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Textbook Essentials of Sociology James M Heslin Ebook All Chapter PDF
Textbook Essentials of Sociology James M Heslin Ebook All Chapter PDF
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Essentials of
Sociology
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Essentials of
Sociology
A Down-to-Earth Approach
Twelfth Edition
James M. Henslin
Southern Illinois University, Edwardsville
Boston Columbus Indianapolis New York San Francisco Upper Saddle River
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copyright page. Cultural Diversity Around the World: Doing Business in the Global Village box contains art with the
following credit: Demashita! Powerpuff Girls Z © 2009 Cartoon Network, Toei Animation & Aniplex. All Rights
Reserved. THE POWERPUFF GIRLS and all related characters and elements are trademarks of and © Cartoon
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10 9 8 7 6 5 4 3 2 1
Student Edition:
ISBN-10: 0-13-420558-8
ISBN-13: 978-0-13-420558-8
Books A La Carte
ISBN 10: 0-13-420564-2
ISBN 13: 978-0-13-420564-9
To my fellow sociologists,
who do such creative research on social life and who
communicate the sociological imagination to generations
of students. With my sincere admiration and appreciation,
Brief Contents
1 The Sociological Perspective 1 8 Social Class in the United States 225
vi
Contents
To the Student . . . from the Author xix 7. Analyzing the Results 23
To the Instructor . . . from the Author xxi 8. Sharing the Results 23
About the Author xxxii Research Methods (Designs) 23
vii
viii Contents
Global Stratification and the Status of Females 201 Updating Marx 234
The Global Superclass 201 Updating Weber 236
What Determines Social Class? 202 THE CAPITALIST CLASS 237 • THE UPPER-MIDDLE
CLASS 237 • THE LOWER-MIDDLE CLASS 238
Karl Marx: The Means of Production 202
• THE WORKING CLASS 238 • THE WORKING POOR 238
Max Weber: Property, Power, and Prestige 203 • THE UNDERCLASS 239
Why Is Social Stratification Universal? 204 Consequences of Social Class 239
The Functionalist View: Motivating Qualified People 204 Physical Health 240
DAVIS AND MOORE’S EXPLANATION 204 Mental Health 240
• TUMIN’S CRITIQUE OF DAVIS AND MOORE 204
Family Life 240
The Conflict Perspective: Class Conflict and Scarce
CHOICE OF HUSBAND OR WIFE 241 • DIVORCE 241
Resources205 • CHILD REARING 241
Mosca’s ARGUMENT 205 • MARX’S ARGUMENT 206
Education241
• CURRENT APPLICATIONS OF CONFLICT THEORY 206
Religion241
Lenski’s Synthesis 206
Politics242
How Do Elites Maintain Stratification? 207
Crime and Criminal Justice 242
Soft Control Versus Force 207
CONTROLLING PEOPLE’S IDEAS 207 • CONTROLLING
Social Mobility 243
INFORMATION 208 • STIFLING CRITICISM 208 Three Types of Social Mobility 243
• BIG BROTHER TECHNOLOGY 208 Women in Studies of Social Mobility 244
Comparative Social Stratification 209 The Pain of Social Mobility 244
Social Stratification in Great Britain 209 Poverty247
Social Stratification in the Former Soviet Union 209 Drawing the Poverty Line 247
Global Stratification: Three Worlds 210 Who Are the Poor? 248
THE PROBLEM WITH TERMS 211 THE GEOGRAPHY OF POVERTY 248
The Most Industrialized Nations 211 • RACE–ETHNICITY 250 • EDUCATION 250
• THE FEMINIZATION OF POVERTY 250 • OLD AGE 251
The Industrializing Nations 214
Children of Poverty 251
The Least Industrialized Nations 215
The Dynamics of Poverty versus the Culture
Modifying the Model 215
of Poverty 251
How Did the World’s Nations Become Stratified? 218
Why Are People Poor? 253
Colonialism218
Deferred Gratification 253
World System Theory 218
Where Is Horatio Alger? The Social Functions of a Myth 254
Culture of Poverty 220
Peering into the Future: Will We Live in a
Evaluating the Theories 220
Three-Tier Society? 255
Maintaining Global Stratification 221 Summary and Review 256
Neocolonialism221 Thinking Critically about Chapter 8 257
RELEVANCE TODAY 221
Multinational Corporations 221 9 Race and Ethnicity 258
BUYING POLITICAL STABILITY 222 • UNANTICIPATED
CONSEQUENCES 222 Laying the Sociological Foundation 260
Technology and Global Domination 222 Race: Myth and Reality 260
Strains in the Global System 223 THE REALITY OF HUMAN VARIETY 260 • THE MYTH OF
PURE RACES 260 • THE MYTH OF A FIXED NUMBER OF
Summary and Review 223
RACES 260 • THE MYTH OF RACIAL SUPERIORITY 260
Thinking Critically about Chapter 7 224 • THE MYTH CONTINUES 263
The Future of Marriage and Family 407 The Symbolic Interactionist Perspective 430
Summary and Review 407 Religious Symbols 430
Thinking Critically about Chapter 12 408 Rituals431
Beliefs431
13 Education and Religion 409 Religious Experience 431
The Conflict Perspective 434
Education: Transferring Knowledge and Skills 411
Opium of the People 434
Education in Global Perspective 411
Legitimating Social Inequalities 434
Education and Industrialization 412
INDUSTRIALIZATION AND MANDATORY EDUCATION 412 Religion and the Spirit of Capitalism 435
• THE EXPANSION OF EDUCATION 412 Types of Religious Groups 436
Education in the Most Industrialized Nations: Japan 414 Cult436
Education in the Industrializing Nations: Russia 414 Sect438
Education in the Least Industrialized Nations: Egypt 415 Church438
The Functionalist Perspective: Providing Social Benefits 416 Ecclesia439
Teaching Knowledge and Skills 416 Religion in the United States 439
Cultural Transmission of Values 416 Characteristics of Members 439
Social Integration 417 SOCIAL CLASS 439 • RACE–ETHNICITY 439
INTEGRATING IMMIGRANTS 417 • STABILIZING SOCIETY: Characteristics of Religious Groups 440
MAINTAINING THE STATUS QUO 417 • INTEGRATING PEOPLE DIVERSITY 440 • PLURALISM AND FREEDOM 440
WITH DISABILITIES 417 • TOLERATION 440 • THE ELECTRONIC CHURCH 441
Gatekeeping (Social Placement) 417 The Future of Religion 441
Replacing Family Functions 418 Summary and Review 443
The Conflict Perspective: Perpetuating Social Inequality 418 Thinking Critically about Chapter 13 444
The Hidden Curriculum: Reproducing the Social
Class Structure 419 14 Population and Urbanization 445
Tilting the Tests: Discrimination by IQ 419
Stacking the Deck: Unequal Funding 419
Population in Global Perspective 447
The Bottom Line: Family Background 420 A Planet with No Space for Enjoying Life? 447
REPRODUCING THE SOCIAL CLASS STRUCTURE 420 The New Malthusians 447
• REPRODUCING THE RACIAL–ETHNIC STRUCTURE 420 The Anti-Malthusians 449
The Symbolic Interactionist Perspective: Teacher Who Is Correct? 450
Expectations420 Why Are People Starving? 451
The Rist Research 421 Population Growth 453
How do Teacher Expectations Work? 421 Why the Least Industrialized Nations Have So
Self-Expectations422 Many Children454
Problems in U.S. Education—and Their Solutions 423 Consequences of Rapid Population Growth 455
Mediocrity423 Population Pyramids as a Tool for Understanding 456
THE RISING TIDE OF MEDIOCRITY 423 • THE SATs 424 The Three Demographic Variables 456
• GRADE INFLATION, SOCIAL PROMOTION, AND FERTILITY 456 • MORTALITY 457 • MIGRATION 457
FUNCTIONAL ILLITERACY 424 • RAISING STANDARDS FOR
Problems in Forecasting Population Growth 458
TEACHERS 424 • RAISING STANDARDS FOR STUDENTS 425
• A WARNING ABOUT HIGHER STANDARDS 425 Urbanization462
Cheating425 The Development of Cities 463
THE SOLUTION TO CHEATING 426 Urbanization463
xiv Contents
THE APPEAL OF CITIES 463 • FORCED URBANIZATION 466 Natural Cycles 487
• METROPOLISES 466 • MEGALOPOLISES 466
Conflict over Power and Resources 487
• MEGACITIES 466 • MEGAREGIONS 466
Ogburn’s Theory 488
U.S. Urban Patterns 466
INVENTION 488 • DISCOVERY 489 • DIFFUSION 489
FROM COUNTRY TO CITY 466 • FROM CITY TO CITY 467
• CULTURAL LAG 489 • EVALUATION OF OGBURN’S
• BETWEEN CITIES 468 • WITHIN THE CITY 468
THEORY 489
• FROM CITY TO SUBURB AND BACK 470
• SMALLER CENTERS 470 How Technology Is Changing Our Lives 490
Models of Urban Growth 470 Extending Human Abilities 490
The Concentric Zone Model 470 The Sociological Significance of Technology: How
The Sector Model 470 Technology Changes Social Life 491
CHANGES IN PRODUCTION 491 • CHANGES IN WORKER–
The Multiple-Nuclei Model 471
OWNER RELATIONS 491 • CHANGES IN IDEOLOGY 491
The Peripheral Model 471 • CHANGES IN CONSPICUOUS CONSUMPTION 491
Critique of the Models 472 • CHANGES IN FAMILY RELATIONSHIPS 492
City Life 473 When Old Technology Was New: The Impact
Alienation in the City 473 of the Automobile492
DISPLACEMENT OF EXISTING TECHNOLOGY 492
Community in the City 474
• EFFECTS ON CITIES 492 • CHANGES IN
SLUM OR LOW-RENT AREA? 474 ARCHITECTURE 493 • CHANGED COURTSHIP CUSTOMS
Who Lives in the City? 474 AND SEXUAL NORMS 493 • EFFECTS ON WOMEN’S
THE COSMOPOLITES 474 • THE SINGLES 474 ROLES 493
• THE ETHNIC VILLAGERS 474 • THE DEPRIVED 475 The New Technology: The Microchip and Social Life 494
