Professional Documents
Culture Documents
Alvaro Oleart
Palgrave Studies in European Political Sociology
Series Editors
Carlo Ruzza, School of International Studies, University of Trento,
Trento, Italy
Hans-Jörg Trenz, Faculty of Political and Social Sciences, Scuola
Normale Superiore, Pisa, Italy
Palgrave Studies in European Political Sociology addresses contemporary
themes in the field of Political Sociology. Over recent years, attention has
turned increasingly to processes of Europeanization and globalization and
the social and political spaces that are opened by them. These processes
comprise both institutional-constitutional change and new dynamics of
social transnationalism. Europeanization and globalization are also about
changing power relations as they affect people’s lives, social networks and
forms of mobility.
The Palgrave Studies in European Political Sociology series addresses
linkages between regulation, institution building and the full range of
societal repercussions at local, regional, national, European and global
level, and will sharpen understanding of changing patterns of attitudes
and behaviours of individuals and groups, the political use of new rights
and opportunities by citizens, new conflict lines and coalitions, societal
interactions and networking, and shifting loyalties and solidarity within
and across the European space.
We welcome proposals from across the spectrum of Political Sociology
and Political Science, on dimensions of citizenship; political attitudes and
values; political communication and public spheres; states, communities,
governance structure and political institutions; forms of political participa-
tion; populism and the radical right; and democracy and democratization.
Alvaro Oleart
Democracy Without
Politics in EU Citizen
Participation
From European Demoi to Decolonial Multitude
Alvaro Oleart
Department of Political Science
and Institute for European studies
Université Libre de Bruxelles
Brussels, Belgium
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
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Acknowledgements
v
vi ACKNOWLEDGEMENTS
Many friends and colleagues have also given their time and energy
to comment and discuss specific chapters, and the book has certainly
improved thanks to them. Thanks to Antonio Salvador M. Alcazar III,
Jan Pieter Beetz, Martin Deleixhe, Antoine Gaboriau, Elena García
Guitián, Taru Haapala, Rasmus Mäemees, Szilvia Nagy, Juan Roch
and Noah Schmitt. Furthermore, the many encounters throughout
the CoFoE have influenced my thinking on it. Thanks to Aliénor
Ballangé, Carsten Berg, Paul Blokker, Alessandra Cardaci, Andrey
Demidov, Kalypso Nicolaidis, Constantin Schäfer and Daniela Vancic,
among many others. I would also like to thank everyone who accepted to
be interviewed, including civil society and trade union members, activists,
citizen panel participants and organisers, elected representatives, EU offi-
cials and journalists, whose input has been precious. This book has not
only improved thanks to all these interactions, but in fact has ended
up being something substantially different. The shortcomings of the
book are my own responsibility.
Institutionally, I’d like to thank Maastricht University’s Studio Europa
Maastricht for supporting me throughout the first year of writing this
book, and was central to my institutional involvement in the Confer-
ence on the Future of Europe. I am also grateful for the support of the
Belgian French-speaking National Fund for Scientific Research (F.R.S.-
FNRS), and the Université Libre de Bruxelles (especially my colleagues
at the Cevipol and the Institute for European Studies) for welcoming me
again as a postdoctoral researcher in 2022.
Last, and most importantly, I am grateful to my family and friends for
putting up with me during this time, filled with many joyful moments,
but also a challenging personal journey. Thanks to Mom, Dad, Nad’ka,
Ilie, Boris, Fran, Dani and Hasan.
Contents
ix
x CONTENTS
Index 265
List of Figures
Chapter 5
Fig. 1 Breakdown of Session 2 of the ECPs (Source CoFoE [2022:
16]) 133
Fig. 2 Breakdown of Session 3 of the ECPs (Source CoFoE [2022:
17]) 134
xv
List of Tables
Chapter 4
Table 1 Members of the CoFoE plenary by institution 104
Table 2 List of the seven CoFoE plenary sessions and the dates
in which they took place 105
Table 3 Selected final proposals from the CoFoE 114
Chapter 5
Table 1 Dates of the three sessions of the four ECPs of the CoFoE 122
Table 2 Agenda of Session 1 of Panel 2 132
Table 3 Background of the experts during the first session
of the four CoFoE European citizen panels 143
Table 4 Background of the experts during the second session
of the four CoFoE European citizen panels 144
Table 5 Background of the experts during the third session
of the four CoFoE European citizen panels 144
Chapter 6
Table 1 Dates of the three sessions of the three ‘new generation’
of European Citizens’ panels 178
xvii
CHAPTER 1
1 Introduction
History repeats itself, first as tragedy, second as farce, Marx argued in
‘The Eighteenth Brumaire of Louis Bonaparte’. When Garibaldi’s ‘Red-
shirts’ were threatening the Italian peninsula states’ aristocracy in Italy’s
post-1848 revolutionary scenario, there was a politically skilled move by
the dominant aristocratic groups to unify Italy politically through a coali-
tion between Garibaldi and the then King of Sardinia, and later first king
of Italy, Vittorio Emanuele II. The outcome of such an arrangement
was the foundation of the Italian Kingdom in 1861. This is well repre-
sented in the Italian town of Fiesole, in the outskirts of Florence,1 where
a statue commemorates the encounter between Garibaldi and Vittorio
Emmanuelle II on 26 October 1860 in Teano (Campania, Southern
Italy), shortly before the latter became officially King of Italy in March
1861. After such meeting, the leader of the ‘Redshirts’ supported Vittorio
Emanuele II as king of a unified Italy that would extend from the Alps
1 Florence also partially defines the conceptual and historical perspective upon which
this book departs from. Intellectually, much of the book departs from Florentine Niccolò
Machiavelli, who put forward the concept of the ‘multitude’. Furthermore, the European
University Institute’s Badia Fiesolana hosted one of the key events of the Conference on
the Future of Europe, the final session of the European citizen panel on EU Democracy.
all the way down to Sicily, providing the new Italian kingdom with
its symbolic revolutionary capital and popular legitimacy. Giuseppe di
Lampedusa best conceptualised this process in his novel ‘Il Gattopardo’.
