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The Anthropocene: Politik–Economics–Society–Science
Culture,
International
Transactions
and the
Anthropocene
The Anthropocene: Politik—Economics—
Society—Science
Volume 17
Series editor
Hans Günter Brauch, Mosbach, Germany
More information about this series at http://www.springer.com/series/15232
http://www.afes-press-books.de/html/APESS.htm
http://afes-press-books.de/html/APESS_17.htm
Lourdes Arizpe Schlosser
Culture, International
Transactions
and the Anthropocene
123 Organización
de las Naciones Unidas
para la Educación,
la Ciencia y la Cultura
Cátedra UNESCO de Investigación
sobre Patrimonio Cultural Intangible
y Diversidad Cultural
Universidad Nacional Autónoma de México
Lourdes Arizpe Schlosser
Centro Regional de Investigaciones
Multidisciplinarias
Universidad Nacional Autonoma de Mexico
Cuernavaca, Mexico
The cover photo illustrates: Anthropology and the Transformation of Cultures: Lourdes Arizpe and her
research team observing neo-indigenous, New Age and Buddhist rituals in the Spring celebrations at the
Pyramid of the Sun in Teotihuacan, Mexico, 2013. The photo was taken by C. Amescua.
The photo on the internal title page iii portrays Assistant Director-General for Culture Lourdes Arizpe
addressing a meeting on culture at UNESCO, 1997. The photo was taken by Sayah Msadek.
This Springer imprint is published by the registered company Springer-Verlag GmbH, DE part of
Springer Nature
The registered company address is: Heidelberger Platz 3, 14197 Berlin, Germany
To all those who believe that living is the path
towards a sustainable future
For MVG
Acknowledgements
vii
viii Acknowledgements
I held in 2014, thanks to the welcoming hand of John Gledhill and other colleagues in
the anthropology department.
I would also like to mention the deep satisfaction that spurred me on with my
tasks as I worked with successive generations of researchers in Mexico, the USA,
the UK, France, India, Japan, Senegal, Brazil and Costa Rica. In recent years, it was
the enthusiasm and conviction of many young anthropologists as they plunged into
fieldwork with me that enabled me to experiment with concepts and methodologies
—on development, on global environmental change, on migration, on intangible
cultural heritage—while closely exchanging insights with indigenous and local
people. In particular, I would like to mention Cristina Amescua, as rising star, as
well as Edith Perez, Carolina Buenrostro and Juan Carlos Dominguez, among
others I would also like to acknowledge the research and revision work carried out
by two young scholars, anthropologist Felicity Errington and writer Mariana Roa
Oliva.
My special thanks also go to the Springer editor of the book, Hans Günter
Brauch, whose advice, insightful suggestions and patience followed this book from
its inception. Crystallizing all those exchanges and experiences into a book required
sustained support in keeping to rigorous argument and consistent explanation, made
possible by the work of editors Hester Higton and Mike Headon.
This book required intellectual input, institutional support and time to write, all
resources that are at present continually being undermined by policies geared only
towards monetary profit. If my writing contributes to keep the memory of such
endeavours, it is proof that international intellectual collaboration will always be
possible, and a necessity, for the Human Project.
The Complexities of Culture: culture unites humankind yet may be used to affirm particular
identities, to discriminate against others or as a tool to fight back against exclusion. Aztec Dancers
reinventing their rituals, at the Chalma Sanctuary of Mesoamerican origin in Mexico. Source Photo
by Lourdes Arizpe
Contents
1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
1.1 Culture: The ‘Dreamcatcher’ of Human Experience . . . . . . . . . 1
1.2 Finding Patterns in International Transactions . . . . . . . . . . . . . . 3
1.3 Why Culture? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
1.4 “Becoming Enlightened About Relations” . . . . . . . . . . . . . . . . 9
1.5 Defining the ‘Undecidable’ . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
1.6 Culture and International Relations . . . . . . . . . . . . . . . . . . . . . 12
1.7 Culture and Globalization . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
1.8 Anthropology and Reflexivity . . . . . . . . . . . . . . . . . . . . . . . . . 16
1.9 From Global Environmental Change to the Anthropocene . . . . . 18
1.10 Culture Makes the Difference Between ‘Life’ and ‘Living’ . . . . 20
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
2 The Politicization of Culture 1947–1995 . . . . . . . . . . . . . . . . . . ... 27
2.1 The Second UNESCO General Conference in Mexico City,
1947 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
2.2 The Idea of Cultural Policy . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
2.3 Culture as a Rational, Critical and Ethical Capacity . . . . . . . . . 30
2.4 Culture Enters the United Nations Development Agenda . . . . . . 31
2.5 The Search for a New Vocabulary of Culture . . . . . . . . . . . . . . 33
2.5.1 The “Clash of Civilizations” . . . . . . . . . . . . . . . . . . . . 33
