Professional Documents
Culture Documents
ASSESSMENT T OF LEARNING 2
MIDTERM WORKSHEET
MARCH 8, 2021
B. Cite example of performance task that provides opportunities to show both what the
students know and how well the students can do what they know. (by major/discipline)
GOAL ROLE AUDIENCE SITUATION PERFORMANCE/PRODUCT
Ikaw ay lilikha Ikaw ay isang Guro at mag- Ikaw ay gagawa ng Sariling Alamat ( 2 maikling
ng sariling tagapagsulat aaral sariling alamat. kwento ) (Ipasa sa Ika-4 ng
alamat. /tagapagkwento Maaaring tungkol sa Nobyembre)
Gumamit ng tao, bagay, hayop,
mga pook o pangyayari.
Pangngalan at Lapatan ito ng
mga Panghalip larawan at disenyo.
sa kwento. Ilalahad ito gamit ang
Bigyang pansin PowerPoint
ang tamang Presentation sa
bantas at malikhaing paraan.
baybay ng Mahalagang maisulat
bawat salita. ng wasto ang mga
Ilalahad ang Pangngalan at mga
kwento sa Panghalip sa kwento.
buong klase. Bigyang pansin din
ang tamang baybay at
bantas sa pagsusulat
ng mga pangungusap
na inilalahad ng mga
tauhan sa kwento.
Mekaniks:
1. Hahatiin sa 6 grupo ang buong klase. (6-7 miyembro kada grupo)
2. Bawat isa ay bibigyan ng partikular na pagpapahalagang Pilipino na sinasalamin ng Ibong Adarna na dapat
nilang isadula.
3. Magtatakda ang mga grupo ng kanilang tagasulat ng iskrip, tagapaghanda ng mga props, direktor, at mga
gaganap.
4. Maghahanda ang bawat grupo ng kanilang iskrip. Kinakailangang handa na ang iskrip sa, ika-7 ng Marso
para sa pagsisimula ng pag-eensayo para sa pagtatanghal.
5. Ang lahat ng grupo ay bibigyan ng pagkakataong mag-video ng kanilang pagtatanghal sa mga oras ng klase
mula ika-11 hanggang ika-22 ng Marso.
6. Kailangang nasa 5 hanggang 10 minuto lang ang gagawing pagtatanghal.
7. Panonoorin sa klase ang nabuong bidyo sa ika-28 at 29 ng Marso.
8. Sa araw ng panonood, may itatakdang grupo na siyang magbibigay ng puna sa napanood nilang bidyo ng
ibang grupo at magbibigay rin sila ng grado batay sa mga pamantayang itatakda.
9.Narito ang mga pagpapahalagang isasadula:
1. Pakikipagsapalaran at Pagsasakripisyo
2. Determinasyon
3. Pagpanig sa Kabutihan
4. Paggalang sa Nakatatanda at Nakatataas
5. Wagas na Pagmamahal
6. Matibay na Pananampalataya
KOMPREHENSIBONG PAGBABALITA
GRASPS
Naglunsad ng patimpalak sa pagbobrodkast ng balita sa Filipino ang ABS-CBN sa pakikipag-
ugnayan sa Kagawaran ng Edukasyon (DepEd). Bukas ito sa lahat ng mag-aaral sa ika-7 baitang.
Layunin ng patimpalak na ito na tumuklas ng mga batang may angking husay sa pagbabalita sa
Filipino.
Ang magwawagi ay magiging bahagi ng ilulunsad na programang balitaan para sa mga
kabataan. Ang unang antas ng paligsahan ay sa paaralan isasagawa kaya ikaw at ang iyong mga
kaklase ay lalahok dito. Ang Ulat balita ay huhusgahan ayon sa rubrik na nakalahad sa ibaba:
4 2
3
Kabuuang marka
KATUMBAS NA GRADO:
20 = 100% 16 =90% 12 = 80%
19 = 97% 15 = 87%
18 = 95% 14 = 85%
17 = 92% 13 = 82%
F. Enumerate the general guidelines in designing performance assessment.
1. What are the outcomes to be assessed?
2. What are the capabilities/skills implicit or explicit in the expected outcomes (e.g. problem-solving,
decision-making, critical thinking, communication skills)?
3. What are the appropriate performance assessment tasks or tools to measure the outcomes and skills?
4. Are the specific performance tasks aligned with the outcomes and skills interesting, engaging,
challenging, and measurable?
5. Are the performance tasks authentic and representative of real-world scenarios?
6. What criteria should be included to rate students' performance level?
7. What are specific performance indicators for each criterion?
G. What are the steps in planning and implementing the performance assessment?
1. Define the purpose of performance or product-based assessment.
The teacher may ask the following questions?
