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Textbook Introduction To Advanced Mathematics Randall R Holmes 2 Ebook All Chapter PDF
Textbook Introduction To Advanced Mathematics Randall R Holmes 2 Ebook All Chapter PDF
Randall R. Holmes
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Introduction to
Advanced Mathematics
Randall R. Holmes
Auburn University
{a, b, c}
{1, 2, 3, . . . }
has elements 5, 10, 15, 20, 25, and so forth, ending with 90, 95, 100.
Put A = {1, 2, 3}. (This sentence says that the letter A now serves as a
substitute (a nickname) for the set {1, 2, 3}.) The notation 3 ∈ A says that
3 is an element of A. The notation 4 ∈ / A says that 4 is not an element of
A.
Put
The set R of real numbers is the set of all numbers having a decimal rep-
resentation (with possibly infinitely many digits to the right of the decimal
point). This set comprises all of the familiar numbers. In particular, it√in-
cludes all fractions (and hence all integers) as√well as numbers such as 2,
π, and e (but not the imaginary number i = −1).
The set with no elements is called the empty set. It is denoted ∅.
1
For a natural number n, if a set X has precisely n elements we say that X
has cardinality n, and we write |X| = n. For instance, if X = {a, b, c},
then |X| = 3. Also, |∅| = 0.
The way one reads the notation n ∈ N depends on the context. Here are
some examples:
1.2 String
1.2.1 Example Put x = 7/2 and y = −2. Use a string to say that
x + y = 3/2.
Solution We have
7 7 −4 7−4 3
x + y = + (−2) = + = = .
2 2 2 2 2
Strings can be used to help the reader see not only equalities but other
relationships as well.
2
Solution We have
2x + y = 2(6) + (−4) = 8 > 7.
1.2.3 Example Put x = 9/2 and y = 2/3. Use a string to say that
4x + 3y ∈ N.
Solution We have
9 2
4x + 3y = 4 +3 = 18 + 2 = 20 ∈ N.
2 3
There are a few exceptions to the rule that a string is meant to express a
relationship between its ends. The context usually makes it clear what is
meant in these cases.
1.2.4 Example The following are exceptions to the rule for reading
strings:
(a) Let x ∈ Z with −2 < x < 5. (Meaning: Let x be an integer such that
x > −2 and x < 5, that is, such that x is between −2 and 5.)
(b) Let m, n ∈ Z with m 6= 0 6= n. (Meaning: Let m and n be integers
with m 6= 0 and n 6= 0. The condition is better expressed by writing
m, n 6= 0.)
(c) Let 0 6= a ∈ Z. (Meaning: Let a ∈ Z with a 6= 0, that is, let a be a
nonzero integer.)
3
1.3 Pattern matching
The notation A10 matches the pattern An with 10 playing the role of the n,
so we get this equation by replacing n by 10 in the definition of An .
We are writing 1, 2, 3, . . . , n to mean the list starting with 1 and ending with
n, so the numbers 2 and 3 need not actually appear. For instance, A1 = {1}.
n(n + 1)
1 + 2 + 3 + ··· + n = .
2
4(4 + 1)
(a) P (4) is the statement 1 + 2 + 3 + 4 = .
2
1(1 + 1)
(b) P (1) is the statement 1 = .
2
4
(c) For n ∈ Z+ with n > 1, P (n − 1) is the statement
(n − 1)((n − 1) + 1)
1 + 2 + 3 + · · · + (n − 1) = .
2
Discussion: In part (a), P (4) matches the pattern P (n) with 4 playing the
role of n.
In part (b), 1 plays the role of n and, since 1 + 2 + 3 + · · · + n means to start
with 1 and add successively higher integers up to n, this sum is just 1.
In part (c), n − 1 plays the role of n.
10 is congruent to 4 modulo 3
a is congruent to b modulo n
with 10 playing the role of a, 4 playing the role of b, and 3 playing the role of
n. So the question is the same as the question [ Is it true that 10 − 4 = k3 for
some k ∈ Z? ] . As observed, this is true since one can let k = 2.