• THE TRAPPED 475 • CRITIQUE 475 COMPUTERS IN EDUCATION 494 • COMPUTERS IN
The Norm of Noninvolvement and the Diffusion BUSINESS AND FINANCE 495 • COMPUTERS IN
of Responsibility475 INTERNATIONAL CONFLICT 495
TUNING OUT: THE NORM OF NONINVOLVEMENT 475 Cyberspace and Social Inequality 496
Urban Problems and Social Policy 476 The Growth Machine versus the Earth 497
Suburbanization476 THE GLOBALIZATION OF CAPITALISM AND THE RACE FOR
CITY VERSUS SUBURB 476 • SUBURBAN FLIGHT 477 ECONOMIC GROWTH 498 • A SUSTAINABLE
• LIVING AT THE MALL 477 ENVIRONMENT 498
xv
xvi Special Features
The Saints and the Roughnecks: Labeling in Everyday Online Dating: Risks and Rewards 380
Life 171 What Color Eyes? How Tall? Designer Babies on the
What Should We Do About Repeat Offenders? “Three Way 389
Strikes” Laws 183 The Coming Star Wars 497
Vigilantes: When the State Breaks Down 186
Open Season: Children as Prey 214
When Globalization Comes Home: Maquiladoras South of the
Border 219
Mass Media in Social Life
The Nation’s Shame: Children in Poverty 252 Lara Croft, Tomb Raider: Changing Images of Women in the
The Coming Three-Tier Society and the Militarization of the Mass Media 86
Police 256 “Nothing Tastes as Good as Thin Feels”: Body Images and
New Masculinities and Femininities Are on Their Way 303 the Mass Media 121
Targeted Killings 356 The Cultural Lens: Shaping Our Perceptions of the
Cyberwar and Cyber Defense 495 Elderly 330
Climate Controversy, the Island Nations, and You 500 School Shootings: Exploding a Myth 427
Eco-sabotage 503 God on the Net: The Online Marketing of Religion 442
xvii
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To the Student … from the Author
W
ELCOME TO SOCIOLOGY! I’ve loved sociol- We aren’t born with instincts. Nor do we come into this
ogy since I was in my teens, and I hope you enjoy world with preconceived notions of what life should be like.
it, too. Sociology is fascinating because it is about At birth, we have no concepts of race–ethnicity, gender, age,
human behavior, and many of us find that it holds the key to or social class. We have no idea, for example, that people
understanding social life. “ought” to act in certain ways because they are male or fe-
If you like to watch people and try to figure out why they male. Yet we all learn such things as we grow up in our soci-
do what they do, you will like sociology. Sociology pries open ety. Uncovering the “hows” and the “whys” of this process is
the doors of society so you can see what goes on behind them. also part of what makes sociology so fascinating.
Sociology: A Down-to-Earth Approach stresses how profoundly One of sociology’s many pleasures is that as we study
our society and the groups to which we belong influence us. life in groups (which can be taken as a definition of sociol-
Social class, for example, sets us on a particular path in life. For ogy), whether those groups are in some far-off part of the
some, the path leads to more education, more interesting jobs, world or in some nearby corner of our own society, we gain
higher income, and better health, but for others it leads to drop- new insights into who we are and how we got that way. As
ping out of school, dead-end jobs, poverty, and even a higher we see how their customs affect them, the effects of our own
risk of illness and disease. These paths are so significant that society on us become more visible.
they affect our chances of making it to our first birthday, as well This book, then, can be part of an intellectual adventure,
as of getting in trouble with the police. They even influence our for it can lead you to a new way of looking at your social
satisfaction in marriage, the number of children we will have— world and, in the process, help you to better understand
and whether or not we will read this book in the first place. both society and yourself.
When I took my first course in sociology, I was “hooked.” I wish you the very best in college—and in your career
Seeing how marvelously my life had been affected by these afterward. It is my sincere desire that Sociology: A Down-
larger social influences opened my eyes to a new world, one to-Earth Approach will contribute to that success.
that has been fascinating to explore. I hope that you will have
this experience, too.
From how people become homeless to how they be-
come presidents, from why people commit suicide to why
women are discriminated against in every society around the
world—all are part of sociology. This breadth, in fact, is what James M. Henslin
makes sociology so intriguing. We can place the sociological Department of Sociology
lens on broad features of society, such as social class, gender,
Southern Illinois University, Edwardsville
and race–ethnicity, and then immediately turn our focus on
the smaller, more intimate level. If we look at two people in- P.S. I enjoy communicating with students, so feel free to com-
teracting—whether quarreling or kissing—we see how these ment on your experiences with this text. You can write me at
broad features of society are being played out in their lives. henslin@aol.com
xix
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To the Instructor … from the Author
R
EMEMBER WHEN YOU FIRST GOT “HOOKED” In short, this text is designed to make your teaching eas-
on sociology, how the windows of perception opened ier. There simply is no justification for students to have to
as you began to see life-in-society through the socio- wade through cumbersome approaches to sociology. I am
logical perspective? For most of us, this was an eye-opening firmly convinced that the introduction to sociology should
experience. This text is designed to open those windows be enjoyable and that the introductory textbook can be an
onto social life, so students can see clearly the vital effects essential tool in sharing the discovery of sociology with
of group membership on their lives. Although few students students.
will get into what Peter Berger calls “the passion of sociol-
ogy,” we at least can provide them the opportunity.
To study sociology is to embark on a fascinating process
of discovery. We can compare sociology to a huge jigsaw
The Organization of
puzzle. Only gradually do we see how the smaller pieces fit
together. As we begin to see the interconnections, our per-
This Text
The text is laid out in five parts. Part I focuses on the socio-
spective changes as we shift our eyes from the many small,
logical perspective, which is introduced in the first chapter.
disjointed pieces to the whole that is being formed. Of all the
We then look at how culture influences us (Chapter 2), exam-
endeavors we could have entered, we chose sociology be-
ine socialization (Chapter 3), and compare macrosociology
cause of the ways in which it joins the “pieces” of society to-
and microsociology (Chapter 4).
gether and the challenges it poses to “ordinary” thinking. It
Part II, which focuses on groups and social control, adds
is our privilege to share with students this process of aware-
to the students’ understanding of how far-reaching society’s
ness and discovery called the sociological perspective.
influence is—how group membership penetrates even our
As instructors of sociology, we have set ambitious goals
thinking, attitudes, and orientations to life. We first examine
for ourselves: to teach both social structure and social inter-
the different types of groups that have such profound influ-
action and to introduce students to the sociological litera-
ences on us and then look at the fascinating area of group
ture—both the classic theorists and contemporary research.
dynamics (Chapter 5). After this, we focus on how groups
As we accomplish this, we would also like to enliven the
“keep us in line” and sanction those who violate their norms
classroom, encourage critical thinking, and stimulate our
(Chapter 6).
students’ sociological imagination. Although formidable,
In Part III, we turn our focus on social inequality, exam-
these goals are attainable. This book is designed to help you
ining how it pervades society and how it has an impact on
reach them. Based on many years of frontline (classroom)
our own lives. Because social stratification is so significant, I
experience, its subtitle, A Down-to-Earth Approach, was not
have written two chapters on this topic. The first (Chapter 7),
proposed lightly. My goal is to share the fascination of so-
with its global focus, presents an overview of the principles
ciology with students and in doing so to make your teaching
of stratification. The second (Chapter 8), with its emphasis
more rewarding.
on social class, focuses on stratification in the United States.