2.5.2 Multiculturalism and Cultural Pluralism . . . . . . . . . . . . 36
2.5.3 Culture in a Postcolonial World . . . . . . . . . . . . . . . . . 36
2.6 Gender and the Cultural Construction of Identity . . . . . . . . . . . 38
2.7 An Ethnographic Experience, 1988 . . . . . . . . . . . . . . . . . . . . . 40
2.8 The Cultural Dimensions of Global Change . . . . . . . . . . . . . . . 44
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
xi
xii Contents
3 Internationalizing Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
3.1 Framing the Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
3.2 The Commission’s Mandate . . . . . . . . . . . . . . . . . . . . . . . . . . 54
3.3 Amending the Lines of Inquiry . . . . . . . . . . . . . . . . . . . . . . . . 55
3.4 Paris Consultation, March 1993 . . . . . . . . . . . . . . . . . . . . . . . . 58
3.4.1 As Democracy Spreads, Does Governability
Decline? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ... 58
3.4.2 Political Reason Against Tribes and the Market . . . ... 59
3.4.3 Culture Is Part of Democracy Since
It Gives Freedom . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
3.4.4 Culture as a Double-Edged Sword . . . . . . . . . . . . . . . . 60
3.4.5 The Loss of Compass in Understanding the World . . . . 61
3.5 Stockholm, June 1993 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
3.5.1 Towards an Agenda 21 for Culture? . . . . . . . . . . . . . . 63
3.5.2 Diversifying the Sources of Funding for Cultural
Programmes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
3.5.3 The Paradox of Cultural Industries . . . . . . . . . . . . . . . 66
3.5.4 European Identity and Multiculturalism . . . . . . . . . . . . 67
3.5.5 Cultural Rights as Human Rights . . . . . . . . . . . . . . . . 68
3.6 San José, Costa Rica, February 1994 . . . . . . . . . . . . . . . . . . . . 70
3.6.1 Culture, Production and Equity . . . . . . . . . . . . . . . . . . 70
3.6.2 Subjectivity and Integration . . . . . . . . . . . . . . . . . . . . . 72
3.6.3 Confrontations, Reconciliations and Utopias . . . . . . . . 72
3.6.4 Building a Democratic Multiculturality . . . . . . . . . . . . 73
3.6.5 A Culture of Violence . . . . . . . . . . . . . . . . . . . . . . . . 75
3.6.6 Cultural Policies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
3.7 Marshall Sahlins: The Cultural History of ‘Culture’ . . . . . . . . . 77
3.8 Pressures, Choices and Trade-Offs . . . . . . . . . . . . . . . . . . . . . . 79
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
4 Recognizing Cultures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
4.1 Manila, November 1994 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
4.1.1 Is There an Asian Civilization? . . . . . . . . . . . . . . . . . . 83
4.1.2 Globalization or Indigenization . . . . . . . . . . . . . . . . . . 85
4.1.3 Civil Society, Not Nationalism . . . . . . . . . . . . . . . . . . 86
4.2 The Arab States, January 1995: How Did the West Become
the ‘World’? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ... 87
4.3 New York, February 1995 . . . . . . . . . . . . . . . . . . . . . . . . . ... 90
4.3.1 A Vacuum of Cultural Policy . . . . . . . . . . . . . . . . ... 90
4.3.2 “No Modern Government Can Shape Culture,
Because Culture Shapes It” . . . . . . . . . . . . . . . . . . ... 91
4.3.3 “Multiculturalism Has Become a Legitimation
of Meritocracy” . . . . . . . . . . . . . . . . . . . . . . . . . . ... 93
Contents xiii
AI Artificial Intelligence
AWG Anthropocene Working Group
CEDAW Convention to Eliminate All Forms of Discrimination Against Women
CIRCLE Cultural Information and Research Liaison in Europe
COP21 21st Conference of the Parties to the UN Framework Convention on
Climate Change
ECLAC Economic Commission of Latin America and the Caribbean
GDP Gross Domestic Product
GNP Gross National Product
GPS Global Positioning System
HDGEC Human Dimensions of Global Environmental Change
HDR Human Development Report
ICAES International Congress of Anthropological and Ethnological Sciences
ICC International Criminal Court
ICPHS International Council for Philosophy and Human Sciences
ICSU International Council of Scientific Unions
IDRC International Decade for the Rapprochement of Cultures
IFIAS Institute for International Assistance and Solidarity
IGBP International Geosphere-Biosphere Programme
IGO Intergovernmental organization
ILO International Labour Organization
IMF International Monetary Fund
IPCC Intergovernmental Panel on Climate Change
ISSC International Social Science Council
IUAES International Union of Anthropological and Ethnological Sciences
LAWS Lethal Autonomous Weapons Systems
MAI Multilateral Agreement on Investment
MDG Millennium Development Goal(s)
MPAA Motion Picture Association of America
NATO North Atlantic Treaty Organization
xvii
xviii Abbreviations
The extraordinary appeal of the word ‘culture’ is that it is the ‘dreamcatcher’ of the
peoples of the world and, at the same time, the “golden account” of their civi-
lizational achievements. The Navajo native peoples of the United States build a
circle of twigs with a finely woven mesh inside it with coloured threads of small
feathers that, hanging over one’s slumber, catches dreams and foretells the future.
