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Equality
Multidisciplinary Perspectives
Edited by
François Levrau · Noel Clycq
Equality
François Levrau · Noel Clycq
Editors
Equality
Multidisciplinary Perspectives
Editors
François Levrau Noel Clycq
University of Antwerp University of Antwerp
Antwerp, Belgium Antwerp, Belgium
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature
Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher,
whether the whole or part of the material is concerned, specifically the rights of translation, reprinting,
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way, and transmission or information storage and retrieval, electronic adaptation, computer software,
or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this
publication does not imply, even in the absence of a specific statement, that such names are exempt
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The publisher, the authors and the editors are safe to assume that the advice and information in this
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Preface
At least since the Enlightenment the idea of ‘equality’ has served as one
of the main political and normative discursive ideals in European and
North-American societies. Notwithstanding the consensus on the impor-
tance of this idea(l), explaining what it exactly entails has turned out to
be quite difficult. After all, if we agree that people are to be respected as
each other’s moral equals, what then are the political, social, economic
and normative consequences? Different visions have been proposed and
so it is not entirely surprising that in current societies still a lot of
turmoil exists around equality related issues. Indeed, enduring and even
increasing patterns of socioeconomic inequality have led to fierce polit-
ical, philosophical and public discussions. However, contestations about
how (un)equal societies are today, should not be mixed up with contes-
tations about what kind of equality should be aimed at. These issues
should be carefully disentangled as it should be explained that the answer
to the latter has implications for the answer to the former. For example,
those who defend ‘equality of opportunity’ would not argue ‘inequali-
ties of outcome’ necessarily to be a problem. Discussions however are
also lingering on the extent to which ‘equality’ provides an impetus for
v
vi Preface
the concept of equality has been studied in much detail in several disci-
plines, at date books that bring together the disciplinary insights are
rather scarce (notable exceptions are from Baker et al. 2009; Li and Tracer
2017; Lamont and Pierson 2019). While these excellent collections seem
to focus rather on specific issues (e.g. housing market, education, city life,
class, gender, ideology, health care, democracy) or case studies in order
to shed light on equality’s characterisation and importance, the present
collection takes academic disciplines as the entry points to the discus-
sion. Hence, the many issue and examples that will be dealt with serve as
clarifications for how a discipline defines (the importance of ) equality.
This book, thus, could help to fill a gap, as it contains nine disci-
plinary ‘state-of-the-art’ chapters from expert scholars across Europe. We
opted for this approach because from the very moment one starts a
reflection about equality, it is almost impossible not to invoke ideas and
insights coming from a plethora of disciplines. This need for multidisci-
plinary research is nicely captured by Lamont and Pierson (2019, p. 6) in
their recent paper: “At a moment when societies struggle to deal successfully
with inequalities, identifying and exploring connections between economic,
social, psychological, political, and cultural dimensions of inequality holds
great promise. It can clarify why many forms of social inequalities appear
so intractable, often deepening or broadening over time. It also can provide
insights into the kinds of interventions that might attenuate, ameliorate, or
counteract deepening inequalities.” Books that bring together the view-
points of several disciplines are even more important in a time where
scholars and politicians tend to be experts in only one field of exper-
tise. Some ninety years ago, José Ortega y Gasset (1932) already worried
about what he called the Barbarism of specialisation. As such the current
volume also feeds into the current trend towards more interdisciplinary
approaches to pressing social, political and economic issues. We therefore
express our hope that this book will invite the reader to look beyond the
boundaries of his/her own expertise or field of interest and get inspired
by the many insights that are provided by other disciplines.
References
Baker, J., Lynch, K., Cantillon, S., & Walsh, J. (2009). Equality: From theory
to action. New York: Palgrave Macmillan.
Lamont, M., & Pierson, P. (Eds.). (2019). Inequality as a multidimensional
process. Dædalus, Journal of the American Academy of Arts & Sciences, 148(3),
1–190.
Li, M., & Tracer, D. (2017). Interdisciplinary perspectives on fairness, equity, and
justice. Cham: Springer International Press.
Ortega Y Gasset, J. (1932). The revolt of the masses. New York, London: Norton
& Company.
Contents
Part I Introduction
ix
x Contents
Index 347
Notes on Contributors
xi
xii Notes on Contributors
xvii
xviii List of Figures
The first challenge has to do with the welfare state. Though welfare
policies have been installed for many decades as concrete ways in which
national and European politicians can show the extent to which they
value socioeconomic equality, recent research has illustrated serious flaws
with respect to the protection of vulnerable groups (Cantillon & Vanden-
broucke 2013; Cantillon & Van Lancker, 2013; see also the chapter of
Van Lancker & Van den Heede in this book). The paradox, however,
is that economic growth has not always been a way to feed the welfare
state, but it has rather become a (neoliberal) end in itself and yet a way
to condone the dismantling of the welfare state. Many welfare states in
fact did not succeed in making any further progress in the fight against
(relative) income poverty, particularly within the working-age popula-
tion. How, then, should the welfare state be reconceptualized in an era of
increasing fluidity, globalization, mobility, meritocracy (see below), and
neoliberal dictates that might condone forms of inequality? And, what
type of inequalities can we accept?
