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Beyond the Islamic Revolution
Worlds of Islam –
Welten des Islams –
Mondes de l’Islam
Edited by
Bettina Dennerlein
Anke von Kügelgen
Silvia Naef
Maurus Reinkowski
Ulrich Rudolph
Volume 8
Beyond the
Islamic
Revolution
Perceptions of Modernity and Tradition in Iran
before and after 1979
Edited by
Amir Sheikhzadegan and Astrid Meier
This publication was made possible due to the support of Swiss Academy of
Humanities and Social Sciences (SAGW).
ISBN 978-3-11-039959-2
e-ISBN (PDF) 978-3-11-039988-2
e-ISBN (EPUB) 978-3-11-040005-2
ISSN 1661-6278
www.degruyter.com
Table of Contents
Ramin Jahanbegloo
Intellectuals and Society in Iran since 1953 17
Amir Sheikhzadegan
The Trajectory of the 1953 Military Coup and the Course of Liberal Islam in Iran:
A Sociological Analysis 31
Katajun Amirpur
Constructing and Deconstructing Othering: Polycentrism versus
Westoxication in Iran 60
Roswitha Badry
Insurmountable Hurdles to the Countering of Patriarchal Gender Discourse
under a Clerical Oligarchy? Experiences of (Islamic) Feminists in the Islamic
Republic of Iran (1979–2009) 89
Erika Friedl
Heirs of Modernity in Rural Iran 112
Katja Föllmer
The Rebellious Man and the Courageous Woman: Social Criticism and Gender
Relations in Iranian Film Production before and after the Islamic
Revolution 131
VI Table of Contents
Tobias Nünlist
Between Change and Persistence: Reżā Julāʾi’s Short Story Miti-Jenn as a Mirror
of Social Developments in Iran 155
DOI 10.1515/9783110399882-203
Amir Sheikhzadegan and Astrid Meier
Introduction
The Islamic Revolution of 1979 has marked Iran’s recent history to an exceptional
degree and counts as an event of global importance. As unexpected as the results
of the demonstrations of 1978 and 1979 were at the time, it seems quite impossible
today to imagine the Iran of the last Shah, that of Moṣaddeq or the Pahlavi period
as a whole, let alone the Constitutional Revolution or the Qājārs. Yet these names
and the corresponding events are constituent elements of any Iranian reflections
on modern history and collective identity. When we organized a symposium on
Iran on behalf of the “Swiss Society for Middle East Studies and Islamic Civiliza-
tion” in 2008 and 2009, Iranian politics were high on the agenda of the world
media. The focus was on the supposed Iranian nuclear weapons program, the re-
election of Mahmoud Ahmadinejad and the demonstrations against the manip-
ulation of the election results, known as the Green Movement. Some commenta-
tors prophesized the imminent downfall of the ruling regime, yet the Islamic
Republic seemed to have reinvented itself from inside by the presidential elec-
tions of 2013, which saw the victory of the moderate candidate Hassan Rouhani. It
remains to be seen whether the alleged “historic” nuclear deal of 2015 between
Iran and the world powers will have any substantial impact on Iran’s political
system.
Politics and political history are, however, not the focus of this volume. The
contributors are more interested in the long-term transformations of the society
that have roots in the period before the Revolution. Viewed from the outside,
Iran’s society today seems to be full of contradictions: religious and secular,
modern and traditional, theocratic and democratic, to name but a few of the
epithets often used to describe it. These contradictory images awakened our
interest in the various dimensions of the transformation processes that have
shaped the recent history of Iran, with a special focus on the question of how
images of tradition and modernity have played into, and been transformed by,
societal change in the country.
Much research on societal change in Iran is being done, and scholars in and
outside Iran debate with an increasingly global academic community a myriad of
aspects of the social life of this country. With regard to the temporal dimension of
societal change, the debates cover two different scales.
One approach looks at the “longue durée”, focusing on the continuities,
discontinuities and gradual changes of Iranian society from a long historical
perspective. Typical examples of this type of research are Homa Katouzian’s
works on the dialectics of arbitrary rule and social disorder in Iranian his-
DOI 10.1515/9783110399882-001
2 Amir Sheikhzadegan and Astrid Meier
1 Katouzian 2003.
2 Ashraf 2006/2012.
3 Najmabadi 2005.
4 Floor 2008.
5 Tapper 1997.
6 Yeroushalmi 2012.
7 Some examples of this strand of research are: Najmabadi 2005, Ashraf 1991, Chehabi 1998,
Ghamari-Tabrizi 2004, Talattof 1997, Abrahamian 2008, Vahdat 2002.