One of the fascinating aspects of the introductory course
After establishing this broader context of social stratification,
in sociology is to see students’ faces light up as they begin
we examine inequalities of race–ethnicity (Chapter 9) and
to see how separate pieces of their world fit together. It is a
then those of gender and age (Chapter 10).
pleasure to watch them gain insight into how their social ex-
Part IV helps students to become more aware of how so-
periences give shape to even their innermost desires. This is
cial institutions encompass their lives. We first look at pol-
precisely what this text is designed to do—to stimulate your
itics and the economy, our overarching social institutions
students’ sociological imagination so they can better per-
(Chapter 11). After examining the family (Chapter 12), we
ceive how the “pieces” of society fit together—and what this
then turn our focus on education and religion (Chapter 13).
means for their own lives.
One of the emphases in this part of the book is how our so-
Filled with examples from around the world as well as
cial institutions are changing and how their changes, in turn,
from our own society, this text helps to make today’s multi-
influence our orientations and decisions.
cultural, global society come alive for students. From learn-
With its focus on broad social change, Part V provides an
ing how the international elite carve up global markets to
appropriate conclusion for the book. Here we examine why
studying the intimacy of friendship and marriage, students
our world is changing so rapidly, as well as catch a glimpse
can see how sociology is the key to explaining contemporary
of what is yet to come. We first analyze trends in population
life—and their own place in it.
xxi
xxii To the Instructor … from the Author
and urbanization, those sweeping forces that affect our lives • What life is like after hitting it big in the lottery (Chapter 8)
so significantly but that ordinarily remain below our level of • How the super-rich live (Chapter 8)
awareness (Chapter 14). We conclude the book with an anal-
• National research on the American Dream: Actual social
ysis of technology, social movements, and the environment
mobility (Chapter 8)
(Chapter 15), which takes us to the cutting edge of the vital
changes that engulf us all. • Stealth racism in the rental market (Chapter 9)
• How a man became a live exhibit in a New York zoo
(Chapter 9)
Themes and Features • Greedy surgeons and their women victims (Chapter 10)
Six central themes run throughout this text: down-to-earth • Do we need affirmative action for men? (Chapter 10)
sociology, globalization, cultural diversity, critical thinking, • Testing stereotypes by looking at the background of
the new technology, and the influence of the mass media suicide terrorists (Chapter 12)
on our lives. For each of these themes, except globalization, • Our chances of getting divorced (Chapter 12)
which is incorporated throughout the text, I have written a
• How tsunamis can help us to understand world popula-
series of boxes. These boxed features are one of my favorite
tion growth (Chapter 14)
components of the book. They are especially useful for intro-
ducing the controversial topics that make sociology such a • The possible dangers of bio foods (Chapter 14)
lively activity. • Deception and persuasion in propaganda (Chapter 15)
Let’s look at these six themes.
This first theme is actually a hallmark of the text, as
my goal is to make sociology “down to earth.” To help stu-
Down-to-Earth Sociology dents grasp the fascination of sociology, I continuously stress
sociology’s relevance to their lives. To reinforce this theme, I
As many years of teaching have shown me, all too often text-
avoid unnecessary jargon and use concise explanations and
books are written to appeal to the adopters of texts rather
clear and simple (but not reductive) language. I also use stu-
than to the students who will learn from them. In writing this
dent-relevant examples to illustrate key concepts, and I base
book, my central concern has been to present sociology in a
several of the chapters’ opening vignettes on my own experi-
way that not only facilitates understanding but also shares
ences in exploring social life. That this goal of sharing sociol-
its excitement. During the course of writing other texts, I of-
ogy’s fascination is being reached is evident from the many
ten have been told that my explanations and writing style
comments I receive from instructors and students alike that
are “down-to-earth,” or accessible and inviting to students—
the text helps make sociology “come alive.”
so much so that I chose this phrase as the book’s subtitle.
The term is also featured in my introductory reader, Down-
to-Earth Sociology: Introductory Readings, to appear in its 15th Globalization
edition (New York: The Free Press, 2017). In the second theme, globalization, we explore the impact of
This first theme is highlighted by a series of boxed fea- global issues on our lives and on the lives of people around the
tures that explore sociological processes that underlie every- world. All of us are feeling the effects of an increasingly power-
day life. The topics that we review in these Down-to-Earth ful and encompassing global economy, one that intertwines the
Sociology boxes are highly diverse. Here are some of them. fates of nations. The globalization of capitalism influences the
• How a sociologist became a gang leader—for a day kinds of skills and knowledge we need, the types of work avail-
(Chapter 1) able to us—and whether work is available at all. G lobalization
also underlies the costs of the goods and services we con-
• The experiences of W. E. B. Du Bois, an early sociologist,
sume and whether our country is at war or peace—or in some
in studying U.S. race relations (Chapter 1)
uncharted middle ground between the two. In addition to the
• How gossip and ridicule enforce adolescent norms strong emphasis on global issues that runs throughout this
(Chapter 3) text, I have written a separate chapter on global stratification
• Boot camp as a total institution (Chapter 3) (Chapter 7). I also feature global issues in the chapters on social
• How football can help us understand social structure institutions and the final chapters on social change: population,
(Chapter 4) urbanization, social movements, and the environment.
What occurs in Russia, Germany, and China, as well as in
• Beauty and success (Chapter 4)
much smaller nations, such as Syria and Iraq, has far-reaching
• The McDonaldization of society (Chapter 5)
consequences on our own lives. Consequently, in addition to the
• Serial killers (Chapter 6) global focus that runs throughout the text, the next theme, cul-
• Urban gangs (Chapter 6) tural diversity, also has a strong global emphasis.
To the Instructor … from the Author xxiii
Cultural Diversity around the World • human heads, animal sacrifices, and religious freedom
(Chapter 13)
and in the United States
Seeing that there are so many ways of “doing” social life
The third theme, cultural diversity, has two primary empha-
can remove some of our cultural smugness, making us more
ses. The first is cultural diversity around the world. Gaining
aware of how arbitrary our own customs are—and how our
an understanding of how social life is “done” in other parts
taken-for-granted ways of thinking are rooted in culture.
of the world often challenges our taken-for-granted assump-
The stimulating contexts of these contrasts can help students
tions about social life. At times, when we learn about other
develop their sociological imagination. They encourage stu-
cultures, we gain an appreciation for the life of other peoples;
dents to see connections among key sociological concepts,
at other times, we may be shocked or even disgusted at some
such as culture, socialization, norms, race–ethnicity, gender,
aspect of another group’s way of life (such as female circum-
and social class. As your students’ sociological imagination
cision) and come away with a renewed appreciation of our
grows, they can attain a new perspective on their experiences
own customs.
in their own corners of life—and a better understanding of
To highlight this first subtheme, I have written a series of
the social structure of U.S. society.
boxes called Cultural Diversity around the World. Among
the topics with this subtheme are
• the life of child workers (Chapter 11) • are we prisoners of our genes? (Chapter 2)
• China’s new capitalism (Chapter 11) • managing diversity in the workplace (Chapter 5)
• love and arranged marriage in India (Chapter 12) • our tendency to conform to evil authority (the Milgram
• female infanticide in China and India (Chapter 14) experiments) (Chapter 5)
• urbanization in the Least Industrialized Nations (Chapter 14) • labeling in everyday life illustrated by the Saints and the
Roughnecks: (Chapter 6)
• the destruction of the rain forests and indigenous peoples
of Brazil (Chapter 15) • bounties paid to kill homeless children in Brazil (Chapter 7)
• maquiladoras on the Mexican–U.S. border (Chapter 7)
In the second subtheme, Cultural Diversity in the
United States, we examine groups that make up the fascinat- • the deserving and the undeserving poor (Chapter 8)
ing array of people who form the U.S. population. The boxes I • emerging masculinities and femininities (Chapter 10)
have written with this subtheme review such topics as • targeted killings (Chapter 11)
• how studying job discrimination turned into public • the coming disappearance of some island nations
sociology (Chapter 1) (Chapter 15)
• the language of race (Chapter 2) • cyber war and cyber defense (Chapter 15)
• the controversy over the use of Spanish or English • ecosabotage (Chapter 15)
(Chapter 2)
These Thinking Critically sections are based on contro-
• how education can cause conflict for immigrants (Chapter 3) versial social issues that either affect the student’s own life
• how the Amish resist social change (Chapter 4) or f ocus on topics that have intrinsic interest for students.
