GU-PR08ASW-F02

Assignment Form )‫إستمارة التكليف (الواجب‬

Instructions: :‫التعليمات‬
1. Course Instructor: :‫ مدرس المقرر‬.1
 Fill required information accurately and clearly. .‫ تعبئة البيانات الالزمة بدقة ووضوح‬
 Submit to student. .‫ تسليم اإلستمارة الى الطالب‬
 Retain form and completed work in the course portfolio. .‫ حفظ اإلستمارة والعمل المنجزفي ملف المقرر‬
2. Student: :‫ الطالب‬.2
 Complete the assignment. .‫ إنجاز التكليف (الواجب) المطلوب‬
 Sign the declaration stated in this form. .‫ توقيع اإلقرار المدرج في هذه اإلستمارة‬
 Submit the completed form with performed work to .‫ تسليم اإلستمارة الكاملة مع العمل المنجز الى مدرس المقرر‬
Instructor.

Course and Student Information ‫بيانات المقرر الدراسي والطالب‬

Semester ‫الفصل الدراسي‬ SUMMER Academic Year ‫السنة الدراسية‬ 2021-2022

Historical Styles in Architecture

Course Title ‫اسم المقرر‬ Course Code ‫رمز المقرر‬ INDE231
& Design

Academic Program ‫البرنامج الدراسي‬ Interior Design Engineering Department

Department Architectural and Inrerior Design

College ‫الكلية‬ Engineering
‫القسم‬ Engineering

Full Time ‫دوام كلي‬ ⃝

Course Instructor
Dr. Aseel Al-Ayash
‫مدرس المقرر‬ Part Time ‫دوام جزئي‬ ⃝

E-mail ‫البريد‬
Phone ‫هاتف‬ Ex. 316 ‫اإللكتروني‬
Dr.aseel@gulfuniversity.edu.bh

Assignment Title
Ass.2: Write a report on one of Architect from Renaissance Style
)‫عنوان التكليف (الواجب‬

Assignment No. 1st 2nd 3rd 4th 5th

)‫رقم التكليف (الواجب‬ ‫األول‬ ‫الثاني‬ ‫الثالث‬ ‫الرابع‬ ‫الخامس‬
Submission Date ‫تاريخ‬
Start Date‫تاريخ البدء‬ 27/6/2022 11/7/2022
‫التسليم‬
Student Name ‫اسم‬
‫الطاب‬ Zainab Hasan Students’ ID ‫الرقم الجامعي‬ 20020611385

Alignment of Assignment Tasks with CILOs ‫ربط مهام التكليف بمخرجات التعليم المستهدفة للمقرر‬

No. Assignment Task(s) CILOs Allocated Student

‫مخرجات التعليم‬ Mark Mark
‫ت‬ )‫مهام التكليف (الواجب‬
‫المستهدفة للمقرر‬ ‫الدرجة‬ ‫درجة الطالب‬
‫المخصصة‬

1  Cover Page (department, program name, your LO 1- K-TU 4

name, Instructor Name, Topic Title)
 Font size 12, Font style Times New Roman
 Title of topics size 14

2  The Report includes the following topics: Data Profile 3

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(Date, location, history) LO 6 S-C

3  Main architect’s works LO 2- K-TU 3

 Photos (references)
 Examples of buildings
4  Draw a skitch for one of architect’s work LO 3- K-PA 3

5  References (10 Maximum) 2

LO 5 SP-S

Total 15
Comments: ‫المالحظات‬

Assignment Topic ‫موضوع التكليف‬

To Student: ‫للطالب‬:
You are required to prepare the following items: (or You are required to do/conduct the followings):
)‫ إنجاز ما يلي‬/‫مطلوب منك تهيئة الفقرات التالية (أو مطلوب منك تنفيذ‬:
You need to use Word Doc.

Instructor Feedback to Student ‫التغذية الراجعة من مدرس المقرر للطالب‬

1

Instructor Dr. Aseel Al-Ayash Signature Date

‫مدرس المقرر‬ ‫التوقيع‬ ‫التاريخ‬

Student Declaration ‫إقرار الطالب‬

I declare that this work is my original work, it is not a copy of others’ work. All sources are mentioned and referred
to. I confirm that I retain copy of this work for any further use.