5
1.4 Function basics
The reader is no doubt familiar with the notion of a function, such as the
function f given by f (x) = x2 . The understanding is that if you give this
function the input 3, it gives you the output 32 . If you give it the input −2,
it gives you the output (−2)2 . And so forth. So f can be regarded as a rule
for taking an input and producing an output.
In the formula f (x) = x2 , the letter x represents the input. It can be any
real number. The notation f (x) represents the output corresponding to the
input x. The formula says that, for a given input x, the corresponding
output f (x) is x2 :
f (x) =O x2O .
O
X f Y
x f (x)
6
(One sees the term “range” of f . Some authors use this to mean “codomain”
and others use it to mean “image.” Because of the potential confusion the
term has fallen out of favor and it is best not to use it at all.)
The notion of pattern matching discussed in the preceding section applies
to function notation.
Discussion: In part (a), f (5) matches the pattern f (n) with 5 playing the
role of the n. In part (b), the letter a plays the role of the n.
In part (c) the n in the notation f (n − 4) does not have the same meaning that
it has in the definition f (n) = 2n + 3. Rather, f (n − 4) matches the pattern
f (n) with n − 4 playing the role of the n.
In part (d), the first step replaces f (x) with what it equals, namely, 2x + 3.
Then f (2x + 3) matches the pattern f (n) with 2x + 3 playing the role of the n.
In part (e), the first step replaces f (m4 ) with what it equals, namely, 2m4 + 3.
Then the expression is expanded and simplified.
1 – Exercises
1–1 Write a sentence using symbols to say that the letter E is to serve as
a substitute (a nickname) for the set of even integers from 2 to 1000.
1–2 Rewrite each of the following sentences replacing the symbols “∈” and
“∈”
/ by appropriate words.
7
(a) Let r ∈ R.
1–4 Put a = 1, b = −3, and c = 3. Use a string to say that b2 − 4ac < 0.
s
1–6 Put r = −2/3 and s = 8. Use a string to say that 12sr − 2 ∈
/ N.
1–7 In each case, rewrite the statement to avoid the use of a string.
(a) We have 0 ≤ n ∈ Z.
(c) Therefore, z1 = z2 = · · · = zn = 0.
(a) 3 2 = · · · .
(b) (2 (1/2)) 16 = · · · .
8
(a) A5,2 = · · · .
(b) A0,0 = · · · .
(c) B2 = · · · .
n2 ≥ 2n + 3.
(a) f (4) = · · · .
(b) f (f (−1)) = · · · .
(c) For n, m ∈ Z, f (n + m) − n = · · · .
9
(b) Given a ∈ R, find f (a).
10
2 Proofs - I
There are two claims being made in the statement, so the method is to prove
each separately.
Letting P stand for the statement 2n ≥ 2 and letting Q stand for the
statement n + 4 < 8 we see that the statement above has the form [ P and
Q ] . We record here the method for proving a statement of this form, called
an and statement.
Statement: P and Q.
Proof : (Prove P and then prove Q.)
11
Statement: n≥4 or n ≤ −1.
The idea of the proof is that, if n ≥ 4, then the statement holds and there
is nothing to show, so we need only consider the case where n 4.
The statement above has the form [ P or Q ] . We record the method for
proving a statement of this form, called an or statement.
Statement: P or Q.
Proof : Assume that P does not hold. (Prove Q holds.)
As in the example above, there are two cases to consider: Either P holds or
P does not hold. The statement is true when P holds, so we do not need to
consider that case. Therefore, it is enough to assume P does not hold and
then prove that Q must hold.
By symmetry, one could also prove the statement by assuming Q does not
hold and proving P must hold.
Our use here of the word “or” is different from that in everyday language.
If a menu says that dinner comes with soup or salad, it is understood that
the customer cannot have both (without paying extra). This meaning of the
word is called exclusive or. In mathematics, the word “or” always has the
inclusive or sense, meaning that both options are possible.
In the next example, we need the following elementary fact: If x, y, and r
are positive real numbers and x < y, then xr < y r .
12
2.2 For-every
The first sentence in the proof is [ Let x ∈ Z+ ] . This says, in effect, [ Let x
represent an arbitrary positive integer ] . The word “arbitrary” just means
that we make no assumption about x (except that it is a positive integer).
