201111

Writing Madness: The Historical Imagination of Taiwan

Fiction in the Post-Martial Law Era

KWONG, Tsz Wun

A Thesis Submitted in Partial Fulfillment

of the Requirements for the Degree of
Doctor of Philosophy
in

The Chinese University of Hong Kong

November 2011
iii

(
()
(
()

iii

Thesis/Assessment Committee

Prof. NGAI Ling Tun (Chair)

Prof. Hoyan Hang Fung Carole (Thesis Supervisor)
Prof. Kwong Ho Yee Connie (Committee Member)
Prof. Huang Ziping (External Examiner)

iii

1987

iii

Abstract

Madness has its own history among civilizations. From time to time, madness is
not only simply a kind of pathological disorder, but also takes a significant cultural
role to represent the voiceless, the minorities. As in contemporary Taiwan literature,
madness gradually becomes a medium to express different opinions to the society. It
inquires from margin to centre which is empowered by the political establishment. It
is not only a common topic to be discussed, but also an important writing strategy for
writers to proclaim their historical imagination about the past, present and future.
In 1987, a significant political issue, the Martial Law, was put to an end in
Taiwan. After that, due to the liberation of freedom of speech, a booming trend of
multiculturalism appeared and brought out great influences to all parts of the society,
especially the field of literature. Many writers started to change their narration style
and inclined their focus on minorities. In order to have a good grasp of this forming
trend, hence, this study aims to trace back to the development of Taiwan literature
after 1987, and examine how novel writers make use of the narratives of madness to
state their own opinion on several topics, including the relationship between the
subjectivity of one-self and the identity of the communities.
There are seven chapters in this paper. The introduction states the framework
and methodology of the study. In chapter two, a literature review gives an insight
into the direction in current research and discussion on the post-Martial Law era, in
addition to the narrative of madness. Chapter three investigates the field of Taiwan
literature after 1987 in order to discuss the interaction of culture and literature. In the
fourth chapter, it studies on the fictions written by Li Yu (1941-), Chang
Ta-chuen (1957-) and Huang Fan (1950-), related to the issue on
national identity and their ironic practices. In chapter five, it discusses the science
fiction by He Jing-bing (1958-) and Chi Ta-wei (1972-), to find out
iii

the projection about future based on the upcoming and shifting cultural trend. The
sixth chapter focuses on how the writers such as Wu He (1951-) and Luo
Yi-jun (1967-) contributes to sanctification and internalization of madness
as well as enhance its value for a reflexive purpose. The last chapter concludes the
overall findings and projects further research directions of the relevant topics.

IV

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