In just such a manner, culture seems to capture so many dreams, so many questions,
so many possibilities around the world. The rapid rise in the use of culture in
liberation movements in the fifties and sixties and the “cultural turn” in art and
critical theories from the 1980s onwards led to culture becoming a policy instru-
ment for international development, national political management, human rights,
gender equality, and ethnic and religious assertions and the transformation of
identities in the second decade of the millenium. At the same time, the “golden
account” in the national GDP of countries is now recognized as the economic
contribution of the arts and cultural activities to overall growth—in parallel with the
“green account” of environmental activities. Most importantly, many of these
changes are part of the ongoing transformation of cosmopolitical models of human
existence in the Earth system.
Culture is often said to be unique to human beings. Recent scientific discoveries,
however, show that genetically close primates, as well as other species, use some
elements of cognition, language and skills, so the question is: How have humans
become a geological force in the world while thriving as culturally diverse peoples?
I propose that there are two traits that allowed humans to evolve from Homo habilis
to Homo sapiens sapiens: the desire to know, and the will to exchange. All peoples
of the world have engaged in co-producing ideas and knowledge and exchanging
them together with goods for millenia. Importantly, this permeable process, how-
ever unequal and wrought with forced conquests, in the end, has benefitted peoples
all over the world. The combined effect of producing knowledge and exchanging
1
The intellectual history of cultural institutions before 1990, summarized in Chap. 2, was pub-
lished in Arizpe 2004.
1.1 Culture: The ‘Dreamcatcher’ of Human Experience 3
policy conferences, world social science organizations, global economic forums and
a few national and local meetings where questions about culture were discussed.
The methodological approach I have explored in this book is the “ethnography of
transactions”, a heuristic that, instead of relying on the end-products of international
debates, i.e. institutional reports of sessions, resolutions and official documents,
allows us to see who said what, where and how. The materials retrieved in this way
keep the textures of debates, the full diversity of human interactions. This is “living
culture”, a view that we expressed in the 2000 UNESCO World Culture Report
(UNESCO 2000: 45) and which leads to one of my contentions in this book. That
is, that instead of focusing on ‘life’ as a state, we should focus on human “creative
living”, as will be made clear throughout the book.
I have aimed to do three things through laying out this material. The first aim has
been to create an archive of the ways in which new theories, vocabularies and
semantics of culture grew as a force in development and in international relations as
part of a process of global change, for the first time incorporating all nations and
cultures in an open, international dialogue. This is important for setting precedents
and marking ascendant steps in a world in which people feel increasingly insecure
and believe that retrenchment into past identities will bring back security. As a
result, however, instead of allowing for readjustment in a new political and social
setting, they have created intractable conflicts.
In proposing more incisive heuristic tools to analyse cultures at a global level, I
have proposed a theoretical distinction between culture as an ontology of human
becoming and culture as an instrument for political or policy applications. Since it is
impossible to separate these two aspects of concept of culture completely, I have
suggested making a distinction between ontoculture, as a philosophical discussion
of the origins, nature and becoming of humans, and laoculture as the development
of policy options to organize nations, ethnic communities, religious groups and
territorial inhabitants, through governance and politics. Such a distinction would
allow for the more rapid development of thinking at both the macro- and the
micro-scale, in a way similar to that of macroeconomics and microeconomics, thus
avoiding the conflation of these levels of analysis in the current confusing dis-
courses on cultural rights and cultural policies. Ontoculture gives humans a capacity
to create representations, ideas and actions that other life forms in the planet do not
have. As Mark Pagel has insisted, humans are “wired for culture” (Pagel 2012).
Thus culture is, by definition, an instrument of freedom from the constraints of
geo-biological systems, which seem to be overcome to an astonishing degree as we
become cyborgs, no longer only cultivators and creators but developers as well.
This is why I believe that the freedom to create is by far the deepest core value of
humans.