Focused on the Italian aristocracy, Lampedusa describes how Prince of
Salina’s nephew, Tancredi Falconieri, warned his uncle that “if we want
things to stay as they are, everything has to change”. After Garibaldi’s
military and popular success, the support given to the new Italian
kingdom only reinforced the existing power structures (in which the
Italian aristocracy remained untouched), but added a layer of democratic
legitimacy. A passive revolution was underway.
How is the Italian unification process related to the recent ‘citizen
participation’ processes organised by the European Union? In short,
while there is an increasingly dominant discourse around ‘citizen partic-
ipation’ accompanied by ‘innovative’ political practices, this process is
not matched with an actual democratisation. In consequence, there is
a risk that new forms of sortition-based representation ultimately might
operate as a passive revolution. This dynamic is best illustrated by the
inclusion of a ‘descriptive representation’ of the ‘European people(s)’
in the CoFoE (and beyond) that cuts the traditional intermediation of
civil society actors by establishing a more ‘direct’, ‘pure’ and ‘unfiltered’
relation with EU citizens through the European citizen panels. In this
legitimation process, the already dominant (depoliticised) dynamics of the
EU have been reinforced, yet with a shifting claim for a citizens-centred
legitimacy.
The book advances a critical analysis of the ongoing ‘citizen partici-
pation’ innovations in the EU, and strives to open up ideational avenues
for the democratisation of the EU. Additionally, the book provides an
agonistic alternative to ‘the people’ as the ‘we’ of democracy in the EU,
which is based on the idea of the ‘decolonial multitude’, an account that
detaches ‘sovereignty’ from democracy in the EU. This dual message
is precisely what the cover image of the book illustrates: a European
Union flag with a lock. The Conference on the Future of Europe was
designed and implemented in a way that primarily reproduced the already
hegemonic dynamics conceived as ‘democracy without politics’ through
‘innovative citizen participation’ processes. In doing so, it largely made
invisible the postcolonial material and ideological structures upon which
the EU is built and sidelined activist organisations, while appearing to
‘open up’ to ‘everyday citizens’. This type of sortition-based processes,
1 PASSIVE REVOLUTIONS AND THE FUTURE OF THE EU … 3
Indeed one might say that the entire State life of Italy from 1848 onwards
has been characterised by transformism—in other words by the formation
of an ever more extensive ruling class, within the framework established by
the Moderates after 1848 and the collapse of the neo-Guelph and federalist
utopias.3 The formation of this class involved the gradual but continuous
2 Italian fascism was also interpreted by Gramsci as a ‘passive revolution’, in the sense
that there was an ‘appearance of change’, yet the fundamental power structures that
organised society remained in place. However, the use of this concept in this book is
specifically targeted to the Italian Risorgimento historical context.
3 Neo-Guelphism was an Italian catholic movement during the nineteenth century that
aimed at uniting Italy under the leadership of the Papacy. The Italian federalists were
1 PASSIVE REVOLUTIONS AND THE FUTURE OF THE EU … 5
4 A word of caution is needed in this sense. This is not the book of a historian: it does
not aim to tell the story of Europe from 1848 until 2022. The book rather attempts to
bring forward a historical parallel that helps to make sense of current developments in the
EU. The book’s focus is thus on making sense of the present and future of the EU.
8 A. OLEART
6 The field of European studies encompasses not only the research on the evolution of
EU institutions, but also the broader societal processes related to European integration
from diverse perspectives, such as sociology, cultural studies or history.
1 PASSIVE REVOLUTIONS AND THE FUTURE OF THE EU … 11
but also the ‘European people’, and EU democracy has been also imag-
ined as a plural entanglement of ‘European peoples’ as a ‘demoicracy’
(Nicolaïdis, 2013).
These are all valuable conceptual innovations, yet a both materialist and
constructivist perspective may embark us on a different path. Sovereignty
and ‘the people’ are not ‘natural’ categories that simply describe reality.
They are socially constructed artefacts that incorporate normative assess-
ments, and that contribute to legitimising certain political structures and
protecting the position of certain social groups over others. In contrast,
the book begins with a problematisation of both concepts (‘sovereignty’
and ‘the people’) and the resignification of ‘democracy’, which is particu-
larly fitting in light of the acceleration of ongoing globalisation processes.
The idea of the ‘people’ and ‘sovereignty’ has an inherent problematic
aspect that essentialises the relation between the ‘nation’ and ‘democracy’,
even when theorised in a non-conservative way (see Spector, 2021). The
framework of the ‘decolonial multitude’ is put forward as an alternative
to sovereignty and ‘the people’, operating as a class-based political imagi-
nary that is more inclusive of different sensitivities and able to encompass
a critique of the global capitalist and postcolonial material structures that
are in place.
Furthermore, the ‘decolonial multitude’ is a better fit to the political
imaginaries upon which activists construct their own understandings of
democracy, the meaning of which is often drawn from the political context
in the Global North (see Brooks et al., 2020). In addition to its decolonial
dimension, the multitude also allows us to imagine a more intertwined
political world in which transnational coalitions of actors are more easily
constructed, and that also fits better the current material reality of a
globalised world in general, and the European Union in particular. The
concept is broadly inspired by Hardt and Negri’s (2004) work, yet incor-
porates a strong emphasis on the idea of ‘mediation’ and decolonisation.
Chapter 2 will further develop the idea of the ‘decolonial multitude’ as
an alternative conception of the main democratising subject, in contrast
to ‘the people’, in the EU context, and Chapter 7 will attempt to provide
an empirical and alive illustration of it.