This brings us neatly to a second challenge; the role of meritocracy
and hence the expectation that one’s educational and/or labour market
success is primarily (or solely) due to one’s individual ambitions, efforts,
and choices. It is not a coincidence that while the equalizing impact
of welfare states is in decline, meritocratic narratives have become more
popular as they shift the responsibility for one’s socioeconomic situation
towards the level of the individual. What people have or have not, is
what they deserve. Yet, according to some, the welfare system spoils and
even maintains the ‘underclass’ (see, e.g., Dalrymple, 2001). The ethos
that comes along with meritocracy, however, can lead to increasing social
tensions and even to a demonization of the (poor) working class. Owen
(2011), for example, has described how the working class has gone from
‘salt of the earth’ to ‘scum of the earth’. The stereotype of the ‘chav’
is invoked to both avoid engagement with social and economic prob-
lems and to justify the inequality gap. Also egalitarian philosophers such
as Wolff (1998) have argued that ‘luck egalitarianism’—the view that
inequalities are legitimate and thus should not be compensated when
they derive from personal choices—promotes a wrong kind of ethos by
encouraging the state to view the disadvantaged with distrust and as
potential cheaters. Needless to say, but this stereotypical portrayal can
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The next morning, bright and early, they were again ready to start.
The dolphin, who knew now where he was, began to rise to the
surface. A few hours later he had reached the place Tursio had
spoken about.
“Here we are at last!” he cried.
“Here? Why, where is the ship?”
“There,” answered Marsovino,
pointing to a great black mass which
showed through the water.
“That! Why look how it is trimmed!”
And he was indeed right. The
inhabitants of the sea had taken
possession of everything. The keel of
the ship was overgrown with beautiful
slender seaweeds. The decks were
covered with sponges. The stairs had
disappeared under the work of polyps.
On the lookout bridge hundreds of anemones raised their brightly
colored corollas. The needles of sea urchins threatened passers-by
from the portholes. Silvery fishes and starfishes were seen all over.
Everything was living on the dead ship.
“Now let us hasten,” said Marsovino.
“Very well,” answered Pinocchio.
“We have been so long in coming that now we must be quick,”
continued the dolphin.
“Father must be worried. Let us look for the treasure, and then we
can begin our return journey to-night.”
“Very well,” again assented Pinocchio.
“Make haste, then. Get into that ship. Don’t lose any more time.”
“Come, let us go.”
“Let us go! How can I go? Don’t you see how small the doors are?
You must go alone!”
Pinocchio did not like the idea. He stood still and thought. His
courage utterly failed him. To go alone into that great black ship!
Why, how could he do such a thing?
“Well, what are you thinking of?” asked Marsovino, who had dropped
Pinocchio at the door of the stairs.
“I haven’t made up my mind yet. I don’t like the idea of going in there
very much.”
“But you must. I can’t go, and we must have the gold. Will you
decide? I thought you had offered to help Mr. Tursio.”
When he heard that, Pinocchio finally made up his mind. He opened
the door and went down a few steps. Then he stopped.
“Must I really go?” he asked.
Marsovino began to lose his patience.
“If you do not make haste getting into that ship, I shall return without
you,” he could not help saying.
“Very well. Here I go.”
“You remember Tursio’s instructions, don’t you? At the bottom of the
stairs there is a large room. At one end a door leads into the
captain’s room. In a corner of the captain’s room, you will find two
boxes. They contain the treasure. Good-by and good luck.”
Very slowly Pinocchio went down. Luckily for him a few sunfishes
were floating around, giving some light.
When he reached the bottom of the stairs, he saw in front of him a
large square room. In the walls were long narrow holes, like the
shelves of a pantry. These had probably been the sailors’ bunks. But
to Pinocchio they were puzzles.
The roof, which was very high, was of glass. This made the room
lighter than the stairs, and so Pinocchio took courage.
At one end of the room there was a small narrow door. Pinocchio
walked to it and tried to open it. Still, though the door was not locked,
it would not open. It seemed as if some one were holding it closed
from the inside. The marionette pushed it, kicked it, struggled with it,
and finally he succeeded in opening it. He was able to put just the tip
of his nose in the crack.
He had no sooner done this, though, than it was held as in a vise.
Pinocchio felt something pulling and pulling.
“My nose will surely come off,” he thought; but after trying and trying
he was at last free again.
“I wonder what that was? What can be behind
that door? In any case it may be better to
have some weapon of defense,” and thinking
this, Pinocchio looked around.
“Those shelves may hold something useful.”
But when he came near them, what did he
see? A mattress, pillows, sheets!
“What could this have been? A hospital?”
Poor Pinocchio! He was most certainly a
dunce!
On the floor in a corner he found a pair of
large boots.
“These will do,” he thought.
Again he pushed the door. This time he was
able to open it wide. As soon as he had done
so, he threw a large boot in blindly. Had he never done so, it would
have been better! In a second the room became as black as pitch.