4 1 Introduction
Reconfiguring heritage: the new avatar of the Mexican Day of the Dead—“La Catrina” in the
James Bond film ‘Spectre’, and Disney’s ‘Coco’. This is a young woman reimagining herself at the
annual fiesta of the “La Huehuenchada” (“The Elders”) in Tetela del Volcan, Morelos, Mexico,
2011. Source Photo by Lourdes Arizpe
The second aim of the book is to try to identify the features of a worldwide
transactional process that may help in setting up and sustaining world debates on
sustainability which incorporate social and cultural aspects. How are these debates
organized? Who generates such topics of debate? How do institutions channel such
demands? Although the approach taken in this book is not anthropology of policy
or public anthropology or global anthropology as frameworks of analysis, many
aspects taken up in these related fields are touched upon. Instead, the approach
taken in this book leans more towards an anthropology of the new cosmopolitanism
(Werbner 2008). Being well aware of the theoretical and methodological obstacles
to carrying out empirical analyses of global phenomena, I have used as a
methodology an “ethnography of transactions”.
My third aim has been to explain the emergence of the concept of culture as the
most frequently used and quoted term in a surprising variety of areas of political
and social life, as well as in international political and normative assignments. As
made explicit further on in this Introduction, data demonstrate that the rise of the
concept of culture, overtaking many previous terms, is evident in the number of
political, intellectual and academic texts referring to the concept in the last quarter
of the twentieth century and especially at the beginning of the millennium.
1.2 Finding Patterns in International Transactions 5
The vast process of building a world perspective on the most important charac-
teristic of human societies was entrusted by member states of the United Nations to
the World Commission on Culture and Development2 and presented to the
UNESCO General Conference in 1995. Its report Our Creative Diversity led to the
launch of a worldwide debate on culture and development. Subsequently, trans-
actions on cultural policies were taken up in other United Nations agencies, the
World Bank, the Global Economic Forum at Davos, the Vatican, the International
Social Science Council, and other international social science organizations, while
many countries set up Ministries of Culture to develop policies in many areas. At
the same time, the international politics of culture which began in the fifties with the
interest of developing countries in achieving their independence and creating a
non-aligned political movement became entangled with a plurality of intellectual,
civil society and artistic movements, fuelled also by postmodernism, that took the
“cultural turn”, the “cultural exemption”, “cultural capitalism”, and multicultural-
ism to many diverse areas of development. Very recently, this vast search for new
cosmpolitical meaning has now landed in the virtual world with the concept of
“algorithmic culture”. Two other important policy areas also rely on culture as a key
2
I was a member of the World Commission on Culture and Development before I became
Assistant-Director General for Culture at UNESCO, and was subsequently asked by Mr. Javier
Perez de Cuéllar, Chair of the Commission, to be in charge of its Secretariat for the writing of its
Report.
1.3 Why Culture? 7
The first step that springs to mind in answer to that question is that whoever is
trying to find cooperative paths to the future won’t focus exclusively on singular
groups—be they cultures, ethnic groups, national identities, religions—or whatever
—but on the relationships between them.
We must become “enlightened about relations”, Marilyn Strathern proposed at
the 2014 meeting of the Association of Social Anthropologists in Edinburgh, UK.
She mentioned the Dutch traveller Maria Sibilla Merian, who brought back spec-
imens of insects from Surinam in the early eighteenth century (Strathern 2014).
Professor Strathern highlighted the fact that, in contrast to other naturalists of her
epoch, in all her illustrations of the natural world, Merian identified the relation-
ships between insects, butterflies, plants, flowers, etc. as “nature’s connections”. In
doing so, Merian remarked that what was missing in collections was process,
context and transformation. Merian’s drawings depict relations and interdependence
between animals (alligators, caterpillars, plants): what Raymond Firth would have
called an interlocking system, according to Strathern. Pictures emphasize the
materiality of forms—say, butterflies—, drawing attention to these, where similarity
would only be a simplified form of understanding. Thus, for Merian, different
organisms could become one another. Strathern argued that the intellectual legacy
of using similarity and difference is a negative one because it has led to the current
European excesses about difference, and she concluded that we must move away
from images to scenarios (Strathern 2014).
I contend that, in today’s international debates on culture, the problem with the
old classificatory schemes is that they make it impossible to understand “cultures’
connections”. Such connections are first made explicit in debates and then nego-
tiated through live transactions. Producing lists of cultural elements, or ‘culturemes’
in ethnographic grids, or drawing cartographies of units of cultural practitioners has
been vital in safeguarding people’s creations in time and place but has left us with
little understanding of the dynamics of cultural processes. The disconnectedness of
cultures in the model of multiculturalism and the “politics of difference” puts a
spike in the wheels of thinking about the co-evolution of cultures, and is responsible
for conflicts that, instead of allowing necessary readjustments, create intractable
clashes leading to ethnic cleansing, racism and xenophobia. Marc Augé, as early as
2002, spoke about “a new hundred years war, an internal war, civil and eminently
political, whose challenge will be to know if the planetary utopia was realisable or if
it will be overrun … by the alternating injunctions of religious madness and market
barbarism” (Augé 2017: 102).