The rest of the proof shows that this x satisfies the inequality 2x + 3 ≥ 5.
Since x is arbitrary, the reader is convinced that the inequality must hold
for every x ∈ Z+ .
The proof can be regarded as a template for showing any particular positive
integer satisfies the condition. For instance, if we wish to see why 4 satisfies
the condition we can replace x by 4 in the argument and follow along: We
have 4 ≥ 1. Multiplying by 2 gives 2(4) ≥ 2 and then adding 3 gives
2(4) + 3 ≥ 5.
For x ∈ Z+ , let P (x) stand for the statement 2x + 3 ≥ 5. For instance,
P (4) is the statement 2(4) + 3 ≥ 5. With this notation, we can write the
statement above as
We record the method for proving a general statement of this form, called
a for-every statement. Here, X is a set, and P (x) is a statement involving
x ∈ X:
13
Proof Let x ∈ N. We have x ≥ 0, so adding 2 and cubing gives (x + 2)3 ≥
23 = 8. Therefore,
f (x + 2) = (x + 2)3 ≥ 8 > 7.
Discussion: Here is how we might come up with the idea for such a proof:
After writing [ Let x ∈ N ] we turn to the thing we are trying to prove, that is,
f (x+2) > 7. On scratch paper, we write what this means, which is (x+2)3 > 7.
We observe that this inequality does not hold for every number x (it fails for
x = −2, for instance). But then we remember that x is in N so that x ≥ 0.
This gives us the idea for why the claim holds.
The proof, however, does not include an explanation of how we came up with
the idea. In general, proofs do not explain how insight was obtained. Instead,
they simply present a logical sequence of steps that help the reader get from
what is known (here, x ∈ N), to what is being claimed (here, f (x + 2) > 7).
The for-every clause can be moved to the end without changing the meaning.
For instance, the statement in the preceding example can be written
In the next example, the for-every statement involves two elements of the
set instead of just one. Our method extends in the natural way to handle
this case.
14
Vacuously true
This might seem surprising since canceling the x’s in the condition x = x + 1
leaves 0 = 1, which is clearly not true. The reason why the statement is true
is that no one can prove it is false by producing an element x in the empty
set ∅ for which x 6= x + 1. We say that the statement is “vacuously” true.
More generally, if X is a set and P (x) is a statement involving x ∈ X, then
the following statement is vacuously true:
2.3 There-exists
• We did not show the reader how we came up with an x that works. If
we had included in the proof what we did on scratch paper it would
have caused confusion because the logic of the proof requires only that
an x be exhibited.
• We did not mention that x = 3 also works. A single x that works is
all that is required.
15
We record the method for proving a general there-exists statement. Here,
X is a set and P (x) is a statement involving x ∈ X.
The method for proving a there-exists statement can be put succinctly: Give
a single, explicit example.
2.3.2 Example Prove: We have n3 + 2 < 32 and 5n2 > 10 for some
n ∈ N.
16
(Note: The statement can be recast as [ There exists n ∈ N such that
n3 + 2 < 32 and 5n2 > 10 ] .)
2.4 Scope
17
“out of scope” otherwise. It is incorrect to refer to a letter after it has gone
out of scope.
A letter has local scope if its meaning ends at the end of the sentence in
which it is introduced (or earlier).
2.4.1 Example
The preceding example illustrates typical ways that letters having local scope
are introduced.
• For every x . . . .
• If x . . . .
On the other hand, a letter has global scope if its meaning continues
indefinitely (usually to the end of the proof).
2.4.2 Example
18
(b) Put y = −5. The number −y is a positive integer. Therefore −y + 1
is also a positive integer.
(Correct. The letter y has global scope. It refers to the number −5
indefinitely.
• Let x . . . .
• Put x . . . .
2.4.3 Example
In part (b) of the example, the phrase [ We have y = 2x for some integer
x ] is understood to include the follow-up phrase [ Let x be a fixed such
19
integer ] . Actually writing the follow-up phrase is more proper, but it is
usually regarded as being too pedantic.
• . . . for some x . . . ;
• There exists x . . . ;
We end this section with some practice combining the notions introduced
above.
