Like
every girl, she dreams of a new house and a dog
聖誕頌歌賺取零花。在日復一日的天真中，哀傷已
and keeps on writing letters to Santa asking him to
近無聲，就像傾倒的廢土經過輾壓夷平後，成為大 bring her father back.
地的一部分⋯⋯只剩如赭紅緩丘的傷痕，沉默地爬
According to official statistics, approximately 10,000
上衣袖裡的手臂。
children currently reside in the Donbas warzone.
片名看似敍述著煤礦小鎮逝去的榮繁與遺留的廢棄，
同時也雙關暗示著戰火下的成堆骨墳，以及倖存者
被迫共存的巨大悲傷與一絲希望。這不僅是一部關

年度主題「惡宇宙」之骨衍生出今年人民力量單元的軸心：烏俄之聲，其所選四部作品以撼動人心的新聞紀實影像
塔拉斯・托梅科 Taras TOMENKO
和靜而有力的劇情敍事，對照出戰爭暴力下，層層切面所表露的形而上邪惡，以及現今烏俄戰事洪流裡的真實狀態。
在大銀幕的光亮之下，我們更能清晰看見那些在極權之下成長，並將覺醒付諸行動的年輕世代，堅韌地展現絕地而 1976 年出生於烏克蘭基輔，畢業於國立基輔國立劇院、電影電視大學，以及塔拉斯謝甫琴科國立基輔大學
的哲學學院。曾以執導短片《Tyr》拿下 2001 年柏林影展紐約電影學院「電影大觀」獎，過去作品包含紀
生的勇氣，為民主和家園抗力向前。
錄短片《Liza》、首部紀錄長片《Budynok 'Slovo'》等。
This year’s "Evil Universe" theme gave birth to the central focus of the People Power program: Ukraine Taras TOMENKO was born in Kyiv, Ukraine in 1976. He graduated from Kyiv National I. K. Karpenko-
and Russia. The four selected films present a contrasting mix of stunning news footage, quiet and powerful Kary Theater, Cinema and Television University, and Taras Shevchenko State Kyiv University. His films
narratives that contrast the layers of war and violence, and the metaphysical evil revealed by the true state of include the documentaries Checkpoint Ukraine (2015), Prison Mamas (2007), and Liza (2006), as well as
the current Russo-Ukrainian War. Under the light of the cinema screen, bear witness to the younger generation the short Slaughter House (1999).
who grew up under totalitarianism as they spring into action, tenaciously demonstrating their courage through
despair, and stepping forward to defend democracy and their homeland.
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204 人民力量：烏俄之聲 People Power: Ukraine and Russia 人民力量：烏俄之聲 People Power: Ukraine and Russia 205

3 月 14 日，我在烏克蘭 2022 雪菲爾紀錄片影展 闇夜烏克蘭

One Day in Ukraine Overcoming the Darkness
烏克蘭 Ukraine ｜ 2022 ｜ DCP ｜ Colour ｜ 79min 烏克蘭 Ukraine ｜ 2022 ｜ DCP ｜ Colour ｜ 80min

當人們普遍將 2022 年 2 月視作俄烏戰爭的伊始，對烏 This film plays out in Ukraine on a single day: March 自 2014 年克里米亞事件起，烏克蘭與俄羅斯即在民 A compendium of short films, Overcoming the
克蘭人來說，截至 3 月 14 日，這場戰役事實上已經持 14, 2022, the 2,944th day of the Russian-Ukrainian 族認同與邊境主權等問題上，不斷累積政治矛盾並爆 Darkness highlights the full tragedy that followed
War. Intense warfare has created a post-apocalyptic the Russian invasion of Ukraine in February 2022. It
續了 2,944 天。這也是 2013 年烏克蘭爆發親歐盟示威 發零星武裝衝突。2022 年 2 月，俄羅斯軍隊大舉入侵，
dimension revealing new qualities and roles. The charts the course of the Russian progression across
運動以來的第九年。鏡頭流轉於首都基輔的地鐵月台、 capital city’s previously calm suburbs have been 兩國的對抗正式從低強度的政治作戰及代理人戰爭， the country through the lives and communities
清冷街頭與焦土上空，凝視一天之中被迫改變日常的烏 transformed into battle zones of destruction and 爆發成延燒全境的大規模熱戰。許多無辜的烏克蘭人 of those affected by the wide-scale aggression,
克蘭人：寄宿地鐵的家庭、守衛領土的士兵、提供後勤 looting by Russian occupiers. People no longer live 民決定與家園共存亡，在斷垣殘壁中見證俄軍的暴行 alongside those fighting for their land. The film
支援的女子⋯⋯當工作日與週末的時間間隙被倏然抹 according to “workdays” or “weekends,” counting 與戰火的殘酷。剛毅的烏克蘭軍隊至今仍堅守陣線， details the force of the assault, but its primary focus
instead the number of days since Russia’s full-scale lies with the strength of the communities that have
去，昔日平和的街區被異化為殘破與動盪的異域，剩下 一次又一次抵擋敵人的推進、瓦解敵人的攻勢⋯⋯
invasion of Ukraine… had to endure unimaginable hardships but who
的，只有日復一日的槍響與硝煙。
The film presents this day in the lives of a pop music 如同香港《時代革命》、《理大圍城》等紀錄作品， remain resilient in the face of such oppression. It
長期關注運動的導演伏羅德米爾・泰克易，以沉浸式的 來自烏克蘭各地的影像工作者游擊式的拍攝、匯集在 joins an increasing number of ground-level films
star, video engineer, historian, art restorer, polar
documenting the reality of this modern tragedy.
手持攝影，襯以憂傷緊促的配樂，和迴盪在城市上空的 researcher, and pensioner, all of whom were forced 地的第一手影像。在各大城市街道、國道驛站與戰線
警鳴，引領觀眾一同探訪戰火前線。3 月 14 日，也是 to radically change their lives. 堡壘上，攝影機捕捉了烏克蘭軍民一體、身處戰火中
烏克蘭志願者日。本片並未揭露鏡頭前每個人的背景身 的日常，也終將共同見證烏克蘭的國族命運。臨場感
分──流行歌手、影片工程師、史學工作者、藝術修復 滿滿的影像及草根味十足的訪談，讓人深刻感受和平
師等等，在戰事未歇的此刻，他們都成了志願者。 自由的無價，以及自強止戰的重要。

伏羅德米爾・泰克易 Volodymyr TYKHYY 烏克蘭公民自媒體組織 Kinodopomoha

伏羅德米爾・泰克易，1970 年生於烏克蘭，同時為劇情片、紀錄片導演。2019 年以劇情長片《Brama》入
圍烏克蘭電影學院獎 12 項大獎。因拍攝一系列關於 2013 年烏克蘭親歐盟示威運動的歷史紀錄片，於 2018
年獲頒藝術最高榮譽謝甫琴科國家獎（Shevchenko National Prize）。
Volodymyr TYKHYY’s feature debut, Car Washers (2001), screened at Karlovy Vary. His 2013 film, The
Green Jacket, competed at San Sebastian, Warsaw, and Tbilisi. His 2019 feature, Brama, was nominated
for 12 Ukranian Film Academy Awards. In 2018, he was awarded the Shevchenko National Prize, the
highest state prize of Ukraine for works of culture and arts.
集結於 2022 年，由烏克蘭影視圈同業匿名組成的紀錄片工作團隊，旨在從烏克蘭人民視角出發，游擊式地紀錄烏克蘭抗俄戰爭
中的大小事，匯集紀實影像以見證烏克蘭人民的命運。影片主要發佈於 Youtube 頻道《KINODOPOMOHA》。
Kinodopomoha is a collective of Ukrainian filmmakers, such as directors, DPs, editors, post-production specialists,
producers and drivers, who are documenting what is happening in Ukraine by capturing war, destruction and the struggles
of the everyday people, but also glimpses of hope.

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206 人民力量：烏俄之聲 People Power: Ukraine and Russia

Special Program:
New Noise in Skateboarding
少年耶，Pro ！ North Hollywood
時代革命俄羅斯
Ice Under His Feet
俄羅斯 Russia ｜ 2022 ｜ DCP ｜ Colour ｜ 91min

2022 年 2 月，俄羅斯入侵烏克蘭，暴行震驚全球，但 Masha and Ilya were born around the time Vladimir
對瑪莎和伊利亞而言，爭取自由的戰爭早已開始。惡意 PUTIN came to power. The girl and the boy, just like
their friends, wanted to live in a free, democratic
逮捕競選對手、武力鎮壓人權運動、操縱輿論封鎖異
and open country. Fighting for freedom and their
言，兩人親眼見證國家一步一步走向極權。逆境之中， future, our heroes organize discussion clubs and
俄羅斯年輕學子依然奮起，呼籲眾人走上街頭，與志同 protest actions, participate in pickets and give
道合的朋友並肩戰鬥，和長輩意見相左也不輕易罷休， lectures, support their comrades who are behind
因為他們始終相信，只要持續努力，未來將就此改變。 bars, and try to change the minds of their relatives,
friends and ordinary passersby in various Russian
長期關注祖國政治的俄羅斯導演基里爾・涅納謝夫數度 cities.
以紀錄片叩問普丁霸權，《時代革命俄羅斯》再次展露 War breaks out. And we all find ourselves in another
俄國人民對威權的異議之聲。拼貼訪談跟拍、運動影像 reality.
及新聞片段，搭配節奏強烈的地下音樂，以歌詞質詢獨
裁執政。黨伸出的手，對人民究竟是保護還是禁錮？自
由意志的嚮往勢不可擋，抗爭的呼聲隱隱騷動，引領著 踩著滑板大步滑行的輪聲、板子磨過石臺的聲音、輪架卡過地形頂緣的清脆聲、失敗著地的落板聲，這些他人耳中
新世代敲響一記革命警鐘。 的噪音，向來是滑板人認為最美妙的樂音。去年東京奧運初亮相成為當屆盛事亮點的滑板競賽，使這一向來不以競
技與評分機制、未曾被視為傳統運動發展主軸的滑板在近幾年開始輪轉變動，全球各地興起的滑板文化更如百花齊
放般蓬勃成長。本單元網羅最新滑板相關紀錄片與劇情片，以及電影大師觀點之下的滑板世界，將觸角探入滑板文
基里爾・涅納謝夫 Kirill NENASHEV 化的深層切面，經由觀影體驗抽解出這個非一般運動的迷人之處，呈現不同世代藉由滑板傳達自我、性別多元化、
次文化樣貌及滑板歷史的保存與弱勢群體的發聲。
1985 年出生於莫斯科，於大學時期研讀法律，後轉攻讀電影，並參與亞歷山大・普羅斯金（Alexander
PROSHKIN）電影工作坊。紀錄作品長片作品有《Putin Forever?》、《People Who Differ》，《時代革 Wheels striding down the street, boards and trucks grinding and sliding over ledges and rails; the frustration,
命俄羅斯》為其最新作品。 pain, and laughter of failing to land a trick — these are sounds that skateboarders cherish. The Tokyo Olympics
Nenashev KIRILL was born 1985 in Pavlovski Posad, Moscow Region. He studied at the Artkino Film debuted competitional skateboarding last year, and it became one of the highlights of the event, shifting the
School and the Gerasimov Institute of Cinematography. He is the co-founder and coordinator of the skateboarding industry. In recent years, skateboarding culture has emerged and grown abundantly around
civic project network Politics Space, and the co-author and organizer of Emigration for Action, a Russian the world. This program includes the latest skateboarding documentaries and feature films, diving deep
emigration initiative for Ukrainian refugees in Georgia. into aspects of skateboarding culture, and extracting the charm of this extraordinary activity through the
viewing experience, while also presenting different generations’ expressions of self-identity, gender diversity,
subculture, as well as the preservation of skateboarding history and the voice of the underprivileged.
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208 特別企畫：滑板新噪聲 Special Program: New Noise in Skateboarding 特別企畫：滑板新噪聲 Special Program: New Noise in Skateboarding 209

迷幻公園 少年耶，Pro ！ 2021 斯德哥爾摩國際影展

2021 波蘭 Camerimage 電影攝影藝術國際影展

North Hollywood
Paranoid Park
2007 坎城影展 60 週年紀念獎
2007 電影筆記 年度十大電影

美國 USA ｜ 2021 ｜ DCP ｜ Colour ｜ 94min

美國、法國 USA, France ｜ 2007 ｜ DCP ｜ Colour ｜ 85min

老爸叫你不要玩板，好好考大學，你滑到眾叛親離，朋友都 是泰尚・瓊 斯（Tyshawn JONES）、桑尼・蘇吉克（Sunny

「我覺得我還不夠格去迷幻公園。」「從來沒有人真 影御用配樂大師尼諾・羅塔（Nino ROTA）的作品， 懶得甩你，只為了達成自己的夢想――成為一個滑板 Pro。 SULJIC）等一票滑板好手來參與演出。「我們需要更多像
的夠格。」 為謎樣、脆弱而美麗的音速青春打造豐富感官體驗。 這樣的滑板電影！」，東尼・霍克（Tony HAWK）看完後更直
來自北好萊塢的麥可即將要高中畢業了，他只有一個夢想，
接在社群上這樣喊聲支持！
滑板少年亞力斯有個煩惱，那天他去了滑板人聚集的 Alex, a teenage skateboarder, accidentally kills 就是成為職業的滑板選手。而為了這個夢想，他試圖認識當
迷幻公園，想不到竟意外捲入一樁兇殺案。祕密無處 a security guard in the vicinity of Paranoid Park, 地的職業滑板選手們，瞞著逼迫他升學的老爸，和這些選 North Hollywood follows Michael as he graduates
可說，他只有照樣回到日常生活，面對學校、朋友、 Portland's tough street park. He decides to say 手們在公園練板。麥可為了讓自己更強，他甚至也不和從小 high school and decides what’s next in life. His two
nothing. 一起玩板的死黨們玩板，因為他覺得他們不如這些職業的
女友和即將離婚的父母，另一個不一樣的世界卻已悄 childhood best friends are on different life paths.
然而至。 選手們厲害。夾在家庭、友誼與夢想的這條道路上，麥可該 One is going to college and the other is going
如何抉擇？ to work, but Michael wants to pursue a career as
《迷幻公園》為擅長拍攝次文化與邊緣少年議題的國 a professional skateboarder. Over the course of
際級大導葛斯・范・桑經典之作，詩意而奇詭，極簡 本片改編自導演麥基・阿爾弗雷德的自身成長經驗，他從小 the film, Michael must come to terms with what
就和死黨們在北好萊塢跟著滑手們玩板拍片；15 歲時加入 following his dream means for the future of those
卻動人，適逢 15 週年再現大銀幕。葛斯・范・桑找
Odd Future 成為專屬攝影師，爾後一路成立了自己的滑板 relationships, not only with his friends and love
來攝影大師杜可風掌鏡，用極具穿透力與流動感的視 interest, but also his father, who disapproves of his
品牌 Illegal Civilization，販售滑板服飾與拍攝影片。在共
覺影像，完美捕捉青春期的靈動與惶惑；配樂以迷幻 choice. Rifts form as Michael takes steps to build
同製作了喬納・希爾（Jonah HILL）的《青春 90》後，他這
抽離的電子音樂為主調，結合民謠搖滾、爵士、嘻哈、 relationships with professional skaters and earn the
次自己拿起導演筒，靠著在滑板圈累積的好人緣，找來了像
鄉村、龐克、實驗聲響等多元曲風，更轉化費里尼電 blessings of his loved ones.

