Professional Documents
Culture Documents
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Course Facilitator: Ar. Renato C. Pareñas
Email: renato_parenas@umindanao.edu.ph
Student Consultation: Done online (LMS) or thru text, emails or calls
Mobile: 0923-743-2840
Phone of CAFAE Office: (82) 3050646 local 109
Effectivity Date: August 17, 2020
Mode of Delivery: Blended (On-Line with face to face or virtual sessions)
Time Frame: 128 Hours
Student Workload: Expected Self-Directed Learning
Pre-requisites: None
Credit: 2
Attendance A minimum of 95% attendance is required at all
Requirements: scheduled virtual or face to face sessions.
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Since this course is included in ALE, you will be
required to take the Multiple-Choice Question exam
inside the University. This should be scheduled ahead
of time by your course coordinator. This is
non-negotiable for all licensure-based programs. *This
provision is contingent to the relevant community
quarantine guidelines that are imposed during the
period of exam.
Plagiarism Check To ensure honesty and authenticity, all assessment
tasks are required to be submitted through Turnitin or
SafeAssign. This means that if the paper goes beyond
30%, the students will either opt to redo the paper or
explain in writing addressed to the course coordinator
the reasons for such similarity rating. In addition, the
student may be called for a disciplinary action in
accordance with the University’s Operation and
Procedures Manual (OPM) on Intellectual and
Academic Honesty.
Penalties for Late The score for an assessment item submitted after the
Assignments/Assessments designated time on the due date, without an approved
extension of time, will be reduced by 5% of the possible
maximum score for that assessment item for each day
or part day that the assessment item is late.
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Re-marking of Assessment You should request in writing addressed to the course
Papers and Appeal coordinator your intention to appeal or contest the score
given to an assessment task. The letter should explicitly
explain the reasons/points to contest the grade. The
course coordinator shall communicate with the students
on the approval and disapproval of the request.
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Contact Details of the Dean Ar. Iluminado D. Quinto Jr.
Email: iluminadoquinto@umindanao.edu.ph
Phone: (+63) 9432477579
Contact Details of the Program Ar. Camilo P. Quibod
Head Email: camiloquibod@umindanao.edu.ph
Phone: (+63) 9236240588
Students with Special Needs Students with special needs shall communicate with the
course coordinator about the nature of his or her
special needs. Depending on the nature of the need,
the course coordinator with the approval of the program
head may provide alternative assessment tasks or
extension of the deadline of submission of assessment
tasks. However, the alternative assessment tasks
should still be in the service of achieving the desired
course learning outcomes.
Online Tutorial Registration You are required to enroll in a specific tutorial time for
this course via consultation with the course coordinator.
Send your coordinator an email about this concern.
Please note that there is a deadline for enrollment to
the tutorial.
Contact details of the Head of Dr. Ronadora E. Deala
Guidance Services and Testing Email: ronadora_deala@umindanao.edu.ph
Center (GSTC) Phone: (+63) 9212122846
Contact details of the GSTC Ms. Patricia Karyl N. Ambrosio
CAFAE Facilitator - Help Desk Email: gstcmain@umindanao.edu.ph
Phone: (+63) 9663317365
Contact details of Library Ms. Brigida E. Bacani
Email: library@umindanao.edu.ph
Phone: (+63) 9513766681
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CF’s Voice: Hello future architect! Welcome to this course AR114: Theory of
Architecture 1. By now, I am certain that you really wanted to become
an architect and that you have visualized yourself already being in
your private firm, or a design or construction firm, or any office quite
related to the practice of the architectural profession.
Let us begin!
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Big Picture 1
Week 1-3: Unit Learning Outcomes (ULO): At the end of the unit, you are expected to
a. Define Theory and Architecture.
b. Identify the primary elements.
Metalanguage
1. Theory – refers to contemplation or speculation, as opposed to action. Analysis of a set of fact in
relation to one another. It also defined as an act of thinking, discussing, or most importantly writing
about architecture.
2. Architecture – The art and science of designing and constructing buildings.
3. Art – The conscious use of skill, craft, and creative imagination in the production of what is beautiful,
appealing, or of more than ordinary significance.
4. Science – A branch of knowledge dealing with a body of facts or truths obtained by direct
observation, experimental investigation, and methodical study, systematically arranged and showing
the operation of general laws.
5. Architectural Systems – conceptual model that defines the structure, behavior, and more views of a
system.