20
Discussion: In part (b), although the letter x has local scope in the first
sentence, it is redefined in the second sentence and is given global scope.
In the original statement of part (c), the renewal of the letter m in the final
sentence does not cause x to have meaning again.
2 – Exercises
2–1 Let x ∈ Z with 2 ≤ x < 6. Prove that 4 − x > −2 and 3−x ≤ 1/9.
2–2 Let n ∈ Z and assume that (n − 3)2 < 16. Prove that n ≥ 0 and
n ≤ 6.
n
2–8 Define h : Z+ → R by h(n) = . Prove: For every n ∈ Z+ with
n+1
n ≥ 9, we have 1 − h(n) < 1/9.
21
2–10 Define f : R → R by f (x) = 23x . Prove: We have f (x + y) =
f (x)f (y) for every x, y ∈ R.
2–11 Let X be the empty set. True or false: For every x ∈ X, we have
x2 < −5. Explain.
√
3
2–15 Define f : Z → R by f (n) = 2 − n.
(b) Prove that for every n ∈ Z with n > 29, we have f (n) + 3 < 0.
2–17 In each case, write “Correct” if there are no attempts to use a letter
that is out of scope. Otherwise, write “Incorrect,” provide an explanation,
and then revise the argument to fix the mistake.
22
2–18 In each case, write “Correct” if there are no attempts to use a letter
that is out of scope. Otherwise, write “Incorrect,” provide an explanation,
and then revise the argument to fix the mistake.
(b) Let x ∈ Z and assume that x > 5. There exists y ∈ Z such that y ≥ 0
and y ≤ x. Therefore, x − y ≥ 0 and x − y ≤ x.
23
3 Set
The notation
{x | x ∈ N and x < 4}
is read
This variation on the standard form describes the same set as the one given
earlier, but it is more convenient because it makes it clear from the start
that the set consists of certain elements of the set N. So we imagine starting
with the set N = {0, 1, 2, . . . } and removing elements, retaining only those
that are less than 4, to get {0, 1, 2, 3}.
24
(c) Is 4 ∈ A? (No, because 2(4) + 1 = 9 10.)
(d) Write the set A in list form. (We have A = {5, 6, 7, . . . }.)
{x | x ∈ N and 2x + 1 ≥ 10}.
To show something is in A we need to show that when it plays the role of the
x in the property a true statement results. In part (a), we substitute 8 for x
to get the statement [ 8 ∈ N and 2(8) + 1 ≥ 10 ] , which is true, so we conclude
that 8 ∈ A.
In the notation {x ∈ N | x < 4} the letter x goes out of scope at the closing
brace (see Section 2.4). It functions as a dummy variable, meaning that it
can be replaced by any letter without changing the set. For instance, this
set can also be written {n ∈ N | n < 4}.
This set is the same as {0, 2, 4, . . . } since, as the variable x ranges through
the set N = {0, 1, 2, . . . }, the expression 2x takes on the values 0, 2, 4, . . . .
As before, the letter x in the notation loses its meaning at the closing brace.
It acts as a dummy variable, so this set can also be written {2n | n ∈ N},
for instance.
25
3.1.3 Example Put B = {3n | n ∈ Z}.
Now that we have the requisite notation, we can add the set Q of rational
numbers (fractions) to our list of standard notations:
X + = {x ∈ X | x > 0}.
Z+ = {1, 2, 3, . . . }.
The empty set, denoted ∅, is the set having no elements. (Note that braces
are not used here. In fact, {∅} is a set having a single element, namely the
empty set.)
The set {1, 1, 1, 2, 2} is the same as the set {1, 2}. In other words, repetitions
of set elements are ignored.
3.1.4 Example Put A = {1, 2, 3, 4, 5}, B = {−1, 0, 1}, and C = {x, y}.
Write each of the following sets using list notation:
26
(a) D = {a ∈ A | a/2 ∈ / Z}. Answer: D = {1, 3, 5}. (This is the set of
those elements a of A having the property that a/2 is not an integer.)
