Lungsod o Munisipalidad ng NCR

- Simbolo
- Kahulugan ng mga Simbolo
- Mga Kasagutan mula sa Pagsasanay 1 at 2

Jose Ramon V. Lapig Enero 24, 2020

Araling Panlipunan Baitang 3-Nero

Bb. Ana Camille T. Ani

(Guro)
Maynila- binubuo ng modernong kapa ng bisig ng lungsod, na may mga kulay na
nagsasalamin sa Pambansang bandila. Ito ay isang binagong anyo ng mga
makasaysayang bisig ng lungsod na ipinagkaloob sa ika-16 na siglo. Ang mga bisig ng
selyo ay binubuo ng isang pre-Hispanic na panangga, pahalang na nahahati sa pula at
asul na mga patlang. Ang tuktok, pula kalahati ay naglalarawan ng palayaw ng lungsod,
"Pearl of the Orient", habang ang mas mababang asul na kalahati ay sinisingil sa isang
dagat-leon na sumasalakay sa mga alon ng Ilog Pasig at Manila Bay. Ang dagat-leon
na orihinal na kinakatawan ang dating kolonyal na kalagayan ng isla bilang isang
ultramar (sa ibang bansa) na pag-aari ng Espanya, at sa huli ay nagmula sa mga bisig
ng Kaharian ni León. Ang isang puting roundel ay pumapalibot sa mga armas na
naglalaman ng mga salita ng Lungsod ng Maynila at Pilipinas (Pilipino, "Lungsod ng
Maynila"; "Pilipinas"), at anim na dilaw na bituin ay kumakatawan sa anim na distrito ng
congressional ng lungsod.
Manila- Ang sagisag ng lungsod ay naglalaman ng mga salitang Lungsod ng Maynila at
Pilipinas na pa-ikot
sa isang kalasag sa loob ng isang bilog. Ang pabilog ay naglalaman ng anim na dilaw
na bituwin na
sumisimbolo sa anim na distritong pambatas ng Maynila. Ang kalasag, na kinuha ang
inspirasyon
noong kapanahunan ng Hispano, ang lumalarawan sa palayaw na Pearl of the Orient at
nakapwesto
sa hilagang-gitna; dagatleon sa gitna, na naimpluwensiyahan ng Hispano; at ang agos
ng Ilog
Pasig at ng Look ng Maynila sa katimugang parte. Ang mga kulay ng selyo ay
sumasalamin sa kulay
ng watawat ng Pilipinas. Ang dagatleon sa selyo ng Maynila ay hiniram ng Singgapur
para sa
kanilang merlion

Pasig- Ang babae ay kumakatawan sa Mutya ng Pasig, ang idealismo ng

pagkaperpekto sa lahat
ng aspeto na ehemplo ng katapatan, tapat na kalooban at kagandahan ng Lungsod ng
Pasig.
 Ang katawan ng tubig sa magkabilang panig ng babae ay mungkahi ng Ilog Pasig na
nagkokonekta sa dalawang anyong tubig, Lawa ng Laguna at Manila Bay pareho
inilalarawan sa
pamamagitan ng alon. Ang Pasig ay nagmula sa isang salitang Hindu na ang
kahulugan ay
isang anyong tubig na nagkokonekta ng dalawang anyong tubig.
 Sa ibabang kaliwang bahagi ay ang Katedral ng Inmaculada Concepcion, isa sa mga
pinakalumang edipisyo sa lungsod. Ito rin ang kinaluluklukan ng mga Diyosesis ng
Pasig.
 Sa ibabang kanang bahagi ay ang nagpapahiwatig ng kasaganaan at pag-unlad ng
lungsod

