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Applied Discourse Analysis
Arthur Asa Berger
Applied Discourse
Analysis
Popular Culture, Media, and Everyday Life
Arthur Asa Berger
San Francisco State University
San Francisco, California, USA
Part I Communication
6 Images: Advertising 41
7 Signs: Fashion 51
Part II Texts
9 Texts: Hamlet 77
v
vi CONTENTS
References 187
Index 191
ABOUT THE AUTHOR
vii
viii ABOUT THE AUTHOR
PASSOVER SEDER
How is this book different from other books on discourse analysis? This may
seem like an ordinary question, but the material in italics happens to be
adapted from a small book, the Passover Haggadah, used in all Seder
dinners (the term Seder means “order”) in which a wise son asks “Why
Passover Haggadah
1 INTRODUCTION: LI’L ABNER AND CRITICAL MULTIMODAL DISCOURSE . . . 3
is this night different from all other nights?” This question which I asked
in the first sentence of this book is an example of what communication
scholars call “intertextuality,” which means, roughly speaking, that all
texts borrow from other texts or are intertwined with one another. I will
have a lot more to say about this topic later. It is very important and plays a
major role in the thinking of discourse analysts. According to the Russian
scholar Mikhail Bakhtin, whose thinking is behind intertextual theory, all
texts borrow—in various ways—from other texts, whether the borrowing
is conscious or unconscious.
This book, then, like all books, if Bakhtin is correct, is full of borrow-
ings—of quotations by discourse theorists and others of interest and with
material revised, updated, and transformed in various ways from my writ-
ings over the years. In all cases, when I borrow from others, I quote them
and tell who wrote the passage, so there is a difference between intertex-
tuality and stealing someone else’s material, which we describe as plagiar-
ism. I use quotations because I think that what the people I’m quoting
have to say is important and is expressed in a distinctive way.
Intertextuality suggests that we often imitate others by using their plots,
themes or styles, or other things, and we are generally not conscious that
we are doing so.
I cover a wide variety of topics in this book. You will learn about
discourse theory, language, metaphor, narratives, culture, myths, rituals,
genres, signs (and the science of semiotics), jokes, images, the psyche,
Hamlet, fairy tales, dreams, and love, among other things, and I have
included a number of learning games that will help you learn how to apply
concepts and use them to make sense of the role discourse analysis plays in
our lives, societies, and cultures. So this book differs from other discourse
analysis books in that it focuses upon a wider range of topics relating to
culture than you find in the typical discourse analysis book and applies
concepts from discourse very broadly—perhaps more broadly than tradi-
tional discourse analysts do.
In their book, Discourse Analysis: Investigating Processes of Social
Construction, Nelson Phillips and Cynthia Hardy write (2002:6):
Discourse analysis deals with our use of language and the way our lan-
guage shapes our identities, our social relationships, and our social and
political world. Discourse analysis is mostly done by linguistics professors,
who used to be confined in their research to the sentence. When the
linguists decided to move beyond the sentence to conversations and
then to literary texts of one kind or another, and then to mass-mediated
texts, linguists identified themselves as discourse analysts. When I searched
“discourse analysis” on Google on August 8, 2015, I got 5,770,000
results. So there is a great deal of interest in the subject.
Teun A. van Dijk, a Dutch scholar who is one of the most prominent
contemporary discourse analysts, writes in “The Study of Discourse” in
Discourse as Structure and Process (1997:1):
1 INTRODUCTION: LI’L ABNER AND CRITICAL MULTIMODAL DISCOURSE . . . 5
Each narrative has two parts: a story (histoire), the content or chain of events
(actions, happenings), plus what might be called the existents (characters,
items of settings); and a discourse (discourse), that is the expression, the
means by which the content is communicated.
The story is the “what” and the discourse is the “how.” And it is the how
that discourse analysis focuses attention on. We can see these relationships
in the chart that I have made based on Chatman’s ideas:
Story Discourse
Events Expression
Content (what happens) Form (how story is told)
Histoire Discourse
The quote by Phillips and Hardy in the epigraph suggests that discourse
is basic to our social world. From the moment we start to talk, when we
are little children, discourse shapes our existence. At a very early age
children learn what words mean, and around the age of four can put
words together in their own way, and make sentences they’ve never
heard before. As I show in this book, discourse deals not only with
words but also in newer versions of discourse analysis, with images. So
this book will not only deal with theories and concepts related to discourse
analysis but also will show you discourse in action in the real world.
