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The perception of mind architecture ‫اﻹدراك ﻓﻲ ﻋﻤﺎرة اﻟﺬﻫﻦ‬

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Ibrahim Jawad Kadhim Al-Yousif

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‫االدراك في عمارة الذهن‬ ‫‪2‬‬
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‫لدراكإفيإعمارةإالذهنإ‬
‫اإ‬
 ‫عنوان الك تاب‪ :‬اإلدراك في عمارة الذهن‬
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‫القياس‪ 17.5*12.5 :‬سم‬
‫عدد الصفحات‪ 126 :‬صفحة‬
‫اإلخ راج الفني ‪ :‬ا‪.‬د‪.‬إبراهيم جواد كاظم ال يوسف‬
‫سن ة الط بع ‪1443 :‬ه ‪ 2021 -‬م‪ /‬ط‪1‬‬
‫الن اش ر ‪ :‬دار الوالء للطباعة والنشر‬
‫المطبع ة ‪ :‬الوالء للطباعة والنشر‬
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‫االدراك في عمارة الذهن‬ ‫‪2‬‬
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‫‪3‬‬ ‫توطئة ‪...‬‬

‫االدراك في عمارة الذهن‬ ‫‪4‬‬
‫‪5‬‬ ‫توطئة ‪...‬‬
‫االدراك في عمارة الذهن‬ ‫‪6‬‬
‫‪7‬‬ ‫توطئة ‪...‬‬
‫االدراك في عمارة الذهن‬ ‫‪8‬‬
9
‫االدراك في عمارة الذهن‬ ‫‪10‬‬
‫‪11‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪12‬‬
‫‪13‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪14‬‬
‫‪15‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪16‬‬
‫‪17‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪18‬‬
‫‪19‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪20‬‬
‫‪21‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪22‬‬
‫‪23‬‬ ‫مقدمة عمارة بين عمارتين‬
24
‫‪25‬‬ ‫فهم العمارة‬
‫االدراك في عمارة الذهن‬ ‫‪26‬‬
‫‪27‬‬ ‫فهم العمارة‬
28
 ‫أ‬
‫‪29‬‬ ‫الصول العقلية في تجربة العمارة‬
30
‫‪31‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪32‬‬
‫‪33‬‬ ‫مقدمة عمارة بين عمارتين‬
‫االدراك في عمارة الذهن‬ ‫‪34‬‬
35
‫االدراك في عمارة الذهن‬ ‫‪36‬‬
‫‪37‬‬ ‫المعارضة الى فعل عمارة العقل‬
‫االدراك في عمارة الذهن‬ ‫‪38‬‬
39

-
 ‫‪-‬‬

‫االدراك في عمارة الذهن‬ ‫‪40‬‬

 ‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫أ‬
‫‪41‬‬ ‫االصول العقلية بين العقل واالدراكات‬
 ‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫االدراك في عمارة الذهن‬ ‫‪42‬‬

 ‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫أ‬
‫‪43‬‬ ‫االصول العقلية بين العقل واالدراكات‬
 ‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫‪-‬‬

‫االدراك في عمارة الذهن‬ ‫‪44‬‬

45
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‫االدراك في عمارة الذهن‬ ‫‪46‬‬

 ‫‪47‬‬

‫اقرأ المزيد على ‪ e3arabi:‬بيت الشالل –‬

‫فرانك لويد‬
‫رايت‬
‫‪https://e3arabi.com/?p=572025‬‬
‫االدراك في عمارة الذهن‬ ‫‪48‬‬
‫‪49‬‬ ‫قضايا في ادراك حقيقة العمارة‬
‫االدراك في عمارة الذهن‬ ‫‪50‬‬
51
 ‫‪)1‬‬

‫االدراك في عمارة الذهن‬ ‫‪52‬‬

 ‫‪)2‬‬

‫‪)3‬‬

‫‪)4‬‬

‫‪)5‬‬

‫‪53‬‬ ‫قضايا تثير االهتمام‬

‫االدراك في عمارة الذهن‬ ‫‪54‬‬
 ‫‪-‬‬

‫‪-‬‬

‫‪55‬‬ ‫قضايا تثير االهتمام‬

‫االدراك في عمارة الذهن‬ ‫‪56‬‬
‫‪57‬‬ ‫قضايا تثير االهتمام‬
‫االدراك في عمارة الذهن‬ ‫‪58‬‬
‫‪59‬‬ ‫قضايا تثير االهتمام‬
 ‫‪-‬‬

