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A Bouquet of
Numbers and Other
Scientific Offerings
Jeremy Bernstein
Stevens Institute of Technology, USA
World Scientific
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Some time ago a very intelligent young lady about to enter high school
asked me about the work of Archimedes as it is related to his calcula-
tion of the areas of polynomials. I had to admit that I did not know but
said that I would look into it. This led me to write a whole bouquet of
numbers which is the first essay in this collection. It is typical in the
sense of how I work. Something strikes my fancy and I am off. I am only
satisfied when I understand enough so that I can explain it usually by
writing an essay. The subject matter of these essays is very diverse but
I will explain how I got to write them as we go along.
Image on Wikimedia.
0 0
1 1
2 2
3 10
4 11
5 12
6 20
7 21
8 22
9 100
10 101
p1 × p2 × … pm + 1.
1/3 = .3333333333…….
1/4 = .2500000000….
1/2 = .50000000……
2 = 1.4142135623730950488016887242096980785696718753769480
731766797379907324784621
0703885038753432764157273501384623091229702492483605585073
7212644121497099935831
4132226659275055927557999505011527820605714701095599716059
7027453459686201472857
7418640889198609552329230484308714321450839762603627995251
4079896872533965463318
0882964062061525835239505474575028775996172983557522033753
1857011354374603408498
8471603868999706990048150305440277903164542478230684929369
1862158057846311159666
8713013015618568987237235288509264861249497715421833420428
5686060146824720771435
8548741556570696776537202264854470158588016207584749226572
2600208558446652145839
8893944370926591800311388246468157082630100594858704003186
4803421948972782906410
4507263688131373985525611732204024509122770022694112757362
7280495738108967504018
3698683684507257993647290607629969413804756548237289971803
2680247442062926912485
9052181004459842150591120249441341728531478105803603371077
3091828693147101711116
8391658172688941975871658215212822951848847208969463386289
1562882765952635140542
267653239……..
I am not trying to snow you but to make a point. This decimal expansion
goes on forever and there is never a repeating pattern. On the other
hand fractions of integers always lead to a repeating pattern if you wait
long enough and vice versa. To see how this works take
1.063636363… = x
Now
3.141592653589793238462643383279502884197169399375105820974
944592307816406286
2089986280348253421170679821480865132823066470938446095505
82231725359408128481
1174502841027019385211055596446229489549303819644288109756
65933446128475648233
7867831652712019091456485669234603486104543266482133936072
60249141273724587006
6063155881748815209209628292540917153643678925903600113305
30548820466521384146
9519415116094330572703657595919530921861173819326117931051
18548074462379962749
5673518857527248912279381830119491298336733624406566430860
21394946395224737190
7021798609437027705392171762931767523846748184676694051320
00568127145263560827
7857713427577896091736371787214684409012249534301465495853
71050792279689258923
5420199561121290219608640344181598136297747713099605187072
11349999998372978049
9510597317328160963185950244594553469083026425223082533446
85035261931188171010
0031378387528865875332083814206171776691473035982534904287
55468731159562863882
3537875937519577818577805321712268066130019278766111959092
16420198938095257201
0654858632788659361533818279682303019520353018529689957736
22599413891249721775
2834791315155748572424541506959508295331168617278558890750
98381754637464939319255060…..
Regular Octagon
8S < 2πr
or
π > 4S/r.
this gives the base of the triangles S/2. Now we can use our sine formula
sine(22.5) = r/S/2 or S = sine(22.5)2r. Thus we have π > 8sine(22.5). Now
we can out in the numbers and find that in the case of the octagon π >
3.061467458. This is true but we are still a little far off. You can gener-
alize this to the n-gon and show that π > nsine(180/n). Why don’t you
take n = 96 and see what happens. This is what Archimedes did. How
he did the arithmetic no one knows. Maybe he was like Mr. Klein. As
n approaches infinity the answer is more and more exact. That is the
calculus limit.
