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T HE
W O M AN IN W HI T E
L I B R A RY E D I T I O N
WI T H A P O R TRAI T
LO N D O N
C H AT T O c? W I N D! S
B RY A N WA L L E R P R O C T E R
’
AN D G RA T E F U LL Y R E M E M B ER S
M A N Y I I A P P Y H O U R S S P E N T I N H I S H O U SE
P REF AC E
art Al l th a t i t i s n e ce s sary fo r me to sa y ma y be
p .
rds .
by c rrr ec t io n a nd re v i sio n to
a e ful co ,
ld o f a c o n ti n uanc e o f th e
wh ic h h a d esca ped
was w ri ti n g th e bo o k are h e re rect i fi ed N o ne o f .
‘
l ua rters a bo u t th e c o rre t p r esen ta ti on o f th e le ga l
,
c
p oi nt s
n cidentaJ to th e st o ry I ma y be p e rmi tted to men ti o n th at
,
l u e st io n w as s ub mi tt ed to t hi s ge n tle ma n be fo re I v e n tu r ed
,
"
e rred to le gal matt e rs w e re co rre cted by his h an d be fo re the
sto ry was pu bli sh ed [ ca n a dd o n hi gh j u di cia l au th o rity
.
, ,
so u n d.
O n e wo rd mo re be fo re I con cl ud e in ac kn owl ed gm e n t o f
, ,
ix 3
P REF AC E
the se l ittle ble mi she s in the s lighte st degree i nte rfe red with
the i nte res t of the n arrative — b u t i t was as wel l t o re mov e
the m at th e fi rst O ppo rtu nity ou t O f re spect to m y reade rs
,
‘
q u arte rs abou t th e co rre ct pre se ntati o n of th e le gal points
,
sound .
ix a
T H E W O MAN I N W H I T E
p lied the recognition o f a lite rary prin cip l e whi ch has guide d
m e si nce I fi rst add re s sed my reade rs in the charac te r of a
n ovel ist .
m en a n d —
wome n for th e pe rfe ctl y O bvi ou s re aso n that they
are m en a n d wo men th emse lves .
‘
Th e recepti o n accorded to Th e Woman in Whi te h as ’
‘
Lau ra M iss H al co mbe a n d Ann e C a th eric k
,
’
Cou nt
,
’
H A R L EY S T REE T , L O N D O N
F ebr ua ry 1 86 1 .
C O N T EN T S
T H E F I R ST E PO C H
P AG E
TH E S TO RY B E U N G BY WA LT ER H A R T R I G HT , OF CL E M E N T ’
S
I N N, T E ACH ER O F D RA W I N G
T H E S TO RY C O N T I N UED BY VI N C E N T G I LMO RE ,
O F C HA N C E RY
L A N E S O LI CITO R
,
T H E S TO RY CO N T I N UED BY M A R I A N HAL C O M B E , I N E XT R A C T S
FROM H ER D I A RY
T H E S E C O N D E PO C H
T H E S TO RY C O N TI N UED BY M A R IA N HALCO M B E
L I M M ER I D G E HO U S E
T H E S TO RY CO N TI N UED BY '
ELIZ A M I C H E L S O N , H O U S E K EE P ER
AT B LA C K WA T ER P A RK
TH E S TO RY CONTI N UED IN S E V ER A L N A RR A T I VE S
I . T h e N a rra tiv e Of H ester P inh o rn , C o o k in th e Serv ice of
N arrativ e o f J a ne G ou d l .
4 . T h e N arra ti v e o f th e T o m b »
t
s o ne .
5 . T h e N arra tiv e o f W al ter H a rtrigh t .
xi
T H E WO M AN I N W H I T E
T H E T H I R D E PO C H
P AG E
THE S TO RY C O N TI N UED B Y M RS . C A T H ER I C K
THE S TO RY C O N CL UDED B Y WA LT ER H AR T R I G HT
X1 1
T HE WO M AN I N W H I T E
I T wa s
fi
th e las t day o f J uly The lon g h o t su mme r w a s
d rawi n g t o a close an d we the w eary pilgrim s o f th e Londo n
,
m on ey as well
,
,
,
.
fi
.
an d my o w n chambe rs in town .
2
T H E WO MAN I N W H I T E
fi
hi mself i mpromptu to al l o u r E nglish s ports an d pasti me s
whe nev er h e h ad th e O pportunity o f j oi nin g the m fi rmly ,
3
T H E W O M AN I N W H I T E
fro m vi ew Whe n I dived for hi m the p oor l ittle man was lyin g
.
i t mu st h ave b ee n th e C ramp .
4
T H E WO M AN I N W H I T E
fi
was quite u se le ss h oweve r to as k hi m fo r a n i mmediate
, ,
explan atio n I cou ld o nly c onj ectu re whi le h e was d rag gin g
.
,
o n e O f them .
’
always more o r le ss u n di sguisedly astonishe d at he r mothe r s
familiarity with th e e ccen tri c little fo rei gn e r I h ave o h .
‘ ’
I do n t kn ow wh at woul d have happen ed Wai ter sai d
’
, ,
‘
my m oth er i f yo u h ad delayed m uch lon ge r
, Pe sca has .
‘ ’
Ve ry p rovokin g ; i t spoil s the S et mutte red S arah to ,
‘ ’
N ow my go od d ears began Pesca wh o always said
, ,
‘ ‘ ‘
good dears whe n h e m ean t wo rthy ’
liste n to
m e The tim e has c ome — I reci te my good n ews — I spe ak
.
at last .
’
‘
I go b ac k i n to my life an d I add ress myself to th e ,
’
n oblest o f c re ate d bei ngs con tin ued Pe sca veh eme ntly , ,
‘
Wh o fou nd me d ead at th e bottom o f the sea (th rou gh
C ram p) ; an d wh o pulle d m e up to th e to p ; a nd what did I
say whe n I go t i nto my o w n l ife an d my o wn cl othe s agai n
’
M uch m ore than was at all n ecessa ry I an swe red a s , ,
e motion s in a fl oo d o f tears .
‘ ’ ‘
I said pe rsi sted Pesca that my life b elonged to my
, ,
6
T H E WO M AN I N W H I T E
‘
voice the ove rfl owin g h appi n e ss bu rsts o ut o f m e at eve ry
,
fi
comp ou n d wo rd s a n d repetition s o f hi s o w n an d always ,
long syllable .
‘
Amon g th e fi n e Lo n do n h ou se s w h ere I teach the la n
guage o f my n ative c oun try said the Profe s so r rushin g ,
’
,
fi
‘
preface the re i s o ne m ighty n e in th e big place called
, , ,
O f cou rs e
- Th e fi n e hou se my good dears h as got i n side i t
.
, ,
7
T H E WO M AN I N W H IT E
fesso r we n t o n
‘
I n h i s h an d the gol de n Papa h as a le tte r ; an d afte r h e
h as m ade h i s excu s e fo r d istu rbin g u s in o u r I nfe rn al Regio n
with th e c om mon m ortal B usi ne s s o f th e h ou se h e addresse s ,
“
Papa s ays I have go t a l ette r from my fri end the M i ste r ;
, ,
”
go down to h i s h ou s e in the cou ntry M y soul bl es s m y .
- - -
“ ”
s ays Papa S ir I say (for thi s l ast ques tio n o f hi s o u t
.
,
“
rage s me an d I have d on e bein g fami liar wi th him )
, Sir , ,
a n d what i s m o re
, hi s fathe r had i t b efo re hi m
, N eve r
” “
m i nd , says th e go lde n barbari an o f a Papa n eve r mi n d ,
8
T H E WO M AN I N W H I T E
obs ervi n g that P esc a was raptu rou sly ki ssin g my mothe r s
hands l ooke d s eri ou s an d re su med h e r seat
, , I f the fam . i
, .
’
d on e with my mothe r s hand an d wh e n I h ad warmly than ke d ,
th e h and .
c ertai n .
wh o was empowe red to con cl ude all n ece ssary arran gemen ts .
‘
O h Wal te r you r fathe r n eve r had su ch a ch an c e as
, ,
‘
S uch di sti ngui sh e d p eople to kn ow re marke d S arah ,
’
’
Fai rli e s young ladie s to sketch fro m n atu re The obviou s .
you n g M i sse s path eti cally re tu rn ing thanks him self im m edi ,
be H on ou rab le Pes ca M P , . .
serv 1 c es
dia tely
,
,
fi
T H E WO MAN I N W H ITE
.
, ,
1
3
T H E WO M AN I N W H I T E
I c a n h ardly sa y th at I th ou gh t at al l .
14
T H E W O M AN I N WH ITE
’ ’
Ye s I replied that i s th e way : i t le ad s t o S t J ohn s
, , .
’
Woo d an d th e Regen t s Park Y o u mu st excu se my n ot .
reassu re h e r .
’
P ray d on t su ppo se that I have any i de a o f su spe ctin g
’
yo u I said
, o r any oth e r wish th an to b e o f assistance t o
,
I S
T H E WO M AN I N W H I T E
’
I h eard you comin g sh e s aid an d hi d the re to see what
, ,
’
wo rse o f m e be cau se I h av e m e t wi th an accide n t ? She
stoppe d in c o nfu sio n sh ifte d he r bag fro m o ne h an d to th e
o the r ; an d sighe d bitte rly .
h elp you ; an d if I c a n I wi ll ,
.
’
’
Londo n on ce before sh e wen t o n m o re an d m ore rapidly
, ,
’
V v hat
cou ld I do ? I e re w a s a stran ge r utterly an d
helpl essly at my m ercy m
a n d th at strange r a forlorn wo m a n t
16
TH E YVO M AN IN WH ITE
Why d o you as k ?
B ecause I h ope for my o wn sake the re i s on e B arone t , ,
’ ’
that yo u do n t know .
m ake s ke tch e s fo r h i m .
‘ ’
N ot a m a n o f ran k a nd ti tle she re peate d to he rsel f , .
n ow .
‘
I a m afrai d you h ave se ri ou s re ason to complai n of some
? ‘ ’
m an o f ran k a n d ti tle I said I am afrai d th e B arone t .
,
,
’
.
I m n ot fi t n ow
’
I h ave be e n cruelly u se d a nd cruelly
, .
fast a n d n ot speak to me
, I sadly wan t to qu ie t mysel f i f I .
,
’
ca n .
, .
18
T H E W O M AN I N W H I T E
‘
S o I added : B ut to morrow I shal l be away fro m Lon do n -
’
fo r so me time I am goin g i n to th e cou ntry
. .
’
lan d .
‘
Pe rhap s yo u we re b orn I said in the beautiful Lake ,
’
,
’
c ountry .
‘N o ‘
she an swe red
,
’
I was bo rn in H ampshi re ; bu t I .
patien t .
’
Thi s i s Lon don sh e said D o yo u s ee any carriage I
, .
I 9
T H E WO MAN IN YVH I T E
’
I t s so late she said
’
I am o n ly i n a hu rry b e c au se it s
,
’
.
’
s o late .
‘ ’
Ye s yes That will do fo r me
,
I m goin g that way
. .
safely at h er de stinati on .
th an k y o u than k you ,
T en
minutes o r mo re h ad passed I was still o n th e , , .
of havi n g don e wron g which yet left me confus edly igno ran t ,
Rege nt s Park ’
.
‘
N o n o i nterp osed th e se con d man Th e cl othe s we
’
.
, ,
’ ’
I have n t see n he r sir , .
21
T H E WO MAN I N W H I TE
B ut th e ide a of
abs olute i nsanity whi ch we al l associate wi th
th e ve ry name O f an Asylum had I c a n h onestly declare , , ,
t oo late .
m e a nd did me go od .
22
TH E W O MAN I N W H I T E
I w a s to o ti re d an d o u t o f spi ri ts to e at o r d rin k mu ch ,
‘
myself as I pu t o u t th e candle ; the woman in wh ite o r
,
eve n by sight
23
T H E W O MAN I N W H I T E
is ugly
N eve r was the o ld co nve nti onal maxim that N atu re ,
24
T H E W O MAN I N WH ITE
in
. I n the se con d case I will give yo u s om e tea t o c ompo se
,
‘ ’
Y es ye s sh e said whe n I h ad s ugge ste d th e only ex
, , ,
, ,
’
I wo n t li ve without he r an d sh e can t live with ou t m e an d
’
,
it
. H oweve r I advi se yo u to h umou r h i s little p ecu liaritie s
, ,
an
y woman i n E ngland A s fo r th e eve n in gs I thi n k we ca n
.
,
l onge r pe ri od .
’
’
regard .
’
M e ntion e d my m oth e r s n ame ! Y o u i n te re st m e i n de
s c riba b l
’
y P ray go o n
. .
Lim m eridge H ou se wo rd fo r wo rd , .
Q
m othe r sh e asked .
’
uite su re I replied Wh oeve r sh e may be th e
,
.
,
28
TH E WO MAN I N W H I T E
place
Y es sh e told me sh e came from H amp sh i re
’
, .
fi
re solute about fi ndi n g o u t h e r n ame We m u st really clear -
.
‘
Wai t in th e hall sai d M i ss H alcombe an swe ri n g th e ,
’
,
’
come o u t di re ctly I was ab ou t to say sh e we n t o n add re s s
.
, ,
29
T HE WO N N IN W HIT E
Sh c no dded to mc wil h t
men t o f fnm ilia rity whic h
,
wwards me M and fo nm th e m t oa
fi rst time to th c, prc sencc ol (r F nidic
. .
ll
Mr me 0 9 -5 t
co nductor led A
back to th e bedc ha m bor in wit h l
igh t ; a nd O peni ng th e do o m
n
in 0
l ha ve c r s o rdd sh a t W
'
tn ou
y
J
S h e n odde d
T H E WO M AN I N W H I T E
,
fi
towards the hall an d followe d th e se rvant o n my way , fo r the
,
1n .
two cu rtai n s o f pale sea gree n sil k han gin g before u s rai se d-
’
right an d left me
, .
30
T H E WO MA N I N WH ITE
Fai rli e .
my bo w .
’
d on t t rou ble you rself to m ove th e ch ai r please I n the , .
I a s su re you
H e stopped m e in th e mi ddle o f th e se nten ce by clo si n g hi s ,
’
Fairlie s wretche d n e rve s mean t o n e an d th e same thing .
32
TH E WO MAN I N W H I T E
if they had see n Ch arle s the Fifth pic k up Ti tian s b rus h fo r him ’
.
t o me Y es Than k yo u
. . .
’
’
co rne r Ye s Than k yo u
. . .
33 D
TH E W O MAN I N W H I TE
fu rth er orde rs .
’
Ye s J ust so ! said M r Fai rli e con sultin g th e tablette s
. .
, .
fi
L oui s take down that p o rtfoli o
,
H e p oi nted as h e sp oke .
’
, ,
stands NO
. N ot the o n e with th e green bac k— that co n
.
’
The p o rtfoli o with th e red back Loui s D o n t d rop it You , .
fi
me — what do yo u thi n k o f th e drawi ngs ? They have com e
from a sale in a sh ockin g state — I though t they smelt o f
h orrid dealers an d b roke rs fin ge rs whe n I l ooked at the m
’ ’
‘ ‘
The d rawin gs I an swe red requi re carefu l s trainin g
,
’
,
I was ab out to say that th e d rawi ngs are well wo rth all
the ti me an d trouble
M r Fai rli e s udden ly O p ened hi s eye s agai n a nd ro lled the m
wit h a n exp re s si o n o f h elple ss alarm in the di re ctio n o f th e
.
,
wi nd o w .
‘
I e ntreat you t o excus e m e M r H a rtrigh t he said in , .
,
’
34
T H E WO M A N I N W H I TE
‘
A th ousan d than ks M y fan cy I sup p o s e The re a re
.
, .
in th e co n st ructi on o f ch ildre n
’
N atu re s o n ly i de a seem s t o .
Q
o n bal lo o n s o f b u ff colou red cloud - .
’
ui te a m od el fami ly ! sai d M r F ai rlie le e rin g at the .
,
agai n
B ei n g , by thi s ti me quite as anxi ou s o n my s ide as M r, , , .
’
Th e o n ly poi nt M r Fai rl ie that remai n s to b e di scu ssed
, .
, ,
‘ ‘
Ah ! j u st so sai d M r Fai rli e I wi sh I felt st ron g
’
. .
,
mu st settle an d de ci de an d so o n fo r th e m s elve s
,
My niec e ,
.
35 D 2
T H E W O M AN I N W H IT E
fi
m e li ke a kn ife Ye s . G ood m orn in g
.
’
At two o cl ock I desce nde d again to the b reakfast room
,
-
,
36
T H E W O M AN I N W H IT E
VI I I .
’
ske tch of the o ld lady s characte r M rs Ve sey looke d th e . .
, ,
cutlet
M rs V e sey cros se d he r dimple d h an d s o n the edg e o f the
.
37
T H E W O MA N I N W H I TE
y o u please dear
’
.
,
‘ ’
Me rcy o n m e ! i t s a que sti on fo r you r taste my goo d ,
lady n o t fo r mi n e
, S up pose yo u have a little of both ? an d
.
M rs Ve sey
. .
fi
H alcombe wh ose qu ic k eye n othi n g e scape d n o tic ed th e
, ,
‘
d oo r .
‘
I u nde rstand you M r Ha rtrigh t sh e said ; yo u a re ‘ ’
.
, ,
’
That myste ri ou s adve ntu re o f yo u rs sh e sai d stil l , ,
fi
fo rm — large an d te nde r an d quietly th oughtful — but beautifu l
above all things in the clear t ruthfulne ss o f loo k that dwells in
thei r i n mo st depth s a n d sh in es th rou gh al l thei r change s o f
,
l ittle n atu ral h uman blemi she s e lsewh e re that it i s dif c ult t o ,
’
t o n ote the se bl emish es i n an oth e r woman s face bu t i t i s n ot ,
40
T H E W O MAN I N W H I T E
the pen .
a s u sual i nto he r o w n h an ds
, .
‘
Look the re M r H a rtrigh t she sai d poi ntin g t o th e
,
.
,
’
,
4 1
T H E W O M A N I N W H IT E
l on gs t o begi n
M i ss Fai rli e laugh ed with a ready go od hum ou r which -
,
’
I m u st n ot take c redit t o myse lf wh e re n o c re dit i s due ,
M i s s H alcombe an d at me F on d as I am o f d rawi n g I am .
,
’
a nd the re s a n e n d o f i t S uppose we take the m with u s i n
.
, ,
‘
M ay I ve ntu re t o i nqui re why you exp re s s that hope
I aske d .
‘
B ecau s e I shall believe all that yo u say to m e sh e ,
’
I know it by expe ri e n ce n o w .
42 .
TH E WO MAN I N VJ H I T E
the obj ect s o f the natu ral wo rld ami d which we live c a n gai n
o n ou r hea rt s a n d mind s We go t o N atu re fo r c omfo rt i n
t rouble an d sym pathy in j oy only in books
, Admirati on , .
child re n we n on e o f u s p osses s it
, N o u ni n structe d m a n o r .
44
T H E WO MAN I N W H IT E
fi
M i ss H alcombe c ou ld eve r in duce he r t o le t th e advantage in -
o f the o n e lady wh o w a s ri ch .
45
T H E W O M AN I N W H IT E
n eve r to fo rget .
M r H a rtrigh t sh e said
.
,
’
wi ll yo u come he re for a ,
’
mi nute I wan t t o speak to you .
46
TH E WO MAN I N W H ITE
‘
ki sse d i t Phili p ; an d said (o h so earn estly
, I will always ,
’
you ma am a nd to thi n k that I am pleasi ng y o u still wh e n
, , ,
48
T HE W O MA N I N W H I TE
S h e shall have a s tock of wh ite frocks , m ade wi th good dee p
tucks t o le t
, o ut fo r he r as sh e grows
? ’ ‘
see m youn g sh e asked Youn g e n ough to be two or .
‘
An d she was stran gely d re ssed fro m head to fo ot all in , ,
w hite ?
’
Al l 1 n wh ite .
fi
,
‘ ‘
Al l i n white M i s s H alcomb e re peated The mo st
’
? .
‘ ’
Li ste n t o th e las t sente nce s o f th e l ette r said M is s ,
And no w, my lo v e, .
seeing th at I am at th e end of my
49 E
T H E WO M AN I N W H I T E
fon dne s s for l ittle An ne C a th eric k My dear Phi lip alth ough .
,
supe rstitio n .
’
Pray call he r in l ’
.
H u sh h u sh ! S he i s c omi n g o f h e r o wn a c co rd
, S ay .
50
T H E WO M A N I N W H IT E
,
’
th e fe w lette rs o f M rs Fai rli e s writin g wh ich sh e had left
.
I love d h e r .
51
THE W O MA N I N W H IT E
ma n wh o tosse s from him in con tem pt
it I l ove d he r Fe e l .
re solutio n t o o w n th e tru th .
l owed by afte rn oon s and even ings spe nt day afte r day and wee k ,
, ,
re
T H E W O M AN I N W H I T E
we n t u p stairs
- I had lon g si nce learn t to u nde rsta n d c o m
.
,
l oved he r .
53
T H E WO M AN I N WH ITE
fo r hi m I am s orry fo r mysel f .
54
T H E WO M AN IN '
W HI T E
a few mi nute s M i ss H al combe e nte red
In , S h e h ad a .
rathe r absently .
’
I h ave bee n detai n ed sh e said by a con sul tati on with , ,
’
m e about .
s oo n ! ’
last .
‘ ’
I h ave see n you r u n c l e thi s m o rnin g Lau ra sh e said , , .
’
n ot Tue sday .
the l os s .
’
N ay mi ss it s j u st s ai d to be fo r M i s s Fai rlie an swe re d
,
’
addre s s .
’
Lau ra s c orre spon den t be ? Whe re di d you ge t thi s ? sh e
c on ti n ued addressin g th e garden e r
, .
’
Well mis s sai d th e lad I j us t got i t from a woman
, ,
’
, .
What woman
’
A woman wel l stri cke n in age .
a s trange r to m e .
’
Which way di d sh e go
’
That gate sai d th e u nde r garde ne r tu rn in g wi th great
,
-
,
’
C uri ou s said M i s s H alcombe , I supp ose i t mu st b e a
beggin g lette r Th e re sh e adde d handin g th e lette r bac k to
-
.
,
’
,
th is way .
’
n ow .
fra k
n a ov w l to o u I am goi ng to sa — w i th out ph rase
a a y y .
57
T H E WO M AN I N WH I T E
th e woman in white B ut n o w M i ss Ha lc o m b e s o wn wo rd s
.
, ,
’
wi thout a result .
’
As you r fri end sh e p roceeded I am goi ng to tel l you
, , ,
h ave di scove re d you r sec ret — with out hel p o r hin t mi n d from , , ,
fi
le s s deli cately an d le ss m ode stly I sh oul d h ave told yo u t o ,
’ ’
leave th e h ouse with out a n i nstant s n oti ce o r a n in stan t s
, ,
failed me .
5 8
T H E WO M AN I N W H I T E
of
‘
my l os s o f self co nt rol - Li ste n to m e a nd le t us get i t
.
,
the hard an d crue l que sti on as I thin k it— o f social i nequa lities .
a teache r o f d rawi ng
S he waite d a m ome nt ; tu rn e d he r face full o n me ; and ,
‘
C rush i t ! she said
’
H e re wh e re you fi rst saw he r
.
, ,
59
T H E W O MAN I N W H I TE
’
Y ou have p roved i t al ready sh e an swe re d by th os e , ,
fi
welc ome d i t n o r sh ran k from it— sh e w a s c onte nt to make i t
, .
t o you r advice .
’
60
TH E WO MA N I N W H IT E
necessi ty o f settin g the pu rp le roo m in o rde r Th e vi sit o r .
I kn ew n ow th e m em o ry o f M is s Fai r l ie s l ook a nd m an ne r
,
’
‘ ’
Le t me go to da y I said bitte rly Th e so one r th e
-
, , .
’
bette r .
N o ; n o t to day sh e replie d -
Th e only reason you c a n
,
’
.
, , .
H a rtrigh t fo r yo u a n d fo r all of u s
’
.
, ,
o l d m o the r a n d of my si ster
,
wh o h ad rej oi ce d with he r s o ,
an d u n settled n ow , .
su re o f my
g ratitude fo r you r fo rbearan ce an d my O bedience
62
T HE W O MA N I N W H I T E
A n d yet I di d con n ec t hi m with them
, . W a s i t be cau se h e h a d
n ow becom e as sociate d i n my mind with M i s s Fai rlie M i ss
Fai rli e bei n g in he r tu rn associate d with An ne C a th eric k
, , ,
h ead s.
the room .
