‫لتحميل المزيد من الكتب والمراجع باللغة العربية‬

‫تابعونا على‬

‫صفحة موسوعة الهندسة الكهربية على الفيس بوك‬

‫‪Electrical Engineering Encyclopedia-Arabic‬‬
‫‪www.facebook.com/EEE.Arabic‬‬
‫‪-------------------------------------------------------‬‬
‫جروب موسوعة الهندسة الكهربية على الفيس بوك‬
‫‪EEE-Arabic‬‬
‫‪www.facebook.com/groups/EEE.Arabic‬‬
 ‫ﻧظﺎم اﻟﺻوﺗﯾﺎت‬
Sound system
‫اﻟﺟزء اﻻول‬

‫ ﻣﺣﻣد ﺳﻌد ﻋﻠﻰ‬/ ‫م‬

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 ‫ﻣﻌﻠﻮﻣﺎت اﺳﺎﺳﯿﮫ‪BASICS -‬‬
‫‪The Decibel‬‬
‫وھو ‪ 10/1‬ﻣن ‪ bel‬وﺗﻌﺑر ﻋن ﻣﻘدار اﻟﻔﻘد ﻓﻲ اﻻﺷﺎره اﻟﺻوﺗﯾﮫ ﻓﻲ ﻛﺎﺑل ﺗﻠﯾﻔون طوﻟﮫ ‪ 1‬ﻣﯾل‬

‫‪( SPL ) Sound Pressure Level‬‬

‫ھو ﻣﻘدار اﻟﺗﻐﯾر ﻓﻲ ﺷده اﻟﺻوت وﺣدﺗﮭﺎ ‪ db‬وﺗﺣﺳب ﻣن اﻟﻘﺎﻧون )‪dB = 10 * log (P1/P2‬‬

‫‪Power‬‬

‫وﺗﻘﺎس ﺑوﺣده اﻟوات‬

‫ﻣﺛﺎل ﺗﺎﺛﯾر اﻟﻘدره ﻋﻠﻰ ‪db‬‬

‫ﻣﺛﺎل ﻟو زودت اﻟﻘدره ﻟﻠﺿﻌف ھﺗزود ال دﯾﺳﯾﺑل ﺑﻣﻘدار ‪ 3‬دﯾﺳﯾﺑل‬

‫ﻟو ﻛﺎﻧت ‪ 96‬دﯾﺳﯾﺑل ﺑﺎﺳﺗﺧدام ﺳﻣﺎﻋﮫ ‪ 1‬وات‬

‫ھﺗﻛون ‪ 99‬ﻟو ﻛﺎﻧت ﺳﻣﺎﻋﮫ ‪ 2‬وات‬

‫ﻣﻠﺣوظﮫ ﻟو زودت ﻛﻣﯾﮫ اﻟﺻوت ﺑﻣﻘدار ‪ db 10‬ﺳوف ﯾﺷﻌر اﻟﻣﺳﺗﻣﻊ ﻛﺎن اﻟﺻوت ﺗﺿﺎﻋف ‪.‬‬

‫‪Inverse Square Law‬‬

‫ﻗﺎﻧون اﻟﺗرﺑﯾﻊ اﻟﻌﻛﺳﻲ اذا ذادت اﻟﻣﺳﺎﻓﮫ ھﯾﻘل ﺷده اﻟﺻوت ده ﻣﮭم ﻓﻲ ﻣﻌرﻓﮫ ﺗﺎﺛﯾر ارﺗﻔﺎع اﻟﺳﻣﺎﻋﺎت ﻋن اﻻذن‬

‫اﻟﻌﻼﻗﮫ اﯾﺿﺎ ﻟوﻏﺎرﯾﺗﻣﯾﮫ‬

‫)‪dB = 20 * log (D1/D2‬‬

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 ‫‪-SPEAKERS‬اﻟﺴﻤﺎﻋﺎت‬
‫اﻟﻣﻛون اﻻھم ﻋﻠﻰ اﻻطﻼق ﻓﻲ اﻟﻣﻧظوﻣﮫ وﺑﻧﺎءا ﻋﻠﻰ اﻻﺧﺗﯾﺎر اﻟﺻﺣﯾﺢ ﯾﺗم ﺗﺣدﯾد ﺟوده وﻛﻔﺎءه اﻟﻧظﺎم‬