麥基・阿爾弗雷德 Mikey ALFRED

葛斯・范・桑 Gus VAN SANT
生於北加州，15 歲時結識造物主泰勒（Tyler, the Creator），並成為 Odd Future 廠牌的專屬攝影師。透
1952 年生於美國肯塔基州，當代重要作者導演之一，身兼導演、編劇、攝影師、音樂家等。早年拍攝電視 過隨著廠牌巡迴，販售周邊商品與 DVD 的經驗，於 2008 年成立販售滑板用品與服飾，以及製作滑板影片
廣告，也曾為許多天王級音樂人拍攝 MV，電影作品在主流市場與獨立製作皆有所斬獲，以《心靈捕手》、《自 的公司 Illegal Civilization。他在共同製作了喬納・希爾的《青春 90》後，於 2021 年首次執導改編自身經
由大道》兩度入圍奧斯卡金像獎最佳導演獎，2003 年以《大象》贏得坎城影展金棕櫚獎與最佳導演獎。 歷的滑板成長電影《少年耶，Pro ！》。

Gus VAN SANT’s body of work includes many hallmarks of 90s independent cinema, notably Drugstore Mikey ALFRED is an accomplished director and entrepreneur who has successfully incorporated his
Cowboy (1989), My Own Private Idaho (1991), and Even Cowgirls Get the Blues (1993). He directed deeply held passions for fashion, art, film, skateboard culture, and his hometown of Los Angeles into
Nicole KIDMAN in To Die For (1995), Sean PENN in Milk (2008), and received a Best Director Academy a burgeoning career. He is best known as the owner of Illegal Civilization, a million-dollar clothing
Award nomination for Good Will Hunting (1997). company and creative collective born in L.A.’s skating community.

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210 特別企畫：滑板新噪聲 Special Program: New Noise in Skateboarding 特別企畫：滑板新噪聲 Special Program: New Noise in Skateboarding 211

英倫滑板人
等我有一天
2021 塔林黑夜影展

2022 日舞影展 未來創新獎提名

Boarders
Every Day in Kaimuki 英國 UK ｜ 2021 ｜ DCP ｜ Colour ｜ 92min

美國 USA ｜ 2022 ｜ DCP ｜ Colour ｜ 80min

在 2016 年的 8 月，國際奧運組織宣布滑板即將在下一次的東 來倡揚的自由地表達自我是大相逕庭。當滑板選手穿上了一
京奧運成為正式比賽項目，在英國的職業滑板選手們也準備 樣的衣服，為了得到更高的分數全力跳躍，這會是我們熟悉
要參與國手的選拔。「我們不是在加州啦！」英國國家滑板 的滑板文化嗎？
自幼在寧靜悠閒的夏威夷小鎮長大，帥氣小哥納茲在 調，地方青年探尋自我歸屬的躊躇穿透銀幕，令人感
隊選拔手亞歷士・霍福特（Alex HALLFORD）在英格蘭的綿
滑板場結交了一群比親人更親的換帖兄弟，也靠夜間 同身受。 Skateboarding to many is not a sport. It’s an art form, a
綿細雨之下這樣對鏡頭笑著；雖然沒有的迷人加州陽光，英
DJ 工作成為社區裡有頭有臉的風雲人物。然而，即便 國的滑板文化早在七○年代便盛行於街頭。
form of self-expression and a community. In August 2016,
This first feature by native Hawaiian writer/director
生活舒適自在，他卻始終隱隱感到疏離且寂寞。為了 skateboarding was announced as a new Olympic sport
Alika TENGAN tells the story of Naz, a late night DJ 本片紀錄了多位英國職業滑板選手，例如山姆·貝克特（Sam for the Tokyo 2020 Games. The reaction, a mixture of
陪伴藝術家女友完成創作計畫，納茲下定決心放棄一 at a community radio station and avid skateboarder BECKETT）、亞歷士·狄昆哈（Alex DECUNHA）等人在準備 incredulity and amusement from purists and traditionalists
切，收拾家當搬往紐約。離家的日期一天天靠近，他 as he navigates the complexities of leaving his within the British skate scene.
國手選拔賽的過程，跟著他們經歷職業生涯中的高與低，也
必須逐一向避風港般的滑板場、電台和兄弟親友們告 simple but unfulfilling life in Kaimukī for New York 透過各式影像資料，帶我們梳理了英國滑板文化的脈絡。在 Boarders explores the highs and lows of professional
別，他心裡的雜音逐漸喧囂⋯⋯離開的決定真的正確 City with his girlfriend, Sloane. What follows is a 這過程中，也探討了一個從奧委會公告後，就存在於所有滑 skateboarding while seeking to answer the question: “Will
kaleidoscopic, seriocomic portrayal of the millennial
嗎？ 板人心中、網路上也早就戰翻天的問題：「究竟滑板變成奧 the Olympics have a negative effect on skateboarding?”
malaise that comes with attempting to reconcile his
運項目這件事，會不會摧毀滑板文化呢？」
無遠弗屆的社群網路讓全球青年作上了相同的夢，卻 dreams to his reality. With six decades of footage, Boarders captures the look

也讓無處歸屬的異鄉困惑渲染了整個世代。夏威夷族 片中一幕中國滑板國家隊青訓的片段，小朋友穿著制服，在 and feel of British skate culture, from its emergence in the
毫無特色的室內板場，機械式地練習各種招式，與這文化向 late 60s to the billion-dollar industry it is today.
出身的導演聯合同樣來自在地的男主角，將詩意的滑
板視角與滑行節奏融入運鏡，以極富日常感的生活氛
圍呈現男主角的自傳故事，突破世人對夏威夷及當 西恩・費 Sean FEE
地住民浪漫卻單調的想像。獨特畫幅搭配憂鬱熱帶色 在加州與英國東南地區長大，影像作品包含瑞士雪板名將尼可拉斯・穆勒（Nicolas MÜLLER）的紀錄長片
《Fruition: The Life and Dreams of Nicolas Müller》，以及各種極限運動形象廣告。
Sean FEE is a director and cinematographer who grew up in California and South East England. He considers
艾利卡・添甘 Alika TENGAN every project to be an opportunity to share his fascination for the unique experience of having self-reflective
consciousness and the ability to share our experiences with each other.
來自夏威夷檀香山，身兼電影編劇、導演、製片及電台 DJ。曾在好萊塢專業編劇／製片喬・羅伯特・柯爾（《黑
豹》）指導下，自編自導講述夏威夷草根故事的首部短片《Mauka to Makai》（2018），並榮獲夏威夷國 安妮卡・芮寧 Annika RANIN
際影展最佳夏威夷短片獎。第二部短片《Moloka'i Bound》（2019）更獲選進入奧斯卡金像獎決選名單。 有多部運動紀錄片的製片經驗；《My Everest》記錄了小兒麻痺登山者攀登聖母峰的過程，還有拍攝英國女
Alika Maikau TENGAN is a Hapa Hawaiian/Asian filmmaker. In 2017, he earned a mentorship under Joe 子足球隊挑戰 2022 年歐洲杯的紀錄短片《Ahead Of the Game》。
Robert COLE (co-writer of Black Panther), who oversaw the development of what would become his Annika RANIN is a filmmaker, producer, and consultant with experience in film production, financing, and
short, Mauka To Makai, which was awarded Best Made In Hawai’i Short at the Hawai’i International Film independent film business. In 2019, Annika co-founded Unmannered Limited, a production company that
focuses on projects with a strong artistic approach and international commercial viability. She recently line
Festival.
produced Jessica HENWICK’s directorial debut, Bus Girl.

PRINT SOURCE EST Studios PRINT SOURCE Reservoir Docs

212 特別企畫：滑板新噪聲 Special Program: New Noise in Skateboarding 特別企畫：滑板新噪聲 Special Program: New Noise in Skateboarding 213

滑板有嘻哈 2022 美國影展 觀眾票選獎提名

2020 翠貝卡影展 翠貝卡 X 獎最佳長片提名
我們的尬板夢 2022 年 西南偏南影展

All the Streets Are Silent Skate Dreams 2022 年 西雅圖國際影展

美國 USA ｜ 2021 ｜ DCP ｜ Colour ｜ 89min 美國 USA ｜ 2022 ｜ DCP ｜ Colour ｜ 83min

來自西岸加州的滑板運動，在八○年代末傳入紐約， 見證街頭文化潮流的起點。 2016 年奧運正式將滑板納入比賽項目，直到 2020 年 始玩板，讓她注意到滑板運動獨特的社群文化，進而

與早已自成一格的嘻哈文化碰撞出新時代的街頭運動。 東京奧運正式開賽，這個源自於街頭的新興運動，終 啟發她關注這個議題，更進一步執導本片。在滑板終
In the late 80s and early 90s, the streets of
兩大原本殊途的次文化，最終同歸於一爐，揉合出底 於在國際賽場發光發熱！《我們的尬板夢》是首部聚 於受到世界矚目的此時，導演讓觀眾看到進程中的甜
downtown Manhattan were the site of a collision
層白人、有色人種與外來移民展現自我的共同文化語 between two vibrant subcultures: skateboarding 焦女子與酷兒滑板選手參與奧運的紀錄片，不僅回溯 美和苦痛。
言，並延伸出一系列街頭潮流服飾、音樂、電影等文 and hip hop. Narrated by Zoo York co-founder Eli 至八○年代訪談女性先鋒選手，回顧女性及酷兒在以
Skate Dreams is the first feature documentary
化商品，深深影響至今。 GESNER with an original score by legendary hip- 男性為中心的街頭運動中，如何努力證明自己，並且
about the rise of women’s skateboarding. It profiles
hop producer Large Professor (Nas, A Tribe Called 發展出屬於女性與酷兒的滑板社群文化，也將鏡頭聚
《 滑 板 有 嘻 哈 》 一 片 透 過 克 拉 克・ 肯 特（DJ Clark Quest), All the Streets Are Silent brings to life the
a diverse group of women whose pursuit of self-
焦正在發生的當下，記錄一群即將代表美國參加東京 expression and freedom has helped create an
KENT）、DMC 等 多 名 嘻 哈 大 將， 與 吉 諾・ 伊 安 努 magic of the time period and the convergence that
奧運的代表隊學生，從選拔、受訓到出國比賽的珍貴 international movement. The story spans the
奇（Gino IAANUCCI）、 泰 尚・ 瓊 斯（Tyshawn created a style and visual language with an outsized
cultural effect. 過程，儼然為滑板史梳理出一條重要的女性與酷兒敘 trailblazing pioneers of the 1980s and the next
JONES）等傳奇滑板客，再加上從小在曼哈頓街頭長 generation of Olympic contenders as they defy
事線。滑板文化提倡互助的女性及酷兒情誼，和多元
大的塗鴉客妙手佛迪（Fab 5 Freddy）、著名 DJ 博 industry gatekeepers and fight for professional
包容性，也在支線――來自柬埔寨的女孩婷身上，找
比托・加西亞（Bobbito GARCIA）、影星蘿莎瑞・道 equality. Skate Dreams showcases the charismatic
到與全世界串連的美好鏈結。 personalities and indomitable spirits of these
森（Rosario DAWSON）等人的訪談與回憶，甫以珍
amazing talents on and off their skateboards.
貴的超 8、DV2 等彼時街頭文化錄像，引領觀眾重返 導演潔西卡・愛德華茲透露自己因看到九歲的女兒開
九○年代初期，嘻哈運動與滑板文化交會的歷史瞬間，

潔西卡・愛德華茲 Jessica EDWARDS

傑瑞米・艾爾金 Jeremy ELKIN
原是電影媒體公關，大衛・林區、柯恩兄弟、蘇菲亞・柯波拉都曾是她的客戶。她在加拿大康考迪亞大學
新銳影人，2015 年憑藉美國前奧運選手布魯斯・詹納（Bruce JENNER）毅然變性的心路歷程紀錄片《Call （Concordia University）主修電影研究，紐約新學院（The New School）攻讀媒體研究碩士，2015 年執導紀
Me Caitlyn》一砲而紅。2019 年與影星羅勃・狄尼諾合作《JR: The Chronicles of New York City》紀錄短 錄片《Mavis!》曾獲西南偏南影展 Gamechanger 獎提名、加拿大 Hot Docs 國際紀錄片影展觀眾票選獎最佳
片，再加上這部長片作品《滑板有嘻哈》，盡顯傑瑞米・艾爾金對紐約的愛。 紀錄片提名，以及美國評論家選擇紀錄片獎最佳首部紀錄片提名。
CREDIT_ Zander Taketomo Growing up in Montreal, Jeremy ELKIN's passions were skateboarding, hip-hop, and filmmaking. He Jessica EDWARDS' award-winning debut short Seltzer Works premiered at SXSW. Her other
made numerous skate films in the 2000s before moving to New York, where he ran digital video at Vanity documentary shorts, including Tugs (2011), The Landfill (2012) and Slowerblack (2017), have screened
Fair magazine. In 2018, he made the French artist JR's Brooklyn Museum short film, JR: The Chronicles at film festivals around the world. Her debut feature-length documentary, Mavis!, premiered on HBO in
of New York. 2016. She was awarded a Peabody for distinguished achievement in documentary filmmaking in 2017.