M r H a rtrigh t sh e said
.
,
’
I had h oped that all painfu l
,
fi
house w ith a letter addre ssed in a stran ge handwritin g to
,
.
, ,
M i s s Fai rli e
Ce rtai nly .
’
64
T HE W O MAN I N W H IT E
in th e h ou se o r out of it wh o c a n advis e me
, M r Fai rlie in , . .
,
. .
-
, .
beautiful wh ite s ilk dre ss an d you r l ong white lace veil that , ,
6 F
5
fifi T H E WO M AN
pale face an d was bald ove r th e forehead but had dark hai r
,
o n th e re st o f hi s h ead
H e had a
.
,
,
,
,
.
-
‘
I looked al on g th e tw o rays o f light ; an d I sa w d own
i nt o h i s i nm os t heart I t was blac k as n ight ; and o n i t we re
.
‘
B elieve too M i s s F airli e — I beg o f you fo r you r o wn
, , ,
any s ort .
66
T H E WO M AN I N W H ITE
d istin guish it .
’
That i s n ot a n illiterate lette r said Mis s H alcomb e a nd , , ,
d o yo u thin k M r H a rtrigh t
, .
i n that light t oo
’
, .
o n f ‘
the las t s e nte nce o the lette r : You r m othe r s daughte r ’
my best my on ly fri en d
, Th ose word s an d th e d oubt which
.
’
lite ral l y afraid t o expre ss ope nly o r eve n t o e ncou rage se cretly , .
thin g u n expe cte d that was s aid always t o the same hidde n ,
’
su l tin g M r F airlie s legal advi se r to m orrow
. I s th e re n o - .
fi
p os sibility o f commun icati ng with hi m earlie r Why n ot to
day
‘ ’
I can o nly explain replie d Mi s s H alcombe by e nterin g
, ,
67 F 2
T HE W O M A N I N W H I T E
u nti l to m orrow
-
M r G ilm o re i s th e o ld an d tri e d frie n d o f
.
o f h ope o f th e vague
, charge s a gain st S i r Pe rcival Glyd e
which th e an onym ou s lette r contai n ed What i f th ose wild .
68
T H E WO M AN I N W H IT E
fi
stopped o n a sudden to as k an imp o rtan t qu e sti on before
fi
, ,
we set forth .
trust o f him .
‘ ‘
Accu rately M i ss H alco mb e conti nued
, eve n t o th e ,
remembe r right
‘Ye s
a n d me ntione d co rrectly
,
H e t reats i t lightly hi m .
‘
I supp o se n o whi spe rs h ave eve r bee n h eard agai ns t hi s
ch aracte r
M r H a rtrigh t ! I h ope yo u are n ot u nj ust e n ough to
.
h a d i nflue nce d me .
‘ ‘
I hope n ot I an swe red c on fusedly ,
’
Pe rhap s I h ad , .
’
n o right t o a sk th e que sti on .
’
I am n o t sor ry you aske d i t sh e s aid fo r i t en able s m e , ,
’
t o d o j u stice to S i r Pe rcival s reputati o n N o t a whi spe r .
,
fishe d }
I open e d th e doo r for he r in sile nce an d foll owed he r o ut , .
69
T H E W O MAN I N W H I T E
u s.
The vi llage lay s outhward of th e h ouse . S o t o th e village
we we n t n ext .
the gene ral rule o f total ign o rance affo rded n o m o re real
assistance to u s than th e mass of the i r u nhelpfu l a nd u no b
fi
se rvant n eighbou rs .
‘
I am afraid th e sch oolmaste r mu st have bee n o ccupie d
‘
wi th h i s s ch olars sai d M i s s H alcombe j u st at th e tim e
,
’
,
at th e wi n dow an d lo oked in .
, ,
from all the rest o n a stool in a co rne r— a forl o rn little Cru soe ,
70
TH E WO M AN I N W H ITE
what i t i s I wan t .
’
fi
. .
‘
We m ay as wel l retu rn t o th e house M r H a rtrigh t , .
,
’
Y o u foolish b oy
9
sh e said why d o n t you beg M r ’
.
, ,
S tu ff an d n on sen se ! Y o u sa w n othin g o f th e ki nd .
An d what was i t li ke ?
Arl 1 n wh ite — as a ghaist sh ould be an swe red the gh o st ,
’
An d whe re was i t ?
A way yande r , i n t ki rkyard— whe re a ghai st ou ght to be
’
.
’
72
T H E WO MAN I N WH I TE
‘
As a ghai st “
sh ould be— wh ere a
ghai st ought to “ ”
, .
‘
Excu se me M i ss H alcombe he sai d i f I ve ntu re t o say
, ,
’
‘
I wi ll me rely as k o n e m ore M r D emp ste r an d the n I , .
,
’
shall be quite sati sfied Well sh e c ontin ued tu rni n g to the .
, ,
b oy a n d wh o se gh ost was i t
,
‘ ’
T ghais t of M i stre ss Fai rli e an swe re d J acob in a
’
whi spe r .
‘ ‘
I t i s u seless sh e said t o hol d such a child as that
,
’
,
, ,
‘
I hope — i nde ed I am su re M i s s H al combe — that yo u
, ,
‘
are mi stake n sai d the schoolmaste r
,
’
Th e matte r be gi n s .
73
TH E W O M AN ’
IN W H IT E
han d s to m o rrow ?
,
-
m e th e lette r to read .
’
‘
I supp os e you had you r reason s M r Ha rtrigh t fo r , .
,
fac e
.
What p ers on
‘
The scho olmaste r u n con sci ou sly t old you Whe n h e .
N o t An ne C a th eric k
74
‘
T H E W O M AN I N W H IT E
o ff
.
‘M r H a rtrigh t sh e we n t o n ‘ ’
I will sh ow you the
.
, ,
si t with h e r .
’
‘
I n ee d go n o farthe r with y o u s aid M is s H alcom be ,
’
,
‘
p ointi ng to the grave You w ill l et m e kn ow if you fi n d
’
75
T H E WO M AN I N WH ITE
fi
l eadin g down i n to a des erte d ston e quarry Again st o n e .
t o work an d clean i t .
fi
occasi on s I saw a fi gu re on th e b road grave l wal k u n de r my
win dow . I t w a s M is s F ai rli e .
my o w n heavy h eart .
77
TH E WO MAN I N W H IT E
grave .
XI I I .
’
th e othe r side of th e ch u rch a n d th e voice was a woman s .
wi th ou t a w o rd H e we n t h i s way a n d I we n t mi n e ; an d
'
7 8
T HE W O MA N IN W H ITE
li ttle stre am ra n i nto the chu rchyard u nde r a ti ny archway in
th e botto m of the wall an d ra n ou t agai n afte r a win din g
, ,
’
D o n t b e frighte ned I said ‘ ’
S u rely you re me mbe r .
, ,
’
me ?
I stoppe d whi le I sp ok e — the n advan ced a few step s
— —
ge ntly the n stoppe d agai n an d so app roached by little
a n d little till I was close to h e r I f th e re h ad bee n any
, .
forgotte n that
H e r featu re s relaxe d an d sh e d rew a h eavy b reath o f
,
‘
D o n t atte mpt t o sp eak to m e j u st yet I we n t o n
’
, ,
’
.
‘
Take tim e to recove r yourself take ti me to feel quite -
’
ce rtai n th at I am a frie n d .
‘ ‘
You are ve ry ki n d t o m e sh e mu rmured A s kin d ,
’
.
’
n o w as y o u we re the n
,
.
80 »
T H E WO MAN I N W H IT E
what I h ad j us t sai d to h e r .
’
D o n t yo u remembe r my tellin g you whe n we last me t , ,
‘
At L im m eridge H ouse ! ’
H e r pale face brighte ned as
s h e repeate d the wo rds ; he r wande rin g eye s fi xed o n m e
‘
w i th a sudde n i nte re st Ah h ow happy yo u must h ave
.
,
in Ann e C a th eric k fi
.
-
sa w it all th e m o re clearly becaus e th e
p oints o f diss imilarity betwe en th e two we re p re sented t o m e
as wel l as the p oi nts o f re semblance I n th e ge n eral outlin e .
8 1 G
T H E W O M A N I N W H ITE
ut te ran ce Wh at i s i t
.
‘
I cam e with a frien d w h o i s ve ry go od to m e I ha ve .
t1 o n on ce m o re .
’
I can t help comi ng back to go o n with i t to day I s there - .
82
T H E WO M AN I N W H ITE
.
‘
th e hard pa rt sh e we n t 0 11 a l ittle vacantly
,
’
I t was e asy ,
.
’
than k you at th e tim e I than k you n ow ve ry k indly , .
whe re i t w a s .
’
fi
th e sp ot whe re I had seen h en— a n d then with eviden t su s ,
‘
Ye s I t was ve ry late ; b ut the re was a gi rl u p at
.
M rs Fairlie !
.
’
‘
I s M rs C leme nts a n o ld frie n d o f you rs ? H ave you
.
An n e c om e t o me
, I h ave n o h usband alive to sa y m e n ay
.
,
”
an d n o childre n to l ook afte r ; an d I wi l l take care o f yo u .
fe a r t o each other .
’
84
T HE W O M AN I N W H ITE
tal k of M rs C l eme nts M rs Clemen ts is li ke y o u sh e
. . .
,
b o dy f
‘
H e r misfo rtun e I n what sen s e was sh e u si n g th at
.
‘
Th e mi sfortun e o f my bein g shu t u p she an swe red ,
’
,
‘ ’
The re I S anothe r mi sfortune I said to whi ch a wom an
may be liable an d by which sh e may S tiff e r life lon g s orrow
, ,
a n d shame
’
.
‘
The m isfortu ne o f believin g to o i n no ce n tly in h e r o wn
'
an swe red .
85
T H E WO MAN I N W H ITE
N e ve r m i nd I an swered L e t u s go o n wi th wh at w e
,
’
.
’
C le me nts till we b oth came to thi s place two days ago ,
.
,
’
‘
sh e wen t 0 11 an d they h ad ofte n asked he r to go an d see
,
the way barefoot to ge t th ere a n d see the sch ools and the ,
What i s i t
They will teas e me ab out d re ssing all i n white — they sa y
i t l ooks s o particular H ow d o they kn ow ? M rs Fai rlie . .
man ne r , a n uneasy con sci ousn e ss o f the ris k she had run i n
86
THE W O M AN I N W H I T E
for you r s ak e ! O h M rs Fairli e ! M rs F ai rli e tel l me h o w
, . .
tell m e wh at t o do fo r th e be st .
’
o r you wi ll make me al te r my O pi ni on o f D o n t le t m e ’
y o u .
‘
Tal k o f somethin g el se sh e sai d whi spe rin g th rough ,
’
,
’
I t was evi den t th at the impressi o n left by M rs Fai rlie s .
88
TH E W O M AN I N W H IT E
thin k o f anythin g bu t th e n ece ssity a nd the h u manity o f
restorin g he r c omp osu re .
‘ ’
Y o u want s omethin g sh e an swe red sharply an d s us , ,
p ic i o u sly D. on t loo k at me li ke th
’
at S p eak to m e ; tel l .
’
me what yo u want .
‘
I only wan t you to quie t you rself an d wh e n you a re , ,
‘ ‘
Ye s ye s I said ; I wi ll help yo u ; an d yo u will s oo n
, ,
’
fi
Ah M i s s Fai rlie — Fai rlie — Fai rli e
Th e me re utteran ce o f th e love d famili ar n ame see me d t o ,
‘
You n ee d h ave n o fear o f M i s s Fai rlie I conti n ue d ; ,
’
Clements .
’ ’
I m comin g I m comin g c ri ed th e voic e fro m beh in d
the clump of dwarf t ree s .
‘ ’
Who are yo u ? sh e cried facing me res olutely as sh e , ,
89
T H E WO M AN I N W H IT E
,
’
o nly frightened .
‘
Yes yes sh e said ;
, h e w a s good t o m e on ce ;
,
’
’
h e h elp ed me S h e wh isp e red th e res t in to h e r frie nd s
ear .
’
h ome n ow .
moor .
‘
Try to forgive me I said whe n An n e C a th eric k to ok ,
’
,
’
h e r frie nd s arm t o go away I nn oce nt as I had bee n o f any .
‘ ’
I will try sh e an swe red B ut y o u kn ow too much ;
, .
’
I m afraid you ll always frigh ten m e n o w
’
.
’
p ityingly .
Go od n ight si r h e said
‘ ’
Y o u could n t hel p i t
’
s , , .
,
90
T H E WO M AN I N W H ITE
’
O u r dai rymaid he re i s the farme r s secon d daughte r S h e .
‘ ’
I ca n s peak t o h e r to morrow said M is s H alcombe -
, ,
‘
whe n the se rvan t h ad left the ro om agai n I n th e m ean .
’
My si ster s futu re i s my deare s t care in life ; an d I h ave
i n fl u en ce e n ough ove r he r to give me s ome p owe r whe re h e r ,
92
T H E WO M A N I N W H IT E
s ee hi m 0 11 a m atte r o f bu si ne ss .
it I mu st go
, Th e c on sci ousn e ss o f h avin g n o w take n th e
.
‘ ‘
wi th M r Fairli e s ki n d c ompli men ts
.
’
bes t than ks and ,
’
,
’
93
T H E WO M AN I N W H ITE
‘
H avi n g stated h i s opi ni o n — so far that i s to sa y a s , ,
righ t that h e m ay go .
’
h er t o th e farm .
H e h as allowed m e to go M i s s H alcombe , .
’
94
T H E W O M AN I N W H IT E
’
dai rymaid w h o as I told you i s o n e of M r Todd s daughte rs ;
, , , .
the b urial grou n d yes te rday eve nin g which c a n at all accou n t
-
for the extrao rdi nary departu re o f those two wome n thi s
m o rn m g
’
.
‘
I sh ould like to accoun t fi rst M i ss H alcombe fo r the , ,
e n ough had e lap sed to qui e t any vi ole n t agitati on that I migh t
h ave bee n u nfortunate e n ou gh to cau se Di d yo u i nqui re .
divide d h e r atten tion that eve nin g with the talk in th e farm , ,
fi
’
abou t each othe r .
’ ’
The dai rymai d s me mory may be be tte r th an he r m othe r s
’
,
,
’
’
You r siste rs tol d yo u th e n ews at Todd s Co rne r I ,
’
suppos e ?
’
Ye s miss , .
‘
An d yo u told the m th e n ews at L im m eridge H o us e
Yes mis s An d I m quite su re n othin g was said t o
, .
’
ill
. I t gave m e qu ite a tu rn miss to see it n eve r h avin g b ee n , , ,
‘
Oh yes mi s s ; I me ntione d th at sai d th e girl simply
, , ,
’
.
97
VV O M AN
‘
TH E I N W H ITE
'
‘
Did you m ention n ames ? D i d you t ell them th at S i r
Pe rcival Glyde was expected o n M on day
‘
Ye s mi ss — I told th em S i r Pe rcival Glyde was comin g
,
.
’ ’
I hope the re was n o h arm in i t ; I h op e I did n t d o w ro n g .
‘
O h n o n o harm , Come M r H a rtrigh t ; H an n ah will
.
,
.
we re al one again :
I s the re any doub t i n you r min d n ow M i s s H alcomb e , ,
‘
S i r Pe rcival G lyde sh al l rem ove th at doubt M r H art , .
Gi lmo re h ad arrive d .
fi
, ,
98
T H E W O M AN I N W H IT E
forei gn sh ore .
h ave most c re ditably and p rope rly take n i n the proce edin gs
I OO
T H E WO M AN I N W H IT E
c eedi n g
‘
J u st so my dear sir— j u st so
, I am a n old m a n ; an d I .
an d pai nt I h ea r M r Ha rtrigh t
, E nviable accomp li shme nt
, . .
What style ?
We droppe d i n to ge ne ral conve rsati on — o r ra th e r M r , ,
.
101
T H E WO M AN I N W H ITE
i t the re an d the n
,
an d re tu rne d at o nce t o th e h ou se .
‘ ’ ‘
N o n o sh e said e arn e stly a nd ki ndly leave u s like a
, , , ,
tg
r
em .
ren ew the golde n bygon e time — the time that could n eve r
c ome again S he h ad p ut o n the d re s s which I u se d t o
.
admi re m ore than any othe r that she pos ses sed — a dark blue
silk t ri mme d quai ntly an d prettily with o ld fashi on ed lace ;
,
-
1 02
T H E W O M AN l\ . V HI T E
W e retu rn e d to th e d ra 1vi 1; -
r1 1 —tl 1 e
roo m i n wh ic h
the happiest even ings o f my life ve e n
p as s ed th e ro o m
which afte r this last n ight I “ a .
s w e t o see ag ai n I ts .
. ,
s 1 1 1
”
from O b se rvi ng it I sa w M i . I l i e l i n geri n g n ea r th e x
me o f he r o w n acco rd .
—
at m e th en looked bac k ag i n I n mus ic a .
’
Won t you take you r o ld p la c she said speaki n g ve ry t
,
ab ru ptly an d in ve ry lo w t one
,
s
‘
I may take it o n the last 11 1 : l1 t an swe red 1
.
’
‘
I am ve ry s orry yo u a re gc ir sh e said h e r v o ic e ,
’
,
‘
I s hall remembe r th ose k ind “rds M i s s Fai rli e l on , ,
o '
1 04
Even M rs .
a t th e sudden ces sa t i o n o f
a sk ed Miss
a t th e p la c e
l o c cu p ed
i .
sh e was r i gh t ; and I
As I l eft pia n o ,
th e
usic , a nd to uch ed th e
y to p la y th e
the do o r, a nd th e fi rs t t o
M r Hartrigh t sa id th e old
’
. ,
a re go i ng a wa y Y o u ha v e.
and an o ld woma n , li k e m e,
T HE W O M AN I N W H IT E
W e retu rn e d t o th e d rawi ng room tl 1 e room in which - -
the s oft twi light obscu rity i n which we u se d to sit the b righ t
, ,
m e o f he r o wn acco rd .
‘
I am ve ry s orry you are going sh e s aid he r voic e ,
’
,
n otice d m h er befo re .
‘
I shall remembe r thos e kin d words M is s Fairlie long , ,
1 04
T H E W O M AN I N W H ITE
o u a kin d good by
’
-
y .
‘
I h op e We shall have a futu re O ppo rt unity o f bette r i ng
o u r acquai ntance M r H a rtrigh t Y o u quite u nde rstand
, . .
voyage a s th e F ren ch sa y
,
.
’
M is s H alcombe followed .
’
H alf pas t s even to morrow m orn in g sh e s aid ; then
- -
,
added in a wh ispe r
,
I have h eard an d s ee n m ore than yo u ,
life
.
’
next m orn i ng .
‘ ’
My departu re must be a ve ry early o n e I said I ,
.
m on th s
H e r v oice failed h e r h e r hand cl osed ge ntly roun d m in e
"
the n droppe d i t suddenly B efore I could sa y Go od n ight .
, ,
’
B ette r s o sai d M is s H alcombe when the d oo r had
, ,
1 06
T H E W O M AN I N W H ITE
m oi s te n ed i n S p ite of me
,
.
"
I wi ll trust yo u — if eve r th e ti me comes I wi ll trust you ,
’
as my frien d a nd 126 7 fri en d a s my broth e r an d 126 ? b rothe r .
my tu rn an d left i t fo r eve r
, .
‘ ‘
I only wen t i nto th e d rawin g ro om sh e said to l oo k -
,
’
,
10 7 .
T H E WO M AN I N W H IT E
in whi ch we h ad fi rst m et The pape r trembled in h e r han d .
-
he r.
’
y o u
, for n o t lettin g me go away with out biddin g you good by - .
,
’
, .
— ‘
th e d oo r had clo s e d up on h e r th e gre at gulf o f separati on had
ope ned be twe en u s— th e image of Lau ra Fai rlie was a mem ory
o f the past alre ady
1 08
T H E W O M AN I N W H ITE
’
c an t play at whi st a n d they can t pay a l ady a c ompli me nt
’
.
h ou se was n ot wh at it u se d to be i n th e ti me of M r an d M rs . .
e ithe r .
retu rni ng ag a in and again t o the subj ect All I c ould asc er .
1 10
T H E WO M AN I N W H IT E
’
tai n was that he lo oke d o n hi s n iece s m arriage as a settle d
thing that he r fathe r had sanctione d i t that be san ction ed i t
, ,
the settleme nts if I wou ld con sult hi s niece and afte r ward s
, ,
, I n the me an time .
,
why te ase hi m
I might pe rhaps h ave bee n a little aston ished at thi s
, ,
n othin g All othe r subje cts sh e pu rsue d wi llin gly ; but thi s
.
11 1
TH E WO MAN I N WH I T E
, ,
o riginal in o u r han ds .
1 12
. T H E WO M AN . I N W H I TE
, ,
—
My O pi nio n i s that .
‘
I h ope S i r Pe rcival yo u d on t d o me th e i nj ustice to
, ,
’
’
Le t m e beg you t o write the n ote h e sai d a s a favou r , ,
1 14
TH E W O M A N I N W H I TE
h oun d wa s lyi n g on th e rug H e he ld o ut h i s hand , and
'
’
C ome N in a h e said ; we remembe r e ach othe r d on t
, , ,
’
. I f so I ,
to o .
H e b owe d ; took i t .
M i s s H alcombe .
‘
I be g you wi ll p ost i t h e an swe red An d n ow th at i t ,
’
.
D i d she se e you
’
NO .
yard h e re P
’
N obody else .
fi
M r Ha rtrigh t wa s employe d a t Lim meridge a s a d raw
.
i ng maste r I be li eve
-
I s he a me mbe r O f o ne o f th e Wate r
,
1 1 5
T HE W O MA N I N W H I TE
’ ’
Y es At a farm o n the m oo r called Todd s Corn e r
.
, .
kin dly u nde rtak e t o give he r the n ece ssary explan ation d e ,
the cross grai ned greyh oun d p oked o u t he r sharp muzzle from
-
already .
’
‘ ’ ‘
Y es sh e an swe red ; n o d ou bt
, I am ve ry glad you r .
mi nd i s satisfie d .
’
‘
My mind ! S u rely with that n ote in you r hand you r , ,
min d i s at eas e to o ,
‘
O h yes — h ow c a n i t b e othe rwis e ? I kn ow th e thin g
,
’
could n o t be sh e we n t o n speakin g m ore t o h erse lf than t o
, ,
‘
ably with the affai r o f th e lette r I said ; a n d I readi l y admit ,
’
that he c ondu cted h imself all thing s con side red with great , ,
stan d what u seful i nflue n ce h is pre sen ce could have exe rcised
in relatio n t o the e ff ect o f S i r Percival s statement o n you r min d ’
o r mine
’
.
‘ ‘
w
I t a s only a fancy she said abse ntly The re 1 3 n o ’
fi
.
, ,
1 16
TH E WO M AN I N W H IT E
chan ge in M i s s Fairlie .
I t ran as follows z
fi
M A D AM I beg t o ackn owledge th e recei pt o f you r lette r
,
-
,
, , ,
sharp short t on e o f i t
, H e told u s that M rs C a th eric k was . .
sp ok e .
T H E WO MAN I N W H IT E
.
The n ext duty to be accomplished n ow th at th e a nswe r ,
hand .
‘
I f we are friends o f S i r Pe rc ival s wh o kn ow hi m an d ’
,
‘
pose d We are S i r Pe rcival s friends and if ge ne rosity
.
’
me ”
’
Yes I saw you ridin g away t ogethe r
. .
tw o subj ects she s eri ously desi red that h e s h ould wi thd raw
,
,
’
as m uch .
1 19
T HE WO M AN IN W H IT E
‘
I accuse n obody an d I suspect n othin g she b roke o u t ,
’
,
‘
ab ruptly . B ut I can n ot an d will n ot accept the respo ns ibility
o f pe rsuading L a u ra to thi s marriage
’
hi s message .
‘
S u rel y I said you don t mean t o i nfe r that whe n S i r
,
’
,
’
as yo u have j u st me ntion ed P
H e r fran k fearless face answe red for h e r before sh e
,
sp oke .
in my p rofes si on .
‘
'
1 20
‘
T HE WO M AN I N WH IT E
, ,
h e heard o f i t .
Th e n ext m orning b
a s s oon as breakfast was ove r I we nt
, ,
s ide an d which she had evide ntly bee n l ookin g ove r whe n I
,
from obj ect to obj ect i n th e ro om ; betrayin g plai nly that she
suspected wh at my p u r pose was i n com i ng to speak t o he r .