‫اﻧواع اﻟﺳﻣﺎﻋﺎت – ‪Types‬‬

‫اﻟﺳﻣﺎﻋﺎت اﻟﺳﻘﻔﯾﮫ – ‪celling mounted‬‬ ‫‪‬‬

‫اﻟﺳﻣﺎﻋﺎت اﻟﺣﺎﺋطﯾﮫ – ‪wall mounted‬‬ ‫‪‬‬
‫ﺳﻣﺎﻋﺎت ﻏﺎطﺳﮫ ﺑﺎﻟﺣﺎﺋط – ‪In wall mounted‬‬ ‫‪‬‬
‫‪horns‬‬ ‫‪‬‬
‫‪Subwoofers‬‬ ‫‪‬‬

‫اﻟﺳﻣﺎﻋﺎت اﻟﺳﻘﻔﯾﮫ ‪celling mounted -‬‬

‫وﺗرﻛب ﻏﺎﻟﺑﺎ ﻏﺎطﺳﮫ ﻓﻲ اﻻﺳﻘف اﻟﻣﻌﻠﻘﮫ‬

‫ﻣﻣﯾزاﺗﮭﺎ‬
‫اﻟﺗوزﯾﻊ اﻟﺟﯾد ﻟﻠﺻوت‬

‫ﺗﺳﺗﺧدم ﻓﻲ اﻟﻣﺳﺎﺣﺎت ذات اﻻرﺗﻔﺎع اﻟﻣﻧﺧﻔض )ﻏرف اﻻﺟﺗﻣﺎﻋﺎت واﻟﻣﻣرات واﻟﻣداﺧل (‬

‫اھم اﻟﺗطﺑﯾﻘﺎت‬

‫‪Background music‬‬ ‫‪‬‬

‫‪Live speech‬‬ ‫‪‬‬

‫اﻟﺳﻣﺎﻋﺎت اﻟﺣﺎﺋطﯾﮫ ‪wall mounted‬‬

‫وﺗرﻛب ﻓﻲ اﻻﻣﺎﻛن ذات اﻻرﺗﻔﺎﻋﺎت اﻟﻌﺎﻟﯾﮫ ﻧﺳﺑﯾﺎ‬

‫او ﻓﻲ ﺣﺎﻻت ﻋدم وﺟود اﺳﻘف ﻣﻌﻠﻘﮫ او ﻏﯾر ﻣﻧﺎﺳب ﻟﺗرﻛﯾب ﺳﻣﺎﻋﺎت ﺳﻘﻔﯾﮫ وﻟﮭﺎ ﻧﻔس ﻣﻣﯾزات اﻟﻧوع اﻟﺳﺎﺑﻖ‬

‫اھم اﻟﺗطﺑﯾﻘﺎت‬
‫‪Foreground music‬‬

‫اﻟﺳﻣﺎﻋﺎت اﻟﻐﺎطﺳﮫ ﺑﺎﻟﺣﺎﺋط – ‪in wall speaker‬‬

‫وھﻰ اﻧواع ﻗﻠﯾﻠﮫ اﻻﺳﺗﺧدام ﻧظرا ﻻرﺗﻔﺎع ﺛﻣﻧﮭﺎ وﺻﻌوﺑﮫ اﻟﺗرﻛﯾب‬

‫اھم اﻟﺗطﺑﯾﻘﺎت‬
‫ﺗﻛون ﻏﯾر ظﺎھره –ﺷﻛل ﺟﻣﺎﻟﻰ اﻓﺿل‬
‫ﺻﻌوﺑﮫ ﺳرﻗﺗﮭﺎ‬

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 ‫‪Horns‬‬
‫ﺗﺳﺗﺧدم ﻋﻧد اﻟﺣﺎﺟﮫ ﻟﻣﺳﺗوى ﺻوت ﻣرﺗﻔﻊ ﻏﺎﻟﺑﺎ ﻟل ‪outdoor application‬‬

‫ﻣﻣﯾزاﺗﮭﺎ‬
‫ﺗﺳﺗﺧدم ﻓﻲ اﻻﻣﺎﻛن ذات ﻣﺳﺗوى ﺿوﺿﺎء ﻋﺎﻟﻰ‬
‫ﺗﺳﺗﺧدم ﻋﻧد اﻟﺣﺎﺟﮫ ﻻرﺳﺎل اﻟﺻوت ﻟﻣﺳﺎﻓﺎت اطول‬