• how our social networks produce social inequality Because of their controversial nature, these sections stimu-
(Chapter 5) late both critical thinking and lively class discussions. These
sections also provide provocative topics for in-class debates
• how Tiger Woods represents a changing racial–ethnic
and small discussion groups, effective ways to enliven a
identity (Chapter 9)
class and present sociological ideas. In the Instructor’s Man-
• the author’s travels with a Mexican who transports un- ual, I describe the nuts and bolts of using small groups in the
documented workers to the U.S. border (Chapter 9) classroom.
xxiv To the Instructor … from the Author
Sociology and the New Technology • the presentation of gender in computer games (Chapter 3)
• the worship of thinness—and how this affects our body
The fifth theme, sociology and the new technology, explores an
images (Chapter 4)
aspect of social life that has come to be central in our lives. We
welcome these new technological tools, for they help us to be • the reemergence of slavery in today’s world (Chapter 7)
more efficient at performing our daily tasks, from making a • the slowly changing status of women in Iran (Chapter 10)
living to communicating with others—whether those people • how the mass media shape our perceptions of the elderly
are nearby or on the other side of the globe. The significance (Chapter 10)
of our new technology, however, extends far beyond the tools
• the myth of increasing school shootings (Chapter 13)
and the ease and efficiency they bring to our lives. The new
technology is better envisioned as a social revolution that will • God on the Net (Chapter 13)
leave few aspects of our lives untouched. Its effects are so
profound that it even changes the ways we view life.
This theme is introduced in Chapter 2, where technology
What’s New in This Edition?
is defined and presented as a major aspect of culture. The im- It is always a goal—as well as a pleasure and a challenge—to
pact of technology is then discussed throughout the text. Ex- keep Essentials of Sociology current with cutting–edge sociological
amples include how technology is related to cultural change research and to incorporate into the analyses national and global
(Chapter 2), fantasy life (Chapter 4), the control of workers changes that affect our lives. For an indication of the thorough-
(Chapter 5), and the maintenance of global stratification ness of incorporating recent sociological research and current
(Chapter 7). We also examine how technology led to social events, look at the chapter-by-chapter listing of this edition’s
inequality in early human history and how it now may lead changes in “What’s New In The 12th Edition?” on page xxix.
to world peace—and to Big Brother’s net thrown over us all As is discussed in the next section, some of the most in-
(Chapter 11). The final chapter (Chapter 15), “Social Change teresting—and even fascinating—topics are presented in a
and the Environment,” concludes the book with a focus on visual form.
the effects of technology.
To highlight this theme, I have written a series of boxes
called Sociology and the New Technology. In these boxes,
Visual Presentations of Sociology
we explore how technology affects our lives as it changes so- Showing Changes over Time A hallmark of this text
ciety. We examine how technology is showing how social change affects your students’ lives.
Many figures and tables show how social data have changed
• is making our clothing smart (Chapter 2) over time. This allows students to see trends in social life
• blurs the distinction between reality and fantasy and to make predictions of how these trends, if they con-
(Chapter 4) tinue, might affect their own lives. Examples include Figure
• is changing the way people find mates (Chapter 12) 1.5, U.S. Marriage, U.S. Divorce (Chapter 1) Figure 8.3, The
More Things Change, the More They Stay the Same: Dividing the
• is changing the way families handle disagreements
Nation’s Income (Chapter 8); Figure 10.2, Changes in College
(Chapter 12)
Enrollment, by Sex (Chapter 10); Figure 10.17, Trends in Poverty
• by allowing “designer babies,” might change society
(Chapter 10); Figure 12.4, The Number of Children Americans
(Chapter 12)
Think Are Ideal (Chapter 12), and Figure 12.11, Cohabitation in
• is likely to lead to real “star wars” (Chapter 15) the United States (Chapter 12).
When a Tornado Strikes: Social Organization has a Roman Catholic heritage so deep that some of its city
Following a Natural Disaster When a tornado hit streets are named Conception, Piety, Humility, Calvary, Cru-
a small town just hours from where I lived, I photographed cifixion, The Blessed Virgin, etc. In large and small towns
the aftermath of the disaster. The police let me in to view throughout Spain, elaborate processions during Holy Week
the neighborhood where the tornado had struck, destroying feature tronos that depict the biblical account of Jesus’ suf-
homes and killing several people. I was impressed by how fering, death, and resurrection. As these photos make clear,
quickly people were putting their lives back together, the these events have a decidedly Spanish flavor.
topic of this photo essay (Chapter 4). I was allowed to photograph the preparations for
one of the processions, so this essay also includes “behind-
Community in the City, in Chapter 5, is also from the-scenes” photos.
ienna. This sequence of four photos focuses on strangers
V During the processions in Malaga, the participants walk
who are helping a man who has just fallen. This event casts slowly for one or two minutes; then because of the weight
doubt on the results of Darley and Latane’s laboratory experi- of the tronos, they rest for one or two minutes. Except for
ments. This short sequence was serendipitous in my research. Saturdays, this process repeats for about six hours each day
One of my favorite photos is the last in the series, which por- during Holy Week, with different tronos featured and differ-
trays the cop coming toward me to question why I was taking ent bands and organizations participating. As you will see,
photos of the accident. It fits the sequence perfectly. some of the most interesting activities occur during the rest
The Dump People: Working and Living and
periods (Chapter 13).
Playing in the City Dump of Phnom Penh,
A Walk Through El Tiro in Medellin, Colombia
Cambodia Among the culture shocks I experienced
One of the most significant social changes in the world is tak-
in Cambodia was not to discover that people scavenge at ing place in the Least Industrialized Nations. There, in the
Phnom Penh’s huge city dump—this I knew about—but search for a better life, people are abandoning rural areas.
that they also live there. With the aid of an interpreter, I was Fleeing poverty, they are flocking to the cities, only to find
able to interview these people, as well as photograph them even more poverty. Some of these settlements of the new
as they went about their everyday lives. An entire com- urban poor are dangerous. I was fortunate to be escorted by
munity lives in the city dump, complete with restaurants an insider through a section of Medellin, Colombia, that is
amid the smoke and piles of garbage. This photo essay re- controlled by gangs (Chapter 14).
veals not just these people’s activities but also their social
organization (Chapter 7). Other Photos by the Author Sprinkled throughout
the text are photos that I took in Austria, Cambodia, India,
Work and Gender: Women at Work in India As Latvia, Spain, and the United States. These photos illustrate
I traveled in India, I took photos of women at work in pub- sociological principles and topics better than photos avail-
lic places. The more I traveled in this country and the more able from commercial sources. As an example, while in the
photos I took, the more insight I gained into gender relations. United States, I received a report about a feral child who had
Despite the general dominance of men in India, women’s been discovered living with monkeys and who had been
worlds are far from limited to family and home. Women are taken to an orphanage in Cambodia. The possibility of pho-
found at work throughout the society. What is even more re- tographing and interviewing that child was one of the rea-
markable is how vastly different “women’s work” is in India sons that I went to Cambodia. That particular photo is on
than it is in the United States. This, too, is an intellectually page 69. Another of my favorites is on page 198.
provocative photo essay (Chapter 10).
