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Amateur Musical Societies and Sports Clubs in Provincial France 1848 1914 Harmony and Hostility 1st Edition Alan R. H. Baker (Auth.)
Amateur Musical Societies and Sports Clubs in Provincial France 1848 1914 Harmony and Hostility 1st Edition Alan R. H. Baker (Auth.)
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Amateur Musical Societies
and Sports Clubs in
P ro
ov i n c i a l F r a n c e ,
184 4 8 –19 9 144
H arr m o n y a nd
d Hostility
Amateur Musical
Societies and Sports
Clubs in Provincial
France, 1848–1914
Harmony and Hostility
Alan R.H. Baker
Emmanuel College
University of Cambridge
Cambridge, UK
Cover credit: Le Rire: journal humoristique 16 avril 1898. Source: Bibliothèque national de
France
vii
viii Preface
2 Musical Societies 27
Bibliography 319
Index 341
ix
List of Figures
xi
CHAPTER 1
Sociability
The groundwork for studies of the history and geography of sociability
was laid by Maurice Agulhon in essays building on his investigations into
the political and cultural life of Provence particularly but of France gen-
erally from the late-eighteenth century to the mid-nineteenth century.
Agulhon believed that political historians had focused on secret societies,
religious historians on confréries or congrégations, and labour historians
on compagnonnages or mutual aid societies. He argued the need for stud-
ies of the wider range of voluntary associations that developed in France
during the nineteenth century, and for investigations into their increas-
ing number, diversity and liberalisation. Agulhon’s work was essentially
empirical, undertaken without reference to the general and theoretical
literature on voluntary associations. Significantly, however, he situated
such associations within the broader concept of ‘sociability’. On the basis
of detailed studies of religious groupings (confréries and pénitants) and
of freemasons in Provence, of cercles in France as a whole, and of popu-
lar sociability in the department of Var, Agulhon advanced some general
ideas and perspectives about the development of sociability in France
since the end of the eighteenth century.2 Those ideas both raise ques-
tions and are themselves questionable when employed as a springboard
for a study of recreational associations in nineteenth-century France.
For Agulhon, ‘sociability’ is a broad concept embracing the whole
range of interactive social activity among individuals at scales intermedi-
ate between those of the family and the State. He employs it both as a
philosophical and sociological concept and as an expression of collective
psychology. It encompasses both informal and formal socialising, spon-
taneous gatherings as well as institutionalised groupings. The concept
includes both ‘traditional’ and ‘modern’ forms while recognising both
continuities and changes in the forms of sociability in France during
the nineteenth century. Traditional forms tended to be associated with
work (such as groups of seasonal harvesters or occasional get-togethers
by farmers to undertake major tasks, such as constructing barns), with
leisure (such as the veillées, gatherings of family and neighbours on win-
ter evenings, or the jeunesses, informal groupings of the young men
of a commune for fun and games, or the chambrées, social gatherings
for drinking, playing cards, singing and conversing), and with religion
(such as the confréries of devotion and charity). Whereas most tradi-
tional sociability was informal, the nineteenth century witnessed the
growth of formal sociability, of its institutionalisation into societies and
associations (such as mutual aid societies, agricultural syndicates and
musical societies).
Agulhon suggested three organising frameworks for studying the
sociability of an association: its internal relations, its specific activities,
and its place within the entire complexity of organised local life. He was
acutely sensitive to regional contrasts in sociability, to its changing char-
acter through time, and to its variation in form from one social level to
another. He moved inductively towards a history of sociability rather than
deductively from a theory of sociability. He has, in effect, put forward a
1 SOCIABILITY AND FRATERNITY 3
rose slightly up to 1914. There was no discernible surge in its use in the
years leading up to and during the French Revolution. There was, unsur-
prisingly, such a surge in the use of the 1789 revolutionary slogans of
Liberté and Égalité—but both before the Revolutionary period (from
1750) and afterwards (to 1914) there was a relatively steady, rather than
violently fluctuating use of these two terms. By contrast, use of the third
word in what became the French national triad—Fraternité—showed
only a small increase during the Revolutionary period, followed by a
decline and only slow recovery until it peaked dramatically in the 1840s,
before declining just as dramatically and then stabilising from the 1860s
at just above its level in the early 1840s. From the 1860s, solidarité grad-
ually replaced fraternité as a key term in French thinking and writing,
while the republican Jules Ferry declared in 1876 that ‘sociability’ was
simply the scientific term for ‘fraternity’.8 This present study goes beyond
Agulhon’s concept of sociability to consider the significance of the con-
temporary concepts of fraternity and solidarity for the historical geogra-
phy of voluntary associations in France between 1848 and 1914.