6. Architectural Orders – created when the organization of parts makes visible
their relationships to each other and the structure as a whole.
7. Architectural Design Processes – A purposeful activity aimed at devising a plan for changing an
existing situation into a future preferred state.
8. Primary Elements - presents the primary elements of form in the order of
their growth from the point to a one-dimensional line, from the line to a twodimensional plane, and
from the plane to a three-dimensional volume. Each
element is first considered as a conceptual element, then as a visual element
in the vocabulary of architectural design.
9. Point - indicates a position in space.
10. Line - A point extended becomes a line with a properties of length, direction, position.
11. Plane – A line extended becomes a plane with properties of length and width, shape, surface,
orientation, position.
12. Volume – A plane extended becomes a volume with properties of length, width and depth, form and
space, surface, orientation, position.
Essential Knowledge
To perform the aforesaid big picture (unit learning outcomes) for the first three (3) weeks of the course,
you need to fully understand the following essential knowledge are laid down in the succeeding pages.
Please note that you are not limited to exclusively refer to these resources. Thus, you are expected to
utilize other books, research articles and other resources that are available in the university’s library. Visit
http://library.umindanao.edu.ph/ Click “online databases” tab and scroll down and click Proquest Ebook
Central. You should take time to make an account or sign in if you already have. Search for the book by
entitled Architecture: Form, Space and Order.
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ToICAAQsQMQkQI6BQgAEJECOggILhCRAhCTAjoFCC4QkQI6BAgAEApQwZxNWJPCTWDZ2E1oAH
AAeACAAZACiAHvG5IBBjAuMTMuNZgBAKABAaoBB2d3cy13aXrAAQE&sclient=psy-ab
VILLA SAVOYE
Poissy, east of Paris
Le Corbusier
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I. SPATIAL SYSTEM
The three-dimensional integration of program elements and
spaces accommodates the multiple functions and
relationships of a house.
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III. ENCLOSURE SYSTEM
Four exterior wall planes define a rectangular volume that contains the
program elements and spaces.
V.
CONTEXT
A simple exterior form wraps around a complex interior organization of forms
and spaces. Elevating the main floor provides a better view and avoids the
humidity of the ground. A garden terrace distributes sunlight to the spaces
gathered around it.
B. ARCHITECTURAL ORDERS:
♦ Physical
♦ Perceptual
♦ Conceptual
▪ Patterns
▪ Signs
▪ Context
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● Space
● Form
● Function
● Technics
5. Design Process
There are six (6) design phases:
✔ Initiation – identifying a problem and its social, economic, and physical context.
✔ Preparation – collecting and alnalyzing relevant information and establishing goals and
criteria for an acceptable solution.
✔ Synthesis – discovering constraints and opportunities, and hypothesizing possible
alternative solutions.
✔ Evaluation – simulating, testing, and modifying acceptable alternatives according to
specified goals and criteria.
✔ Action – selecting and implementing the most suitable solution.
✔ Reevaluation – assessing how well an implemented solution in use satisfies the specified
goals and criteria.
1. Ching, DK., 2015, Architecture Form, Space & Form, Fourth Edition, John Wiley & Sons,
Inc., Hoboken, New Jersey
2. ARQUITECTURAYEMPRESA, 2016, Le Corbusier: Villa Savoye, The five points of architecture.
Available at https://www.youtube.com/watch?v=f1womjgDI_I, Accessed Aug. 20, 2020.
Let’s Check
Let’s Analyze
In a nutshell
Q&A List
This section allows the students to list down all emerging questions or issues. These questions or issues
shall be raised in the LMS (e.g. forum) or other modes. The course facilitator will publish the questions
and the students contribute their answers. The teacher will go over the inputs of the students and make
a closure. This activity helps the review of concepts and essential knowledge.
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2.
3.
4.
5.
6.
7.
8.
9.
10.
Keywords Index
Theory Spatial system Conceptual Synthesis
Architecture Structural system Perceptual Evaluation
Descriptive Enclosure system Design Process Action
Prescriptive Circulation system Design Reevaluation
Architectural System Context Iniation
Orders Physical Preparation
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Metalanguage
1. Primary Elements - presents the primary elements of form in the order of
their growth from the point to a one-dimensional line, from the line to a twodimensional plane, and
from the plane to a three-dimensional volume. Each
element is first considered as a conceptual element, then as a visual element
in the vocabulary of architectural design.
