Shot List

Title:
Director: Ewan Greig
Producer: Ewan Greig
Cinematographer: Ewan Greig
Scene Shot Description Lens Shot Movement Frame Lighting Location
Type Rate
1 1 An almost face on shot of Sam sat at her desk working. The camera is 24mm medium static 24 fps Sun light from The white
positioned behind the canvas but to the side. the side. room
1 2 It swaps to behind Sam looking over her shoulder at what she is 24mm Medium Handheld static 24 fps Sunlight from The white
paining. over the the side room
shoulder
1 3 The camera swaps to the other shoulder looking towards the large pile 24mm Over the Handheld static 24fps Sunlight from The white
of rejection letters on the with Sam out of focus in the foreground. shoulder the side room
long
1 4 The camera is positioned near the pile in focus as Sam gets up and 24mm Medium Static handheld 24 fps Sunlight coming The white
walks over to the pile of letter and picks them up to put them in the wide from the room.
bin. The focus shifts as she is moving towards the pile from the pile of window
papers to Sam.
1 5 A shot looking up at Sam from near the bin as the letter drop into the 24mm wide Static handheld 24 fps Windows light The white
bin. room
1 6 A shot from above with a sketch pad gets brought in from the side 14mm Wide above static 24 fps Orange light The white
along with a pencil and a rubber. As Sam leans over to start sketching from the left room
the camera cuts.
1 7 A close shot of the Sam drawing following the pencil from the top of 35mm Close up Handheld static 24fps Sunlight from The white
the sketch pad. the side room
1 8 An overhead shot of the different drawing getting scumbled up into a 14mm Wide above Static above 24 fps Sunlight from The white
ball and then thrown out of shot. the side room
1 9 A shot from near the bin looking into it showing each of the screwed- 14mm medium static 24 fps sunlight The white
up drawing landing in the bin or around the bin. room
1 10 A shot from the desk of Sam walking away towards her bed and 24mm Medium to static 24 fps Moon light the white
getting into the bed. wide room
2 1 An above shot of Sam lying in bed in bed looking up at the ceiling. 14mm medium Static above 24 fps moonlight The white
The camera stays still as he closes her eyes to go to sleep. room
3 1 A blue moonlight lights the room. The camera is at the end of the bed 24mm medium Static handheld 24 fps moonlight The white
looking up at her head from the bottom of the bed. She sits up in a hot room
sweat looking around. Then she locks eyes with something just to the
side of the camera.
3 2 A shot from the perspective of Sam looking down the bed at two 35mm Medium static 24 fps moonlight The white
 glowing white eyes. close room
3 3 Sam slowly moves over to turn the lamp on, and the camera tracks her 24mm medium Moves with 24 fps moonlight The white
very slowly rotation round but not showing anything more than her Sam room
hand at the d of the screen.
3 4 Sam’s perspective as the thing jumps at her and cuts to black. 24mm Medium – static 24 fps moonlight The white
close up room
3 5 The camera is positioned at head height in a close up. Sam sits up very 14mm Close up static 24 fps sunrise The white
quickly and moves into frame from the bottom. She then looks around room
frantically in a sweat
3 6 The camera looks around the room and sees that noting in out of the 24mm wide Moves left to 24 fps sunrise The white
ordinary. It moves frantically from left to right and then left again. right room
4 1 A shot from above to the side of Sam drawing the outline of what she 24mm close Static above 24 fps daylight The white
saw. It lacks a lot of detail. room
4 2 A shot from the side on the desk with Sam in the foreground and the 24mm wide static 24 fps daylight The white
figure visible in the mirror in the background. Changing focus between room
the two.
4 3 A shot of the mirror to the side of the figures face. 24mm close Static handheld 24 fps daylight The white
room
4 4 A shot of Sam’s face becoming more and more frustrated as she tries to 14mm Close up Static handheld 24 fps daylight The white
remember what it looks like you can see her getting visibly more room
frustrated.