‫اھم اﻟﺗطﺑﯾﻘﺎت‬
‫اﻟﻣﺳﺎﺟد‬

‫‪Subwoofers‬‬
‫ﺗﺳﺗﺧدم ﻏﺎﻟﺑﺎ ﻓﻲ اﻣﺎﻛن اﻟﺣﻔﻼت وﻋﻧد اﻟﺣﺎﺟﮫ اﻟﻰ ﺻوت ﻧﻘﻲ‬
‫ﺑﺎﻻﺿﺎﻓﮫ اﻟﻰ ﻗوه اﻟﺻوت‪.‬‬
‫وﺗﻌﺗﺑر اﻟﺣل اﻻﻣﺛل ﻟﺗﺣﻘﯾﻖ اﻟﻣﺗطﻠﺑﺎت ﺑﺳﻌر ﻣﻧﺎﺳب ‪.‬‬

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 ‫‪SPEAKER SPECIFICATIONS‬‬

‫ﻻﺧﺗﯾﺎر اﻟﺳﻣﺎﻋﮫ اﻟﻣﻧﺎﺳﺑﮫ ﻻﺑد ﻣن ﻣﻌرﻓﮫ اﻟﺧﺻﺎﺋص اﻟﻣﺧﺗﻠﻔﮫ ﻟﻠﺳﻣﺎﻋﺎت ﻟﺗﺣدﯾد ﻣﺎ ھو ﻣﻧﺎﺳب ﻟﻛل ﺗطﺑﯾﻖ ‪.‬‬
‫وھﻰ‬
‫‪power /Sensitivity‬‬ ‫‪-‬‬
‫‪Coverage Angle‬‬ ‫‪-‬‬
‫‪Frequency Response‬‬ ‫‪-‬‬

‫‪Power /Sensitivity‬‬
‫ﻓﻲ اى ﺗﺻﻣﯾم ﻻﺑد ان ﺗﻛون ﻗدره اﻟﺳﻣﺎﻋﮫ ﻛﺎﻓﯾﮫ ﻟﺗﺣﻘﯾﻖ ﻣﺳﺗوى اﻟﺻوت اﻟﻣطﻠوب ‪ .‬وﻣن ھﻧﺎ ﺗظﮭر اھﻣﯾﮫ اﻟﺧﺎﺻﯾﮫ‬
‫اﻟﻠﻰ ﺑﺗﻛون ﻋﻠﻰ اﻟﺷﻛل اﻟﺗﺎﻟﻰ‬

‫وھو ان ﻣﺳﺗوى اﻟﺻوت ‪ 93‬دﯾﺳﯾﺑل ﻟﻣﺎ ﺗﻛون ﺷﻐﺎﻟﮫ ﺑﻘدره ‪ 1‬وات واﻟﻣﺳﺗﻣﻊ ﺑﻌﯾد ﻋﻧﮭﺎ ‪ 1‬ﻣﺗر ودى اﻟطرﯾﻘﮫ اﻟﻘﯾﺎﺳﯾﮫ‬

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 ‫ﻣﺛﺎل ﻓﻲ ﺣﺎﻟﮫ ان ﻋﻧدى ﺗﺻﻣﯾم ارﺗﻔﺎع اﻟﺳﻘف ‪ 4‬ﻣﺗر ﻛﺎم اﻟوات اﻟﻠﻰ اﻧﺎ ﻣﺣﺗﺎﺟﮫ ﻋﺷﺎن ﯾﻛون ﻣﺳﺗوى‬
‫اﻟﺻوت ‪dB 90‬‬
‫ﻓﻲ اﻟﻣﺛﺎل ده ھﻧطﺑﻖ اﻟﻘواﻧﯾن اﻟﯾدوﯾﮫ ﻟﻛن ﻓﻲ ﻧﮭﺎﯾﮫ اﻟﻛورس ھﻧﻧﺳﺗﺧدم طرق اﺧرى ﻟﺗﺻﻣﯾم اﻛﺛر اﺣﺗراﻓﯾﮫ ‪.‬‬

