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Textbook A Gendered Lens For Genocide Prevention 1St Edition Mary Michele Connellan Ebook All Chapter PDF
Textbook A Gendered Lens For Genocide Prevention 1St Edition Mary Michele Connellan Ebook All Chapter PDF
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Rethinking Political Violence
Series Editor
Roger Mac Ginty
Professor of Peace and Conflict Studies
University of Manchester
Manchester, United Kingdom
This series provides a new space in which to interrogate and challenge
much of the conventional wisdom of political violence. International and
multidisciplinary in scope, this series explores the causes, types and effects
of contemporary violence connecting key debates on terrorism, insur-
gency, civil war and peace-making. The timely Rethinking Political
Violence offers a sustained and refreshing analysis reappraising some of
the fundamental questions facing societies in conflict today and under-
standing attempts to ameliorate the effects of political violence.
vii
CONTENTS
ix
x CONTENTS
Index 163
CHAPTER 1
project,”8 this book aims to critically reflect on the anthropo-, andro- and
eurocentric characteristics of traditional ideas of genocide and to develop a
new, more holistic and comprehensive perspective through what we call a
gendered lens for genocide prevention.
Adam Jones later explored the concept of gendercide to include the idea
that “civilian males of an imputed ‘fighting age’ were especially vulnerable
to genocidal massacre,”12 thereby adding the masculine perspective to the
originally women-centered idea of a gendercide.
What this book adds to the discussion is a focus on prevention. Our
particular kind of a gendered lens for genocide analysis is centered around
the understanding that throughout the process of genocide, there are
various entry points for prevention. Many scholars and institutions13
have developed different frameworks for prevention, notably Gregory
Stanton’s ten-stage approach, which follows the process of genocide, as
4 M.M. CONNELLAN AND C. FRÖHLICH
“predictable but inexorable,” one that is not linear, where “stages may
occur simultaneously.”14 While Stanton’s approach is useful and informa-
tive, it is lacking an inclusion of the role gender plays in each of the
proposed ten stages. Stanton focuses particularly on genocide, whereas
this book considers mass atrocities and genocide prevention simulta-
neously, because we believe that the role gender plays in both processes
is essentially similar. As such, we suggest an approach to genocide preven-
tion similar to Stanton’s, with the addition of the following indicators, or
entry points, for prevention at each stage. These indicators should likewise
be applied to any framework for mass atrocity prevention:
The contributions to this book engage with these entry points on different
levels and from different perspectives, with the overarching goal of oper-
ationalizing them in order to improve prevention and mitigation efforts in
situations of genocide and mass atrocities. In this sense, the concept of
intersectionality is particularly useful; it can help to identify ways of
approaching genocide prevention differently and more effectively.
While this is not in itself a new perspective – feminist approaches have
long been characterized by the critical evaluation of intersections between
gender and other power structures15 – intersectionality as a concept has
never actually entered mainstream social sciences.16 This book aims to
show that both research and policymaking would benefit from critical
engagement with post-colonial, anti-racist and post-structural ideas that
have informed the concept of intersectionality. Power intersections are
evident in all relations and on all levels of human interaction, for example,
in institutional practices or individual decision-making. The key element
in power intersections is social in- and exclusion based on markers of
difference, and, crucially, these markers serve as the basis for the definition
of what is “normal,”, while at the same time revealing underlying power
A GENDERED LENS FOR GENOCIDE PREVENTION 5
THE BOOK
The book’s framework is applied to a diverse range of topics by our
authors, covering not only historic cases of genocide and its treatment
by international law, for instance the Holocaust, the Red Khmer and
Rwanda, but also contemporary cases like mass atrocities committed
against Yazidis in Iraq and Syria.
In her conceptual chapter, Mary Connellan highlights the significance
of the interplay between norms of recognition of genocide and experi-
ences of vulnerability and violence. Using a feminist approach influenced
by the work of Judith Butler, she draws attention to the problems asso-
ciated with the notion of “protecting vulnerable groups,” and decon-
structs ideas of “protection” and “vulnerability,” analyzing the relation
between gender and violence and addressing the international legal frame-
work on gender and sexual violence. Crucially, Connellan asks who shall
be protected, by whom and how? The ways power and vulnerability are
inherited by states and individuals are central to her discussion, and
provide vantage points for the in-depth analysis of the key subjects of
recognition and violence.
Henri Myrttinen uncovers both the gendered invisibility in and the
centrality of men, boys and masculinities in acts and processes of genocide.
He outlines how taking a critical masculinities approach can help in under-
standing the complex relationship between gender norms and mass atro-
cities. Although men play central roles as perpetrators, victims, survivors,
enablers, bystanders and witnesses, they are seldom analyzed as gendered
beings, with expectations projected onto them by society and in part
internalized by themselves. These projections interact with age, class,
sexual orientation, dis-/ability, as well as ethnic or religious background.