1 22
T H E WO M AN I N W H IT E
‘
I am ve ry s orry you are go in g lM r Gi lm o re she said , .
,
’
,
‘
l ookin g at me kindly I t 1 5 like th e happy o ld tim e s to h av e
.
’
you he re .
‘
I h ope I may b e able t o com e back an d recall th os e ,
’
pleasant me mo rie s on ce m o re I conti nue d ; b ut as the re i s ,
P e rcival Glyde
’
.
‘ ‘
I t i s ne ce ssary to refe r t o it I an swe red ; but n o t t o ,
’
, ,
‘
I f it doe s happen sh e began fai ntly if I a m ’
,
’
I f you are married I added h elpin g he r o u t , , .
1 23
T HE W O MAN I N W H I T E
’
D on t let h im p art m e from M ari an sh e cried with a
’
, ,
‘
su dde n outbre ak O f e ne rgy Oh M r Gilmore p ray mak e .
, .
,
‘
You r havin g M arian H a lcombe to live with you c a n ,
‘ ’
e asily b e settle d by p rivate arrangemen t I said Y ou , .
you li ke the m on ey to go t o P
M arian h as bee n m othe r an d si ste r b oth to me said th e ,
’
’
Ce rtainly my love I an swe red
, Bu t reme mbe r wh at
, .
H alcomb e P
S he hesi tate d h e r c olou r came an d went and h e r h and
stole back agai n t o th e little album .
’
N ot all of i t sh e said , The re i s s ome on e else be side s .
,
Marian
S h e stopped ; h e r colou r h ei ghten ed ; and th e fi nge rs o f
th e han d that re ste d up on th e albu m beat gently o n th e
margi n O f th e d rawing as i f he r mem o ry h ad se t the m ,
‘
Y o u mean som e othe r m ember O f the fami ly be side s
’
M is s H alcombe ? I su gge sted seei ng h e r at a los s t o ,
p roce ed .
‘ ’
The re i s s om e o ne else sh e said n ot n oticin g my last , ,
1 24
TH E W O M A N I N W H IT E
o f any kind i s i nexp res sibly inju rious t o me Pray take care .
, , ,
alon e .
Yes I replied
,
’ ‘
S he 1 5 ve ry weak a nd ne rvou s —I am
.
‘
Y o u are alte rin g you r O pi nio n abou t Lau ra sh e said
'
’
.
,
yeste rday .
’
words sh e left m e .
’
I f y o n are eve r i n my n eighb ou rh ood h e said p ray d on t ,
’
A really i rre sisti ble m a n cou rte ous c on side rate delight -
, ,
h is W ife .
1 26
THE W O MAN I N W H I T E
fi
O n th e eighth day a lette r in he r han dwriti n g was p laced
,
12
7
T HE W O MA N IN WH I TE
p ortance I warn al l reade rs O f the se line s that M i ss Fai rlie s
.
’
’
i nhe ritance i s a ve ry s eri ou s part O f M i s s Fai rli e s st ory ; a nd
that M r Gilm ore s expe rie nce i n thi s particular mu st b e
.
’
, ,
Arthu r .
Un cle F rede rick s d eath i f the said F rede ri ck d ied with out
’
’
Except i n th e event then o f M r F rede ri ck Fai rlie s ,
.
, .
.
,
p e et s i n ma
1 28
T H E WO MAN I N W H ITE
fi
Th e i ncome would be at th e wi fe s disp osal a nd th e p rin cipal ’
,
, ,
S ide.
’
,
.
1 30
TH E W O M A N I N W H ITE
t o the m
‘
N ot admi ssible The p ri nc ipa l t o go t o S i r Pe rcival
.
bei ng n o i ssu e .
’
y .
,
fi
‘
came back i n a quarte r O f a n h ou r My dear si r M is s . .
’
Fai rlie s s ettle me nt I mai ntai n th e re d i nk t o which you
.
’
slang o f th e day w e we re n ow b oth at a d ead lock and
, ,
1 31
T HE W O M AN I N W H IT E
fi
Mr Fairli e s an swe r r eached m e by retu rn o f p ost a nd
.
’
,
n o t mak e it P
, .
,
.
this clas s .
resolute — an d h e w on t take it o ff ’
M e rriman I l eave de .
,
con side r m e as havin g pe rso n ally withd rawn from the bu sines s
”
u ntil i t i s all ove r Th ose we re S i r Pe rcival s w o rds a fo rt
.
’
I am n o t a hard m an M r Gilmo re as yo u kn ow ,
Pe rsonally .
, .
his i nte rests in my s ole care wh at cou rse c a n I p ossi bly take ,
1 32
T H E WO MAN IN W H IT E
Q
Asylum S i r Pe rcival wante d to question hi m at on ce bu t I
.
, ,
s aid ,
No uesti oning hi m wi ll only pu t him o n hi s gu ard
.
”
watch him an d wait ,
We sh all s ee what h appe n s
. A .
y o u
. .
ought t o be .
i ndependen t an d th e h on ou rable c ou rs e
, I t w as a p oo r .
1 34
T H E WO MAN I N W H IT E
.
a ai n
g
H i s face looked pale a n d haggard — h is m anne r was
.
_
‘
I heard fro m M i ss H a lc o m b e lately I am aware that S i r .
M r Gilm ore P
.
to s ee you n o t lookin g s o we ll as yo u we re wh en w e la s t
’
I h ad n o righ t t o as k about he r marriage h e s aid b i tte rly , ,
.
‘
I mus t wai t to se e i t i n th e n ewspape rs like oth e r pe ople .
‘
’
w he re I go what th e climate 1 5 o r h O v lo ng I am away
,
He ,
.
’
I wi sh yo u wel l th rough it a n d safe back agai n I said , ,
’
an d th en added so as n o t to keep hi m altoge the r at arm s
,
‘
len gth o n the subj ect o f th e F ai rlies I am goin g d own to ,
1 35
T H E WO M AN I N W H ITE
Yorkshi re .
’
M r H a rtrigh t s future
.
’
.
m e that they hu rri ed and bu stled absu rd ly and made all s orts ,
1
36
T H E WO M AN I N W H I T E
'
‘t o
said ,
se rve th e i nte rests o f you r n iece a n d you r family
l
a nd I thin k I h ave e stabli shed some 5 ight claim t o be
’
favou red with you r atte n ti on i n re tu rn .
‘D on t bully m e ’
! e xclaime d M r Fai rlie fallin g back ’
.
,
’
helple s sly in th e chai r a nd cl osing hi s eye s f Please d on t ,
.
’
bully m e I m n ot st ron g en ough
.
’
.
‘ ‘
My obj ect I we n t o n i s t o e nt re at you t o rec on side r
,
’
,
’
cas e t o you once m ore an d fo r th e last ti me ,
.
’
N eve r mi n d go o n .
You
d ear o ld Gilm ore h ow you d o hate rank an d family ,
’
d on t you ? H ow you dete st Glyde be cau se he happen s t o ,
’
D on t shake the ro om cried M r Fairlie for H eaven s .
’
’
sa k e d on t shake the room
,
-
Worthi est o f a ll p ossib le
1 38
T H E WO MAN I N W H I TE
’ ’
We are a p ai r o f Radicals Pleas e don t be angry I can t . .
j e ct ? Ye s C om e and look
. at thes e sweet etch in gs D o .
‘ ‘
Y o u are enti rely w ron g s i r I said in supp osin g that , ,
’
,
‘ ‘
Would he re ally G i lmore ? sai d M r F ai rlie If he
,
’
. .
i mmedi ately .
’
‘D o n t — ‘ ’ ’
! n ow please don t ! s ai d M r Fairli e Th in k
’
. .
’
h ow p reci ou s you r time i s Gi lmo re ; an d do n t th row i t away ,
.
quietne ss positively N o ,
S it down again — do
I walke d at o nce to th e door a n d M r Fairlie resign edly .
’
Whateve r happen s in th e futu re si r I s aid remembe r , , ,
o n the th re shold .
‘
Lou i s said M r Fai rlie
,
’
sh ow M r G i lm ore o u t a nd
.
, .
,
’
Tell m e quietly my darlin g what yo u wish t o do I said
, , , .
’
all o u r s ake s I mus t hav e c ou rage e n ough t o end it
,
.
’ ’
N o sh e said simply
, Cou rage dear t o tell the tru th
, .
, ,
.
‘
went o n Whateve r way i t e nds it mu st e n d wretchedly
.
,
th e falseh ood .
’
si len ce .
about me .
’
I h ave th ough t o f th is love for m any days sh e we nt o n
, , , ,
— ‘
a n d so v a i nly t o cu re he r o f I have th ou ght o f i t ve ry
se ri ou sly a n d I can be s u re o f my cou rage wh e n my o w n
, ,
I 43
T HE W O MAN IN ,
W H ITE
M o z a rt which po or H a rtrigh t was so fo n d of sh e h a s never
'
, ,
fi
d ecide hi s futu re life an d h e evide ntly knew it .
o u r lips me t .
’
Leave i t the re to night sh e wh ispe red to m orrow may
-
,
-
farthe r P
S i r Pe rcival b owed S he h ad p roceed ed thu s far with pe r
.
,
‘
I have h eard from M arian sh e w ent o n th at I have ,
’
,
said when I con sented t o our e ngagem ent P I ventu red t o tell
you that my fathe r s i nfluence a n d advi ce h ad main l y decided
’
wish es too .
’
‘
M a y I ask he said ’
if I have eve r p rove d mys elf u n
, ,
sw ered You have always t reated m e with the same deli cacy
.
1 46
T H E W O MAN I N W H I TE
min e .
’
.
,
s ide fo r withdrawin g P
,
‘The re i s a change
in me S i r Pe rc ival — a chan ge which i s ,
i ng o ff ou r e ngage me nt .
’
’
I have h eard sh e s aid an d I beli eve i t that the fon des t
, , ,
L 2
T H E W O M AN I N WH IT E
I was dete rmi ned to make him declare him self fo r Lau ra s ,
’
sake .
from he r .
’
‘ ’
Pardo n m e M is s H alcombe h e said sti ll keepin g hi s
, , ,
c laimed n o su c h righ t .
’
‘
I h ope I have n o t made my painfu l ackn owledgme nt in
‘
vain she co nti nued
,
’
I h O p e i t h a s secu red me you r e nti re
.
confusion which i t was very sad and very pai nful to see .
1 48
T H E WO M AN I N W H IT E
myse l f.
‘ ’
I gratefully accept you r faith an d truth h e said T he , .
rose t o he r feet .
’
I mu st submit M arian a s wel l as I can sh e said
, My , , .
‘ ’
I mu st part from eve ryth ing that remin ds m e o f him ,
sh e said . K eep the key whe reve r you please — I shall neve r
want it agai n .
’
Oh Lau ra ! Lau a
, I said n ot angrily n ot rep rovingly.
, ,
—with n othin g bu t s o rrow in my voice an d n othi ng b u t ,
s orrow in my h eart .
‘
I t the last time Marian sh e pleaded
I S I am biddin g
, ,
’
.
i t go od bye fo r eve r
- .
’
c u t it o ff an d pi nn ed i t carefu l ly i n th e fo rm o f a ci rcle o n
, , ,
1 50
Vv H I T E
’
TH E WO M AN I N
‘
Y ou write t o hi m a n d h e write s to you she said
, ,
.
I o th —
Fin din g that sh e w a s composed an d like he rself
.
,
my rem on st rance s .
’
mind , that h e was guiltle ss of havin g felt eve n a mome nt s
1
51
T HE W O M AN IN W H IT E
engagement altogethe r .
1 52
T H E W O M AN I N W H IT E
’
M arian l h ow I e nvy yo u you r robu st ne rvou s system D on t
ban g th e d oo r
O n goin g to Lau ra s room I foun d that sh e h a d aske d fo r
’
,
‘
My u ncl e i s right sh e said I have cau se d trouble ,
’
.
‘ ‘ ’
I am held t o my e n gage me nt sh e replied ; I h ave ,
’
e n ough ; an d I wi ll cause n o m o re .
1 2 th .
—S i r
Pe rcival put s om e qu esti on s to me at b re akfast , ,
1
54
T H E W O M AN I N VJ H I T E
’
dare say you are righ t— I dare say the change will d o me go od .
’
fi
year .
1 55
T HE W O MA N I N W H IT E
The d rau ghts man wh o had been al ready app oi nted to a ec o m
p any it has l ost heart and withdrawn at the eleve nth h ou r
, ,
at hom e P
2 3rd — A
we e k in thes e new scene s an d among these ki nd
.
fi
h earted pe ople has d on e h e r s ome good though n o t so muc h ,
24 th .
—
S ad n ews by thi s m orn ing s po st
The expediti on ’
.
a 5 th .
— S ad n ews yeste rday
; omi nou s n ews to day S ir - .
‘
Pe rc ival Glyde has wri tte n to M r Fai rli e ; a nd M r Fai rli e . .
immediately .
Limmeridge House .
my dre ss an d stoppe d m e , .
‘ ‘ ’
Let me go ! I sai d My ton gu e bu rn s t o tell you r .
‘
No she said faintly T o o late M arian to o late
, .
, ,
‘ ‘ ’
N o t a min ute to o late I reto rted Th e que sti on o f , .
full advantage o f i t .
’
‘
I t will on ly i nvolve u s i n mo re trouble an d m ore c o n
’
fusion sh e said , I t w ill set you an d my u ncle at vari an ce
.
,
p lain t
S o much th e bette r I crie d o u t pa s sionately Wh o , .
, ,
’
1 58
T H E WO M AN I N W H IT E
’
Wh ile w e we re at P o lesdea n she sai d you had a , ,
l ette r M arian
,
hi m I said ge ntly , .
‘ ’
Ye s I replied if yo u mu st kn ow i t ’
, , .
’
S uppos e I do mean to write t o hi m again I said a t las t , , .
‘
P romis e M arian — p ray p romi se you will n ot eve n m en ti on
,
’
my n ame to hi m wh e n you write n ext .
o f he r face .
I S9
T H E WO M AN I N W H I TE
2 8 th .
—
Thi s mor nin g I read poo r H a rtrigh t s farewel l lette r
,
’
you to rem embe r what I say These are his o w n expressi ons .
’
.
1 62
T H E WO MAN I N W H IT E
.
,
1 63 M 2
T HE
L W O M AN I N W H ITE
I n o u r wild moo rlan d cou ntry and i n thi s great lon ely h ouse , ,
L im m eridge H ouse .
— He
1 7 th arrive d to day lo oki ng as I th ought a little
.
-
, , ,
‘
s om ethin g sh e sai d ; k ee p m e always i n com pany with
,
’
1 64
T H E W O M AN I N W H ITE
i nformati on ?
H e has ne ithe r h eard o f he r n or see n he r si nce he left , ,
‘
V e ry sad said S i r Pe rcival spe akin g like a man w h o
,
’
,
say what mi sfo rtun e s may n ot have h appe ned t o the mi se rable
c reature I am i nexpre ssibly an n oyed at the failure o f al l my
.
roth .
—M ore discove rie s in the i n exhaustible min e of S ir
Pe rcival s vi rtue s
’
.
1 66
T H E WO M AN I N W H ITE
Cou nt Fosco .
, .
, ,
20 th .
— I hat e S i r Pe rcival I fl atly de ny h i s good l ooks .
1 67
T HE WO M AN I N W H IT E
h ate him .
attention eve r si nce last night that s ometh ing wi ll yet happen
, ,
c ss so rrow o f mi n e F o r th e o r t im e in a ll th e y ears o f o ur
.
c l o se a nd h it py i n l c rc o m s c i t a l m o s t a v o ided l oo ki ng ea c h
o the r in th e non a nd wc w i n ded. 1) c o m mo n co nsent, fro m
s p o ukittg to ge l l1 c r i n p l i m l c uro ug th e whol e ev eni ng
. I .
c a n dw el l o n it no lo ngc r .
in s tor e fo r me I s h a ll u l u u .
o f Dec emb er us th e m o s t
o f my li fe .
T he re s h e la y . u m o us t io u fl mt I wa s lo o k ing a t h er
ui e t m o rc u ic l th a n I luu l a nd to h o pe, bu t no t s l eepi ng
q , q .
l ublo i n h er beds i de wi th In n m .
m
bo o k a nd th e m inia t u re .
see h er a g a i n - m i d th o u s ta bu t
!
: to m y ro o m M y o wn
m
.
Ic ss yo u a rc ! T h e o ne u n u w wo u ld gi ve his h ea rt s li fe
'
q
.
.
o n DRct ia n .
- ’
S a n u o c h xk '
. A
W i ltl un sett l ed m o r ni n g he h a s j ust . r isen —better and
t ulmc r, n ow th a t th o l im c I o co me. th a n wa s ye stc nluy
‘
sh e .
M o cloc k S h o is ! h o o d
’
. . “Cc h a v e k issed each o th er ;
we h a ve-p romi sed ouc h u m no t to low co urage. l 111 11
W9
awn fo r a m om ent roo m. in th e 11 h irl 11 nd
co n unio n of
my th o u tec t t h at r
st a nge fa n cy o f
m ine h i nd ra n ce h the ma rri a ge. s t i ll h a n gi ng
a bo ut my mi nd . m in d. to o ? I w e
h im fro m th e wi nd o w r a nd thi th er ttnenxil
h
.
ni n o n g th e c a rria ge s a ~ ~
I l ow ca n I writ e suc
fo lly ! T h e m a rria ge is
'
l n lean th an ha ll nn h o ur
we sta rt fo r th e ch urch .
Elmira ma r ried
'
o clock. I t is T h ey a re .
l hey un
r cryi n g
I ca n 11 rit e no mo re
A
l ure]
[ Tier F i rs! Sl ory close:
T H E W O M AN I N W H I T E
a nd th e hau nting d read un expre sse d by e ith e r o f u s an d yet
‘
_ , ,
fi
p ro t e to b e th e o ne fatal e rror o f he r life an d the o ne h O p e
_
cl ose a n d happy i nte rco urse we alm ost avoided lookin g e ach
othe r in th e f ac e ; an d we refrai ned by commo n consen t from , ,
o f my life .
hai r o f h er head
T W E N T Y S E C O N D o r D E C E M B ER , S even o cl ock A
T HE
’
’
- .
, , .
’
Ten o c l oc k
S he i s d resse d We have ki ssed e ach othe r
. . ; .
w ha v e ro mi e d e ach othe r n ot t o l I am ‘
e p
-
s o se c o u ra e
g .
1 70 .
T HE W O M A N I N W H I T E
T H E S E CON D E PO CH .
$55
.
3
B la ck wa ter P a rk , H a mpsh i re.
‘
obligingly inform s me ) of S i r Pe rcival Glyde Bart — a n d , .
’
1 72 ,
T H E WO MAN I N WH ITE
the park .
ren tl
y by th e s ou n d o f th e b ell a n d i s h owlin g and yawn i n g ,
1 73
‘
T H E WO M AN I N W H ITE
hard h eavy ceaseless gallop o f h ou rs a nd h ou rs like th e
, , ,
expe ditio n in H on duras wri tten m ore chee rfully and h ope ,
them Whe the r they are in the cou n try o r o u t o f i t whe the r
.
,
on b
y hi s p artne r and h e i s hi mself at thi s m omen t away , , ,
1 74
T H E W O M AN I N W H I T E
l in es What ca n I recall o f he r duri n g th e p ast six mo nth s ,
. ,
imp ortan t o f all the que stion s whi ch o u r corre sp on den ce can
di scu ss eve ry o n e o f th os e l ette rs leave s m e i n th e dark
,
.
fi
di rectly n ow in o ne form an d n ow i n an othe r ; an d all o n
, , ,
fi
,
‘ ’
we leave o n such a day ; S i r Pe rcival has d ecided that we
trave l by su ch a road S ometi me s sh e write s
. Pe rcival ,
’
h i s title .
sym pathy o f any kin d exi sting between them Even whe n .
, ,
1 76
T HE W O MAN I N W H I T E
h e r th ro u gh th e m ediu m o f he r le tte rs in th e n ew ch a ract er
, ,
Glyde .
alm ost equal res oluti on in the few refe re nce s which h e r late r
’
lette rs contai n to th e n ame o f h e r hu sban d s b oso m frie nd ,
C oun t Fosco .
fi rst .
patie nce thi s u nce rtai nty an d many u nce rtai ntie s m ore , ,
1 77 N
T H E WO M AN I N W H ITE
l ath —A day . of i nvestigation s and disco v erie s — a m ore
i ntere stin g day ,
fo r many reason s than I had ventured t o ,
anticipate .
the re are two hugely l on g galle rie s with l ow cei lings lyi n g , ,
fi
parallel with each oth e r a nd re nde re d additi on ally dark and ,
leries are kept in tole rable repai r bu t are very seldom u sed
, , .
fi
.
, ,
’ ’
,
, ,
‘ ’
h ou seke epe r told me that th e architectu re of the o l d win g ,
pie ce of anti quity by p rev iously di smi ssi ng from thei r mi nds
all fear o f damp darkness and rats U n de r the se ci rcu m
, , .
1 78
T HE W O M A N I N W H IT E
fi
th e fir p lantati on an d whi ch had h ithert o bee n to o u m
,
the lak e .
breat h a gain .
1 80
T H E WO M AN I N W H IT E
I had n ot bee n in th e boat hous e mo re than a mi nute whe n -
,
wh ose dog i t i s P
’
N o mis s th at I certainly d on t
, , S he stopped an d ’
.
,
, .
’
The girl gri nn ed again more chee rfu lly than eve r B les s , .
B a x t er s d oin gs m is s , an d B axte r s do o ty
’
,
’
.
’
18 1
TH E WO M AN IN W H IT E
fl oo r sh e starte d a nd change d c o l ou r
,
.
M is s H alcombe
‘
N ot pe rs onally B ut I have heard o f he r D oe s sh e
. .
Whe n P
O n ly ye ste rday S he sai d some o ne had re po rte d that a
.
will t o die
, I f you c a n m oisten i ts lips with th e milk M is s
.
,
we c a n but try .
’
‘
I f eve r Ann e C a th eric k c ros se s you r path m ake be tte r u se ,
c i a ll
p y o f S i r Pe rcival and asked a great many qu e sti on
, s
ab out whe re he had bee n t ravellin g an d what s o rt o f a lady ,
E igh t o c lock ’
I have j ust retu rn ed fro m di nin g d own
.
1 84
T HE WO MAN IN WH I T E
S urely I heard something Was it a b u st l e of footste ps
, .
’
below s tai rs Ye s I hear the h orse s fe et I hear th e rolling
wheels
va rying and yet eve r re mai ning tende rnes s o f beauty i n her -
— ‘
than eve r and that i s o e good resu t of h e r marriage at
n ,
any rate
Th e s econ d change th e change that I ha v e obse rved i n h er ,
fi
the happy bygon e ti me whe n th ere we re n o se crets bet ween u s .
fi
we shall both be happie r and easie r with o n e an othe r if we ,
1 86
T H E WO MAN I N W H ITE
as I do .
fi
weari som e cough an d hi s comfo rtles s restless n es s have
certai n ly in creased H i s man n e r— a t least hi s man ne r
fi
.
,
fi
towards m e — is mu ch m ore ab ru pt th an it us e d t o be He .
agai n .
’
H e s ee me d to accept m e as o ne o f the n ece ssa ry
x tu re s of B l a c kwate r Park ; to be satisfi ed at ndin g me
1 88
T HE WO M A N I N W H I T E
e sta bl ishe d in m y prope r place ; an d the n to pas s me Ov er
altogethe r .
d iscomp osed by a trifl e I can not say —but he was se riou sly
discompose d beyon d all dou bt
, .
1 89
T H E WO M AN I N W H I T E
trouble hi s min d in secret I will tu rn ove r to a n ew page
.
The two gue sts — the Cou n t an d Cou nte ss Fosco — com e
n ext in my catalogue I will dispo se o f the Countess fi rst so
.
,
shoulde r blades
- Clad in qui et black o r gray gown s made
.
,
1 90
T HE W O MA N I N W H IT E
fi
a large scale o f th e G reat Napoleon
, H i s featu re s have .
fath omable gray eyes I eve r saw : and they h ave at time s a
c old clear beautiful i rresisti ble glitter in the m which fo rces
, , , ,
1
92
T H E WO M AN I N W H ITE
h a v e a ssi sted h im , i n s ome degree , t o e stablish hi m self i n m y
good O pini on H e has that quiet defe re n ce that look o f
.