‫اوﻻﺣﺳﺎب اﻟﻔﻘد ﻧﺗﯾﺟﮫ اﻻرﺗﻔﺎع‬

‫‪ -1‬ﺣﺳﺎب ﻣﺳﺎﻓﮫ اﻻذن ﻋن اﻟﺳﻣﺎﻋﮫ‬

‫‪4-1.6=2.4 m‬‬

‫زادت اﻟﻣﺳﺎﻓﮫ ‪ x2.5‬ھﯾﻘل اﻟﺻوت ﺑﻣﻘدار )ﻣن ﻗﺎﻧون اﻟﺗرﺑﯾﻊ اﻟﻌﻛﺳﻲ(‬

‫‪dB = 20 * log (1/2.4) = 7 dB‬‬

‫وﺗﺻﺑﺢ ﺷده اﻟﺻوت ھﻰ‬
‫‪93-7= 86 dB‬‬

‫‪ -2‬اﯾﺟﺎد اﻟﻘدره اﻻﺿﺎﻓﯾﮫ‬

‫‪90-86=4 dB‬‬

‫)‪dB = 10 * log (P1/P2‬‬

‫‪ p1‬ﻣﺟﮭول‬
‫‪P2= 1 w‬‬

‫‪dB = 4‬‬

‫‪p1= 2.5 w‬‬

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 ‫‪Coverage Angle‬‬
‫وھﻰ اﻟزاوﯾﮫ اﻟﻣﻌﺑره ﻋن ﻗدره اﻟﺳﻣﺎﻋﺎت ﻋﻠﻰ ﺗﻐطﯾﮫ ﻣﺳﺎﺣﮫ ﻣﻌﯾﻧﮫ‬
‫وﺑﺗﻌﺑﯾر ادق ھﻰ اﻟزاوﯾﮫ ﺑﯾن ﻣﻘدار اﻟﻔﻘد ‪ dB 0‬واﻟﻔﻘد ‪dB 6-‬‬

‫واﻟزواﯾﺎ اﻻﺷﮭر ھﻰ زاوﯾﮫ اﻛﺑر ﻣن ‪ 60‬درﺟﮫ وﺗﺳﺗﺧدم ﻓﻲ ‪distributed speaker systems and background music‬‬

‫اﻟزاوﯾﮫ اﻛﺑر ﻣن ‪ 100‬درﺟﮫ ﺗﺳﺗﺧدم ﻓﻲ اﻻرﺗﻔﺎﻋﺎت اﻟﻣﻧﺧﺿﮫ‬

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 Frequency Response
‫وھﻰ ﺧﺎﺻﯾﮫ اﺳﺗﺟﺎﺑﮫ اﻟﺳﻣﺎﻋﺎه ﻟﺗرددات اﻟﺻوت اﻟﻣﺧﺗﻠﻔﮫ‬
‫ﻛﻠﻣﺎ ذادت ﺗﻛﻠﻔﮫ وﻛﻔﺎءه اﻟﺳﻣﺎﻋﮫ‬range ‫وﻛﻠﻣﺎ ذادت ال‬

‫وﻻزم اﺧﺗﯾﺎر اﺳﺗﺟﺎب اﻟﺳﻣﺎﻋﮫ طﺑﻘﺎ ﻟﻠﺗطﺑﯾﻖ‬

‫ﺟدول اﻻﺳﺗرﺷﺎدى‬

Speech-only paging system (with or 350 Hz – 5 kHz

without emergency signaling)
Speech-only 120 Hz – 10 kHz
Low-level background music 100 Hz – 10 kHz
Foreground music, high-quality 80 Hz or lower
background music – 16 kHz or higher

‫ﻣﺛﺎل ﯾﻣﻛن اﺳﺗﺧداﻣﮭﺎ ﻟﻛﺎﻓﮫ اﻟﺗطﺑﯾﻘﺎت‬

Foreground music ‫ﻣﺛﺎل ﻻ ﯾﻧﺻﺢ ﺑﺎﻻﺳﺗﺧدام ﻓﻲ ﺗطﺑﯾﻘﺎت‬

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 ‫‪Layout and Spacing‬‬

‫ﺗوزﯾﻊ وﺗﺣدﯾد ﻣﻛﺎن اﻟﺳﻣﺎﻋﺎت‬

‫وھﻰ ان ﺗﻘوم ﻛل ﺳﻣﺎﻋﮫ ﺑﺗﻐطﯾﮫ ﻣﺳﺎﺣﮫ ﻣﻌﯾﻧﮫ‬ ‫اھم طرﯾﻘﮫ ﻟﺗوزﯾﻊ اﻟﺳﻣﺎﻋﺎت ھﻰ ‪distributed sound design‬‬