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 特別企畫：音樂不敗時代 Special Program: Music Never Fails 215

Special Program:
Music Never Fails

搖滾咖廁所見 Meet Me in the Bathroom

調職令是警察樂隊！ 2022 紐約亞洲影展

Offbeat Cops
日本 Japan ｜ 2022 ｜ DCP ｜ Colour ｜ 119min

執勤超過 30 年，人稱「魔鬼刑警」的成瀨司以鐵血作 「無論職位或年齡為何，人都是可以改變的。首次觀賞

風聞名，探案過程時常遊走法律邊緣，是局裡惡名昭彰 時，我甚至忍不住哭了出來。」──阿部寬
的頭痛人物。為了調查專挑老人下手的連續詐騙強盜
Ts u k a s a N a r u s e w o r k s a s a d e t e c t i v e . H e i s
案，他擅自侵入民宅，騷擾看似可疑的無辜人士。此舉
enthusiastic about his job. To catch criminals, he
讓他遭到匿名投訴，也讓局長找到藉口，對他祭出了嚴 sometimes breaks rules that detectives should
厲處分。早已做好心理準備的成瀨司，原以為只是刑事 follow. Tsukasa Naruse works on a voice phishing
組內的降職調動，卻沒想到自己竟然被放逐到⋯⋯警察 case that targets elderly people. He targets a
樂隊？ suspect without a warrant. Due to this, Tsukasa
Naruse gets transferred to the police musical band.
2017 年高雄電影節推出焦點導演專題後，再以《午夜
天鵝》奪下日本電影學院獎最佳影片的內田英治，首度
聯手在刑偵、喜劇類型皆有多部佳作的阿部寬，帶來既
爆笑又暖心的療癒新作。內田英治再度搬演底層人物互
經典音樂誕生自無數失敗，其滋味就像「電視電台樂團」（TV On The Radio）主唱通德．阿德米佩（Tunde 相扶持、掙扎求存的感人故事，加入令人歡欣「鼓」舞
ADEBIMPE）所述：「失敗是最棒的，一但經歷過，你就自由了。」本單元嚴選的五部影片，共通性便是音樂創作 的演奏場面，宛若《極惡刑事》遇上《交響情人夢》。
過程如芒刺般的必經失敗路；故事從零樂器訓練到演奏得行雲如流水，試圖與人工智慧共作經驗來辯證音樂人性的
獨特，少數族群在陽剛搖滾男世界裡妙樂生花，為女子樂團立下標竿，另翼搖滾的凝聚力使一座城市的地下場景成
為影響全球獨立音樂的驅力，以及玩轉英式車庫舞曲的青春成長搞笑記事。不只是聆聽，我們透過觀影一起穿越不 內田英治 UCHIDA Eiji
同時空，痛快感受這些音樂煉金術伴隨酸苦失敗滋味所造就的美好。
1971 年生於巴西里約熱內盧，十歲時回到日本。電影作品擅長成人社會題材，代表作品有《廢柴電影夢》、《色
Good music is born out of countless failures, and its taste is like what Tunde ADEBIMPE, the vocalist of TV 情電影開麥拉》等，更曾參與執導知名影集《AV 帝王》。2020 年以跨性別議題作品《午夜天鵝》首獲日本電
On The Radio, said: "Failure is the best. After you fail, you’re free." We carefully selected five films for this 影學院獎最佳影片獎，並助主演的草彅剛拿下最佳男主角獎。
program with the commonality that the music creation process is a thorn-like path rife with failure. These Born in Rio De Janeiro, UCHIDA Eiji worked as a reporter before making his debut as a scriptwriter on
stories go from the journey of zero musical training to playing skillfully; a band trying to produce music with A Driving School Story in 1999, followed by his directorial debut in 2004 with Gachapon. In 2020, his
artificial intelligence; how to break through in the male-dominated rock-'n'-roll world as a female band; how film Midnight Swan received nine nominations and won three awards at the Japan Academy Film Prize,
the cohesion of indie rock makes a city's underground scene a driving force that affects indie music around the including Picture of the Year.
world; and a hilarious coming-of-age comedy about UK garage music. Through film and not simply audio, we
will travel across different times and spaces together to experience the beauty of this musical alchemy.
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216 特別企畫：音樂不敗時代 Special Program: Music Never Fails 特別企畫：音樂不敗時代 Special Program: Music Never Fails 217

搖滾咖廁所見
電音頑童幹大事
2022 日舞影展
2022 里斯本獨立影展 獨立音樂 Schweppes 獎提名
2022 西南偏南影展
2021 英國獨立電影獎 最佳編劇新人獎提名
Meet Me in the Bathroom 2022 以色列 DocAviv 紀錄片影展 最佳國際影片獎提名

Pirates 英國 UK ｜ 2022 ｜ DCP ｜ Colour ｜ 108min

英國 UK ｜ 2021 ｜ DCP ｜ Colour ｜ 80min

千禧年前後的紐約，在曼哈頓邊緣的地下現場中，曾 梳理，導演剪輯經典跟拍及受訪片段，記錄了鼓擊樂
經一度式微的龐克曲式、油漬破音與獨立精神再度蠢 團（The Strokes）、 國 際 刑 警（Interpol）、Yeah
1999 年的最後一天，做伙搞地下電台播放電子舞曲的 古的時代感。導演也透過地下海盜電台、浩室舞、行
蠢欲動。布魯克林郊區的破舊倉庫裡，電子節拍與嘻 Yeah Yeahs、 液 晶 大 喇 叭（LCD Soundsystem） 及
哥兒們，晚上想到眼下最夯的夜店迎接千禧年。可是 話等元素，呈現黑人社群的文化風貌，讓觀眾彷彿搭
哈律動也不甘寂寞，渴望為獨立搖滾注入嶄新聲景。 電視電台（TV on the Radio）等代表性樂團的崛起之
問題來了，別說夜店遠，就連去夜店的標配：造型、 上時光機重返九〇年代的倫敦街頭。
由朱利安・卡薩布蘭加（Julian CASABLANCAS）、 路，絕對是聽團界舊雨新知都不可錯過的時代盛典。
髮型和門票，他們樣樣都沒有！於是，三人決定開著
New Year’s Eve 1999. Cappo, Two Tonne and 凱 倫 Ｏ（Karen O）、 詹 姆 斯・ 墨 菲（James
黃色的寶獅 205，展開千方百計，解鎖人生成就，未 A decade on from their premiere of Shut Up and
Kidda drive through London determined to end MURPHY）等才華橫溢的新星領銜，這股有人命名為
料卻發生一連串幽默搞笑的事情。 Play the Hits, the incredible Will LOVELACE and
the century on a bang. They drive from place to 「後龐克復興」的狂噪浪潮接下搖滾英雄的火炬，呼 Dylan SOUTHERN return with Meet Me in the
place in a desperate search for tickets for the best 應動盪不安的年代，強勢炸翻全球樂迷的耳朵
本片不僅是青春成長喜劇，也是向英國車庫舞曲致敬 Bathroom, an immersive, archival journey through
millennium party EVER.
的電影。三位青少年一天中在郊區發生的故事，如此 the explosive music scene of early 2000s NYC. The
曾以《閉嘴聽音樂》技驚影壇與樂界的導演雙人組， film explores its cultural, technological and political
的角色、時間與地點設定，不禁讓人聯想到馬修・卡
參照知名音樂記者莉姬・古德曼（Lizzy GOODMAN） transformations, as seen through the prism of a
索維茲（Mathieu KASSOVITZ）的黑白電影《恨》。
原名著作，以用情至深的沉浸式剪輯手法，嘗試還原 handful of era-defining bands like The Strokes,
不過，導演瑞吉・葉茲將場景移至他熟悉的倫敦，故 Interpol, Yeah Yeah Yeahs, and LCD Soundsystem.
2000 年初期的紐約獨立音樂場景。配合時代脈絡的
事變成趣事，影像有繽紛豐富的色彩，配樂更是讓人
想手舞足蹈的英國車庫舞曲。片中的服裝、美術，還
有諾基亞手機、貪食蛇、電子雞等道具，營造懷舊復 威爾・勒夫雷斯 Will LOVELACE
迪倫・索敦 Dylan SOUTHERN
瑞吉・葉茲 Reggie YATES 來自英國的紀錄片、MV 及廣告導演雙人組。結識於學生時期，畢業後即開始共同執導，曾為布勒（Blur）、
法蘭茲費迪南（Franz Ferdinand）、北極潑猴（Arctic Monkeys）、碧玉（Björk）等搖滾天團拍攝 MV 及
1983 年生於倫敦，雙棲演員及電視節目主持人，爾後投身紀錄片製作。曾因主持英國廣播公司第三台紀錄 音樂影像。以液晶大喇叭樂團告別演唱會為主題的《閉嘴聽音樂》更是其音樂紀錄片代表作。近年亦開始嘗
片節目，榮獲英國皇家電視協會獎最佳主持人獎。他演而優則導，2014 年以奧斯卡影帝丹尼爾・卡盧亞 試短片創作。
（Daniel KALUUYA）領銜主演的短片《Date Night》榮獲倫敦獨立短片影展大獎，《電音頑童幹大事》是
Dylan SOUTHERN and Will LOVELACE make up the directing partnership ThirtyTwo. Their experience
他編導的首部劇情長片。
and unwavering passion for film is evident in the unique insights they bring to each stage of the
Reggie YATES is an award-winning writer and director from London. Starting off as a child actor, he filmmaking process and their unparalleled ability to clearly see through an idea from its inception to the
bounced from national radio host to actor to eventually fronting Saturday night prime time TV, before screen. In 2011, the duo theatrically released their feature-length documentary, No Distance Left to Run,
pivoting into documentary filmmaking. His second short film, Date Night, won Best UK Short at the which received a nomination for Best Long Form Music Video at the 53rd annual Grammy Awards and
London Independent Film Festival. was shortlisted for a prestigious Grierson Documentary Award.