,
, , ,
19
3 0
T H E W O M AN I N W H I T E
’
go u p
- stairs a nd s ing togethe r a s if th ey would b u rst th ei r
,
fi
a sse mbly i n th e civilized world This trainer o f canary bi rd s .
-
,
bl oodh ound — a beast so savage that the very groom who feed s
h i m ke eps o u t o f h is reach H i s wife an d I w e re pre se nt and .
,
1 94
fi
“
TH E W O M AN I N W H ITE
s on .
fi
En gland O n the even ing of his arrival h e asked h o w far we
.
,
196
T H E WO MAN I N W H I T E
r epeat that I do assu redly fee l eve n o n this sho rt acq u aintance , ,
o wn language Wh o kn ows .
by S i r Pe rcival .
se e you i mmediate ly .
’
Whe re i s h e
I n the lib rary S i r Pe rcival
’
, .
us .
The Cou nt had fi nish ed his fou rth tart and had gon e t o ,
I 97
T H E WO MAN I N W H I T E
wo nde rful in his leaving town t o obey th e su mm ons B ut .
case be of th e c om mo n eve ry —
,
day kind .
‘
Y es he said ; qu ietly answerin g th e u nexp re ssed idea at
’
,
happened }
‘ ’
I w a s on th e p oin t o f answeri n g I n eve r said s o But , .
J UN E I 6 th — I
have a few li nes m ore to add t o this day s
.
’
going down til l they had crosse d the hall Alth ough they .
1 98
T H E WO MAN I N W H IT E
I had n o t heard mu ch but th e li ttle that had reach ed my
ears was en ough to make m e fee l u neasy Th e s ometh in g .
’
e mbarrass me n t ; and S i r Pe rcival s re lief from i t depende d
u po n Lau ra The p rospec t o f seeing he r inv olv e d i n he r
.
hus ban d s secret di ffi cultie s filled me with dis may exagge rated
’
, ,
to thi s time .
’
I feared a s much sh e said wh en I heard o f that strange , ,
v is it he re to day - .
’
with profus e white fancy work ove r th e b osom cove red his -
,
B arb er o f Sev ille with that cri sply flue nt v oc ali sa ti o n which i s
,
20 0
T H E W O M AN I N W H I T E
n ever he ard from any othe r than a n I tali an throat ; a ecom
panyi n g hi mse lf o n the c on certi na which h e playe d with ,
‘
m ale atti re Figaro q u a Figaro la Figar o su Fi garo gi ti
.
i nto ou r confide n ce
‘
You see m to dislike h im Laura in a ve ry dete rmi ne d , ,
30 1
T H E WO M AN I N W H ITE
J U N E 1 7 th —A day of eve nts I m ost fe rvently h ope I may
. .
h our afte rwards h oweve r he sudde nly e nte red the morn i ng , ,
on ,
for M adame F osco to j oin u s ; an d i n qui re d for the
Coun t .
’
We expect to se e hi m he re dire ctly I said ,
.
‘
sai d Lau ra B ut i f yo u h ave any othe r arran geme n t to
.
propos e
‘
N o n o h e an swe red h asti ly
, ,
My arrange men t c a n
’
, .
’
morn in g I ll b e one of th e party ’
.
.
,
20 2
T H E W O M AN I N W H ITE
What do you think Fos co ? I t look s j ust th e p l ace fo r a ,
’
murde r does n t it ,
e x plai n my mean in g .
’
‘
An d why n ot ask ed the Cou nt wh e n you r m eanin g
,
’
,
blessin g .
’
‘ ‘ ’
My dear lady s ai d the Count th os e are a dmi rable
, ,
‘
h and a n d spoke t o i t i n hi s wh imsical way
, My p retty .
‘ ’
little s mooth white rascal h e said he re i s a mo ral less on , ,
‘
I t 1 5 easy to tu rn eve ryth ing i nto ridicule said Lau ra ,
’
,
r esolutely ; ‘
bu t you will n ot fi n d i t quite s o easy C ou nt ,
20 4
T H E WO MAN I N W H IT E
’
M ost tru e h e said The fool s cri me i s the c rime that
.
.
gz ot foun d o u t I f I cou ld give you a n i nstance i t would n o t
.
,
,
‘
had bee n listen in g in hi s place at the doo r Te ll h im ne xt .
, ,
’
th at cri me s caus e th ei r o w n de te ction The re s an othe r bi t o f .
any of u s .
‘
I believe i t t oo I said comin g to Lau ra s re scu e
, ,
’
,
’
.
away from u s .
‘
Poo r dear Pe rcival c ri ed Cou n t F osco lookin g afte r ,
‘ ‘ ’
I t i s t ru ly wonderfu l h e said h ow e asi ly S ociety c a n
, ,
20 5
T H E W O M AN I N W H I T E
detecti on , d o th ey An d murde r will o u t (anoth er m o ra l
epigram ) will it , Ask Corone rs wh o sit at in quests in large
town s if that i s tru e Lady Glyde Ask sec retarie s o f l ife , .
you r o w n public j ou rnal s I n the few case s that get into the .
n o mu rde re rs eve r di scove red Mu lti ply the cases that are
repo rted by the cases that a re n ot reported an d th e bodie s ,
h ear n othing And o n thi s totte ring fou ndati on you build u p
.
b
rest
‘ ’
D evilish t rue a n d ve ry well put cri e d a voice at the
, ,
Count .
‘ ‘
S ome o f it may be t rue I said ; a n d all of i t may be ,
’
loudly fo r d oin g it .
’
, .
’
the white m ice in hi s wai stc oat alarme d by th e i nte rnal con ,
‘
h e sai d Th ey are bette r auth o ritie s th an I am ; for they
.
‘
Y o u hear hi m sai d S i r Pe rcival I s n t i t awful ? ’ ’
.
’
I t is tru e sai d th e Cou nt quietly
, I am a citizen o f th e , .
206
T H E W O M AN IN W H IT E
that S ociety abh ors crime —an d then M ouse I shall d oubt if , ,
rash han d that tears o ff the plump pasteb oard and shows th e ,
fi
— I will ge t u p , an d take a little airy walk my o wn D ea r of .
characte r behin d me .
’
follow h e r o u t .
’
Pe rcival he sai d i n a wh ispe r Pe rcival com e h e re
, . .
the p oi nt o f h i s sti ck .
’
What s the matte r n ow h e asked l oun ging careles sly
, ,
‘
D O you see n oth i ng th e re ? sai d th e C ou nt catchin g , ,
sp ot o f di rt in the middle o f i t .
’
tion . B lo od .
’
’
N o nsen se my dear I said , There i s n o ne e d t o b e
, .
’
al a rm ed I t i s o nly the blood o f a p oo r little stray d og
. .
20 9 P
T H E W O MAN I N W H ITE
’
E ve ryb ody was astonish ed a n d everyb ody 5 eye s w ei e ,
ke epe r .
’
‘ ‘ ’
Wh os e dog was it ? i nqui red S i r Pe rcival N ot o n e .
o f mi n e
‘
D id yo u try t o save th e poo r thi ng ? asked Lau ra ’
han ds )
‘
Whose d og w a s i t ? persisted S i r Pe rcival repeatin g ’
,
N o n ot on e o f you rs .
’
wi th o ut reference to re su lts .
‘ ‘
Ye s I said , Th e housekeepe r knew S he tol d m e i t
’
. .
startle d me .
‘ ‘
S he k new i t I said quietly becau se M rs C a th eric k
,
’
, , .
b rought th e do g with he r
‘
B rought i t wi th h er ? Where di d sh e bring i t w ith
’
To thi s h ouse .
curi ou s e n ough .
fi
al l b ee n strollin g qui etly bac k th rou gh the plantation As , .
’
self .
‘ ’
Aha ! sai d th e Cou n t d oe s h e i ndeed ? I won de r h e ,
‘
I do n t kn ow sir an swe re d th e m a n
’
, T h e h orse i s a
,
’
.
’
we ve got in th e stable s H e r n am e s B rown M olly sir ; an d .
’
sh e ll go till sh e drops
’
S i r Pe rcival u sually takes I saac o f.
’
shi re i s h e goi ng to drive away a long di stan ce o n Ann e s
, ,
i ng t o be settled
, Laura wil l you come i n to the library ?
.
,
slowly t o my o w n room .
is F os co s faul t Mi s s H al combe n ot mi n e
’
, H e h a s starte d , .
library .
’
an d t o o ffe r h is explanati on s .
‘ ‘
A thou an d pardon s M i s s H alcombe , h e said
s You ,
’
.
21 3
T H E WO MAN I N W H I T E
k n ow the ch aracte r wh ich i s give n to my countrymen by th e
E ngli sh We I talian s are all wily an d su spici ou s by n atu re ,
‘ ‘
I admi t i t re su med th e C ou nt
,
’
T he law o f Engla n d .
‘
‘
What thi s d ocu me nt whi ch Lady Glyde i s about t o sign ,
only say thi s ci rcu mstan ce s may h appe n i n the futu re wh ich
may oblige Pe rcival o r hi s rep resentative s t o appeal to the
, ,
’
The Cou nt s scru ple s might have bee n h on ou rable an d
reasonable e n ough but th e re was somethin g i n h i s manne r o f
expressin g the m which i ncreased my u nwillingn ess to b e
‘
214
T H E W OM AN I N W H IT E
‘What i s i t I am to sign sh e asked quietly .
,
as po ssi bl e .
’
‘
I ought su rely to kn ow what I am signi n g S i r Pe rcival , ,
i t fi rs t an d I always u n de rstood hi m
, .
’
table .
p o su re .
he r hu sban d
I t i s u nj ust an d crue l to accu se m e o f di stru sti ng you ,
’
’
th e matter .
216
T H E WO MAN I N W H I T E
of he r hu sb and s c on du ct left me no othe r al te rn ative than t o
’
,
‘
A co ol declaration u p on my s oul ! crie d S i r Percival ,
’
.
‘
Th e n ext time you i nvi te yourself to a man s h ou se M i s s ’
,
’
con cern you .
fi
‘
whi spere d s oftly I f my m othe r had bee n alive sh e could
.
,
side o f th e table .
‘
N o I an swe red
,
’
Th e righ t an d th e truth are wi th .
angriest tone s .
I re me mber th at I am in th e
’
Percival ! h e said .
’
face away fro m th e Cou nt s eye s d ogge dly looked down fo r
a l itt l e w h i l e a t the par c hment o n th e table an d then sp oke ,
21 7
T H E W O MAN I N W H I T E
wi th the sulle n submi ssi o n of a tame d ani mal rathe r th an th e ,
’
I d on t want to o ff e nd anyb ody h e said but my wife s
’
,
’
,
you n ot
Laura retu rned to h is side o f th e table an d took u p th ,
pen again .
re sult s
‘ ’
Wh o talke d o f a sacrifice bein g requi red of you ? h e
b roke i n w ith a half su ppres sed retu rn of h is former vi ole nce
,
- .
’
much m ore i ndulge ntly than you h ave treated mine .
This u nfo rtu nate yet m ost n atu ral refe ren ce t o th e Co u nt s
, ,
’
‘
S cru ple s ! he repeated
’
Yo u? sc ruples ! I t i s rath e r
.
.
,
anxi ety about the secret j ou rney which he was t o take that
day revived by the Cou n t s wo rds was n ow evidently dis
,
’
and wen t o u t .
’
Y o u have j u st see n Pe rcival at hi s wo rst M i s s H alcombe , ,
had started o n hi s j ou rn ey .
’
H ow sh ould I kn ow hi s se c rets I said evasively , , .
as we are .
’
fo r he r
I wou ld rathe r compos e myself Lau ra by n ot thi nki ng , ,
fi
fragran t su mme r ai r b reathe ove r o u r face s .
‘ ‘
I am ashamed t o loo k at you M arian she said afte r , ,
’
,
‘
agitation and walke d abou t the room
, I have kept many .
Y o u do n t k n ow h o w h e has u sed me
’
An d yet you ought .
,
22 1
T H E W O MAN I N W H ITE
poo r h ead aches darlin g— aches aches aches Wh e re i s
, , ,
.
that refusal migh t well h ave proceeded from his obs tinate
disp osi tio n an d h is d omi nee rin g tempe r a lone My s ole .
fi
B lack w ate r Park a change which c onvi nced m e that h e had
,
’
M r G ilmo re s o ld fashione d n oti ons ; hi s mode sty w ith
.
-
-
all thes e were the a rti c es o f a mean cun ning an d brutal , ,
222
T HE WO MAN I N W H IT E
b u t mine .
‘
I n case S i r Pe rcival sh ould come back to mo rrow before -
‘
tw o o cl ock
’
I said t o Laura th e wise st p lan fo r you to
,
’
,
’
S uspicion ? sh e repeated Whose su spicion c a n we .
mean C ou nt F osco
’
Pe rhap s I d o Lau ra , .
Perhaps I a m — a little .
’
’
S i r Pe rcival s violence Remembe r what I sai d to you in th e
.
’
.
, ,
the C ou n t
We we n t down stai rs Lau ra ente re d th e d rawing room
.
-
o p p os it e t o me .
fi
if I had lei su re en ou gh fo r fi ve m inute s p rivate conve rsation ’
.
2 24
fi
fi
T H E WO M AN I N W H I T E
smiled an d the n we nt at once i nto th e h ou se pu shin g th e
,
fi
H ithe rto the m ost si len t of women she n ow p e rsecute d m e
, ,
with flue nt conve ntion alitie s o n the subj ect o f marrie d life o n ,
2 25
T H E WO M AN I N WH ITE
h e wen t out at th e hall door i mmediately to j oi n hi s wife , , .
if h e we re ill or ou t of spi ri ts .
'
Why my n ext p rocee ding was to go straight u p to the
p ost bag an d take o u t my o w n lette r an d l ook at i t agai n
-
, , ,
an d rest i n side
, .
‘ ‘ ’
I t i s ve ry de solate a nd gl oomy sai d Laura B ut we , .
’
c a n be more alone he re than anywhere e lse .
‘
I promi sed M arian t o te ll you the tru th abou t my
, ,
‘ ’
H ow ofte n sh e wen t o n , I have heard you laughin g ,
2 28
T H E WO M A N I N W H I T E
Y ou sha l l
’
no t be
distre ssed sh e said by he ari ng h ow , ,
”
Ce cilia M ete lla had a fortu n e a n d pai d for he rs I mad e , .
”
ments paid an d the speech e s said
, M en little kn ow when .
,
fi
people . I u sed to fan cy wh at I might have bee n if it h ad ,
o f h i m and see n h i m
As sh e said those melan ch oly words all th e l ost te nde rne ss ,
‘
D on t speak of Walte r any m ore I s aid a s s o on as I
’
,
’
,
wretchedne ss o f talki ng o f h i m n ow ,
3
I wou ld rathe r be s ilen t ab out h im fo r eve r sh e ,
‘
an swered than cause you a m ome nt s pai n
,
’
.
’
‘ ‘
I t is i n you r inte re sts I pleade d ; it i s fo r you r sake ,
’
‘ ’
I t wou ld n ot su rpris e hi m if h e di d hear m e , .
2 30
THE W O M AN I N WH IT E
I had caugh t h e r i n my arms an d th e sti ng an d tormen t
o f my re m orse h ad closed th em ro un d h e r li ke a vi ce Ye s .
F o r S i r Percival Glyde .
te ll
. I was fi rst con sci ous that sh e was ki ssing me and ,
‘
I t i s late I h eard h e r whispe r
,
’
I t will be dark in th e . .
‘ — ‘ ’
Give m e a minute longe r I sai d a minute t o get , ,
’
bette r in .
‘
W e are far from the h ou se she whi spe red Let u s go ,
’
.
b ac 1<
S he stopped s uddenly an d tu rne d he r face fro m m e ,
‘ ‘ D o yo u se e
’
M arian ! s h e said t re mb ling violently , .
n othing Look
Wh e re P
D own the re below u s , .
’
2 32
T H E W O M AN I N W H ITE
‘
Was i t a m a n o r a woman she as k ed i n a wh ispe r
, , ,
I am n ot c ertai n .
’
Which do you th in k ?
I t looke d like a woman .
’
be ce rtai n .
’
We we re n ow in th e plantation I t wa s ve ry dark — so .
o u r way back .
H ush sh e whispe re d
,
’
I hear s omethin g behi n d u s . .
’
‘
D ead leave s I sai d t o chee r he r o r a twi g blown o ff
,
’
the t ree s .
"
wind . Liste n
I he ard th e s ound to o — a sou nd like a light fo otstep ,
following u s .
‘ ’
N o matte r wh o it is o r what i t i s I sai d ; le t u s walk , ,
2 33
T H E WO M AN I N W H ITE
1
o f the tree s .
Wh o s the re ’
I calle d out .
Who s the re ’
I repeated .
us reache d th e hou se
,
.
‘
I am half dead with fear sh e said ‘Wh o cou ld it ’
.
,
have bee n
‘ ‘ ’
We will try to gue ss to m orrow I replied I n the -
, .
Why n ot
B ecaus e silence i s safe — a nd we have n ee d o f safety in
this h ouse .
’
o n wh e n I ente re d th e room .
‘
Pray d on t let me disturb you I s aid
’ ‘I have only ’
.
,
’
i s as co ol at thi s m oment a s a fi sh 1 n the pon d outside
, , .
‘
I sh ould thin k n o t mi ss said the girl smi lin g M rs
’
, , , . .
going to bed .
’
’
th e figu re was a man s o r a woman s I can only sa y that I ’
.
’
thin k it was a woman s .
fi
showed that howeve r bl in dly and ign oran tly I acted I acted
, ,
2 36
T H E WO M AN I N W H I T E
yeste rday evenin g we c a n on ly supp os e that i t mus t have
dropped from her d re ss eithe r in th e b oat hou se o r o n o u r
,
-
,
hands .
’
O n e o cl ock has j ust struck I am cons iderin g wh ethe r I .
lodge gate .
u p stairs !
- O ne two th ree — an d u p ! Three two o n e
, , , ,
fi
shal l l os e myself i n th e confu sio n of my o w n th oughts .
two tu rns hidden from the lodge o n on e side and from the way
,
’
Y o u may give me th e lette r I am M is s H alcombe . .
a n d plainly as possible .
‘
My carefu l con sideratio n o f th e state me nt mad e by
you rse lf a n d my knowledge o f Lady G lyde s position as
,
’
,
, ,
‘
I n th e even t o f Lady G lyde s sign ing s uch a doc ume nt ’
2
38
T H E W O M AN I N W H I T E
I took hi s arm The fi rst o f my s cattered sen ses that
.
‘ ’
Y o u look surprised at seein g me ! h e repeated in his ,
did yo u n o t
Certain ly .
‘ ’
O h ! h ere are two o f you come back he said with a , ,
‘
lowering face What i s th e me ani ng o f th e house bein g
.
fi
b ows a n d the n addre s sed himself gaily t o th e scowlin g
fi
maste r of the h ou se .
drive An d has you r pretty shin ing B rown M olly c ome back
at all tired
B rown M olly be hanged — and th e d rive to o I wan t my
lu n c h
‘
An d I want five m inute s tal k with you Percival rst ’
, , ,
’
’
retu rned the Count Five mi nutes talk my friend here o n
.
, ,
the gras s .
’
What ab out
’
Ab ou t bu si ne ss that ve ry mu ch con cern s you .
lunch
‘
Come o u t h ere a n d speak t o m e repeated the C oun t ,
’
,
rea c h m y ears
'
24 1 R
,
T H E WO M AN I N W H I T E
r etu r nto th e d rawing room , and lie down o n the n eare st sofa
-
t o recove r .
‘
A th ou sand pardon s M iss H alcombe h e said ; I only
, ,
’
There could b e n o d oubt that thi s ext rao rdi nary alte ration o f
pu rpos e in the m atte r of th e signatu re was due to hi s ,
success .
.
,
a n d i n a tran ce
,
o r day dream o f my fan cy— I kn ow n ot what
,
-
t rees — with ran k c reepe rs twi n ing e ndle ssly ab out thei r tru nks ,
a n d h ideou s stone i dol s gli mme ring an d grin ning at inte rval s
sa w a n d heard n o m ore
~ .
Lau ra s ’
.
‘
What has happen ed I asked What has frightened .
yo u ?
S he looked roun d at th e half open d oor— put h e r lip s close -
’
Wh o fo r H eave n s sake ,
An ne C a th eric k .
’
silen ce .
.
,
1 n S 1 de .
24
4
T H E WO M AN I N W H I T E ‘
‘
Whe re did yo u fi nd you r bro och ? Th e fi rst word s I
could sa y to he r we re the wo rds which put that t rivial que sti o n
at that importan t m omen t .
Whe re
O n the fl oo r of the boat h ou se O h h o w shall I begi n -
.
,
‘
S peak lo w I said ,
’
The wind ow i s open an d th e.
,
garde n path run s ben eath i t B egi n at the begi nn ing Lau ra .
, .
fi
, ,
and you .
’
me sa y
, M is s Fai rlie
, .
M is s Fai rlie !
‘ —
Ye s m y o ld 11 ame —the dear fami liar n am e that I ,
24
5
T H E WO M AN I N WH I T E
as mu ch as y o u please I m n ot ashamed o f th at Ve ry
’
.
”
t o d o m e on e little kindn ess
“
sh e asked Yes in deed I .
, ,
”
Y o u don t remembe r a fi ne sprin g day at L im m eridge
’
sh e ,
n ame
Ye s — I re membe red you r as king me about Ann e C a th eric k
at Lim m eridge and you r saying that sh e had once bee n c o n
,
s idered like me
’
.
what tho se words mean t ; my con scie nce told me while I was
liste n ing Why did I eve r let y o u m arry h im
. O h my fear , ,
“
I ought n eve r to h ave le t th e news o f hi s comin g there
frighte n m e away I ou gh t to have warn ed you a n d save d
.
An d what did sh e sa y
S he aske d me in return if I sh ould n ot b e afraid o f a
, ,
Can t yo u gu e ss why
’
I sh ook my head Lo ok at me .
,
” “
thi nkin g o f it sh e went o n , all th e tim e I have been i n ,
h iding from you r hu sband all the time I lay ill My th oughts
, .
”
harm ? she said to he rself dou btfully Y o u have friends , .
2
4 8
T H E WO M AN I N W H I T E
of yo u h e wo n t dare u se yo u a s h e u se d m e H e m u s t treat
;
’
.
‘
You tried to make he r go on
I tri ed bu t sh e only d rew he rself away from me again ,
”
was I sayi ng ? what was I sayin g ? I reminde d th e p oo r
”
creatu re as ki ndly an d delicately as I could
, Ah ye s ye s .
, , ,
” “
i t yo u h ave to tel l me ? I asked Th e S ec re t that you r .
“
crue l husband i s afrai d o f sh e an swe red , I on ce th reat .
”
threate n hi m with th e S ecret and frighte n hi m to o H er , .
“
M y moth e r h a s waste d u nde r th e S ecre t half he r lifeti me .
hu sband
S he stoppe d again Marian at that p oi n t, ,
‘
And s aid no m o r e ?
’
24 9
T H E WO M AN I N W H I T E
‘ listened eagerly H ush ! sh e whispered still ”
An d ,
”
waving he r hand at me H ush ! S he m oved aside o u t .
S urely yo u followed he r ? ,
”
secret I whispe red to he r
,
wai t and tell m e the secret
S h e caught hold o f my arm a n d looked at me wi th wild , , ,
”
frightened eye s N ot n ow sh e said . we are n ot alon e ,
— w e are watched C om e he re to morrow at this time — by
.
-
— ”
—
you rself min d by you rself S he pushed m e roughly i nto .
’
th e boat h ous e again ; and I saw he r n o m ore
- .
th rough it .
’
day .
‘
Are yo u quite su re yo u have told m e everythin g that
passed Eve ry wo rd that was said I i nqu i red .
‘ ‘
I thin k so sh e answe red My p owe rs o f memory
,
’
.
,
250
T H E WO M AN I N W H ITE
of Ha rtrigh t— as I saw h im , in th e body , wh en he said fare
well ; as I saw him in the spi rit in my d ream — and I too
, , , ,
Afte r l ooking for the m in eve ry dire ction and di scove ring ,
‘
F o r the pre se nt at least n eithe r you r resolution n o r min e
, ,
‘
Pu t o ff ? Laura repeated amazedly Wh o t old you , .
change o f purpos e
’
.