The added value of combining a political theory with a political soci-
ology approach in this book is that it allows the concept of the ‘decolonial
multitude’ to come alive, illustrating the sort of coalitions and political
practices that might lead to its articulation in the EU context. In doing
so, this approach facilitates the uncovering of certain (un)democratic
12 A. OLEART
identify the necessary elements for the realization of their will. (Gramsci,
2021: 153)
The reader may notice a slight mismatch between the political theory
ambitions of the book and the empirical analysis, focused on the Confer-
ence on the Future of Europe, the European Commission citizens’ panels
and the prefigurative political practices of ongoing social movements in
the EU. This is because the book is written from the perspective of
foresight: the European citizens’ panels by themselves do not constitute
a ‘passive revolution’, but the increasing popularity of minipublics and
‘descriptive representation’ via sortition as a replacement to mass politics
may become one. The book can, therefore, be seen as an innovative and
politically aware attempt to not only critically analyse ongoing dynamics
in the EU, but also envision a transnational, decolonial and democratic
horizon for the EU and beyond, developed itself in close interaction with
activists, social movements as well as institutions. This is an unfinished
process, and as such the book poses some questions that is unable to
answer in full.
In this way, the book calls to elaborate both theory and empirical
analysis with a closer link to activism. The CoFoE is an ideal polit-
ical object of study in this regard, as there has been an interaction
between the institutional events organised by the EU and independent
and rather activist-oriented initiatives, such as the 2022 TransEuropa
Festival (an important part of the fieldwork conducted), the motto of
which was a good match with the perspective outlined in this section:
“Decolonise, Decarbonise, Democratise”. My relation to (transnational)
social movements is thus crucial when building a theory of transna-
tional democracy, which makes the book the outcome of activist research
(Choudry, 2015) in a theory building project. Historically, it is social
movements and activists that have been the main democratising actors,
and thus if transnational democracy is to emerge, it will be primarily
thanks to them.
16 A. OLEART
CoFoE. This turn breaks away from the ‘participatory turn’ described
by Saurugger (2010) in that it decouples ‘citizen participation’ from civil
society and the idea of a European public sphere, both in discursive terms
and in the ensuing political practices. The chapter departs from the shift
by the European Commission post-Brexit in order to describe the citizen
dialogues and the European Citizen Consultations (ECCs) as a prelude
to the CoFoE. While there are innovative elements, the chapter argues
that the ‘citizen turn’ does not meaningfully contribute to the emer-
gence of an agonistic European public sphere, as it follows an alternative
legitimacy logic that fundamentally deviates from the traditional concep-
tualisation of the public sphere. The chapter concludes by suggesting that
the disintermediation of European politics is coherent with the preexistent
depoliticised EU political dynamics of ‘democracy without politics’.
The fourth chapter will analyse the CoFoE’s political architecture, the
way in which it unfolded and its recommendations, as well as the insti-
tutional discourse around it and the power relations that shaped it. It
will argue that, behind the rhetoric mobilised by EU institutions of the
CoFoE as an ‘experiment in transnational democracy’ that gives a voice to
‘European citizens’ through its strong and unprecedented involvement,
the CoFoE represented more ‘business as usual’ than a meaningful break
with the established EU policy-making. The chapter will also outline how
the CoFoE structurally excluded organised civil society and trade unions
in an attempt to ‘disintermediate’ the relation between EU institutions
and EU citizens.
The fifth chapter will zoom in on the most innovative aspect of the
CoFoE, namely the European citizen panels. Four panels of 200 randomly
selected citizens (800 citizens in total) were organised in order to delib-
erate on four thematic clusters of EU policy and make recommendations
to the CoFoE plenary. Relatedly, the sixth chapter addresses the after-
math of the CoFoE: What was the tangible outcome of the CoFoE? Did it
advance the cause of EU democracy? In addition, the chapter will describe
the ‘new generation’ European citizens’ panels on food waste, virtual
worlds and learning mobility organised by the European Commission.
Ultimately, this type of ‘citizen participation’ appears to be an attempt
to change something, yet maintain the existing power structures, which
connects closely to the idea of the passive revolution developed in this
chapter.
The seventh chapter will look at alternative ways of organising ‘cit-
izen participation’, illustrating how the decolonial multitude might look
1 PASSIVE REVOLUTIONS AND THE FUTURE OF THE EU … 21
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24 A. OLEART
1 EU Democracy, Decolonisation
and the Agonistic Public Sphere
The globalisation of governance through supranational or international
institutions has raised questions on the public sphere’s relationship with
democratic legitimacy. Prominent authors (Calhoun, 1992; Habermas,
1989) have long argued that the increasing importance of political insti-
tutions beyond the nation-state requires, from a deliberative democracy
point of view, a public sphere beyond the nation-state, in such a way that
there are mechanisms to influence those institutions’ policy and decision-
making. However, most of the literature remains state-centric, attempting
to match the ‘administrative power’ of public authorities with a public
sphere able to generate the necessary ‘communicative power’ to shape
those decisions. In this context, this chapter connects the discussions
surrounding the EU’s democratic deficit due to the lack of a Euro-
pean public sphere with broader questions regarding the relationship of
democracy with capitalism and colonial legacies.
While I have developed a both deliberative and agonistic perspective
of a European public sphere in a previous book (see Oleart, 2021),
the democratic legitimacy theoretical framework in this book is focused
primarily on agonism and its relation to the ‘we’ of EU democracy.
Crucially, Mouffe has made the case for situating conflict at the centre
of democracy, arguing the following:
VICTORIA.
eorge Selwyn excused himself for going to see Simon
Fraser Lord Lovat lose his head at the block, by going
to see it sewn on again. That last head sacrificed wore
a title which was the first restored by Her Majesty after
her accession. Old Lovat’s son, whom his father forced
into rebellion, and whom that exemplary parent would have hanged,
if he could have saved his own life by it, became a distinguished
General in the British service. General Fraser and his half-brother
Archibald died, without surviving heirs. Old Lovat was the thirteenth
lord, leaving a title under attainder. As early as 1825, Sir Thomas
Fraser of Lovat and Strichen claimed the ancient barony as a son of
the sixth lord, who died in 1557. Their Lordships at Westminster had
made no progress towards making the claimant a Baron, when Her
Majesty ascended the throne. The Queen settled the claim at once
by creating Sir Thomas Fraser, Baron Lovat in the United Kingdom.