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218 特別企畫：音樂不敗時代 Special Program: Music Never Fails 特別企畫：音樂不敗時代 Special Program: Music Never Fails 219

音浪 AI 2022 CPH:DOX 哥本哈根國際紀錄片影展 搖滾媽祖婆 2022 加拿大 Hot Docs 國際紀錄片影展 觀眾票選獎
2022 美國聖塔芭芭拉國際影展

The Computer Accent Fanny: The Right to Rock

美國 USA ｜ 2022 ｜ DCP ｜ Colour ｜ 83min 加拿大 Canada ｜ 2022 ｜ DCP ｜ Colour ｜ 96min

團名典故源自「Young Americans Challenging High The film follows the independent pop group YACHT 范妮樂團（Fanny）曾被搖滾傳奇變色龍大衛・鮑伊 籌備新專輯和巡迴演出的重要時刻，搖滾精神令人動
Technology」 （美國青年挑戰高科技）的美國波特蘭 as they employ cutting-edge data analysis tools, 讚揚為「美國搖滾史上最重要的女性樂團」，這支由 容！
machine learning, neural networks, sci-instruments,
電氣雙人組快艇樂團（YACHT）於 2019 年發表的專輯 一對菲律賓移民姐妹發起，在六○年代加州成立的樂
and generative composition strategies to create Sometime in the 1960s, in sunny Sacramento, two
《Chain Tripping》。該 專 輯 運 用 Google Magenta a new kind of human-machine album. The band, 團，清一色由女性組成，在還是以男性為中心的年
Filipina-American sisters got together with other
MusicVAE AI 人工智慧編曲學習程式，讓軟體分析學 non-coders with a DIY background, struggle with 代，以直擊靈魂的嘶吼唱腔，「派」到不行的吉他痛 teenage girls to play music. Little did they know
習快艇樂團的招牌作曲風格，自動生成專輯的全數單 complex new concepts and unintuitive tools as they （Tone），讓人隨之搖擺的鼓點，奔放流淌的鍵盤樂 their garage band would evolve into the legendary
曲。這張作品不僅成為音樂人運用 AI 人工智慧製作正 attempt to find their own path through the brave 音，帥氣自成一格的氣場，成為女力搖滾的超級先鋒。 rock group Fanny, the first all-women band to
new world of machine intelligence. By putting AI
式專輯的先鋒，亦挑戰了「創作」的傳統定義，一併探 大衛・鮑伊甚至表示「如果范妮樂團可以重出江湖， release an LP with a major record label. Despite
to the test in the name of art, YACHT asks probing releasing five critically-acclaimed albums over five
究所謂「招牌音色」、「招牌節奏」、「招牌編曲」是否 questions about the future of music, and ultimately 那我的心願也算完成了。」
years, touring with famed bands from Slade to
真的能夠被複製與仿效。《音浪 AI》記錄著快艇樂團 question their own roles in a future where software 本片以豐富的檔案資料回顧范妮樂團的誕生歷程，除 Chicago and amassing a dedicated fan base of
與 AI 人工智慧「共同創作」的完整過程，揭開這項足 anticipates, generates, and synthesizes human work. music legends including David BOWIE, Fanny's
了請到范妮樂團的成員現身說法，更邀請大衛・鮑伊
以撼動未來音樂產業的未來科技的神祕面紗。 groundbreaking impact in music was written out of
御用吉他手、貝斯手，威豹樂團（Def Leppard）等 history...until bandmates reunite 50 years later with
重量級搖滾樂手暢聊范妮樂團對後進的影響和啟發。 a new rock record deal.
經歷近半世紀的洗盡鉛華，范妮樂團幾位創始成員成
為搖滾奶奶，本片也紀錄了范妮樂團再次聚首復出，
瑞爾・羅赫德克特 Riel ROCH-DECTER
賽巴斯帝安・帕爾多 Sebastian PARDO
於 2014 年共同創立製片工作室 MEMORY，被 《Filmmaker Magazine》選為 25 家獨立電影注目新面孔之 巴比・喬・哈特 Bobbi Jo HART
一。《音浪 AI》是其首部執導作品。
生於加州，現居加拿大魁北克。作品多關注運動賽事和文化產業中女性和多元性別發展。最新紀錄片作品《搖
Sebastian PARDO and Riel ROCH-DECTER founded MEMORY at the start of 2014 and together have 滾媽祖婆》獲選各大國際影展，除了放映也帶著片中團員巡迴表演，本片獲加拿大 Hot Docs 國際紀錄片影
produced and distributed award-winning fiction and non-fiction films. In 2016, MEMORY was named one
展觀眾票選獎殊榮。
of Filmmaker Magazine’s 25 New Faces of Independent Film, and in 2020 MEMORY was awarded the
Cinereach Producing Award for “shaping new ways of filmmaking”. MEMORY’s latest production, Theo Bobbi Jo HART is an award-winning American/Canadian documentary filmmaker. Her most recent
Anthony’s All Light, Everywhere, won a Special Jury Prize for Non-Fiction Experimentation at Sundance feature documentary, I Am Not a Rock Star, premiered at dozens of worldwide film festivals. Her
2021. previous award-winning films include She Got Game: Behind-the-Scenes of the Women’s Tennis Tour.

PRINT SOURCE MEMORY PRINT SOURCE TBA Studios

 特別企畫：設計人生 Special Program: Design for Life 221

Special Program:
Design for Life

時尚天才凡賽斯 The Genius of Gianni Versace Alive

卡拉凡的永恆地景 2021 波蘭 OFF CINEMA 國際紀錄片影展 評審團特別提及
2021 加拿大 Hot Docs 國際紀錄片影展

High Maintenance – 2020 耶路撒冷影展 最佳剪輯獎

The Life and Work of Dani Karavan

以色列、波蘭 Poland, Israel ｜ 2020 ｜ DCP ｜ Colour ｜ 66min

以 色 列 地 景 藝 術 家 丹 尼・ 卡 拉 凡（Dani KARAVAN, 立即猛烈開嗆！德國名導文溫德斯在片中驚鴻一瞥、

1930-2021）視野非凡，他以雕塑匠心開闢無限光景， 溫暖相伴，兩人展開一場極簡又富哲思的交心對話，
從戈壁荒漠到青山翠谷，代表作遍布全球。他為家鄉 為全片畫龍點睛。
打造出世界遺產，榮獲第一屆聯合國教科文組織和平
D a n i K A R AVA N h a s c r e a t e d n e a r l y 1 0 0
藝術家獎，擅以空間語境昇華歷史傷痕，諸如《人權
environmental installations all across the world
大道》矗立紐倫堡、《和平之路》橫亙以埃邊境。然 and won the most prestigious international art
而年近九旬的他，巡視作品時也難按捺血氣，乏人維 awards. Yet he is far from satisfied. His monumental
護的永恆，將隨他腐朽凋零。而他掛心的紀念碑新作， structures are deteriorating, his advanced age is
更不幸捲入政治渾水，令他滿心憤懣。此時他卻驚覺， starting to catch up with him, the political climate
in Israel is driving him mad, and he becomes
自己的記憶，正在離他遠去⋯⋯
embroiled in a political and artistic conflict over his
本片捕捉到丹尼・卡拉凡人生最後三年的赤情足跡， latest commission.
橫跨歐亞非開啟一場驚奇的藝術巡禮。面對鏡頭，這
位獲獎無數的景觀大師完全不假辭色。誰敢質疑他，

今年首次進駐高雄的臺灣文博會串連了台灣設計展，以海洋、城市和山脈共振出島嶼的多元文化地景，將注入生活
巴拉克・賀曼 Barak HEYMANN
的各形各式美學凝聚於高雄。懷以昔日的設計經典，藉以呼應台灣設計節主軸，用電影與觀眾分享設計世界之中的
1976 年 生 於 以 色 列， 紀 錄 片 導 演、 製 片，2003 年 加 入 胞 兄「 同 志 紀 錄 片 大 師 」 托 默・ 賀 曼（Tomer
藝術本質，本單元也延展精選三部從時裝、印花、繪畫、雕塑和建築的各界設計大師的影像紀實，令人得以從中凝
HEYMANN）行列，合力打造多部國際獲獎之作。2009 年製片代表作《攝吧！我的愛》曾獲台灣國際紀錄片影
視他們的創造過程，領會那想像力的無限變化，以及滿是未來主義的耐人尋味。
展觀眾票選獎。2016 年以導演作品《誰來愛我》奪得柏林影展「電影大觀」單元觀眾票選最佳紀錄片。

This year, Creative Expo Taiwan joins hands with Taiwan Design Exhibitions to curate a grand celebration of Barak HEYMANN has been directing and producing documentaries for TV and cinema for more than
design that radiates from Kaohsiung harbor through to the entire island, resonating with the ocean, cities, and 15 years. The independent film company he runs with his brother Tomer, Heymann Brothers Films, has
mountains. To echo the event's central theme and share the design world's artistic essence with the audience produced over 30 documentaries, some of which have premiered at festivals including Berlinale, IDFA,
through film, this program presents three select films about design masters from the fields of fashion, painting, and Hot Docs, where they have won prestigious awards.

sculpture, and architecture. We can glimpse their creative processes through these documentaries and
appreciate the ever-changing nature of the imagination and futurism that deeply intrigue us.
PRINT SOURCE Heymann Brothers Films
222 特別企畫：設計人生 Special Program: Design for Life 特別企畫：設計人生 Special Program: Design for Life 223

花現印花宇宙 2022 巴塞隆納紀錄片影展

2022 蒙特婁國際藝術影展
時尚天才凡賽斯 2021 波蘭 OFF CINEMA 國際紀錄片影展 評審團特別提及
2021 加拿大 Hot Docs 國際紀錄片影展

Maija Isola - Master of Colour and Form 2021 赫爾辛基國際影展

The Genius of Gianni Versace Alive 2020 耶路撒冷影展 最佳剪輯獎

芬蘭 Finland ｜ 2021 ｜ DCP ｜ Colour, B&W ｜ 96min 美國 USA ｜ 2022 ｜ DCP ｜ Colour ｜ 92min

芬蘭設計師品牌 Marimekko，以繽紛前衛的印花藝 （Kristina ISOLA）不但遺傳她的天分，更繼承其衣 1997 年，義大利精品「凡賽斯」創辦人、時尚設計大 活，來向世界表達自我。」──吉安尼・凡賽斯

術馳名全球，其幕後最大功臣，當屬首席設計師麥 缽，並於片中現身分享，為觀眾揭開這位芬蘭印花女 師吉安尼・凡賽斯在自宅門口遭連環殺手槍殺身亡，
The Genius of Gianni Versace Alive is a feature-
嘉．伊索拉（Maija ISOLA, 1927-2001）。她的代表 王獨一無二的藝術壯遊。 引起全球譁然，至今原因未明。凡賽斯模特兒出身的
length documentary celebrating the extraordinary
作就是挑戰創辦人禁令，所繪出的罌粟花（Unikko） 導演薩爾瓦托・贊尼諾，透過訪談昔日名模及親友， life and career of influential Italian fashion designer
The Finnish design company Marimekko is famous
系列，一舉成為歷久不衰的品牌經典。在她任職的 38 娓娓道來吉安尼帶領下的凡賽斯時尚王國。 Gianni VERSACE, beginning with his birth in the city
for its original prints and colors. Maija ISOLA was
年期間（1949-1987），更創作出高達 500 幅開創性 of Reggio Calabria, Italy on 2 December 1946, and
one of Marimekko’s first designers and she spent 38 本片穿插 1990 年代伸展台走秀的經典畫面，搭配受
印花。她的筆觸狂放不拘、配色鮮亮大膽，為壟罩在 years working for the company. But who was Maija growing up with his elder brother Santo VERSACE
訪者口述艾爾頓・強、麥可・傑克森、瑪丹娜、超模 and younger sister Donatella VERSACE, along with
戰爭陰影的芬蘭揮灑出歡快氣息，顛覆家家戶戶的生 ISOLA? What were the values at the center of this
娜歐蜜・坎貝爾等名人軼事，以及吉安尼本尊的電視 their father and dressmaker mother, Francesca,
活風景。連美國最美第一夫人賈桂琳・甘迺迪，也為 vagabond’s life, and what kind of a legacy did she
leave us? 專訪歷史畫面，平實地重現這名時尚設計大師的生活 t h ro u g h b u i l d i n g h i s f i n a n c i a l e m p i re , a n d
她幻化不斷的設計深深著迷！而讓她的印花風靡至今 showcasing his many extraordinary homes including
風格與人生態度。本片亦可一窺位於邁阿密海邊的世
的魔力，究竟源自何方？ What is the secret behind the fabric designs that his Miami Beach Palazzo, the Casa Casuarina.
conquered first Finland and then the whole world? 界著名豪宅、吉安尼的故居――「凡賽斯大宅」，彷
本片蒐羅麥嘉．伊索拉的私密札記及珍貴錄音，盡展 The documentary tells the story of this extraordinary 彿吉安尼的時尚王國依然聳立。
她畢生繪作，揭開她數段婚姻戀情，如何織就她的印 artist.
「不要追隨潮流，不要被時尚主宰。只有你才能夠決
花傳奇。片中佐以她周遊列國寄給愛女的信箋，標
定自己是誰、決定要穿什麼樣的衣服、過什麼樣的生
誌她一次次勇於畫出自我。愛女克莉絲汀娜・伊索拉

莉娜・基爾佩萊寧 Leena KILPELÄINEN 薩爾瓦托・贊尼諾 Salvatore ZANNINO

1959 年生於芬蘭赫爾辛基，畢業於莫斯科電影學院（VGIK），現為導演、攝影、編劇。2014 年扛起攝影 1968 年生於美國馬里蘭州巴爾的摩，畢業於約翰霍普金斯大學。他有另一廣為人知的名字──文森・德・保羅
機為俄國大導演蘇古諾夫（Aleksandr SOKUROV）作傳，推出首部紀錄長片《蘇古諾夫：世紀之聲》，曾 （Vincent de PAUL），是凡賽斯模特兒、演員，曾參演《海神號》、《全民情聖》，並以《The Bay》電視劇
於金馬影展「傳奇人生」單元放映。《花現印花宇宙》是她第二部紀錄長片作品。 製作人獲頒日間時段艾美獎（Daytime Emmy Award）。

Leena KILPELÄINEN is a director, cinematographer and screenplay writer. As a cinematographer she has Salvatore ZANNINO was born In Baltimore, Maryland in 1968. He was educated at Our Lady of Pompei
worked on films such as The Children of the Big Bear (1993) and On the Edge (2002). As a director she and is a graduate of Johns Hopkins University.
has made experimental films such as Zero (2002) and Metro (2003). Her first full-length documentary was
The Voice of Sokurov (2013).