25 2
T H E W O M AN I N W H I T E
’
O n l ookin g bac k to the e ntry refe rring to the lawye r s
visit we foun d that my recollection o f th e two alte rnative s
,
sa y what futu re i nte re sts may n ot depen d u pon the regu larity
a nd peace .
as
25 3
T H E W O M AN I N W H ITE
m e to my b ed fee lin g ve ry anxi ou s and u neasy ab out Ann e
,
H e pres sed h is wife s han d unde r the table w hen sh e than ked
’
‘
her . You r h ealth and h appiness my an ge l ! he said with ,
’
,
25 4
THE WOM AN I N WHIT E
in mos t sou l throu gh th e thicken ing obs cu rity O f the twilight .
wh ich had hau nted me at i nte rvals all thr o ugh th e eveni n g
, , ,
warningly
‘
Li sten h e said The re will be a chan ge to mo rro w
.
- .
’
e nd an d th e worst h a s come .
befo re th ree .
smallest p rovocati on .
regain i t again .
s
25 7
T H E W O M AN I N W H I TE
N ob o dy sa w me an d n obody followed me ,
I t was then a .
.
N O on e an swe re d a n d n o on e appeared ,
Fo r all that I c oul d .
T h ey led m e s tar ting from the left han d side O f the boat
,
-
, , ,
25 8
T HE WO M A N I N W H I T E
s tai rs .
’
Why do yo u stan d th ere I said D on t yo u see that .
I wan t to co me in
‘ ’ ’
. Ah but yo u mu stn t come i n was the answe r with anothe r
, , ,
a nd a b roade r gri n s ti ll .
h ead at me .
’
M aster s orde rs sh e said an d n odded agai n ,
’
.
260
TH E WO M AN I N W H I T E
h a nd As I O pene d the d oor I h eard the C o u nt say to h im
.
, ,
face .
it I asked .
’
Ye s that is what yo u are to u nde rstan d h e an swe re d ,
.
‘
Take y ou care h ow yo u treat you r wife an d h o w yo u ,
n ow
’
What I said before replie d th e Cou n t NO
’
.
,
speak agai n .
-
s ee med to petrify hi m with su rpri se Th e Coun t s tood .
tion .
’
at you r s e rvi ce Elean o r h e wen t o n wi th a qu iet di gni ty tha t
, , ,
26 1
T H E WO M AN I N W H IT E
D am n it ! what do yo u mean ? cri ed S i r Pe rcival a s th e ,
Fosco 3 O pin i on i s — mi ne .
the do or .
‘
h a s go n e away ve ry su dden ly sh e said What does it ’
.
.
,
mean
I t m ean s that you an d I toge the r h ave bro u gh t th e worst
temp ere d m a n in all E n gland to h i s sen ses answered the ,
’
‘
Cou nt . I t m ean s M is s H alc ombe that Lady Glyde i s
, ,
‘ ‘
M i s s H alcombe he sai d I am h appy to inform yo u
,
’
,
26 2
fixed o n Lau ra
h er wh ite face
,
.
fi
TH E WO M AN I N W H IT E
h e r look at Laura .
Ye s ye s
‘
I we nt in an d sat waiting fo r a few mi nute s But my
, .
. .
in it
H o w do you kn ow that M arian ,
‘
I saw th e h oll ow place myse lf whe n I followed you to ,
th e boat h ous e G o o n— go o n
- .
C a th eric k s i nitials
’ ’
.
Wh ere is i t ?
S i r Pe rcival has take n i t from me .
‘
C a n yo u reme mbe r what the wr i t i ng was ? D o yo u
th in k yo u c a n repe at i t to me .
’
‘
I n sub stance I c a n M ari an I t was v e ry sh ort Y o u
, . .
fu rth er
’
.
26 4 .
T H E WO M AN I N W H I T E
S he om pli ed
c I write th e li n e s d ow n h e re,
. e x actl y as
sh e repeated th e m to me T h ey ran thu s .
, ,
s oon — A C
. . .
’
‘
T h e refe re n ce to the tal l s tou t o ld m a n (th e te rm s o f ’
‘
followe d her the re in hi s o fli c io u s way to relieve h e r m i n d
, ,
tion .
‘I tried bu t h e stopped me Y o u n ee dn t t ro u bl e to .
’
-
1 .
, , ,
'
.
, ,
“
What did An ne C a th eric k say to yo u ye ste rd ay — I i n sist
’ ’
- .
t o i t at so me futu re time
, .
’
‘
’
’ ’
Oh M arian ; don t l ook so ! do n t ta lk so ! I t doesn t
,
’
h u rt m e n ow
L et me s ee it !
S he sh owe d m e th e mark s I was past grieving ove r
'
“
.
Than k ‘
"
D on t thin k to o s eriou sly o f it Marian ’ sh e s aid sim ply
’
, , , , .
no w
’
.
, . , .
’
opportunitie s while we have the m .
"
What c a n we d o M arian ? O h i f we cou ld only l eave
, ,
‘
I wil l n ot forget h e r I sa w h e r befo re I came u p he re
.
fi
I shal l h ave two t o write to day i n you r i nte re sts wh ich -
, ,
What lette rs
‘ ’
I mean to write fi rst Lau ra to M r Gi lm o re s p a rtn e r
, , .
,
f
f —
vi ole nce o ered to yo u i n th i s room h e shall befo re I res t ,
to -night
B ut thin k o f th e expo su re M arian
, ,
268
fi
T HE WO M A N I N W H I T E
To M r F airlie
. I said
,
’
. You r u ncle i s yo u r neare st
m ale relati ve , an d th e head o f th e famil y He m u st a nd
.
’
s hal l i nte rfe re .
‘
Ye s ye s I wen t o n ; you r u ncl e i s a weak s el s h
, ,
’
, ,
y o u
, o r towards m e B u t h e will d o anything . to pampe r h i s
o wn in dolen ce a n d to se cu re hi s o wn quie t
, Le t m e o nly .
p ersuade him that hi s i nte rfe re nce at thi s mome n t will save , ,
I was married
Those words set m e th i nki ng in a new di rection Wou ld .
’
You r u ncle shall kn ow the wish you have j u st exp re s sed ,
m e resum e my seat .
’
table You ca n write he re
. .
2 69
TH E W O MAN I N W H I T E
-
.
,
i nside ? '
n
. . .
.
, ,
VIII .
.
,
y ,
circu mstan ce i n con n exion with them that at all struc k me '
was that the seal lay t idi ly in the tray wi th th e pen cil s and
, .
2 0
7
T HE W O MAN I N W H I T E
’
Whe n Lady Glyde s aid tho se h as ty words h e wen t o n , ,
‘ ‘ ’
You are ve ry kind I said ; yo u re lieve m e in exp res ,
sibl
I tried to con ti nue — but h i s eye s we re o n me h is deadly
smile that hides eve rythin g was se t hard and u nwave ri n g
, , , ,
silence .
dull white che eks flushe d i nto b right colou r she lo oked years
y ounge r than h e r age i n a n in stant , .
’
no t u n de rstoo d by E nglishwome n .
l ips in place o f i t
, .
27 2
TH E WO M AN I N WH I TE
act 1 on .
ti me .
27 3
T H E WO M AN I N WH I T E
th e do or to me .
‘N ob ody h as kn ocked ‘
sh e rep l ied B ut I h eard some ,
’
.
’
o ne i n the oute r room .
Was i t a m a n o r a woman
‘
A ru stli ng li ke sil k
Yes li ke silk .
’
Which way di d i t go
‘
T oward s you r room .
’
‘
Lau ra sa w m e th inking M ore d i fficu ltie s ! sh e s aid .
’
,
‘
w ea i ily mo re di ffi cul tie s a nd 11 1 o 1 e dange rs !
‘
N o dan ge rs I replied S om e li ttle difli c u l ty perh aps
,
’
.
, .
‘ ‘ ’
Keep the key tu rn ed in th e l ock Laura I said and , , ,
’
d on t b e afraid ab out me I f you h ear any i n qui rie s made .
,
27
4
T H E WO MAN I N W H IT E
Whe n I c ros se d the h al l agai n no o ne was the re and th e ,
stop to make any fre sh i nve stigati ons I could only as sure .
any o n e .
qui te clear .
lan dlady had received Fanny with all possible kin dnes s The .
276
TH E W O MAN I N W H I TE
T ry to make the best it Fan ny I said Your m is of , ,
’
.
tress and I will s tan d you r friends an d will take care that ,
’
i nte rests .
me .
’
’ ’
heart an d don t mi s s th e seve n o cl ock t rain
,
’
.
’
I t really breaks my heart mi ss t o thin k o f i t , , .
Oh n o n o — n ot fo r the world
, ,
’
I said Wh o s the re Y o u know he an swe re d Wi ll
“
.
, ,
a nd tell
yo u alte r you r mi nd me the rest Yo u shal l ,
” “ ”
Ann e C a th eric k is at this m omen t ! I nde ed i n deed I, , ,
”
said , I don t You do h e called back
’
I ll crush you r
. .
’
min u tes a go .
’
27 7
T HE W O MA N IN WH ITE
H e had n o t found An ne We were s a fe for that n ight
he had n ot fou nd h er yet .
, ,
favou r on the day whe n th e dee d was produ ced i n the library
, ,
late r 1 n th e eveni ng .
’
T H E WO MAN I N WH IT E
a re quest for a c u p o f tea I gave hi m th e c u p o f tea ; an d
.
‘
i ndignantly declared ) we re always reviling the I talian s fo r
the ir i nability to cultivate the h ighe r kin ds o f m usi c We .
voice thu nde red o u t the n otes an d hi s heavy foot beat time ,
o n th e fl oor .
‘
c oming h e said harmony an d mel ody are b oth at an en d
,
’
, .
the passage .
th e n igh t .
i t to night
- .
u sual ? I said ’
.
‘
I am su ff e rin g from o n e o f my bad he adac h es I ,
’
28 1
T H E WO M AN I N WH I T E
’
before di n ne r would have be en j u st the thi ng fo r you S he .
‘
refe rred to the wal k with a s tran ge e mphasi s H ad sh e ’
.
‘
C om e an d have a sm oke F osco said S i r Pe rc i v al
, , ,
’
,
‘
With pleasure Pe rcival whe n th e l adie s have gon e to , ,
‘
Excuse m e C oun te ss if I se t yo u th e exam ple o f re
, ,
‘
ti ri ng I said ,
’
The o n ly re medy fo r such a headach e as
.
mi n e i s goin g to bed .
’
’
the woman s face whe n I sh oo k h an d s with h e r S i r Pe rcival .
‘
Wh en I a t last add res sed myself to my t ask I fou n d a di hi ,
n igh t .
28 2
T H E WO MAN I N W H I T E
What th e devil d o yo u me an
‘
We will come to ou r explanati on s Pe rcival when the , ,
,
’
roof which ran alon g past the be droom s and which was
, ,
-
,
sa
y what th e con se que n ce s migh t be
I only wai ted to put the matches n ea r th e can dle befo re I
exti ngui shed i t an d grope d my way bac k i n to the s itt i n g room
,
- .
28 5
T H E WO M AN I N WH I T E
pass before I coul d reach the po siti on it was n eces sary to take
u p i mme diately o ve r th e library T he fi rst window belonge d .
an d loo k o u t .
’
Cri si s repeate d S i r Pe rcival I t s a worse cri si s than .
yo u thin k fo r I c a n tell y o u
’
.
,
N o w li sten Percival
, I will put o u r positio n plainly be
, .
’
M ake what yo u c a n o f i t G o o n . .
‘
Well Percival in you r o w n soli d E n gli sh words yo u
, , ,
‘
I sai d thi s : H uman i ngenuity my frien d h as h ithe rto , ,
28 8
T H E WO MAN I N WH I TE
wome n all fai l i n I f they c a n once sha ke thi s su pe ri or .
, .
more dis cove red I started s o that the rai lin g agai n st which
,
d res s
‘
Than k you r lucky star I heard the Cou nt s ay next that ,
’
,
m an ,
fi
’
The re was a pau se I write th e villai n s word s about .
fi fi
myself becau se I m ean to remembe r the m ; becau se I h op e
‘
‘
Ye s yes ; b ully an d blu ste r as much as yo u li ke h e
, ,
’
’
We will com e to th at sec ond di f c ulty all i n go od ti me , ,
‘
rej oi ne d th e Cou nt You m ay co nfuse you rself Pe rcival
.
, ,
i s t o be do n e — th at s a littl e h arde r ’
.
’
‘
I s it ? B ah ! This i s wh at is t o b e don e : You give
u p all di recti on in the bu si ne ss from to night ; you leave i t -
you
What d o you p rop ose if I leave it all t o you ,
be The re i s n o time to lo se
. I have tol d you al ready that .
secon d time .
’
Paid down
’
Paid down .
The rai n which was fast wetti n g me dripped ove r the glas s
, , ,
tim e.
’
I am a down righ t man an d I repeat it .
‘
T he f em al e ch an ce Pe rcival — th e rem ote chanc e o nly , .
, .
2
9 2
T H E WO MAN I N W H ITE
with he r signatu re to the parchme n t I f you r wife die s you .
,
’
A s h e spoke th e light i n Madame Fo sco s room was
,
alre ady .
’
fi
Co u n t an d I have more than two month s befo re me to tu rn
rou nd in S ay n o m o re about it if you please fo r th e pre sen t
.
, ,
.
When the bi lls are due yo u will see fo r you rself if my tal k ,
Ann e C a th eric k
Lo ok he re Fosco yo u a n d I have kn own each othe r fo r
, ,
we
‘
You have had a secre t from m e Pe rcival T he re i s a , .
you rself .
’
‘
Well suppose it has ,
I f i t d oesn t co n ce rn you you .
’
,
29 3
T H E WO MAN I N W H I T E
c andid o ne wi th the othe r Thi s se cre t o f yours has sough t .
a sk m e ,
as you r o ld fri end to respect you r secret and to , ,
’
leave it on ce for all in you r o w n keeping ?
, ,
m omen t .
’
m e afte r all .
’
i n dignatio n .
been the mi sfo rtun e of my life that I have had few ch ances .
‘ ‘
N o ! he said’
When my friend has wou nde d me I
.
,
d o yo u want my h elp
‘
Y es badly e nough
’
, .
’
Try the n
,
.
29 4
T H E W O MAN I N W H IT E
—a n i nfernal vagab on d of a drawing master named H art -
,
ri ght .
’
‘
My dear frie nd ! what is there extraordinary in that ?
They are all in love with som e other m a n Wh o gets th e .
O ne n eve r
, H e exists o f co urse — but I have n ot met with ,
hi m .
’
‘ ’
Wait ! I h a v en t don e ye t Wh o d o you thi n k helped .
mati on agai n st me .
’
29 6
T H E WO MAN I N W H IT E
’
I am glad to hear i t Pe rcival fo r you r sake D on t b
, , .
fi
di scou raged my frie nd , O u r m oney matte rs as I told you.
, ,
What i s i t
‘
I t i s thi s Whe n I we nt to th e boat h ou se to tell Lady
.
-
’
Li ke Come I ll te ll yo u i n two words S he s a sickly
’
.
likene ss o f my wife .
’
The chai r creaked and the pillar sh ook o nce m ore The ,
.
A n d yet so li ke ,
—
m e my I talian h u mou r do I n o t c ome o f th e illu stri ou s
29 7
T H E W O MAN I N W H ITE
n ation which i nven te d th e exhi bition o f P unch ? Well well , ,
G ood night
-
a 916
NE 2 0 th — T h e su n i s shinin g i n a clea r
’
J! Eight o clock
. .
see m l i ke wee ks .
29 8
TH E W O M AN I N W H ITE
’
N i ne o clock Was i t n i ne struck o r eight
. Nin e , ,
su rely —
I am shive rin g agai n shive ri ng fro m h ead to foot , ,
I ll a t such a ti me as this
,
was i t
fi
S o cold s o col d — o h th at rai n last n igh t — and the
, ,
in my head
e
N OTE .
fresh ed delighted me
, .
S tupendou s e ff o rt
I refe r to th e D i ary .
300
T H E WO MAN I N W H ITE
o f style ,
th e ch armin g outbu rsts o f womanly feelin g have all ,
lame nt afresh the c ruel nece ssity which sets o u r i nte re sts at
variance an d oppose s u s to each othe r U nde r happie r
,
.
resou rces which medical an d magn eti c scie nce have placed at
the disposal of man ki nd H e has h ithe rto declined to avai l
.
n e ss at th e fee t of M is s H alcombe
, .
30 1
T H E WO MAN I N WH ITE
th e se page s for awaken ing the fi n est se nsibi litie s i n my n ature
n othing m ore .
F o sc o
extrao rdinary
Th e last an n oyance that has assailed m e i s the ann oyan ce
o f bein g called up on t o wri te thi s N arrative I s a man i n my .
to exe rt myself in the mann e r requ i red with con sequ ence s ,
, He is
,
.
30 2
TH E WO M AN I N W H I T E
fi
sh oe s c reak
I was obliged to ask the question C reaking sh oe s .
du r ance .
n ot.
i s M i s s H alcombe
Ve ry well th an k yo u si r , , .
’
An d Lady Glyde
’
I receive d n o an swe r Th e Youn g Pe rson s face becam e .
0
3 4
TH E WO M AN I N W H I T E
I can give my .
Lon don (I am
. n ot a gentleman i n Lon do n — hang th e gentle
30 5
T H E WO M AN I N W H I T E
H er ladyship th e Cou ntess explain ed he r u nexpected, , ap
a nxi ously t o hear what th e message s were ; but the Cou ntes s
see med disin clin ed to m ention the m (so like my sister s ti re ’
’
Come c ome if n othin g e ls e wil l put you at you r eas e I l l
, , ,
’
accompanied by an i ncrease d s ec retio n o f tears I can t s ay .
,
’
Whe n sh e came to he rself i n half a n h ou r s time she was o n , ,
to bed .
and had foun d the two lette rs there quite s afe but strange ly , ,
G ood mornin g
S ome thin g outside o r in side th is s ingular g1 rl suddenly
, ,
sh oe s h e r stays o r he r b one s
, ,
Loui s thi n ks it was he r stays .
l ette r
. I t i mmediately u p se t me fo r th e da y .
30 8
T H E WO M AN I N W H IT E
I marry my n iece with i nfinite fu ss an d di fficu lty to the m a n
, ,
human natu re
I t i s qu ite un nece ssary to say that M arian s lette r threat ’
ea p g -
.
30 9
T H E WO M AN I N W H I T E
h e h a d l ate l yr eceived by th e post a lette r add ressed to h im
, ,
fi
i n M iss H a l c o m b e s handwritin g O n o pen i ng th e envelope
’
.
,
like a sen sible man an d l ettin g th ings take thei r proper cou rse
h is next absu rd p roceed in g o n h is o w n showi ng was to pe ste r , ,
right .
th e lawye r .
at ho me .
’
card .
’
G raci ou s H eave n my ti resome si ste r s forei gn hu sband .
Count F osco .
Is
i t n eces sa ry t o sa y what my fi rst impressi on wa s whe n ,
ta in ly take n me i n .
’
You see m e confu se d he said retu rning to hi s place , ,
‘ n my word o f hon ou r M r Fai rli e you see me confu se d i n
o , .
,
’
you r presence .
Tel l m e c a n I do thi s
I “ had b ee n stron g en ough to si t u p in my chai r I sh ou l d ,
fu sed .
’
31 2
T H E WO M AN I N W H I T E
The Cou nt wi th the m ost alarmin g solem ni ty sigh ed an d
, ,
shook h i s head .
fi
M u st I really h ear the m
fi
H e s hrugge d h i s sh ou lders (i t was th e fi rst foreign thing
he h ad don e si nce h e had be e n i n th e room ) an d l oo ke d at
,
‘
Th at i s part o f my b ad n ews M r Fairli e Y es S ome , . . .
b ody i s il l .
’
I s i t se riou s I asked .
‘
S eri ou s — beyon d a d oubt h e replied D an gerou s — J ,
’
.
31 3
T HE WO M AN I N W H I T E
.
,
‘
Goo d Go d I said I s i t i nfe cti ou s .
to ge t ri d o f him .
‘
Y o u wi ll ki n dly excuse a n i nval id I said bu t long ’
,
’
The o bj ects o f my vi si t h e wen t on quite i rrepres sibly , , ,
31 4
T H E WO M AN I N W H ITE
‘M any thanks ‘
I replied I am sinking fast I n my
,
’
. .
you to re move the seri ou s respo nsibi lity o f de lay from you r
o w n shoulders by writing t o Lady Glyde to come he re at
, ,
W 1 th o ut n er v es .
16
3
T HE W O MA N I N W H IT E
straigh t down into you r thoughts — you obj ect that Lady
Glyde i s n ot in health a n d n ot in spirits to take th e lo ng
-
that Laura wou ld con sent to leave B lac kwate r Park wh ile ,
sa
y they p rove d s ucce ssful
, I enj oye d my customary siesta . .
31 8
T H E WO MAN I N WH ITE
D awson o f O ak Lodge , .
’
M r D awson arrive d in less than an h our s time
. H e was .
sult with amateur physicians The Count with truly Chri stian - .
,
’
o clock which was di nne r ti me
, Pe rhaps h e wi shed to set - .
,
32 0
T HE W O M AN I N W H I T E
fi
.
,
fri ghte ned — two weakn es se s whi ch made he r e nti rely unfit t o
be pre se n t in a sick room - .
quiet h e said
,
’
Let u s n o t sm oke i n doors my frie nd n ow
.
-
, ,
M ich elson .
’
3 21 Y
fi
T H E W O M AN I N W H I T E
edi c atio n .
H ave yo u foun d h er
’
H i s lord ship s large face became dimpled all ove r wi th
placi d smi les but h e made n o reply i n w o rds At th e same .
, ,
.
’
N o bette r my l ord I regre t t o sa y, , .
32 2
T HE W O MA N I N W H I T E
fi fi
n esS a nd ex ha u sti o n J ust as I was m entioning th ese las t
.
‘I
n d decided i m p ro v em ent an swe red M r Dawson . .
‘
I pe rsi st i n the treatme n t which i s j u stified by my o w n
p rofe ssional experie nce sai d M r D awson ,
’
. .
‘
When a p rofessional man puts that que sti o n to me I ,
D awson .
’
H e r ladyship the Cou ntess retu rned by the last train that
n ight and brought with he r the nu rse from London
, I was .
’
i n st ructed that thi s person s name was M rs Rubelle H er . .
34
2
T H E W O MAN I N WH I T E
me as being a small wi ry sly pe rson o f fifty o r th e reab outs
, , , ,
the bedro om .
s uch con duct sugg estive o f bra z e n assu rance I beg to say that .
3 5
2
T H E WO MAN I N W H I T E
I nstead o f th e docto r c omin g u p to u s I was se nt for to ,
fi
.
. ,
fast room
- .
Y es, si r
I n d that sh e has b een brought he re fro m London by
th e wife o f that fat o ld foreigne r who i s always trying to ,
‘ ‘
Are you aware si r I said that you are talking o f a
, ,
’
,
n obleman
‘
Pooh ! H e i s n t th e first Q uack with a hand le to hi s
’
’
H e wou ld n o t be a fri en d of S i r Percival G lyde s si r i f , ,
fi
h ou se H e d oe sn t support me
. H e says a nurs e o f my
’
.
’
The re i s some j ustice in that ; an d I can t decently say N o .
ll
stand Ve ry w e then we may go upstai rs , I s th e nu rse , .
’
th ere
? I ll say a word to h er before she goe s i nto the sick !
,
ro om .
326
T H E WO MAN IN W H ITE
complai nin g o f he r .
‘Trust M r D aws on ‘
h e said fo r a few day s more i f
.
,
’
, ,
anothe r docto r .
’
‘
With all respec t to M r D awson I an swe red i n you r .
,
’
,
’ ’
ladyship s p lace I sho uld remembe r the Cou n t s advice ’
.
advice
I re membe r a we ek , .
328
T H E WO M AN I N W H I T E
might h a v e bee n made with S i r P ercival I seldom fi nd .
in M r D aws on revived
. H e appeared to b e ve ry confiden t .
The Cou nt an d Cou nte ss c orre sp on ded regu larly every m orn
i ng d uring h i s lord ship s absence They were in that re spect
,
’
.
, ,
329
T HE W O M AN I N W H I T E
-
,
’
shall kn o w better to morrow m orni ng - .
resistance o n th i s occasi on .
and the n tu rne d rou n d u pon the docto r with such a n expres
s i on o f i ndign ati on a n d co ntemp t in h is face t h at th e wo rd s ,
.
, , ,
330
T H E WO M AN I N W H I T E
arm s a nd sank forward
,
S h e had fai nted The Cou ntes s . .
the swoon .