The new Lord Lovat, however, still coveted the older and therefore
grander dignity. He persisted in asserting his right to possess the
Scottish title, in spite of the attainder which smote the lord who was
beheaded on Tower Hill. After twenty years’ consideration, the Peers
at Westminster were advised that the assertion was a correct one;
and, in 1857, they acceded to his demand. That was exactly three
hundred years after the death of the sixth lord, through whom the
claimant asserted his right to the title.
In a way something similar was another restoration
OLD
of a Jacobite title effected in London. Of all the lords JACOBITE
who were tried for their lives (1716 and 1746 TITLES.
included), there was not one who bore himself so
gallantly as the son of the illustrious House of Seton, the Earl of
Wintoun. All the Jacobite peers who pleaded guilty, petitioned for
mercy, and returned to a treasonable outspokenness, when they
failed to obtain forgiveness for an avowed crime. Even brave
Balmerino cried peccavi! and got nothing by it. But noble Wintoun
pleaded that he was not guilty in fighting on what he considered the
just side; when he was condemned to death he refused to beg for his
life; and he showed his contempt for the Act of Grace, by anticipating
it in an act of his own,—escaping from the Tower to the continent. He
was the fifth earl, and his attainder barred the way to any heir of his
own. But, in 1840, the fifteenth Earl of Eglinton proved his descent
from a preceding earl, of whom he was forthwith served heir male
general, and a new dignity was added to the roll of Lord Eglinton’s
titles.
In the following year, the Committee of Privileges
MORE
went to the work of restoration of Jacobite forfeitures RESTORATION
with unusual alacrity. On their advice, an Act of S.
Parliament was passed which declared that Mr.
William Constable Maxwell, of Nithsdale and Everingham, and all the
other descendants of William Maxwell, Earl of Nithsdale and Lord
Herries, were restored in blood. There the Act left them. As far as
they were of the blood of Winifred Herbert, noble daughter of the
House of Pembroke, the ill-requited wife of the puling peer whom
she rescued from death, their blood was free from all taint, in spite of
any Act. Mr. Maxwell could not claim the earldom, but the way was
open for him to the barony once held by the unworthy earl, and in
1850, he was the acknowledged Lord Herries.
Three years later, Her Majesty despatched a ‘special command
and recommendation’ to Parliament, which was speedily obeyed. It
was to the effect that the Parliament should restore George
Drummond to the forfeited Jacobite titles of Earl of Perth and
Viscount Melfort the dignities of Lord Drummond of Stobhall, Lord
Drummond of Montifex, and Lord Drummond of Bickerton,
Castlemaine, and Galstoun, and to the exercise of the hereditary
offices of Thane of Lennox and Steward of Strathearn. The peer who
in 1824 advised Lord Liverpool to be sure he had got hold of the right
Mr. Drummond, when recommending one for restoration to the
peerage, had some reason for the course taken by him. However, in
this case, where there are so many Drummonds, Parliament could
hardly have been mistaken. That body having fulfilled the Queen’s
‘command and recommendation,’ Her Majesty gave her assent; and
then, as if the better to identify the Drummond who was restored to
so many titles, record was gravely made that ‘born in 1807, he was
baptised at St. Marylebone Church,’ Hogarth’s church, of course.
In 1855 the act of attainder which had struck the Earl of Southesk
(Lord Carnegie) for the share he took in the little affair (which
intended a good deal) in 1718, was quietly reversed, at Westminster,
where it had been originally passed.
Not so quietly was effected the next business THE
entailed on Parliament, by the Jacobite rebellion,—or, CROMARTIE
rather, the business was assumed by Her Majesty TITLE.
herself, if any business can be assumed by an
irresponsible sovereign whose ministers have to answer for
everything done in that sovereign’s name. The title of Earl of
Cromartie (with its inferior titles once worn by the head of the house
of Mackenzie) was, and still is, under attainder. But there was a great
heiress, Miss Annie Hay Mackenzie, who, in 1849, married the Duke
of Sutherland. In 1861, the queen created this lady Countess of
Cromartie, Viscountess Tarbat of Tarbat, Baroness Castlehaven, and
Baroness Macleod of Castle Leod, in her own right, with limitation of
succession to her second son Francis and his heirs;—the elder
succeeding to the Dukedom.
The latest restoration was by legal process. Among the minor
unfortunates whose Jacobitism was punished by forfeiture, was a
Lord Balfour of Burleigh. In 1869, Mr. Bruce, of Kennett,
Clackmannan, gained his suit to Parliament, and recovered that
resonant title; and it is said that the modern Balfour of Burleigh has
in his veins the blood of Bruce;—which, after all, is not so honest or
so legitimately royal as that of Baliol.
With regard to Jacobite peerages, ‘Experience has TITLES
shown that in the absence of a Resolution and UNDER
Judgment of the House of Lords, it is a dangerous ATTAINDER.
thing to say, without qualification, who represents a
Peerage. The Duchess of Sutherland is Countess of Cromartie, as
the Earl of Errol is Baron Kilmarnock, not in the Peerage of Scotland,
but that of the United Kingdom, in virtue of a recent creation. Each of
the Scottish Peerages held by the three Jacobite Noblemen is still
open to any Nobleman who can establish a right thereto, and obtain
a reversal of the Attainder.’ (‘Notes and Queries,’ Jan. 11, 1873, p.
45.) As to the heir to the title of Balmerino, we find that Captain John
Elphinstone, R.N. (Admiral Elphinstone of the Russian Navy,—the
hero of Tchesme), left a son, William, also a captain in the Czar’s
navy, whose son, Alexander Francis, Captain R.N., and a noble of
Livonia (born 1799), claimed to be heir to the title of Balmerino, were
the attainder removed. All his sons were in the British naval or
military service, in which they and other members of the baronial
house greatly distinguished themselves.