Fraternity
Political discourse in France during the eighteenth and nineteenth cen-
turies revolved to a great extent around the relations between individ-
uals and the society of which they were a part. Its examination of the
relations between the individual and the State structured the ideological
context within which organised groups of individuals could come into
existence and function. In the eighteenth century, thinkers of the lib-
eral democratic school like Jean-Jacques Rousseau gave primacy to the
individual over the group and viewed intermediary bodies with hostil-
ity, arguing that such partial societies could impede the full expression of
the general will and the solidity of the State (although Rousseau made
an exception for recreational associations because they were purely pri-
vate in nature and based on friendship, on a fraternity which was a non-
contractual bond).9 The Revolution of 1789 was a celebration of the
rights and freedom of the individual. But, as Mona Ozouf has pointed
out, the republican motto ‘Liberty, Equality, Fraternity’ was never fully
institutionalised at any point during that Revolution. The nature of these
three concepts, the problematic contradictions among them, and their
practical applications were much debated in the 1790s and through-
out the nineteenth century. There was, in particular, the fundamental
1 SOCIABILITY AND FRATERNITY 5
can be maintained only if, between the State and the individual, there is
intercalated a whole series of secondary groups near enough to the indi-
viduals to attract them strongly in their sphere of action and drag them,
in this way, into the general torrent of social life’.15 Political theorists
like Pierre Leroux (1797–1891), Eugène Fournier (1857–1914) and
Léon Bourgeois (1851–1925) reworked the concept of fraternity into
one of solidarity, solidarism and socialism. The Radical party—which
was to be the largest single political party in France from 1902 until
1936—adopted this version of fraternity as its central doctrine.
The idea of fraternity was thus an evolving concept in nineteenth-cen-
tury France. It came to be incorporated into the traditional, paternalistic,
social order envisaged by the Catholic Church as well as into the modern,
utopian visions presented by republicans, socialists and nationalists.16 The
idea of fraternity was complex. Its practical applications were potentially
numerous. I aim to explore some of the ways in which the theoretical
concept found practical expression in a range of voluntary associations.
My concern is the extent to which, and the ways in which, the general
concept of fraternity was translated into some specific, institutionalised,
social forms. The concept of fraternity, the spirit of association, seeded
in the eighteenth century by Enlightenment thinkers and then uprooted
by the 1789 Revolution and its aftermath, was to be replanted by a vari-
ety of social theorists from the 1830s onwards.17 The changing legisla-
tion affecting the relations between individuals and society reflected that
development.
patronages and the latter by anti-clerical teachers in their lycées and écoles
normales.42
Collectively, burgeoning studies of French sport during the last 30 or
so years have illuminated its history, geography and cultural significance
for the nation. Many studies have relied largely on published sources—
notably newspapers, sports journals and memoirs of sportsmen—and
have addressed the national situation. Relatively few have utilised the
vast deposits of unpublished archives of local sports clubs. Despite the
considerable progress made in the history of sport in France during the
nineteenth century, there remains much to be done both at the regional
and local levels and at teasing out the impact of the Revolutionary con-
cept of fraternity on the development and character of sports clubs. The
histories of sports clubs and of musical societies in nineteenth-century
France have unquestionably been researched more intensively during
recent decades. Even so, in 2007 Rosanvallon argued in his magisterial
survey of civil society in France since the Revolution of 1789 that broad
overviews of the subject were lacking, that too few specific studies had
been produced, and that the geographical distribution of associations in
the nineteenth century ‘is unknown’. He also argued that ‘owing to the
virtual absence of departmental monographs, it is impossible compare
the local histories of the various types of associations across regions’.43
The pictures that we have today of recreational associations are in sharper
focus than previously. Nonetheless, there are two justifications for this
present study. First, earlier studies have not foregrounded the concepts
of fraternity and sociability in their analyses and interpretations in the
way essayed here. Second, most previous studies have been based largely
on published materials rather than on unpublished archives. My study is
based on massive—and massively neglected—primary sources. It engages
closely with the actors in, as well as the observers of, musical societies
and sports clubs.