‫‪-‬‬

‫‪/‬‬

‫االدراك في عمارة الذهن‬ ‫‪60‬‬

 ‫‪-‬‬

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‫‪61‬‬ ‫قضايا تثير االهتمام‬

‫االدراك في عمارة الذهن‬ ‫‪62‬‬
 ‫‪-‬‬

‫‪-‬‬

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‫‪-‬‬

‫‪63‬‬ ‫قضايا تثير االهتمام‬

64
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65 ‫قضايا تثير االهتمام‬

‫االدراك في عمارة الذهن‬ ‫‪66‬‬
‫‪67‬‬ ‫قضايا تثير االهتمام‬
‫االدراك في عمارة الذهن‬ ‫‪68‬‬
‫‪69‬‬ ‫قضايا تثير االهتمام‬
‫االدراك في عمارة الذهن‬ ‫‪70‬‬
‫‪71‬‬ ‫قضايا تثير االهتمام‬
‫االدراك في عمارة الذهن‬ ‫‪72‬‬
‫‪73‬‬ ‫قضايا تثير االهتمام‬
74
‫‪75‬‬ ‫قضايا تثير االهتمام‬
 ‫‪)2‬‬

‫االدراك في عمارة الذهن‬ ‫‪76‬‬

77

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‫االدراك في عمارة الذهن‬ 78

‫‪79‬‬ ‫افكار في االعتبار والحقيقة في العمارة‬
80
‫‪81‬‬ ‫أفكار في أالعتبار وألحقيقة في ألعمارة‬
‫أالدرأك في عمارة ألذهن‬ ‫‪82‬‬
83
‫االدراك في عمارة الذهن‬ ‫‪84‬‬
‫‪85‬‬ ‫هل جمال المبنى حقيقي ام اعتباري‬
‫االدراك في عمارة الذهن‬ ‫‪86‬‬
‫‪87‬‬ ‫هل جمال المبنى حقيقي ام اعتباري‬
‫االدراك في عمارة الذهن‬ ‫‪88‬‬
89
‫االدراك في عمارة الذهن‬ ‫‪90‬‬
‫‪91‬‬ ‫خالصة الجمال والقبح‬
‫االدراك في عمارة الذهن‬ ‫‪92‬‬
‫‪93‬‬ ‫خالصة الجمال والقبح‬
94
‫‪95‬‬ ‫خاتمة ما تقدم‬
‫االدراك في عمارة الذهن‬ ‫‪96‬‬
‫‪97‬‬ ‫خاتمة ما تقدم‬
‫االدراك في عمارة الذهن‬ ‫‪98‬‬
‫‪99‬‬ ‫خاتمة ما تقدم‬
‫االدراك في عمارة الذهن‬ ‫‪100‬‬
‫‪101‬‬ ‫خاتمة ما تقدم‬
‫االدراك في عمارة الذهن‬ ‫‪102‬‬
‫‪103‬‬ ‫خاتمة ما تقدم‬
‫االدراك في عمارة الذهن‬ ‫‪104‬‬
‫‪105‬‬ ‫خاتمة ما تقدم‬
 ‫ُ‬
‫مازلت أبحث عن شي ٍء حين ضاعَ ض ّيعني ‪...‬‬

‫االدراك في عمارة الذهن‬ ‫‪106‬‬

 ‫‪107‬‬

‫كإفيإعمارةإالذهنإ‬
‫لدرا إ‬
‫اإ‬
‫االدراك في عمارة الذهن‬ ‫‪108‬‬
 ‫المصادرإوالمراجع‪ :‬إ‬

‫‪109‬‬ ‫االدراك في عمارة الذهن‬

‫االدراك في عمارة الذهن‬ ‫‪110‬‬
 ‫صدر عن المؤلف‬

‫‪111‬‬ ‫االدراك في عمارة الذهن‬

https://orcid.org/0000-0001-9823-1808

The perception of mind architecture 123

Ultimately, we stop at Mahmoud Darwish's statement:

I'm still looking for something when I'm lost ,it

lost me’.
Then we say to the one who reads, make your own.

Prof.Dr. Ibrahim J.K. Al-Yousif.