8 Schulze 2003: 22.
9 Regarding its impact on Iranian intellectual discourse, Vahdat highlights two “pillars” of
modernity: subjectivity and universality (see Vahdat 2002).
Introduction 3
Frankfurt School, the works of the so-called postmodern thinkers, and even the
radical views of intellectuals such as Ivan Illich, Paulo Freire, Erich Fromm and
Everett Reimer. Each train of thought resonated with one or other group of Iranian
intellectuals.
The concept of modernity, as understood in the nineteenth as well as the
better part of the twentieth century, was based on several presumptions of which
the following were the most prominent.
Firstly, it was based on a dichotomy between “modernity” and “tradition”
while essentializing both. As Peter Wehling noted, it was because of this “globa-
lized, ahistorical, and abstract dichotomy” that all attempts to define modernity
became tautological.10
Secondly, it implied a normative view of both concepts: While modernity was
considered rational, progressive and humane, tradition was labeled irrational,
backward and oppressive. This construct served, as is well known, as a legitimiza-
tion of colonialism and imperialism. The negative attitude towards tradition
found its strongest expression when it came to religion, most vociferously from
those of a Marxist point of view. As Armando Salvatore has put it: “The Marxian
intervention that followed Feuerbach’s radical deconstruction of religion de facto
severed the link of religion from practice and made it the kernel of the ideology of
tradition. Religion was described as a crucial instrument of domination and as the
principal manifestation of human alienation, to be transcended through the
dialectics of historical materialism.”11
Thirdly, it was based on a linear, evolutionist view of human history, in which
the whole world would pass through the same developmental stages as “the
West”. Initially introduced by August Comte’s “Law of the three stages”12, an
evolutionary paradigm was adopted by many other 19th-century theorists. One of
the most popular of these models was Karl Marx’s evolutionist theory of historical
development. In the post-World War II era, the American sociologist Talcott
Parsons (1902–1979) presented an influential new formulation of the evolutionary
13 According to Rostow, economic growth goes through five stages of 1) traditional society, 2)
preconditions for take-off, 3) take-off, 4) drive to maturity and 5) age of high mass consumption.
He believed that the Western countries were the pioneers of economic development and that the
whole world would sooner or later follow their path (see Rostow 1960).
14 In his late and widely neglected work Action Theory and the Human Condition, Parsons (1978)
distanced himself from modernization theory which he criticized for its simplistic view of
(religious) traditions (for a short review, see Joas/Knöbl: 2004: 137–139.
15 Tavakoli-Targhi 2001: 2.
16 Schnädelbach 1989. See also Wehling 1992.
17 Lefebvre 1995: 185.
18 Salvatore 2007: 3.
19 Salvatore 2007: 3. See also Hobson 2004.
20 Eisenstadt 2000.
Introduction 5
abundant empirical evidence of the increasing role of religion in the public sphere
and a questioning of the public-private divide in societies with a secular self-
image.21 Finally, the positivist dimension of the concept has lost its appeal in the
face of constructivist as well as hermeneutical approaches in social sciences and
humanities.
Whereas modernity has been the object of hot debates, the concept of
tradition has been widely neglected. Even social anthropology which considers
tradition a key concept has not developed a theory of tradition, and only few
anthropologists have called for one.22 In most discussions, therefore, tradition
seems defined merely as the counterpart of modernity, of that which came before
modernity from the perspective of progress. Tradition usually refers to objects,
practices, texts and ideas which originated in the past and are transmitted
through the generations down to the present where they remain authoritative and
in use. This includes cases of “invention of tradition” where the legitimizing tie to
the past becomes particularly visible.23
The reevaluation of the concepts of modernity regarding the role of religion
in particular has renewed not only scholarly interest, but also an intellectual
debate about the dynamic and critical part tradition can play in knowledge
production and societal change. Talal Asad recently pointed to the seminal
importance of developing an adequate understanding of tradition. Referring to
his own usage, he says: “I have used the term ‘tradition’ in my writings in two
ways: first, as a theoretical location for raising questions about authority, time,
language use, and embodiment; and second, as an empirical arrangement in
which discursivity and materiality are connected through the minutiae of every-
day living. The discursive aspect of tradition is primarily a matter of linguistic acts
passed down the generations as part of a form of life, a process in which one
learns/relearns ‘how to do things with words’, sometimes reflectively and some-
times unthinkingly, and learns/relearns how to comport one’s body and how to
feel in particular contexts.”24
Such a complex and multifaceted approach to tradition opens up fruitful
debates about the various ways societies and social groups and movements refer
to what they understand as modern and traditional and the historical moments at
which these notions come into play. The papers collected in this volume take up
this challenge and point to the diversity of attempts to define the ever-shifting