PRINT SOURCE Raina Films PRINT SOURCE WIDE

 Program 21 225

XR Panorama

眾神的派對 feat. 九天民俗技藝團 Deities' Party feat. Chio Tian Folk Drums and Art Troupe
時空樹洞 2022 翠貝卡影展 主競賽入圍

ReachYou
美國 USA ｜ 2022 ｜擴增實境 AR ｜ Colour ｜英語 English ｜中文字幕 Chinese Subtitles

在未來，當末日來臨，地球不再適合生存，美麗而憂 ReachYou is an augmented reality transmission

傷的訊息跨越時空，對現在的人們發出邀請，用聲音 from the future for the tenderness of now. It defines
a new genre of contemplative, interactive slow-
留下感激與懊悔，一同保存作為人類的痛苦與溫柔，
media, presenting a future where Earth no longer
與來自世界各地的聲音一同編織、雕塑我們最後的集 supports human life, and asks participants to record
體記憶，也作為人類曾經在浩瀚繁星一隅興盛與衰落 their griefs and gratitudes of this time, co-creating
的證據。 a 3D, sculptural, global HumanRecord of our shared
human experience.
《時空樹洞》是一部以手機體驗的擴增實境作品，也
是一種新型態的慢媒體創作，希望觀眾透過一次次造
訪樹洞、傾聽與反思，能在這綿長的共創過程中有所
收穫。

卡崔娜・金齊藤 Katrina GOLDSAITO

來自多種族文化背景，著有得獎繪本《寂靜的聲音》，教導人們如何與悲傷共處，也曾擔任日本 NHK 及國
家地理頻道的記者。

Katrina GOLDSAITO is a multi-racial, award-winning author of The Sound of Silence, a teacher on grief,
疫情重新建構了社會秩序與人際連結，也激發豐盛且強韌的創作力。「XR 大觀」單元選映六部形式多元且風格迥異
and has previously been a journalist for organizations like NHK, and National Geographic.
的作品，以「集體記憶」與「生命連結」出發，集結疫情下各國 XR 創作力的實驗與突破，展現台灣作品多元豐富的
生命力，從 VR 與傳統劇場的跨域，到沉浸式投影與 MR 的結合，邀請影迷一同跨入瞬息萬變的無限幻境。 喬納・金齊藤 Jonah GOLDSAITO

The COVID-19 pandemic has restructured society and connections between human beings, but it has also 創意技術開發、設計師、工程師，曾在 Google 工作，喜歡設計有趣的程式，至今這些程式已經觸及數百萬
sparked resilience and creativity in abundance. Revolving around the themes of “collective memories” and 用戶。

“interdependence of life”, XR Panorama presents six titles diverse in both format and style that showcase the Jonah GOLDSAITO is a creative technologist, designer, coder, and former Googler who crafts playful
vitality and developments made in the XR industry over the past year. From immersive projection combined software that has scaled to millions of screens.
with MR, to the fusion of traditional theater and VR, this year’s XR Panorama will bring audiences into an
immersive new world of ever-changing and fantastical experiences.
PRINT SOURCE You.Have.Agency
226 Program 22 Program 23 227

光影遊戲：追星星的人 2022 富川國際奇幻影展 Beyond Reality 單元

2022 砂之盒沉浸展 官方展映
聲林協奏曲——石虎樂章
Augmented Shadow: Chasing Stars in Shadow Formosan Harmony
韓國 Korea ｜ 2021 ｜沉浸式投影 Immersive Projection ｜ Colour ｜ 15min ｜無對白 No Dialogue 台灣 Taiwan ｜ 2022 ｜沉浸式投影 + MR Immersive Projection + MR ｜ Colour ｜ 30min ｜無對白 No Dialogue

《光影遊戲：追星星的人》是一部沉浸式投影作品。來 Augmented Shadow: Chasing Stars in Shadow 《聲林協奏曲——石虎樂章》是一場充滿奇幻魔法的 Formosan Harmony is a fantasy-driven immersive
自韓國的新媒體藝術家文畯鏞自 2010 年起創作的《光 is a story about shadow kids who come and go 旅程，以沉浸式的表演形式帶出人類與大自然共存的 show about magic, wonder, and the balance
between 2D and 3D. In conjunction with the story, between humans and nature. Combining 360-degree
影遊戲》系列，使用光影創造透視錯覺，並注入奇幻 議題。表演中包含了 360 度擬真投影、Lidar 動態偵
Augmented Shadow technique creates an optical projection, Lidar sensors, HoloLens 2 headsets, and
元素，形成獨特的敘事語言，帶領觀眾走入璀璨寧靜 illusion, making the flat shadows appear three- 測與 MR 眼鏡（HoloLens 2），並搭配杜比環繞音響， Dolby surround sound, our production transforms
的故事裡。 dimensional. This original illusion is used in a unique 讓觀賞者化身主角融入故事，透過互動來推展故事情 multiplayer guests into the heroes of the show,
way of storytelling. 節與節奏，展開一場探索的旅程。 unlocking scenes through their interactions.
在《光影遊戲：追星星的人》中，讓我們手提燈籠，
引領成群的金魚，追隨黑影小孩們在 2D 和 3D 的世界 每個人都擁有專屬的小精靈，在它的引領之下，主角
間遊走，在群星熠熠中打造夢一般的光影世界。 可以施展魔法、與石虎互動，並且在車水馬龍的都市
叢林裡作戰。體驗過程中將獲得超能力來幫助石虎一
家人團圓，你／妳願意幫助大地恢復生機嗎？

文畯鏞 MOON Joon-yong 王舒音 Dolce WANG

文畯鏞是一位新媒體藝術家，從事實驗性媒體及數位藝術創作，其中包括擴增實境、有形介面、生成藝術、 王舒音導演具備音樂、電影、機械工程等跨域背景，她運用在新媒體娛樂產業 20 年以上的經驗，無論作為
以及音樂視覺化等，曾在紐約現代藝術博物館、韓國國立現代美術館展出，並曾獲歐盟 STARTS 大獎肯定。 迪士尼幻想工程師或獨立藝術家，都不斷將對人事物的情感轉化為創造力。她也獲得無數國際獎項，如全球
主題娛樂產業最高榮譽 THEA 西婭大獎等。
MOON Joon-yong is a new media artist working in Seoul. He mostly works on experimental media and
computational art such as augmented reality, tangible interface, generative art, and sound visualization. Dolce WANG's interdisciplinary background in music, film, and mechanical engineering has coalesced
into nearly 20 years of professional experience in the immersive entertainment industry, consistently
weaving emotion through her tech-driven creations.

PRINT SOURCE MOON Joon-yong PRINT SOURCE 夢想動畫 MoonShine Animation

228 Program 24 Program 25 229

後人類計畫： 2021 荷蘭影展 Golden Calf 大獎 眾神的派對

訂製你的完美寶寶 feat. 九天民俗技藝團
2021 不來梅影展 創新獎入圍
2022 紐沙特奇幻影展

IVF-X: Posthuman Parenting in Hybrid Reality Deities' Party feat. Chio Tian Folk Drums and Art Troupe
荷蘭 Netherlands ｜ 2021 ｜ VR 沉浸式劇場 VR Immersive Theater ｜ Colour ｜ 25min ｜中文、英語 Chinese, English ｜ 台灣 Taiwan ｜ 2022 ｜ VR360 ｜ Colour ｜ 3min ｜無對白 No Dialogue
無字幕 No Subtitle

以召喚神明為概念，從儀式性的黑盒子出發，當九天 Calling upon the gods, we obey the rhythm of

你想要孩子嗎？你和你的伴侶期待什麼樣的寶寶？ W h a t w i l l i t m e a n f o r h u m a n s t o re p ro d u c e 民俗技藝團的台灣傳統器樂，碰撞上大象體操的現代 clashes between songs of Chio Tian Folk Drums and
歡 迎 來 到 IVF-X， 這 是 一 間 數 位 生 育 診 所， 提 供 多 themselves if it is no longer a biological matter but
樂音，我們進入了破敗的海港景緻，遠方巨大的神像
Art Troupe and of Elephant Gym. We plow into ruins
an offspring of choice and technology?
元化的客製數位生育服務；除了完整的說明與舒適 如海市蜃樓般遙望著祈願的我們。當神像甦醒回應我
of the harbor, and the statues of gods towering over
our prayers like mirage from afar. When landscapes
無痛的生育經驗，這裡也歡迎任何家庭或個人前來 Find out in IVF-X. In this futuristic hybrid reality clinic
們奏出的音樂聲響，我們向著神明的世界移動，實景 dissipate, we can’t help but wonder: did we call
諮詢，產下自己的數位寶寶。 you can breed and meet your own personalized
開始逐漸虛化，我們也因此疑惑著曾經以為的現實是 upon the gods, or were we summoned?
cyborg baby: a creature living on the verge of
來 自 荷 蘭 的 話 題 之 作， 結 合 沉 浸 式 劇 場 與 虛 擬 實 humanity and technology, digitally grown for you 否真實。
境，哲學家與藝術家維多琳．凡艾爾分試圖探討人 based on your choices.
到底是我們召喚了神明，還是神明招喚著我們？
類生育的未來，當生育不再限於物種基因繁衍，而
是人類的選擇與科技的產物，人們將會如何面對？

維多琳・凡艾爾分 Victorine van ALPHEN 葉澈 YEH Che

來自荷蘭的導演、藝術家、策展人和哲學家。維多琳探索理性與感性之間的拉扯，並透過實驗討論感受與人 影像藝術家，創作領域包括電影、錄像、MV、劇場、攝影、音像表演，多從影像的產製方式著手，以不同
體系統的相互作用與荒謬性，也在她的創作中以獨特的方式，糅合來自不同專業領域的觀點。 的媒材本質，尋找個人情感或者人類共同經驗，創作出企及集體意識的作品。目前專注於使用影像進入空間
敘事的不同可能。
Victorine van ALPHEN is a director, artist, curator and philosopher from Amsterdam who is fascinated by
the tension between sensuality and rationality, and experimentally explores the integration and absurdity A Taiwanese artist who uses video as his creative medium. His works draw inspiration from personal
of senses and systems. experiences and emotions which are all based on the production point of view .

PRINT SOURCE Victorine van ALPHEN PRINT SOURCE 合作藝文有限公司 Collaboration Arts Co., Ltd
230 Program 25 影片索引 Film Index 231

影片索引 Film Index (Alphabetical Order)

A 105 A Beautiful Summer Noon 129 Fox and His Friends (Digital Restoration)
159 A Boxing Coach 77 From the Main Square
101 A Night with Moosina
197 A Splash in a Mud G 47 Garrano
102 A Sunny Trip 154 Girls, Be Ambitious!
138 A Temporary Arrangement 78 Glimpse
160 a-má 153 Golden Dream on Green Island
69 Adult Children 35 Good Day
46 Airborne 176 Goodbye Cruel World
70 Alex Honnold: The Soloist VR 95 Gray Room
127 Ali: Fear Eats the Soul (Digital Restoration) 79 Gumball Dreams
29 Alice on the Beach
212 All the Streets are Silent H 30 Her and I
58 Anxious Body 221 High Maintenance – The Life and Work of Dani Karavan
34 Asphyxia 170 Honey Cigar
226 Augmented Shadow: Chasing Stars in Shadow 192 Hush Hush Little Bear

B 118 Battle Royale (4K Restoration) I 138 I Am Always Connected

192 Bellysaurus 206 Ice Under His Feet

虎年大吉 奇幻血肉2.0
125 Beware of a Holy Whore (Digital Restoration) 80 Immersive Criminology Episode 1: LOST
2022 美國洛杉磯獨立短片影展 最佳視覺效果
149 Black Dogs Barking 44 In Flow of Words
2022 德國慕尼黑音樂錄影帶獎 入圍決賽
2022 羅馬音樂錄影帶獎 入圍決賽 29 Blissgate 184 It's Just a Phase, Honey
211 Boarders 56 It's Raining Frogs Outside

The Year of the Tiger: Fantastic Flesh Juicer 2.0 183

203
Bob Spit, We Do Not Like People
Boney Piles
228 IVF-X: Posthuman Parenting in Hybrid Reality

台灣 Taiwan ｜ 2022 ｜ VR360 ｜ Colour ｜ 4min ｜中文、英語 Chinese, English ｜中文、英文字幕 Chinese, English Subtitles
168 Both Sides of the Blade J 112 J'accuse (Digital Restoration)
193 Bottle Cap 116 Jacob's Ladder
54 Boydem

未來末世裡的台北小巨蛋，早已因人類被嚴禁群聚 The Year of the Tiger: Fantastic Flesh Juicer 2.0 is a

31 Burning K 194 Kiki the Feather
151 Klondike
而成為廢墟，音樂現場是屬於上世紀的某種傳說， music video made by XR stage Unreal Engine. This
C 37 Can You Hear Me? 81 Kubo Walks the City
film takes a look at a post apocalyptic world and the
小 巨 蛋 成 為 了 某 一 種 文 明 的 驗 證。 但 從 來 未 曾 記 188 Checkered Ninja 2
rebirth of time itself set to the song Tiger Lord by
得，裡面矗立著一座「虎爺牌樓」。厝頂有著一道 the artist FLESH JUICER.
130 Chinese Roulette (Digital Restoration) L 171 Language Lessons

血肉神明的光符，鎮守廟的神，黑虎將軍與這座牌
48 Clotheslined 82 Lavrynthos
172 Comedy Queen 48 Left Handed
樓象徵的含義。 71 Container 197 Legend of Spring

趕走病痛，鎮邪除煞。
52 Cuddle 177 Lesson in Murder
132 Lili Marleen

驅邪納福，富貴四方。 D 107 Daddy-To-Be 155 Little Blue

119 Darkling 156 Long Spirit
《虎爺》是由 XR 舞台 虛 幻 引 擎 製 作 的 音 樂 作 品， 229 Deities' Party feat. Chio Tian Folk Drums and Art Troupe 200 Lost Brain
希望藉由這件作品，能引起大家對於世界現狀的反 62 Desert Lights 11 Lost in the Forest

省，疫情、傳染病、戰爭等等。如果世界一直照這 47 Displaced 124 Love Is Colder Than Death (Digital Restoration)

187 Dragon Princess 104 Love Letters
樣發展下去，終究帶給人類的只有滅亡。最後僅能
141 Dredger 51 Love, Dad
依靠的，只剩下音樂與神的力量，因為唯有宗教是 105 Duet 65 Luce and the Rock
安定人心最偉大的力量。 83 Luna: Episode 1 - Left Behind
E 32 Eating Grapes without Spitting Out the Skin 84 Lustration
128 Effi Briest (Digital Restoration)
馮建彰 FENG Chien-chang 99 Encounters M 113 M*A*S*H
133 Enfant Terrible 222 Maija Isola - Master of Colour and Form
從事流行音樂展演工作 20 餘年，業務範圍涵蓋大型頒獎典禮、知名音樂祭、藝術展、時尚品牌秀等舞台設
210 Every Day in Kaimuki 190 Maika, the Girl from Another Galaxy
計，馮建彰與 FREE’S 團隊數度引入世界級展演製作的前沿技術，近年更跨足 VR、AR 等科技互動領域的視
39 Makassar is a City for Football Fans
覺創意整合。
F 58 Fairplay 141 Malody
FENG Chien-chang and the FREE'S team have introduced cutting-edge technologies in world-class 219 Fanny: The Right to Rock 63 Margot’s Sister
exhibition and productions, and in recent years, with the deep foundation of stage design, they have 64 Fighters 9 Marriage No.1314
stepped into the visual and creative integration of VR, AR and other scientific and technological 157 Fish Pond 15 Mary's Merry Marriage
interactive fields. 33 Flight and Frame 59 Masks
227 Formosan Harmony 35 Me and Me
174 Foscadh 182 Medusa

PRINT SOURCE 福利事國際有限公司 FREES DESIGN INTERNATIONAL CO., LTD.