‫اوﻻ ﺗوزﯾﻊ ‪ceiling speaker‬‬

‫وﺗوﺟد طرﯾﻘﺗﯾن ﻟﻠﺗوزﯾﻊ ‪layout‬‬

‫‪square .1‬‬
‫‪hexagona .2‬‬

‫ﺛﺎﻧﯾﺎ اﻟﻣﺳﺎﻓﮫ ﺑﯾن اﻟﺳﻣﺎﻋﺎت‬

‫ﯾوﺟد اﻛﺛر ﻣن طرﯾﻘﮫ ﻟﺗﺣدﯾد اﻟﻣﺳﺎﻓﮫ ﺑﯾن اﻟﺳﻣﺎﻋﺎت وﺑﺗﻌﻣد ﻋﻠﻰ ﻧﺻف اﻟﻘطر اﻟﻠﻰ ﺑﯾﺗم ﺗﻐطﯾﺗﮫ ﻣن ﺑل اﻟﺳﻣﺎﻋﮫ‬
‫اوﻻ ‪no overlap‬‬

‫وھﻧﺎ ﺑﺗﻛون اﻟﻣﺳﺎﻓﮫ ﺑﯾن اﻟﺳﻣﺎﻋﺎت ھﻰ ‪ 2r‬ﺿﻌف ﻧﺻف اﻟﻘطر‬

‫‪minimum overlap -2‬‬

‫‪ √2 *r‬ﻓﻲ ﺣﺎﻟﮫ ‪Square layout‬‬ ‫وﺑﺗﻛون اﻟﻣﺳﺎﻓﮫ‬

‫‪, √3*r‬ﻓﻲ ﺣﺎل‪hexagona‬‬

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 ‫‪ Edge-to-Center -3‬او ‪Edge-to-Center‬‬

‫ﺑﯾﻛون اﻟﻣﺳﺎﻓﮫ ﺑﯾن اﻟﺳﻣﺎﻋﮫ واﻟﺗﻰ ﺗﻠﯾﮭﺎ ﻣﺳﺎوﯾﮫ ل ﻧص اﻟﻘطر‬

‫ﺑﺗﺳﺗﺧدم ﻓﻲ اﻻﻣﺎﻛن ذات اﻟﺿوﺿﺎء اﻟﻌﺎﻟﯾﮫ‬

‫‪Wall mounted speaker‬‬

‫‪Coverage area‬‬

‫وھﻧﺎ ﺑﯾﺧﺗﻠف ﺷﻛل اﻟﻣﻧطﻘﮫ اﻟﺗﻰ ﺗﻐطﯾﮭﺎ اﻟﺳﻣﺎﻋﮫ ﺑﺳﺑب زاوﯾﮫ ﺗرﻛﯾب اﻟﺳﻣﺎﻋﮫ وﺑﺗﻛون ﻋﻠﻰ ﺷﻛل ﻣﺛﻠث‬

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 ‫‪Layout‬‬

‫اﻓﺿل ﺗوزﯾﻊ ﻟﻠﺳﻣﺎﻋﺎت‬

‫ﺗرﻛب اﻟﺳﻣﺎﻋﺎت ﻋﻠﻰ اﻟﺣﺎﺋط ﻣﺗﻘﺎﺑﻠﯾن ﻋﻠﻰ ارﺗﻔﺎع ﻣﻘﺎرب ﻻرﺗﻔﺎع اذن اﻻﻧﺳﺎن‬
‫ﯾﻛون ﻛل ﺳﻣﺎﻋﮫ ﻓﻲ ﻣﻧﺗﺻف اﻟﻣﺳﺎﻓﮫ ﺑﯾن اﻟﺳﻣﺎﻋﺗﻧﯾن ﻋﻠﻰ اﻟﺣﺎﺋط اﻟﻣﻘﺎﺑل‬

‫ﻓﻲ ﺣﺎﻟﮫ ان اﻟﻣﺳﺎﻓﮫ ﺑﯾن اﻟﺣﺎﺋطﯾن اﻛﺛر ﻣن ‪ 30‬ﻗدم ﯾﻧﺻﺢ ﺑﺎﺳﺗﺧدام ﺳﻣﺎﻋﺎت اﺿﺎﻓﯾﮫ ﺑﺎﻻﺳﻘف‬