While some of the above titles were being relieved FITZ-
from the obloquy which had been brought upon them PRETENDERS.
by the Jacobitism of former wearers, and no one was
dreaming, except in some out-of-the-way corner of the Scottish
highlands, that the Jacobites had still, and had never ceased to
have, a king of their own, a strange, wild, story was developing itself,
which had a remarkably ridiculous, not to say impudent, object for its
motive. To make it understandable, the reader is asked to go a few
years back, in order to comprehend a mystery, in which the
‘Quarterly Review’ of June, 1847, in an article sometimes attributed
to the Rt. Hon. John Wilson Croker, but more correctly to Mr.
Lockhart, smashed all that was mysterious.
In the year 1800 (October 2nd), Admiral John Carter Allen (or
Allan), Admiral of the White, died at his house in Devonshire Place,
London. Such is the record in the ‘Gentleman’s Magazine.’ In the
succeeding number, a correspondent describes him as an old
Westminster scholar, a brave sailor, a Whig well looked upon by the
Rockingham party, and of such good blood as to induce Lord
Hillsborough to believe that he was the legal male heir to the
earldom of Errol.
The admiral was twice married and had two sons. By his will,
dated February, 1800, he bequeathed to the elder, ‘Captain John
Allen, of His Majesty’s navy,’ 2,200l.; to the younger, ‘Thomas Allen,
third Lieutenant in His Majesty’s navy,’ 100l. The reader is
respectfully requested to keep this lieutenant, Thomas Allen, alone in
view. He may turn out to be a very unexpected personage.
Lieutenant Thomas, in 1792, married, at ADMIRAL
Godalming, Katherine Manning, the second daughter ALLEN’S SON
of the vicar. This would seem to have been a suitable AND
marriage; but it has been suggested that it may have GRANDSONS.
appeared unsuitable in the eyes of the admiral, and that, for this
reason, he bequeathed his younger son only 100l. But whatever the
reason for such disproportion may have been, the lieutenant’s
marriage produced two sons, John Hay Allen and Charles Stuart
Allen. The younger gentleman married, in November, 1822, in
London, Anne, daughter of the late John Beresford, Esq., M.P. In the
record of this marriage, the bridegroom is styled ‘youngest son of
Thomas Hay Allen.’ In the same year, the lieutenant’s elder son
published a volume of poems (Hookham), which, however, excited
no attention, though it contained dark allusions to some romantic
history. The father, Thomas, the lieutenant, seems to have been
much on and about the Western isles of Scotland, as well as on the
mainland. There existed there a fond superstition that Charles
Edward would appear in some representative of his race, very near
akin to himself. The lieutenant must have been an impressionable
man. He died about the year 1831, and he must have revealed
previously a secret to his sons, who, in such case, kept it long under
consideration, till, probably out of filial respect for his veracity, they
manifested their belief in the revelation, and, in 1847, declared
themselves to be, the elder, John Sobieski Stolberg Stuart; the
younger, Charles Edward Stuart. Their father, Lieutenant Thomas
Allen, son of the old Admiral of the White, must have imparted to
them the not uninteresting circumstance, that he was the legitimate
son of the young Chevalier, and that all faithful Scots and Jacobites
had yet a king. Long after the lieutenant’s death, a book was
published in London (1847), by Dolman, the Roman Catholic
publisher, of Bond Street, of which the two brothers were joint
authors, in which the words you have yet a king, implied that John
Sobieski S. Stuart was the individual who had sole right to wear the
crown of his ancestors. But this momentous book was preceded by
others.
Mr. John Hay Allen, as before stated, first
WORKING
appeared in literature in 1822. His volume of poems THROUGH
bore those names. Twenty years later, in 1842, the LITERATURE.
same gentleman edited, under the assumed name of
John Sobieski Stolberg Stuart, the ‘Vestiarium Scoticum,’ the
transcript from a MS. alleged to have been formerly in the Scots
College at Douay; with a learned introduction and illustrative notes.
This folio, at the time, made no particular sensation. It was followed,
in 1845, by a work, in which the elder brother was assisted by the
younger, namely, ‘Costume and History of the Clans,’ with three
dozen lithographs, in imperial folio; the cheapest edition was priced
at six guineas. Some were much dearer. Two years later, a work very
different in intention, was published by the Roman Catholic publisher
Dolman, of Bond Street, who had Blackwood of Edinburgh and
London as his colleague. The title of this book was ‘Tales of the Last
Century, or Sketches of the Romance of History between the years
1746 and 1846,’ by John Sobieski and Charles Edward Stuart. There
is a dedication ‘To Marie Stuart, by her father and uncle.’
As Sketches of the Romance of History, the writers
THE
might have meant that they were not dealing with ROMANCE OF
reality. But such seemingly was not their meaning. THE STORY.
They made a serious step towards asserting that the
elder brother was rightful heir to the throne of the Stuarts; and that if
Jacobites and Ultramontanists should ever be in search of such an
heir, after upsetting the present ‘happy establishment,’ he was to be
found at his lodgings, prepared to wear the crown, with Jacobite
instincts and Ultramontane ferocity. Of course, this was not said in
words. It is rather implied in the three sketches which make up the
romance of ‘Tales of the Last Century.’
The Tales illustrate the claims of the Chevalier John Sobieski
Stuart, after this fashion.—The ‘young Pretender’ married in 1772,
Louise, Princess of Stolberg Gœdern, and grand-daughter of the
Jacobite Earl of Aylesbury, who after his liberation from the Tower, in
1688, for his political principles, settled in Brussels, and there
married (his second wife) a lady of the ancient family of Argentain.
The daughter and only child of this marriage wedded with the Prince
of Horne. Louisa of Stolberg, the youngest child of the last named
union, married Charles Edward in 1772, when she was not yet
twenty, and he was fifty-two. According to the ‘Tales of the Last
Century,’ Louisa became the mother of a son, in 1773. The alleged
event was kept a profound secret, and the child was as secretly
carried on board an English man of war! commanded by
Commodore O’Halleran, who, if he had his rights, was not only
foster-father to the mysterious infant, but also Earl of Strathgowrie!
Admiral Allen, it will be remembered, was thought to be heir to the
earldom of Errol.