2. Point - indicates a position in space.
3. Line - A point extended becomes a line with a properties of length, direction, position.
4. Plane – A line extended becomes a plane with properties of length and width, shape, surface,
orientation, position.
5. Volume – A plane extended becomes a volume with properties of length, width and depth, form
and space, surface, orientation, position.
Essential Knowledge
To perform the aforesaid big picture (unit learning outcomes) for the first three (3) weeks of the course,
you need to fully understand the following essential knowledge are laid down in the succeeding pages.
Please note that you are not limited to exclusively refer to these resources. Thus, you are expected to
utilize other books, research articles and other resources that are available in the university’s library. Visit
http://library.umindanao.edu.ph/ Click “online databases” tab and scroll down and click Proquest Ebook
Central. You should take time to make an account or sign in if you already have. Search for the book by
entitled Architecture: Form, Space and Order. Chapter 1 of this book.
A. POINT – it marks a position in space. Conceptually, it has no length, width, or depth, and is
therefore static , centralized, and directionless. As the prime element in the vocabulary of form, a
point can serve to mark :
✔ The two ends of a line
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space or non the ground plane, a point must be projected vertically into a linear form, as column,
obelisk, or tower. Any such columnar element is seen in plan as a point and therefore retains te
visual characteristics of a point.
Example:
Example:
MENHIR
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A prehistoric monument consisting of an upright megalith, usually standing alone but sometimes alignd
with others.
SELIM MOSQUE
Edime, Turkey
Vertical linear elements can also define a transparent volume of space.
Linear members that possess the necessary material strength can perform
structural functions.
In this examples, linear elements :
✔ Express movement across space
SALGINATOBEL BRIDGE
Switzerland. Robert Maillart
In this example, linear elements express movement across space.
C. PLANE – An
extended line in a direction other than its intrinsic
direction. Conceptually, a plane has length and width, but
no depth.
PLANAR ELEMENTS
Planes in architecture define three-dimensional volumes of
mass and space. The properties of each
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plane—size, shape, color, texture —as well as their spatial relationship to one another ultimately
determine the visual attributes of the form they define and the qualities of the space they enclose.
1. OVERHEAD PLANE
The overhead plane can be either the roof plane that spans and shelters the interior spaces of a
building from the climatic elements, or the ceiling plane that forms the upper enclosing surface of
a room.
2. WALL PLANE
The wall plane, because of its vertical orientation, is active in our normal field of vision and vital to
the shaping and enclosure of architectural space.
3. BASE PLANE
The base plane can be either the ground plane that serves as the physical foundation and visual
base for building forms, or the floor plane that forms the lower enclosing surface of a room upon
which we walk.
EXAMPLES:
A. SCALA DE SPAGNA
(Spanish Steps) Rome. Alessandro Specchi
B. MORTUARY
TEMPLE OF HATSHEPSUT
Der el-Bahari, Thebes.
Senmut
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C. S. MARIA NOVELLA
Florence, Italy. Alberti
As a design element, the plane of an exterior wall can be articulated as the front or primary
façade of a building.
D. ROBIE HOUSE
Chicago. Frank Lloyd Wright
E. FALLING WATER
(Kaufmann House) Pennsylvania. Frank Lloyd Wright
VOLUMETRIC ELEMENTS – BULDING FORM that stands as objects in the landscape can be
read as occupying volumes in space.
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PALAZZO THIENE
Vicenza, Italy. Andrea Palladio
1. Ching, DK., 2015, Architecture Form, Space & Form, Fourth Edition, John Wiley & Sons,
Inc., Hoboken, New Jersey
2. Arch Anime, 2018. Architecture form, Space, & Order. [Online] Available At: <
https://www.youtube.com/watch?v=4VxDoVuURNE > [Accessed 20 August 2020]..
Let’s Check
Let’s Analyze
In a nutshell
Q&A List
This section allows the students to list down all emerging questions or issues. These questions or issues
shall be raised in the LMS (e.g. forum) or other modes. The course facilitator will publish the questions
and the students contribute their answers. The teacher will go over the inputs of the students and make
a closure. This activity helps the review of concepts and essential knowledge.
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Questions/ Issues Answer
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
Keywords Index
Primary Elements Planar elements Form Volumetric element
Point Shape Column Two points
Line Overhead plane Façade Vertices l
Plane Wall plane Building form Edges
Volume Base plane Linear elements Surface
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