’
I went back to the d octor to tel l him by Lady G lyde s ,
, , .
what I ob served in thi s way that the Cou nt had bee n righ t ,
abou t the i lln ess all the way th rough ; and I was n atu rally
confirmed i n th at idea wh en M r D awson afte r som e littl e , .
,
‘T yphu s ’ ‘
replied th e physician
, Typhu s feve r beyon d .
’
all doubt .
the othe r .
332
T HE W O M A N I N WH I T E
wa s a te rribly tryi ng time Lady G lyde (supported a s M r .
,
.
fi
M i ss H alcomb e with he r own eye s promi sin g n ot to go to o
close to th e bed if th e d octo r would con sen t t o h e r wi she s
, ,
d own stairs .
pres sed from that mome nt S i r Pe rcival s reply (th ough n ot.
’
’
h ouse in a state o f extrem e i ndignation at Cou nt Fosco s
,
sake .
p roceedin g .
’ ’
i n l ie u o f a month s warning .
’ ’
Le t th em A m onth s wage s save s a m onth s waste an d
’ ’
gluttony in th e se rvants hall - .
longe r .
and we nt o u t o f th e room .
336
T H E WO MAN I N W H I T E
absence was fo r a temporary period on ly bu t th e coi nci den c e
was in my opinion n ot th e le ss remarkable o n that acc o un t
, , .
accompli sh ed th e sacrifice .
V 1 ews .
fi
they went the re i t was his opinio n confirme d by Co unt Fosc o
, ,
i nte rests .
j ec tio n .
I was also i nformed that the Coun tes s (wh o would oth erwis e
h ave gon e to D evon shire h erself) could n ot in Lady Gl yde s ,
’
added by S ir Pe rcival .
fi
chanc e b e di sc ove red i t would certai n ly no t be p arted wi th
,
d oor before goi ng away I was told that sh e was still sadly
, ,
338
T H E WO M AN I N W H I T E
-
fi
We we re stopped in th e passage by the appearance o f S i r
Percival H e lo oked as if h e had bee n purpo sely wai ting
.
the re to se e u s .
’
To Marian s ro om sh e an swered ’
,
.
‘
I t may spare yo u a d isappoi ntme n t remarked S ir ,
’
‘
Percival if I tell you at on ce that you will n ot nd he r
,
there .
’
N ot fi n d h er there
N o S h e left the h ouse yeste rday m orn ing with F osc o
.
’
and hi s wife .
silence .
‘
I n h e r state S i r Pe rcival ! Withou t m en tioning h er
,
away ? ’
‘
M r D aws on was n t wan ted an d wasn t he re said S i r
.
’
,
’
,
’
you stare ! I f you d on t be li eve she has gon e l ook for you r ’
y o u li ke .
’
34 0
T H E W O M AN I N W H I T E
e x ami ned Lady Glyd e whispered D o n t go M rs M ichels on !
, ,
’
, .
’
don t leave me for God s s a ke !
’
B efore I could say anythin g
,
hu sband .
‘
What doe s i t mean S i r Pe rc ival ? I in si st I beg an d ,
-
’
Lon don t o go there to o
,
.
T o London
Yes — o n her way to L im m eridge .
’
‘
Yo u s aw M iss H alcombe last she sai d Tell m e ,
’
.
t rave l ?
N ot in my opini on your ladyshi p , .
’
t o m e also .
‘ ‘ ’
B efore you we nt away h e said did you o r did yo u , , ,
a n d better
I c ertai n ly made th e remark S i r Pe rcival , .
’
that reply .
‘
S et o ne o f M rs M ichelson s op inion s fai rly agai n st th e
.
’
fi
ye sterday a n d made a be d fo r he r o n th e seat in cas e sh e
, ,
themselves to Cu mberland
Why doe s M arian go to L im m eridge an d leave m e he re ,
’
B ecaus e you r uncle wo n t receive you ti ll h e has see n
’
you r si ste r rst he replied H ave yo u forgotte n the lette r
,
.
’
I d o remembe r it .
‘
I f yo u do why should you be s urp ri sed at he r leavin g
,
te rm s
.
’
m e go od by -
.
’
‘ ’
S he would have bid yo u good by thi s time returned -
,
‘
S i r Percival i f sh e h ad n ot be en afraid of he rs elf and of you
,
.
34 2
T HE W O M A N I N V J H I T E
fi
with th ose word s before I had quite d on e reading th e n ote , ,
d on t write to him
’
i nto h is h ead .
’
Pray d on t write to Cou n t F o sco persi sted Lady
Glyde m ore earn estly than eve r
, .
‘
Why n ot I sh ould li ke t o kn ow ? cried S ir Pe rcival
,
’
,
M rs M ichel son
. .
’
’
u ncle s n ote n or S i r Pe rcival s i n creasin g i mpatience seemed
,
’
‘
D rop i t ! said S i r Pe rcival ru de ly tu rnin g h is back 0 11
’
,
‘ ’
us. I f yo u h ave n t sen se e n ough to kn ow what is best fo r
yourself othe r pe ople mu st kn ow for you The arrangement
, .
’
D on t th row too many ob stacle s in my way do n t make me ’
34 4
T H E W O M AN I N WH IT E
‘Wi ll your ladyshi p excu s e me I wh isp ered if I su gges t ’ ‘
, ,
man ne r .
respect .
’
D awso n would n eve r con sent to M arian s taking a j ou rney
h e pu rpo sely in sulted th e d octor to get hi m o u t o f the h ou se .
’
O h my lady ! my lady
,
I remon strated .
se nt
. My horro r o f hi m i s such that n othing S i r Pe rcival ,
34 5
T H E WO MAN I N W H IT E
’
V esey oe s t o London to n ight as certain ly as S i 1 Perc ival s
Of
g ,
.
,
them and e mptying her d rawers and cabi nets of little things
,
34 6
TH E WO M AN 11 : W H ITE
‘ ’ ‘
answered M o st wi llingly M rs M ichelson
,
We all have ,
. .
, ,
‘ ‘
said ; I was te rribly disturbed by dream s I ndeed my .
’
,
Y es my lady
’
.
,
‘
D id S i r Pe rcival sa y yeste rday that Co un t Fo sco was , ,
‘
to m eet me at th e te rmi nu s i n Lon don ? H e did my ’
,
lad y
S h e sighed h eavily wh e n I an swe red that l a st questi on ,
a nd said n o more .
at that mome nt .
‘
I w ish you we re goin g with m e ! sh e said catchin g ’
,
‘ ’
You have bee n ve ry ki nd t o me and to my si ste r sh e ,
b y —and G o d bles s y o u
S h e spoke tho se word s with a ton e an d a look wh ich
b rough t the tears i nto my eye s — she spoke the m as if sh e was
bidding m e farewell fo r eve r .
’
G o od by my lady I said p u ttin g h er into the carriage
-
, , , ,
34 8
T H E WO M AN I N W H IT E
tim es ! ’
‘
in dreams ? sh e whisp ered to m e at th e window
’
My , .
a n d I saw h er n o mo re .
’
Towards five o clock o n the afte rn oon o f that same day ,
pi ty.
’
Certainly n ot sh e said I have n eve r left B lackwate r
,
.
Park .
’
Where 1 5 M i s s H alcomb e 9 .
whe n the s hock of the di scovery that I had made would fall
on her F o r a mi nute o r more my fears fo r the poo r ladie s
.
, ,
slashing viciou sly at the fl owe rs with hi s rid ing whip Whe n - .
by which he stood .
‘
We ll M rs M ichelson he sai d
, .
yo u h ave foun d it ou t ,
’
’
ti on . H e waited a mome nt and the n addre ssed hi mself ,
, ,
35 0
T H E W O M AN I N W H I TE
see if sh e h asn t been as well take n care o f in o ne part o f the
’
ai r with hi s whip .
me
‘ ’
Whe n d o you want to go ? h e asked i nterrupting m e ,
‘
without ceremony D on t supp ose I am anxi ou s t o keep
.
’
Whe n d o y o u wan t to go
‘
I should wish to leave at you r earliest conve ni ence S i r ,
Percival .
’
‘
My conven ience h a s n othing to d o with it I shall b e .
to it.
‘ ’ ’
M in d ! I do n t kn ow why you are goin g h e wen t o n , .
o f th e family I s that it
‘
There c a n b e n o p ositive obj ection S i r Pe rcival to that , ,
reaso n
Very well ! T hat s all I want to know I f pe ople apply
’
.
.
, ,
’
Y o u go in con sequ en ce of th e b reakin g u p of the family .
‘
At last ! sh e said with a sh rug o f he r lean foreign
’
,
‘ ‘
I am glad to hear i t ma am , said M rs Rubelle I ,
’ ’
. .
me
‘ ’
When d o yo u want to go ? h e asked i nte rrupting m e ,
‘
without ce re mony D on t supp ose I am anxi ou s to keep
.
’
When do yo u want to go
‘
I should wish to leave at you r e arlie st co nvenien ce S i r ,
Percival .
’
‘
My convenience h a s n othing to d o with i t I shall be .
fi
Ha lc o m b e s waking an d of what passed be tween u s whe n
’
,
u nwell to com e to the hou se for some days after I had sen t
fo r him I t was a sad time a time which it a ffl i cts me to
.
,
h ou se in Cumberland .
35 6
T H E WO MAN I N W H ITE
I n th e first place I wish to record my o w n personal c o n
,
v ic tio n that n o blame whatever i n con nexio n with the eve nts ,
s om e ve ry seri ous con stru ction s are placed u pon h is lord shi p s ’
fi
o w n i nability t o re member th e p re ci se day o n which Lady
c isel
y o n a past date un les s i t has bee n previously writte n
,
’
o f th e date was as vivi d as my mem ory o f that poor lady s
T HE S T O RY C O NTI N! ED I N S E V ER A L N A RR A T I V E S .
1 . N a rra ti ve f H E ST E R P I N H O R N
o , Cook i n t/z e S em i ce qf
C O U N T F o sco .
’
to ok the p lace o n trial My maste r s nam e was F osc o
,
. My .
’
C ou nte ss There was a girl t o d o ho usemai d s work whe n
.
,
fi
,
n eighb ourh ood a little bette r than the rest o f them to fetch ,
’
ri c k e s an d Garth s wh o worke d togethe r a s partners and
’
, ,
35 8
T H E WO M AN I N W H ITE
’
from he r somewhe re I couldn t catch the n ame the fi rst
.
,
n osegays .
and sh ook his head They seemed to thin k that the di stre ss
.
strength .
are you making there A n ice tart for dinn e r Much crus t ,
han d o n h er h eart .
‘
My mistre s s stared h ard in M r G o o dric k e s face Not .
’
.
‘
Yes says th e d octor ve ry quie t an d grave
,
’
D ead , . .
‘ ‘
Y o u have bee n sittin g u p al l night says h e ; a n d you r ’
,
‘ ’
the C ou nt sh e says , I mu st carefu lly p repare the Cou nt . .
’
‘
You r maste r i s a foreign e r says M r Goodric ke wh e n ,
’
.
,
, ,
’
~
q
61
T H E WO M AN I N W H I T E
’ ‘
N o says h e
,
n othi ng ; sh e mu st h ave su ff ered sadly
before eve r I saw h er : th e cas e was hopele ss when I was
’
called i n Ah dear m e we all come to i t s oon er o r late r
.
, , ,
do n t we si r ? says I
’
, H e gave n o an swe r to that ; he
’
.
and wen t o u t .
was by n am e J an e Gould
,
I con sidered her to b e a respect
, .
fi
.
and maste r went d own to attend the bu ryi ng in the cou ntry
h im self H e looked grand i n hi s deep mourning with his bi g
.
,
h e did
I n co nclusion I h a v e t o say in answe r to question s pu t
, ,
to me .
(S ign ed ) H E S T ER P I N H O R N H er Mark , .
"
J
62
T H E W O MAN I N W H ITE ’
name .
go o n .
than l ove — the 1 e was sorrow in the anxiou s eye s that l ooked
O n m e so tende rly ; there w a s p ity in th e kin d hand that
s lowly a n d fondl y st1 ength en ed i ts hold on min e We h ad .
35 4
T H E WO MA N I N VV H I T E
'
strainedly ,
’
You have someth ing t o tell me .
room .
I am still left ! ’
those words .
o r my mothe r s love
’
.
‘ ‘
Le t me go away alon e for a li ttle wh ile I said , I ,
’
.
fi
,
vi ctory
I tur ned aside and there below me in th e glen was the
’
, ,
lone some gray church th e p orch wher e I had waited for the
coming O f th e woman in white th e hills e ncircling the quie t
bu rial grou nd ; th e bro ok bubbling c old ove r its s tony bed
- .
366
TH E WO M AN I N W H ITE
Th e voi ce came neare r a n d ros e and ros e more pas sion ately
,
still
. H ide you r face ! don t look at he r ! Oh , for G od s
’ ’
sake spare hi m
Th e woman lifted h er veil .
S econd
T H E WO M AN I N W H I T E
TH E T H I R D E PO C H .
fi
be if I wh o write am t o guide as I ought yo u w h o read
, , , , .
hands .
T h e stree t i s in
a populous a n d a poo r n ei ghbou rh ood .
6
39
T H E WO M AN I N W H IT E
are all u sed ali ke as a mean s O f hiding u s in th e h ouse fores t -
migh t still exist for me but to all the world be side s sh e was
,
B efore the su n O f that day had set before the last glimpse ,
,
’
,
’
taught yo u ? S he who n ow reme mbered s o little o f the
,
37 0
TH E WO MAN I N W H ITE
c ould no t u nde rtake t o say ) that a lette r arrived from Madame
F osc o an n ou ncin g Lady G ly de s s udden death in Cou n t '
’
F osco s h ouse
’
The lette r avoided me n tion in g date s an d
. ,
’
o n ce to M is s H alcombe o r to defer doi ng s o u ntil that lady s,
p re sen ce com mun icate d the n ews e ith e r o n the day when
, ,
’
woman s last i de a i n con nexio n with S i r Pe rcival was th e ,
37 3
TH E WO MAN I N W H I T E
c ould no t u nde rtake t o say ) that a le tter arrived from Mad ame
F os co an n ou ncin g Lady G lyde s s udde n d e ath in Cou n t ’
F osco s h ouse
’
The l ette r avoided m ention i n g dates a n d
. ,
’
o n ce to M i ss H alcombe o r t o d efer d oing so u ntil that lady s
,
’
s ervants e viden ce an d o f the voluntee red statements o f Count
,
F o sco s h ouse
’
Th e lette r avoided m enti on in g date s a nd
. ,
’
o nce to M is s H al combe o r to de fer d oing so u ntil that lady s,
v i o u sl
y i nform ing M iss H alcombe of he r addres s i n cas e they ,
’
s ervants e viden ce an d o f the volunteered statements of Count
,
372
T H E WO MA N I N W H ITE
’
M r Fairli e had received hi s first i ntimation o f hi s n i ece s
.
37 3
T H E WO MAN I N W H I T E
self as sh e s upp osed in th e e sti mation o f the patients a nd
, ,
fi
,
watched .
ni sh an other .
fi
S uch chan ge s n o d oubt were n ot w ithou t p receden t in hi s
, ,
i t n ow .
fi
w a s at fi rst quite i ncapable o f i nte rferin g Whe n sh e was .
377
TH E WO MAN I N W H IT E
th e time for the inte rview S he might then slip ou t for half
.
a n hou r afte r the patie n ts had di ned ; and she would mee t
,
the lady i n a re tired place outside the high n orth w all which
,
nurse .
subj ect cautiou sly by m any p reli minary que sti ons S he di s .
37 8
T H E WO M AN I N W H I T E
in th e h earin g of the othe r nu rse s that An n e C a th eric k h ad
b e en i nquirin g latte rly ab out th e distan ce fro m L o ndOn t o
,
, ,
was in evitable ; and the n t o give the alarm that Ann e was
m i ssin g Th e supposed i n qui rie s ab ou t H amp shi re w he n
.
,
fi
self again st any worse co nsequ e nces than th e los s of he r place ,
’
Lady G lyde s recollecti on o f th e eve nts wh ich followed h e r
departu re from B lac kwate r Park began with h e r arrival at
th e Lon do n te rm inus o f th e S outh Weste rn Rai lway Sh e .
the time .
38 0
T H E W O M AN I N W H IT E
'
Lady Glyde n ext i nqui red whether her siste r was the n s tay
i n g i n the C oun t s h ouse H er recollectio n of th e an swe r
’
.
Wood .
, .
,
0
"
T H E WO M AN I N W H I T E
s trange r— als o an E ngli shman — came in Th is pe rs o n in .
i nto th e room .
abl e p robability .
S he wa s
.
38 2
T H E WO M AN I N W H IT E
changed .
38 4
TH E W O M AN I N W H ITE
e v ery c as e u nce rtai n to say the least of i t whethe r th e
, , ,
38 5 c c
T H E W O MAN I N W H I T E
n oon o f that me morable day of the sixteenth M i s s H al c omb e ,
Li m m eridge H ou se .
—
th ou san d p ou n ds twe nty thousan d to o ne te n thou san d
t o the othe r th rough h i s wi fe
, They had that in te rest as .
,
well as othe r i nte re sts in e nsu rin g thei r imp unity from exp o
,
:
a86
2
fi
TH E WO M AN I N WH ITE
fo r the expen se o f tho se secret i nqui ri e s an d i nve stigati on s
whi ch I w a s dete rmin ed to se t 0 11 foot a n d to car ry o n by ,
fi
myself i f I c ou ld nd n o o ne to help m e We calculated o u r .
’ ’
What a wom an s hand s a re t fo r sh e said early a n d late , , ,
th e Cou nt .
by that love had n ot bee n far m ore certai n than any exe rci se
o f re as on ing far kee ner th an any proce s s o f obse rvation ,
,
38 8
TH E WO M AN I N W H I T E
T h e outward change s wrought by th e su ffe rin g an d the
te rro r o f th e pas t had fearfully almost h opele ssly st rengthen e d
, ,
gene rally fai led in many i mp ortant p oints O f s imi larity whe n
,
a real and livin g rese mblance which asse rted i ts elf before my
o w n eyes . S tran ge rs acquai nta n ce s frien d s eve n who cou ld
, ,
wh ich belonge d to the lost life an d the lost happi n ess o f pas t
days .
c eedin s shou ld be
g .
o f any kin d .
’
p rocure . B y M r G o o dric k e s a ssi stance I obtai ned a copy
.
,
b ru sh e s an d pencils o n th e tabl e .
l earning to draw
S h e spoke as a ch ild migh t have spoke n sh e showe d me
h e r th oughts as a ch ild might have sh own the m I waited a .
‘ ‘
Ye s sh e sai d to he rse lf returnin g t o h e r drawin g
,
’
I , .
"
02
T H E WO MAN I N W H I T E
‘ —
I shall soon b e back , my darling soo n be back to see
’
how you are getti ng o n .
‘
a n d you w ill take care as u sual t o le t n o o n e i n side th e , ,
‘
What c a n happe n ? sh e i nte rp osed quickly Tel l me ’
, .
"
t o meet i t .
’
‘ ‘ ’
The only dan ge r I replied i s that S i r Pe rcival G lyd e , ,
I don t know hi m
’
S he laid he r h an d o n my sh ou ld e r an d lo oked at m e i n ,
th reate ned u s .
‘ ‘ ’
I t i s n ot li kely I said th at I shall be see n in Lon d on
, ,
Lane .
39 3
T H E W O M AN I N W H ITE
tio n occu rred to m e wh ich I dee ply regre tted n o t h avin g thought "
fi
i t a matte r o f certai nty that C ount Fosc o had open ed he r fi rst
lette r from B lackwate r Park to M r Kyrle a n d h ad by m ean s .
, ,
i n th e s tre ets ; but th e special ris k con n ecte d with the o ffice
h ad n eve r occu rre d to m e u n til th e p rese nt m oment I t was .
‘
said , I ough t to warn you M r Kyrle that the sh orte st , .
,
‘
My time i s at M is s H a lc o m be s disp osal h e replied ’
,
’
.
‘
'
part in bu sin es s .
’
‘
H e i s n ot : h e i s livi ng with hi s relative s i n Ge rmany .
H i s h ealth has imp roved but the period o f his return i s stil l
,
u ncertain .
’
39 4
T H E W O M AN I N W H ITE
p rove th e death a n d to show that i t to ok place un de r natura l
,
You r o wn evi dence shows that she has neve r bee n n ear that
h ouse ; a nd you r o w n admissio n i s that he r c onditi on o f ,
39 6
T HE \V H I T E
'
WO M AN I N
’
s tory o f M arian h ad bee n p rese nte d to me from a st range r s
p oin t o f view— the fi rst time the terrible obstacle s that lay
ac ross ou r path had bee n m ade t o sh ow th emse l v e s in thei r
true characte r .
‘ ‘
The re ca n b e n o d oubt I said th at the facts a s you ,
’
, ,
po se d M r Kyrle
. Le t m e tell you th e re sult o f my ex p e
.
the expla nation F o r exam ple Lady Glyde ( I call the lady
.
,
contradiction that yo u c a n o ff e r .
’
fi
a n d I have a few hun dred poun d s
hi s h ead .
‘
Co n side r th e subj ec t M r H a rtrigh t fro m you r o w n , .
,
’ ‘
poi n t of view he sa id
, I f yo u are right ab out S i r Pe rcival
.
, ,
b ility be again st u s
, Q ue sti on s of i denti ty whe re i n stance s
.
,
they are fre e from th e com pli cation s which beset th e cas e —we
are n ow di scu ssin g I real ly se e n o p rospe ct o f th rowin g
.
s h e was i n life
, o n you r o w n showin g 5 0 lik e he r that we
, , ,
39 7
TH E WO M AN I N W H I T E
that dete rmi nati on shifted m y grou nd a nd appeal e d to hi m , ,
once m ore .
’
a di sc repancy b etwee n the date o f th e d octor s ce rtificate
’
and th e date o f Lady G lyde s j ou rney to London the matte r ,
’
That date may yet be recove red M r Kyrl e , . .
‘
I c a n thi n k of n o m ean s o f asce rtainin g th e date at
‘
prese nt I said because I c a n thin k o f n o pe rson s wh o are
,
’
,
ti me into a smi le
, .
‘
Wi th you r opin ion of th e c onduct of th ose two gentle
’
men he said
, y o u do n t expect hel p i n t h at quarte r I
,
’
"
,
any rate .
’
By wh om
’
B y me .
‘
addressed t o M is s H alcombe Care o f M e s srs Gi lmore
’
. .
u nkn own t o me .
fi
O n leavin g th e room I aske d o n e last quest 1 on , .
‘
D o yo u happen to kn ow I said if S i r Pe rcival G lyd e ,
’
,
i s still i n Pari s
‘ ‘
H e has return ed to London replied M r Kyrle At ,
’
. .
’
a m ome n t s reflection I turn ed back s o a s to pas s them , .
from the square i nto the street The oth e r re mained sta .
E ngland .
4 00
T H E WO M AN I N W H I T E
came in thei r way B ut I had the start o f them ; an d whe n .
dark .
fi
w hich divi ded u s from the n ext room was s o thi n that we
could alm ost hea r Lau ra s breath in g an d we might have dis ’
Percival s retu rn ’
.
i n stantly .
’
F osco .
fi
The n ote contai ned th ese li ne s
i ntere sts o f your tran quillity to say two con s oli ng words ,
Fear n othing
E xerci se your n e natural sen se a nd re main in reti re ,
!
401 D D
TH E W O M AN I N W H I T E
calamity shall lacerat e you r sen sibilities — sen si bilities p reci ous
to me as my o w n You shall n ot b e mole sted ; the fai r
.
‘
Advance n o furthe r than you have gon e already ; c o m
p romi se n o se rious i nte res ts ; threate n n obody D o n ot I .
,
- .
a n d h er eyes .
‘ ‘
Walte r sh e said i f eve r th ose two men a re at you r
,
i t be the C oun t .
’
‘
I will keep h i s lette r M ari an to h elp my me mo ry whe n , ,
th e ti me comes .
’
to yo u to day -
4 02
T H E W O MAN I N W H ITE
m ay well forge t th e date but are gui lty an d t/z ey kn ow ,
’
All the wo man flushe d u p in M arian s face as I spo ke
B egi n with th e Coun t ! sh e whi spe re d eage rly .
h ead sadly .
way to it still ! ’
re su lt
,
4 04
T H E WO MAN I N W H I T E
Mr
’
D awson s b ooks ce rtainly sh owe d w h e n h e h ad
.
fi
, .
fi
dat e o f the day o n which thi s di sclo sure took p lace than t o ,
retu rn t o town .
the ho u s e .