It may here be observed, by way of recovering
‘RED EAGLE.’
breath, that if there ever had been a son of this
luckless couple, the fact would have been proudly trumpeted to the
world. The event the most eagerly desired by the Jacobites was the
birth of an heir to the Stuarts. Had such an heir been born, to
conceal the fact from the adherents of the House of Stuart would
have been an act of stark madness. Such insanity would have simply
authorised the House of Hanover to repudiate the claimant, if he
ever should assume that character.—To return to the romance of
history:—
The infant prince received by the commodore was brought up by
him as his own son. The young adventurer was trained to the sea,
and he cruised among the western isles of Scotland. He appears in
the romance as the Red Eagle; by those who know him he is treated
with ‘Your Highness’ and ‘My Lord;’ and, like Lieut. Thomas Allen
himself, he contracts a marriage with a lady, which is reckoned as a
misalliance by those who are acquainted with his real history. He
drops mysterious hints that the Stuart line is not so near extinction as
it was generally thought to be. The better to carry the race on, the
Red Eagle left, in 1831, two sons, the Chevaliers John and Charles
Stuart, the former being also known as the Comte d’Albanie; and
both, no doubt, sincerely believing in the rigmarole story of Lieut.
Thomas Allen, alias Red Eagle, alias legitimate son of Charles
Edward, the young Chevalier!
The ‘Tales of the Last Century’ do not say this in as
‘TALES OF
many words. The book leaves a good deal to the THE LAST
imagination. The hero fades out of the romance CENTURY.’
something like Hiawatha, sailing into the mist after the
setting sun. There is abundance of melodramatic business and
properties throughout. There is mysterious scenery, appropriate
music, serious and comic actors, complex machinery, ships of war
sailing over impossible waters and looking as spectral as
Vanderdecken’s ghastly vessel,—with booming of guns, harmonised
voices of choristers, cheers of supers, and numerous other
attractions in a dramatic way. There is nothing ‘dangerous’ in the
book, though one gentleman does venture on the following Jacobite
outburst:—‘Oh! if I had lived when you did—or yet, if he who is gone
should rise again from the marble of St. Peter’s,—I am a Highlander
and my father’s son,—I would have no king but Tearlach Righ nan
Gael,’—no other king but Charlie.
In another page, one of the actors puts a sensible query, and
adds a silly remark on the present condition of the Stuart cause:
—‘Wonderful!—but why such mystery?—why?—for what should the
birth of an heir to the House of Stuart be thus concealed? It had—it
yet has friends (in Europe), and its interests must ever be identified
with those of France, Spain, and Rome.’ Of this sort of thing, though
there be little, there is more than enough; but the reader, as he
proceeds, has an opportunity of conceiving a high opinion of Red
Eagle’s common sense, and of fully agreeing with him at least in one
observation which is put in the following form: ‘Woman!’ said the
Tolair, ‘this is no time for bombast and juggling!’ The old Admiral
Carter Allen never indulged in either. In his will the gallant sailor calls
John and Thomas Allen his sons. He does not call Thomas his foster
son. Prince Charles Edward spoke of no child in his will but his
illegitimate daughter, the Duchess of Albany. The Cardinal of York
took the nominal title of king at his brother’s death; and received the
duchess into his house. At her death, in 1789, the Crown jewels,
which James II. had carried off from England, came into the
cardinal’s possession; and these, at the beginning of the present
century, he generously surrendered to George III. The cardinal was
well assured that no legitimate heir of his brother had ever existed.
The assurance that there was one, however,
continued to be made, and that the sons of Tolair THE LEVER
OF POETRY.
were as poetical as they were princely was next
asserted.
In 1848, Mr. Dolman, of London (conjointly with POETICAL
Blackwood), published a poetical manifestation by the POLITICS.
Count, John Sobieski Stuart, and his brother, Charles
Edward. It had an innocent look, but a mysterious purpose. Its title is,
‘Lays of the Deer Forest.’ The Lays are dedicated to Louisa
Sobieska Stuart, by her father and uncle. The second volume,
consisting of ‘Notes,’ is dedicated to a Charles Edward Stuart, by his
father and uncle. There is something of a poetical fire in the Lays;
and much interesting matter on deer-stalking and other sporting
subjects in the Notes. The spirit is thoroughly anti-English; very
‘Papistical’ in the odour of its heavily-charged atmosphere, but
betraying the combined silliness and ferocity which distinguished the
Stuarts themselves, in a hero-worship for the most cruel enemies of
England. For instance, in the poem called ‘Blot of Chivalry,’ Charles
Edward Stuart, the author, deifies Napoleon, and, if there be any
meaning at all to be attached to the words, execrates England. In the
‘Appeal of the Faithful,’ there is a mysterious declaration that the
writer, or the faithful few, will not bow the head to Somebody, and
there are as mysterious references to things which might have been,
only that they happened to be otherwise.
There is a little more outspokenness in ‘The Exile’s THE BLACK
Farewell,’ which heartily curses the often-cursed but COCKADE.
singularly successful Saxon, and still more heartily
vituperates the sensible Scots who stuck to the Brunswick family and
the happy establishment. The writer sarcastically describes
Scotland, for the exasperation of those judicious Scots, in the words:
—‘The abject realm, a Saxon province made! and the Stuart heaps
fire on the heads of Scottish Whigs by accusing them of common-
place venality, and charging them with selling ‘Their mother’s glory
for base Saxon gold!’ The figure the nobles from Scotland made at
the Court of London in 1848, is thus smartly sketched:—
While in the Saxon capital enthralled,
Eclipsed in lustre, though in senses palled,
The planet nobles, alien to their own,
Circle, dim satellites, the distant throne:
Saxons themselves in heart, use, tongue disguised,
Their own despising, by the world despised,
While those for whom they yield their country’s pride,
Their name, their nation, and their speech deride.