232 影片索引 Film Index 版權資訊 Print Source 233

217
40
Meet Me in the Bathroom
Memoir of a Veering Storm
74 Surviving 9/11 - 27 Hours Under the Rubble
版權資訊 Print Source
85 Midnight Story T 72 Tearless
94 Mirror 88 Thank you for sharing your world 1220 Film Production Beta Film Cola Films 可樂電影
67 Monsieur Lucien 163 The Asian Angel WONG Lok Ian Claudia SCHWENDELE Elaine CHEN
73 Montegelato 63 The Best Gift Ever lok@1220.com.mo claudia.schwendele@betafilm.com elaine@colafilms.com.tw
196 Mortimer and the Vanishings 126 The Bitter Tears of Petra von Kant (Digital Restoration) •The Best Gift Ever 最佳禮物 •Lili Marleen 莉莉瑪蓮 •Both Sides of the Blade 愛我還是愛他
181 Mother Schmuckers 218 The Computer Accent •Goodbye Cruel World 殘酷世界！再會
194 Mouse House 104 The Egret River Acorn Den Studio 橡實洞工作室 Blue Finch Film Releasing •Lesson in Murder 殺人結業弒
43 Mui 97 The Eye and I, Vol. I WEI Shiue-ying 魏斈穎；KE Chia-wen 柯佳彣 info@bluefinchfilms.com •Maika, The Girl From Another Galaxy
45 Murder Tongue 164 The Fish Tale maloweiii@gmail.com ; coco830514@gmail.com •North Hollywood 少年耶，Pro！ 來自星星的少女
102 My Zombie Grandpa 41 The Furniture •When the Flowers Bloom 蟬與花 •The Asian Angel 天使情緣
223 The Genius of Gianni Versace Alive Blue Fox Entertainment

N 103 NATASHA 173 The Girl and the Spider Alvin LEE 李昌榮 lexi@bluefoxentertainment.com Collaboration Arts Co., Ltd. 合作藝文有限公司
34 Next Stop 167 The Girl on a Bulldozer alvinleecr@gmail.com •Language Lessons 聊療西語課 CHANG Kai-hsiang 張凱翔
140 Night Vision 185 The Innocents •Smoke Gets in Your Eyes 煙薰到了眼睛 elephantgym@gmail.com
115 Nineteen Eighty-Four 32 The Island of Us CBA-Promotion •Deities' Party feat. Chio Tian Folk Drums and
36 Noname Square 148 The Jar An CHU 朱建安 Charlotte NASTASI Art Troupe 眾神的派對 feat.九天民俗技藝團
209 North Hollywood 107 The Last Shot cc4324@columbia.edu promo@cbadoc.be
39 North Pole 89 The Leap •Tuo Tuo 陀陀 •MASKS 凝視你的面具 Cyan Films
75 The Man Who Couldn't Leave Gina KIM

O 215 Offbeat Cops 131 The Marriage of Maria Braun (Digital Restoration) AniSEED Charuvit WANNISSORN cyanfilms2013@gmail.com
28 Oh So Convenient 66 The Queen of the Foxes YIM Naeun c.wannissorn@gmail.com •Tearless 不哭泣的女人
189 Oink 53 The Record kaniseed@kiafa.org •Luna: Episode 1 - Left Behind 露娜：啟示錄
150 Omar and Us 108 The Remains •Persona 假面換換情 Darren LIN 林宣瀚；HOU Wen-ting 侯文婷
87 On the Morning You Wake (To the End of the World) 62 The Scent of Tangerine CHEN Chiu-ling 陳秋苓 d2626888@gmail.com ; wintinghou@gmail.com
37 On the Road 52 The Sea Calls for Me Antipode Sales International misscharliego@gmail.com •Love Letters 情書
49 Once There Was A Sea… 44 The Seine's Tears festivals@antipode-sales.biz •Me and Me 單人遊戲
204 One Day in Ukraine 41 The Silent Echo •Ice Under His Feet 時代革命俄羅斯 Deal Entertainment INC. 打勾勾娛樂
169 One Year, One Night 55 The Single Horn CHEN Shao-chun 陳韶君 Vita HUANG 黄薇夏
65 Operation Frankenstein 195 The Smortlybacks Come Back! Antonin NICLASS tty590@gmail.com vitahuang2007@gmail.com
205 Overcoming the Darkness 196 The Soloists antonin.niclass@gmail.com •Her and I 軟弱的梨 •Can You Hear Me? 講話沒有在聽
56 The Sower of Stars •Midnight Story 午夜．巴士．鴿子們

P 208 Paranoid Park 180 The Strange Case of Jacky Caillou CHENG An-chun 鄭安群 Delirium XR
57 Party Poster 143 The Sweet Hereafter Astrea ga645906@gmail.com Fabito RYCHTER
60 Persona 165 The Wandering Moon publisher@astreaimmersive.io •Turn twice and click 吸血鬼與魔法師 fabitorychter@gmail.com
200 Phonos 230 The Year of the Tiger: Fantastic Flesh Juicer 2.0 • On the Morning You Wake (To the End of •Lavrynthos 牛男的迷宮
216 Pirates 198 Theo the Water Tower the World) 未來的末日 CHENG Yi-ping 鄭怡萍
103 There’s No Sex, Only Fans ypcheng43@gmail.com Directory Films

R 225 ReachYou 36 To the Sea Atelier de production de la Cambre, ASBL •Alice on the beach 當鯨魚游上沙灘 savychenko@gmail.com
96 Red Tail 33 Tree Hole for Secret Vincent Gilot •Mirror 鏡子 •One Day in Ukraine 3月14日，我在烏克蘭
139 Regarding 30 Tuo Tuo info.adifac@gmail.com
28 Turn Twice and Click •Legend of Spring 春天聚樂部 CHUNG Yik-ching 鍾易澄 Diversion Cinema

S 50 Safe 90 Typeman dancyc8347@gmail.com Agata di TOMMASO

40 Sandstorm Atom Art •Unspoken Things 套子套 agata@diversioncinema.com
14 Save the Date U 86 Unframed - Hand puppets, Paul Klee Ieva ZELDERE •Montegelato 瀑布膠卷夢
59 Scale 31 Unspoken Things ieva@atomart.lv CinemaLeap
199 SCRATCH 7 Untold Herstory •Hush Hush Little Bear 呼哇呼哇小熊之歌 OHASHI Tetsuya 大橋哲也 DNA Studios
55 Sex Relish (A Solo Orgasm) 199 Ursa - The Song of the Northern Lights tetsuya.ohashi@cinemaleap.com Antoine DÉBOIS
142 Shadow Nettes Aview Images •Typeman 再見，打字機先生 antoine@dna-studios.ch
101 Shadow Under the Bed V 51 VHS KUEK Shee-heng 郭斯恒 •Unframed - Hand puppets, Paul Klee
42 Sierra 42 Virtual Voice aviewimages18@hotmail.com Coala Filmes 保羅克利的布偶
213 Skate Dreams •Little Blue 小藍 Ivan MELO
114 Slaughterhouse-Five W 179 Waiting for Bojangles ivan@coalafilmes.com.br DUNG Heng-rue 董恆瑞
140 Slow Blink 76 Weird Times Best Friend Forever •Bob Spit, We Do Not Like People 恁北龐克仔 hank1212hank1212@gmail.com
50 Smoke Gets in Your Eyes 53 What Remains Marc NAULEAU •Fighters 交戰
201 Snail's Breakfast 178 What She Likes… marc@bffsales.eu
166 Snowball 98 When the Flowers Bloom •Honey Cigar 甜祕蜜滋味 Electric Skies
139 Soul Cages 45 Where the Winds Die •Medusa 惡女卡守貞 Lee HARRIS
13 Space Boy 93 Where is Noddy? •Mother Schmuckers 兄弟沒狗不應該 lee@electricskies.io
66 Spuffies 161 Which One You Choose •The Strange Case of Jacky Caillou •Glimpse 一眼瞬間
117 Starship Troopers 54 Will You Look At Me 傑克的怪奇戀語
193 Step by Step 57 Women Visiting a City
 234 版權資訊 Print Source 版權資訊 Print Source 235