about Bach, but was tone deaf. Such an individual would have to take
the word of others that Bach was a great musician. I gave the matter
some thought and finally came up with a suggestion. I would give McPhee
a mathematics problem he could understand, one that I thought was
pretty tricky. He could then try to solve it and, after in all likelihood,
failing, he could go to Dyson and ask for help. He could first find out if
Dyson had heard of the problem — hopefully not — then he could give
him it to him and watch what happened. The problem I gave McPhee
was that of the twelve balls. You have twelve balls that appear to be
identical. However one of them — the “guilty” ball — is either lighter or
heavier than the others. You also have a balance scale — a scale in which
you have platforms on either side of a balance on which you can put
some of the balls. For example you might try to balance two balls against
two balls. If the scale was, say, unbalanced, you would know the guilty
ball was among the four. The problem is to devise a method by which, in
at most three weighings, you can find which ball is guilty and whether it
is heavier or lighter. I told McPhee my history with this problem. I had
heard of it when I was a junior in college. I was up most of the night until
I finally solved it. I was very pleased with myself. I had a date the next
day to play chess with the most brilliant undergraduate in mathematics
and physics in my class. As we were setting up the pieces I gave him
the problem. Not only did he solve it before we finished setting up the
pieces but he was generalizing it. Suppose you have m balls how many
weighings n would it take. You can’t do it with two balls and, with three,
it takes two weighings, and so on. There is smart, and there is smart.
As far as I know, McPhee never tried this so I don’t know
what would have happened. Historically speaking, it would have been
interesting to see what Einstein would have done with such a problem.
I am not aware that he had much interest in puzzles like this. I don’t
think he played chess and I doubt that he played bridge. Besides, there
is always the difference between being smart and seeming smart. For
example, Niels Bohr who was after Einstein the greatest physicist of the
20th century, was certainly smart — but he did not seem smart. He may
even have been dyslexic. He had a ponderous intelligence which he used
to crush problems like a bull-dozer running over rocks. Would Einstein
have seemed smart? I never met Einstein so I do not have first-hand
knowledge. But I can offer two witnesses. The first is Philipp Frank.
He was my first great physics teacher.
Professor Frank, who died in 1966, at the age of eighty-two, was
born in Vienna in 1884. He took his Ph.D in theoretical physics at the
University of Vienna in 1907. Even then he was as much interested in
the philosophy of science as he was in physics and the year of his doctor-
ate he wrote a paper on the meaning of the law of causality. Einstein read
the paper and wrote Frank a note to the effect that while he thought the
paper’s logic was all right, it did not completely satisfy him. This began a
friendship that lasted until Einstein’s death in April of 1955. One conse-
quence was that when Einstein left the German University in Prague in
1912, he recommended Professor Frank as his successor. Frank remained
there until 1938, when he emigrated to the United States, eventually ending
up at Harvard, which is where I met him in 1948.
When I first knew him, Professor Frank had just published a
biography of Einstein, Einstein, His Life and Times. I spent a good deal
of time talking with him about Einstein, much of it in the Hayes Bick-
ford Coffee shop in Harvard Square, which was the closest Cambridge
equivalent to the Viennese coffee houses of his youth. I once asked
him, if I had met Einstein when he did — both men were still in their
twenties — would Einstein have seemed smart. Professor Frank told
me that he would have seemed very smart. He added that Einstein was
much given to what Professor Frank called “kreks” — cracks-jokes —
some of which got him in trouble. This was not the image of Einstein
I had — as a sort of Jewish saint. It was during this sainthood period,
indeed at the end of it, that my second witness saw Einstein. This was
T.D. Lee who won the Nobel Prize in Physics in 1957. He shared the
prize with his collaborator C.N. Yang who was a professor at the Institute
for Advanced Study as was Lee. They won it for a discovery they had
made involving elementary particles, but this work was almost a distrac-
tion from what they were spending most of their time on — statistical
mechanics. This is the discipline that was created in the 19th century that
studies the average behavior of systems of particles so numerous that it
is a practical impossibility to describe them individually. It was a field
that Einstein was particularly fond of. His first papers in physics — the
ones that preceded the relativity paper of 1905 — concerned its founda-
tions. This work was never especially recognized because what followed
it overshadowed it, and because others did more or less the same thing.