As I suggested earlier, discourse analysis represents an effort by linguists
to move beyond the sentence, which is where linguists traditionally have
focused their attention. Discourse analysts worked on speech and conver-
sation—spoken discourse—before moving on to written discourse and
then, in our brave new world of Internet, to what they call multimodal
discourse analysis. This kind of discourse analysis deals with images and
videos—what is found on Facebook, Pinterest and other social media sites.
A number of discourse analysts write from what they call a “critical”
perspective, meaning an approach that deals with ideology and politics
and is, generally speaking, critical of the political arrangements found in
bourgeois capitalist societies. Since these scholars are interested in what is
going on in contemporary societies they describe themselves as “Critical
Multimodal Discourse Analysts.”
Van Dijk adds other insights into what discourse analysis is in a book he
edited, Discourse as Structure and Process, the first of two volumes of
Discourse Studies: A Multidisciplinary Introduction. In his chapter in
this book titled “The Study of Discourse” he describes what discourse
analysis deals with and discusses the three main dimensions of the field
(1997:2):
(a) language use, (b) the communication of beliefs (cognition), and (c)
interaction in social situations. Given these three dimensions, it is not
surprising to find that several disciplines are involved in the study of dis-
course such as linguistics (for the specific study of language and language
use), psychology (for the study of beliefs and how they are communicated),
and the social sciences (for the analysis of interactions in social situations).
It is typically the task of discourse studies to provide integrated descrip-
tions of these three main dimensions of discourse: how does language use
influence beliefs and interaction, or vice versa, how do aspects of interactions
influence how people speak, or how do beliefs control language use and
1 INTRODUCTION: LI’L ABNER AND CRITICAL MULTIMODAL DISCOURSE . . . 7
He reminds us that while discourse analysis pays attention to talk and oral
communication, it also studies written language. And written texts. We
can see that it is interested in all kinds of human communication, with a
focus on people’s language use and the interactions among people who are
talking with one another or writing texts of one kind or another. While
scholars from many disciplines focus their attention on the content of
discourse, discourse analysis are more interested in the styles used, in the
way language and images are used and the role language plays in social
interactions.
Discourse analysis is different from ethnomethodology, though both
are interested in conversation. As Dirk vom Lehn, the author of a book on
the ethnomethodologist Harold Garfinkel, explains (in a personal com-
munication, 2015):
While visual analysis has more traditionally been the domain of Media and
Cultural Studies, linguists. . . . have begun to develop some of their own
models for analysis that draw on the same kinds of precision and more
systematic kinds of description that characterized the approach to language
in CDA. These authors began to look at how language, image and other
modes of communication such as toys, monuments, films, sounds, etc.
combine to make meaning. This has broadly been referred to as “multi-
modal” analysis. Not all of this work has adopted the kind of critical
approach used in CDA, where the aim is to reveal buried ideology.
Fust—Ah strips t’ th’ waist an’ rassles th’ four biggest guests!! Next—a fast
demon-stray-shun o’ how t’ cheat your friends at cards!!—followed by four
snappy jokes—guaranteed t’ embarrass man or beast—an’ then after ah
dances a jig wif a pag, Ah yanks out tow o’ mah teeth and presents ‘em t’
th’ bride an’ groom—as mementos o’ th’ occasion!!—then—Ah really gits
goin!!—Ah offers t’ remove any weddin’ guest’s appendix, with mah bare
hands—free!! Then yo spread-eagles me, fastens mah arem an’ laigs t’ four
wild jackasses—an’—bam!! yo’ fires a gun!!—While they tears me t’ pieces—
Ah puffawms th’ wedding cermony.
10 APPLIED DISCOURSE ANALYSIS
Communication
CHAPTER 2
Application Objects are shown to transmit messages about owners and the
ways in which they are used. Work of motivation researcher Ernest Dichter is
discussed. Learning games in which students analyze messages they find in an
object and what the owner of objects thinks the object means is described.
Roman Jakobson
16 APPLIED DISCOURSE ANALYSIS
Context
Message
Sender ————————————— Receiver
Contact (Medium)
Code
The objects which surround us do not simply have utilitarian aspects; rather,
they serve as a kind of mirror which reflects our own image. Objects which
surround us permit us to discover more and more aspects of ourselves.