Photo Essay on Subcultures To help students bet-
Small Town USA: Struggling to Survive To take ter understand subcultures, I have produced the photo essay
the photos for this essay, I went off the beaten path. On a road on subcultures in Chapter 2. Because this photo essay con-
trip from California to Florida, instead of following the inter- sists of photos taken by others, it is not a part of the series,
states, I followed those “little black lines” on the map. They Through the Author’s Lens. The variety of subcultures fea-
took me to out-of-the-way places that the national transpor- tured in this photo essay, however, should be instructive to
tation system has bypassed. Many of these little towns are your students.
putting on a valiant face as they struggle to survive, but, as
the photos show, the struggle is apparent, and, in some cases, Photo Collages Because sociology lends itself so well
so are the scars (Chapter 11). to photographic illustrations, this text also includes photo
collages. I am very pleased with the one in Chapter 1 that
Holy Week in Spain I was fortunate to be able to pho- features some of the many women who became sociologists
tograph religious processions in two cities, Malaga, a provin- in earlier generations, as these women have largely gone un-
cial capital, and Almuñecar, a smaller city of Granada. Spain acknowledged as sociologists.
xxvi To the Instructor … from the Author
Other Special Pedagogical Features use current and historical events (Chapters 7, 9, 13, and 15),
classic studies in the social sciences (Chapters 3 and 6), and
In addition to chapter summaries and reviews, key terms, and a
even scenes from novels (Chapters 5 and 11). Students have of-
comprehensive glossary, I have included several special features
ten told me that they find the vignettes compelling, that they
to help students learn sociology. In Sum sections help students
stimulate interest in the chapter.
review important points within the chapter before going on to
new materials. I have also developed a s eries of Social Maps Thinking Critically about the Chapters I close
that illustrate how social conditions vary by geography. These each chapter with critical thinking questions. Each question
social maps, personally prepared, are unique to my texts. focuses on a major feature of the chapter, asking students to
Learning Objectives To help students, learning objectives are reflect on and consider some issue. Many of the questions
woven into the text. This feature enhances your students’ mas- ask the students to apply sociological findings and principles
tery of the materials. As students move to a new section, they to their own lives.
can understand clearly what they are expected to learn in that
section. The learning objectives are introduced at the beginning On Sources Sociological data are found in a wide
of each chapter, then repeated in the Summary and Review at variety of sources, and this text reflects that variety. Cited
the end of the chapter. throughout this text are standard journals such as the Amer-
ican Journal of Sociology, Social Problems, American Sociologi-
Chapter-Opening Vignettes These accounts feature cal Review, and Journal of Marriage and Family, as well as
down-to-earth illustrations of a major aspect of each c hapter’s more esoteric journals such as the Bulletin of the History of
content. Some are based on my research with the homeless, the Medicine, Chronobiology International, and Western Journal of
time I spent with them on the streets and slept in their shelters Black Studies. I have also drawn heavily from standard news
(Chapters 1 and 8). Others recount my travels in Africa (Chap- sources, especially the New York Times and the Wall Street
ters 2 and 10) and Mexico (Chapters 12 and 14). I also share my Journal, as well as more unusual sources such as El País. In
experiences when I spent a night with street people at Dupont addition, I cite unpublished r esearch and theoretical papers
Circle in Washington, D.C. (Chapter 4). For other vignettes, I by sociologists.
To the Instructor … from the Author xxvii
I couldn’t ask for a more outstanding team than the one i ntroducing students to sociology and awakening their socio-
that I have the pleasure to work with at Pearson. I want to logical imagination. The Instructor’s Manual/Test Bank for
thank Billy Grieco and Emily Tamburri, who joined the team this edition of Essentials of Sociology was prepared by Jessica
for this 12th edition, for coordinating the many tasks that Herrmeyer.
were necessary to produce this new edition; Diane Melliot, Since this text is based on the contributions of many, I
who provided excellent research, tracking down both stan- would count it a privilege if you would share with me your
dard and esoteric items that made an impact on the book; teaching experiences with this book, including suggestions
Jenn Auvil, for for juggling so many tasks; Dusty Friedman, for improving the text. Both positive and negative comments
for working with me on yet another edition; and Kate Cebik, are welcome. This is one way that I continue to learn.
for her creativity in photo research and for her willingness to I wish you the very best in your teaching. It is my sincere
“keep on looking”; and for the many others, unnamed, who desire that Sociology: A Down-to-Earth A pproach contributes to
worked behind the scenes to help make this text accessible to your classroom success.
students.
I appreciate this team. It is difficult to heap too much
praise on fine, capable, and creative people. Often going
“beyond the call of duty” as we faced nonstop deadlines,
their untiring efforts coalesced with mine to produce this text.
James M. Henslin
Students, whom we constantly kept in mind as we prepared
Professor Emeritus
this edition and exchanged many hundreds of emails, are the
Department of Sociology
beneficiaries of this intricate teamwork.
Southern Illinois University, Edwardsville
I would also like to thank those who prepared the sup-
plements that go with Essentials of Sociology. Their efforts, so I welcome your correspondence. You can reach me at
often unacknowledged, are important in our goal of henslin@aol.com
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blown loose from a turret window and came flying down to strike Flip
on the head. She dropped like a wounded bird to the snow and lay
there, motionless. She did not see the man staring at her limp body
in horror, nor know when he picked her up and went into the chateau
with her and dumped her there in the dark, a small inert bundle on
the stone floor.
CHAPTER SIX
The Prisoner Freed
FLIP was lying at the bottom of the ocean and all the weight of the
sea was upon her, pressing her down into the white sands, and bells
were ringing down at the bottom of the sea, ringing and ringing, and
the tides came and went above her and the waves were wild in the
wind and the breakers rolled and she lay with all the waters of the
world pushing her down onto the floor of the sea and the bells rang
and rang until finally they were dissolved into icy darkness.
She opened her eyes and she saw Paul's white face. She turned
towards him and whispered weakly, "I didn't get the picture, Paul,"
and then she moaned because the movement of turning her head
seemed to bring the waters of the ocean down on her once more.
She tried to push the weight of the waters away from her but her
fingers closed on a handful of cobwebs. She felt that she was being
lifted and then again she was drowned in darkness.
When the darkness finally raised it was a quiet and almost
imperceptible happening. She felt the bright warmth of winter
sunlight on her eyelids and she thought at first that it was a morning
back at school and in a moment the bell would ring and she would
have to get up. And then she remembered that now it was winter and
it was dark until after breakfast and if she had been in bed at school
the sun would not be warm against her closed eyes.
And then she remembered the night before, the man who said he
was Paul's father, and she remembered the chateau and the picture,
and the waters of darkness suddenly bearing down upon her and
she was afraid to open her eyes. Her lids still shut tight she stirred
faintly upon the pillow.
"You're all right, Flip. You're absolutely all right, darling."
Now she opened her eyes and there was Madame Perceval
standing beside the bed saying, "Everything's all right, Flip.
Everything's all right. Close your eyes and go to sleep, my darling."
So she closed her eyes and this time the waters were gentle and she
felt that she was slowly drifting down a river of sleep and when she
woke up she was no longer afraid to look.
She opened her eyes and she was lying in the big four poster bed in
the room in the gate house that Madame Perceval used; and Mlle.
Duvoisine, not in her uniform but in a tweed skirt and the sweater
she had been knitting the day of Flip's laryngitis, was sitting in a
chair by the window, reading. As Flip moved Mlle. Duvoisine rose
and came quickly over to the bed. She put her fingers lightly against
Flip's wrist and said,
"Well, Philippa, how are you?"
"I guess I'm fine. Where's Paul, please? Is he all right? I couldn't get
the picture!" Flip started to sit up in her anxiety but as she tried to
raise her head it felt as though a crushing weight were holding it
down and a wave of nausea swept over her.
"You'd better lie still," Mlle. Duvoisine warned her. "You'll probably
have that headache for a couple of days."
"Why? What happened?"
"A piece of one of the shutters blew off the chateau and gave you
what your roommate, Gloria Browne, would call a bop on the bean."
Mlle. Duvoisine smiled at her with a warmth Flip had never seen in
her eyes before.
"Is Paul all right?"
"Yes." Mlle. Duvoisine assured her. "You can see him in a few
minutes. You're a foolish little girl, Philippa. Did you know that?" But
she didn't sound as though she thought Flip foolish at all.
"How did you get here, please?" Flip asked her.
"I came to look after you till Madame Perceval gets back from
Montreux. I'm staying at the school chalet in Gstaad and I'm going
back this evening since you're all right and won't need me any
longer. Now if you're a good girl and promise to lie still and not get
excited I'll let Paul come in. He's been waiting at your door all
morning."
"I'll lie still."
Flip lay very still while Mlle. Duvoisine was gone but she could not
keep her heart from thumping with excitement. Paul opened the door
and came in.
"Flip! Are you all right!"
"Paul! Are you all right!"
They spoke simultaneously and then they both laughed and Paul
came over to the bed and kissed Flip and then stood looking down at
her. Flip smiled up at him and strangely her eyes filled with tears.
"I thought he'd killed you," Paul said.
"No, I'm fine, Paul. Are you all right?"
"Yes, Flip. Yes, I'm all right and there's so much to tell you only Mlle.
Duvoisine from your school said that I mustn't excite you and of
course she's right."
"You won't excite me. Please tell me."
Paul climbed up onto the foot of the bed and sat there, leaning his
dark head back against one of the posts. His eyes were ringed with
black and his face looked white and tired and as though he had not
slept.
"Tell me, Paul, please," she asked gently.
"He's not my father." Paul closed his eyes and a look of relief came
into his face. "He's not my father, Flip."
"He couldn't have been your father," Flip said. "Not that man."