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 ‫ﺗﺣدﯾد اﻟﻣﺳﺎﻓﺎت ‪spacing determination‬‬
‫ﺑﻌد ﻣﻌرﻓﮫ طرﯾﻖ اﻟﺗوزﯾﻊ اﻟﻣﺧﺗﻠﻔﮫ دﻟوﻗﺗﻰ ھﻧﻌرف ﻛﯾف ﯾﺗم ﺗﺣدﯾد اﻟﻣﺳﺎﻓﺎت ﺑدﻗﮫ وﯾوﺟد طرﯾﻘﺗﯾن ﻟﻌﻣل ذﻟك‬
‫‪Spacing table -1‬‬
‫‪Design software -2‬‬

‫‪ Spacing tables‬وطرﯾﻘﮫ اﻟﺟداول‬

‫ﺗوﻓر ﺟﻣﯾﻊ اﻟﺷرﻛﺎت اﻟﻣﺻﻧﻌﮫ ﺟداول ﻟﺗﺣدﯾد اﻟﻣﺳﺎﻓﮫ اﻟﺑﯾﻧﮫ ﺑﯾن ﻣﻧﺗﺎﺟﺗﮭﺎ‬

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 cOVERA

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 Coverage Depth refers to the minimum, or perpendicular, distance between the far
limit of the coverage area and the wall or surface that the speaker is mounted
on.

‫وھﻰ اﺳﺗﺧدام اﺣد ﺑراﻣﺞ اﻟﺗﺻﻣﯾم وﺳﯾﺗم ﺷرﺣﮭﺎ ﻓﻲ اﻟﺟزء اﻟﺛﺎﻧﻰ ان ﺷﺎء ﷲ‬ ‫اﻟطرﯾﻘﮫ اﻟﺛﺎﻧﯾﮫ‬

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 ‫اﺧﺗﯾﺎر ﻣﺿﺧم اﻟﺻوت ‪AMPLIFIER SELECTION‬‬
‫ﻓب اﻏﻠب اﻻﺣﺑﺎن ﺑﯾﻛون ال ‪MIXER /AMPILIFIER‬‬

‫ﺑﯾﻛون ﻓﻲ اﻛﺛر ﻣن دھل ﻟﻠﻣﺿﺧم ﻣﺛل اﻟﻣﯾﻛروﻓون ‪ ,CD/DVD PLAYER‬واﻟرادﯾو اﺟﮭزه اﻟﻛﻣﺑﯾوﺗر‬

‫‪LOW IMPEDANCE‬‬ ‫ﯾوﺟد ﻧظﺎﻣﯾن ﻓﻲ ﺗوﺻﯾل ﻧظﺎم اﻟﺳﻣﺎﻋﺎت اﻻول ھو‬

‫وﻓﯾﮫ ﺑﺗﻛون اﻟﺳﻣﺎﻋﺎت ﺗﻌﺎﻣل ﻋﻠﻰ اﻧﮭﺎ ﻣﻘﺎوﻣﮫ وﻓﻲ ﻣﻌظم اﻻﺣﯾﺎﻧﺎ ﺑﯾﻛون ‪ 8 MAXIMUM OUTPUT‬اوم‬

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 ‫وﺑﯾﺗم ﺣﺳﺎب اﻟﻣﺟﻣوع اﻟﻛﻠﻲ ﻟﻠﺳﻣﺎﻋﺎت ﻣن اﻟﻘﺎﻧون اﻟﻣرﻓﻖ و ھذا اﻟﻧوع ﻟم ﯾﻌد ﯾﺳﺗﺧدم ﺑﻛﺛره وﺣل ﻣﻛﺎن اﻟﻧوع اﻟﺛﺎﻧﻰ وھو‬

‫‪Constant voltage speaker lines‬‬

‫ﻓﻲ اﻟﻧظﺎم ﺑﯾﻛون ﺧرج ‪ AMPILIFIRE‬ھو ‪ STEP UP TRANSFORMER‬ودخ اﻟﺳﻣﺎﻋﮫ ھو ‪STEP DOWN TRANSFORMER‬‬
‫وﻣن ﺧﻼﻟﮫ ﺑﻘدر اﺗﺣﻛم ﻓﻲ ﻗدره اﻟﺳﻣﺎﻋﮫ ﻋن طرﯾﻖ ﺗﻐﯾﯾر ﻧﻘطﮫ اﻟﺗوﺻل‬