(We let a range through A and b range through B and write ab , re-
moving repetitions. The additional step of writing, for instance, 2−1
as 1/2 is not essential.)
x + y = 5n + 5m = 5(n + m) ∈ 5Z,
27
Discussion: Writing instead [ x = 5n and y = 5n for some n ∈ Z ] would be
assuming that x = y, which might not be the case since x and y are arbitrary
elements of 5Z. Using two letters, n and m, allows for the possibility x 6= y
while still allowing for equality since n = m is possible.
In order to show x + y ∈ 5Z we need to show that x + y = 5k for some k ∈ Z,
so using the method of Section 2.3, we could have written the following:
Put k = n + m. Then k ∈ Z and x + y = 5n + 5m = 5(n + m) = 5k ∈ 5Z.
However, in a simple case like this, the introduction of the auxiliary letter k is
considered unnecessary since the reader sees 5(n + m) ∈ 5Z and understands
that n + m plays the role of n in the definition of 5Z.
m m0 mm0
xy = · 0 = ∈ Q,
n n nn0
the last step due to the fact that mm0 , nn0 ∈ Z and nn0 6= 0.
3.2 Subset
Y
1
X
7 2
5 3 4
6
28
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Robespierre looked at them with eyes full of gratitude. He was hoping
that some one would commence an attack, that he might retaliate there and
then, and so accentuate his triumph. He had perceived among the crowd his
adversaries, Billaud-Varennes and Collot d'Herbois. They tried to speak,
and were hissed; they persisted, and were greeted with cries of "To death
with them!" Daggers even were drawn, and they had scarcely time to
escape.
Leaving the Assembly-room among the first he had slipped out under
cover of night, taking a short cut to the Tuileries, whose dark mass aided his
further flight. For he was flying from his glorification, escaping from his
rabid admirers, who would have borne him in triumph through the streets of
sleeping Paris, making them ring with thunderous shouts of triumph.
Creeping along the side of the walls, his face muffled in his collar, he
hastened his steps to the Conciergerie, and as he walked his thoughts
reverted to the subject of his reception. The Jacobins' enthusiasm must have
resounded to the chamber of the Committee of Public Safety, and fallen like
a thunderbolt among the traitors in the very midst of their dark plots! The
effect must have been terrible! He already pictured the Convention
appealing to him with servile supplication, delivering the Committee into
his hands, and asking the names of his enemies, that they might pass
sentence on them all. He smiled triumphantly as he crossed the Pont-Neuf,
without casting a glance at the splendid spectacle which lay at his feet on
either side of the bridge; for it was July, and all the glory of a summer sky
studded with stars was mirrored in the stream.
He walked on quickly, wrapt in his own thoughts. Ah! not only did they
wish to ruin him, but they would have sent Olivier to his death! He had
forestalled them, however. The very next day they should take his son's
vacant place in that same Conciergerie, the antechamber of the guillotine!
Robespierre had reached the quay, and was now at the foot of the Silver
Tower, whose pointed spire stood out in the moonlight like a gigantic finger
raised to heaven. It was in that tower that Fouquier-Tinville, the Public
Prosecutor of the Revolutionary Tribunal—death's henchman—lived.
Robespierre scanned the windows. All lights were out. Fouquier slept, then?
What brute insensibility! But he would sleep also, he told himself. Ah, yes!
the terrors of the scaffold would soon be over! No more butchery, no more
guillotine! He had promised it to the mother of his son, and he would keep
his word ... he would, within three days.
The gate swung back on its hinges, and a voice was heard exclaiming—
"I wish to know if you have among your prisoners a certain Germain,
lately at La Force prison."
"Well, we can see that on the prison register, citoyen. Nothing will be
easier, if the registrar is still here. Let me ascertain through the watchman.
Would you care to follow me? Just wait a moment; I have not the keys."
Collas went back into his lodge, and returned with a bunch of keys.
Then, taking down a lantern from the wall, he commenced threading the
mazy alleys of the Conciergerie, followed by the Incorruptible. It was the
first time Robespierre had entered this prison in which so many of his
victims had been immured. The two men turned into the old banqueting hall
of the Kings of France, a long gallery with a vaulted ceiling of oval arches
supported on massive pillars; keeping to the left, they came upon an iron
trellised gate, which the turnkey opened. Robespierre found himself in a
railed enclosure, a kind of antechamber leading to another vaulted gallery,
which in the dim light seemed of indefinite length. Two towering gates on
the left opened into a court on which the moon shone, lighting up vividly a
pile of buildings surrounded with grey arcades.