- What concept, skill, or knowledge of the students should be assessed?
- At what level should the students be performing?
- What type of knowledge is being assessed (e.g., remembering to create)?
2. Choose the activity/output that you will assess.
The required performance or output should be feasible given the time constraints, availability of
resources, and amount of data/materials needed to make an informed decision about the quality of a
student's performance or product. The performance tasks should be interesting, challenging, achievable,
and with sufficient depth and breadth so that valid evaluation about students' learning can be made.
3. Define the criteria.
Criteria are guidelines or rules for judging student responses, products, or performances. Before
conducting the assessment he performance criteria should be predetermined. The set of criteria should
be discussed and agreed upon by the teacher and the students. Performance criteria are important since
they define for the students the types of behavior or attributes of a product that are expected, as well as
allow the teacher and the students to evaluate a performance or product as objectively and a consistent
as possible.
4. Create the performance rubric.
A rubric is an assessment tool that indicates the performance expectations for any kind of
student work.
5. Assess student's performance/product.
This is to ensure objective, consistent, and accurate evaluation of student's performance. It is
also important to provide specific and meaningful feedback and explanation to students on how they
have performed the tasks, clarifying to them what they understand, what they don't understand, and
where they can improve.
Nasasabi ang mga uri ng maikling Uri ng Maikling Kuwento Oral recitation, Portfolio
kuwento.
1. Content (the output reflects Ex: Constructed Table of Because it reflects the framework of
understanding of the topic discussed) specifications the test, which is the revised bloom’s
taxonomy where the six cognitive
processes are given as well as the four
dimensions of knowledge.
2. Critical Thinking (the output reflects One-Minute Papers One-minute papers are usually done
ability to critique/evaluate/solve at the end of the day. Students can
problems) work individually or in groups here.
They must answer a brief question in
writing.
3. Creative Thinking (the output Hand It In, Pass It Out Run this short exercise to build topic
reflects ability to create new ideas) comprehension.
4. Communication (the output reflects Four Corners Encourage physical activity while
ability to express one's ideas in words gauging general student
or actions) comprehension through this aptly-
named exercise.
5. Collaboration (the output reflects Partner Quiz Develop peer teaching skills in your
ability to work well with others) class by running partner quizzes,
which also allow students to assess
themselves.
B. What are the qualities included in the Affective domain according to Krathwohl (1964)?
1. Receiving – Is the learner aware of or responding to the environment? The focus is on simple
awareness and selective attention.
2. Responding – Can the learner show a new behavior due to an experience? The focus is on
interest, seeking, and enjoyment.
3. Valuing – Does the learner show involvement and commitment? The focus is on attitudes and
appreciation.
4. Organization – Has the learner combined and conceptualized a new value giving it
priority? The focus is on philosophy of life.
5. Characterization by Value – Does the learner act consistently with the new value? The focus
is on patterns of adjustment.
D. Give the different assessment methods used in Affective Learning and describe each.
1. Self-Report.
This is the most common measurement tool in the affective domain. It essentially requires an
individual to provide an account of his attitude or feelings toward a concept or idea or people. Self-
reports are also sometimes called "written reflections". In using this measurement tool, the teacher
requires the student to write his/her thoughts on a subject matter, like, "Why I like or dislike
Mathematics". The teacher ensures that the students write something which would demonstrate the
various levels of the taxonomy (from receiving up to characterization)
2. Rating Scale.
This is a set of categories designed to elicit information about a quantitative attribute in social
science. Common examples are the Likert scale and 1-10 rating scales for which a person selects the
number which is considered to reflect the perceived quality of a product. The basic feature of any rating
scale is that it consists of a number of categories. These are usually assigned integers.
3. Semantic Differential Scales
Tries to assess an individual's reaction to specific words, ideas or concepts in terms of ratings on
bipolar scales defined with contrasting adjectives at each end. An example is shown below:
4. Likert Scale
Is a simple and widely used self-report method in assessing affect. It requires that individuals tick
on a box to report whether they "strongly agree", "agree", "undecided", "disagree", or "strongly
disagree", in response to a large number of items concerning attitude object or stimulus.
5. Checklists
Are the most common and perhaps the easiest instrument to construct in the affective domain. A
checklist consists of simple items that the student or teacher marks as "absent" or "present".
a. What does your teacher want to assess about you in Exhibits A-C?
b. What different behaviors were included in assessing your attitude about reading? About
learning of mathematics?
2. Consider yourself as a teacher. Give examples of specific interview questions you can ask your
students about the traits being assessed in any of the above sample rating scales.