4 05
T H E WO MAN I N W H I T E
As I tu rned i nto th e lan e from th e high road I s aw a ,
)
’
to th e h ou se .
h er to b e M argaret Po rche
,
beyon d he r .
’
o ff
. When I fi rst addre sse d hi m h e looked at m e rathe r ,
a civi l refe ren ce to h imself he e nte red i nto co nve rsation readily ,
with the large hat come o u t from the h ous e and stand at , ,
4 06
'
T H E W O MAN I N WH I T E
and I confe s s i t was a satisfacti on to m e to fee l that th e
su rest way— th e only way left— o f se rvin g Lau ra s cause w a s ’
,
fifi
.
4 08
T H E W O MAN I N W H I T E
thi s n ecessity at o nce by th e best an d simple st mean s S h e .
day s post
’
.
fi
.
’
F a i rlie fami ly had bee n Lau ra s fathe r .
o f o u r o w n l odgin g .
10
4
T H E WO M AN I N W H I T E
able from pe rson s wh o are n o t accu stome d t o arran ge their
ideas i s the narrative which goe s far e nough back at th e
,
ci rcum stan ce s con nected with the h ouse and the landlord had
obli ge d the m to change thei r quarte rs Anne s te rror o f .
’
fi
settled in the town ; they had always t reated M rs Clements .
e asily re moved .
4 12
T HE W O M AN I N W H I T E
way .
with out being di scove red th ey had live d a little way fro m ,
4 3 1
T H E W O M AN I N W H IT E
fi
M rs C lemen ts had d readed al l alon g
. The o ld pai n ove r th e .
-
.
,
tim e as half a n h ou r on ly .
4 16
. T H E WO M AN I N W H I T E
s to ry .
the Co untes s and th e que stion whethe r any part of the conduc t
o f husband o r wife had bee n o f a kin d t o place ei the r o f the m
‘
anothe r di rectio n than t his T he i mmediate object o f my .
V 1 ew .
’
my heart s o to l ose he r if I hadn t made he r fi rst sho rtclothe s , ,
’
i ndeed sir ! ,
4 1
7
T HE WO M AN IN W H ITE
as ked .
then in H ampshire
,
and twenty years ago They built a n ew town ab out two mile s
- .
o ff ,
convenien t t o th e rive r— a nd O ld W elm ingh a m which ,
itself with the h ou ses pu lled d own or gone to rui n all round
, ,
4 18
T H E WO MAN IN W H ITE
‘Y es sir Anne was born i n th e J un e m onth o f eightee n
.
,
’
y .
’
I t s n ot i n n atu re comfortabl e and respe ctab le as sh e i s here
, ,
”
li ke S i r Pe rcival Glyde Ay bu t i s h e a strange r to h er ? .
,
”
w icked as the wo rst O f them We shall see says my husband
-
.
, ,
”
we shall s oon se e And only two davs afte rwards w e did .
,
see .
’
4 20
TH E WO M AN I N W H I T E
E v e n in that moment I began to doubt wh ethe r the clue that ,
the key to a secret which had bee n the life lon g terro r o f S i r
Pe rcival Glyde .
‘
Well sir C a th eric k took my husband s advice an d
, ,
’
,
’ ‘
waited M rs Clements conti nu ed
, . And as I told you h e .
, ,
’
hadn t lon g to wait O n the secon d day h e foun d h is wife .
,
a gui lty way that p oor C a th eric k (wh ose quick tem pe r I h ave
told yo u o f already ) fell into a kind of fren z y at his o w n
d isgrace an d stru ck S i r Pe rcival
, H e was n o match (an d I .
.
,
.
, , ,
‘ ‘
What became o f S i r P ercival ? I inq u ired D id h e ’
.
’
took himself o ff .
4 21
T H E W O MAN I N W H ITE
An d M rs C a th eric k .S urely sh e n eve r remai ned in the
v illage am ong the pe ople wh o knew o f he r di sgrace
,
to he r dying day .
’
‘
D id sh e accept th e allowan ce ? ’
” “
kn ow I m in wan t she said
’
before I tell C a th eric k o r a ny
, , ,
”
i t to h i m fo r an an swe r if h e eve r write s again .
Percival Glyde .
’
had yet bee n revealed to me and that the pu rsuit o f my obj ect ,
4 22
fi
H E WO M AN IN i VHlT E
fi
h ad bee n p ositively asce rtai ned by calcu lation s o f tim e a n d ,
child.
‘
I s uppos e yo u often sa w S i r Percival wh e n h e wa s i n ,
y ou r village I said .
,
’
‘
Was M rs C a th eric k l ivi ng i n service at V a rnec k H all ,
.
sir
’
Y es , .
o ff e r itself to me .
‘ ‘
I have n ot h eard yet I said h ow th e poo r ch ild bo rn ,
’
, ,
‘
The re was n obody else sir t o take th e l ittle helple s s , ,
m othe r see med to hate it— as if the poo r baby was in fau lt
—fro m the day it was bo rn My h eart was he avy for the chi ld .
‘
Di d An ne re mai n en ti rely u nde r you r care from that ,
time
‘
N ot quite entire ly si r M rs C a th erick h ad he r whi ms , . .
b itterer than eve r Folks did say that sh e had bee n obliged
.
i ng u s
. All I cou ld d o was to give Anne my di rection and ,
madhou se .
’
‘
You kn ow M rs C leme nts why S i r Pe rcival Glyde shut
, .
,
h er u p
I only kn ow what Ann e he rself told me si r T h e poo r , .
fi
say si r sai d the poo r woman removin g th e han d ke rchief
, ,
’
,
child
I a ssu red her that it w a s S h e seeme d to take an in ex .
‘
h ave b roke n my h eart sh e said simply if Ann e had n ot ,
’
, ,
‘
fo r I have a favour to ask when you are a littl e mo re co m ,
’
p o se d — perhap s i n a day o r two .
‘
Cleme nts N eve r mi nd my c ryi ng i f I can be of u se I f
.
, .
i t no w
’
sa
y .
’
I only wi sh to a sk you on e last que stion I said I on ly , .
, ,
with M rs C a th eric k .
fi
t he secre t of those p rivate meetings O f he rs with S i r Pe rcival
Gl yd e The re is s omethin g more i n what you have told me
.
,
’
o f that woman s past conduct a n d o f that m an s past relati on s
’
n d it o u t
’
.
‘
Thin k twice about i t sir ! sai d M rs Clements risin g ,
’
.
, ,
, .
ab ou t i t .
’
of it
’
.
4 28
T H E WO M AN I N W H ITE
M rs Clemen ts looke d m e anxi ou sly in th e face
.
.
’
I see you r m in d i s made up si r sh e said I wi ll give , ,
.
y o u th e addre ss .
’
all th a t I have p rom ise d to te ll y o u .
VIII .
Lau ra .
the heart .
y o u are n o t happy .
’
4 29
, fi
my l ost a f ic ted siste r !
T H E WO MAN I N W H ITE
Y o u shall help u s Lau ra
‘you sh al l begin my darling t o day
,
I said
,
- .
’
,
,
,
’
’
Y o u know that I work and get m on ey by d rawin g I said , .
u p the pencils that had bee n laid aside she almost looke d li ke ,
a rid I set aside a li ttle wee kly t ri bute from my earn ings to be ,
purpose in hi s o w n defen ce
,
.
’
‘
S ome o f th e p a rtic ula rs I have heard from M rs Cle ments .
Tell him that the statement you re qu est will soo ne r o r later , ,
i t of hi s o w n acco rd .
’
all the hope s that h ang o n you r s afe ret u rn I f strange things .
fo r
. Laugh at tl1 e1n VV a lter if you like — but fo r God s sake
, ,
, ,
’
4 32
fi
T HE WO MA N I N W H I T E
mere act o f adoptin g a di sgu ise — that I dismissed the que stio n
fro m con si de rati on almost a s so on as i t had ri sen i n my mi nd
, .
fro m home the same pe rson s might see me by the co mmon est
, ,
stared afte r me from thei r lonely shops the t ree s that dro op e d
h el ples s in the i r ari d exile of u nfinished cres cen ts a n d square s
the dead h ouse carcase s that waite d i n vai n fo r th e vivifyin g
-
’
rick s daughte r I replied Thi s was the be st p retext I co u ld
,
’
.
t o wal k in .
fi
, ,
4 34
fi
“
T H E WO M A N I N W H I T E
‘
I f you have no othe r motive sh e we nt o n deli be rately ,
’
,
’
mitten s I shall b e al l m black
, .
‘
I lz a ve anothe r m otive in coming h e re I said ,
’
.
‘
Yes Go on . .
’
‘
You r daughte r s death has bee n made th e prete x t fo r ’
Glyde .
’
‘ ’
I ndeed !
I loo ked attentively to see i f sh e fl in c h ed at th e su dde n
me ntion of that name N ot a mu scle o f he r sti rre d — the hard .
,
i n stant .
‘
Y o u may wonde r I we nt o n h o w the eve n t of you r ,
’
,
’
daughter s death c a n have bee n made the mean s o f i n flictin g
i nju ry on anothe r pe rson .
’
‘ ‘
Y o u may ask then I pe rsi sted why I m ention th e
, ,
’
,
Ye s : I do ask that .
’
‘
I mentio n it beca u se I am dete rmi ne d to bri ng S ir
4 36
TH E W O MAN I N W H I T E
P ercival G lyde to accoun t for the wickedn es s h e has co m
m itted
’
.
come to y ou .
’
‘
All that M rs Cleme nts cou ld tell me I answe red
.
,
’
.
‘ ’
Ah ! I begi n t o u n de rstand i t all n ow sh e sai d ; h e r , ,
laugh .
‘
Y o u don t know h ow I h ave lived in thi s p l ace a n d
’
4 37
T H E WO MAN I N W H I T E
bee n years and y ear s ab o u t it— an d I h a ve c l aime d i t back
'
.
, ,
‘
Th ere ! sh e sai d
— ‘ ’
What do you thin k o f th at fo r a .
‘ ’
I d on t do u bt the p ositi o n yo u h a v e gain ed in th e town ;
4 38
T H E WO MAN I N W H I T E
‘I advi s e yo u n o t to be to o sure o f that I rej oi ned ’ ‘I
, .
’ ’
being An ne s fathe r .
l ook o f fury .
’
d are you say wh o was her fathe r o r who wasn t sh e broke ,
’
Percival s life was n o t born wi th you r d aughter s birth an d
’
,
’ ’
has n ot died with your daughte r s death .
‘
T he re was n o th ought o f the child in your heart o r in
his I wen t o n determined to press he r back to he r las t
,
’
,
‘
defence s T here was n o bond O f guilty love between you
.
deep fl ush o f anger faded from her face whil e I spoke I saw .
‘
I do refuse she said ,
’
.
D o yo u sti ll tell me to go
Ye s G O — a n d n eve r come back
. .
’
,
except
S he stopped he r p ale face darke ned ; and sh e stole ba c k ,
th a q uiet , st ea lth y, c a t li ke step to h er ch ai r -
.
4 0
4
T H E WO M AN I N W H I T E
‘Except the n ews o f hi s death she said sittin g down ’
, ,
e y es .
all th e te rri ble pas si on s I had rou sed i n that woman s heart ’
,
44 1
T HE WO M AN I N W H IT E
’
them a n d di sti nctly he ard the lawye r s cle rk dem an d a ticke t
,
’
C a th eric k s reside nce H e had bee n probably place d the re
.
,
M rs C a th eric k
. H e had doub tles s see n m e go in and come
.
meet .
44 2
TH E WO M AN I N W H I T E
b ee n more th an th e m e re witnes s of it— she was a l s o the
accomplice beyon d a doubt ,
.
chu rch .
’
m oth er s re pu tati on was damage d by some hidde n flaw with
which M rs C a th eric k an d S i r Pe rcival we re both privately
.
444
T H E WO M A N I N WH IT E
a nd, a fte r in quiri n g th e way set forth o n foo t fo r O ld W el ,
d
m in gh a m church .
fi
s ome o f the dis mantle d cottage s in search of a pe rs on wh o
might direct m e t o the cle rk I saw two m en saunte r o ut ,
m otive o f thei r p re se nce in the n eigh bou rh ood of the chu rch
was plai nly appare nt I t was exactly as I had suppose d
.
44s
T H E WO M AN I N W H I T E
the clerk s ab ode — a cottage at s om e little di stan ce o ff
'
, ,
’
I t 5 well yo u cam e s o e arly si r said th e o ld man whe n
’
, , ,
‘
I had men ti oned the obj ec t of my vi sit I sh ould have bee n .
, .
, ,
hind u s .
’
N ob ody at h ome t o keep h ou se fo r m e sai d th e clerk , ,
fi
my child ren are all marri ed A wretched place thi s isn t it .
,
’
,
,
-
, ,
pleas e
Chatte ri ng o n in thi s way h e le d me back to th e ve stry , .
fi
They w e re n o t vi sible anywhe re Afte r h avi n g di scovere d .
conque r i ng it .
1
’
‘
I m oblige d to b 1 ing yo u this way sir h e said bec a u s , ,
’
,
the door from the ve stry to the chu rch I S b olte d on the ve stry
side We migh t have go t in th rough the chu rch othe rwi se
.
,
.
446
T H E WO M A N I N W H I T E
’
An d why we re th ey going to London To be r epaired ?
‘
That s i t si r To be repaired ; an d where they we re
’
, .
fi
ove r w ith G othic devi ce s i n re d i nk sayin g i t w a s a di sgrace ,
fi
busine ss with out more de lay .
‘
I want to b egi n with th e year eigh teen hundred an d
fou r I said
,
’
.
‘
Which way afte r th at sir asked th e cle rk
? F orwards ,
’
.
448
TH E WO M A N IN W H ITE
H e o p ene d the door the p re ss es — th e pres s fro m
o f o ne o f
th e side o f which th e su rplices we re hangin g — an d p roduced
fi
a large volum e boun d i n greasy b rown leathe r I was struck .
my h and .
I was a lad Why isn t the regi ste r (mean i ng thi s regi ste r
.
’
fi
he re un de r my h and )
, why is n t i t kep t in a n i ro n safe ’
’
I f I ve heard hi m say th at o n ce I ve h eard him say i t a ,
’
,
”
fi nd o u t the value o f my c opy H e u se d to take hi s pinch .
’
Ah the like o f hi m for doin g busi nes s is n t easy to find n ow .
what
E ightee n hun dre d and fou r I replie d mentally re ,
’
t
44 9 G G
T HE W O M AN I N W H I T E
’
at every third page The re i t i s si r he said wi th ano the r
.
, , ,
‘ ’
cheerful s mack o n the ope n volume There s th e year yo u .
’
wan t .
’
smalle r space than that occupie d by the marriage s above .
fi
my reach than eve r .
4 5O
TH E WO MAN I N W H I T E
o n
p y, looki ng right an d left all down th e street a nd n oddin g ,
h e d ha v e don e in Lon do n
’
‘
Than k yo u ki ndly si r s ai d th e clerk a s I sli pped my
, ,
’
,
‘
l ittle p re sen t i nto hi s hand Are you really goin g t o walk
.
m ore
’
.
4 52
T H E WO M AN I N W H IT E
an ec s l ooked i n th e vestry there was somethi ng wron g
,
my way t o K n o wlesbu ry .
fi
,
‘
I sa id a n d I wi ll go with you to the town
,
Th e man in .
’
wi th my arms free .
fi
by the magi strate 5 next words H e re man ded me at on ce .
, ,
.
,
li t
f
T H E WO M AN I N W H I T E
’
o ff ered an d accepte d immediately B efore fou r o clock o n
,
.
,
fi
c ould o nly reply that my ti me was n o t my o w n ; an d I could
only ask hi m to le t m e p ay my vis it in a few days whe n I ,
Ti me w a s n o w o f th e last i mp o rtance .
fi
the de sperate peri l O f exp osu re with whi ch my blindfold in
q u i ri es threate ne d h im — all warne d m e to press o n to p ositive
’
b orough for i nformation o n the su bj ect o f S i r Pe rcival s
m othe r My obj ect n o w was t o e x amin e the dupli c ate
.
, ,
him .
,
-
,
-
’
fathe r s copy o f the registe r but had n o t eve n s ee n i t himself .
, , ,
the obj ect o f which eve ry p os si ble s avin g o f time was o f gre at
importance I was anxi ou s to s en d certai n particulars t o
.
document .
bo ok .
these wo rds
‘
Cop y o f the M arriage Regi ste r o f W elm ingh a m Parish
Chu rch Exe cuted u nde r my orde rs ; and afterward s c o m
.
J une 1 8 1 5 3
,
i n the chu rch regi ste r from eightee n hu n dred and three (whe n ,
c iv a l appeare d at O ld W el m in gh a m H e re at K no w lesbu ry .
, ,
45 8
T H E WO M AN I N W H I T E
middle o f th e road .
the fi rst half o f the way to make su re whe the r I was foll owed
. ,
, ,
.
4 0
T H E W O M A N I N W H IT E
'
e v e n ing .
regain ing the lin e fro m which I had wande red Afte r foll ow .
‘ ‘
Whe re are the keys ? he a sked H ave you take n ’
.
them
‘ ‘
What keys ? I repeated ’
I have thi s m omen t come .
‘
The keys o f the vestry Lord save u s an d help u s ! .
461
T H E W O MA N I N W H I T E
‘I ’ ve
I told you I
in the darkne ss only j u s t got back ‘
. .
’
Lo ok somebody has got i n th e re an d take n th e keys , .
‘ ‘ ’
Get an othe r light I s a id ; an d let u s both go to th e ,
‘ ’
The darkn es s mi sleads you I said I am n o t S i r Percival ,
’
. .
doubtful way .
.
’
at the cottage and saw the cle rk com in g out with the lantern
, ,
fi
th e mo re qu ickly W e hasten ed alon g th e lan e and passed
.
,
‘ ’
Who s that P whispe re d the cle rk D oe s h e kn ow .
fi
, .
As we m ounted th e ri sing .
‘
I sa y, m ea ster, said the b oy pulli ng o f c io u sly at the
.
’
,
4 62
TH E WO M A N I N W H ITE
c h u rch !
’
The l oc k s hampe re d You re a dead man if you
’
.
The man tre mbled from head t o foot but h e held firm I , .
o u t a b o v e m e with th e flame
,
The gleam s and flashe s o f the .
I lo we re d myself fro m
,
4 64
T H E WO MAN I N W H ITE
‘ ‘
Th e key o f the chu rch ! I sh oute d t o the cle rk We ’
.
No no no
, c ried th e o ld m a n
, N o h op e the ch u rch .
key and the vestry key are o n the sam e ri ng— b oth i nsi de
’
the re ! O h si r h e s past savi ng — h e s dus t an d ashe s by
, ,
’
thi s ti me
‘ ’
They l l s ee the fi re from the town said a voice from
’
,
h orro r of remai nin g in active all that tim e was m ore than I , ,
fi
n ai led oak — I kn ew th e h opele ssn es s o f assaili n g the o n e an d
th e othe r by o rdi nary means B ut su re ly th ere we re beam s .
fi
amon g th e village rs wi t h the lante rn in my hand
, F ive .
4 65 11 H
T H E WO MAN I N W H ITE
o ff
. O ut rings th e chee ring again i rrepre ssibly We have , .
th e flames .
’
H e s dus t and ashes said the cle rk And th e books are
,
’
.
ash es s oon .
’
H ark
A h ars h rattling sou nd in th e d istan ce — then th e h ollow ,
, ,
chu rch
4 66
TH E WO MAN I N W H ITE
‘
vestry I s he d readful t o l ook D readful !
’
at P
’
.
Not
about the face though P N o n o n o t s o much about the
,
’
,
d oes .
’
W ho P ‘
A servant they say ’
B ut he s s truc k , .
’
‘
stupid li ke an d the police don t believe h i m
-
, D on t any ’
.
’ ’
hu m o f talking al l roun d me in a n in st a nt , .
H e re s ir— he re he i s I
, D ozen s o f eage r face s p re ssed
about m e — d o z en s of eage r arm s parted th e c rowd The .
‘
Thi s way si r i f you please he said quietly , , ,
’
, .
D o you kn ow him si r P ,
’
i t was audible in the d readful sile nce I loo ked u p alon g the .
,
fi
T HE I nquest was hu rrie d fo r ce rtai n l ocal reason s which
weighed wi th the coron e r an d the town auth o ritie s I t was .
the i nvestigation .
4 68
T H E W O M AN I N W H I T E
’
fi
a ffect th e o n e great anxiety wh ich weighe d o n my mi n d whi le
’
I was away from Lon don The mo rn ing s lette r which was .
,
waitin g for m e .
fi
as when I h ad left the m Laura se nt he r love an d begge d
.
,
and they h ad com mun icated the fi rst thin g in the m orn in g with
, ,
’
gave hi s evi den ce clearly en ough but the servant s min d had
n ot ye t recove red the shock i nflicted o n it h e was plainly -
’
p rove was that I had stopped at th e cle rk s cottage to ask my
way that I h ad heard from him of th e l os s o f th e keys that
I h ad accompanied hi m to the chu rch t o rende r what help I
could that I had see n th e fi re th at I h ad heard s ome pe rson
u nkn own i n side th e ve stry t ryin g vainly t o un lock th e door ;
, ,
take it for granted natu rally en ough that I a s a total stran ger
, , ,
th e min d o f M r Kyrle
. .
4 70
TH E WO M AN I N W H ITE
been to o much fo r hi m whe n he tried to escap e by th e in n er
,
o f th e case .
declare d that what little me ntal facu lty he posse ssed was
seri ou sly shaken ; n othin g sati sfacto ry was extracted from
hi m at the adj ourne d I nquest an d fo r aught I kn ow t o th e ,
4 72
T H E W O M AN I N W H IT E
I re tu rned to the h otel at W elm in gh a m s o j ade d in b ody ,
M arian .
fi
d oubtful futu re — m ore d oubtful than eve r n o w— made m e
d read decreasi ng o u r m ean s u n nece ssari ly by allowi ng myself ,
4 73
T H E W O M AN I N W H IT E
repairs had only o n e i nte rest that he could talk abou t n ow
, ,
which (in my igno ran ce of the true n atu re o f the S ecret ) I had
h ope d s o much could n o t have bee n mi n e t o suppress o r t o
, ,
them n ow
I retu rn ed t o W elm in gh a m with my min d c omposed ;
'
’
S i r Pe rcival s death whi ch was the last n ews she eve r ,
4 74
T H E WO MAN I N WH I T E
ca n I pay my de bt P I f I was a you ng woman still I might ,
say Come -
, p u t you r arm rou n d my waist a n d ki ss me if , ,
youn g frien d
You we re a little boy I suppos e i n the year twe nty , ,
ti me as we ll as I d o
, .
m e an d he made m e p re sen ts
, N o woman c a n re si st .
found h im o u t .
account .
I f I had kn own what th e law con side red the cri m e t o b e and ,
how the law puni shed it I shoul d have take n prope r care o f
,
hi s m othe r s death’
Then hi s fathe r confessed i t an d
.
, ,
)
c a n blame hi m P wi sely provide d for him self H e cam e to .
fi
The re was n o on e to suspect h im an d 11 0 o ne to say him nay ,
.
clai m the property (if the t ruth had bee n kn own ) was a
fi
distant relati on wh o had n o i dea o f eve r getti ng i t a n d wh o
, ,
fi
could n ot borrow m oney o n th e property as a matte r o f
c ou rse The re we e two thi ngs wante d o f him befo re h e
.
r
,
bu ry i n stead .
4 77
T H E WO M AN I N W H ITE
fi
wh y h e h ad n o t married Y o u may won de r why the s on
.
,
cle rgyman at o u r chu rch h avi ng been dead for some years .
I f h e had n o t .
church P
S o as I told you the so n fou n d ou r n eighb ou rh ood th e
, ,
fi
su re st place he could ch oo se to se t thin gs right secretly i n ,
que sti on was ever raised about h i s right to the n ame and th e
.
e state .
4 78
T H E WO M AN I N W H IT E
did so they were quite ce rtai n neve r to susp ect the truth
,
I .
ma n .
frie nds would tempt me i nto dan ge rou s gossiping at the tea
table I n my o w n n eigh bourh ood
. h e would always kn ow ,
accepte d it .