"Hallo, Barassin!" called the turnkey, shaking his bunch of keys in his
ears.
"We are between the two gates, citoyen. Have you never been to the
Conciergerie before?"
"No; never."
On the other side of that little door to the right was the ward of the male
prisoners. Here at the end was the women's courtyard, facing the arched
building in which were their cells. Robespierre had but to advance a little,
and he could see through the gate the fountain in which they washed their
linen, for they remained dainty to the last, and wished to ascend the scaffold
in spotless clothes. Barassin laughed a loud brutish laugh, happy at the
seeming interest Robespierre took in his explanations.
"Is the Recorder's office on the left, then?" questioned the Incorruptible,
his eyes fixed on the dark gallery through which the turnkey had
disappeared.
Barassin began another string of details. Yes, that gallery led to it, and
to the exit as well, through the concierge's lodge, where the condemned had
their hair cut after the roll-call.
"The call takes place here, just where you are standing," he explained.
Robespierre started, and moved away. His eyes rested on the long line
of cells, whose doors were lost in long perspective under the vaulted
archway he had noticed on his entrance, and which had seemed so vast
through the iron bars of the second gate. He lowered his voice to ask if
those cells were occupied. Barassin's reply reassured him; there was no one
there just then. Then, indicating a cell opposite Robespierre, the watchman
continued, carried away by his subject—
Robespierre shuddered.
"My name?"
The watchman swung his lantern from place to place, lighting up, for
the Incorruptible's benefit, other ominous inscriptions addressed to him.
Steps were heard advancing, and the turnkey made his reappearance.
The registrar had gone away and taken the keys with him. It was impossible
to get at the prison register. He then suggested that Robespierre should go
with him to the men's ward.
"Let us awake the prisoners. If the man you seek is there you will easily
recognize him."
Then, there was but one course left. Barrassin might accompany him,
and speak to the men's turnkey, who would look for this Germain from bed
to bed, and Barassin would bring back to Robespierre the result of the
inquiry, as he himself had to return to his post. Robespierre would have to
wait a little while, of course. And Collas moved the watchman's chair
towards him.
The two men went away, turning to the left, through the small gate,
which Barassin carefully closed behind him. Robespierre followed the
watchman with his eyes.
Stepping slowly towards the watchman's seat, he sat down sideways, his
eyes fixed, like a somnambulist's, and his arm resting on the back of the
chair, as he repeated in a low murmur—
Almost the same dread, ominous words had the night before forced him
to start up suddenly, and impelled him to rush towards the window of his
room.
It was the shade of Camille Desmoulins that had uttered the grim
summons! Camille, accompanied by his wife, the pale and sweet Lucile,
sought to draw him to them, to drag him along with them on the blood-
strewn way to which they had been doomed! But the phantoms had all
vanished with the refreshing dawn. It was fever, of course! He was subject
to it; it peopled his sleep with harrowing visions and fearful dreams. But
these were nothing but excited hallucinations, creatures of his overwrought
brain....
Robespierre had now closed his eyes, overcome with fatigue, and still
continued the thread of his thoughts and fancies. His ideas were becoming
confused. He was vaguely wondering whether such imaginings were due to
fever after all? If this was not the case, it was perhaps his conscience that
awakened from its torpor, and rose at night to confront him with his
victims? Yes, his conscience that relentlessly gnawed at his heart-strings,
and wrung from him a gasping confession of alarm! Had not Fouquier-
Tinville seen the Seine one night from his terrace rolling waves of blood?
This was also a mere delusion ... the outcome of remorse, perhaps?
Remorse? Why? Remorse for a just deed, for a work of redemption? No! It
sprung rather from a diseased imagination caused by an over-excited and
over-active brain, which, weakened by excess, clothed the simplest objects
with supernatural attributes.