21 For a well-documented review of theories and empirical findings see Wilson 2011.
22 See Boyer 1990.
23 Hobsbawm/Ranger 1983.
24 Asad 2015; cf. Asad 1986.
6 Amir Sheikhzadegan and Astrid Meier
In the long-term perspective adopted, the coup of 1953 is, for the following
reasons, a meaningful point of departure. Firstly, it was only in the post-Moṣad-
deq era that Iran witnessed the rise of a full-fledged rentier state, even though oil
revenues had played a major role in the Iranian economy since the rule of Reza
Shah. The dependence on oil is a phenomenon that has, up to the present, been
one of the most salient features of the Iranian state, with far-reaching conse-
quences for state-society relations.
Secondly, the role of the USA and the UK in the 1953 coup against the
democratically elected Prime Minister Moṣaddeq caused resentment in the Ira-
nian public and constituted proof for nationalists of all kinds of the colonialist
Introduction 7
liberation from colonial rule became a source of inspiration for both the religious
and the secular segments of the Iranian intelligentsia who were dreaming of
putting an end to the Shah’s oppressive regime. It was on the violent stage set up
and normalized by Mohammad Reza Shah and his Marxist opponents that
Ayatollah Khomeini succeeded in establishing a violent theocracy in Iran. Those
who undid Moṣaddeq’s nonviolent reforms could not know that they were guid-
ing Iranian society towards tremendous, inexorable violence twenty-five years
later.
Amir Sheikhzadegan’s article The Trajectory of the 1953 Military Coup and the
Course of Liberal Islam in Iran: A Sociological Analysis follows the path of this
intellectual and/or political movement and its repeated reinvention against the
background of societal change. Rooted in the Constitutional Revolution (1905–
1911), liberal Islam was revitalized in the 1940s after an eclipse under Reza Shah’s
rule (1925–1940). The coup of 1953, however, gave rise to a movement with a
different agenda. The advocates of this new liberal Islam were deeply politicized
and regarded resistance to the regime as the most urgent task of a Muslim
believer. Moreover, they showed a positivist attitude toward modernity and saw
the salvation of Muslim societies in the adoption of modern science and technol-
ogy while living Islamic values. The golden days of liberal Islam did not last long.
Political repression combined with radical impulses from the world system
resulted in the emergence of violent ideologies and led finally to the rise of a
repressive Islamist regime.
In the long term, however, Islamist repression triggered a culture of resis-
tance which boosted, in turn, a reformist movement based on Islamic liberalism.
This liberal interpretation is characterized by a new approach to Islam as well as
to modernity. Striving for a “humanistic hermeneutics” of Islam, it clearly shows
the influence of postmodern schools of thought and marks a radical departure
from the positivist attitudes of the older generation.
In her article Constructing and Deconstructing Othering: Polycentrism versus
Westoxication in Iran, Katajun Amirpur traces the historical roots and the context
of the emergence of a group of Iranian intellectuals whom she describes as the
first true post-colonial thinkers in the Muslim world. She refers to intellectuals
like Soruš, Yusefi-Eškevari, Kadivar and Šabestari who distance themselves from
the clichéd depiction of the West that had dominated the works of their masters
Āl-e Aḥmad and Šariʿati and who are much more familiar with various aspects of
intellectual traditions of the Western world. This post-Islamist intellectual move-
ment is, however, far from dominant within the Iranian system. According to
Amirpur, the Heideggerian philosopher Aḥmad Fardid and his followers advocate
the postcolonial worldviews of Āl-e Aḥmad and Šariʿati, thereby providing the
ruling class with an intellectual basis for its anti-Western ideology.
Introduction 9
The two essays of the second part add important dimensions to the percep-
tion of modernity and tradition by focusing on often overlooked aspects of social
reality in Iran. Gender relations, a core topic of reformist intellectuals, are the
focus of Roswitha Badry’s overview of feminist and other readings towards a
gendered theology of Islam. The perspective of a rural-tribal community is the
point of reference in Erika Friedl’s contribution.