Needless to say, this is happening just at the time when cooperation in trans-
forming environments is vital for recombining and reinventing cultural cosmopo-
litical conceptions so as to work together collectively towards a sustainable future.
Understanding the dynamics of exchange and confrontation between individuals
and people who choose a diversity of identities to deal with unstable conditions in
their daily lives has become a burning issue.
10 1 Introduction
The concerns over culture and cultural diversity may have become combustible
because public and political debates on these themes have taken up confused or
equivocal features of these concepts. Two in particular must be mentioned: firstly,
how cultures have been turned into ‘things’, that is, in anthropological terms, how
they have been reified. This leads to an irrational, visceral fidelity to a set of norms
exalted as unique by cultural gatekeepers. Secondly, how sectarian and partisan
interests hide behind the libertarian and liberal heredities of these words, driving
them to become insignia of conservative movements.
In his “Brief Cultural History of ‘Culture’”, Marshall Sahlins, noting the sometimes
bewildering variety of the meanings of this concept, mentioned that “in the past two
or three decades, however, the word has entirely escaped academic control and been
taken up by peoples all over the world in an extraordinary movement of social
self-consciousness—an awareness of their own way of life as a value and, above all,
a political right. This sudden development of ‘culturalism’ is one of the most
important phenomena of world history in the late 20th century” (Sahlins 1994: 1).
Importantly, Sahlins had also clarified that “in addition to ‘culture’ as refinement
and ‘culture’ as social life-form, since the late 19th century there has been ‘culture’
as the distinctive capacity of the human species” (ibid.: 7).
The polysemy of culture makes it a difficult concept to define. The ‘undecid-
ability’ of this concept, as Jacques Derrida would call it (that is, the multiplicity of
possible meanings), builds people’s identities and evokes sentiments of ancestry,
political affiliation and emotional attachment. But this can work in both positive and
negative ways. Culture can be invoked for purposes of belonging—of solidarity—
as well as for the destruction of others. Practically all groups that mobilize their own
forces may discriminate against other groups, particularly if they use cultural, ethnic
or religious commitment as justification for excluding or enslaving others. Once one
group claims special rights and privileges, their interaction with other groups
immediately changes into relationships of defence or attack. Muslims imposing
sharia law in northern Nigeria infringe the citizen rights of Christian groups; the
Serbian army’s behaviour during the war in Yugoslavia opened the way for hor-
rifying repetitions of rape and genocide which have now found more extreme and
extended forms in the caliphate of Isis in Iraq and Syria. Jihadist terrorists kill in the
name of the religions they have only recently taken up. Everywhere, ethnicism—
that is, the use of ethnicity for political purposes—has led to the same brutal
excesses that some nationalisms had formerly produced.
Nevertheless, the polysemy of the term ‘culture’ is, in fact, very useful in pro-
viding the broadest intellectual and political space for debating and negotiating the
future relationships between peoples, nations and cultural groups. Definitions of
culture, which were counted as a little over two hundred by Alfred Kroeber in 1948,
have now risen to several hundred more (see Eagleton 2000; Fischer 2009). The
1.5 Defining the ‘Undecidable’ 11
Language: English
Credits: Al Haines
BY
EDITH METCALFE.
"I can tell you without the help of an augur what will be your fate you become a
gambler. Either the vice will end by swallowing you up alive as a quicksand does, or if you
are a winner, your gains will disappear more quickly than they came, melting like pyramids
of snow."
WILLIAM DE BRITAINE.
LONDON:
WARD, LOCK & CO., LIMITED.
NEW YORK AND MELBOURNE.
1903
CONTENTS.
CHAPTER I
The Viaticum
CHAPTER II.
The Best Thing in the World
CHAPTER III.
Fraud
CHAPTER IV.
Mediation
CHAPTER V.
Kindred and Affinity
CHAPTER VI.
Bravado
CHAPTER VII.
Melville leads Trumps
CHAPTER VIII.
Rivals
CHAPTER IX.
Bigamy
CHAPTER X.
Light come, Light go
CHAPTER XI.
Mrs. Sinclair pays a Visit
CHAPTER XII.
A Pic-nic
CHAPTER XIII.
Murder
CHAPTER XIV.
The Finding of the Body
CHAPTER XV.
Flight
CHAPTER XVI.
An Unexpected Will
CHAPTER XVII.
An Arrest
CHAPTER XVIII.
A Faithful Servant
CHAPTER XIX.
In the Park
CHAPTER XX.
