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http://ecmreviews.com/category/ecm-a-cultural-archaeology/

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Race, Place, and Nostalgia after the Counterculture. Keith Jarrett and Pat Metheny on ECM, pp. 77-
101.

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13 : http://www.hardformat.org/designers/barbara-wojirsch-dieter-rehm-ecm/

http://ecmreviews.com/2011/01/10/sleeves-of-desire/
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2006) / ()
(: http://ecmreviews.com/2014/07/11/nostalghia/

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16
 , vol. L (2016), no. 1, . 321

,
. -
. , ,
,
/ . -

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. : , , , -
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( 2015: 372-373).

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Ake, David Andrew (2010). Jazz Matters: Sound, Place and Time Since Bebop, University of
California Press.
Connell, John, Gibson, Chris (2003). Soundtracks: Popular Music, Identity and Place, : Routledge.
Crafts, Susan D, Cavicchi, Daniel, Keil, Charles (1993). My Music. Exploration of Music in Daily
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, , , (). :
( 4. 7. 2009), :
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space in early popular music recording", In: Popular Music (2004) Volume 23/1, pp. 31-49.
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Form in German Krautrock during the 70s", Justus-Liebig-Universitt Gieen, GEB -
Giessener Elektronische Bibliothek, : http://geb.uni-
giessen.de/geb/volltexte/2001/592/pdf/p010004.pdf
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).
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Continuum International Publishing.
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, vol. XLIX (2005), no. 3, . 365-380.
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Tucker, M. (2007). "Northbound: ECM and 'The Idea of North'", Steve Lake, Paul Griffiths (ed.),
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Truax, Barry (1984). Acoustic Communication, Canada: Simon Fraser University.

Watson, Allan (2015). Cultural Production in and Beyond the Recording Studio, Rutledge.
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:
http://en.wikipedia.org/wiki/Space_music,
http://en.wikipedia.org/wiki/Music_Geography,
http://ecmreviews.com/
http://ecmreviews.com/2013/02/07/ecm-a-cultural-archaeology/
http://www.hausderkunst.de/en/agenda/detail/ecm-a-cultural-archaeology-6/
http://blog.uvm.edu/aivakhiv/2009/04/22/metadata-musical-geography-from-album-covers-to-cul-
tural-policy/
https://en.qantara.de/content/interview-with-ramin-sadighi-from-the-iranian-music-label-hermes-
records-the-fine-line
http://www.cherwell.org/culture/interviews/2012/02/13/manfred-eicher-sound-silence-and-the-
importance-of-clarity
http://ecmreviews.com/2011/01/10/sleeves-of-desire/
http://www.hardformat.org/designers/barbara-wojirsch-dieter-rehm-ecm/
http://ecmreviews.com/2014/07/11/nostalghia/
https://www.hos.com/aboutmusic.html

:
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2: Thomas Tallis, The Lamentations of Jeremiah, :
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20
 , vol. L (2016), no. 1, . 321

Pavle Milenkovi
Faculty of Philosophy
University of Novi Sad

MUSICAL GEOGRAPHY
AND SPACE MUSIC

Summary: The paper discusses certain aspects of musical geography as a complex field
of crossing musical content and musical, geographical and social space, social practices and
system communication rules. Space music as the hybrid style and genre is layered mapping
psychoacoustic phenomenon, sociological and cultural-historical coordinates in shaping the
musical geography. It is presented by two aspects of this mapping: sound mapping in musical
producing and sound making on autors like Brian no, nd visually mapping, developed in the
context of artistic publishing in production company ECM (Edition of Contemporary Music)
and its founder Manfred Eicher.
Keywords: space music, music geography, cultural geography, ambient music, contempo-
rary musi, sociology of music.

21