But throughout his life Einstein kept returning to statistical mechanics.
Lee, who told me about it, and Yang decided that they would call on
Einstein and tell him what they had done in that field. Lee was not sure
what to expect. This was, although they did not know it, close to the
time of Einstein’s death. He was in his mid-seventies and Lee was not
sure if he still had any interest in the subject. Two things surprised him
about the visit. The first was Einstein’s hands. To Lee they seemed very
large and very powerful. He seemed like a physically strong man. The
second thing he did not expect was Einstein’s almost instantaneous grasp
of what he and Yang had been doing. The subject had evolved tremen-
dously since Einstein’s work on it, but he nonetheless understood the
new developments and even asked some searching questions.
This persuades me that Einstein was smart, but I have the
advantage of having studied his physics for decades. I already knew he
was smart. To fully convince you, I would have to give you a course in
modern physics. I would have to explain to you that Einstein’s foot print
is everywhere. To give a few examples: in 1916, he published a paper on
the emission and absorption of radiation which is the basis of the laser.
This was a year after he had published his paper on the general theory of
relativity and gravitation which replaced Newton’s theory of gravitation.
It was the year before he published a codicil to the theory that introduced
the idea of a “cosmological constant” which may be the basis of the dark
a c
We start with the figure on the left. We have a light source which
emits light that travels in a straight line to a mirror. The light is then
reflected back to a detector located at the source. If this detector is a
mirror then the light will just bounce back and forth. We will call the
time it takes to go from the source to the upper mirror the basic unit of
time for this clock — the equivalent of the second. If we call this time t0,
and the distance between the two mirrors d, then we have d = ct0 — or
equivalently, t0 = d/c. Simple enough. Now we put this device in motion.
We can suppose the clock is transported to the right with a speed v. We
observe the clock from our stationary onlooking post. The light now, as
we observe it, follows a different path. It moves along the hypotenuses
of the right triangles in the figure whose length I will call h. The side
of the triangle across from the hypotenuse is still d. This requires some
commentary because in relativity there is funny business with lengths.
Moving rulers become shorter as viewed by a resting observer. But that
does not happen if the ruler is at right angles to the direction of motion.
That is sort of plausible. The ruler would not “know” in which direction
to contract. From the figure it is very clear that h is greater than d. Thus
the time interval t = h/c is greater than t0 = d/c. Let us stop here and
contemplate this. Putting it graphically, it says that a clock in motion is
slower than an identical clock at rest. We see that this is true for the light
clock and Einstein’s theory predicts that it is true of any clock. Further-
more, it does not matter if we are moving past the clock, or the clock is
moving past us, the moving clock is slower. This is important because
you might think that something odd has happened to the clock because
it is moving. The same effect is observed if you are moving. How big
is this effect? To answer this we need to know h and here Pythagoras
comes in at last. Look at the third figure. If the moving clock is moving
with a speed v during the time t then the distance the mirror is dis-
placed is vt. Thus we have h2 = v2t2 + d2 = c2t2 or solving for t we have
1 1
t=d / c× = t0 . This is one of the most famous
2 2
1−ν / c 1 − ν 2 / c2
formulae in the theory of relativity. You see that it has the remarkable
property that when v = c the denominator is zero which means that the
moving clock is now infinitely slower than the resting clock. Time comes
to a stop. You also see that when v is zero the two times are identical.
Because c is so huge compared to any v we encounter in daily life, this
effect escaped observation prior to Einstein’s calling attention to it.