Muntinlupa- ay dinisenyo ni Manuel Amorsolo, anak ni Fernando Amorsolo, isang

tanyag na pintor. Ang simbolo ng Muntinlupa ay may isang agila, ang Philippine Eagle,
ang pambansang ibon ng Pilipinas. Ito ay sumisimbolo na ang agila ay parang isang
tagabantay na nagaalaga at nagtuturo sa kanyang mga anak na maging mabuting tao
at miyembro ng komunidad. Ang mga salitang Lakas, Talino, at Buhay, ito ay parte ng
liriko ng Muntinlupa March, ang pambansang awit ng siyudad. Ang mga taong 1917 at
1995 ay sumisimbolo sa taon na naging malaya ang siyudad at ang 1995 ang taon na
naging ganap na siyudad ito.
Caloocan- ay kakikitaan ng bantayog ni Andres Bonifacio at ng mga rebolusyonaryo.Ito
ang ginawang simbolo ng Caloocan dahil pinakakilala ang lugar na ito dahil sa rotonda
nito kung nasaan nakapagitna bantayog. Ang bantayog ay tinatawag din na
monumento, kung kaya ang lugar na ito ng Caloocan ay pinangalanlang Monumento.Sa
likod ng bantayog, makikita and simbolo na hango mula sa watawat ng Pilipinas. Ang
mga kulay na bughaw, pula, dilaw na araw na may walong singa, at mga bituin.

Pasay- ay ang paglilingkod sa mamayaman ng lungsod para sa araw-araw na

pagpapatuloy sa prinsipyo ng pamahalaan para sa isang ligtas, progresibo,
malusog at mapayapang lungsod ng pasay.
Las Pinas- Nagtatampok ang walong rayna ng Pilipinas sa bawat ray na kumakatawan
sa walong lalawigan (Batangas, Bulacan, Cavite, Maynila, Laguna, Nueva Ecija,
Pampanga at Tarlac) na inilagay sa ilalim ng martial law ni Gobernador-Heneral Ramón
Blanco sa panahon ng Rebolusyong Pilipino , at ang tatlong five-pointed na mga bituin
na kumakatawan sa tatlong pangunahing heograpikong rehiyon ng Luzon, Visayas, at
Mindanao.
Sa asul na patlang sa gilid ng dexter ay ang North American kalbo na agila ng Estados
Unidos, at sa pulang patlang sa masasamang panig ay ang leon laganap ng balutan ng
Kaharian ng León ng Espanya parehong kumakatawan sa kolonyal nakaraan ng bansa
. Ang kasalukuyang mga armas, na nagbabahagi ng maraming katangian ng
pambansang bandila, ay idinisenyo ng artistang Pilipino at heraldist na si Capt. Galo B.
Ocampo.
Malabon ay nakalagay sa isang ‘infobox’ sa
ibabaw ng isang artikulong naglalahad na ang Siyudad ng Malabon ay paksa ng mga
publiko. Ang kahalagahan nito ay matulungan ang mga mambabasa na makilala ang
organisasyon at sila ay masigurong makapagbibigay ng tamang mensahe sa
organisasyon.

Marikina- The two mountains represent the majestic twin ranges of the Cordillera and
Sierra Madre between which the Marikina Valley nestles, traversed by the Marikina River.

The rising sun points to the eastern location of the city, with each ray representing the
city’s barangays.

The machinery gear symbolizes its industries and the shoelast represents the traditional
manufacture of the city. The torch focuses on the lofty and noble ideals for human
development and a better quality of life, and is symbolic of its Hispanic culture and
tradition.

The bamboo underscores a mixture of the people’s natural humility and strength of
character and also emphasizes the city’s transition from an agricultural past to the
urbanized, industrial present; while the leaves and branches symbolize order and serenity.
The bamboo and the wheel represent the Marikina and its people’s respect for, and
protection of the environment so as to remain in harmony with progress.

Navotas- The fish formed as letter “S” and “J” represents the Barangay’s initials “San
Jose”. The Officials agreed to choose a “fish” for the reason that, Navotas is considered
to be a very important fishing community with 70% of its population deriving their
livelihood directly or indirectly from fishing and its related industries.The façade of San
Jose de Navotas Parish Church was incorporated on the Logo for the reason that it is
considered to be the biggest Landmark of the Barangay. The 28 stars represent the
streets that is under the jurisdiction of Barangay San Jose.While the seven fishes
beneath the seal, act as the Sangguniang Barangay Members (Council), and the fish at
the lower center of the artwork represents the Barangay Captain.
Taguig

 Skyblue ray – signifies the 28 barangays of the city

 1587 – Don Juan Basi, "Capitan" of Taguig from 1587 to 1588, took part in the Tondo Conspiracy, an
attempt to overthrow the Spanish government which failed, this is the official revolt against the
Spaniards
 2004 – the year Taguig was officially proclaimed a City.
 Napindan parola – was built during the Spanish era, as an entrance to Pasig river from laguna de
bay.
 City Hall – symbolize the central government of Taguig
 Pacific Plaza Towers in BGC – symbolizes progress as these twin towers are the first buildings in
Bonifacio Global City.
 Fish & Carabao – symbolize the humble beginnings of the people of Taguig as farmers and
fishermen.
 Eagle – represents the city's soaring economy and progressive governance.