In a situation of genocide or mass atrocity, these may push one group of
6 M.M. CONNELLAN AND C. FRÖHLICH
Marczak shows that the gendered nature of the Yazidi genocide follows a
similar trajectory as the Armenian genocide and explores how an aware-
ness of their parallels may be useful for intervention. She outlines how the
use of forced conversion and assimilation, forced marriage and impregna-
tion, sexual slavery and sexual violence, were and are underpinned by
gendered and ideological concepts, designed to destroy the group’s bio-
logical, cultural and social infrastructure; the identification of which may
serve as important indicators for preventative efforts.
In bringing together the diversity of case studies and conceptual
frameworks within the framework of a gendered lens for genocide, we
hope to provide new ways of approaching genocide and mass atrocity in
both research and policy. The book does not attempt to offer a single or
particular solution to preventing genocide and mass atrocities, but rather
highlights the fact that it is prevention that should be at the forefront of
both academic work and political initiatives. We propose that any future
work on genocide and mass atrocity prevention should involve a better
understanding of how gendered roles interact with violence at different
stages, and how working with this knowledge can assist prevention
efforts.
NOTES
1. Adam Jones (ed.). Gendercide and genocide (Nashville: Vanderbilt
University Press, 2004), and Adam Jones, “Gendercide: Examining gen-
der-based crimes against women and men,” Clinics in Dermatology 31: 2
(2013): 226.
2. Tom Cushman, “Is genocide preventable? Some theoretical considera-
tions,” Journal of Genocide Research 5:4 (2003): 523.
3. Henry Theriault, “Against the grain: Critical reflections on the state and
future of genocide scholarship,” Genocide Studies and Prevention 7:1
(2012): 124f.
4. Ibid.
5. See Cushman, “Genocide,” 524.
6. See Christiane Fröhlich and Giovanna Gioli, “Gender, conflict and global
environmental change.” Peace Review – A Journal of Social Justice 27: 2
(2015).
7. Cushman, “Genocide,” 524.
8. Ibid.
9. Theriault, “Against the grain,” 125.
10. Jones, “Gendercide,” 227.
A GENDERED LENS FOR GENOCIDE PREVENTION 9
11. Mary Anne Warren, Gendercide: The implications of sex selection (Totowa,
NJ: Rowman & Allanheld, 1985): 22.
12. Jones, “Gendercide,” 227.
13. For example the UN Office for the Special Advisor on Genocide Prevention.
14. Gregory H. Stanton originally presented as a briefing paper, “The Eight
Stages of Genocide” at the US State Department in 1996. Discrimination
and Persecution have since been added to the 1996 model. See, http://
www.genocidewatch.org/genocide/tenstagesofgenocide.html.
15. Anna Kaijser and Annica Kronsell, “Climate change through the lens of
intersectionality.” Environmental Politics 23: 3 (2013): 419.
16. For instance K Crenshaw, “Mapping the margins: Intersectionality, identity
politics, and violence against women of color,” Stanford Law Review 43:6
(1991), and Pinar Bilgin, Identity/Security (The Routledge Handbook of
New Security Studies, ed. by J. P. Burgess, Routledge, 2010).
17. Gabriele Winker and Nina Degele, “Intersectionality as multi-level analysis:
Dealing with social inequality,” European Journal of Women’s Studies 18:1
(2011): 51.
REFERENCES
Bilgin, Pinar. Identity/Security. The Routledge Handbook of New Security
Studies, (edited by) J. P. Burgess. London and New York: Routledge, 2010,
pp. 81–89.
Crenshaw, Kimberlé. “Mapping the margins: Intersectionality, identity politics,
and violence against women of color.” Stanford Law Review 43:6 (1991),
1241–1299.
Cushman, Tom. “Is genocide preventable? Some theoretical considerations.”
Journal of Genocide Research 5:4 (2003), 523–542.
Fröhlich, Christiane, and Giovanna Gioli. “Gender, conflict and global environmen-
tal change.” Peace Review – A Journal of Social Justice 27:2 (2015), 127–136.
Jones, Adam (ed.). Gendercide and Genocide. Nashville: Vanderbilt University
Press, 2004.
Jones, Adam. “Gendercide: Examining gender-based crimes against women and
men.” Clinics in Dermatology 31:2 (2013), 226–229.
Kaijser, Anna, and Annica Kronsell “Climate change through the lens of inter-
sectionality.” Environmental Politics 23:3 (2013), 417–433.
Theriault, Henry. “Against the grain: Critical reflections on the state and
future of genocide scholarship.” Genocide Studies and Prevention 7:1
(2012), 123–144.
Warren, Mary Anne. Gendercide: The Implications of Sex Selection. Totowa, NJ:
Rowman & Allanheld, 1985.
10 M.M. CONNELLAN AND C. FRÖHLICH
The Responsibility to Protect has largely been a failure due to its misuse
by Western powers intervening in states like Iraq and Libya for private gain
under the guise of “protecting populations at risk,” and for its lack of use
in situations like Darfur; but it also reveals a broader problem of a lack of
effective policy for prevention. The failure of the Responsibility to Protect
is an indicator that the international community has been organizing
modes of protecting populations at risk based on “after the fact” inter-
vention. The methods resulted in collapsing dictatorships but also in
creating unstable, weak political systems and situations of insecurity.