Money makes a Difference
CHAPTER XXI.
The Result of the Trial
CHAPTER XXII.
Mr. Tracy becomes Active
CHAPTER XXIII.
Sir Ross is Quits
CHAPTER XXIV.
Mrs. Sinclair Resolves to Go Away
CHAPTER XXV.
Mrs. Sinclair Goes away
CHAPTER XXVI.
Fate takes the Odd Trick
CHAPTER XXVII.
The Place of Peace
PYRAMIDS OF SNOW.
CHAPTER I.
THE VIATICUM.
Upon most of the people who thronged the rooms the incident was lost.
Of those who saw it many did not understand its meaning, and the rest were
too much absorbed in their own affairs to give it any attention. The scene
was the Casino at Monto Carlo; every chair was occupied, and behind every
chair men and women were standing, all intent upon the play, all consumed
by the feverish thirst of winning money born of the atmosphere of the place.
The brilliant light flashed in jewels and gleamed in eager eyes, heightened
the colour of flushed cheeks and emphasised the pallor of haggard faces;
against the black evening coat of one man sitting down was outlined the
bare arm of a woman, who laid her stake upon the table, and when the hand
was withdrawn it still hesitated over the black coat until the fortune of the
stake should be declared. Dominating everything was the monotonous
sound of the croupiers' voices and the noise of the money as it was raked to
and fro upon the tables.
The incident which took place in this scene was a not uncommon one. It
was a little procession of three men, one a dark, good-looking man in well-
cut evening dress, who walked nonchalantly through the rooms, pausing
almost imperceptibly while his two companions shot a glance of
interrogation at each of the croupiers; when the croupiers, in reply, had shot
a glance of assent at his companions, the dark man moved on again until he
had almost completed his tour of the rooms. It was Melville Ashley
undergoing the process of identification as a well-known frequenter of the
rooms before receiving the viaticum which should enable him to return to
London.
Only once did he betray any interest. A woman leaning back in her
chair put out her hand to detain him. She understood the significance of his
escort, and there was some commiseration in her eyes.
"Are you going home, Mr. Ashley?" she asked, in a low tone.
"I'm sorry," she said, and looked as if she meant it; "but I daresay I shall
be following you soon, and then, perhaps, we may meet again. London is a
tiny little place."
"I haven't any," said Mrs. Sinclair, smiling lightly, for she liked a
sportsmanlike loser. "Men always carry cards—in case of duels, I suppose,
but women have no room in their purses for anything but money, and
nowhere but their purses to put anything else. Give me one of yours, and I
will write to you."
"That is too good of you," he replied, as he gave her one; "but of course
you will forget all about it. Good-night, good-bye."
"The little bounder doesn't like me," he thought, "but he's a little ass to
show it. He must be very rich for Mrs. Sinclair to be willing to lay aside her
weeds for him."
The doors swung behind him, and in another moment Melville was in
the open air. He stretched out his arms in pure enjoyment of the lovely
night.
"I am infinitely obliged to you," he said to his escort; "the other trifling
formalities will, doubtless, be completed in due course;" and in what
seemed an incredibly short time Melville was on his way to London.
Inside the Casino, the little bounder turned to his companion.
"Since you have no room in your purse for visiting cards," he said, "may
I not keep that one in safe custody for you?"
"Thanks, no," the woman answered, and slipped it inside her dress; "I
haven't finished playing yet, and my luck is in to-night."
"Don't ask leading questions, and please don't make yourself ridiculous.
Civility costs nothing, and it amused me to be civil to that—gentleman."
"It is rare for you to be amused with anything that costs nothing," he
retorted, but Mrs. Sinclair would not be drawn. She began to play again,
and, when at last she stopped, the little man's carrying capacity was taxed to
take her winnings back to her hotel.
The younger son of his parents, both of whom had died while he was
still an infant, he had been brought up with his brother Ralph under the
guardianship of his uncle, Sir Geoffrey Holt, lord of the manor of
Fairbridge, in Surrey, whose co-heir, at any rate, he hoped some day to be.
Sir Geoffrey had played his part well, placing every advantage in the way of
both his nephews, but as the years slipped by he found it difficult to be quite
impartial in his personal treatment of the two lads, though he never failed to
be impartial in his dealings with them so far as they affected the education
and up-bringing of the boys.
