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Textbook Knock at The Door of Opportunity Black Migration To Chicago 1900 1919 Christopher Robert Reed Ebook All Chapter PDF
Textbook Knock at The Door of Opportunity Black Migration To Chicago 1900 1919 Christopher Robert Reed Ebook All Chapter PDF
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Knock at the Door of Opportunity
Slaughter family. Author’s collection.
Knock at the Door of
Opportunity
Black Migration to Chicago, 1900–1919
17 16 15 14 4 3 2 1
Introduction 1
1. The Fabric of Society 21
2. Black Chicago and the Color Line 55
3. The Structure of Society 72
4. Housing along an Elastic Streetscape 93
5. Religion and Churches 112
6. Labor and Business 138
7. Politics and Protest 183
8. The Reuniting of a People: A Tale of Two Black Belts 217
9. Employment and Political Contention 257
10. Martial Ardor, the Great War, and the Race Riot of 1919 281
Epilogue 304
Notes 311
Bibliography 365
Index 381
Illustrations
vii
viii Illustrations
ix
x Preface
F our elements coalesced and made completion of this book a reality. Re-
search efforts brought old and new evidence to light that resulted in a
fresh perspective on the meaning of life’s activities of the residents of the
South Side of Chicago, now designated Bronzeville. Next, I had the wor-
thiest of topics in examining the dynamism of the flow of black migrants to
Chicago. Then, collaboration with both colleagues and parties interested in
history provided a needed boost in direction and clarification. Last, enlight-
ened and steady editorial support from Southern Illinois University Press
proved essential.
For over half a century I have received valuable training and encouragement
in scholarship, as a student and as a faculty member, at Roosevelt University,
and I thank Professors Lynn Y. Weiner, Sandra M. Frink, Jacqueline Trussell,
Svetozar Minkov, and Erik Gellman for informative and constructive crit-
icism. Acknowledgments as well must be accorded to the staff at Roosevelt
University, where I received continuous technical assistance in computer usage
from Lynnett Davis, Cheryl Williams-Sledge, Dayne Agnew, Gina Godalia,
Vincent Perkins, Monique Fields, and Chris Mich. Other Roosevelt Uni-
versity staff members who extended themselves included Laura Mills in the
University Archives and Reynauldo Jones in the library, Nicole Souvenir,
Curtis Hardman, Marshall Jones Jr., Wayne Magnus, and Richard Woodfork.
Beyond Roosevelt, as an early and enthusiastic reviewer, Pia Hunter of the
University of Illinois at Chicago aided this project immensely. Marionette C.
Phelps proved a consistent and insightful reviewer through the years as well,
as did members of the emerging major think tank on historic black Chicago,
the Black Chicago History Forum. Its membership includes Darlene Clark
Hine, Robert T. Starks, Clovis Semmes, Adam Green, Robert Howard, and
xiii
xiv Acknowledgments
1
2 Introduction
This spate of studies on major northern cities began with New York City’s
Harlem and grew to include Chicago, Detroit, and Cleveland. These studies
all shared an interest in examining the predetermined causes of physical blight
and demographic disorganization that were either directly or indirectly linked
to the massive migration of the First World War. Moreover, Spear and the
others were influenced by the temper of the times that pervaded thinking within
the historical profession in regard to the origins and structure of the northern
African American community, or what became described at the time as “the
Negro ghetto.” Never clearly defined but nonetheless embraced wholeheartedly,
this endorsement of a new historical “reality” found them accepting a convo-
luted notion about black life that persists to this day. This interpretation of the
African American experience was first constructed on the belief that forced
racial segregation, but never voluntary clustering, led to a dense concentration of
blacks within residential areas, and with it the designation of ghetto. Moreover,
either before or because of the massive influx of southern migrants during the
“Great Migration” of 1916–18, the quality of life afforded these residents was
inherently inferior in all aspects based on their racial isolation and thereby
typified the near entirety of aspects of the black community’s existence.1
Beyond the ghetto studies, this book examines the period 1900–1919 as
described by Rayford W. Logan’s The Negro in American Life and Thought (1954),
in which he discerned it as the nadir in American life for African Americans.