Yes ... did not Brutus imagine that he saw the shade of Cæsar gliding
into his tent, when it could have been nothing but the flicker of a lamp on
the curtains moved by the wind, or a moonbeam playing, as that one
yonder, on a pillar?
Ghosts! Yes, they were ghosts! What! was he going to believe in ghosts,
like old women and children? It was folly, crass folly, and he repeated aloud
—"Madness! sheer madness!"
But what did it all mean! What were those wandering forms which
reminded him of beings long dead? Were they subtle effluences of their
bodies that could pass through the prison walls, invisible by day, but
luminous at night, as phosphorescent spectres were said to flit among
tombstones in churchyards by moonlight, to the dismay of the weak and
credulous.
He went towards the gate of the men's ward livid with fright, in the hope
that the watchman would come and put an end to these harrowing
phantasms.
Were all his victims then going to show themselves behind those iron
bars like avengers, to torture and madden him?
He took his eyes off these for a moment to see if the spectres gathered
behind the grating of the ground floor were still there. Yes! They were still
there. They were everywhere then? Everywhere! ... What were they doing?
Why did they come and force the past upon him in this way? After spending
the day in struggling with the living, must his nights be spent in encounters
with the dead? He continued staring in mute and fascinated horror, as
motionless as those ghosts gathered behind the closed grill, and seeming to
await the gruesome roll-call of the condemned.
At their silence he presently took heart. None of them had their eyes
fixed on him. This was proof, he thought, that they existed only in his
imagination. For, after all, if they were real, they would have stared at him
in anger, with terrible and threatening looks ... they would have rushed upon
him, one and all. Those iron barriers would have yielded to their united
effort, and burst asunder!
"They haven't seen me!" he gasped. If he could gain the passage to the
left of the archway, which was the only exit available, he was safe! He
would escape them! For they were not likely to follow him into the street....
"Danton! Camille!"
Robespierre felt now that he was lost. Flight had become impossible.
The one remaining means of escape was by the little grating of the men's
courtyard. He tried to reach it, still walking backwards, without once losing
sight of the apparitions, his arms stretched behind him, every muscle
strained, and both hands clenched convulsively. He soon came in contact
with the grating, and tried to push it open with his back. Not succeeding he
abruptly turned round. It was locked! He tried madly to force it, but the
massive iron bars proved too much for his strength. He seized and shook
the lattice in his agony. The rattling noise made him turn quickly, thinking
all the spectres had come down upon him. But no! They stood still in the
same places, motionless, and apparently unconscious of his presence. But
this could not last; ... they must see him sooner or later! And if he were seen
he would surely be the prey of these arisen tenants of the tomb! He wiped
the cold sweat from his brow, panting and breathless, and made a sudden
frantic effort in his overwhelming panic to repel the ghastly vision, turning
away from it.
Every eye was upon him. They appeared terrible in the awful majesty of
their wrongs, as if accusing him, as if judging him. He remained
motionless, terror-stricken. Yes, they were all looking at him! Slowly,
silently they glided towards him.
"Oh yes! I know what you are going to say, I see the word trembling on
your lips: 'Assassin!'"
Yes! ... Yes! ... he would do everything, anything they asked. He swore
it to them....
"But in pity go! I entreat you! Oh go! in pity, go and leave me!"
The spectres remained motionless, their eyes still fixed upon him.
Yes, mercy! ... he begged for mercy! Their looks would kill him! He
could not bear it any longer! It was too much! His fright now bordered on
madness, and he cried out: "Let me alone! I am frightened! horribly
frightened!"
"Yes!" answered Robespierre, now himself again. "I have had a fearful
dream." Then rising with difficulty, he fell exhausted on the chair which the
watchman held out to him.
Barassin now told Robespierre the result of his quest. They had
interrogated the prisoners, from bed to bed. The young man he sought was
not among them.
Robespierre, still uneasy, and casting anxious and furtive glances in
every corner, expressed his thanks.
"This way!" he said, opening the wicket through which they had
entered.
In the gallery Robespierre again seized the man's arm, and bent forward
to see if the way was clear; then feeling immense relief, he rushed towards
the exit, almost running, and followed with difficulty by Barassin, who with
the lantern dangling in his hand could scarcely keep pace with him.