The above figures of speech are admissible in poetry, but in truth
and plain prose they are ‘palabras.’ The two authors are as
crushingly severe on the English cockade as on the anti-Jacobite
Scottish nobles. The cockade is shown to be altogether an
imposture. The words in which the demonstration is made have,
however, left her Majesty’s throne unshaken. ‘At this moment, most
persons imagine that black is’ (the colour of) ‘the English cockade,
ignorant that it was that of the Elector of Hanover, and only
introduced into England with George I., who bore it as a vassal of the
Empire; and it may be little flattering to the amour-propre of the
British people to know that the cockade which they wear as national
is the badge of a petty fief, the palatinate of a foreign empire.’ On
this matter it is certain that the national withers are unwrung. The
black cockade won glory at Dettingen, lost no honour at Fontenoy,
and was worn by gallant men whom ‘John Sobieski Stuart’ could not
overcome when his sword was (if report be true) unsheathed against
English, Irish, and Scots, on the field of Waterloo.
Let us now turn to a minor Jacobite episode.—A THE ALLENS
correspondent of ‘Notes and Queries,’ M. H. R. IN
(August 1st, 1857, p. 95), refers to an account the EDINBURGH.
writer had from an informant, who was accustomed to
meet John and Charles Allen in Edinburgh society. ‘I find however
that their claims to legitimate descent from the Royal Stuarts were
treated in such society quite as a joke, though the claimants were
fêted and lionised, as might be expected in such a case, in
fashionable circles. They usually appeared in full Highland costume,
in Royal Tartan. The likeness to the Stuart family, I am told, was
striking, and may have been without improving their claim a whit.’
The writer then alludes to the number of young ladies who, at Her
Majesty’s accession, were thought to bear a great resemblance to
the Queen. But accidental resemblance is worthless as proof of
consanguinity. ‘If,’ the writer continues, ‘the two claimaints have no
better foundation to rest upon, their cause is but weak, for it is
obvious there may be likeness without legitimate descent; and I
fancy, if the real history is gone into, that is the point to be decided
here.’
The writer goes on to traduce the character of the
THE
wife of Charles Edward. It must, indeed, be allowed SUCCESSION
that from the year 1778, when she was twenty-six TO THE
years of age, and she first became acquainted with CROWN.
Alfieri, the lover with whom she lived from 1780, with some intervals,
till his death in 1803, her character was under a shade, and yet, in
1791, the Countess of Albany was received at Court, in London, by
so very scrupulous a sovereign lady as Queen Charlotte. So
scrupulous was the queen, that her reception of the widow of
Charles Edward seemed to disperse the breath of suspicion that
rested on her. Another circumstance in her favour is the fact of
George III. having settled a pension upon her. The Countess of
Albany died at Montpellier plain Madame Fabre, in 1824, leaving all
she possessed to her husband, the historical painter. It will be seen
from the last-named date, that Queen Victoria and the wife of
Charles Edward were for a few years contemporaries.
But the countess is out of the question in this matter of John and
Charles Allen. The correspondent of ‘Notes and Queries’ has
something more to the point when he says:—‘The question is not of
any importance as a matter of state. The succession to the English
crown is secured by parliament, and is not affected by a descent
from the young Pretender; but as an historical fact, it is desirable that
the truth of the story, apparently set afloat by the father of these two
gentlemen, should be settled at once and for ever.’ That has been
effectually settled in the 81st volume of the ‘Quarterly,’ so far as the
development from Allen to Allan, and this to Stuart, is made out,
without leaving a link unsevered in the chain of testimony.
In the year 1868, the Ministry and the Lords of the
A
Admiralty, and the Commissioners of Greenwich DERWENTWAT
Hospital estates, were amused rather than alarmed ER AT
by a claim made to the forfeited earldom of DILSTON.
Derwentwater, and also to the confiscated estates. A sort of action
was added to the latter claim, by taking possession of a portion of
them, in the North. The claimant is an accomplished lady who has
been long known by sympathising northern friends as Amelia
Matilda, Countess of Derwentwater. She backed the assumption of
such title by installing herself in one of the ruined chambers of the
castle in ruins—Dilston. Her servants roofed the apartment with
canvas, covered the bare earthen floor with carpeting, made the best
apologies they could for doors and windows, hung some ‘family
portraits’ on the damp walls, spread a table with relics, documents,
&c., relating to the Derwentwater persons and property: they hoisted
the Derwentwater flag on the old tower, and then opened the place
to visitors who sympathised with the countess in the way in which
she supported her dignity and its attendant rheumatism.
The Lords of the Admiralty and the Commissioners DESCENT OF
of Greenwich Hospital speedily bestirred themselves. THE
They sent their representatives from London with due CLAIMANT.
authority to eject the lady, if they could not persuade
her to leave. The countess received them with mingled courtesy and
outspoken defiance. Her manners seem to have resembled her
costume, which consisted of a foreign military upper coat, with a
sword by her side, and a white satin bonnet on her head. She
appeared to be between fifty and sixty years of age, but owned only
to forty. The countess made a stout fight for it, and when she was
compulsorily put out of the castle, she pitched a camp and dwelt in a
tent on the adjacent highway. Her effects and family relics, portraits,
plate, &c., were announced for sale, under a sheriff’s seizure. The
announcement attracted many buyers from London, their motive
being less Jacobitism than curiosity-dealing. The liberality of
personal friends satisfied the sheriff’s claims, by their bidding, and
the ‘relics’ were removed to Newcastle for public exhibition;
admission, 1s. The countess now attired in her Stuart tartan, with a
shoulder-scarf of silk of the same pattern, and with a black plume in
her bonnet, attended, as the local advertisements said, ‘between two
and four, to explain several of the curiosities.’