Paul opened his eyes and tried to smile at her. "After you locked me
up in your room I shouted and banged and my father—I mean
Monsieur Laurens—never even noticed." Flip opened her eyes wide
because it was the first time Paul had corrected himself when he
called Monsieur Laurens his father. He continued, "He said he heard
something but he thought we were having some kind of a game with
Ariel. He'd forgotten Aunt Colette had Ariel with her. Then Aunt
Colette came home and let me out and I told her everything and we
ran downstairs and roused father and then we went to the chateau.
Father took his gun. Sometimes he can be a very active man, Flip.
It's only when he's writing that he seems to forget the world. We saw
the man who said he was my father coming out of the chateau and
father captured him and the man told us a piece of shutter had struck
you on the head and he thought it had killed you and he had put you
in the chateau to protect you from the wind and he kept crying out
that he did not want to be a murderer. And Aunt Colette and I rushed
into the chateau and found you and—" Paul paused for a long time.
Then he said, "I thought you were dead. But Aunt Colette said you
weren't and then you said something and moaned and we carried
you home and called the doctor and Mlle. Duvoisine from your
school."
"Where's Madame?" Flip asked him.
"She's down in Montreux with the man who said he was my father.
They're at the police office. You see, Flip, that's what he's been
doing. I mean, it's his profession. He went around finding out about
people who didn't know who they were and then he pretended he
was related to them and got money from whoever had become their
new families. Aunt Colette said he was ill and not right in his mind.
He admitted that he wasn't my father but it wouldn't have mattered if
he hadn't because when I saw you lying there all in a little heap
inside the chateau in the dark and I thought you were dead, I
remembered. I remembered who I was, Flip."
Flip lay very quietly on the bed. She didn't dare move, partly
because it hurt her head to move, but mostly because it was another
of those times when she knew it would be best for Paul if she was
very still and very silent.
Paul put his head down so that his cheek pressed against Flip's feet
and a lock of his dark hair fell across his forehead. "I'll try to be clear,
Flip," he said, "but I want to say it as quickly as possible because it's
a hard thing to say. My father was a writer. We lived in an old
chateau—something like our chateau, Flip—that had always been in
our family. During the war my father worked with the maquis. He was
the editor of one of the most important of the underground
newspapers. I had an older sister, she was fifteen, then, and she
helped. So did my mother. Sometimes they let me run errands.
Everybody helped who could possibly be used and sometimes I
could do things without arousing suspicion that an older person
couldn't do." He paused for a moment, and then went on. "One
evening I was coming home after dark. I went in through one of the
French windows. The room was dark and I stumbled over
something. It was my sister. She was lying there just the same way
you were lying in the chateau last night when I thought you were
dead. I saw you lying there and you were my sister and it wasn't last
night at all but the night my sister was shot. It was shortly after that
that all of my father's work was uncovered and we were sent to a
concentration camp.... I think if you don't mind very much I'll have to
let Aunt Colette tell you the rest."
Again Flip wanted to say something that would give Paul comfort,
but she knew that she was unable to. She lay there and felt the
pressure of his cheek against her feet, until he lifted his head and
stared up at her and his eyes were the grey of the lake and seemed
to hold in their depths as much knowledge and suffering as the lake
must have seen. He stared up at her and now Flip knew that she
must say something. She pushed herself up very slowly on one
elbow, raised herself up and beyond the pain that clamped about her
head, and reached down and gently touched Paul's dark hair. She
suddenly felt much older, and unconsciously, she echoed Madame
Perceval's words. "It's all right, Paul. Everything's going to be all
right."
2
After a while Mlle. Duvoisine came back into the room and sent
Paul away and Flip slept again. When she awoke Madame Perceval
was in the room and she took Flip into her arms and held her as her
mother had held her.
"You were very brave, little one," Madame told her.
Flip started to shake her head but stopped as the abrupt movement
sent the pain back again. "I wasn't brave. I was scared. I was—I was
like pulp I was so scared, Madame."
"But you went on for Paul's sake, anyhow. That was brave."
"Can you be brave and scared at the same time?" Flip asked.
"That's the hardest and the biggest kind of braveness there is."
"Oh," Flip said, and then, because the thought of being brave
somehow embarrassed her, she asked, "Madame, will this make me
miss any skiing? I'm all right, aren't I?"
"Yes, dear, you're fine. It's a miracle, but you didn't have a
concussion. You're just a bit bruised and battered. The doctor will
look in on you again later this evening but he says you'll be up and
about in a couple of days and I'll work with you every minute the rest
of the holidays to make up for the time you'll miss. Now. Paul's
asleep. Georges is writing and Mlle. Duvoisine's gone back to
Gstaad. How about eating something? Chicken soup and a poached
egg? Thérèse will be miserable if you don't eat. She blames herself
for last night's episode and she was very upset about losing her new
boy friend."
"I'll eat," Flip promised. "Madame ... Paul told me about himself ...
about having remembered...."
Madame Perceval looked at Flip gravely. "It will be better for him
now, Flip," she said, "in spite of the pain of the memory. Before, he
had lost his parents completely. Now he can never lose them again."
"And Madame ... there was more that Paul said you would tell me."
"All right," Madame Perceval said. "I'll just run down and get your
tray from Thérèse first. I won't be long."
When Madame returned with Flip's tray she sat down beside the bed
and said, "Mlle. Duvoisine thought I should wait till you were up to
tell you about Paul, but he has already told you so much and he's
anxious for you to know everything so that the knowledge won't be
between you. I think you're strong enough to hear. But eat your
supper first."
"Yes, Madame."
When Flip had finished Madame said, very quietly, "Paul's parents
were put into the gas chamber. He saw their bodies dumped with a
pile of others afterwards. The following month his little brother died in
his arms. It happened not only to Paul, you must understand. It
happened to thousands of other children."
After a long silence Flip said, "We don't know, do we, Madame? We
can't know. I mean none of us at school who haven't been through it.
I thought it was awful when my mother was killed and they didn't tell
me for a week and I couldn't understand why she didn't come to me,
but it wasn't like that. And even Gloria losing her teeth in the blitz.
She doesn't know."
"No, Flip. Gloria doesn't know."
"I feel it deep inside, Madame. But I don't know. How can you do
anything to make up, Madame? How can you help?"
"Just never forget," Madame Perceval said. "Never take it for
granted."
"I don't see how anyone could forget."
"It's far too easy," Madame Perceval told her. "But it's important for
us to remember, so that we can try to keep it from happening again.
That's one reason I'm not going back to school after Christmas."
"You're not going back!" Flip cried, and almost upset her tray.
"Steady," Madame Perceval said. "I hadn't meant to tell you so
soon."
"Oh, Madame," Flip wailed. "Why aren't you coming back!"
Madame got up and walked over to the window, looking out at the
fresh white world, swept clean by the wind the night before. "I feel
that I've outlived my usefulness at the school. After the war when my
aunt started it up again she needed me to help her, because she's
not as young or as strong as she once was. But the school's
reëstablished now. Everything's running smoothly. I'm not really
needed any longer. As a matter of fact," Madame Perceval turned
towards Flip with a half smile, "you're partly responsible for my
leaving."
"Me? How! Why!" Flip cried.
"I think if I hadn't seen your father's letters with their drawings of
forlorn and frightened children I might not have been quite so ready
to accept when a friend I worked with during the war wrote and
asked me to come and help her in a hostel for just such children. So
that's where I'm going after the holidays, dear. It's on the border
between Switzerland and Germany, right where I was during most of
the war, so it will be good for me in many ways to make myself go
there. Now, my Flip, I've talked to you far too long already. You're
supposed to be resting. Mlle. Duvoisine will be angry with me if I've
excited you."
"You haven't excited me," Flip said, and her voice was low and
mournful. "Only I don't see how I'll bear it back at school if you aren't
there."
"I'm surprised at you, Philippa." Madame Perceval spoke sharply. "I
didn't expect to hear you talk that way again. I thought that was the
old Philippa we'd left behind. Bear it! Of course you'll bear it! Things
won't be any different without me than they were with me. I've never
shown any favoritism at school and I never would."
"I didn't mean that!" Flip cried. "Madame, you know I didn't mean
that! It just helps me if I know that you're there, and it's because
you're so fair and—and just."
Madame Perceval took her hand quickly. "I apologise, dear. Please
forgive me. I've been very unjust to you. I know you'd never expect
favors of any kind. I should have been accusing myself, not you. I
said that because I've been afraid that I might show how particularly
you interested me—and I've always prided myself on complete
impartiality. But you remind me so much of Denise—my daughter....