“Marsovino! Oh! Oh! Oh! Marsovino!” screamed the poor boy,
thinking himself blinded.
The dolphin, waiting for Pinocchio at the head of the stairs, became
frightened at this appeal. He thought something serious had
happened. He swam to the top of the deck and broke several panes
of glass. Looking into the room he called: “What is the matter? I am
here.”
Pinocchio felt a little better when he saw Marsovino.
“Oh, Marsovino!” he cried.
“What has happened, my poor Pinocchio?”
“I have found a bottle of ink.”
“A bottle of what?”
“Of ink. I threw a boot at something, and now the room is full of ink.”
“Oh, now I understand. You have to deal with an octopus.”
“What’s that?”
“A mollusk.”
“Oh, if that’s what it is, I’m not afraid. I know them well.”
“‘Marsovino! Oh! Oh! Oh!’”
“Yes, but not this one. This is the greatest mollusk known. It is a near
relation of the calamary, but much larger. There are some even five
or six yards long.”
“Oh!” shivered Pinocchio, looking around.
“The one in the captain’s room must be a small one, though. If I were
with you, I should free you in a second. There is nothing a dolphin
likes better than an octopus or a calamary.”
“But the ink?”
“The ink is the means of defense of these mollusks. When pursued
or in danger, this animal ejects this inky liquid. In that way, it forms a
cloud in the water and is able to escape.”
“Shall I be killed?”
“If you keep out of reach of its long arms, you will be all right.”
“Oh, now I see what got hold of my poor nose. It is aching yet. Now
tell me, Marsovino, if this animal is guarding the treasure, how shall I
possibly get at it? We might as well give it up,” and Pinocchio started
towards the stairs.
“How very courageous you are! After trying so hard, are you going to
give up at the last minute?”
Pinocchio did not answer, but very
slowly he retraced his steps. Going
over to the bunks, he took a large
mattress. Holding it in front of him, he
moved toward the door, which was
still ajar.
The water from the captain’s room
had mixed with the water of the large
room, and now it was not so dark.
Very cautiously, the marionette
peeked over the mattress.
In a corner of the room lay the poulpe
or octopus. As Marsovino had said, it
was not very large. Still it was very
ugly.
Think of a large head, soft and jellylike, with two great eyes staring at
you. Think of that head and eight long thick arms around it. No
wonder Pinocchio felt like turning back.
The monster moved restlessly about, stretching and twisting its
arms. In one of them it held Pinocchio’s boot. Every minute its huge
body changed color. At first it was white, then gray, then brown, then
spotted with purple. Pinocchio hardly knew what to think of it.
“You are certainly very ugly, my dear bottle of ink,” he thought.
“Well, why am I standing here? I might as well try to kill him. Hurrah!
Here comes the brave marionette!”
Very slowly Pinocchio walked up to the octopus, but not near enough
to be in reach of those arms. Then with a quick move he threw the
mattress over the struggling mass. Pressing it down tightly, he held it
there.
For a long time the arms twitched nervously about, but at last they
stopped moving. The boy waited a few minutes longer, and then,
thinking the creature dead, he stood up.
The mattress, however, he left on top of the poulpe. Not only that,
but running back, he took another and put it on top of the first. He
wanted to be sure the octopus would not move. At last he breathed
easily and set to work to get the boxes.
Yes, think of it! That lazy marionette really set to work. He dragged
the boxes one after the other into the large room, and then he called
Marsovino.
“Here is the treasure, Marsovino. Now how am I to carry these heavy
boxes upstairs?”
Marsovino then lowered a stout rope which he had carried with him.
Pinocchio tied the boxes to it, one after the other, and the dolphin
pulled them up.
“Throw the rope down again, Marsovino!”
“What for? Are there three treasure boxes?”
“You will see.”
As soon as the end of the rope touched the floor of the room,
Pinocchio tied it around his waist. “Now pull!” he called.
Marsovino pulled, and in a second
Pinocchio stood on the bridge.
“I really had no wish to return by those
dark dusty stairs,” he laughed, seeing
Marsovino’s look of wonder.
CHAPTER XV
At last the two had done their duty. The treasure
was theirs. All that remained now was to go back to
Tursio with it.
“Let us start this minute,” said Marsovino, who was
anxious to see his father again.
“Yes, but first please give me something to eat.”
“Should you like to have some grapes?” said Marsovino, kindly.
“I don’t see the use of making my mouth water needlessly,”
answered Pinocchio.
“But I mean what I’m saying. Should you like some grapes?”
“Show them to me first. Then I’ll answer you.”
“Come here then, unbeliever.” As he spoke, Marsovino led Pinocchio
to a mast, which, strange to say, had not been touched by the
polyps. Hanging from a slender thread was a bunch of what looked
like red grapes.
“What are they?” Pinocchio could only ask.
“Don’t you see? They are sea grapes. Eat them.”
“But first I want you to tell me what they are.”
“They are the eggs of the calamary, a near relation of the octopus
you had to deal with to-day.”
“Very well, then. I’m willing to destroy all sign of those horrible
beings.” In a short time Pinocchio had made a good luncheon out of
them.
“‘What are They?’”