The question remains as to identity. The Lords of
the Admiralty in London, when those relics of the OBSTACLES
IN
Jacobite time came up to trouble them, naturally PEDIGREES.
asked, but in more profuse and much more legal
language, ‘Who are you?’ The reply was not satisfactory. There has
already been recorded in these pages, under the dates 1731 and
1732, the coming of John Radcliffe to Poland Street, London, to
consult Cheselden, and the death and funeral of the great surgeon’s
patient—sole son of the beheaded earl. The present countess, if
understood rightly, denies that the above John, ‘Earl of
Derwentwater,’ died childless, as he undoubtedly did, in 1732. She
states that he married in 1740 a certain Elizabeth Amelia Maria,
Countess of Waldsteinwaters (which is a sort of translation of
Derwentwater); that he lived till 1798, when he must have been
within hail of centenarianism, and that he was succeeded by his two
sons in order of age, the first, Earl John, the second, Earl John
James. The last-named coronetted shadow is described as dying in
1833, leaving his only child, the present Amelia Matilda, Countess of
Derwentwater, who took possession of Dilston Castle, &c., under the
delusion that she had hereditary right to both land and dignity. She
accounts for John, the son of the beheaded earl, by saying that he
lived till 1798 in the utmost secrecy, under fear of being murdered by
the British Government! As he really died in 1732, unmarried, and
that the Government knew very well that he was carried from London
to be buried in his mother’s grave in Brussels, one may be allowed to
suspect that there is some mistake in the pedigree to which the
Countess Amelia pins her faith.
With regard to the descendants of the Earl of Derwentwater, in a
line not yet considered, Mr. H. T. Riley (in ‘Notes and Queries,’
October 25th, 1856, p. 336), says: ‘I remember being pointed out,
some time since, a person who bears the family name and is
generally reputed to be a descendant, through an illegitimate son, of
the unfortunate Earl of Derwentwater. I have little doubt there are
several other persons similarly connected with him, to be found in
the neighbourhood of North or South Shields.’ A lady correspondent,
‘Hermentrude,’ says (‘Notes and Queries,’ November 16th, 1861), ‘I
have been applied to, through a friend, to communicate some
genealogical particulars for their (living descendants of the
Radcliffes) benefit, which, I am sorry to say, I was not able to
ascertain. I do not know through what branch they descend, but I
was told they still entertain hopes of a reversion of the attainder and
restoration of the title.’
After this romance, the chief actor in another made his quiet exit
from the stage.
In 1872, the most eminent personage of this latest JOHN
Jacobite time, disappeared from the scene. The tall, SOBIESKI
gaunt, slightly bent figure of the gentleman, who once STUART.
believed himself to be plain John Allen, till his father
imparted to him a story that he, the sire, was the legitimate son of
Charles Edward, and that plain John Allen was John Sobieski
Stolberg Stuart, was missed from the Reading Room of the British
Museum. There he used to enter, cloaked and spurred like an old
warrior, with a sort of haughty resignation. Yet there was an air about
him which seemed as a command to all spectators to look at him
well, and to acknowledge that the character he had inherited from his
father the lieutenant, who fancied he was the rightful King of
England, was patent in him, as clearly as if he had been born in the
purple. Some few people, of those whose idiosyncracy it is to lend
ready faith to the romantic impossible, believed in the genuineness
of the character, and held the pretensions it interpreted to be as well-
founded as those of either of ‘the Pretenders.’ This Chevalier Stuart,
or Comte d’Albanie, mixed a flavour of the scholar with that of the
warrior. He and his brother sat together apart from unprincely folk in
the Reading Room. Books, papers, documents, and all the
paraphernalia of study and research were scattered about them.
Quietly unobtrusive, yet with a ‘keep your distance’
THE ELDER
manner about them, they were to be seen poring over SON OF ‘RED
volumes and manuscripts as if in search of proofs of EAGLE.’
their vicinity to the throne, and found gratification in
the non-discovery of anything to the contrary. Looking at the elder
gentleman who was often alone, the spectator could not help
wondering at the assiduous pertinacity of the Chevalier’s labour.
Nothing seemed to weary him, not even the wearisome making of
extracts, the result of which has not been revealed. Perhaps it was
the vainly attempted refutation of the plain, logical, consequential,
irrefutable statements made in Volume 81 of the ‘Quarterly,’ by Mr.
Lockhart, who, courteously cruel, smashed to atoms the fanciful idea
which had entered Lieutenant Allen’s brains, and from which idea
was evolved the perplexing conclusion that he, the ex-lieutenant,
was Tolair Deargh, the Red Eagle, and by divine grace, obstructed
by human obstinacy, king of three realms! The elder son of the Red
Eagle was as familiar a figure in the streets of London as he was in
the Museum; and wayfarers who had no thought as to his
individuality, must have felt that the cloaked and spurred personage
was certainly a gentleman who wore his three score years and ten
with a worthiness exacting respect. The same may be said of his
sorrowing surviving brother, ‘Le Comte d’Albanie’ (Charles Edward),
as his card proclaims him. In this ‘Chevalier,’ whose figure is well
known to most Londoners, the chivalrous spirit survives. The last
record of him in this character is in the year 1875, when he knocked
down Donald Alison for violently assaulting the Comte’s landlady in a
Pimlico lodging house!
A year previously, the Lady Alice Mary Emily Hay, STUART
daughter of the 17th Earl of Errol, and therefore of the ALLIANCES.
blood of Kilmarnock, did Colonel the Count Edward
Stuart d’Albanie the honour to become his wife. The Colonel is the
son of ‘The Count d’Albanie.’
This marriage is thus chronicled in Lodge’s Peerage (1877, p.
238), ‘Lady Alice Mary Emily (Hay) b. 6th July, 1835, m. 1st May,
1874, Colonel the Count Charles Edward d’Albanie, only son of
Charles Edward Stuart, Count d’Albanie, and Anne Beresford,
daughter of the Hon. John de la Poer Beresford, brother of the 1st
Marquis of Waterford.’ Anne Beresford—widow Gardiner,—is
variously described as marrying, in 1822, ‘C. E. Stuart, Esq.,’ and
‘Charles Stuart Allen, younger son of Thomas Hay Allen.’
The Colonel Count d’Albanie who married Lady Alice Hay is said
to have been in the service of Don Carlos, than which nothing could
so little recommend him to a humane, right-thinking, liberal, peace-
loving, blood-odour-hating world. There is, however, manifestly,