Electric South FREES DESIGN INTERNATIONAL CO., LTD. Hsuˇ Chihˋ Yenˋ Director Studios Kaohsiung Film Archive 高雄市電影館 Lights On Manifest
Vuyokazi KADALIE 福利事國際有限公司 許智彥導演工作室有限公司 Emma LEE 李佩禪 Flavio ARMONE Emma HAMELIN
coordinator@electricsouth.org Geegee CHENG 鄭芝羽 TSENG Wan-rong 曾琬容 kfashorts@gmail.com lightson@lightsonfilm.org festivals@manifest.pictures
•Container 貨櫃悲歌 geecheng18@gmail.com wan.ron.tseng@gmail.com •Memoir of a Veering Storm 暴雨前夕的祕密 •Sex Relish (A Solo Orgasm) 哦讓自己High
Taiwan Public Television Service Foundation
•The Year of the Tiger: Fantastic Flesh •Where is Noddy? 諾弟 •North Pole 霧中北極
財團法人公共電視文化事業基金會
ESSE Production House Juicer 2.0 虎年大吉 奇幻血肉2.0 •Safe 我要你安全 Marina ROSSET
WANG Yi-hua 王藝樺
o.beskhmelnitsyna@essehouse.com HUANG Hsin-wei 黃信瑋 •The Sower of Stars 東京微光絮語 marina.rosset@gmail.com
wangyihua@pts.org.tw
•Overcoming the Darkness 闇夜烏克蘭 GaragePlay 車庫娛樂 n0258006@yahoo.com.tw •Will You Look At Me 當我望向你的時候 •The Queen of the Foxes 給狐狸女王的情書
•Daddy-To-Be 有了？
Sharon YANG楊雙蕾 •Noname Square 不詳的一方
•The Last Shot 春水奇譚
EST Studios sharon@gpx.tw LIN Po-Yu 林柏瑜 Mehmet Bahadir ER
•The Remains 屍舞
Michelle LEE •Battle Royale 大逃殺 Infinity Stars Media Inc. bruce4436@gmail.com mehmetbahadirer@gmail.com
Michelle.L@estmedia.com •Snowball 飄零人生 華星八方傳播股份有限公司 •To the Sea 看海 •The Jar 玻璃罐裏的男人
Katie CHEN 陳丞楦
•Every Day in Kaimuki 等我有一天 •Wandering 流浪之月 Joy TSAI 蔡秋儀
gokatiechen@gmail.com
•Waiting for Bojangles 愛你愛妳 joyaki0715@gmail.com LIN Shih-ching 林世菁 MEMORY.IS
•Oh So Convenient 金方便捏
Fenda LYN 林儀芬 •What She Likes... 她喜歡的是 •Next Stop 下一站 jinglinntua@gmail.com Riel ROCH-DECTER
fenda1217@gmail.com •A Sunny Trip 春日郊遊 rrd@memory.is
KFF Sales & promotion
•Good Day 詠晴 Great Eyes Production Service Innerspace VR •The Computer Accent 音浪AI
Anna WASZCZUK
三上影像創作有限公司 Richard TURCO LIN Wei-Chih 林㵟芝
anna.waszczuk@kff.com.pl
Ferryman Collective KUNG Wan-hsiang 龔萬祥 richard@innerspacevr.com linweichihtaiwan@gmail.com MILKYWAY Films 繆克電影有限公司
•Airborne 迷幻戰鬥機
Stephen BUTCHKO snlab.tw@gmail.com •Kubo Walks the City 漫遊1934：漢城 • Eating Grapes without Spitting Out the SU Pei-yi 蘇珮儀
info@ferrymancollecitve.com •A Beautiful Summer Noon 返來呷飯 Skin 吃葡萄不吐葡萄皮 milkspy@gmail.com
Khozy RIZAL
•Gumball Dreams 謎幻泡泡糖 INSAS •Duet 二重奏
khozyrizal@gmail.com
Greenwich Entertainment Manon MANCINI Liquid Blues Production
•Makassar Is a City for Football Fans
Festagent Carla T BISPE manon.mancini@insas.be Boris HARS-TSCHACHOTIN Miyu Distribution
男情足球迷
Yulia cbispe@greenwichentertainment.com •The Furniture 傢俱展 BHT@liquid-blues-production.com Thibaud MALARTE
travnikova.yu@gmail.com •All the Streets are Silent 滑板有嘻哈 •The Leap 希望之躍 thibaud.malarte@miyu.fr
Kodansha VR Lab, Ltd.
•VHS 再會吧！錄影帶 Insight Media •Step by Step 靴靴你啊
PUN Sham-kiu
Gunpowder & Sky Alena GRINTSEVICH LIU Wan-lin 劉琬琳 •The Soloists 小村歡唱三姊妹
pun@kodanshavrlab.com
Fickle Formula mjc@gunpowdersky.com alenagrintsevich@gmail.com liuacow@gmail.com
•Thank you for sharing your world
Suman SEN •Pirates 電音頑童幹大事 •Boney Piles 戰火時，我們正青春 •The Egret River 鷺鷥河 Miyu Distribution
追火車的男孩
suman@fickleformula.com Laure GOASGUEN
•The Silent Echo 寂靜的和聲 HappyGrumble Productions Inter Medya Lobster Films festival@miyu.fr
L’Agence du court métrage
Barrière ROBIN Irem KUCUKKUTLU Maria CHIBA •Once There Was A Sea... 鹹海幻夢
Elliot LARDENOIS
Filmuniversität Babelsberg KONRAD WOLF robin.barriere@orange.fr Irem.Kucukkutlu@intermedya.tv mchiba@lobsterfilms.com •Love, Dad 摯愛的父親
e.lardenois@agencecm.com
Clara MIRANDA-SCHERFFING •Monsieur Lucien 發明家爺爺路西安 •Black Dogs Barking 黑犬吠不廢 •J'accuse 我控訴 •Anxious Body 不安之身
•A Splash in a Mud 小豬萬事屋，泥好！
c.miranda-scherffig@filmuniversitaet.de •Omar and Us 邊境之歌 •Luce and the Rock 露絲與石頭大夥伴
•From the Main Square 廣場物語 Heymann Brothers Films Long Shot Factory
La prairie productions
Naama FLUKSMAN Invida Erin OWENS MK2
Mathieu PRADAT
First Screen Film Distribution Co. festivals@heymannfilms.com Maja ZUPANC erin@longshotfactory.com Louise RICHARD
mp@laprairie-atelier.fr
mmscrwriter@gmail.com • High Maintenance - The Life and Work of maja@invida.tv •Skate Dreams 我們的尬板夢 intlfest@mk2.com
•The Single Horn 幸福獨角獸 Dani Karavan 卡拉凡的永恆地景 •Mouse House 妙妙起司屋 Serendipity Ltd. 綺影映畫有限公司 •Paranoid Park 迷幻公園
Jamie LIN 林晏如 M-Line
Flight School Studio HiBrain Image 腦高映像 Je Regarde jamielin@sfilms.com.tw Alice CHANG Mobius Image 莫比文化創意有限公司
Patrick WETZEL hibrainimage@gmail.com Patrick De CARVALHO •Encounters 漫步源雨㵵 alice@mline-distribution.com Eric XIE 謝翔宇
patrick.wetzel@flightschoolstudio.com •Immersive Criminology Episode 1: LOST patrick2carvalho@gmail.com •The Girl on a Bulldozer 推土機女孩 bluestair@hotmail.com
•Weird Times 那些年，我們一起轉大人 VR罪系列首部曲：迷路 •The Seine's Tears 淚舞塞納河 Lago Film Fest •Shadow under the Bed 食夢者
info@lagofest.org MAGNETFILM GmbH
Folimage HONG Kai-xun 洪楷勛 Joe YANG 楊芸喬 •Lost Brain 我腦中的橡皮擦 Frauke KNAPPKE Mojtaba ABDOULRAHIMKHAN
Jérémy MOURLAM rex20000420@gmail.com joe880708@gmail.com •Phonos 相思百靈鳥 frauke.knappke@magnetfilm.de mojtaba.abdoulrahimkhan@gmail.com
j.mourlam@folimage.fr •On the Road 路上 •Blissgate 門之後 •SCRATCH 刻在你心底的痕跡 •The Smortlybacks Come Back! •Left Handed 左手的抉擇
•Theo the Water Tower 愛哭鬼水塔男孩 •Snail’s Breakfast 蝸居小鎮 蹦蹦球怪的跳島冒險
Hooray Films 好威映象 Johan CHANG 張若涵 •Ursa - The Song of the Northern Lights MOON Joon-yong
Freak Agency Han SUN johanjohanyu@gmail.com 小白熊的極光之歌 MalasMalas joonybangol@gmail.com
Vazquez Millan tsunghansun@gmail.com •Flight and Frame 1/5400・單格舞曲 Maria Estela PAISO • Augmented Shadow: Chasing Stars in
sfd@agenciafreak.com ; •The Girl and the Spider 女孩與蜘蛛 Les Films du 3 Mars estelapaiso@gmail.com ; Shadow 光影遊戲：追星星的人
internacional@agenciafreak.com •The Innocents 詭孩 Jonathan Griffith Productions Vatrinet CLOTILDE malasmalasxx@gmail.com
•Operation Frankenstein 行動代號科學怪人 Jonathan GRIFFITH cvatrinet@f3m.ca •It's Raining Frogs Outside 外面下雨蛙 MoonShine Animation 夢想動畫
Hsu Che-Yu Studio 許哲瑜藝術工作室 jon@alpineexposures.com •Margot's Sister 她不笨，她是我妹妹 Zoe LIAO 廖純奐
CHEN Yung-shuang 陳詠雙 •Alex Honnold: The Soloist VR Man Man Er Co., Ltd. 滿滿額娛樂股份有限公司 info@moonshine.tw
yschen8181@gmail.com 極限攀登：阿爾卑斯 LevelK Alice ANG 洪槿楓 •Formosan Harmony 聲林協奏曲――石虎樂章
•Gray Room 白屋 Niklas TENG aliceang@mm2entertainment.com
niklas@levelk.dk •Girls, Be Ambitious! 女優，
摔吧！
•OINK 我是噗～
 236 版權資訊 Print Source 版權資訊 Print Source 237

Muse Communication Co., Ltd.
木棉花國際股份有限公司
David YANG 楊智緯
David@e-muse.com.tw
•Checkered Ninja 2 進擊小忍者 2
New Canvas
Nathan ANDERSON
nathan@newcanvas.co
•Lustration 冥界淨化者：序章
Park Circus
Jack BELL
jack@parkcircus.com
•Slaughterhouse-Five 第五號屠宰場
•Nineteen Eighty- Four 一九八四
•Starship Troopers 星艦戰將
•M*A*S*H 外科醫生
Park Circus
Evie KORZEC
Evie.korzec@parkcircus.com
•Meet Me in the Bathroom 搖滾咖廁所見
Patrick CHEMALI
patrick.chemali@gmail.com
•Clotheslined 晾衣繩上的戰火
Pejman ALIPOUR
pjcartoon@yahoo.com
•Where the Winds Die 拂過死蔭的幽谷
Philip WATTS
pwatts@me.com
•Bellysaurus 小恐龍咕嚕嚕奇遇記
Phillip BARKER
phillipfilm@gmail.com
•A Temporary Arrangement 漂流拼貼
•Dredger 三個人的船艙欲情
•I Am Always Connected 形影不離
•Malody 顛倒瑪洛蒂
•Night Vision 聊聊夜裏光的構成
•Regarding 試鏡中
•Shadow Nettes 魅影情釣
•Slow Blink 快門下的女舞者
•Soul Cages 攝取你的魂
Picture Tree International GmbH
Cara SANDER
cara@picturetree-international.com
•Enfant Terrible 法斯賓達壞壞
Pigeon-co. Ltd. 政駒
Hochun SUN
hochun0902@gmail.com
•Klondike 沒有煙硝的日子
PixelPEC GmbH
Sebastian SIMON
simon@pixelpec.de
•Mortimer and the Vanishings
莫弟的消失事件簿
Playtime Group Rainer Werner Fassbinder Foundation Strup Produkcija TBA Studios WONG Weng-chon 黃榮俊
Joris BOYER Jennifer BORRMANN Videnovic VIVA Cindy SISON wongwc530@gmail.com
joris@playtime.group info@fassbinderfoundation.de viva@strup.si cindy.sison@tba.ph •MUI 梅婆
•The Sweet Hereafter 意外的春天 •Ali: Fear Eats the Soul 恐懼吞噬心靈 •Spuffies 愛吃鬼史噗飛 •Fanny: The Right to Rock 搖滾媽祖婆
•Beware of a Holy Whore 當心聖妓 WU Pin-hsuan 吳品萱
Portugal Film – Portuguese Film Agency •Chinese Roulette 中國輪盤 Swallow Wings Films 海鵬影業有限公司 TEAMWORK ENTERTAINMENT CO. wulu.pinhsuan@gmail.com
Luís LEMOS •Effi Briest 寂寞芳心 Iris LIU 劉虹瑩 Lisa HO •Tree Hole for Secret 樹洞
pf@portugalfilm.org •Fox and His Friends 狐狸和他的朋友們 irisliu1204@gmail.com weteamwork.co@gmail.com
•What Remains 賣羊記 •Love is Colder than Death 愛比死更冷 •It's Just a Phase, Honey 趴兔青春期 •Asphyxia 關係暴力 WU Po-shan 吳伯山
•The Bitter Tears of Petra Von Kant themanvr1950@gmail.com
Prototypes Productions 佩特拉的苦淚 Swedish Film Institute The Festival Agency •The Man Who Couldn't Leave 無法離開的人
Nicolas BIANCO-LEVRIN •The Marriage of Maria Braun Sandra NORDEN Fanny GAVELLE
films@festival-prototype.com 瑪麗布朗的婚姻 sandra.norden@filminstitutet.se fg@thefestivalagency.com Yael NIVRON
•Kiki the Feather 飛吧！金絲雀奇奇 •Comedy Queen 我不哭，我搞笑 •Foscadh 媽寶站起來 yael.nivron@gmail.com
Reservoir Docs •One Year, One Night 這一年，那一夜 •Boydem 童樂之夏
PSYOP Irène CADAVID Synergy Co., Ltd. 禾力文創有限公司
Andrew LINSK irene@urbangroup.biz CHIANG Chen-sai 姜陳塞 The Graduate Ltd. 畢業生有限公司 You.Have.Agency
alinsk@psyop.tv •Boarders 英倫滑板人 CHIANG Po-chang 姜伯彰 TUNG Fang Yu 董芳伃 Jonah GOLDSAITO
•Bottle Cap 蓋世奇蹟 Jony8197@gmail.com tung@redbitpictures.com jonahgoldsaito@gmail.com
PT Talamedia Rishi CHANDNA •Lost in the Forest 山中森林 •A Night with Moosina 魍神之夜 •ReachYou 時空樹洞
Amanda MARAHIMIN rishichandna2020@gmail.com ;
mm@talamedia.co fishychandna@gmail.com Taigi TV Station 公視台語台 thuànn Taiwan Film Corporation 湠臺灣電影 YU Yu 余聿
•The Sea Calls For Me 我的充氣媽咪 •Party Poster 看板人生 LIN Yi-huei 林宜慧 Julia HSIEH 謝承璇 yuyustopmo@gmail.com
yilin@pts.org.tw julianx0414@gmail.co •The Island of Us 島影
Pulsar Content Salaud Morisset •A Boxing Coach 拳職人員 •Untold Herstory 流麻溝十五號
Indiana PERRIER Adria BONNEVILLE •a-má 阿媽 Zero One Film 零壹影像有限公司
iperrier@pulsarcontent.com festival@salaudmorisset.com •Space Boy 阿波羅男孩 TING Chi-wen 丁啟文 CHEN Yi-ching 陳怡菁
•Dragon Princess 公主飛高高 •FAIRPLAY 生存駭遊戲 •Ｗhich One You Choose 天字第二號 screenplayting@gmail.com zeroone.taipei@gmail.com
•Scale 失控的尺度 •There’s No Sex, Only Fans 推特事 •Red Tail 紅尾巴
Punched paper films Taiwan Public Television Service Foundation
Jonathan LASKAR Sayonara Film (Elenfant Distribution) 財團法人公共電視文化事業基金會 Varicoloured Zorobabel
festivals@papierperfore.ch Adam SELO Julian CHENG 鄭博文 Vannucci ENRICO Justine PAULUS
•The Record 幻遊曲 distribution.sayonarafilm@gmail.com +886-2-2633-8118 info.varicoloured@gmail.com diffusion@zorobabel.be
•Sandstorm 網戀沙塵暴 •Marriage No.1314 尾號1314 •The Scent of Tangerine 睡夢中的橘香 •Cuddle 擁抱的痕跡
Qseries2 茁劇場 •Save the Date 恭請光臨曾賈府喜事
AN Je-yi 安哲毅 ScanLAB Projects Ltd. •Mary's Merry Marriage 梅莉 Victorine van ALPHEN
jeyimei@gmail.com Matthew SHAW victorinevanalphen@icloud.com
•Golden Dream on Green Island matt@scanlabprojects.co.uk Taiwan Public Television Service Foundation • IVF-X: Posthuman Parenting in Hybrid
綠島金魂 第1-2集 •Adult Children 倫敦封城日記 財團法人公共電視文化事業基金會 Reality 後人類計畫：訂製你的完美寶寶
Public Television Service (PTS)公共電視
Quatre Films Serendipity Ltd. 綺影映畫有限公司 WANG Yi-hua 王藝樺 Virtual and Physical Media Integration
Alejandra MORA Judy LIEN 連怡晴 wangyihua@pts.org.tw Association of Taiwan 台灣虛實展演發展協會
amora@quatrefilms.com judylien@sfilms.com.tw •Long Spirit 龍魂 CHEN Wen-jin 陳玟君
•Women Visiting a City 老少女遊歐記 •NATASHA 塑膠情人 •Fish Pond 幻象人 wenjinvpat@gmail.com
•The Eye and I, Vol. I 眼與我
（一）
Radiator IP Sales Sky Digi Entertainment Co., Ltd. Tamasa Distribution
Ben VANDENDAELE 天馬行空數位有限公司 Laurence BERBON Volcánica Films
ben@radiatorsales.eu Tiffany WANG 王婷妮 laurence@tamasadistribution.com Katherina HARDER
•Displaced 流浪球桌 tiffany_wang@skydigient.com •Jacob's Ladder 時空攔截 katherina@volcanicafilms.cl
•Offbeat Cops 調職令是警察樂隊！ •Desert Lights 荒地中的足球夢
Raina Film Festival Distribution •The Fish Tale 魚之子 TANG Hao 唐豪
Andrew NORTON tanhoww@gmail.com WIDE
andy@rainfilms.com SoundME Studio 燒聲娛樂實驗室 •Burning 燒 Matthias ANGOULVANT
•Virtual Voice 網紅靡音 CHIEN Ning 錢檸 ma@widemanagement.com
•Maija Isola - Master of Colour and Form ebinichang1997@gmail.com TARGO •Darkling 科索沃的夜與夜
花現印花宇宙 •My Zombie Grandpa 殭屍外公 Victor AGULHON •The Genius of Gianni Versace Alive
victor@targostories.com 時尚天才凡賽斯
Square Eyes •Surviving 9/11 - 27 Hours Under the Rubble
Wouter JANSEN 生還911：瓦礫堆下的27小時 Wide Angle Films
info@squareeyesfilm.com Zafeer KHAN
•In Flow of Words 逝言翻譯中 zafeer@wideanglefilms.com.pk
•Garrano 加拉諾馬 •Murder Tongue 殺口
•Sierra 超能輪胎男孩
238 感謝名單 Acknowledgements 工作人員 Staff 239