Rather than working from grassroots-based early warning systems and
long-term strategies for the prevention of mass atrocities and genocide,
the Responsibility to Protect is a band-aid answer to complex situations.
The failure of the Responsibility to Protect is in essence a failure of the
United Nations’ mandate to protect vulnerable groups. In Darfur, it was
claimed that the international community’s unwillingness to act is also
tantamount to complicity in the crimes that are committed there, that
powerful states and institutions that could have stepped in to make a
difference became accessories to acts of genocide.18 The problem with
Darfur is not that the Responsibility to Protect didn’t work because it
wasn’t properly implemented; it is that there were no adequate early
warning systems in place. For any lasting strategy to prevent mass atro-
cities and genocide, the local community must be at the forefront and
properly supported by the international community. This is central to the
theory of collective responsibility.
This Radiator Cover is Built so That Shelves may be Inserted Quickly for Use
as a Cabinet
The object of this game is to pass a marble from one end to the
other of the “roadway,” under the “bridges,” and over the “inclines,”
without dropping it. A stop must be made at each hole. The device is
made as follows: Cut two pieces of wood, ¹⁄₄ by 1³⁄₄ by 12 in., and
join them to form a right angle. Cut pieces of cardboard, 4 each, 1³⁄₄
by 2¹⁄₂ in. wide, with a ³⁄₄-in. hole in the center, for inclines B, and 1³⁄₄
by 3 in., for bridges A; also two pieces 1³⁄₄ in. square for stops C.
Fasten them with tacks as shown. The marble should be large
enough so that it will rest in the holes at B.
Decorative Toys and Boxes
Made at Home
By Bonnie E. Snow
The Outlines for the Horse and Rider and the Parrot may be Made by
Enlarging These Sketches. The Color Scheme Indicated is Suggestive
Only and may be Varied to Suit Individual Taste
FIG. 3
The Tools Required are Found in Most Boys’ Workshops, and a Satisfactory
Saw Table may be Made Easily, as Shown in Detail
An outline drawing of the form to be cut out of the wood must first
be made, to the exact size that the object is to be. There is much
satisfaction if working out the form of the animal or other figure,
especially for the boy or girl who has the time necessary to do good
work. If desired, the figure may be traced from a picture obtained
from a book, magazine, or other source. Cut a piece of wood to the
size required for the design, and place a sheet of carbon paper over
it; or if none is available, rub a sheet of paper with a soft pencil, and
use this as a carbon paper, the side covered with the lead being
placed next to the wood. The carbon paper and the sheet bearing
the design should then be held in place on the wood with thumb
tacks, or pins, and the transfer made with a pencil, as shown in Fig.
4. The design should be placed on the wood so that the weaker
parts, such as the legs of the horse, will extend with the length
instead of across the grain of the wood. In some instances, where a
complicated form is cut out, it is necessary to use wood of several
plies, and where this is available it is worth while to use it for all of
this work. For smaller objects wood ³⁄₁₆ in. thick is suitable, and stock
up to ¹⁄₂ in. in thickness may be used. Whitewood, basswood, poplar
and other soft, smooth-grained woods are suitable.
FIG. 4 FIG. 5
The Design is Traced Carefully onto the Wood and Then Cut Out with the
Coping Saw, on the Saw Table
When the design has been outlined satisfactorily, place the piece
of wood on the saw table with the design on the upper side. Holding
the wood down firmly, as shown in Fig. 5, and sawing in the notch of
the saw table, cut into the edge slowly. Apply light pressure on the
downstroke only, as the upstroke is not intended to cut, and turn the
piece to keep the saw on the line and in the notch. It is important that
the saw be held vertically so that the edge of the cut-out portion will
be square. With proper care and a little practice, the edges may be
cut so smoothly that only a light sandpapering will be required to
produce a smooth edge. When the figure has been cut out, smooth
the edges by trimming them carefully with a sharp knife, if necessary,
and sandpaper them lightly to remove sharp corners. A fine
sandpaper, about No. ¹⁄₂, is suitable for this purpose. The figure is
then ready for painting. The white is put on first and the other colors
applied over it, when dry.
Oil paints may be used, and a varnish or shellac applied over them
to give a high grade of work, but this process requires much care,
considerable skill, and long drying between coats to prevent “runs” in
the colors.
FIG. 6
Water-color paint, which can be purchased in powder form at paint
stores, mixed with water to the consistency of cream is a satisfactory
coloring material, and is easy to apply. Five cents’ worth of each of
the colors used—yellow, red, blue, black, and white—will be
sufficient for several toys. Mix each color in a separate saucer, and
use a small water-color brush to apply the paint. In painting the
horse and rider, the horse is first painted entirely white, and then the
black spots are applied after the color is dry. The rider’s coat is
painted red; the trousers blue; the hat and leggings buff, as indicated
in Fig. 1. Mix a brushful of yellow with a brushful of red, and add
about three brushfuls of white. A half brushful of black may be added
to dull the color, if desired. The flesh tone for the rider’s face is made
by mixing a little red with white. When the colors are dry, all edges
are outlined with a heavy line of black, not less than ¹⁄₈ in. in width.
This outline may be evenly applied with the point of the brush.