CHAPTER XII
Robespierre could breathe again. He was once more in the open, the
silent stars above him, the Seine flecked with white bars of reflected
moonlight, flowing at his feet. But he dared not linger there. He turned
quickly, and darted along close to the walls, fearing that for him, as once for
Fouquier-Tinville, the water would take the crimson hue of blood. By slow
degrees he became calmer. Refreshing gusts of cool night air fanned his
fevered brow, and restored him to reality. He thought of Olivier again. If he
were not in the Conciergerie, where could he be?
"Where is he?"
"Then it is to be war between us? You shall have it, scoundrels! war to
the knife! And to-morrow too!" and turning away abruptly, he went towards
the steps, and pushed the door open in a violent rage.
Billaud-Varennes and Collot d'Herbois retraced their steps to apprise
their colleagues at the Convention of their stormy interview with
Robespierre. But on the threshold of the Assembly-room Billaud stopped
his companion.
So saying, he went upstairs to the attics, where Olivier had been locked
up ever since five o'clock under the charge of a gendarme, to whom
Coulongeon, the Committee's agent, had confided him, with strict orders
that the prisoner was to be kept entirely out of sight until the Committee
had decided on his fate.
On his return to Paris the same evening he had reported his discovery at
once to the Committee of Public Safety. Billaud-Varennes rubbed his hands
gleefully. He was on the scent of a plot. An Englishman? That could be no
other than Vaughan, Fox's agent, who was known to have been already two
days in Paris. Ah! Robespierre had secret interviews with him, had he? A
plot, of course! It was splendid! Nothing could be more opportune!
But at the Consulate the detective was told that Vaughan had just left
Paris. Suspecting a trick, he took other means to continue his inquiries, only
to find after all that the Englishman had started for Geneva directly after
leaving Montmorency.
The members of the Committee were greatly disappointed on learning
that the plot must remain unravelled, for how could they prove the
interview without witnesses? Coulongeon was the only one who had seen
Robespierre speaking with Vaughan, but he was in the pay of the
Committee, and no one would believe him. They rested their hopes on the
probable return of the Englishman, but they waited to no purpose, and were
finally obliged to abandon the attempt.
"Three!" the agent interjected. "For, now I come to think of it, there was
a young man with them."
"He must be found also! Quick to Montmorency, and bring him back
with you!"
Once back in Paris the agent had little difficulty in making the good
woman speak. Did the widow Beaugrand know the young man? Pardieu!
She knew him too well! He was the daring insulter of Robespierre, the
young madman arrested on the Fête of the Supreme Being who was now
imprisoned at La Force.
The joy of the Committee knew no bounds, when they learnt the news
on leaving the hall of the Convention on the 8th Thermidor.
"We will have the three prisoners out of gaol, at once, and keep them
here at hand."
Two orders of release had been immediately drafted, one for the prison
of La Bourbe, the other for La Force.
"To whom?"
"To Vaughan."
"Not in the least. It was quite a chance-meeting. He had lost his way,
when they..."
With this he re-entered the room where his colleagues were assembled.
But such an extraordinary scene of animation presented itself when he
opened the door that he forgot the object of his visit.
This Committee-room, like the others next to it, formed part of a suite
of apartments recently belonging to the King. It offered a strange spectacle,
with its mixture of elegance and vulgarity, which said more than words for
the ravages of the Revolution.
Over the five doors, two of which opened on to a long corridor, the
royal arms surmounted by a crown had been roughly erased. The walls and
panels of the doors were covered with printed decrees of the Convention,
and tricolour placards were pasted up everywhere. This array of
Revolutionary literature struck the observer as at once ominous and
pathetic, in the midst of all the grace and beauty of that white and gold
reception-room, decorated in the purest Louis XV. style, with its daintily
carved cornices and painted ceiling, where Nymphs and Cupids sported in
the glowing spring-tide among flowers. The contrast was even more
apparent in the furniture. Gilded armchairs covered with rare tapestry, now
all torn, stood side by side with plain deal seats, some of which were very
rickety. A sideboard laden with eatables and wine-bottles completed the
installation of the Terror in the palace of the Tuileries.