Logan presented a picture of national despair and defeat for the newly eman-
cipated black population. Within a generation, Spear’s Black Chicago focused
on black Chicago’s demographic and institutional growth and development
before, during, and after the Great Migration of 1916–18. The tone of his work
was similar to Logan’s with its focus on depressing conditions and impediments
that somewhat effectively stymied African American progress from time to
time. Likewise, he discerned that this period offered very little in the way of
black achievements and progress, as the black population was evolving into its
ghetto phase of physical and social deterioration. Neither scholar emphasized
the meanings of life that Du Bois urged or the dynamics of individual and
group expression that William Tuttle recommended in his 1972 book, Race Riot.
The aforementioned positions of despair and dysfunctionality run in con-
tradiction to the claims of this volume, which aims to explore the myriad
overlooked phases of African American community growth and development
that contributed to a vibrant community life existing in Chicago’s major black
South Side district.2 The latter occurred as the black community progressed
toward maturation, not only institutionally but also in its individual and
collective mind-sets.
For the twenty-first-century reader, this volume represents the completion
of a comprehensive approach to understanding history as lived by African
Introduction 3
Americans before the advent of the Black Metropolis epoch of the 1920s.
It is presented as part of a one-hundred-year exploration of the growth and
development of Chicago’s South Side black community that was inaugurated
by the publication of Black Chicago’s First Century, 1833–1900 (2005), and was
supplemented by two other volumes, The Rise of Chicago’s Black Metropolis,
1920–1929 (2011) and The Depression Comes to the South Side: Protest and Politics
in the Black Metropolis, 1930–1933 (2011). It provides a synthesis and introspec-
tive reinterpretation of traditional sources coupled with newer interpretations
from recent scholarship of the last several decades.
the population in which their professional lives were also immersed serves
somewhat to answer the inquiry in the affirmative. None were to the manor
born or exempt from the very pressures the masses experienced.
Furthermore, a meager but informed literary tradition took root in early
black Chicago. Both the ethos and pathos of community life were captured
through nonfictional accounts issued in mainstream publications such as the
Journal of the American Sociological Association, Charities, Journal of Negro His-
tory, Independent, The Crisis, Southern Workman, and others. Early contributors
to literature flowed from a mixture of peripatetic and resident writers such as
Joel A. Rogers, Langston Hughes, George Washington Ellis, Fenton John-
son, and James D. Corrothers. As a group, they also lacked any claim to elite
status at birth or later in life and consequently identified with the class from
which they drew their characters and interpretations. Native-born Johnson
embodied the spirit of emerging black Chicago and personified the assertive
character of the Black Belt in which he was reared. His parents belonged to
the working class at a time when his father’s employment in the post office
still lacked the middling status affixed to it later in the twentieth century.
Moreover, he enjoyed no luxury of social or physical distance from the masses
within the laboring classes. As a product of the Black Belt, he adapted his
contribution to the embryonic “African American literary tradition” to a
“Chicago style employing everyday language.” In doing so he provided a voice
to “the everyday doings and the meanings of life” that Du Bois envisioned.
In 1916 he wrote that “unless one gains inspiration from the crudest of his
fellows, the greatest of his kind cannot be elevated.”6 The work of novelist
Corrothers, in particular, added to a growing intellectual tradition through
the use of both conventional English and dialect. He arrived in Chicago from
Michigan during the 1880s, wrote occasionally for the Chicago Tribune, and
was mentored by Henry Demarest Lloyd and Frances Willard. According to
historian Kevin K. Gaines, Corrothers’s use of this form of idiom symbolized
an enduring black folk wisdom and provided a vehicle for articulating work-
ing-class rage against past and present injustices. For Corrothers, “dialect
was also a sign of a covert political consciousness that could resist whites.
. . . He could invoke the spectre and threat of unregenerative blackness and
reassert his controlling presence at will in his narrative.” As a result, it was
especially effective as a protest medium.7
Also as part of methodology, this study explores the power of memory,
imagination, and realized expectations through the actualization of the future
Black Metropolis. The revitalized Black Belt became the Black Metropolis
because of demographic increase during the Jazz Age. Though basically un-
explored in print, this transformation informs the story of a group’s self-re-
alization across a changing urban landscape. As a process, and without any
Introduction 5
him. In the North, the white man walks fast. You have to exert yourself to
the fullest to beat him.”16 So, as important as were the parameters established
by St. Clair Drake and Horace R. Cayton of a “Negro-white axis” around
which all racial relationships and explanations supposedly revolved in the
Black Belt (and later, the Black Metropolis),17 initiative undertaken along a
distinct, independent path rather than dependency also warrants equal con-
sideration in understanding the various African American courses of action
that were manifested constantly.