F. Answer Portfolio Assessment on page 80.
Directions: Choose one (1) output in this lesson that can best show your ability in the 21st century learning
and innovation skills: critical thinking, creative thinking, communication, collaboration, and knowledge of
your content (5C).
1. Content (the output reflects Ex: Constructed Table of Because it reflects the framework of
understanding of the topic discussed) specifications the test, which is the revised bloom’s
taxonomy where the six cognitive
processes are given as well as the four
dimensions of knowledge.
2. Critical Thinking (the output reflects Strategic Questioning Because effective formative
ability to critique/evaluate/solve assessment strategies involve asking
problems) students to answer higher-order
questions such as “why” and “how.”
Higher-order questions require more
in-depth thinking from the students.
They can help the teacher discern the
level and extent of the students’
understanding.
3. Creative Thinking (the output 3–2–1 Countdown When students learn something they
reflects ability to create new ideas) find useful, they're likely to want to
use that learning in some way. Have
students end the day with this one.
Give them cards to write on, or they
can respond orally. They are required
to respond to three separate
statements:
A. What is a Portfolio?
Alternative to pen-and-paper objective test as an approach to assessing students’ learning.
Examination of student-selected samples of work experiences and documents related to outcomes being
assessed, and it can address and support progress toward achieving academic goals, including student
efficacy.
C. What are the advantages of portfolio assessment for both the teachers and students?\
Portfolios provide teachers with a tool for showing what, how, and how well students learn both
intended and incidental outcomes. They provide students and teachers with creative, systematic, and
visionary ways to learn, assess, and report skills, processes, and knowledge.
1. Content (the output reflects Ex: Constructed Table of Because it reflects the framework of
understanding of the topic discussed) specifications the test, which is the revised bloom’s
taxonomy where the six cognitive
processes are given as well as the four
dimensions of knowledge.
2. Critical Thinking (the output reflects 3-Way Summaries The idea here is to use different
ability to critique/evaluate/solve modes of thinking and attention to
problems) detail. Students can work in groups or
individually.
3. Creative Thinking (the output Exit/Admit Tickets A simple but effective formative
reflects ability to create new ideas) assessment is the exit ticket. Exit
tickets are small pieces of paper or
cards that students deposit as they
leave the classroom. Students write
down an accurate interpretation of
the main idea behind the lesson
taught that day. Next, they provide
more detail about the topic.
4. Communication (the output reflects Think-Pair-Share This is one of the many formative
ability to express one's ideas in words assessment strategies that is simple
or actions) for teachers to use. The instructor
asks a question, and students write
down their answers. Students are
then placed in pairs to discuss their
responses. Teachers are able to move
around the classroom and listen to
various discussions. It lets them gain
valuable insight into levels of
understanding.
5. Collaboration (the output reflects Creative Extension Projects Students can create a large scope of
ability to work well with others) projects to demonstrate
comprehension. Quick projects help
them apply the higher-order levels of
Bloom's Taxonomy. These don't have
to be big and complicated. They can
take a day, a half-day, or even an
hour.
G. In TTL 1 you have a submitted a digital portfolio. What are the entries you made in
that portfolio?
The entries that I have submitted in my digital portfolio was my compilation my learning
kits, worksheets and activities that we submitted during the first semester. I also put my photo
with reflection about my experiences on making the digital portfolio for the first time.
H. Read the “Educators Input” on page 95 and write a reflection paper.
A portfolio is an organized collection of work that demonstrates a designer’s skills,
abilities, and interests, and is an integral part of providing evidence of that designer’s
competence. Portfolios come in all sorts of shapes and sizes, and vary greatly across different
design disciplines and platforms.
Print portfolios have been the standard method of presenting work for years, but the digital
age has emphasized the need for designers to have an internet presence. Printed portfolio are
cumbersome and fragile. After all the time you put into creating your print portfolio, the last
thing you want to do is bump a corner against a doorframe. Carrying a large portfolio of your
work to an interview is difficult. Designers are constantly creating new work, and hopefully
work that is better than previous work! Unfortunately, print portfolios tend to be very final,
and are difficult to update with recent work. In the past, designers mailed out their portfolios
to potential employers. Compared to the accessibility of an online portfolio, a print portfolio is
tough to reproduce and distribute and it’s also expensive. While the Digital Portfolios always
available, since the designer doesn’t need to be physically present, or send in or bring a
physical object. Digital portfolios are always available to be viewed. Sending your portfolio is
only a click away when it is digital, no postage required. Digital portfolios are flexible, and open
to changes. New work can go in almost immediately, without needing to redo everything else.
And when viewing work on a screen, you have the ability to zoom in and move around the
work, in ways that you can’t with print work.