She died of pneumonia during the war. You look very much like her
and she had your same intense, difficult nature and artistic talent.... I
said we weren't going to talk any more and I've been going a blue
streak, haven't I? Take your nap and Paul will come in when you
wake up. Mlle. Duvoisine and the doctor both say that security and
happiness are the best medicine he can have, and you can give him
a great deal of both. By the way, his real name was Paul Muret. Its
nice that we can go on calling him Paul. Of course it's a common
name, but Paul says he's always felt right being called 'Paul.' It was
my husband's name."
As Madame Perceval bent over her to put the covers about her, Flip
reached up and caught her hand, whispering, "I can't imagine
anybody who would make a more wonderful mother than you."
3
During the remainder of the holidays Madame Perceval took Flip
and Paul on long skiing expeditions every day. Once they got on the
train in the morning and traveled all day and then took two days to
ski home. Flip was beginning to feel more at ease on her skis than
she was on her own feet. When she put on her skis her clumsiness
seemed to roll off her like water and her stiff knee seemed to have
the spring and strength that it never had when she tried to run in a
relay race or on the basket ball court or on the hockey field. Flip and
Paul grew brown and rosy and the shadows slowly retreated from
Paul's eyes and Flip looked as though she could be no relation to the
unhappy girl who had moped about the school and been unable to
make friends. Now when they met other young people on their skiing
expeditions she could exchange shouts and laugh with them, safe in
her new security of friendship with Paul, confidence in her skiing,
and Madame Perceval's approval and friendship. She tried not to
think that someone new would be taking the art teacher's place at
school.
"By the way, Flip," Madame Perceval said once. "When the question
comes up at school about the ski meet, don't mention my part in the
surprise. Just say that it was Paul who taught you to ski."
"All right, Madame," Flip said, "if you think it would be better that
way."
"I do." Madame Perceval looked after Paul who had skied on ahead
of them. "After all, the credit is really Paul's anyhow."
In the evenings after dinner they sang Christmas carols. Flip had
taught them her favorite, The Twelve Days of Christmas. She had
loved it when she was very small because it was such a long one,
and when she was told that she could choose just one more song
before bedtime, that would be it. So she loved it for its memories and
now for its own charming tune and delicate words, from the first
verse,
to the twelfth verse when all the twelve gifts are sung with a glad
shout.
On Christmas Eve Georges Laurens stirred himself from his books
and they all went out and climbed up the mountain and brought
home a beautiful Christmas tree. Flip and Paul had been making the
decorations in the evening after dinner, chains of brightly colored
paper, strings of berries and small rolled balls of tinfoil; and Flip had
carefully painted and pasted on cardboard twenty delicate angels
with feathery wings and a stable scene with Mary and Joseph and
the infant Jesus, the kings and shepherds and all the animals who
gathered close to keep the baby warm. When the tree was trimmed
they sang carols, ending up with The Twelve Days. Paul took Flip's
hand and threw back his head and sang,
4
On Christmas morning they sat in front of the fire and opened their
presents. Paul saved his gift to Flip till the last and then held out the
small square box shyly. Flip opened it and lifted out of pale blue
cotton a tiny silver pear on a chain.
"I couldn't find any of the gifts from the carol," Paul said, "but this is a
pear from the tree the partridge was in."
Flip looked up at Paul's eager face and her own was radiant. She
wanted to say something to express her happiness but she couldn't,
so she just flung her arms wide as though she wanted to embrace
them all.
"Why Miss Philippa," Georges Laurens said, "I never realized before
what a little beauty you are. We should have Christmas every day!"
"Do you like the pear?" Paul asked.
Flip, her eyes shining, whispered, "More than anything."
5
Towards the end of the holidays Flip persuaded Paul to stop off at
the school chalet one day when they were skiing at Gstaad. She felt
that perhaps it wasn't very nice of her to want to show Paul off, but
she couldn't help wanting it.
"The really nicest ones went home for the holiday which is too bad,"
Flip told him. "Gloria's all right. Oh, and I think Maggie and Liz
Campbell stayed and they're awfully nice. Maggie's in my class and
she's always been polite and everything, not like some of the others,
and Liz is two classes above. Jackie and Erna and Solvei are the
one's you'll like best, though. You'll have to meet them when they
come back."
"Erna's German, isn't she?" Paul asked.
"Yes," Flip answered quickly, "but Jackie Bernstein's father was in a
German prison near Paris for six months until he escaped and Erna
is Jackie's best friend. And you'll like Erna anyhow because she's
going to be a doctor, too."
"Well—" Paul said, "let's get this business at Gstaad over with before
we worry about anything else. The important thing is for you to get
used to the snow conditions at Gstaad before the ski meet."
The trip to Gstaad went off very well. Flip was so preoccupied with
putting Paul at ease that she forgot to be shy and awkward herself
and astounded the girls by making jokes and keeping up a rapid
stream of talk at the dinner table. And she and Paul kept having to
remember that they mustn't talk about skiing, or let on that they
weren't returning by train but had left their skis at the Gstaad station.
On the last night of the holidays Madame Perceval came up to say
good-night to them, and sat beside Paul on the foot of Flip's bed.
"It's good-night and good-bye, my children," she said. "I leave on the
five thirty-two, tomorrow morning, and Georges will take me to the
train and be back before you're awake."
"Couldn't we see you off?" Flip begged.
"No, dear. I don't like leave-takings. And in any case it's best for you
to be fresh and have had a good night's rest before you go back to
school. Work hard on the skiing; Paul will help you on week-ends,
though you don't need much help any more, and I expect to hear
great things of that ski meet. So don't disappoint me. I know you
won't."
"I'll try not to, Madame," Flip promised; and she knew that both she
and Madame Perceval meant more than just the skiing and the ski
meet.
"Paul," Madame said, "take care of your father and take care of Flip.
I'll keep in touch with you both and maybe we can all meet during the
spring holidays. Good-night, my children. God bless you." And she
bent down and kissed them good-night and good-bye.
6
After the Christmas holidays, the exciting and wonderful holidays,
there seemed to be a great difference in Flip and her feeling towards
the school. As she ran up the marble staircase she no longer felt
new and strange. She realized with a little shock that she was now
an "old girl." Almost every face she saw was familiar and the few
new ones belonged to new girls who had replaced her as the lonely
and the strange one. She stopped at the desk where Miss Tulip was
presiding as she had on the day when Flip first came to the school
with her father and Eunice. Miss Tulip checked her name in the big
register and handed her a letter. It was from her father.
"Oh, thanks, Miss Tulip," she cried, and slit it open.
"My darling Flippet," she read, "I told you not to worry if you didn't
hear from me for a week or so while I was traveling. I did get you off
that one post card while I was in Paris having twenty-four hours of
gayety with Eunice and now I am in Freiburg in Germany and will be
traveling about for a month or so around here and across the border
in Switzerland. It seems a shame that I will be so close to you and
not be able to come to you at once, but I missed so much time while
I was in the hospital with that devilish jaundice that I must work
double time now to try to make up. However, I think I may be able to
manage to be with you for your ski meet. I shall try very hard to
make it. I want to see you ski (but darling don't worry if you don't win
any prizes. The fact that you have really learned to ski is more than
enough) and I want to see your Paul. I don't know where I shall be
during your Easter holidays but wherever it is I promise you that you
will be there too and we'll sandwich in plenty of fun between
sketches. And don't expect much in the way of correspondence from
me for the next few months, my dearest. You'll know that I am
thinking of you and loving you anyhow, but my work often makes me
unhappy and tired and when I stop at night I fall into bed and it is a
great comfort to me to know that you are warm and fed and well
cared for and that you have learned to have fun and be happy. I
know that it was difficult and I am very proud of my Flippet."
With the letter he enclosed several sketches and Flip thought that
Madame Perceval would have liked them—except the ones he had
done of his twenty-four hours in Paris with Eunice. Flip crumpled the
Paris sketches up but put the others carefully in the envelope with
the letter, slipped it in her blazer pocket and started up the marble
stairs just as a new group of girls came into the hall and started
registering with Miss Tulip.
On the landing she bumped into Signorina. "Have good holidays,
Philippa?" the Italian teacher asked her.
"Oh, yes, thank you, Signorina, wonderful! Did you?"
"Lovely. But it is good to get back to our clean Switzerland. So we
have lost our Madame Perceval. I shall miss her."
"Yes," Flip said, "Yes, Signorina."
Erna and Jackie came tearing up the stairs. "Hello, Signorina! Hello,
Flip!"
"Pill, mon choux, it's good to see you!" Jackie cried as Signorina
went on up the stairs. "When did you get here? Isn't it wonderful to
be back?"
"Flip, meine süsse!" Erna shouted.