The City Seal of San Juan features the existing structure of the Spirit of 1896 depicting Mother
Filipina and two youths holding a raised bolo in their right hands (representing our fight for
freedom). The Statue was inspired by Dr. Jose P. Rizal's characters Sisa, Crispin, and Basilio in
his novel "Noli Me Tangere".

The Seal of Quezon City is one of the official symbols of Quezon City. The current seal used by the
city, adopted in 1975, is a triangular seal with the Quezon Memorial Shrine as its primary element.
An equilateral triangle divided azure and gules superimpose the silhouette of the Quezon Memorial
Monument argent with the lamp of Knowledge argent over the azure field dexter and the gavel
argent over the field of gules sinister. On the apex of the triangle are three mullets or over a border
agent.[2]
The current seal which was adopted on 1975 has a form of an equilateral triangle divided into blue
and red portions. The seal features the Quezon Memorial Shrine at its center, the lamp of knowledge
on the blue field and a gavel on the red field. At the upper sides of the seal border is the word
"Lungsod Quezon" in all caps.
The text inscribed at the bottom of the seal border also in all caps was revised at least three times.
Initially the text was "Punong Bayan ng Pilipinas" (lit. Capital City of the Philippines) until the status
of Quezon City as capital of the country was restored to Manila pursuant to Presidential Decree No.
940 of Ferdinand Marcos issued on May 7, 1976. After Quezon City was stripped of its capital city
status, the text was changed to "Republika ng Pilipinas" (lit. Republic of the Philippines), then to
"Kalakhang Manila" (lit. Metro Manila) before this was change to "Pilipinas".[1]
Additionally the stars of the seal is meant to symbolize Manuel L. Quezon's "greatness", the gavel
his "incomparable leadership" and the lamp of knowledge is meant to signify the city's educational
development. The colors of the seal are patterned after the Philippine flag.

Valenzuela- The general background of the new logo design of Valenzuela follows the colors and design
of our nation’s flag. This was purposely done to reflect the inherent nationalism within the hearts of its
citizens as they bear the name of “Filipino” with beautiful pride and seal.
 The central figure of this particular design exhibits the geographical representation of Valenzuela
as seen of this particular design exhibits the geographical representation of Valenzuela as seen on a map.
When seen thru the mind’s eye, it curiously resembles a dove in flight with its wings outstretched as this
more than aptly symbolizes the hopes and aspirations of its people for a more peaceful and progressive
future.

The gavel above the central figure of the design is the symbolic “balance” of justice and below that
is the victorious symbol of authority, represents the local government of Valenzuela while the three stars
around it which traditionally symbolizes in our flag Luzon, Visayas and Mindanao, in this case represents
the three executive, legislative and judicial authoritative branches of its local government namely
Municipal Government, The Sangguniang Bayan, and the Judicial Courts.

Below the central figure of the design is the symbolic “balance” of justice and below that is the
victorious symbol of a laurel wreath with thirty-two leaves representing the thirty-two barangays
comprising Valenzuela.

At the left side of this design is the symbolical representation of a clash of a traditional industries.
Valenzuela, because of its unique and somewhat peculiar historical origin is divided into two imaginary
traditional areas known as “BUKID” (field) and “BAYAN” (metropolis). The respective names does not
necessarily connote a literal meaning but rather a traditional distinction. The “BUKID” area which was
once vast tracts of arable fields is represented by the symbol of fisheries. Valenzuela being one of the
acknowledged industrious capitals of this country being permeated with industrial factories, production
plants and of course labor problems. At the right side of the design is a simple picture of a factory which
reflects the municipality’s stature in this world of industry.

Paranaque
Nickname(s): The Fashion Capital of the Philippines
The City of Lights
The Bay City
Motto: Dedicated to God