Dean of Architectural Engineering Department
Baghdad-2021

122 The perception of mind architecture

What architecture does in bringing qualities closer together
through the language of architecture, and the beauty of the
language in its vocabulary, gives its product beauty, that
has purpose and goals.
Therefore, the difference in ideas does not make man able
to perceive ideas and make mental images of opinions that
are very contrary to reality and may be contrary to his
perceptions of his society. A passion for knowledge of
architecture helps to learn, increases satisfaction at work,
and choice prevents the architecture from exhausting its
energy in shaping its product.

The architect is also able to determine what threatens his

life, so that he can come up with an architecture that
increases his security and safety, there is no concern in him,
no summons for failed experiments, and this is what his
mind does in avoiding one thing and sticking to something
else.
When architect is determining to meet the needs of a
human being, overreach increases the anxiety and tension
of a society waiting for it, and a concern about disrupting
the user's behavior. No matter how many architecture
options you have, first try to find your architecture. And
you hope for the vast universe, and you know what you see,
architecture will be a shadow of man resting.

The perception of mind architecture 121

meanings, which stop meanings, so as not to cling to a
superficial vision. To take ideas into account and the truth
in architecture through, a look at architectural output, or the
search for evidence in truth and consideration.

When the architect is forced to do what he does not want,

from his product or the product of society. To force a
particular product, it is a case of having to do it directly at
will, and it is not satisfied with the satisfaction of the act of
architecture and the desire to produce it, and there is no
proximity and no choice in being able to weight the act of
architecture or leave it, where the architecture is obliged to
do what it does not want from the product.

As for the effort of the architect to enter the field of

creativity, in breaking the barriers of distance between
consciousness and the unconscious and expressing its
secrets and reservoirs, in products that are inseparable from
man and see his values, morals and feelings. Beauty needs
to pave the way for freedom of thought and sensory
attachment. Architecture has a thought for a new, renewed,
and happy world.
We conclude that the qualities of beauty and ugliness
differ in architectural output, between external qualities
outside of acts and their judgment, or internal qualities in
acts that make them good or ugly. Or between subjective
qualities of government and ruler, and between objective
qualities associated with the actor and the effect.

120 The perception of mind architecture

When the architect looks for a method of the movement of
thought, there are those who look for ideas, others discuss
events, and others interfere in the affairs of architecture, it
is not new in their output. It is only in the architecture of
the past that it is a lesson from which we benefit from a
source, and today's architecture gives us experience in
keeping up with an era, and the architecture of the future is
a necessary step. To show a method of intellectual
movement in considerations, through exposure to the
subject of architecture and its concepts, purpose, and
consideration, and to take advantage of the specificity of
the beneficiary of the product and its dealings with it.
Multiple images of architecture are also illustrated by the
equation of its subject and its concept, where the thesis of
architect, in dealing with the products of architecture,
ranges from changing the ratio between ideas and
formations, leaving them, reversing them, or contrasting
them and reversing them.
We'll find out from him what it's going to take to do. It
shows those who do not make a mistake in building their
product, as it shows what the architect cannot do, and
whoever does not make a mistake, he cannot make a
discovery of a building.

we note that the reality of architecture is architecture,

although the trends in it and against it differ. To keep the
reality of architecture in the set of reflections in which the
human act seeks, in search of the truth of the viewer and its
internal machines, gives ideas in the consideration of

The perception of mind architecture 119

As far away from the structured approach to beauty and
ugliness, the difference may diminish and decrease as much
as it depends on all rather than partialities.
Attempts to make the difference a justified and existing
approach, leaving the difference based on fragmentation,
selection, and the fingerprint of the owner, in other words,
increase the act of choice in exchange for restricting
satisfaction with it.

Despite the issues that have been raised of interest in the

statement and search for the conclusion relationship, and
what has been achieved, it is a link between real and legal
perceptions.
Concepts and assumptions have emerged to multiple
theories, including the theory of the cycle of interest in
issues, and its vision of architecture has been determined, in
that the essence of the interest in architecture issues lies in
the nature of the problems that plague the internal
composition of the product and the method of interaction
between patterns of communication and architectural
partners, Through the methods of extracting the product and
among the recipients through the stages of time: the pre-
issue phase (problem), the stage of discovering the motives
and occurrence of the problem, the stage of realizing the
cost of solving the issue or problem, the gradual
contradiction in the intensity of public interest in the
subject, and the post-problem phase.