Before concluding, I am going to present two applications of this
“time dilation”. The first is a laboratory application and, indeed, was one
of the first that measured, more or less directly, the effect of time dila-
tion. Most elementary particles are unstable. After being created they
“live” on the average for a certain time, the particle’s “life time”. Usually
one gives the lifetime as measured by a clock that is moving with the
particle. But this clock appears slow if the particle is in motion and one
compares it to a clock at rest. To such an observer the particle lives lon-
ger than its resting lifetime. This results in the particle’s leaving a longer
track in a detector than you would predict if you ignored time dilation.
This effect has been observed countless times. The second application
is a little science fictional. It is usually referred to as the traveling twins.
It is something that was implicit in Einstein’s 1905 paper, but it was
only put in these terms a few years later. You have two identical twins
one of whom goes on a round trip in space while the other stays home.
Her genesis begins when the future owners resolve to have her
built. Before any plans are drawn out there must first be decided the
dimensions, the displacement and the general features which she is
to possess, whether she is to be a slow ship, a fast ship, engaged in
passenger work, cargo-carrying, on the North Atlantic route, for the
East through the Suez Canal, and so on; for all these factors
combine to determine the lines on which she is to be built. Before we
progress any farther, let us get into our minds the nine different types
which separate the generic class of steamships. If the reader will
follow the accompanying illustrations, we shall not run the risk of
being obscure in our argument. Fig. 1, shows the steamship in its
elementary form, just a flush-decked craft, with casings for the
protection of the engines as explained on an earlier page. This
represents the type of which the coasting steamer illustrated
opposite page 134 is an example. This casing in the diagram before
us is, so to speak, an island on the deck, but presently it was so
developed that it extended to the sides of the ship, and, rising up as
a continuation of the hull, became a bridge. At the same time a
monkey forecastle and a short poop were added to make her the
better protected against the seas. This will be seen in Fig. 2. This is
known as the “three-island” type for obvious reasons. It must be
understood that on either side a passage leads beneath the bridge-
deck so as to allow the crew to get about the ship. But from being
merely a protection for the bows of the ship, the monkey forecastle
became several feet higher, so that it could accommodate the
quarters of the crew, and this “top-gallant” forecastle, as it is known,
will be seen in Fig. 3. At the same time, the short poop or hood at the
stern has now become lengthened into something longer. But in Fig.
4 we find the lengthened poop becoming a raised quarter-deck—that
is, not a mere structure raised over the deck, but literally a deck
raised at the quarter. This raised quarter-deck was the better able to
withstand the violent force of the sea when it broke over the ship. In
Fig. 5 we have a still further development in which the topgallant
forecastle is retained as before, but the long poop and the after end
of the bridge are lengthened until they meet and form one long
combination. This is one of the “well-deck” types, the “well” being
between the after end of the forecastle and the forward end of the
bridge-deck. This well was left for the reason that it was not required
for carrying cargo, because it was not desirable to load the ship
forward lest she might be down at the head (which in itself would be
bad), whilst at the same time it would raise the stern so that the
propeller was the more likely to race. But in the modern evolution of
the steamship it is not only a question of trim and seaworthiness that
have been taken into consideration, but also there are the rules and
regulations which have been made with regard to the steam vessel.
Now, this well-space not being reckoned in the tonnage of the ship
(on which she has to pay costly dues) if kept open, it was good and
serviceable in another way. Considered from the view of
seaworthiness, this well, it was claimed, would allow the prevention
of the sweeping of the whole length of the ship by whatever water
that broke aboard the bows (which would be the case if the well were
covered up). If left open, the water could easily be allowed to run out
through the scuppers. But this type in Fig. 5 is rather midway in the
transition between the “three-island” type and the shelter-deck type.
The diagram in Fig. 6 is more truly a well-decker, and differs from the
ship in Fig. 5, in that the one we are now considering has a raised
quarter-deck instead of a poop. She has a top-gallant forecastle, a
raised quarter-deck and bridge combined, and this type was largely
used in the cargo ships employed in crossing the Atlantic Ocean. It is
now especially popular in ships engaged in the coal trade. The
advantages of this raised quarter-deck are that it increases the cubic
capacity of the ship, and makes up for the space wasted by the shaft
tunnel. By enabling more cargo to be placed aft, it takes away the
chance of the ship being trimmed by the head.