In her article Insurmountable Hurdles to the Countering of the Patriarchal
Gender Discourse under a Clerical Oligarchy? Experiences of (Islamic) Feminists in
the Islamic Republic of Iran, Badry analyses the ideological origins as well as the
historical development of gender discourse in post-revolutionary Iran. First, she
discusses the pre-revolutionary discourse on the image of women in Islam by
focusing on Ayatollah Moṭahhari’s neo-traditionalist notion of complementarity of
gender-specific roles as well as on ʿAli Šariʿati’s romanticized, ahistorical descrip-
tion of female idols in early Islam. She then distinguishes four trends in post-
revolutionary gender discourse, i.e. textualists, semi-textualists, contextualists,
and semi-contextualists. All these groups start from the reading of the classical
Islamic texts such as the Qur’an, yet they differ in the literality of their interpreta-
tions and the degree of sensitivity to the socio-historical context of the texts as well
as the necessities of the present time. Badry concludes by remarking that even
though Islamic feminists can look back at an impressive record of enduring struggle
for gender equality, they have not yet succeeded in bringing about a feminist
theology.
An overwhelming part of research on the changing perception of modernity
in Iran is focused on urban populations. Consequently, we know much less
about this issue in rural Iran. The small progress made before the revolution of
1979 in the anthropology of rural and tribal areas in Iran was seriously ham-
pered by the demise of social sciences as a result of the Cultural Revolution
(1980–1982) and by travelling restrictions on Western scholars in post-revolu-
tionary Iran. The anthropological works available are relatively scarce and
highly fragmented. Even rarer is research that goes beyond the ethnographic
scope to document social change in rural and/or tribal communities over longer
periods.
In her contribution Heirs of Modernity in Rural Iran, Erika Friedl addresses
this shortcoming by providing an in-depth insight into the evolution of the
perception of modernity in rural communities of Iran from the pre-revolutionary
era up to the present. Drawing on her long-time field research in Boir Ahmad, a
tribal area in the Zagros Mountains, she shows how socio-cultural change is
linked with the evolution of attitudes of the respective community towards
modernity. Distancing herself from essentializing approaches to the concepts of
tradition and modernity, Friedl focuses on people’s motivation for abandoning
10 Amir Sheikhzadegan and Astrid Meier
their customs and values, and she shows, from a lifeworld perspective, that
social change happens at the level of personal decisions in everyday life.
According to Friedl, Iranian villagers, contrary to the dominant stereotypes
among urban populations, are neither isolated from the national public sphere
nor tradition-bound people unaware of, or uninterested in, modern urban life-
styles, but rather they are in constant and creative interaction with towns and
cities thus developing clear aspirations for modern ways of life. For the village of
Sisakht, “to make progress” (pišraft kardan) has been the leitmotiv par excellence
of social life for decades if not for a whole century.
This brings us to our third part: In Iran, as in any other society, modernization
has gone hand in hand with an intense dialectical relation between social change
and diverse forms of artistic expression. On the one hand, Iranian artists have
inspired or catalysed, if not directly caused, in some way or another, changes in the
worldviews as well as self-perceptions of Iranians, thus contributing to the structural
transformation of society. On the other hand, gradual changes as well as ruptures in
the social structure and/or in the cultural sphere of Iran have affected, with varying
degrees of intensity, the form as well as the content of Iranian art production. In this
volume, we refer to two forms of artistic expression, cinema and literary prose.
Katja Föllmer’s contribution The Rebellious Man and the Courageous Woman:
Social Criticism and Gender Relations in Iranian Film Production before and after
the Islamic Revolution takes two Iranian feature films, produced in two different
periods, to show how representations of manhood and womanhood have chan-
ged since the 1960s. Föllmer demonstrates how in the beginning, Iranian movies
were amateur imitations of foreign films, with modest success in Iran and without
any resonance abroad. In the 1960s, a new, self-confident Iranian cinema
emerged in search of an artistic expression of its own. During this period, the
Iranian film industry became a medium of critical reflection on a variety of social
issues including the dialectics of tradition and modernity.
