Professional Documents
Culture Documents
Sara Maggioni
08.18.22 - 13 minutes
William Ukoh
Introduction
This direction follows on from our A/W 23/24 forecast trend, Creative Reset. It
embraces the joy and ingenuity that come from lateral thinking and questioning
the status quo.
As the world grapples with momentous change, Creative Confidence seeks to redefine
our relationship with established ideas and structures by championing the lateral over
the literal, and the purposeful over the superfluous.
For S/S 24, this will emerge in numerous ways: an enthusiasm for design hacks, DIY and
DIYW (do it your way); an uptake of radical recycling and maximum resourcefulness,
where everything is ripe for creative repair and reuse; an exploration of precise
personalisation and on-demand production for a waste-free future; and the reinvention
of better basics at all levels, whether through material, colour or construction.
A mix of past eras and subcultures will be influential, but these references will be
spliced and remixed in contemporary and sometimes irreverent ways. Honest and
authentic sentiments will also be prized, offering a subversive counterpoint to a world
that is increasingly defined by perfecting, tracking, quantifying and curating.
This direction celebrates creative freedom and expression, but not creative excess.
The underlying message is that design for design’s sake is not enough anymore: there
has to be a good reason for things to exist, and disruptive processes can often be the
best path to invention – and reinvention.
Lacoste
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Methodology
WGSN’s forecasts are guided by our STEPIC
methodology, which analyses changes in
society, technology, the environment, politics,
industry and creativity. These six pillars inform
the themes covered in our three annual macro
forecasts (Future Drivers, Future Innovations
and Big Ideas), which are then filtered down to
form the three seasonal trends for our
category-specific forecasts.
Here is how Creative Confidence relates to
our broader forecas t themes for 2024:
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Colour
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This palette embraces individualism while
remaining grounded, blending expressive and
Sweet Mandarin
Apricot Crush
nostalgic brights with functional mid-tones.
Cyber Lime
Italian Clay
Crimson
Nutshell
Reassuring yet characterful Nutshell sits
alongside acid retro brights like Sweet
Mandarin and Cyber Lime, while considered
024-65-27
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022-62-16
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colours like Elemental Blue and Italian Clay act
as both core and fashions shades. Galactic
Cobalt and Malachite add depth.
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Galactic Cobalt
Elemental Blue
Glacial Blue
Malachite
Pumice
Black
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Statement simplicity
The concep t: bolder colours have been
slowly making a comeback in line with
dopamine dressing, applied to confident
silhouettes as opposed to basics and core
items. Valentino’s A/W 22/23 show
encapsulates the ethos of this story by
@acnestudios
stripping down the palette to one hue (named
Pink PP) to redirect attention to the silhouette,
details, surface decoration, as well as the
individual wearing the clothes. This
demonstrates that subtraction of something
UAU Project Okay Africa
equals amplification of something else.
Des ign direction: texture as well as amplified
and intricate details accompany bold shades
across product categories. Consider
digitally printed 3D surface decoration. Opt for L'idee
colours that not only channel the need to feel
energised with bold primaries and glamorous
brights, but also shades with restorative
qualities, such as our Colour of the Year 2024
Apricot Crush.
Sus tainability: favour # SustainableColour,
certified low-impact dyes, pigments and
processes, and consider circular sources
derived from waste. Invest in bio-based dye
Gyo Bal @bymalenebirger Lucy's Magazine
technologies or partner with innovative
suppliers to deliver brights with less
environmental impact.
Relevant for: dresses, tailoring, formal jersey,
skirts, blouses, outerwear
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Indie glow
The concep t: a new wave of hedonism
emerges, driven by a post-pandemic lust for
partying. At the same time, a backlash against
toxic positivity, the relentless pursuit of joy and
ubiquitous feelgood slogans rises, with people
embracing the full spectrum of emotions, even
CHB
negative ones. An anti-hustle, emo attitude
reminiscent of the indie scene from the mid
2000s to early 2010s comes through, with
accounts such as @indiesleaze documenting
the decadence of the era.
@kindontom Ekaterina Koroleva
Des ign direction: focus on the lo-fi aesthetics
of the early days of social media, which is more
spontaneous, unpretentious and free-spirited.
This is nostalgia of a recent past that appeals
because it feels far enough away to bring back, Ioannes
but new enough to not have been re-explored
many times. This story focuses on a grown-up
version of indie sleaze, drawing from early
2010s indie style. Grunge references are
rendered in cleaner cuts and elevated
materials for a contemporary direction with
subversive, sensual undertones.