With these different types before us, we may now go on with our
main subject. Having settled the question as to the type and
character of the steamship to be built, the next thing is to design the
midship section, which shows the general structural arrangements
and scantlings of the various parts. In the drawing-office the plans
are prepared, and the various sections of the ship worked out by
expert draughtsmen attached to the shipbuilding yard. This
necessitates the very greatest accuracy, and the building is usually
specially guarded against those who might like to have an
opportunity of obtaining valuable secrets. The plans having been
worked out on paper, there follows the “laying off” on the floor of an
immense loft, called the “mould floor,” where the plans are
transferred according to the exact dimensions that are to be
embodied in the ship. In many cases the future owner insists on a
wooden model being submitted in the first instance, by the builder,
so that a fair idea may be obtained of the hull of the proposed ship.
Each vessel is known at the shipbuilder’s by a number and not
by her name. The keel is the first part of her to be laid, which
consists of heavy bars of iron laid on to blocks of wood called
“stocks,” and the line of these slants gently down to the water’s
edge, so that when, after many months, the time arrives for the
launching of the great ship, she may slide down easily into the sea
that is, for the future, to be her support. After these bars have been
fastened together, then the frames or ribs are erected, the ship being
built with her stern nearest to the water, and her bow inland, except
in the few cases (as, for example, that of the Great Eastern), where
a vessel, owing to her length in proportion to the width of the water-
space available, has to be launched sideways. These ribs are bent
pieces of steel, which have been specially curved according to the
pattern already worked out. Let us now turn to the accompanying
illustrations which show the steamship in course of construction.
These have been specially selected in order that the reader might be
able to have before him only those which are of recent date, and
show ships whose names, at least, are familiar to him.
THE “GEORGE WASHINGTON” IN COURSE OF CONSTRUCTION.
Showing Framing from the Stern.
From a Photograph. By permission of the Norddeutscher Lloyd Co.
After the plates have been all fastened by rivets to the frames,
and the outside of the ship has been given a paint of conventional
salmon pink, the time approaches for her to be launched. During her
building the ship has been resting on the keel blocks where her
centre touches, but her bilges have been supported by blocks and
shores. These latter will be seen in the illustration of the Mauretania
already considered. As the day for launching approaches, so also
does the anxiety of the builders increase, for at no time in her career
is the ship so seriously endangered. On the day of the launch the
weight of the vessel is gradually transferred from the stocks on which
she has been built, to the cradle, being lifted bodily from the keel-
blocks by means of an army of men driving wedges underneath her
bottom. This cradle is constructed on the launching ways, and the
ship herself, being now “cradle-borne,” is held in place only by a
number of props called “dog-shores.” At the right moment the signal
is given for these to be knocked aside, and at the first symptoms of
the ship in her cradle showing an inclination to glide, the bottle of
wine is broken against her bows by the lady entrusted with so
pleasant an honour. With a deep roar the ship goes down the ways,
and as soon as the vessel becomes waterborne the cradle floats.
The ship herself is taken in charge by a tug, whilst numerous small
boats collect the various pieces of timber which are scattered over
the surface of the water. Two or three days before the launch, the
cradle which has been fitted temporarily in place, is taken away and
smeared with Russian tallow and soft soap. The ways themselves
are covered with this preparation after they have been well scraped
clean. In case, however, the ship should fail to start at the critical
moment after the dog-shores have been removed, it is usual now to
have a hydraulic starting ram (worked by a hand-pump) under the
forefoot of the ship. This will give a push sufficiently powerful to start
the great creature down her short, perilous journey into the world of
water which is to be her future abiding-place.
But it can readily be imagined that such a ponderous weight as
this carries a good deal of impetus with it, and since in most cases
the width of the water is confined, precautions have to be taken to
prevent the ship running ashore the other side and doing damage to
herself—perhaps smashing her rudder and propellers, or worse.