Owning a boat, for example, for a person who did not own a boat before,
produces new understandings of aspects of his own personality; and also a
new bond of communication is established with all boat owners. At the same
time some of the power strivings of the individual come out more clearly
into the open, in the speed attained, the ability to manipulate the boat; and
the conquest of a new medium, water, in the form of lakes and rivers and the
ocean, becomes a new discovery.
In a sense, therefore, the knowledge of the soul of things is possibly a
very direct and new and revolutionary way of discovering the soul of man.
The power of various types of objects to bring out into the open new aspects
of the personality of modern man is great. The more intimate knowledge of
as many different types of products a man has, the richer his life will be. . . .
The things which surround us motivate us to a very large extent in our
everyday behavior. They also motivate us as the goals of our life—the
Cadillac that we are dreaming about, the swimming pool that we are work-
ing for, the kind of clothes, the kind of trips, and even the kind of people we
want to meet from a social-status viewpoint are influencing factors. In the
final analysis objects motivate our life probably at least as much as the
Oedipus complex or childhood experiences do.
who brought the shell tell us a great deal. The woman who brought the
shell thought of it in aesthetic terms while the students in the class thought
about it in functional terms. What this shows is that people can differ
greatly in the way they interpret objects, and by implication, all forms of
communication—both verbal and nonverbal.
What did the students learn from this exercise? The most important
thing they learned is that people don’t always interpret the messages we
send the way we think they will. You think that you are sending “beautiful”
and “natural” to others and they are interpreting your messages as “empty”
and “sterile.” We must always assume, then, that our messages may be
interpreted the wrong way. We can attempt to deal with this by sending
other messages to help clarify our original message and by being redundant
so the receivers of our messages have a better chance of interpreting them
correctly or remembering them. You will find a certain amount of redun-
dancy in this book. It represents my attempt to make sure my messages are
interpreted correctly and, I hope, that you remember the messages.
CHAPTER 3
For human beings, society is a primary reality, not just the sum of individual
activities . . . and if one wishes to study human behavior, one must grant that
there is a social reality . . . Since meanings are a social product, explanation
must be carried out in social terms . . . Individual actions and symptoms can
be interpreted psychoanalytically because they are the result of common
psychic processes, unconscious defenses occasioned by social taboos and
leading to particular types of repression and displacement. Linguistic com-
munication is possible because we have assimilated a system of collective
norms that organize the world and give meaning to verbal acts. Or again, as
Durkheim argued, the reality crucial to the individual is not the physical
environment but the social milieu, a system of rules and norms, of collective
representations, which makes possible social behavior.
Jonathan Culler, Ferdinand de Saussure (1986:86:87)
Saussure drawing
signs”—but it has been supplanted by the term semiotics, which was used
by the other founding father of semiotics, Charles S. Peirce. Saussure
makes a number of important points, in the third chapter of the book,
“The Object of Linguistics.” He explains that (1966:9) “language [lan-
gue] is not to be confused with human speech [langage] of which it is only
a definite part, though certainly an essential one.” Later he adds (1966:13)
“Execution is always individual, and the individual is always its master.
I shall call the executive side speaking [parole]. It is the speaking and writing
done by individuals that is most interest to discourse analysts.”
We then have three insights from Saussure relating to language:
We can say that language is a social institution and involves, for people
who speak English, the approximately two hundred thousand words in the
English language. Speech refers to the vocabulary of an individual and
speaking refers to the words used by an individual when speaking to
someone or to some group of people. We can also think of speaking as
involving “writing” by individuals and other forms of communication,
such as gestures and body language.
Saussure made another important point relative to language. He writes
(1966:117):
Concepts are purely differential and defined not by their positive content
but negatively by their relations with the other terms of the system. Their
most precise characteristic is in being what the others are not.
Later he adds (1966:120, 21) “In language there are only differences . . .
The entire mechanism of language, with which we shall be concerned later, is
based on oppositions.”
These two statements are of great importance. Concepts, we learn, have
no meaning in themselves but take their meaning from the system (the
collections of words, we may say) in which they are embedded, and the
most important “difference” in language is the polar opposition. “Happy”
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for the purpose of guarantying the neutrality of the Isthmus canal or
determining the conditions of its use.
THE SCANDAL.
THE CLAIMS.