It was Ralph, however, who engrossed his uncle's affection, and
something in Melville's nature rose in rebellion at the thought that he came
second in the estimation of any person. Both boys were handsome, Melville
especially so; both were well endowed with intelligence, and both took
advantage of their opportunities. But whereas Ralph developed into a frank
and unaffected man, fond of athletics and outdoor pursuits, Melville became
more and more self-centred and reserved, devoting all his time to his one
absorbing love of music. Manhood brought liberty, and liberty in Melville's
case brought lack of self-restraint. His finer qualities led him into a certain
sort of temptation, and the men with whom his rare musical talents brought
him into contact were of a free and easy Bohemian type that did not afford
the most healthy companionship for a young fellow of his particular
temperament. Musical evenings led to smoking concerts, and the concerts
to late nights of which other and less innocent amusements were the
principal feature; billiards and cards became first a habit and then a passion,
and Melville was still in his early twenties when it was obvious that he was
a confirmed gambler.
Sir Geoffrey was patient and he was rich, but detestation of the gambler
was added to his dislike of his younger nephew, and more than one violent
quarrel had taken place between the two. It says much for the elder man that
he never referred to the position of absolute dependence occupied by the
younger one; but when, a few weeks before, Melville came to him with the
oft-repeated tale, Sir Geoffrey spoke his mind in the vernacular.
"Let me know the sum total of your accursed debts," he said, "if you
have the honesty or the wit to remember them, and I will clean the slate.
Then I will give you a final two hundred and fifty for yourself, and that
shall be the end."
When Melville gave him the damning list of debts, Sir Geoffrey bit his
lips until they bled. Livery stables, and wine and cigar merchants told a tale
of luxurious living which Sir Geoffrey himself had never been able to
afford in his younger days, and there were other items not precisely
specified, into which the elder man thought it better not to enquire too
curiously. But he kept his word. He drew crossed cheques payable to every
person named in the list for the full amount, and demanded a receipt from
each in full discharge of his nephew's liability. When the last receipt came
in, after a miserable week of waiting, he sent for Melville to his library.
"Is that the last?" he enquired grimly, and Melville assented. Then Sir
Geoffrey sat down at his table and drew one cheque more. "There is the two
hundred and fifty I promised you," he said; "make the best use of it you can,
for it is the last you ever have from me. The dog-cart will take you to the
station in half-an-hour." Then he turned on his heel and left him, and
Melville returned to town.
Five weeks before! And now the whole of the money was gone. With all
his ingenuity it would be difficult to invent a story which his uncle would
be likely to accept as a valid explanation of so surprising a fact.
Then the gambler's spirit re-asserted itself. He had had a glorious time at
Monte Carlo while it lasted. One night he had won more than five thousand
pounds, and another night the bank had to send out twice for fresh supplies
of money. That was the time of triumph. People had crowded round him,
some to follow his play, some to envy, some to congratulate him, and
among them he had seen Lavender Sinclair for the first time: a magnificent
woman truly, with splendid colouring and grandly moulded limbs; she wore
turquoise velvet, he remembered, and round her neck a barbaric collar of
turquoise bosses linked together on red gold; even in that room, where
jewels were as common as morals were rare, her jewels were conspicuous,
and she wore them perfectly. Some acquaintance introduced him to her, and
she seemed interested in hearing his name—had met people who knew him,
or some distant kinsmen, but there was no indication of any desire on her
part to press the acquaintance. She was in the ripest glory of her beauty, the
sort that is at its best when it is mature. He wondered idly how old she was,
over thirty certainly; but, after all, it did not matter. Rumour had it that she
was going to marry Sir Ross Buchanan, and Melville was contemptuous of
her choice of a second husband; he knew the man by sight, an undersized,
rather weakly fellow, who inherited an old title from his father and, it was
said, two millions sterling from his mother. Sir Ross was a pill that required
an unusual amount of gilding, and Melville's first admiration of the woman
was replaced by scorn of her venality. She was sympathetic though when he
bade her good-bye, and Melville appreciated sympathy.
The journey was very tedious, so Melville opened his dressing-case and
took out a packet of letters which had reached him at the hotel, but to which
he had not troubled to attend. Several he tore up and threw away, but there
was one which he carefully replaced in its envelope in his bag. It was from
his brother, and ran as follows:
"So he is hard up, too," Melville muttered. "No, I wouldn't lend him
fifty pounds if I had fifty thousand to-morrow. And engaged to Gwendolen
is he? I wonder if I can put an end to that. If she were my wife I might even
win the old man round again."
Then his mind reverted to his immediate difficulties, and he went over
the old useless ground of trying to think of some way to raise the wind,
failing once more to see any light at all, as indeed he was bound to fail,
since honest work did not come into his most casual consideration.
CHAPTER II.
Even while Melville, with despair gnawing at his heart, was speeding on
his journey back to England, Sir Geoffrey Holt was keeping festival at
Fairbridge Manor. That very evening he had given a final dinner party to
celebrate the betrothal of his god-child, Gwendolen Austen, to his favourite
nephew, Ralph Ashley.