Yet despite the modernist ideology of the Pahlavi regime, Iranian cinema was
less progressive and innovative before the Revolution than it has been since. Many
pre-revolutionary Iranian films showed a conventional image of traditional patri-
archal society. Even the movies preoccupied with political opposition to the status
quo had mainly male characters as their leads. Post-revolutionary films, in con-
trast, are more innovative as well as progressive. Despite the conservative ideology
of the Islamist regime with its restrictions on the public appearance of women,
Iranian film industry has provided “courageous” female directors and actresses
with new spheres of influence within which they explore creative means of addres-
sing social taboos.
Whereas the cinema had to wait long before finding its way into Iranian
public life, modern literature has accompanied Iranian society since the early 20th
Introduction 11
century. In his interpretation of the short story Miti-Jenn, Tobias Nünlist shows
how the social and political processes shaping contemporary Iranian society are
mirrored in an astonishing piece of Iranian literature.
The writer of the story, Reżā Julāʾi, is a “third-generation” writer of literary
prose who won several distinguished literary prizes. As Nünlist shows, the writer
is convinced that the tortuous past of Iranian society, characterized by cruel
invasions and arbitrary rule, has had an enduring impact on the present, making
the Iranian psyche a sophisticated labyrinth. Julāʾi tries to explore the psychologi-
cal dimensions of human existence in contemporary Iran in the light of what
happened in the past. By locating his story in the era of the Constitutional
Revolution, Julāʾi avoids any explicit hints at more recent political events or
characters. He creates a safe space to paint an impressive image of what he sees
as the roots of the malaise of contemporary Iranian society: a belief in super-
natural saviors, blind followership, superstition, populism, leaders rising out of
the sub-proletariat and political repression.
Miti-Jenn has a complex, multi-layered and multi-level structure with a
myriad of themes developing into one another, and the story cannot be reduced
to a single topic. Nevertheless, tensions between tradition and modernity, parti-
cularly those between rationalism on the one hand and superstition and demonic
beliefs on the other, appear to be paramount themes. Julāʾi’s writing style – his
working with elements of mystical realism, constant shifts between past and
present as well as between the real and the imaginary – adds to the thematic
complexity.
During the long time it took to produce this volume, we incurred many debts
of gratitude. First of all, we would like to thank the authors for their cooperation
and their patience. We are grateful to the University of Basel, the Swiss Academy
of Humanities and Social Sciences and the SGMOIK, in particular to its treasurer
Martha Vogel and its former president Monika Winet, for their support in the
organization of the conference. We thank Prof. Ulrich Rudolph, Prof. Bettina
Dennerlein and the Swiss Asian Society for including the volume in the “Welten
des Islams/Mondes de l’Islam” series. Last but not least, we thank Christine
O’Neill for proofreading the manuscript, Matthias Sulz and Dominik Österle for
their help in the preparation of the volume.
In conclusion, we would like to emphasize that this volume does not aspire to
be comprehensive. It goes without saying that any endeavor to shed light on
perceptions of modernity and tradition and their co-constitutive construction is
necessarily limited to specific authors and specific historical moments. If one
wanted to characterize Iranian discourse on these issues, it would be misleading
to describe it indiscriminately as essentializing. While in various contributions to
the debate presented here, essentializing elements do play an important role in
12 Amir Sheikhzadegan and Astrid Meier
the construction of “we” and “other” – particularly of “the West” –, the discourse
itself is far more varied and open. This seems to be a good starting point to rethink
the “othering” of Iran in many parts of the world today.
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Part I: Main Intellectual Trends
Ramin Jahanbegloo
Intellectuals and Society in Iran since 1953
Abstract: The 1953 Coup against Prime Minister Moḥammad Moṣaddeq marks a
clear rupture with the lawful and nonviolent aspirations of the Iranian elites
which were mainly formulated and experienced during the Constitutional Revolu-
tion of 1906.
In the 1960s and 1970s, Frantz Fanon’s celebration of violence as a means of
liberation from colonial rule became a source of inspiration for all those who were
dreaming of putting an end to the Shah’s oppressive regime. Violence as the
dominant intellectual project of pre-revolutionary Iran was embodied by the
religious and secular segments of the Iranian intelligentsia. At the same time, the
nativist attitudes of thinkers like Šariʿati and Āl-e Aḥmad left plenty of space for
tradition to become a political statement.
The two utopias of a classless society and Islamic government became the
dominant narratives of dissident thought and action in the Pahlavi state. As such,
the Shah’s political war against Iranian liberalism and the followers of Moṣaddeq
in the 1950s and 1960s resulted in the diminution of nonviolent political discourse
and the rise of the radical Left and Islamic fundamentalism in pre-revolutionary
Iran.
