Professional Documents
Culture Documents
•“Hymn to Labor”
“Sa Aking Kababata”
I
Kapagka ang baya’y sadyang umiibig
Sa langit salitang kaloob ng langit
Sanlang kalayaan nasa ring masapi
Katulad ng ibong nasa himpapawid
II
Pagka’t ang salita’y isang kahatulan
Sa bayan, sa nayo't mga kaharian
At ang isang tao’y katulad, kabagay
Ng alin mang likha noong kalayaan.
III
Ang hindi magmahal sa kanyang salita
Mahigit sa hayop at malansang isda
Kaya ang marapat pagyamanin kusa
Na tulad sa inang tunay na nagpala
“Sa Aking Kababata”
IV
Ang wikang Tagalog tulad din sa Latin,
Sa Ingles, Kastila, at salitang anghel,
Sapagkat ang Poong maalam tumingin
Ang siyang naggagawad, nagbibigay sa atin.
V
Ang salita nati’y tulad din sa iba
Na may alfabeto at sariling letra,
Na kaya nawala’y dinatnan ng sigwa
Ang lunday sa lawa noong dakong una.
Interpretation:
I
“Kapagka ang baya’y sadyang umiibig
Sa langit salitang kaloob ng langit
Sanlang kalayaan nasa ring masapi
Katulad ng ibong nasa himpapawid”
•Ayon kay Rizal, ang wikang Tagalog ay singhalaga ang sintulad lamang ng
wikang Latin, Ingles, Kastila, at salitang anghel. Hindi ito dapat minamaliit
kapag ikinukumpara sa wika ng ibang mas mauunlad na bansa, sapagkat
iisa lamang ang Diyos na nagbigay-bunga sa lahat ng wika ng mundo.
Interpretation:
V
“Ang salita nati’y tulad din sa iba
Na may alfabeto at sariling letra,
Na kaya nawala’y dinatnan ng sigwa
Ang lunday sa lawa noong dakong una”.
•Ang wika ng mga Pilipino, tulad nga iba pang wika, ay mayroon ding
sariling alpabeto. Maaaring tinutukoy ni Rizal dito ang Alibata o ang
lumang alpabetong Pilipino, na talaga namang nag-iisa ang walang
katulad. Ngunit, ayon kay Rizal, ang mga letra ng ating katutubong
alpabeto ay parang natangoy sa malalaking alon, na parang mga bangka.
“The Filipino Youth”
•Like his poem “Education Gives Luster to Motherland,” he inspired the youth to
develop their talents, look forward and break the chain of their “bondage,” he called
them “ Bella Esperaza de la Patria mia” (“fair hope of my motherland”).
•Eager to shake off the belief among the Filipinos that white man was superior to them,
Rizal encouraged the “timid flowers, fair hope of my motherland to lift up your radiant
Brow and show your talent resplendently and grand”.
“The Filipino Youth”
•He urged the youth to “fly swifter than the wind and descend with art and science
to break the chain that has bound the poetic genius of the nation.
In this Poem:
•Rizal called on the poet to open the horizon and write poetry about the
Country
“Soar high, O genius great,
And with noble thoughts fill their mind;
The honors glorious seat,
May their virgin mind fly and find
More rapidly than the wind”.
“You, who heavenward arise
On wings of your rich fantasy,
Seek in the Olympian skies
The tenderest poesy,
More sweet than divine honey”.
In this Poem:
•To the sculptor Rizal’s request was to animate the hard rock with life
•And when the youth answer the call, heaven should be thanked for the
joy of his Motherland, the Philippines. The nationalistic poem ends
with an expression Of Rizal’s deep sense of gratitude.
•Rizal extolled man’s labor and industry, singing praise to labor, of the
country, wealth and vigor. He awakened the youth to be worthy of their
elders by following their footsteps.
“Teach us ye the laborious work
To pursue your footsteps we wish,
For tomorrow when country call us
We may be able your task to finish.”
“And on seeing us the elders will stay;
Look, they're worthy ‘f their sires of yore!
Incense does not honor the dead
As does a son with glory and valor.”
“Hymn to Labor”
These first four lines of verses comprise the chorus. It signifies that every
Filipino, in his patriotism, will keep a watchful yet loving eye on his
country with equal passion at wartime and in times of peace. There will be
no desertion especially during the more difficult times in the country’s
history, even if it means he pays for his loyalty with his life.
Interpretation: Hymn to Labor
MEN:
(Chorus)
WIVES:
•The role of a wife during the time of Rizal was plain and simple: she was
the steward of the home, the mother of the children. Modern thinking
might dispense premature reaction to this notion, however it only takes a
few lines to see that Rizal was, in fact, also a feminist, ahead of his time.
Interpretation: Hymn to Labor
•This verse pays tribute to mothers who dedicate their lives to the rearing
and upbringing of their children, teaching them the right values and
morals to become upright citizens. Education and formation, after all,
begin and end in the home. In the last two lines, it is evident that, given
the precarious nature of life in a time when war is imminent, wives may
lose their husbands and so it is in their capable hands to carry out the
business of men in the context of home and family, should the men find
themselves no longer able to do their duty.
Interpretation: Hymn to Labor
(Chorus)
MAIDENS:
•The third verse is sung by maidens, who salute to labor and encourage the
young men to give their lives to hard work and industry for the good of the
nation. This is supposed to be sung with joy and pride, signifying that no fair
maiden wants a lazy young man who sits and waits for nothing all the day
long but instead cheers for that youth full of valor and expresses her
willingness to be that youth’s wife on account of his spirit, not merely his
looks.
Interpretation: Hymn to Labor
(Chorus)
CHILDREN:
•It is apparent in Filipino culture then and now, that children have high
regard for the approval of their elders. This verse underlines the importance
of keeping the culture and tradition that is handed down to them from the
previous generation, and that they, in future, will hand down to their own
sons and daughters. It also expresses the children’s wish to pursue the
footsteps of those that have gone before them, in preparation for when the
time comes for them to take charge, however premature and unexpected
that time may be.
“Hymn to Labor”
CHILDREN:
Tuazon, Michael C.
Cañones, Sundryc S.
Areño, Arlene Grace D.
Amar, Rizalito A.