Sources
Throughout much of the nineteenth century, the French State’s fear
of social disorder engendered suspicion of intermediary bodies and led
to their monitoring by local, regional and national authorities. On 14
February 1885, the mayor of Carvin (P-de-C), M. Charles Maggio,
expressed in a letter to the sub-prefect of Béthune his concern about
being asked for his opinion on a proposal to form a choral society in the
1 SOCIABILITY AND FRATERNITY 17
questionable claim that specialist musical publications were not only the
most accessible but also the richest source for histories of musical soci-
eties stemmed from his doubts about not only the reliability but even
the existence of unpublished sources relating to them before 1870.45
Sophie-Anne Letterier’s recent survey of choral societies in nineteenth-
century France relies on published primary and secondary accounts in
the mistaken belief that societies paid little attention to the exact reg-
istration and archiving of their members and activities, ‘which makes it
difficult to study [them].’46 In fact, the record offices of French depart-
ments constitute rich treasure troves of archives relating to voluntary
associations. That such associations flourished across the nineteenth cen-
tury, reflecting French collective sentiment, is well-known but, as Sudhir
Hazareesingh has recently—in 2015—emphasised, their ‘intricate histo-
ries are [only] now beginning to emerge from the dusty archives by the
patient scholarship of local érudits’.47
The enormity of the unpublished sources about associations is not
the only reason for the limited use made of them to date. The surviving
archives have to be used with considerable circumspection. We cannot be
sure that information collected at a local level and forwarded to regional
and national administrators was always accurate in detail and compre-
hensive in coverage. The surviving documentary evidence about associa-
tions, although massive, is incomplete—many records have been lost or
destroyed. Constructing the history and geography of associations is akin
to solving a jigsaw puzzle except that an unknown number of its pieces
are missing and there is no picture of the final product to use as a guide.
Furthermore, the terms used by contemporaries were not always stand-
ardised and employed consistently—the authors of letters and reports
and the compilers of surveys were not all equally informed, efficient and
diligent, so that some records have gaps, others use terms mistakenly or
confusingly. And, of course, the records only relate to associations with
more than 20 members, so that smaller and less formal groups do not
feature in official documentation. For example, in 1859 32 of the 86 vol-
unteer fire brigades recorded in Eure, in Normandy, had bands, but four
had fewer than ten musicians each and 16 had between 10 and 20, so
that only 12 bands required official authorisation and documentation.48
Nonetheless, however challenging they might be, the surviving unpub-
lished sources have the potential to provide detailed information about
voluntary associations in provincial France. They constitute the building
blocks for this study of these institutions in 11 departments.
1 SOCIABILITY AND FRATERNITY 19
Selected Departments
Maurice Agulhon acknowledged the Herculean difficulty facing any
attempt to produce a national study of even one category of voluntary
association: the fundamental obstacle provided by the holding of the rel-
evant archives in the record offices of 95 departments, to say nothing of
the municipal archives in the 36,000 communes of France.49 This pre-
sent study climbs just the lower slopes of the archival mountain by exam-
ining two sets of voluntary associations in 11 departments between 1848
and 1914 (Fig. 1.1). But how were those 11 selected?
For almost 200 years, both contemporaries and historical observers
of France have commented on the existence and persistence of two cul-
tures geographically, divided by a line joining Saint-Malo and Geneva.
The distinction was described at the end of the eighteenth century by
the English agronomist, Arthur Young, when he identified agricultural
landscapes dominated by open fields in the north and east of France
and by enclosed fields in the south and west. A map portraying the line
between the two, based on Young’s account, was published in 1934
by Roger Dion in his classic Essai sur la formation du paysage rural
français.50 Statistical pictures of a divided France emerged in the 1820s
and the concept of two distinctive cultural geographies—of an enlight-
ened and modern France and of a backward and traditional France—
has been both adopted and adapted in many subsequent studies. Both
the rhetoric and the reality of two Frances have been subjected to con-
siderable historical analysis and debate.51
Many years ago, when transferring my research interests from medi-
eval England to nineteenth-century France, I believed that ‘cultural
frontier districts’ provided more of a challenge and reward for histori-
cal enquiry than did ‘cultural core areas’. I therefore used Dion’s map
as a guide and selected as my research region the department of Loir-et-
Cher, centred on the town of Blois and straddling the boundary between
the two Frances. I am adopting that broad concept of two Frances as
a guiding framework for this present study. I have selected for investi-
gation one department on the Saint-Malo–Geneva line (Loir-et-Cher),
three to the north and east (Pas-de-Calais, Meurthe-et-Moselle, and
Yonne) and seven in the much larger area to the south and west (Savoie,
Vaucluse, Hérault, Ariège, Cantal, Vienne, and Finistère). These 11 were
selected in the belief that they would provide contrasting histories and
geographies located at differing cultural and physical distances from the
influence of the French capital, Paris.
20 A.R.H. Baker