Styling and s ilhouette: think unexpected
layering, slouchy knitwear, tie-front blouses
JordanLuca Sara Armstrong DSquared2
and lightweight dresses worn over trousers,
alongside moody black and red tones. This
look can blur the lines between day and night
dressing.
Brands to watch: London-based label
JORDANLUCA, Italian brand Provincia, and
Canadian slow fashion brand Sararmstrong.
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Illusion
The concep t: this story focuses on inventive
prints and techniques reminiscent Surrealism,
which is currently in the spotlight thanks to
global exhibitions on the subject, including
Surrealism Beyond Borders at Tate Modern in
London and the Met in New York; Hyperreal:
@olivialatinovich
The Art of Trompe l’Oeil in Madrid; and
Brazilian Surrealist artist Maria Martins’
retrospective at MASP in São Paulo.
Des ign direction: tapping into our Subtracting
Adds Value concept, trompe-l’œil and mock @syndicalchamber Sophia Nubes
layers create an illusion, replicating textures
and design details without extra components
or embellishments. First popularised across
fashion by Schiaparelli in the late 1920s,
trompe-l’œil is seeing a resurgence across the Reviclo by Markova
catwalks and beyond, with labels such as
Loewe, Balmain, Balenciaga, Y/Project and
Bottega Veneta all embracing it with different
degrees of subtlety.
Pr ints and grap hics : play with the contrast
between the real and the fake, from print-as-
texture techniques, mimicking sequins,
crochets and distressed finishes, to more eye-
catching prints of pockets and trims and even
Y/Project Mugler @ellissellisselliss
body parts, all facilitated by digital printing.
Relevant for: layering basics, dresses, tops,
bottomweights, denim
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Sartori-all
The concep t: this story highlights the return
of tailoring and sartorial looks, which are
making a strong appearance across catwalks
and street style as an antidote to the over-
saturation of the ultra casual looks of recent
seasons. The vibe is classic, with the emphasis
@1offparis
on details and playing with proportions to
enhance simplicity and individuality.
Des ign direction: continuing our A/W 23/24
Fluid Careers story, # GenderInclusive clothing
that works across all genders is key. Create @the.peterdo Edward Crutchley
products without a specific gender in mind, and
break down the silos between women’s and
men’s design teams.
Details : adjustable details that allow for
adaptability and a flexible fit are key, from Miu Miu
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Find your way
The concep t: celebrate individuality and
champion a circular mindset via maximum
resourcefulness and modular design with DIY
elements.
Des ign direction: explore zero-waste
production techniques where the entire fabric
@kerne.milk
roll is used and no waste is created during
cutting and sewing. Get creative with
deadstock. Consider detachable sleeves,
details and prints to allow for personalisation,
as seen at US streetwear brand Tombogo. Martina Spetlova Kristine Boström
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Sartorial sports
The concep t: merging sportif styles with a
sartorial undertone, this look offers a hybrid
direction, which works well for increasingly
flexible lifestyles and moves the #AllDayActive
theme forward.
Des ign direction: add sartorial elements to
Vaara
sport-inspired looks and vice versa, either via
design or styling. Pair streamlined silhouettes
and tailored pieces for a contemporary take, or
opt for classic retro sport styles and traditional
sartorial fabrics for a nostalgia-tinged adidas x Gucci Lukhanyo Mdingi
direction, as championed by the adidas x Gucci
collaboration.
Details : use chevron graphics, active-inspired
tipping, raglan sleeve construction and built-in
drawcords. Add performance-led qualities such Lacoste
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Amped-up retro
The concep t: retro aesthetics have been
gaining momentum, reinterpreted by the
popular ‘newtro’ (뉴트로) culture from South
Korea, thanks to the focus on vintage and
resale.
Des ign direction: revive nostalgic elements
Emmy Kasbit
with bolder colours and prints in fresh
combinations, and add contemporary details.
Draw from eras such as the 1960s and 1970s,
but don’t revert to pastiche interpretations that
will not resonate with a younger audience. Free People Maciek Miloch
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Surreal warping
The concep t: this is another story inspired by
Surrealism, this time offering a more
contemporary and sleek take, where hemlines,
feature details and silhouettes are warped and
distorted.