Therefore, heavy anchors have been buried deep into the ground,
and cables or hawsers are led from the bows and quarters and
attached thereto, or else to heavy-weights composed of coils of
chain, whose friction over the ground gradually stops the vessel. Not
infrequently the cables break through the sudden jerk which the
great ship puts on them, and the anchors tear up the slip-way.
Perhaps as many as eight cables may be thus employed, each being
made fast to two or three separate masses of about five to fifteen
tons, but with slack chain between so that only one at a time is
started. As soon as the ship has left the ways, all the cables become
taut, and they put in motion the first lot of drags. Further on, the next
lot of drags receive their strain, then the third, so that no serious jerk
may have been given, and the ship gradually brings up owing to the
powerful friction. Lest the force of the ship going into the water
should damage the rudder or the propeller, these, if they have been
placed in position, are locked so as to prevent free play. After this the
ship is towed round to another part of the yard where her engines
are slung into her by means of powerful cranes. The upper
structures are completed, masts stepped and an army of men work
away to get her ready for her builders’ trials. Carpenters are busy
erecting her cabins, painters and decorators enliven her internal
appearance, and upholsterers add the final touches of luxury to her
saloons and lounges.
STERN FRAME OF THE “TITANIC,” FEB. 9, 1910.
From a Photograph. By permission of Messrs. Ismay, Imrie & Co.
One of the most important events of the ship’s life is her trial trip.
Before this occurs the ship’s bottom must be cleaned, for a foul
underwater skin will deaden the speed, and give altogether
erroneous data. The weather should be favourable also, the sea
calm, and the water not too shallow to cause resistance to ships of
high speed, while a good steersman must be at the helm so as to
keep the ship on a perfectly straight course. Around our coasts at
various localities are noticeable posts erected in the ground to
indicate the measured mile. To obtain the correct data as to the
speed of the ship, she may be given successive runs in opposite
directions over this measured mile; a continuous run at sea, the
number of revolutions being counted during that period, and a
continuous run past a series of stations of known distances apart,
the times at which these are passed being recorded as the ship is
abreast with them. For obtaining a “mean” speed over the measured
mile, one run with the tide and one against the tide supply what is
required. During these trials, the displacement and trim of the ship
should be as nearly as possible those for which she has been
designed. But besides affording the data which can only show
whether or not the ship comes up to her contract, these trials are
highly valuable as affording information to the builder for subsequent
use, in regard both to the design of the ship herself and the amount
of horsepower essential for sending her along at a required speed.
The amount of coal consumption required is also an important item
that is discovered. This is found as follows: Let there be used two
bunkers. The first one is not to be sealed, but the latter is. The
former is to be drawn upon for getting up steam, taking the ship out
of the harbour, and generally until such time as she enters upon her
trial proper. This first bunker is then sealed up, and the other one
unsealed, and its contents alone used during the trial. After the trial
is ended, the fires being left in ordinary condition, the second bunker
is again sealed up, and the first bunker drawn upon. By reckoning up
the separate amounts it is quite easy afterwards to determine the
exact quantity which the ship has consumed during a given number
of knots in a given time. Finally, after every detail has been
completed, the ship is handed over to her owners and steams away
from the neighbourhood of her birth. Presently she arrives at her
port, whence she will run for the next ten or twenty years, and before
long she sets forth with her first load of passengers, mails and cargo
on her maiden trip across the ocean. To begin with, she may not
establish any new records for speed; for a ship takes time to find
herself, and her officers to understand her individualities. “Know your
ship” is one of the mottoes which an ambitious officer keeps ever
before him, and if this is true on the navigation bridge, it is even still
more true down below, where the engines will not show their full
capabilities for several passages at least.
LAUNCH OF THE “ARAGUAYA.”
From a Photograph. By permission of the Royal Mail Steam Packet Co.
LAUNCH OF A TURRET-SHIP.
From a Photograph. By permission of Messrs. Doxford & Sons, Sunderland.