4 80
'
T H E WO MAN I N W H ITE
"
fi
bou rs o n thei r o wn grou nd an d w o n i t i n cou rs e o f ti me ,
th rough all the years that have p asse d fro m that time to
thi s an d whether my late daughte r An ne eve r really cre pt , ,
. .
s oo n as we go t ho me again .
o f the two best sittings t o let i n th e chu rch from that time ,
-
sittings .
4 82
T H E WO M AN I N W H IT E
said the day before — rep eated in hi s pre sen ce as if they had , ,
fi
No ! I am to o respectable a woman t o me ntion what
h e said whe n he re covered himself My pen i s the p en of a .
I trie d to set thin gs righ t I told him that she had mere ly
.
re s ted o n M Y ch il d .
4 84
T H E WO MAN I N W H IT E
set pe ople s u spe cting an d in qu irin g by repeatin g my o wn ,
i ncauti ou s wo rds .
fi
i n shee r cra z y spitefuln es s again st the m a n wh o had o ff e nde d
4 85
T H E WO M AN I N W H ITE
be gratified .
Perhaps afte r what I have j ust said you will see the
, ,
n ext .
anxi o usly ope ne d the enve lope There was n othing i n side .
wo rd s
C ome bac k as soon as yo u can I h ave been obliged to .
miles away from them here I must re main — held d oubly held
, ,
The I n que st was the fi rst of the i mpe dime n ts i n the way o f my
freedom of acti on I attended it at the appoi nted time ; th e
.
4 88
T H E WO M AN I N W H I T E
matio n the j ury pron ounced the custom ary verdic t in case s o f
,
a state ment that th ere had bee n n o evi den ce t o show h ow the
keys had been abstracted h o w the fire had bee n cau sed o r
, ,
what the purpose was for which the decease d h ad ente red
th e vestry This act closed the p ro ceedings
. The l egal .
fi
only make a virtue o f neces sity a n d plai n ly ackn owledge
the m .H e had die d wi th ou t leavi n g a will an d he had n o ,
b efore he die d .
4 89
T H E WO M AN I N W H ITE
marryin g h i m F o r he r sake I w i she d t o con ceal it— fo r he r
.
,
town .
o f abode .
, ,
’
and to M arian s love .
4 90
TH E W O MAN I N W H I T E
fi
come u p-stairs H e made n o s u ch attempt The girl from
. .
“
As k th e gentleman to wait in the shop I said I wil l be , .
”
with h im i n a m oment I ra n u p stairs for my bon net .
-
,
- .
again in the pas sage an d had opened the do o r into the street
, .
I recollect M arian ,
.
’
‘
Well ; s o it has really turn ed out Th e Coun t o ff ered .
, ,
fi
fo r himself becau se he beli eved you would n ext procee d
,
Ye s P
‘
I t i s hard to ackn owledge i t Walte r— an d yet I mu st , .
493
TH E ‘ ‘
vV O lvI AN I N W H I TE
int ere sts — inte rests which he migh t n ever be able to con sul t
again I made n o such barg ai n with him I would have died
.
of me P
H e sp oke last o f you H i s eye s b ri ghte ne d a nd h ard ened .
,
M r H a rtrigh t
. h e said in h is l oftie st mann e r H e h as a,
.
S ee ! I m ou rn hi s l os s — i nwardly i n my s ou l ; outwardly 0 11
my hat Thi s trivial c rap e expresse s se n sibi li tie s whi c h I
. .
‘
‘
With ou t returni ng P with out saying mo re last wo rds P
‘
H e tu rn ed at th e corn e r of th e street an d waved his ,
494
TH E W O MAN I N W H ITE
‘
I don t di sguis e fro m myse lf o r fro m yo u I wen t 0 11
’
, ,
’
,
‘
I wil l tell you I re plied whe n th e ti me come s
,
’
I t has ,
.
death
O h Walte r surely it mus t be l ong yet before we tell he r
, , ,
of it ?
’
fi
,
me ntion ed ? ’
I h ave .
’
496
TH E WO MAN I N W H ITE
Her fa c e grew pale F o r a while sh e lo oked at me with
.
,
‘
I thin k I u n de rs tand she sai d I thi n k I owe i t to h e r
,
’
.
h elp us .
498
T H E W O M AN I N W H I T E
writin g to m e) as plai n l o oki ng a nd as havin g entra ppe d
-
,
’
’
th e handsomest man in En glan d i nt o marryi n g he r B oth .
side ration whether M r Phi li p Fai rlie himself had bee n n eare r
,
.
could neve r h ave been plan ned With what une rring and .
5 00
T H E WO M AN I N W H ITE
p a n i o n sh ip le t he r re
, mai n u ndi stu rbed .
the dead .
th e month o f chan ge .
, ,
fi
the o ld familiar sh ore
T o a ny oth e r woman I cou ld h av e spoke n th e decisive
,
5 02
T H E WO M AN I N W H ITE
‘ ’
I was guided by your advice in th ose p ast days I said ;
'
,
‘ n
a d n ow M arian with re liance te nfold greate r I wil l be
, , ,
guide d by it again .
’
i nte rests will still be the i nte re sts o f my life Whe n we leave .
D o yo u agre e
’
Lau ra s safety I must fight it for my Wife
, .
fi
achievin g ou r pu rpos e may be in o u r p owe r whi ch are les s ,
H ave yo u P
’
No I have thought ab ou t it to o and thou ght i n vain
.
,
.
‘
I n all likelihood I continued th e same que stion s have
’
, ,
5 0 4
T H E WO MAN I N W H I T E
recognition o f he r by the people o f the vi llage o r by th e ,
I wish I cou ld fee l su re that you are right als o i n dete rmin in g
t o try that last chance with th e Cou nt [ 5 i t a chance at all ? .
5 0
5
T H E WO M AN I N W H ITE
’
D o yo u fear failure you rs elf Walte r ? , ,
-
.
hand o f my wife
M arian s eye s m et mine affecti onately— I could say n o
’
‘ ‘
Walte r ! sh e said I o nce parted yo u bo th fo r your
’
, ,
h ave d on e n ow
Fo r the fi rst ti me since the farewe ll morn in g at Limme
ridge she touched my fo rehead with he r lips A tear d ropped
, .
o n my face a s sh e ki ssed m e
, S he tu rned quickly poi nted .
,
b righ t ; the wh ite sea bi rds chasin g e ach othe r far beyond
me seeme d t o b e flitti ng before my face the mellow murmu r
,
06
5
T H E WO M AN I N W H ITE
like fi re The n ext day was the day we cam e back to Lon don
.
t o me .
fi
The passage to which I allud e occurs in that part o f he r
jou rn al which delin eates hi s ch aracte r an d h is pe rsonal appear
ance S he describe s hi m as n ot havin g c rosse d th e frontiers
.
fifi
B lackwate r Park — as receiving lette rs with all sorts of o dd
s tamps o n th em an d o n e with a large o f c ia l l ooking seal o n
, ,
-
’
it. S he i s i n clin ed to con side r that hi s lon g abse n ce from h is
n ative cou ntry may be accoun ted for by assumin g that h e i s
a political exile B ut she i s o n th e othe r hand unabl e t o
.
, ,
Con tin en t add ress ed to political exile s bei ng usually the last
to cou rt atten ti on from foreign p os t o f c es in that way - .
08
5
T HE WO M A N I N WH I T E
a ng er at hi s p rocee din gs toward s h e rself I applied it to .
s onal parti ality but by righ t o f the i r di rect conn exi on with
,
5 09
T H E WO MAN I N WH I T E
which in thei r j ealo u s a ff ectio n fo r me they both co nti nu ed to
, ,
adhe re ; the p ainfu l n eces sity which that prej udice imposed
o n me o f con ceali ng my m arriage fro m the m ti ll they had
learned to d o j u stice to my wife — all the se l ittle d om es tic
occu rren ces h ave bee n left u nreco rded be cau se they we re n ot ,
j
o r t he n oisy tran spo r t o f o y with which he rece ived me wh e n
fi
we n ext me t i n Lon don I f I had fel t j u stified in acce pting
.
fi
B efo re I su mm oned Pesca to my assistance i t wa s n ec es ,
5 10
T HE WO MAN I N W H I T E
fi
, ,
‘
T he performanc e ann ou nced was Lu crezia B orgia and i t ,
’
was t o take p lace that eve nin g The opera glas s in the .
-
hugge d u p un de r h is arm .
I reache d th e theatre .
head enj oyi ngly from time to time VJ hen the pe ople n ear hi m
,
.
fi
,
5 13
T H E W O M AN I N W H I T E
N o said th e Profes so r
,
’
T he big fat man i s a strange r .
to me I s he famous
. Why do you point him o u t
‘B ecau se I h ave particular reason s for wishing to know
’
to me .
’
Are yo u quite su re yo u d on t recognise hi m ? Look
agai n ; look carefully I wi ll tell yo u w h y I am so anxi ous .
’
u p he re wh ere yo u c a n see hi m be tter
, .
curi osity .
bo x e s be h i nd u s o n the pit ti e r .
5 14
‘
TH E vV O M AN IN VJ H I T E
’
Come h ome I said ; come home Pe sca to you r
, , ,
directly .
’
‘
M y s oul bless m y soul
- - crie d the Profes sor in a state
- -
,
‘
o f th e extre me st bewilde rmen t What o n earth i s the .
matte r
I w a lk ed o n rapidly wi thout an swerin g The circum , .
to o by leaving London
,
I dou bted the futu re if I allowe d .
,
’
hi m so much as a d ay s freedom t o act as he pleased And I .
h ere .
‘
H e kn ows y ou — h e i s afrai d o f yo u— h e has l eft the
theatre t o e scape you Pe sca ! there mu st be a reason fo r
.
Pesca w h ich the sight o f Pe sca had pro duced o n the Coun t .
’
Walter he said Y o u don t kn ow what you a sk
’
. .
5 16
TH E WO MAN I N W H I T E
‘
F orgive me i f I ha v e uni ntenti on al ly paine d an d shocke d
,
’ ‘
yo u , I replied Re membe r the crue l wron g my wife h a s
.
’
Wai t h e said Y o u have shake n m e from head to foo t
, . .
‘ ‘ ’
O n you r heart a n d soul Walte r he s aid i s the re n o , , ,
me
The re i s n o othe r way I an sw ered ,
’
.
came bac k .
‘
You wo n you r right ove r m e Walte r h e said o n th e , ,
’
,
fi
The t rembling e arnestn es s with which h e utte re d thi s
extraordi nary w a rn i ng carrie d with i t to my min d the c o n ,
the future as I am n ow ,
5 7 1
T H E W O M AN IN WH ITE
‘
You kn ow n oth ing o f my motive fo r leaving I taly h e ,
’
‘
began ,e x cept that it was fo r political reason s I f I had .
,
.
fi
tellin g yo u the n ame o f the S ociety to which I belon g All I .
fi
.
518
T H E WO M AN I N W H I T E
’
You have drawn you r o w n conclusion already h e said , .
o f myse lf for your sake a nd then have don e with thi s su bj ect
, ,
’
I promi sed yo u that thi s confiden ce sh ould be complete ,
fi
so on er o r late r by the Chiefs wh o kn ow h im — Pre siden ts o r
,
’
be like myself again wh en we meet next ,
.
‘
I said . Y o u shall neve r repen t the trus t you have repose d
‘
as n in e o clock ’
‘
Ye s Walter he replied lookin g u p at m e ki ndly an d
, ,
’
, ,
’
Good n ight my friend , .
521
T H E WO M AN I N W H I T E
, ,
minute s more .
5 24
on
the doo r .
’
TH E WO M AN I N W H IT E
the outside o f th e little packet T hi s don e I we nt down
stairs to the sittin g 1 oom i n which I expected to nd Lau ra
-
,
.
fi
N o o n e w a s in the room but M ari an S he was readin g .
‘
H o w e arly yo u are back she said Y o u mu st have .
’
Yes I replied ; neithe r Pesca n o r I waite d for the en d
,
’
.
Where i s Laura
S he had on e of he r bad headache s thi s evening an d I
’
advi sed her to go to bed when we had don e tea , .
’
nin g to l ook in quiri ngly at my face Marian s quick in sti nct
wa s beginnin g to d iscover that I had someth ing wei ghin g
o n my mi nd .
the beds ide by the dim flicke r o f th e ni ght lamp my wife was '
-
,
asleep .
left he r .
’ ’
The landlord s so n has b rought thi s for you sh e said ,
.
again .
’
‘
Your lette r i s receive d I f I don t se e yo u before th e .
’
5 25
T HE W O M A N I N W HI TE
o n m ine .
‘ ‘
Y o u a re
’
I see ! she said in a low eager whispe r ,
.
‘
N o t alon e ! O h Walte r for God s sake n o t alon e !
’
, ,
D on t refuse me becau se I m on ly a
’
Let me go wi th you .
’
cab
‘
I f yo u wan t to help m e I said stop h ere an d sleep in ,
’
, ,
min d easy abou t Laura and I an swe r for eve rything e lse ,
.
’ ’
J ohn s Wood I called to hi m th rough the front win dow
, .
d o i t si r
, .
’
I l ooked at my watch Ele v en o clock — no t a .
’
minute to l ose .
th e do o r .
5 26
T H E WO M AN I N W H ITE
u p- stai rs withou t retu rni ng my bo w My familiarity wi th
, .
w a s M adame F o sco .
th e Coun t .
‘ ‘
Y o u come he re o n busine ss sir ? h e said I am at a ,
.
’
loss to kn ow what that bu si ness c a n po ssi bly be .
‘ ’
I am fo rtun ate i n fi ndin g you h e re to ni gh t I said , .
‘
Y o u an d I M r H a rtrigh t are excelle ntly well acquainted
,
.
,
‘
wi th o n e anoth er by reputati on h e s aid D i d it by any ,
’
.
,
chance occur to you whe n you came to thi s h ouse that I was
,
5 28
T H E WO M AN I N W H ITE
‘
Those wo rd s are m ore se riou s pe rhaps than you think , , .
Wh at d o you m ean
’
What I say .
H is left han d s tole ove r the edge o f the table The re was a .
‘
S o you kn ow why I am leavi n g Lo n don he wen t o n .
‘
T ell m e th e reason i f yo u please H e turn ed the key an d
, .
’
,
H ow c a n you show i t
’
Y o u h ave go t yo u r coat o ff I said Roll u p th e shirt , .
fi
an d softly slipped int o it Th e harsh gratin g n oi se o f s om e .
‘ ’
Wait a little I said You have got th e doo r lo cked
,
.
‘ ’
You have said e n ou gh h e replied with a s udde n c o m , ,
!
5 29 M M
T H E WO M AN I N W H I T E
n o out break of vi olen ce cou ld have tried the m I wan t o ne .
‘I am thin kin g ‘
h e re marke d q uietly ,
’
wh ether I shal l ,
‘
I advi se yo u to read two line s o f wri t i n g which I have
’
about m e I rej oin ed before yo u fi nally d ecide that que sti on
,
’
,
.
‘
I d on t lock u p my d rawe r M r H a rtrigh t h e said ;
’
,
.
,
’
want s omethin g o f me
‘
I do — a nd I mean to h ave it
~
.
’
O n con diti on s
’
O n n o conditi on s .
5 30
T HE WO M AN IN W H ITE
(
'
‘
I n the fi rst place I demand a full confe ssion o f the c o n,
’
sp ira c y written a n d si gned i n my pre se n ce
,
by yo urself ,
.
‘
'
‘
At presen t n o m ore ,
.
if yo u accept th e m — Ye s or N o , .
’
was far pu re r in its freedo m from all taint of evil pas sio n
, ,
. ,
5 33
TH E WO M AN I N W H I T E
than su pe rstition I t was hard when I had fastened my hold
.
,
on him a t last
, to loosen it agai
, n o f my o w n acco rd — bu t I
forced myself t o make the sacrifi ce I n plaine r wo rds I .
,
c au se o f T ruth .
‘
I accept your con diti on s I sa id With o ne reser v ati on ,
’
. ,
’
o n my part .
‘ ‘
I t refe rs t o th e sealed lette r I an swe red I requ i re ,
’
.
y o u to d estroy i t un opened i n my
, pre sen ce a s s oon as it,i s ,
fi
n o u se of it o n hi s o wn u n supp orted testimony — eve n if h e
,
‘
I grant you r reservation h e replied afte r co n side rin g ,
’
,
o ut in h is deep v oi ce
, T h e lady o f the vi pe ri sh face came i n
. .
I
5 34
THE VJ O M AN I N WH ITE
, , ,
, ,
‘
of the flo u ri sh with which he si gn ed h i s n ame B ravo he . .
triumph .
—
D on e M r H a rtrigh t , he ann oun ce d w ith a self
.
, ,
u
when you read what I have written The subj ect i s exhau sted .
en r ou te B ehold th e programme
.
'
-
,
fi
dated from H ampshi re o n th e 2 5 th of J u ly an d i t ann ounced
th e j ourney o f Lady Glyde t o London o n the 2 6 th Thus , .
,
sh e wa s alive
,
, ,
w o uld b e complete .
5 36
T H E WO M AN I N W H IT E
A q u arte r past five sai d th e C oun t lookin g at hi s watch,
’
, .
.
, .
’
summon M adame Fosco t o keep yo u fr o m feelin g dull
'
.
,
, ,
husband woke .
‘ ‘ ’
I feel infinite ly refre shed he re marked E lean or my , .
,
‘
go od wife are you all ready u p stai rs
. , That i s well My ,
-
.
travell ing dre ss a ssu med in ten min ute s more What remain s
- .
,
‘ ‘
S37 .
TH E WO M AN I N W H I T E
my o c ckato o to thi s vast Metro poli s — m y agen t shal l pr esent
them in my name to the Z oological Garden s o f London
, ,
.
from hi s pe n .
‘
C ount ! yo u h ave no t i ncluded the mice said M adam e ,
’
F osco .
heart .
‘ ‘
All human res oluti on E lean or he said solem n ly h a s , ,
’
, ,
I t was n o t till fi ve mi nu tes past seven that the gate bell ran g ,
a dark beard .
’
M onsieu r Rubelle as s oon as we we re al on e sugge sted with
, , ,
5 38
T H E W O M AN I N W H I T E
M o nsieu r Ru belle .
"
I do .
fi
o u t th e pape rs whi ch th e Count h ad place d i n my hands an d
re ad the te rri ble story o f th e con spiracy told by the m a n wh o
had plan ned an d pe rpetrated i t .
fi
A ttacked (i n H ono ra ry Cap a ci ti es) to S oci eti es M csz ca l , S oci eti es M edi ca l ,
’
T/1 e C OU NT S N ’
a rra i io e .
54 0
T H E WO MAN I N W H IT E
combe .
’
I resume .
o f M ari an s i llnes s
’
.
54 1
TH E WO MAN I N W H ITE
they were admitted o f delay— but the nece ssi ty O f discove ring
,
Lady Glyde The state ment o f thi s curi ous fact— i nte nded
.
less than the complete tran sformati on oftwo separate identi ties .
secret .
54 2
T HE WO M AN IN W H IT E
’
co ncen trate d o n M arian s rescue fro m th e han ds of the licen sed
I mbecile wh o atte nded he r a nd wh o fou nd my advi ce c o n ,
mean s were emp loyed was the occasion (to whi ch I sh all soo n
,
fi
H avi n g s ugge sted to M rs Clement (o r Cl emen ts I am .
,
fi
leave it— I was at liberty to return to the hou se and to c o n ,
’
that sh e sh ould commun icate h er Lon don addre ss i n A n n e s ,
54 4
TH E WO M AN I N W H I TE
’
Afte r de cidin g o n my wife s mi ssi on to Lon don I arran ge d ,
m eridge Cumberland , .
54 5 N N
TH E WO M AN I N W H I T E
circum stan ces As i t was the d octor inte rfe red an d she was
.
, ,
k e pt o u t o f the room .
54 6
TH E WO M AN I N W H I T E
to i mpris on h erself with he r patie nt fo r two o r thre e days
B efore takin g o u r departure I gave Percival M r Fai rlie s , .
’
fi
C a th eric k .
and d rove O ff .
intere st i n g thi s I S
O n the way to Forest Road my companion sh owed n o fe ar , .
mome nt at o u r feet ,
.
54 9
T H E WO M AN I N W H I T E
.
,
Percival s intere sts and min e bein g still at stake n othin g was
’
’
O n the morn in g o f th e 2 6 th Percival s lette r reached me , ,
’
ann ouncin g his wife s arrival by th e m id day train Madam e -
.
5 5°
T H E W O M AN I N W H I T E
which followed i t I have to assert wi th the whole force Of
.
,
secret in j eopardy
, I committed on e e rror i n t rustin g m y
.
, ,
552
T HE WO MAN I N W H ITE
an d worthy o f
FOSCO .
I .
watch a nd bowed
,
I rose im med iately and left th e agent in
.
,
path — into the same byways they crawled bac k sec fetly a nd
were lost .
home again .
5 53
TH E WO M AN I N W H I T E
in ‘
The address my p osse ssion led m e to s ome live ry
stables abou t a quarte r o f a mile distan t from F orest Road
,
’
.
request The book was produced and there unde r the date
.
,
‘
of J uly 2 6 th the o rde r was ente red in these word s
, ,
(J oh n ‘
I found o n i nqui ry that the n ame o f J ohn Owen
, , ,
’
‘ ’ ’
We ll si r sai d the m a n ; I can t exactly sa y I d o
, ,
’
.
ma n .
‘ ‘
D i d you see th e lady I asked Wh at did sh e loo k ? ’
.
l ike W a s sh e youn g o r O ld
‘
Well sir what with the hu rry and the crowd o f pe ople
, ,
pushin g abou t I can t ri ghtly say what the lady looke d like
,
’
.
’
I can t ca ll n othi n g to min d about her that I kn ow O f
excepting he r name .
’
.
,
.
,
’
fi rst to the farm hou se at Todd s Co rn er I t wa s my firm
-
.
'
ann oun ced with a sudden o u tbu rst o f ener gy that he was
, ,
might d o as we pleased .
T H E WO M AN I N W H I T E
Mr . Kyrl e
I at once wen t d own stairs an d a gr ee d
a nd -
,
h an d .
arran ged the fo rm in which the evide nce should be pre sen ted at
the clos e o f the readin g Afte r the se matte rs we re settle d M r .
, .
’
Kyrle endeavoured to tu rn th e conve rsation n ext to Laura s , ,
I t was con nected as I could truly tell him with tho se so rrows
, ,
with others .
5 57
T H E WO MAN I N W H I T E
an d do n t m ake a n oise
’
Wi th those words he slowly sank ,
by positive facts that the fune ral which they had atte nded i n
,
Lim m eridge chu rchyard was the fun eral o f another woman ,
2 6 th
. I n ext showed that she had taken that j ourn ey by the ,
a n d o f m y marriage .
5 58
T H E WO M AN I N W H I T E
the station with the hearties t enthu siasm a n d good w ill by
, ,
-
w e returned t o Lon don
fi
.
pove rty which had de nied u s a ll h ope of assi s t ance had bee n ,
’
Afte r all that we th ree have su ffe re d togethe r sh e said , ,
all
. My heart a n d my happine ss Walte r are with Lau ra , ,
’
a n d you Wait a little till the re are chi ld re n s voice s at yo u r
.
.
,
, .
, ,
‘
n o mo re N o m ore n e ed be d on e an swe red a secon d voice
.
’
,
’
.
h im .
‘
Am I di sturbi n g yo u I asked I di d n o t kn ow yo u .
’
N o friend said Pesca eagerly I see hi m to day fo r
, , .
-
’
fortune s o f my youth are very hard upon me h e said turn in g , ,
‘
hi s fac e to th e wall ; ve ry hard upon me in my late r ti me , .
, , ,
’
‘
replied. Wo u ld yo u lik e t o come o u t with me in th e mean ,
time
N o my friend
,
I will wait h e re B u t let u s go back to .
arm .
562
T H E W O M AN I N W H ITE
bu ri ed by M adame Fosco in th e ce mete ry o f P é re L a chaise
, ,
- .
o n the orn ame n tal bronze raili ngs round the tomb by the ,
stan ce s atte ndin g h i s death are ve ry briefly n oti ced and are
s umm ed up o n the las t page i n thi s se nten ce
, H i s life was
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fi
cau se }
o ld
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6
5 4
T H E WO M AN I N W H I T E
A n ote fro m my wife which was give n to me by the ser v an t
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n ote en ded .
hi s coral upon he r lap — while Lau ra was stan din g by the well
re membe re d drawing table which I had so ofte n u sed with -
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unde r he r hand .
mediately to L im m eridge H ou se .
my face .
‘
My darlin g Walter sh e said m ust we really accou n t ,
’
,