So he threw wide his hospitable doors, and asked the county to come
and shower congratulations upon the happy couple. For a week he kept
open house, and his pleasure was so apparent, his high spirits so contagious,
that he made himself loved the more by his unaffected delight and his
manner of displaying it. To his succession of dinner parties practically the
entire county came, until both Ralph and Gwendolen were at a loss to find
fresh ways of saying, "Thank you," for so many expressions of goodwill.
But this evening had brought the entertainments to a close, and when Sir
Geoffrey, standing by his open door, had bade the latest guest good-bye, he
turned with a sigh of satisfaction into the great hall where his children, as he
called them, were laughing over some incident which had amused them
during the day.
Sir Geoffrey pulled his god-daughter towards him and held her face
between his hands.
"The last guest gone," he said, smiling at her; "now, Gwen, confess you
are not sorry."
"I didn't know there was so much kindness in the world," she answered,
smiling back at him, and her eyes were shining; "but I confess I am glad we
are all by ourselves again."
"Tired?" he asked.
"Do you want to talk to me, Ralph?" said Gwendolen, turning to her
lover, who was looking at her with affectionate pride.
"I don't seem to have had a chance of talking to you for a week," Ralph
answered promptly. "Let's go at once and—and get a deck chair ready for
your mother."
"An admirable reason for both of you hurrying away. Ralph is too weak
to move one by himself; you must help him, Gwendolen."
Ralph put a wrap round Gwendolen, and, linking her arm in his, went
through the French window across the garden.
It was a glorious night. A full moon shed a mellow splendour across the
lawns, throwing the masses of the cedars into bold relief against the sky,
and glinting in all the diamond panes of the heavy-leaded windows. Over
the phloxes and tobacco plants that adorned the borders great moths were
wheeling, and bats were flickering in and out of the plantation that screened
the stables from the house. As the garden sloped towards the river the turf
was more closely shaven, and along the water's edge were sunk pots in
which magnificent geraniums and sweet heliotrope were growing.
Ralph put two chairs ready for Mrs. Austen and Sir Geoffrey, and then
looked at Gwendolen.
"Shall we wait here for them, or would you like me to punt you up the
stream?"
"Somehow I fancy the others will not come," she said, rippling with
laughter. "Sir Geoffrey is always so thoughtful."
"I love you—I love you," he said, between set teeth, and Gwendolen
drew a sigh of perfect content. "If it could always be like this," he went on.
"Just you and I in the peace, with the river and the moonlight to reflect our
happiness."
"You would soon tire of that," she said, and when he would have
demurred laid her hand upon his lips. "I hope you would, at any rate, for I
would not like you to be a lotos-eater dreaming your days away. There is so
much to do in the world, Ralph, and surely we, to whom so much has been
given, would not wish to give nothing in return."
Gwendolen considered.
"It is not easy to see just at first," she admitted, "but work, like charity,
begins at home. You will be a good master to your household, and will take
an active interest in the estate. You will be so anxious to make the tenants
happier in their respective stations that you will be surprised to find how
many things go to make up their lives. Life is a big bundle of little things,
you know, not a little bundle of big ones. If you really set your heart upon
doing good you will never stop for lack of something to do. That is a
wonderful thought, Ralph: there is no end to the good you can do in the
world."
"Go on," he said tenderly; "go on, dear, good little woman!"
"That is only thinking of your life at home," said Gwendolen; "but there
are wider interests outside. I should like you to make a name for yourself in
the great world; it might be in philanthropy, it might be in politics. I'm often
sorry you have no profession, but the world has always need of good men,
and I won't let you hold wool for me while the world wants one pair of
honest hands. Oh! Ralph, wouldn't that be more worth while than idling
your life away, even if it could always be like this?"
"Only love me," she said. "Love me always as you do now; never any
less tenderly or truly, even when the other interests are nearer than they are
to-night. What more can you do than give me love—the best thing in the
world?"
"I think I may safely promise that," Ralph said, and his deep voice
quivered. What had he done that Providence should heap blessings on him
so lavishly? For what had already been bestowed upon him he could never
show sufficient gratitude, and now there was the crowning gift of all—the
love of a pure and beautiful girl, whom he knew he had loved all his life.
Gwendolen lay back in one of the deck chairs, and Ralph, leaning
against the wooden railing, feasted his eyes upon the picture that she made.
In a dress of white mousseline-de-soie, trimmed with rare point lace, she
looked ethereally beautiful in this setting of coloured lamps and lovely
flowers. Her hands were clasped upon her lap, and the moonlight caught the
diamonds in the ring that he had given her, and even sought out the little
diamond drop that did duty as an earring. Against the scarlet cushions on
which she reclined her fair skin showed like ivory, and Ralph was filled
with something akin to amazement that this incarnation of all that was