5 1 The camera stays on the desk as Sam gets up and walks away from the 24mm Medium to static 24 fps daylight The white
desk and walks away towards the other end of the room. wide room
5 2 The camera is positioned opposite the mirror but of the side to avoid 24mm Medium to Static then 24 fps daylight The white
reflection as Sam walks past a couple of ties then stops in from of the wide moves to the room
mirror. The camera then moves down more towards the side as Sam right
moves around Infront of the mirror.
5 3 Camera is back on the desk as she walks back towards the camera 24mm Wide to static 24 fps daylight The white
from being out of focus to being in focus. When she sits down the close up to room
focus shifts t other mirror where the figure is shifting between the wide
figure that she saw and herself.
6 1 A shot of Sam out of focus in the fore ground and the figure staring 24mm wide static 24 fps daylight The white
back towards her. room
6 2 A shot of the figure standing. It is in the form of Sam. It moves its 14mm wide static 24 fps daylight The white
hand to its other hand and begins to pull upwards on her skin. room
6 3 A close up of her skin being pulled up on her hand and leaving her 14mm Close up tracking 24 fps Daylight The white
finger red raw. The camera is very close and tracks this. room
6 4 It cuts back to a close up of Sam’s finger which is now the Sam as the 14mm Close up static 24 fps daylight The white
figures. She pulls it quickly out of frame. room
6 5 A close up shot of Sam’s face with the hand in the foreground with a 14mm Close up static 24 fps daylight The white
face of pain as she looks at her hand with a look of pain and confusion. room
6 6 A shot that follows her from the front of her walking over to the sink to 24mm Medium Tracking 24 fps Daylight The white
 wash up her hand. room
6 7 A shot of the mirror figure hitting her foot on the ground. 24mm Close Static 24 fps Daylight The white
room
6 8 A close up shot of Sam’s ankle rolling and Sam falling down. 35mm Close up Static 24 fps Daylight The white
room
6 9 A wide shot of Sam falling over after ankle rolls over. 14mm Wide Static 24 fps Daylight The white
room
6 10 Sam looking over at the mirror with a shocked and scared look towards 24mm Medium Static 24 fps Daylight The white
the mirror as the then begins to shuffle her way back till she against the room
wall.
6 11 A low angle with the mirror Sam standing above from the perspective 24mm Wide low Static 24 fps Daylight The white
of Sam. angle room
6 12 A shot face on with mirror Sam moving her hand to the top of her head 24mm Medium Static 24 fps Daylight The white
and pushing her head back with some force. close room
6 13 Sam’s head being pushed back into the wall, and it cuts to black. 24mm Medium static 24 fps Daylight The white
close room
7 1 POV shot that slowly comes into focus as she comes around. Which 24mm Wide Moving with 24 fps Daylight The white
eventually stops looking at the painting head room
7 2 A straight on shot of the painting done. 24mm Close up Static 24 fps Daylight The white
room
7 3 She gets up and the camera follows her in front of her to then rotate 24mm Medium Tracking 24 fps daylight The white
round to the side and then the painting gets ripped down and Sam room
looks at her hands while they are shaking with pain.
7 4 A reaction shot of her face as the painting gets ripped and down and 24mm Medium Static 24 fps Daylight The white
it’s a look of pain. room
7 5 Sam slowly turns around to look at the mirror. The camera is at eye 24mm Medium Static 24 fps Daylight The white
level behind her as she turns around to react to the figure in the mirror. wide room
7 6 A wide shot of the mirror Sam as she stamps her leg down breaking 14mm Wide Static 24 fps Daylight The white
real Sam’s leg with a smile. room
7 7 A shot of Sam falling to the ground in agony. A wide shot. 14mm Wide Static 24 fps Daylight The white
room
7 8 A medium shot from above her as she tries to move away from the 24mm Medium Tracking 24 fps Daylight The white
mirror as fast as she can. room
7 9 A shot of Sam looking up at the figure as she begins to shout NO, NO, 24mm Medium Static 24 fps Daylight The white
NO. room
7 10 A shot of mirror Sam moving her hands up towards her head and 24mm Medium Static 24 fps Daylight The white
twisting her neck, but it cuts of to black. room
8 1 A slow moving out shot of the art piece in a gallery in the display. 24mm Close to Moving 24 fps daylight The white
wide backwards room