Perhaps it was not wonderful, but neither was it terrible.
A group of them congregated in the corridor, since Miss Tulip was
downstairs and could not reprimand them. They all talked at once,
laughing, shouting, telling each other about the holidays. Gloria
could not wait to show them the black lace and silk pajamas Emile
had sent her for New Year, nor to tell them about Flip's visit to the
school chalet with Paul.
"You should see Pill's boy friend," she shouted, "you should just see
him!"
"That child? We saw him," Esmée said in a disinterested voice.
"Out the window the day the hols began? Don't be a dreep, Es. He's
no child. You're just jealous. Pill brought him to the chalet for lunch
and he's dreamy, positively dreamy, isn't he Sal?"
Sally grinned and nodded. "He really is. I never thought Pill had it in
her. She must have a whopper of a line after all."
"All I can say is hurrah for Flip," Maggie Campbell said. "I'd hate to
see Esmée get her claws into someone as nice as that."
Esmée turned angrily towards the laughing Maggie but Jackie broke
in, "I went to six plays and two operas. What did you do, Esmée?"
Esmée announced languidly, still with a baleful eye on Maggie, that
she had gone out dancing every night and worn a strapless evening
gown.
"Strapless evening gown my foot," Jackie whispered inelegantly to
Flip. "She'd look gruesome in a strapless evening gown."
Solvei had spent the holidays skiing with her parents. "I bet I could
teach you to ski, Flip," she said.
Oh, horrors, Flip thought. What shall I do if she really wants to try?
Later that evening Erna pulled Jackie and Flip out of the Common
Room and onto the icy balcony, whispering, "I have something to tell
you but it's a secret and you must promise never to tell a soul."
"Cross my heart and hope to die," Flip said, thrilled to be included in
a secret that Erna was sharing with Jackie.
"Jure et crâche," Jackie said, and spat over the balcony, imitating the
tough boys on the city streets.
Erna was satisfied. "Well, it's something I learned during the
holidays," she started. "Maybe you know it already, Flip. It's about
Madame Perceval."
Jackie grabbed Erna's arm. "Don't tell me it's the story of Percy's
past!" She almost shrieked.
Erna nodded. "You're sure you won't tell anybody?"
"I said jure et crâche, didn't I?" And Jackie spat over the balcony
again. Unfortunately in her excitement she had not seen Miss Tulip
walking below, and the matron jumped as a wet spray blew past her
face.
"Who is up on the balcony!" she exclaimed.
"Please, it's only us, Miss Tulip," Jackie called down meekly.
"I might have known it," Miss Tulip said, craning her neck and
looking up at them. "Naturally it would be Jacqueline Bernstein and
Erna Weber. And with Philippa Hunter. I am sorry to see you keeping
such bad company, Philippa. Get back indoors at once, girls, or you'll
catch your deaths of cold, and you may each take a deportment
mark."
They retired indoors, Erna sputtering, "the old hag! On the first day
after the hols, too. No one else would have given us a deportment
mark."
But Jackie was giggling wildly. "I spit on her! I spit on Black and
Midnight." Then she said seriously, "Percy would never have given
us a Deportment Mark for that. I don't know how we'll ever get on
without her. School won't be the same. Go on about what you were
going to tell us about her, Erna."
"I can't in here. They'd see we were having a secret and all come
bouncing about. We'll have to wait till Gloria goes to brush her teeth,"
Erna said, looking around as a girl with beautiful honey-colored hair
curling all over her head opened the glass doors and came into the
Common Room, looking diffidently about her.
"Can you tell me—" she started.
Gloria, anxious to prove that she was an old girl, went dashing
across the room to her. "Hello, are you a new girl? The seniors'
sitting room is on the next floor, just over the Common Room."
"I'm Miss Redford, the new art teacher," the girl said, smiling warmly.
"I was looking for someone by the name of Philippa Hunter."
"Oh. That's me. I mean I." Flip stepped forward and Gloria retired in
confusion.
"Oh, hullo, Philippa. Could I speak to you for a moment?"
Flip followed Miss Redford into the Hall, and the teacher smiled at
her disarmingly. "Madame Perceval wrote me that you were the best
art student in the school and that you'd show me around the studio
and give me a helping hand till I get settled. I feel terribly new and
strange coming into the middle of things like this and this is my first
job. I'm just out of the College of London and I'm afraid I shall make
a terrible muddle of things."
She laughed, and Flip thought,—Well, if someone had to take
Madame's place, this one couldn't be nicer.
"Would you like to see the studio now?" she suggested. "I have
about half an hour before the bell."
"I'd love to," Miss Redford said. "I've been up there, poking around.
It's really a wonderful studio for a school. I looked at some of your
things and I see that Madame Perceval was right." She paused and
panted, "I wonder if I shall ever get used to all these stairs!"
Flip was so used to the five flights of stairs that she never thought of
them, but Miss Redford was quite winded by the time they reached
the top.
"Of course my room is on the second floor so I shall always be
trotting up and down!" she gasped.
Much as Flip liked Miss Redford she was glad the new art teacher
was not to have Madame Perceval's rooms.
"Now, Philippa," Miss Redford said, "if you'll just show me where
things are kept in the cupboards I'll be tremendously grateful. I
thought we might do some modelling this term, and maybe if any of
the things are good enough we'll have them fired. I found the clay
but I would like to know where everything else is kept."
Flip opened the cupboard doors and showed Miss Redford Madame
Perceval's places for everything. She had just finished when the bell
rang, and she said, "There's my bell so I'll have to go downstairs or
Miss Tulip will give me a Tardy Mark. I'm glad Madame Perceval
thought I could help."
"You've been a great help." Miss Redford said warmly, "and if you
don't mind I'll probably call on you again. Good-night, and thanks
awfully."
7
The others were in the room when Flip got downstairs. "Was I
embarrassed!" Gloria exclaimed. "What did she want?"
"Oh, just to have me show her where Madame kept the things in the
studio. Golly, I'm hungry. We always had something to eat before we
went to bed during the hols."
"Honestly," Gloria said, "I think she might have let us know she was
a teacher and not just come in like a new girl."
"She didn't have a uniform on," Jackie said reasonably.
"Well, lots of girls don't when they come. I think teachers should look
like teachers." Gloria was not ready to be pacified.
"Percy didn't look like a teacher."
"Yes, but she didn't look like a girl, either. What's she like, Pill, this
Redburn or whatever her name is?"
"Redford," Flip said, "And she seemed awfully nice."
"If you think she's nice she must be, you were so crazy about Percy."
"She said we were going to do things in clay," Flip said. "Aren't you
going to go brush your teeth, Gloria?"
"I've brushed them."
"You have not," Erna cried. "You just this minute finished getting
undressed."
"I brushed them before I got undressed."
"Oh, Glo, you fibber!" Jackie jumped up and down on her bed.
"You're just plain dirty," Erna said rudely but without malice.
"I am not!" Gloria started to get excited. "I did brush my teeth before I
got undressed. So there!"
"All right, all right!" Jackie said hastily. "Don't get in a fuss. I'm going
to go brush my teeth, though," and she looked meaningfully at Erna
and Flip, who echoed her and followed her out into the corridor.
"I bet she hasn't brushed her teeth," Erna whispered. "She just
knows I have something to tell you that I'm not going to tell her. My
father said I wasn't to go around telling people, but you're so crazy
about Percy, both of you, I thought it would be all right."
Miss Tulip bore down on them. "Girls! No talking in the corridors!
What are you doing?"
"We're just going to brush our teeth, please, Miss Tulip."
"Go and brush them, then. I don't want to have to give you another
Deportment Mark. Step, now."
"Yes, Miss Tulip."
"We'll meet in the classroom before breakfast," Erna whispered.
As she lay in bed that night, propped up on one elbow so that she
could look down the mountain side to the lake, Flip had a surprising
sense of homecoming. She had missed, without realizing that she
had missed it, being able to see the lake and the mountains of
France from her bed, and they seemed to welcome her back. And
when she lay down, the familiar pattern of light on the ceiling was a
reassuring sight. As she began to get sleepy she sang in her mind,
On the first day of Christmas my true love gave to me a partridge in
a pear tree, and reached up to feel the silver pear on its slender
chain about her neck.
8
"At last!" Erna said the next morning as the three of them slipped
into the classroom.
"Go on, quick, before someone comes in." Jackie stepped onto the
teacher's platform and climbed up onto the table, sitting on it cross
legged.
"Yes, do hurry," Flip begged, sitting on her desk.
"Well, I have to begin at the beginning and tell you how I found out."
"Is it tragic?" Jackie asked.
"Yes, it is, and Percy was a heroine."