It was on the violent stage framed and normalized by Mohammad Reza Shah
and his Marxist opponents that Ayatollah Khomeini succeeded in establishing a
violent theocracy in Iran. Those who made Moṣaddeq’s nonviolent reforms im-
possible did not know that they were guiding Iranian society towards tremen-
dous, inexorable violence twenty-five years later.
DOI 10.1515/9783110399882-002
18 Ramin Jahanbegloo
2 Some historians of contemporary Iran have pointed to an alleged cooperation of the National
Front and Navvāb Ṣafavi in the assassination of Prime Minister ʿAli Razmārā. This conspiracy has
been discussed in Ali Rahnama’s (2005) book Niruhāy-e Maẕhabi bar Bestar-e Ḥarekat-e Nehżat-e
Melli (Religious Forces in the Context of the Nationalist Movement). But another historian of
contemporaray Iran, Fakhreddin Azimi, brings very solid and convincing arguments to reject this
absurd claim. According to him the “confessions” of Navvāb Ṣafavi in his 1334 trial – which were
absent in his 1330 confessions! – were but a conspiracy of the regime to stain the name of
Moṣaddeq. See interview in Persian with Azimi (1395/1975).
3 Katouzian 2004: 20.
4 Katouzian 2003: 110.
20 Ramin Jahanbegloo
the north and west; the masses’ incapacity for effective political participation due
to illiteracy, poverty, and fanaticism; and the necessity of rapid economic expan-
sion and industrialization free from political and parochial interests.”5 Largely
due to its incapacity to analyze the political environment of Iran, the one-man
rule of the Shah’s regime opened the door to violent guerrilla mentality and
radical Islamic opposition.
The two utopias of a classless society and Islamic government became the
dominant narratives of dissident thought and action in the Pahlavi state. As such,
the Shah’s political war against Iranian liberalism and the followers of Moṣaddeq
in the 1950s and 1960s resulted in the diminution of nonviolent political discourse
and the rise of the radical Left and Islamic fundamentalism in pre-revolutionary
Iran. As such, the intellectual language of protest against the Shah and his regime
was characterized by discourses that were either revivalist or revolutionary. It
should be recalled, however, that the Iranian Left was more challenged by the
Pahlavi state’s security apparatus than some of the Shiite clerics and militant
groups. “It is important to note that throughout the 1960’s and 1970’s, while the
Left and liberal/social democratic forces and their institutions were hounded and
banned by the Pahlavi state, the religious establishment expanded considerably
and its institutions proliferated. Networks of mosques, seminaries, and lecture
halls, the publication of religious journals and books, access to the print and
electronic media, and the steady stream of mullahs (clerics) emerging from the
theological schools of Qom and elsewhere provided the leaders of political Islam
with an important social base, organization, and resources.”6 The fall and failure
of Moṣaddeq’s nationalist-liberal movement and its replacement by Ayatollah
Khomeini’s radical Islamist protest in 1963 helped to fuel the violent revolutionary
mentality. It was in those turbulent years and as an alternative to Pahlavi’s
monarchy that Ayatollah Khomeini formulated his theory of Islamic government.
“In this rather novel theory, during the absence of the prophet’s heirs – vacant
since the ‘great occultation’ or disappearance of the twelfth Imam Mahdi in the
tenth century – the world can be governed legitimately only by a Vali-e-Faqih –
the only one who can execute God’s will on behalf of the Hidden Imam – the
agency with a mandate to rule both politically and spiritually.”7
Given such social and political configurations under Islamic banners, it
would have been difficult to build an anti-Shah intellectual dissent on anything
but the anti-Western stand of Khomeini (as in the case of Jalāl Āl-e Aḥmad) or on
The great teacher of martyrdom has risen to teach a lesson to those who believe that struggle
against dictatorship should be waged only when victory is possible, and to those who have
despaired or have compromised with the Establishment, or have become indifferent to their
environment. Hossein teaches that shahadat is a choice through which a mujahid, by
sacrificing himself on the altar of the temple of freedom and love, is irrevocably victorious.
Hossein has come to teach the Children of Adam how to die. He declares that people who
submit themselves to all forms of humiliations, injustice and oppression just to live a little
longer are destined to die a ‘black death’. Those who lack the courage to choose martyrdom,
death will choose them.10