Professional Documents
Culture Documents
Department of Education
Region V – Bicol
Schools Division Office
Camarines Norte
Eco Athletic Field, F. Pimentel Ave., camarines.norte@deped.gov.ph (054) 440-1772/(054) 440-4464
Daet, Camarines Norte DepEd Camarines Norte
CODE MAPEH7Q2W1
A. Content Standards
representative music from the highlands of Luzon.
B. Performance Standards The learner performs selected vocal and instrumental music of Cordillera.
Music of Cordillera
1. Teacher’s Guide pages Music and Arts Teachers Guide, pp. 61 - 69
III. LEARNING RESOURCES
2. Learner’s Materials pages Music and Arts Learners Module , pp. 59- 66
A. REFERENCES
3. Textbook pages
https:www.youtube.com/watch?v=3uJ-dwCfE
4. Additional Materials from
Learning Resource portal
https:www.youtube.com/watch?v=nFhUWV99AxM
http://www.youtube.com/watch?v=sRu0F_LGP9l
B. Other Learning Resources Speaker, recorded cordillera music, visual aids, task cards
Pre-Assessment (3-5 mins)
Direction: Ask the students to complete the table by classifying the keywords
according to their place of origin. Write their answer in their notebook.
IV. PROCEDURES
KEYWORDS
Gangsa Gitgit Kulial Kalutang Suling
Hanunoo Banduria Bungkaka Rondalla Hudhud
Mangyan Bontoc Pagang Octavina Kusyapi
Guitar Tongatong Laud
1. The teacher will play recordings of the following bamboo and metal
instrumental music
E. Discussing new concepts and a. Bungkaka (demonstration and proper playing of bamboo buzzer)
practicing skills #2 https:www.youtube.com/watch?v=3uJ-dwCfE
b. “Awong Chi Gangsa” – The Call of a Thousand Gongs
https:www.youtube.com/watch?v=nFhUWV99AxM
2. After listening, ask the students, how they can differentiate the sound of
metal and bamboo?
F. Developing mastery
2. Ask them to draw a line to connect the movement of the notes starting from
the first note to the last note.
3. Let the students describe the lines that they have created in 2 to 3
sentences.
Possible Answer: The melody of the song “Salidomay” moves from one note to the
other in steps and leaps.
1. The teacher will sing the melody of the song Salidomay, students will
sing its melody right after the teacher.
6. Evaluating learning 2. Divide the class into five groups according to their skill.
a. Singers
b. Dancers
c. Writers
d. Visual artists
3. Present the rubrics of the group performance found on the last page.
4. Let the students practice the song Salidomay and accompanied by a
simple rhythmic pattern
5. Group performance of the class
V. REMARKS
the lesson
D. No. of learners who continue to
require remediation
E. Which of my teaching strategies
worked well? Why did these
work?
F. What difficulties did I encounter
which my principal or supervisor
can help me solve?
G. What innovation or localized
materials did I use/discover
which I wish to share with other
teachers?
Task Card 1
Task Card 2
A. VOCAL MUSIC
B. INSTRUMENTAL MUSIC
1. METAL INSTRUMENTS OF CORDILLERA
1. Ibaloi Badiw – a style of singing
a. Gangsa Toppaya – gongs played by striking
without prior preparation or practice in
with the palm while rested on the lap
leader-chorus form
2. Owiwi (Kalinga) – lullabies
3. Dagdagay (Kalinga) – Infancy-related
songs
4. Oppia (Kalinga) - Infancy-related songs
5. Langan bata-bata (Tausug) - Infancy-
related songs
6. Bua (Subannen) - Infancy-related
songs
7. Kawayanna (Kalinga) - Infancy-related
songs
8. Hudhud (Ifugao) – epic poetry which is
recited and cahnted during occasions
Hudhud chants of Ifugao
b. Gangsa Palook – gongs strike or beaten with
wooden mallets usually played by men
Task Card 4
C. VOCAL ENSEMBLE WITH
INSTRUMENTAL ACCOMPANIMENT
- performed during courtship usually in
song debate form accompanied by
different instruments
Task Card 3
A. INSTRUMENTAL MUSIC
c. Tongatong – bamboo tube played by stomping each d. Ulibaw – jaw harp played by flicking one end while
tube against the ground placed between the lips
C. Presenting
examples/instances of the
new lesson
F. Developing mastery
H. Finding practical
applications of concepts
and skills in daily living
I. Evaluating learning