感謝名單 Acknowledgements 工作人員 Staff

按姓氏筆畫順序排列 in alphabetical order
影展總監 黃晧傑 映演組 Screening 行政組 Administration
Festival Director HUANG Hao-jie
行政總監 鍾尚宏 映演經理 湯舒惠 行政經理 張晶玫
Lago Film Fest ScanLAB Projects Swedish Film Institute 五樓創意有限工作室 Executive Director Sean CHONG Screening Manager TANG Shu-huei Administration Manager CHANG Ching-mei

安慰劑 Placebo Taipei 法國在台協會 動態自造實驗室 新月映像 夢境現實 映演專員 陳芝儀 行政副理 蔡閔丞
Screening Coordinator CHEN Chih-yi Administration Assistant TSAI Min-cheng
節目組 Program 放映專員 陳崇政
Manager

Screening Coordinator CHEN Chung-chen 行政專員 許嘉晏

Alexander RUSSEL Ana BRZEZINSKA Damian KIRZNER Dan TUCKER 節目統籌 方錦玉 Administration Coordinator HSU Chia-yen
Program Manager Jaddie FANG 放映專員 曾御忠
Screening Coordinator Muller TSENG 行政專員 吳映萱
Danielle GIROUXL David KIBLER Ella HICKSON Fabito RYCHTER 節目經理 陳盈靜 Administration Coordinator Kristy WU
Executive Manager CHEN Ying-ching
財務專員 楊雅淳
Jay KIM Jean-François CASABONNE-MASONNAVE Liz ROSENTHAL 節目專員 余孟珊 競賽組 Finance Coordinator Ophelia YANG
Program Coordinator Sandy YU International Short Film 財務專員 林博雅
Mathieu GAYET Mathieu PRADAT Max CHEN Michel REILHAC 節目專員 王崇宇 Competition & VR Competition Finance Coordinator LIN Po-ya
Program Coordinator Daniel WANG
Michele ZIEGLER Nicolas ROUILLEAULT Sacha WARES Toby COFFEY 短片競賽統籌 王冠人
財務專員 翁宇婷
接待經理 邱予慧 Finance Coordinator WONG Yu-ting
Short Film Competition WANG Kuan-jen
Valentina RIPAMONTI Hospitality Manager Polny CHIU
Manager 財務專員 蔡佩蓉
接待專員 林伊湄
短片競賽專員 翁子揚 Finance Coordinator TSAI Pei-jung
Hospitality Coordinator Ariel LIN
Short Film Competition WONG Tzu-yang 技術專員 劉政典
小谷創 毛立慈 王允踰 王文玨 王俊傑 王思寒 戲院經理 陳宜彣 Coordinator Technical Coordinator ColorMa LIU
Theater Manager CHEN yi-wen VR 競賽專員 許育寧 法律顧問 張啟祥
王若鈞 王詩情 王藝樺 全明遠 安哲毅 朱卿鋒 戲院專員 李欣穎 VR Competition HSU Yu-ning Legal Consultant Eric CHANG
Coordinator
Theater Coordinator LEE Xin-ying
何淑娟 吳宗珉 吳書丞 吳達坤 李志薔 李念潔 戲院專員 劉盈如
編輯組 Editorial
Theater Coordinator LIU Ying-ju 活動組 Event
李柏廷 李鈺玲 李懷瑾 沈怡昕 周兆儀 周東彥
戲院專員 張楨怡 文字編輯 林雨靜
Theater Coordinator CHANG Chen-i 活動經理 賴玉蓉 Editor LIN Yu-ching
林伊湄 林秀蕙 林忠模 林承翰 林昱 林裕展 Event Manager Judy LAI
XR 文字編輯 呂家瑜
活動專員 陳逸萱
林潔珊 波昂刺刺 邱士展 侯又慈 侯伯彥 凃瑞霖
XR Editor LYU Chia-yu
XR 無限幻境 XR Dreamland Event Coordinator Bella CHEN
英文編輯 石雄皓
查拉 胡嘉珍 夏康真 孫志熙 徐倩 徐廉傑 活動專員 朱庭誼 English Editor Howard SHIH
策展統籌 洪珷 Event Coordinator ZHU Ting-yi
XR Program Curator Sebox HONG 美術編輯 陳吉偉
徐詩涵 徐嘉孜 馬曼容 高勤倫 張婉兒 張暉旻 活動專員 陳亭安 Art Design Nose CHEN
節目經理 謝蕎琳 Event Coordinator Abbie CHEN
XR Program Manager HSIEH Chiao-lin
張毓珍 張靜嫻 許耀文 連俐俐 郭旻薇 郭美淨 活動專員 吳銘豪
節目專員 薛苑玲 Event Coordinator WU Ming-hao
CF 拍攝 CF Shooting
陳立民 陳仲賢 陳秀春 陳芯宜 陳俞廷 陳柏霖 XR Program Coordinator HSUEH Yuan-ling
活動專員 姚信伊 影展大使 9m88
戲院經理 呂紹儀 Event Coordinator Aimee YAO Ambassador 9m88
陳斯婷 陳逸萱 湯詠茹 黃勻祺 黃沛羽 黃柏鈞 XR Theater Manager Kelly LU
活動專員 吳怡葶 製作公司 尖蚪映畫工作室
戲院專員 林曉晨 Event Coordinator WU Yi-ting Production House Foufa Studio
黃國愷 黃瑋儒 黃聖閎 楊淑雯 楊詠亘 葉庭菲 XR Theater Coordinator LIN Hsiao-chen
活動專員 林于靖 導演 吳仲倫
戲院專員 王馨珮
詹佳霖 廖正雄 聞天祥 劉乃瑜 劉旭恭 劉育樹 XR Theater Coordinator Shinn WANG
Event Coordinator LIN Yu-jin Director WU Chung-lun
XR 產業活動專員 羅心彤 副導 蘇聖揚
潘信宏 蔡育萍 蔡瑞霞 鄧樹遠 鄭心 鄭秉泓 技術經理 鄭仲迪 XR Industry Event LO Hsin-tung Assistant Director SU Sheng-yang
XR Screening Exhibition JHENG Jhong-di Coordinator
and Technical Manager 製片 鄭心愷
穆芹 薛秀宜 謝以萱 謝欣蘋 謝武璋 謝潔明 設計專員 賴潔𤧞
技術專員 蔡家豪 Design Coordinator LAI Chieh-mei
Producer Jonathan CHENG

謝璇 鍾佩樺 鍾岳明 顏維萱 蘇逸華

XR Technical Coordinator TSAI Chia-hao 執行製片 黃柏蒼
設計專員 林峰毅 Line Producer HUANG Po-tsang
Design Coordinator LIN Feng-yi
國立鳳新高中美術班 102、202 全體師生 攝影 蔡秉孝
高雄拍 & 雄成人短片輯 Director Of Photographer TSAI Ping-hsiao
Kaohsiung Shorts & Corpse, 行銷組 Marketing 攝大助 葉辰威
Dick and Test Kit 1st Assistant Cameraman YEH Chen-wei
以及所有幫助過高雄電影節的朋友們 行銷經理 李映萱
節目經理 施玉華 攝影助理 鏡吉攝影組
And all other friends who support Kaohsiung Film Festival Marketing Manager Daisy Lee
Camera Assistant Fortune Lens LTD.Co
Program Manager SHIH Yu-hua
媒宣專員 郭正偉
節目專員 李佩禪 Press Coordinator KUO Cheng-wei
燈光 陳賢元
Gaffer CHEN Sian-yuan
Program Coordinator Emma LEE
媒宣專員 陳奕婷
Press Coordinator CHEN Yi-ting
燈光大助 鍾明杰
Best boy ZHONG Ming-jie
孩子幻想國 Kids Fantasy 媒宣專員 項婕
Press Coordinator Jade HSIANG
燈光助理 ZBTS 燈光組
Lighting Assistants ZBTS
節目經理 高筱蓉 媒宣專員 陳玟諠
Program Manager KAO Hsiao-jung Press Coordinator CHEN Wen-hsuan
美術 林毛
Production Art Director LIN Mao
節目專員 戴寧 媒宣專員 蔡宜芸
Program Coordinator DAI Ning Press Coordinator TSAI Yi-yun
美術 徐飽
Production Art Director shebao
240 工作人員 Staff

剪接 吳怡嫺 高雄焦點導演宣傳片拍攝
Editor Elly WU
Kaohsiung Focus Promotional Video
剪接 吳昭晨
Editor WU Jau-chen 高雄焦點導演宣傳片拍攝及剪輯 羊有四十七隻 唐張崇偉
2D 動畫師 吳怡嫺 Kaohsiung Focus Promotional Video Sheep47 Thom
Shooting & Editing
2D Artist Elly WU
2D 動畫師 洪楷勛 錄音師 PU
2D Artist HONG Kai-xun Sound Engineer

3D 動畫師 朱智顯 動態攝影 En TSAI

3D Artist ZHU Zhi-xian Action Photography

攝影器材 鏡吉影業有限公司 製片 Keira CHEN

Camera Equipment Fortune Lens LTD.Co Producer

燈光器材 ZBTS 導演形象照攝影師 周柏辰

Lighting Equipment ZBTS Directors’ Portrait Photographer Bochen CHOU

造型師 Quenti LU 髮型師 郭欣湄

Stylist Hairstylist Zoe

造型助理 Leticia WANG 化妝師 Riz SHIH

Stylist Assistant Makeup Artist

髮型師 Odye WENG 化妝助理 郭宜華

Hairstylist Makeup Artist KUO Yi-hua

髮型助理 Corinna 企畫執行 Nancy TUNG

Hairstylist Assistant Project Executive

化妝師 Yenting YANG

Makeup Artist 實習生 Interns
化妝助理 Yaching YEH
Makeup Artist Assistant 王崇宇
Daniel WANG
藝人經紀 Mia Min Yen
Artist Agent 張童寧
CHANG Tung-ning
執行經紀 Wei HUANG
Executive Agent 于贊茹
YU Zan-ru
王郁鈞
影展視覺團隊 WANG Yu-jun
Festival Visual Art Design 郭瑀
KUO Yu
主視覺設計 大象兔有限公司 劉正堃
Visual Art Designer Elebbit Co. Ltd. Abei LIU 郭文琦
KUO Wen-chi
動態主視覺設計 徐廉傑
Visual Art HSU Lien-chieh
Motion Designer

總預告剪輯 陳昱誠
Program Trailer Editor Andy CHEN
競賽預告剪輯 呂憶茹
Competition Trailer Editor LU Yi-ru

影展商品拍攝團隊
Festival Merchandise Photography
模特兒 柳螺珠
Model LIU Luo-zhu
模特兒 于贊茹
Model YU Zan-ru
模特兒 王郁鈞
Model WANG Yu-jun
商品攝影 陳李視物
Merchandise Photographer chenleestudio