118 The perception of mind architecture

When the architecture movement is based on isolating
partial ideas and productions from their overall patterns to
which they belong, or are perceptions in selected words and
actions to achieve their prior purpose, or products based on
taste, wonder and desire,
On the one hand, the knowledge, cultural and social
system has been transformed into a complex of underage
and productive outcomes that frequently abuse human
production in its place and time, and on the other hand, it
does not respond to the requirements of life. This made the
dissonance clear between the directions of architecture and
its currents, revolutionary or conservative, or between
them.
Their outputs have made a weakness in distinguishing
between the real and the unreal. Architect and its society
live there and believe in different realities, as they offer
agreement on part of the external reality.
Or achieve a stable threshold in which multiple
explanations have been agreed upon. However, the lack of a
curriculum and dealing with reality as fragmentation and
selection, isolated from their natural frameworks, means a
conflict between domestic and foreign trends.
Because those qualities have come close to recessive
qualities and have their sporadic imprints, not like the
prevailing qualities that carry an all-encompassing common
imprint,
Thus, the difference between ugliness and beauty emerged.
The difference between one architecture and another, one
group and another, has widened,

The perception of mind architecture 117

which he participated related to research products for
graduate students. All encouraged the intellectual and
cultural institution in scientific research.
Architectural movement is not just events that we care
about, characters and their productions, or the provisions of
a product, or a conclusion of general perceptions that it
works on, but rather an effective and cumulative systematic
architectural act. It is also a method derived from the nature
of man, its creation and commissioning in the
reconstruction of the earth, its surroundings, above and
below it, conditional on the approval of the age of the earth.

In applications of a hard-to-follow approach,

the biography of architect corresponds to laws and
principles, putting it before the hands of our esteemed
readers. Diligently touch on the new ideas, which are
effective in our society, based on a logical question
represented in the equation of mind and perception. And the
success of architecture in them.

The writer followed the imbalances in the act of reason,

which follows the conditions of the environment, during
architecture and its cultural, economic, social,
environmental, and other effects. Based on multiple models
of mental origins between the mind and perceptions. The
most important of these imbalances, which he addressed, is
the communication obligation, which includes a statement
of difference between what is said and what is meant.

116 The perception of mind architecture

Great energies have been exhausted in the programmers,
he has prepared for each academic year in the subject
"Philosophy and Architecture", whose subjects have had the
greatest impact on the growth of scientific knowledge in
architecture theories and philosophy.

He was able to discover the architectural act in an

integrated system that is homogeneous between means,
purposes and principles, parts, and all, to reach an
architecture that has occurred, to verify the barrier between
them and the limit defined for them, or to show the idea of
the product and its physical composition. And what the
product represents, and its authority in the central region,
Being the place where the two things appear., such as unity
and non-unity, beauty, and ugliness.

The perception of the product relates to the nature of the

human cognitive experience and the data formed on its
subject matter. While the architect movement is one of its
episodes in interaction with life, the universe, the natural
and constructed environment, his message is a compendium
of a human experience through the ages, seeking
completion.

In addition to this research work, an important

experience, acquired by the author during his practice in the
teaching movement of research work specializing in the
philosophy of architecture, Theoretically and practically in
products, including one in which he worked and another in

The perception of mind architecture 115

The perception of mind architecture

Preface
This book is a lecture given by the author, in a series of
lectures to doctoral students, in the Department of
Architecture Engineering, Baghdad/Iraq, at the University
of Technology, as part of the architecture philosophy
subject for the academic year 2018-2019, the sixth lecture
entitled "Architecture between mind and perception", on
5/11/2018, in the program "Architecture as I see it".

Then he seemed to change the title of the lecture to turn

into a book entitled "Perception in the Architecture of the
Mind",
With new additions to it required by the nature of the
subject as a book and not as many lectures and brief
interventions, and the expression of the content of the new
title, with the investment of the author's effort, in the study
and analysis of architecture in both cognitive and mental
aspects, through other books in which he wrote about the
theories and philosophy of architecture.

114 The perception of mind architecture

University of Technology/ Iraq- Baghdad
Architectural Engineering Department
Baghdad – 2021

The perception of mind architecture 113

 112

The Perception
of mind architecture

Prof.Dr. Ibrahim Jawad Kadhim Al-

Yousif
 The Perception
of mind
architecture

Baghdad
2021

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