Des ign direction: use this story to add design-
Zehua Wu
led elements to cotton shirts, classic trousers
and tailoring. Look to irregular and uneven cuts
and proportions to enhance the off-kilter
surreal feel, and offer a fresh take on
# ScallopEdge designs. Leinwande Bridget Awosika
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Action points
Explore alternative processes Refresh the concept of Embrace imperfection Continue to bet on fluid and
nostalgia flexible styles
Environmental concerns, energy Nostalgia is a defining trend of the As deadstock and resourceful design Hybrid styles that work across
implications and a growing desire 2020s, also fuelling the resurgence of gain traction, and as oversampling occasions as well as genders show no
among creatives to challenge the status vintage and secondhand clothing. becomes a growing issue, celebrate sign of abating, as fluidity and versatility
quo are all fostering an exploration of However, it’s important to be mindful of design flaws and educate your customer remain key concepts. Merge sportif
new, disruptive ways of working. From nostalgia fatigue –when something about them. Take note of current anti- styles with sartorial elements, and
zero-waste processes that promote saturates the market, it starts to lose its hustle mindsets shifts. Use the explore design details that allow for
maximum resourcefulness, to the move power. Look to recent nostalgia of the backlash against toxic positivity and adjustability and personalisation. As
away from traditional binary design mid/late 2010s, which draws from past pressures of wellness culture to drive nightlife and events expand, offer styles
considerations, look to break silos eras but creates for current times. product. Escapism doesn’t always have that blur the line between day and night
within your teams and encourage Avoid pastiche renderings. Keep a new, to mean over-the-top styles, feelgood
innovative thinking and approaches for diverse audience front of mind slogans and embellished partywear.
design solutions that will benefit both Look into rebellious subcultures to
profit and the planet employ spontaneous, unpolished, lo-fi
aesthetics
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Influences
Kristine Boström CHB Bethany Williams Wanda Lephoto WGSN Original Image
Kristine Boström CHB by Christian Boaro Bethany Williams: Wanda Lephoto Surrealism
The Swedish School of Textiles Launched in 2020 during global Alternative Systems The Johannesburg-based brand Surrealism is known for its
graduate uses a zero-waste lockdowns, CHB is a gender- This exhibition at London’s encourages self-expression and dreamlike aesthetic that is at
approach for her spliced and inclusive label by emerging Design Museum showcases celebrates African cultures and times humorous, but it’s also a
draped pieces. For this Italian designer Christian Boaro, designer Bethany Williams’ style, with a strong focus on way to challenge authority and
collection, the designer used up focusing on timeless styles and alternative vision and tailoring. Its A/W 22/23 imagine a new world through
the transfer print ink by placing celebrating individuality. approaches within her design collection is an ode to ordinary radical ways of thinking. A far-
another material underneath a Tailored suits and coats, practices. The focus is on waste people, with pieces inspired by reaching movement with a
transparent fabric, taking luxurious velvet or lace stretchy materials and community uniforms and featuring details global influence and diverse
advantage of the digital printer’s tops and elongated shirts are collaboration, exploring such as 3D flower appliqués to artists, Surrealism is being
inability to print all the way out designed to fit and flatter all Williams’ social-driven projects embellish tailoring. Its spotlighted across various
to the edge, and making use of genders, rendered in a mostly that are curated thematically campaign includes short films exhibitions that focus on lesser-
the entire fabric piece by monochrome palette. rather than by collection. that follow the bold beginnings known names to highlight the
keeping the overflow, which of different protagonists as they cultural power and different
would otherwise be discarded. embrace the chance to express perspectives of this movement
themselves in a way that stays beyond the likes of Salvador
true to their authentic self. Dali.
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The WGSN trend matrix 2024
Connecting the dots between our STEPIC foundational research, here are the six Future Drivers, 12 Future
Innovations, six Big Ideas and six Forecast trends that will shape the world in 2024.
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The WGSN macro forecast 2024
The timeline for WGSN's suite of 2024 trend reports, moving from business strategy to consumer and
product strategy.
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WGSN’s forecasts are created by our global team of experts
Forecas t lead team Hannah Watkins, Head of Prints and Graphics
Helen Palmer, Head of Materials and Textiles Graham Krag, Senior Strategist, Prints and Graphics
Sara Maggioni, Head of Womenswear Fanny Chow, Strategist, Prints and Graphics
Nick Paget, Senior Strategist, Menswear Charlotte Casey, Senior Strategist, Knitwear
Noah Zagor, Senior Strategist, Menswear Contr ibutors
Erin Rechner, Head of Kidswear APAC
Allison Goodfellow-Ash, Strategist, Kidswear Wingo Xue, Fashion Editor, WGSN China
Jane Collins, Senior Strategist, Footwear and Accessories Yianni Giovanoglou, Trend Specialist, Australia and New Zealand
Gemma Riberti, Head of Interiors Stacey Wee, Account Manager
Reiko Morrison, Head of CMF, WGSN Consumer Tech Afr ica
Yvonne Kostiak, Senior Strategist, Active Raeesa Brey, Researcher
Charlotte Browning, Strategist, Active LATAM
Sofia Martellini, Senior Strategist, Fashion Feed and Catwalks
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