‫ل‬l‫ذا العم‬l‫خة من ه‬l‫دي نس‬l‫أن ل‬l‫د ب‬l‫ وأؤك‬.‫ادر‬l‫ة المص‬l‫ارة إلى كاف‬l‫د تمت اإلش‬l‫ و ق‬، ‫رين‬l‫ و لم أقم بنسخه من عمل آخ‬،‫أقر بأن هذا العمل هو عملي األصلي‬
.‫لإلستخدام اإلضافي‬

Student Name Signature Date

‫التوقيع‬
‫أسم الطالب‬
GU-PR08ASW-F02
‫التاريخ‬
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Assignment #2

Donato Bramante

Name: Zainab Hasan

Student ID: 200206115385
DR. Aseel Al-Ayash
Historical Style in Architecture and Design
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Table of content

1- Introduction (Renaissance architecture)

2- Data Profile (Date, location,)
3- History of Tempietto
4-About Donato Bramante
5-The most important works of Donato Bramante
6- sketches
7-References
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01-Introduction (Renaissance architecture)

In terms of style, Gothic architecture was followed by Renaissance architecture,

and then Baroque architecture. The Renaissance style was first created in
Florence, where Filippo Brunelleschi was one of its founders, and it swiftly
spread to other towns. Spain, France, Germany, and other countries in Europe
adopted the fashion. As evidenced by the architecture of classical antiquity,
particularly the numerous examples of ancient Roman architecture that have
survived, the Renaissance style places a strong emphasis on symmetry,
proportion, geometry, and regularity of parts. The more intricate proportional
systems and irregular elements of mediaeval structures were replaced by the
ordered arrangements of columns, pilasters, and lintels, as well as the usage of
semicircular arches, hemispherical domes, niches, and aediculae.
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02-Data Profile
.

Name: San Pietro in Montorio

Location: Church in Rome, Italy.
Building content: It includes in its courtyard a tempeito (temple) or (small memorial)
The engineer: Donato Bramante.
A church in Rome that includes in its courtyard a tempeito (temple) or (small monument) built by Donato Bramante

https://images.app.goo.gl/
CHeg5RWK66sr4exU7
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03- History of Tempietto

A little circular chapel called a tempietto was built in the courtyard of San Pietro
in Montorio in Rome, supposedly where St. Peter was crucified. Following
Donato Bramante's designs, it was commissioned by Ferdinand and Isabella of
Spain and constructed in 1502.

The design was influenced by a particular style of circular, column-encircled

Roman temple, most especially the Vesta temple at Tivoli. Bramante adorned
the building with the Doric order and erected a dome (which has since been
changed). The Tempietto is one of the best examples of High Renaissance
architecture and is notable for its stunningly simple reworking of antique
elements.
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04- About Donato Bramante

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https://images.app.goo.gl/FxN6xv4m1KK2LfgR8

https://images.app.goo.gl/F7eJr2qpmPEJiEbF7

Name Donato Bramante

Born 1444
Nationality Italia
Died 11 April1514 (aged 69-70)

Occupation Architect, painter , and engineer

Employment Architect and engineer
Notable works Santa Maria Nuova
Santa Maria presso san Satiro .

05- The most important works of Donato

Bramante

Santa Maria presso san Satiro

A church in Milan is called Santa Maria presso San Satiro (Saint Mary near Saint
Satyrus). The early mediaeval shrine to Satyrus, Saint Ambrose's brother, is
housed in the Italian Renaissance building (built between 1476 and 1482). The
fake apse in the church is a well-known example of trompe l'oeil that is credited
to Donato Bramante.

Religion
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Affiliation Roman Catholic

Province Milan

Location Milan, Italy

Architect(s) Donato Bramante

Style Renaissance

Groundbreaking 1476

Completed 1482

https://images.app.goo.gl/wrstx9mmBhKvwiP36

History:
The church was built on the site of a prehistoric shrine to Saint Satyrus, confessor and sibling of Saints
Ambrose and Marcellina, which the archbishop Anspertus constructed in 879. Instead, the existing
church was constructed between 1472 and 1482 at the request of Duke Gian Galeazzo Sforza and
Duchess Bona di Savoia. Some sources claim that the architect was Donato Bramante, who had just
relocated from the Marche. Recent evidence, however, shows that Giovanni Antonio Amadeo, who
designed the façade, actually did most of the work and that Bramante only played a tiny part. The
sacristy perspective is unquestionably a Bramante creation. Agostino de Fondulis included a terracotta
bust of the architect, according to sources who credit Bramante with designing the entire chapel.

The building includes two aisles with barrel vaults and a nave. At the intersection with the transept, a
hemispherical dome atop the nave. The bell tower still belongs to the Romanesque building that
existed before its renovation in the 1480s. The baptistry that is attached to the church is also from the
15th century.

Initially, white and gold paint was used to beautify the interior. Borgognone painted frescoes on the
walls, which have since been moved to the Pinacoteca di Brera. A terracotta sculpture by Agostino de
Fondulis depicting the Dead Christ adorned the ancient sacellum of San Satiro, which was also covered
with cotto decorations. Several terracotta busts in the sacristy, which is on the main plan and
influenced by the Colleoni Chapel or the Portinari Chapel of Sant'Eustorgio, are also by the same
artist. An altarpiece from Giuseppe Peroni's Extasis of St. Phillip Neri (1764) can be found in the
church.

 Bramante's perspective illusion choir viewed from the west transept.