Washington’s major ideological opponent, Du Bois, took note of the col-
lective character of black Chicago in 1915 on the cusp of the Great Migration
of 1916–18. His insightful essay in the September 1915 edition of The Crisis
further stood as exemplary documentation of black Chicago’s independence
of thought, action, and deed.18
This is not to declare that the transfer in personality from passive south-
erner to assertive northerner proved totally triumphant. The poignancy of
southern-based institutional dependence still existed throughout the black
population. The different phases of assertiveness among New Negro types
then had to share the stage of history with the relentless sorrows of the Old
Negro slave legacy. The significance of this slave experience was never for-
gotten because it was a signal event in African American history, as shown
in massive, quarter-century celebrations that marked the exhilaration felt
at the temporal distance from the end of slavery. In this vein, during the
summer of 1915, the national Lincoln Jubilee and Half Century Exposition
took place, commemorated by exultant throngs. However, black Chicago’s
most expansive and illustrative representation of change by 1915 was to be
found in the transformation of attitudes and personalities subsumed under
the label of the New Negro, a self-defined description and personality type
in evidence at the dawn of the century.19
Excluded from this experience were the Civil War soldiers of Chicago,
many of whom had demonstrated an independence of spirit in its most height-
ened form. This segment of the citizenry had served in Illinois’s Twenty-Ninth
Infantry Regiment of Battle of the Crater fame and the subsequent Con-
federate surrender at Appomattox. As introduced in Black Chicago’s First
Century, these veterans were the major contributors to a legacy of freedom
and opportunity from which they rarely benefited.20 The remnants of their
ranks reached advanced maturity as septuagenarians and octogenarians in
the twentieth century, and they soon passed off into eternity. They left, how-
ever, widows and heirs whose stories and activities enriched black Chicago’s
movement toward demographic significance and institutional maturity.
A second myth proposes the existence of a homogeneous character for
southern migrants arriving in Chicago during World War I. Supposedly
Introduction 9
this was based on their having shared an isolated Deep South experience
reminiscent of plantation lore. However, a fresh examination and new con-
ceptualizations tend to broaden understanding of the various meanings of
life and adjustments in the new century. New parameters emphasized the
transcending independence of spirit and intrepidity that black Chicagoans
demonstrated in mind-set, word, and deed, all foregrounding significance
as an affirmation of their being. For the descendants of slaves, these novel
constants both explain and illuminate the sources of the motivation and ini-
tiative that made black Chicago so full of positive images in an environment
containing many challenging influences. Simply, they conferred a variegated
character to any portrayal of African Americans.
Academicians and observers failed over the years to identify any elements
of particularism within the migratory saga because in their estimation there
appeared no need to do so. They easily embraced not only the notion of
in-group friction between older residents and new arrivals but also that of
the homogeneity of the migrants as part of an undifferentiated social mass.
Present in Chicago were writers Langston Hughes and J. A. Rogers. Each
spent short stints in the city during the period 1917–18, but neither man was
part of the Great Migration’s wave of industrial workers. Further, the arrival
of the multigenerational Slaughter clan contradicts an image of a migratory
wave of only young adults. Some veterans of the Great War arrived in Chi-
cago immediately before the United States’ entry into the global conflict,
such as lawyer-politician William L. Dawson, who attended Northwestern
University’s law school. Likewise, Earl B. Dickerson had already arrived.
These collective experiences defy the standard attempts at generalization and
categorization. Meantime, modern scholarship demands an examination for
clarification and historical accuracy.
In the enormity of their influence, these sojourners of the war years
proved as varied in their motivations, aspirations, failures, and adjustment as
any other group of African Americans reaching Chicago. Their experiences
embodied that enduring quality of exceptionalism in their melding, or as-
similation, into the existing (and former) migrant population.
As to the phenomenon of migration, it appeared as a continuous feature
in Illinois history in general, involving both whites and blacks and extending
from territorial days through statehood and beyond.21 Chicago, by virtue of
its youth, was a locale filled with migrants of various lengths of residence.
This cohort embodied Chicago’s vitality. Chicago’s burgeoning population
of well over one million residents in census year 1900 consisted of various
peoples—immigrants, migrants, and sojourners; white, black, yellow, and
brown—whose courage and willingness to uproot and move attracted them
to the great port of entry along Lake Michigan’s southern shores.
10 Introduction