‫ف ھﻧﻼﻗﻲ ھﻧﺎ ان اﻗل ﻗدره اﻟﺳﻣﺎﻋﮫ ﺣﺗﻰ ‪ 0.8‬وات وااﻗﺻﻲ ﻗﺻدره ﻟﻠﺳﻣﺎﻋﮫ ھﻰ ‪ 6‬وات وﻣﻣﻛن اﺗﺣﻛم ﺑﺳﮭوﻟﮫ‬

‫ﺣﺳﺎب ﻗدره ‪AMPILIFIRE‬‬

‫ﻣﻌرﻓﮫ ﻣﺳﺗوى اﻟﺻوت اﻟﻣطﻠوب ﺛم ﯾﺿﺎف اﻟﯾﮫ ‪ 10-6‬دﯾﺳﯾﺑل ‪HEAD ROOM‬‬ ‫‪-1‬‬
‫اﯾﺟﺎد ‪ SPI‬ﻟﻠﺳﻣﺎﻋﮫ اﻟواﺣده‬ ‫‪-2‬‬
‫ﺣﺳﺎب اﻟﻔﻘد ﻧﺗﯾﺟﮫ اﻟﻣﺳﺎﻓﮫ‬ ‫‪-3‬‬
‫اﺧﺗﯾﺎر اﻟﻘدره اﻟﻣﻧﺎﺳﺑﮫ ﻟﻛل ﺳﻣﺎﻋﮫ‬ ‫‪-4‬‬
‫اﯾﺟﺎد اﻟﻣﺟﻣوع اﻟﻘدرات ﻟﻛل اﻟﺳﻣﺎﻋﺎت‬ ‫‪-5‬‬
‫اﺿﺎﻓﮫ ‪ %20‬ﻟﻣﺟﻣوع اﻟﺳﻣﺎﻋﺎت‬ ‫‪-6‬‬

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 MIXER/AMPLIFIERS‫اﺷﻛﺎل ﻟﺑﻌض اﻧواع ال‬

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 WIRING

‫اﻟﺗوﺻﯾل ﺑﯾﺗم ﺗوﺻﯾل اﻟﺳﻣﺎﻋﺎت ﺑﺎﻛﺛر ﻣن طرﯾﻘﮫ وﻟﻛن اﻟﻧوع اﻻﻛﺛر ﺷﯾوﻋﺎ ھو‬

Shielded cables

are the most common, and a more effective, line of defense against noise pickup in
audio applications..

‫وﺑﯾﺗم اﺧﺗﯾﺎر اﻻﺳﻼك ﻣن اﻟﺟداول اﻟﻣﻘدﻣﮫ ﻣن اﻟﺷرﻛﮫ اﻟﻣﺻﻧﻌﮫ ﻣﺛﺎل‬

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 BELDEN ‫ﺟزء ﻣن ﻛﺗﺎﻟوج ﻛﺎﺑﻼت‬

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 ‫ﻣﻛوﻧﺎت اﺧري ﻟﻧظﺎام اﻟﺻوﺗﯾﺎت‬
‫‪VOLUME CONTROL ATTENUATOR -1‬‬

‫وھو ﻋﺑﺎره ﻋن ﻣﻔﺗﺎح ﺗﺳﺗطﯾﻊ ﻣن ﺧﻼﻟﮫ ﺗﺣدﯾد ﻣﺳﺗوى اﻟﺻوت اﻟﻣطﻠوب وﯾﺣدد طﺑﻘﺎ ﻟﻘدره ﻋﻠﻰ اﻟﺗﺣﻛم ﻓﻲ ﻋدد اﻟﺳﻣﺎﻋﺎت‬
‫اﻟواﺻﻠﮫ ﻋﻠﯾﮫ‬

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 ‫اﻟﻣﯾﻛرﻓون‬ -2

‫وﻣﻧﮫ اﻧواع واﺷﻛﺎل ﻣﺧﺗﻠﻔﮫ ﻣﻧﮭﺎ‬

WIRELESS MICROPHONES

WIRED MICROPHONES

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 APPENDEX

NOISE ‫ﻣﻌدل اﻟﺻوت اﻟطﺑﯾﻌﻰ ﻟﺑﻌض اﻻﻣﻛﺎن‬

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 ‫اﻟﻣراﺟﻊ‬
TOA SPEAKER GUIDE

TOA AMPILIFIRE GUIDE

JBL DESIGN GUIDE

BOGEN SYSTEM DESIGN

BELDEN CATALOGE

OTHERS

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