 The interior with the Bramante's perspective illusion choir viewed from the nave.
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https://commons.wikimedia.org/wiki/File:SanSatiroInteriors.jpg#/media/File:SanSatiroInteriors.jpg

https://commons.wikimedia.org/wiki/File:SanSatiroInteriors3_crop.jpg#/media/File:SanSatiroInteriors3_crop.jpg
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Santa Maria presso San Satiro

Many well-known architects and painters contributed to the wonders of the Italian
Renaissance, but it takes a unique type of expertise to cram a large church onto a small piece
of land.

Such a person was Donato Bramante. Duke Galeazzo Maria Sforza of Milan ordered a brand-
new church for his community in 1472. Although he had lofty goals, the location he could
choose from was constrained by the presence of a busy thoroughfare. The church was
uncomfortably too small because the choir, which was the area behind the altar, had to be
cut out. Bramante found an inventive solution despite the difficulty. He painted a trick of the
eye

In the late renaissance and baroque periods, trompe-l'oeil, or architectural optical illusion,
was common, but Bramante elevated the trickery to whole new heights. Standing at the
building's entryway, one has the feeling that the area is considerably deeper and extends
farther than it actually does behind the altar. The reasonably consistent lighting within the
building aids in the optical illusion. As soon as one moves away from the church's central axis,
the illusion, of course, rapidly vanishes; yet, if one turns around, the illusion returns.
Understanding Bramante's Santa Maria presso San Satiro church properly depends on
perspective and faith, just as religious belief itself.

https://images.app.goo.gl/fBzssPPtwxrxttLF8

https://images.app.goo.gl/CkBohUo3e9EumWAA9 https://images.app.goo.gl/V8SWHWhpZZ1EsPi9A
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06- sketches
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07- Reference
https://ar.delachieve.com/%D8%AF%D9%88%D9%86%D8%A7%D8%AA%D9%88-
%D8%A8%D8%B1%D8%A7%D9%85%D8%A7%D9%86%D8%AA%D9%8A-%D9%85%D9%87%D9%86%D8%AF%D8%B3-
%D9%85%D8%B9%D9%85%D8%A7%D8%B1%D9%8A-%D9%85%D8%AA%D9%85%D9%8A%D8%B2-%D9%81%D9%8A/

https://en.wikipedia.org/wiki/Santa_Maria_presso_San_Satiro

https://ar.wikipedia.org/wiki/%D8%AA%D9%85%D8%A8%D9%8A%D9%8A%D8%AA%D9%88_%D8%B3%D8%A7%D9%86_
%D8%A8%D9%8A%D9%8A%D8%B1%D8%AA%D9%88_%D9%81%D9%8A_%D9%85%D9%88%D9%86%D8%AA
%D9%88%D8%B1%D9%8A%D9%88

https://nojomy.com/painters/%D8%AF%D9%88%D9%86%D8%A7%D8%AA%D9%88-
%D8%A8%D8%B1%D8%A7%D9%85%D8%A7%D9%86%D8%AA%D9%8A-%D9%82%D8%B5%D8%A9-%D8%AD%D9%8A
%D8%A7%D8%A9/

https://www.atlasobscura.com/places/tempietto-at-san-pietro-in-montorio

https://ar.wikipedia.org/wiki/%D8%AF%D9%88%D9%86%D8%A7%D8%AA%D9%88_
%D8%A8%D8%B1%D8%A7%D9%85%D8%A7%D9%86%D8%AA%D9%8A

https://ar.helpr.me/5545-what-is-the-tempietto-made-out-of

https://stringfixer.com/ar/Renaissance_architecture

https://ar.wikipedia.org/wiki/%D8%B9%D9%85%D8%A7%D8%B1%D8%A9_%D8%B9%D8%B5%D8%B1_
%D8%A7%D9%84%D9%86%D9%87%D8%B6%D8%A9

https://ar.wikipedia.org/wiki/%D8%AA%D9%85%D8%A8%D9%8A%D9%8A%D8%AA%D9%88_%D8%B3%D8%A7%D9%86_
%D8%A8%D9%8A%D9%8A%D8%B1%D8%AA%D9%88_%D9%81%D9%8A_%D9%85%D9%88%D9%86%D8%AA
%D9%88%D8%B1%D9%8A%D9%88

https://en.wikipedia.org/wiki/Santa_Maria_presso_San_Satiro

https://www.britannica.com/topic/Tempietto

https://images.app.goo.gl/fBzssPPtwxrxttLF8

https://images.app.goo.gl/CkBohUo3e9EumWAA9

https://images.app.goo.gl/V8SWHWhpZZ1EsPi9A

https://images.app.goo.gl/YkUxb6SEyFN763bA7

https://images.app.goo.gl/WwpkbV7wftbCPLvq8

https://images.app.goo.gl/V7wivoMyhNYdPway5

https://images.app.goo.gl/tbzZQH8eWMWKsGtT8
https://images.app.goo.gl/t9Kd8nN9ENRT4N7w8

https://images.app.goo.gl/CHeg5RWK66sr4exU7